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a box that
I care not for interesting forms but for the spatiality of forms.
Through the medium of simple geometrical forms, I seek to
introduce a diversity of intentions and emotions and to take into
account intangible factors
using a
geometric simplicity which reveals a subtlety and richness in spatial articulation.
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a use of
limited material, which have their texture exposed, and a ambiguous articulation
of the function of space
Sense of sanctuary
exposed
At times walls manifest a power that borders on the violent. They
domains. Walls are the most basic elements of architecture, but
they can also be the most enriching.
Such things as light and wind only have meaning when they are
introduced inside a house in a form cut off from the outside world.
The isolated fragments of light and air suggest the entire natural
world. The forms I have created have altered and acquired meaning
through elementary nature (light and air) that give indications of
the passage of time and the changing of the seasons, and through
connections with human life. Although many possibilities for
different kinds of development are inherent in space, I prefer to
manifest these possibilities in simple ways
ruangnya yang sederhana, his focus upon nature as the essential counterform
to his architecture
makin menjelas.
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Site Plan
View
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di sisi timur. Keremangan yang disengaja dihadirkan dalam ruang yang hampir
tertutup sepenuhnya diperkuat oleh penggunaan material lantai kayu dan kursi
gereja yang gelap.
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amat khidmat sekaligus memukau pada saat yang sama, yet the simplicity of the
church is its beauty
an effort to architecturalize or abstracted in the above sense the
natural element of light. Space is nearly completely surrounded by
substantial concrete walls. Inside is true darkness. In that darkness
has been architecturalized and rendered abstract by opening in
the wall imparts tension to the space and makes it sacred.
Bongkar (Lagi) Kotak (yang mem-) Provokasi: (Azuma) Row House
In its simple
but rich spatial composition, in its expression of enclosure, and in the way light
gives character to daily-life spaces, this house encapsulates an image of my
architecture.
arah jalan
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living room
Lantai atas adalah kamar tidur di sisi yang paralel dengan jalan, dan studyroom
privat, secluded
kesan ini. Its unassuming and slightly austere concrete form belies a carefully
composed interior, emphasizing functionality and privacy.
entrance
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one enters the house and feel secure, but then one notices
beyond that space an open courtyard. To enclose an outdoor
space inside a building is contrary to common sense. To have
an outdoor space where one would expect the indoors is to
reserve space and to make space discontinuoushowever, the
discontinuity allows nature into the house.
a truly minimalist
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microcosm
Enclosed space yang memisahkan diri dengan
menutup dirinya sendiri dari dunia luar. Penutupan ini tentu saja dilakukan dengan
alasan untuk menyiapkan suatu kehadiran elemen luar. Hal yang ingin dilakukan
menghadirkan provokasi tertentu di dalamnya.
elemen yang menonjolkan kesan sepi dan tertutup namun sekaligus paling
utama provokasi ruang yang dimau. Dengan makna dinding masif seperti yang
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mungkin, tidak hanya satu namun dua lorong, saling tegak lurus dimana yang
sederhana yang terdiri dari dua lorong sempit dan panjang yang saling tegak
di sisi lorong kedua. Untuk mencapainya masih ada lorong pendek yang
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ruang di ujung luar sana memang menjadi tujuan. Dalam silau karena cahaya
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