ALLEN & HEATH

Publication: AP0179
Issue 2
CONTENTS
WARRANTY STATEMENT ................................................... 2
GL2 INTERNAL LAYOUT ...................................................... 41
INTRODUCTION ................................................................... 3
GL2 PANEL WIRING D246/1 ............................................... 42
TECHNICAL DESCRIPTION ................................................. 4
GL2-S FRONT PANEL .......................................................... 43
SPECIFICATION & CONNECTIONS .................................... 5
GL2-S REAR PANEL ............................................................. 44
REAR PANEL CONNECTIONS ............................................ 6
GL2-S INTERNAL LAYOUT ................................................... 45
INSTALLING THE CONSOLE ............................................... 7
GL2-S PANEL WIRING D327/2 ........................................... 46
EARTHING THE AUDIO SYSTEM ........................................ 7
INPUT PCB LAYOUT FW045D/3 ........................................ 47
INTERCONNECTIONS ......................................................... 8
INPUT PCB CIRCUIT D222/1 .............................................. 48
ADJUSTING THE LEVELS .................................................... 8
STEREO PCB LAYOUT FW046D/2 .................................... 49
OPTIONS ............................................................................... 8
STEREO PCB CIRCUIT D223/1 .......................................... 50
IDENTIFYING THE FAULT .................................................... 9
GL2 BLOCK DIAGRAM ......................................................... 51
SERVICE PROCEDURES ..................................................... 9
GL2 GROUP PCB LAYOUT FW047D/2 .............................. 52
PRECAUTIONS ..................................................................... 9
GL2 GROUP PCB CIRCUIT D224/1 .................................... 53
TROUBLESHOOTING CHART ............................................. 10
GL2 MODE SWITCH BLOCK DIAGRAMS ............................ 54
REMOVING THE BASE ......................................................... 11
GL2 MASTER PCB LAYOUT FW048D/3 ............................ 55
REPLACING A CHANNEL ASSEMBLY ................................ 11
GL2 MASTER PCB CIRCUIT D225/1 sheet 1 ..................... 56
REMOVING THE POWER UNIT ........................................... 12
GL2 MASTER PCB CIRCUIT D225/1 sheet 2 ..................... 57
INPUT CIRCUIT BOARD OPTIONS ..................................... 13
GL2-S BLOCK DIAGRAM ...................................................... 58
STEREO CIRCUIT BOARD OPTIONS ................................. 14
GL2-S RETURN PCB LAYOUT ............................................. 59
GL2 GROUP CIRCUIT BOARD OPTIONS ........................... 15
GL2-S RETURN PCB CIRCUIT C2322/1 sheet 1 .................. 60
GL2 MASTER CIRCUIT BOARD OPTIONS ......................... 16
GL2-S RETURN PCB CIRCUIT C2322/1 sheet 2 .................. 61
GL2-S RETURN CIRCUIT BOARD OPTIONS ...................... 17
GL2-S LR PCB LAYOUT ....................................................... 62
GL2-S LR CIRCUIT BOARD OPTIONS ................................ 18
GL2-S LR PCB CIRCUIT C2323/1 sheet 1 ............................ 63
SYS-LINK EXPANDER OPTION FITTING ............................ 19-26
GL2-S LR PCB CIRCUIT C2323/1 sheet 2 ............................ 64
SYS-LINK OPTION APPLICATION ....................................... 27-28
POWER UNIT PCB LAYOUT FW049/3 .............................. 65
RIAA INPUT OPTION FITTING ............................................. 29-32
POWER UNIT CIRCUIT D226/3 .......................................... 66
FITTING NON-STANDARD FADERS ................................... 33-34
POWER UNIT WIRING D247A/1 ........................................ 67
DESK STAND FITTING ......................................................... 35
POWER UNIT WIRING D247/1 ........................................... 68
ORDERING SPARE PARTS ................................................. 36-38
SYS-LINK PCB LAYOUT FW050/1 ..................................... 69
GL2 FRONT PANEL .............................................................. 39
SYS-LINK PCB CIRCUIT D242/1 ........................................ 70
GL2 REAR PANEL ................................................................. 40
RIAA PCB LAYOUT & CIRCUIT MBD111/1 ........................ 71

copyright 1995 ALLEN & HEATH. All rights reserved
INTRODUCTION
The information presented in this manual is intended for competent technical personnel to carry out service and product
support for the GL2 and GL2-S consoles. We assume that the reader is familiar with the related electronic theory and audio
terminology, and is able to carry out basic servicing, fault-finding and repair of audio equipment of this type. Service personnel
should also be familiar with audio system and mains earthing and power requirements, and the associated handling
precautions.
For further information on the operation and application of the GL2 or GL2-S please refer to the GL2 USER GUIDE
publication AP0177 or the GL2-S USER GUIDE publication AP2326 supplied with each console.
Whilst we believe the information in this manual to be reliable we do not assume responsibility for inaccuracies. We also reserve
the right to make changes in the interest of further product development.
SERVICE AND TECHNICAL SUPPORT

Under normal operating conditions the GL2 and GL2-S do not require user maintenance or internal calibration. Any service
work required should be carried out by qualified technical personnel only.
We are able to offer further product support through our worldwide distribution network. To help us provide the most efficient
service please would you quote the console serial number in any communication regarding this product.
SAFETY WARNING !
Mains electricity is dangerous and can kill. Mains voltage is present within the console power unit.
Do not remove the rear cover or internal power unit with mains connected. Check your mains
wiring and earthing before switching on. Refer service work to qualified service personnel only.
L2SM2
ALLEN & HEATH
TECHNICAL DESCRIPTION
The ALLEN & HEATH GL2 and GL2-S offers the flexible solution to the many requirements of the live sound and
recording environment; whether for conference sound ... in a club ... theatre .. or church ... for touring ... contract
hire ... as well as stereo and multitrack recording. Both versions offer 6 Aux sends switchable in combinations of
pre or post fader, a powerful 4-band 2-sweep equaliser, dedicated stereo channels, and comprehensive monitoring
facilities combine in a compact all metal rack mount chassis to allow total and reliable control of the mixed sound
whatever the application. The GL2 offers 4 sub groups each with 100mm faders, inserts and balanced outputs. It
has a unique switching arrangement which configures the console for Front-of-House or On-stage Monitor
operation, or a combination of both. The GL2-S offers 3 individual stereo outputs each with level control, 6 full
feature stereo inputs and 6 mono inputs.
CONSTRUCTION
All metal chassis for 19" rack mount in 11U space. Comprises a 16swg steel front panel housing individual channel
circuit assemblies interconnected by means of a plug-on IDC harness and single soldered copper wire earth busbar.
The connectors are rear (base) mounted for easy access and space saving in rack or plinth mounted applications.
Access to the internal assemblies is by removal of the 18swg folded steel base. The channel assemblies may be
removed for servicing. The internal power supply unit is a separate module which may be removed for servicing
without the need to remove the console base. Although the GL2 and GL2-S is designed for rack or plinth mounting,
the base is angled at the front and includes two rubber feet to allow the console to adjust for table-top operation using
a suitable rear support. This provides a slope of 14 degrees which allows the rear connectors to clear the mounting
surface whilst minimising the surface area used and providing a hidden or tamperproof connector system.
THE CIRCUIT COMPONENTS

GL2 and GL2-S consoles are manufactured using high performance industry standard linear op-amp, logic gate
and discrete semiconductor circuit designs. The same high quality components as found in top range consoles are
used. In particular the switches, potentiometers and 100mm faders have proven to be durable and problem free.
When operated correctly the normal performance of the console introduces no noticeable audio signal degradation.
THE POWER SUPPLY AND CONSOLE EARTHING

The GL2 and GL2-S uses a universal low noise regulated linear DC supply system for all amplifier, logic and
indicator subsystems. The internal power unit operates from single phase 50/60Hz AC mains input to provide the
three regulated DC outputs required for console operation: +16V (0.5A), -16V (0.5A), +48V (0.05A). The +/16V supplies are filtered into separate feeds for the audio and logic/indicator circuits on the individual circuit
assemblies. A high quality low radiation toroidal transformer is wired to suit the local mains supply voltage: 100,
110, 120, 220, or 240 V.AC. The power unit rear panel green LED indicator monitors the pre regulator +/-16V.DC
voltage while the console front panel DC ON indicator monitors post regulators. It is normal for the rear of the
console to run slightly warm as the regulator ICs are insulated and bolted to the power unit chassis which acts as
a heatsink. The console DC input wiring harness is soldered direct to the power unit circuit assembly. There is
enough harness loop to allow removal of the power unit from the console for inspection and servicing. A ground
(earth) lift switch is provided on the rear of the power unit to isolate the console audio 0V from mains earth to avoid
earth loops in situations where multiple earth paths are present, for example in 19" racks where the console is in
contact with earthed rack metalwork. The GL2 and GL2-S chassis metalwork is always connected to the mains
power lead earth connection to ensure operator protection from mains shock. DO NOT REMOVE THE
CONSOLE POWER LEAD MAINS EARTH ! The console audio performance is optimised by using an internal
distributed earthing system that separates audio and logic earths. A copper wire busbar is soldered across the circuit
assemblies to provide a solid low impedance earth path for the connector 0V returns.
AUDIO INPUTS AND OUTPUTS

The channel mic and line inputs, and main group, L-R and Mono outputs are electronically balanced (differential).
The SSM2142 differential output driver is used to balance the outputs. To use these with unbalanced equipment
the -ve signal should be linked to 0V in the cable or input connector. All console outputs are low impedance and
thus capable of driving several high impedance inputs simultaneously. All inputs and outputs except the group
inserts are in phase.
THE PFL/AFL SYSTEM

The console PFL (AFL) switches send pre-(post)-fade signal to the pfl (AFL) mix busses. This is switched within
the Phones/Monitor circuit by 4053 CMOS gates biased from a +/-7.5V DC supply generated locally from +/-16V.
These gates are switched from the selected monitor source when the PFL or AFL DC buss is switched to 0V. Note
that on GL2 only PFL overrides any selected AFL source.
ALLEN & HEATH
4
L2SM2
SPECIFICATION
0 dBu = 0.775 Volts RMS
0 dBV = 1 Volt RMS
INTERNAL OPERATING LEVEL: -2 dBu

FREQUENCY RESPONSE: 20Hz to 20kHz +0/-1dB
INTERNAL HEADROOM: ............ +23 dB
DISTORTION: . THD 0.01% Line in to mix out at 1kHz
MAX OUTPUTS: .......................... balanced +27 dBu 600 ohms max load
unbalanced +21 dBu 2kohms max load
All console inputs and outputs are in-phase except for the GROUP INSERTS on GL2
METERS: ..................................... Peak responding bargraph
0VU = +4dBu at XLR outputs
PEAK LEDs: ................................. Turn on 5dB before clipping
CROSSTALK: . output mute better than 98 dB at 1kHz

channel mute better than 88 dB at 1kHz
fader shutoff better than 88 dB at 1kHz
NOISE: ............ 22Hz to 22kHz
MIC EIN -127.5 dB into 150 ohms
LINE pre-amp at 0dB -88 dBu
MIX noise -85 dB ref 0VU
SIG LEDs:(GL2 only) .................. dynamic responding Turn on at -20dBu

DIMENSIONS:
Width ............... 19.0" standard 19" rack .......... (483mm)
Height .............. 19.2" 11U rack space ............. (488mm)
Depth ............... 3.5" ........................................... (90mm)
POWER REQUIREMENTS: ........ 50/60Hz 40W max

Mains voltage set for local requirements.
PHANTOM POWER: ................... +48V DC 50mA
Channel XLR inputs individually switched
CONSTRUCTION:
All metal chassis.
Standard 19" rack mount in 11U space.
Single front panel with individual removable circuit assemblies.
Removable base for service access.
Removable internal power supply unit.
WEIGHTS:
Unpacked ........ 21lbs ................... (10.5kg)
Packed ............ 28lbs ................... (13kg)
CONNECTIONS
INPUTS:
MIC IN ............................ XLR ............................ pin 2 hot, 3 cold balanced .......... 2 kohms ........... variable -60 to -10dBu
LINE IN .......................... XLR ............................ pin 2 hot, 3 cold balanced .......... 10 kohms ......... variable -40 to +10 dBu
or
1/4" JACK .................. tip hot, ring cold balanced .......... 10 kohms ......... variable -40 to +10 dBu
STEREO IN A ................ 1/4" JACK .................. tip hot, ring cold unbalanced ...... 20 kohms ......... variable -20 to +22 dBu
STEREO IN B ................ RCA PHONO ....................................... unbalanced ...... 20 kohms ......... variable -20 to +22 dBu
RETURN IN ................... 1/4" JACK .................. tip hot, ring gnd unbalanced ...... >10kohms ........ variable -10 dBV min
2-TRACK RETURN ....... RCA PHONO ....................................... unbalanced ...... >6 kohms ......... -10 dBV
INSERT RETURN .......... 1/4" JACK .................. tip send, ring ret unbalanced ...... >6 kohms ......... -2dBu
OUTPUTS:
L-R OUT ........................ XLR ............................ pin 2 hot, 3 cold balanced .......... 50 ohms ........... +4 dBu +27 dBu max
ST1/2 (GL2-S only) .......... 1/4" JACK .................. tip hot, ring gnd unbalanced ...... 75 ohms ........... variable +21 dBu max
MONO OUT (GL2 only) .. XLR ............................ pin 2 hot, 3 cold balanced .......... 50 ohms ........... +4 dBu +27 dBu max
GROUP OUT (GL2 only) XLR ............................ pin 2 hot, 3 cold balanced .......... 50 ohms ........... +4 dBu +27 dBu max
DIRECT OUT ................. 1/4" JACK .................. tip hot, ring gnd unbalanced ...... 75 ohms ........... -2 dBu . +21 dBu max
AUX OUT ....................... 1/4" JACK .................. tip hot, ring gnd unbalanced ...... 75 ohms ........... variable +21 dBu max
2-TRACK SEND ............ RCA PHONO ....................................... unbalanced ...... 1 kohm ............. -10 dBV
INSERT SEND ............... 1/4" JACK .................. tip send, ring ret unbalanced ...... 75 ohms ........... -2 dBu . +21 dBu max
MONITOR OUT (GL2 only) 1/4" jack ................. tip left, ring right unbalanced ...... 100 ohms ......... variable +21 dBu max
MONITOR OUT (GL2-S only) RCA PHONO ................................ unbalanced ...... 700 ohms ......... variable +15 dBu max
PHONES OUT ............... 1/4" jack ..................... tip left, ring right for stereo headphones 8 to 400 ohms
L2SM2
ALLEN & HEATH
GL2 CONNECTOR PANEL
GL2-S CONNECTOR PANEL
ALLEN & HEATH
L2SM2
INSTALLING THE CONSOLE

The GL2 and GL2-S fits into an 11U space in a standard 19" rack system. Alternatively the console may be adapted
for flightcase, plinth or table top operation. Ensure adequate access for installing the connectors on the rear.
Avoid using the console close to strong sources of electromagnetic radiation (e.g. video monitors, high power
electric cabling); this may cause degradation of the audio quality due to induced voltages in connecting leads and
chassis.
19" rack width
Provide adequate space behind the rear of

the console power unit for ventilation.
The panel may feel warm around the
power unit. This is quite normal as the
chassis acts as a heatsink for the internal
power supply components.
The two M3 base securing bolts each side
align with mounting recesses in the rack
system.
11U space
Mount the console using 4x M6 bolts each

side for maximum strength. These should
be provided by the supplier of the rack kit.
The height does not include the control
knobs (add 20mm) or connector nuts (add
8mm).
The rack should allow a minimum side to
side clearance of 450mm.
The GL2 and GL2-S has two support feet

fitted to the front of the base to set the
correct angle (14 degrees) for table top
operation with adequate clearance for the
connectors. Support the rear of the console to achieve this angle. Operation in
this way prevents interference with the
connectors and takes up the minimum of
table space.
PRECAUTION !
TO AVOID DAMAGE TO THE INTERNAL ASSEMBLIES DO NOT
FIT SCREWS THROUGH THE HOLES IN THE SIDES OF THE
CONSOLE. SECURE TO EXTERNAL BRACKETS OR FITTINGS
THROUGH THE TOP PANEL RACK MOUNTING HOLES.
EARTHING THE AUDIO SYSTEM

It is well known that many audio installation problems are due to inadequate or incorrect earthing. To ensure the
high level of performance for which the GL2 and GL2-S are designed please note the following:
The console chassis is connected to mains earth via the power cord. FOR SAFETY REASONS NEVER
REMOVE THE EARTH WIRE FROM THE MAINS PLUG. The console audio 0V is connected to mains earth
within the console power unit by the ground lift switch. To prevent mains born and external interference pick-up
on the audio signal it is important that this audio 0V is connected to a good noise-free mains earth, either through
the audio cable screens or by linking to a local earth. Multiple earth paths cause earth (ground) loops which may
result in audible hum and interference. These may be avoided by making sure that there is only one path to earth
from each piece of equipment, disconnecting audio cable screens at one end if necessary.
Selecting the ground lift switch on the rear of the console disconnects the console audio 0V from the chassis (mains)
earth. This avoids ground loops in situations where the chassis metalwork is in physical contact with another path
to earth, (often the case in 19" rack installations), or if audio 0V connects to mains earth elsewhere in the system.
Ground lift switch located on
rear of the console power unit.
Press to disconnect audio 0V
from mains earth.
L2SM2
ALLEN & HEATH
INTERCONNECTIONS
Incorrectly or badly made interconnecting cables will cause performance and reliability problems, often difficult
to locate. It is important that the cables are carefully chosen and made. In particular, check the soldering and
insulation of the connectors.
Where possible use balanced connections for the channel INPUTs and GROUP, L-R and MONO outputs to
minimise noise pick-up. Avoid running audio cables near to mains or lighting cables or thyristor dimmer units,
power supplies etc. These may cause audible hum and buzz. The use of low impedance sources significantly reduces
interference pick-up. Check the cables for correct wiring to avoid problems with phase reversal and unreliable
connection. The GL2 and GL2-S follow the convention for XLR pin 2 and jack tip = signal hot (+).
Always use balanced cables when connecting to phantom powered microphones.
MAKE SURE THAT THE +48V SWITCHES ARE OFF (FLUSH WITH PANEL) WHEN THE CHANNEL
INPUT XLRS ARE CONNECTED TO NON-PHANTOM POWERED OR LINE SOURCES.
If ground loops cause problems connect the cable screen at one end only as described below. Balanced outputs may
be connected to unbalanced inputs and vice versa by linking the signal cold (-) to 0V ground as follows:
Balanced output to Balanced input - Connect cable screen at destination only.
Balanced output to Unbalanced input - Connect screen at source only. Link the -ve output to 0v at the output
connector. On the GL2 and GL2-S the unbalanced 1/4" jack inputs automatically provide this link.
Unbalanced output to Balanced input - Connect cable screen at destination only. Link the -ve input to 0V
at the input connector. On the GL2 and GL2-S the unbalanced outputs automatically provide this link.
ADJUSTING THE LEVELS

Incorrect matching of the signal levels between equipment in the audio system is recognised as one of the most
common performance related problems reported to service agents. The usual symptoms are excessive background
noise, signal breakthrough or distortion.
For best performance it is important that the console signal levels are adjusted for normal operating level. If too
high the signal peaks will be clipped resulting in a harsh distorted sound, and if too low the signal-to-noise ratio
is reduced resulting in excessive background noise (hiss and hum) and signal breakthrough.
For best results operate the console with the output meters averaging 0 or just below and allowing the occasional
high level passage to rise into the red. This results in a nominal console output level of +4dBu with ample internal
headroom of +23dB to allow for the peaks. It is advisable to use an attenuator pad if you are connecting the outputs
to equipment which does not have input level controls and operates at a much lower level. Simply reducing the fader
settings (and hence meter levels) to compensate may result in excessive background noise and breakthrough due
to the reduced signal-to-noise ratio. The same applies to the console monitor output used to check the console signals
through headphones or reference loudspeakers. The monitor amplifier should be matched to the console such that
normal control room listening levels are achieved with the monitor LEV control set around position '5' to '7'.
Operating at a lower position, say '2' or '3', degrades the output signal-to-noise ratio and may result in audible hum
and noise.
The console PFL (pre-fade listen) / AFL (after-fade listen) system lets you listen to and check the level of signals
at different points in the signal path without affecting the main outputs. Use the channel PFL switches to set up
the input levels. This overrides the phones/monitor outputs with the pre-fader channel signal (in mono) and displays
its level on the monitor meters. Adjust the channel GAIN controls for an average '0' reading on the meters. Use the
aux, group and L-R AFL switches to check the post master fader mix levels. Adjust the channel faders for optimum
mix level. The normal operating setting of the faders is at the '0' position, allowing 10dB of boost to the top of travel.
The red channel, group (GL2 only) and L-R (GL2 only) PEAK indicators give instant warning of potential signal
overload. These illuminate 5dB before clipping. Reduce channel gain or fader settings as appropriate. Each Group
fader on the GL2 has a meter ladder showing signal presence (dynamic indication starting at -20dB), 0dB level,
and peak (5dB below clipping).
OPTIONS
The GL2 and GL2-S presents a high degree of flexibility to satisfy most user applications without the need to
reconfigure the internal assemblies. However, options are available to further extend the capabilities of the console.
These require access to and reconfiguration of the internal assemblies and should only be carried out by authorised
service agents or qualified technical personnel. These are detailed in the section: CIRCUIT BOARD OPTIONS.
The SYS-LINK option is also available to link two or more consoles, or to link a GL2 to a GL2-S or to a GL4 console
to extend the number of channels feeding the mix. This is detailed in the section: SYS-LINK EXPANDER
OPTION.
ALLEN & HEATH
L2SM2
WHEN A FAULT IS SUSPECTED ...

The console is the control centre of the typical audio installation, providing the link between microphones,
instruments and other sound sources, processing devices, amplifiers etc. through a "highway" of interconnecting
cables carrying audio signals, DC power and AC mains voltages. If a problem is reported it is often assumed that
the console is at fault. Our experience has shown that most reported problems are related to faulty cables, equipment
matching and control setting, or faulty external equipment, and not to the console itself which is designed for
continued fault-free performance with no user maintainance. It is usual only to replace worn out electro-mechanical
parts such as faders during the life of the console.
When a problem is reported it is necessary to isolate the location of the fault within the system. Only when tests
have been made to eliminate faults in equipment connected to the console and in the interconnection cables, should
you attempt to repair or report the console as faulty. A TROUBLESHOOTING CHART is included in this manual
to assist you in identifying the more common fault conditions.
Note that only technically competent personnel should attempt service work on this console. Check also the validity
of the manufacturers or selling agents warranty. Always quote the console serial number when reporting a fault.
IDENTIFYING THE FAULT

Fault diagnosis is often carried out remotely by telephone with the user who is often non-technical and needs to be
talked through a series of simple tests to identify the symptoms and locate the problem. These include substitution
of cables and equipment inputs and outputs. If the console is still suspected as faulty it is recommended that all its
audio cables are unplugged and a single known good sound source is patched across the channels to test for correct
operation by monitoring the output through headphones. This often eliminates problems with system earthing and
matching with external equipment.
Faults may be of a permanent or intermittent nature. If intermittent try to induce the symptom by flexing cables,
wiggling connectors, selective mechanical vibration or flexure, and thermal (hot, cold) cycling. Use substitution
of known good circuits to aid identification of the faulty circuit.
SERVICE ACCESS AND PROCEDURES

Access to the internal assemblies is by removal of the base. The power unit may be
removed for service without removing the base first. Individual circuit assemblies may
be lifted for service or removed for replacement. Procedures for base, power unit and
circuit assembly removal follow later in this manual.
Service work is best carried out with the console inverted on a clean work surface
suitably covered to protect the console cosmetics. Ensure adequate lighting. Remove
all debris such as solder, component legs and wire clippings from inside the console,
and check your work carefully before replacing the base. Test for correct operation.
If the console is to be sent by carrier we advise that you check the packing for suitability
first. Use the purpose designed ALLEN & HEATH packing if it is still intact. This
packing is illustrated here for reference.
PRECAUTIONS
L2SM2
Check the console for correct mains voltage connection before switching on.
Disconnect the mains input before removing the base or power unit. Apply caution
when testing the console or power unit with base removed.
Handle the console and its internal assemblies with care to avoid damage to the
components or cosmetics. Do not lift or balance the panel on the circuit assemblies
with the base removed.
Do not plug or unplug the internal IDC connectors with power applied.
Check the connectors for correct alignment and seating.
If replacing or removing the power unit, check the console DC harness wiring for
correct connection to the power unit circuit board.
Check the copper wire earth busbar for correct solder connection to all the circuit
boards.
Use a good small tip soldering iron for circuit board work to avoid track or pad
damage.
9
ALLEN & HEATH
TROUBLESHOOTING CHART
The following chart is a guide to the more common fault conditions which may be reported by the user. These assume that
the user has identified thje console itself as suspect. For other console related fault conditions contact an authorised ALLEN
& HEATH service agent.
CONSOLE DEAD - POWER INDICATORS OFF:
No AC mains to the console.
Check that AC mains is present and switched to
the console.
Power supply fuse blown.
Replace with correct antisurge type and rating.
Power unit component fault.
Contact service agent.
CONSOLE DEAD - PANEL DC INDICATOR DIM
OR OFF, REAR POWER INDICATOR NORMAL:
Regulated DC supply rail/s failed
Short circuit on DC power rails.
Use an ohmmeter to test for shorts across the
console DC rails.
CONSOLE DEAD - PANEL DC INDICATOR DIM,
REAR POWER INDICATOR DIM:
Incorrect mains input voltage.
Pre-regulator power unit fault.
Contact service agent.
GROUP, L-R OR MONO OUTPUT DEAD:
REV or MONITOR MODE switches not correctly set.
Check switch settings for intended application.
SIGNAL DEAD OR DISTORTED:
Insert not correctly wired, or processing equipment
not switched on.
This may be checked by unplugging the insert.
Worn or faulty Insert jack socket.
With nothing plugged into an Insert the signal is
routed through the jack switching contacts. Check
this by plugging in an unwired 3-pole jack plug
and shorting tip (send) to ring (return).
Internal IDC connector misaligned or not pressed on.
Check and reseat.
Component fault.
Trace the signal through the channel path.
LOW LEVEL POOR QUALITY SIGNAL:
'One legged' signal connection.
Check the cables for correct wiring. For balanced
signals both the + and - signal should be connected
to the related input or output + and - terminals. For
unbalanced signals the - terminal should be linked
to ground. GL2 and GL2-S unbalanced jack
connectors do this automatically. Operating with
either the + or - signal unconnected will result in
6dB less level ad a loss of signal quality.
FADER INTERMITTENT OR NOT OPERATIONAL:
Fader mechanically worn or broken.
Replace fader.
Fader track contaminated with dirt or liquid residue.
Replace fader. Do not clean the track with spray or
other electrical cleaner.
ALLEN & HEATH
EXCESSIVE NOISE (HISS), BREAKTHROUGH or

DISTORTION:
Incorrect level matching, for example connecting to
a sensitive amplifier.
The main outputs are professional 'high' level =
+4dBu. For connection to low level equipment an
attenuator pad after the output is recommended.
Optimum performance is achieved with the
faders and meters operated around the '0' mark.
Operating the output faders at low settings to
compensate for sensitive equipment degrades
signal to noise performance. The console PFL
system and PEAK indicators allow
comprehensive checking of the console levels.
Balanced output incorrectly wired - excessive hiss
but signal present.
For balanced operation check that both + and pins are connected.
For unbalanced operation check that the - pin is
linked to 0V in the plug.
EXCESSIVE NOISE (HUM):
Console 0V not connected to mains earth via a
suitable cable connection.
The console chassis metalwork is connected to
mains earth via the power unit to ensure operator
safety. A ground lift switch is provided to allow
optimum system earthing in a way that best
avoids audible earth (ground) loops. If the 0V to
mains earth path is not made within the console
or system then audible hum or buzz may result.
Earth (ground) loop formed due to multiple earth
paths.
External AC hum field induction.
Console or audio cable positioned too close to the
power supply unit or other AC mains equipment
and cables.
Internal AC hum field induction.
The power unit toroidal transformer should be
rotated to the position which minimises audible
hum on the main console outputs. A mu-metal
shield may be fitted to reduce this.
EXCESSIVE NOISE (BUZZ):
External computer interference or breakthrough.
Keep the console and audio cable harnesses away
from computer equipment and associated cables,
thyristor dimmer units and lighting equipment.
EXCESSIVE NOISE (CLICKS, THUMPS,
CRACKLES, POPS):
Control clicks and thumps may be due to a poor
local mains voltage supply or due to excessive
circuit DC offset voltages.
Continuous crackles and pops may be due to noisy
ICs, transistors or resistors.
10
L2SM2
REMOVING THE BASE

Access to the internal assemblies of the GL2 and GL2-S is by removal of the chassis base from the front panel assembly. The
procedure detailed below also applies to the GL2-S. Only the power unit may be removed with the base in place: see section
REMOVING THE POWER UNIT. Proceed in the sequence as follows:
THE CONSOLE
INVERT
AND REMOVE 4x M3
BASE SECURING
SCREWS.
THE MAINS INPUT,

DISCONNECT
UNPLUG ALL CABLES AND REMOVE
DO NOT REMOVE
THESE 3x POWER
UNIT FIXING
SCREWS.
THE CONSOLE FROM THE RACK OR

CASE.
2x POWER
REMOVE
UNIT SIDE M3
SCREWS.
ALL THE JACK NUTS

REMOVE
(15mm NUTDRIVER) AND 4AB
CONNECTOR SCREWS (XLRs,
PHONOS) AND D-CONNECTOR
NUTS IF FITTED.
LIFT OFF
CAREFULLY
THE BASE.
4x FRONT PANEL
REMOVE
M3 SCREWS
4x FRONT PANEL
REMOVE
SIDE M3 SCREWS AND NUTS
REPLACING A CHANNEL ASSEMBLY

If it is necessary to remove a channel assembly for service or replacement proceed as follows: Pull off the associated knobs.
Remove the potentiometer nuts using an 11mm nutdriver. Avoid scratching the control panel. Remove the ribbon cable
harness. Cut the solid wire earth busbar either side of the channel to be removed as shown below. Remove the associated fader
or desolder the fader wires as required.
When replacing the assembly make sure that the potentiometers, switches and LED indicators are correctly aligned with the
slots in the control panel. Check also the correct assignment of the Group and Stereo assemblies. Reconnect the earth busbar
by overlapping the wire where cut and soldering together. Use sufficient solder to ensure good joints.
CUT EACH
SIDE AT BEND
L2SM2
11
OVERLAP
AND SOLDER
ALLEN & HEATH
REMOVING THE POWER UNIT

The power unit is common to both the GL2 and GL2-S. The power unit may be removed for servicing with the base in place.
PRECAUTIONS ! Disconnect the console from the mains supply before removing the power
unit. Servicing of the power unit should only be carried out by technically competent personnel.
DANGER - HIGH VOLTAGE !
REMOVE THE 3x REAR
POWER UNIT M3 SCREWS
REMOVE THE 2x
SIDE M3 SCREWS
LIFT THE POWER UNIT OUT OF THE BASE. BE CAREFUL

NOT TO TRAP THE ATTACHED CONSOLE DC HARNESS
WHEN REMOVING OR REPLACING THE POWER UNIT.
CONSOLE DC
HARNESS ON
THIS SIDE
0V
GREEN WIRE
+16V RED WIRE

-16V BLACK WIRE
CHS GREEN/YEL WIRE
+48V BLUE WIRE
The console internal DC harness connects the power unit output to the channel assemblies. The harness runs between channels
8 and 9 and along the ribbon cable recess to the Master circuit assembly. The wires are soldered to the power unit to ensure
low impedance connections for power distribution. The harness allows enough service loop for the power unit to be lifted clear
of the console for service work. To replace the unit it is necessary to desolder the wires.
PRECAUTION ! Check that the console DC harness wires are soldered to the
correct power unit pins before switching the console on. Ensure good solder joint. Retin the pins if necessary.
PRECAUTION ! Check that the power unit is set for the correct local mains voltage
supply before switching the console on.
ALLEN & HEATH
12
L2SM2
GL2
RACK MOUNT MIXER
THE BENEFITS OF USING SYS-LINK
The GL2 SYS-LINK option allows console to console interconnection by means of a single
cable. By connecting two GL2 consoles together the number of input channels may be
doubled. One console acts as a channel expander (slave) of the second (master). Up to 4
consoles may be 'daisy-chained' in this way.
Plugging consoles together using SYS-LINK connects the signals directly to the console
busses so avoiding the use of the main console outputs and channel inputs for the master / slave
connection. All the console channels are available to the user for input sources.
SYS-LINK CONNECTIONS
SYS-LINK connects all the console main outputs including L, R, 4 Groups and 6 Aux sends.
The PFL/AFL system is also interconnected such that operating PFL or AFL on the slave
console activates the master console monitor system. Operating PFL or AFL on the master
does not activate the slave monitor system which may be used for 'local' monitoring if
required. SYS-LINK connects the PFL/AFL audio mix and DC control busses.
SYS-LINK outputs are taken pre-fader so that the slave console output connectors may be
used for sub-mix or 'zone' feeds if required. All output signals are separately buffered,
unbalanced, low impedance and operate at a line level of -2dBu to prevent problems with audio
interference and to maintain the console headroom of 23dB.
SYS-LINK inputs are presented directly to the console mix busses, are unbalanced line level
at -2dBu, and are high impedance to prevent loading the connected source.
SYS-LINK is presented on two 25way female D-type connectors, one for the console buss
inputs and the other for the outputs. Several pins are provided for audio 0V earth.
USING SYS-LINK
Connect GL2 consoles using a standard 25way male to male D-type cable, available from
any ALLEN & HEATH appointed agent (part AL0583 / ZX000-367 1 metre IDC ribbon) or
from computer shops (25line male to male). It is advised that this cable is a screened type
if longer than 1 metre, no longer than 3 metres in total, and that locking connectors are used.
Connect the slave console SYS-LINK output to the master console SYS-LINK input.
SYS-LINK may also be used to connect the GL2 to other audio equipment. Make sure that
all unused inputs (except the PFL/AFL DC inputs) are linked to 0V earth at the SYS-LINK
input to prevent audible interference from connected audio signals. Connect line level signals
of around -2dBu. The GL2 PFL/AFL system may be activated by switching the PFL or AFL
DC input to 0V earth through a 15k ohm resistor.
For information on fitting SYS-LINK please refer to FITTING INSTRUCTIONS AP0204
SYS-LINK APPLICATIONS NOTE

Publication AP0205
Issue 1
Feb 94
CONSOLE TO CONSOLE CONNECTION USING SYS-LINK

MASTER GL2
SLAVE GL2 (CHANNEL EXPANDER)
OUT
IN
IN
FROM SLAVE 2
GL2 REAR PANEL VIEW

MULTI OUTPUT / SLAVE
SYS-LINK connectors are 25way D-type female.

Use 25way D-type male to male connector cable.
-2dBu
Line level output at -2dBu

Unbalanced, buffered, in-phase
OUT
Low impedance < 75 ohms

PFL/AFL DC output is direct
connection to console busbars.
All outputs are pre-fader
Line level input at -2dBu

Unbalanced, in-phase
IN
High impedance = 22k ohm

When connecting to other
audio equipment (not GL2) link
all unused audio inputs to 0V
earth at the SYS-LINK input.
PFL/AFL DC input is through internal diode so

that Slave activates Master PFL/AFL but Master
does not activate Slave.
MULTI INPUT / MASTER
-2dBu
GL2 SYS-LINK
To activate PFL or AFL: Switch the DC input to

0V earth through a 15k ohm resistor. Connect
the audio signal to PFL or AFL IN.
APPLICATIONS NOTE AP0205
ALLEN & HEATH
GL2 &
GL2S
RACK MOUNT MIXERS
SYS-LINK
EXPANDER OPTION
To connect one GL2 or GL2-S console as a channel expander to a second
console by means of a single interconnecting cable.
Kit GL2-SL1 = SINGLE

Single option to install SYS-LINK to one GL2/GL2-S console to allow
interconnection to a second console already fitted with SYS-LINK.
Interconnecting cable not supplied.
Kit GL2-SL2 = DUAL

Dual option to install SYS-LINK to two GL2/GL2-S consoles.
Interconnecting cable supplied.
For information on using SYS-LINK please refer to APPLICATIONS NOTE AP0205
FITTING INSTRUCTIONS
Publication AP0204
Issue 2
Aug 95
THE GL2 SYS-LINK EXPANDER OPTION

The GL2-SL1(2) option is supplied as a kit of parts to be installed in the ALLEN & HEATH GL2 or
GL2-S console. This allows console to console interconnection via the GL2 SYS-LINK connector
standard.
For information on using SYS-LINK please refer to the separate APPLICATIONS NOTE AP0205.
Access is required to the console internal assemblies. Circuit assembly and soldering is necessary.
THIS WORK SHOULD ONLY BE CARRIED OUT BY TECHNICALLY QUALIFIED PERSONNEL.
1.
CHECK THE CONTENTS OF THE KIT
These are listed on the PACKING SHEET AP0203 enclosed with the kit.
The option comprises a pre-tested circuit assembly with connectors and wiring harness fitted, and a
replacement plug-on IDC ribbon harness.
2.
PREPARE THE WORK AREA
Tools required include a 2-point crosshead screwdriver, 5, 12 and 15mm , longnose pliers, small
wirecutters, and a fine tipped soldering iron.
3.
REMOVE THE CONSOLE BASE
THE CONSOLE
q INVERT
AND REMOVE 4x M3 BASE
SECURING SCREWS.
DO NOT REMOVE
THESE 3x POWER
UNIT FIXING SCREWS.
Follow the NUMBER SEQUENCE
THE MAINS INPUT, UNPLUG

n DISCONNECT
ALL CABLES AND REMOVE THE CONSOLE
FROM THE RACK OR CASE.
2x POWER UNIT
r REMOVE
SIDE M3 SCREWS.
ALL THE JACK NUTS

s REMOVE
(15mm NUTDRIVER) AND 4AB
CONNECTOR SCREWS (XLRs,
PHONOS).
LIFT OFF THE

t CAREFULLY
BASE.
4x FRONT PANEL M3
p REMOVE
SCREWS
4x FRONT PANEL SIDE

o REMOVE
M3 SCREWS AND NUTS
GL2 SYS-LINK EXPANDER OPTION
SHEET AP0204
ALLEN & HEATH
4a. FIT THE SYS-LINK CIRCUIT ASSEMBLY GL2
DIAGRAM 1
Unplug and remove the existing console IDC ribbon harness.

Cut out a section of the earth busbar between stereo channels 11/12 and 13/14 leaving about 3mm
at each end.
Remove the 4x screwlocks from the front of the SYS-LINK D-connectors. Keep these to secure
the connectors after the base is refitted.
Remove the 2x M3x6mm screws from the end of the SYS-LINK assembly spacers.
Position the SYS-LINK assembly between the stereo channels 11/12 and 13/14. Solder the free ends
of the green earth wires to the cut ends of the console earth busbar.
Now mount the SYS-LINK assembly to stereo channel 11/12 using the M3x2mm screws previously
removed through the stereo board holes into the spacers.
4b. FIT THE SYS-LINK CIRCUIT ASSEMBLY GL2-S
DIAGRAM 1
Unplug and remove the existing console IDC ribbon harness.

Cut out a section of the earth busbar between stereo channels 15/16 and 17/18 leaving about 3mm
at each end.
Remove the 4x screwlocks from the front of the SYS-LINK D-connectors. Keep these to secure
the connectors after the base is refitted.
Remove the 2x M3x6mm screws from the end of the SYS-LINK assembly spacers.
Position the SYS-LINK assembly between the stereo channels 15/16 and 17/18. Solder the free ends
of the green earth wires to the cut ends of the console earth busbar.
Now mount the SYS-LINK assembly to stereo channel 15/16 using the M3x2mm screws previously
removed through the stereo board holes into the spacers.
5a. SOLDER ON THE SYS-LINK WIRE HARNESS GL2
DIAGRAM 2
Lay the harness above the faders positioning each branch in place against the Group and Master
circuit assemblies.
Solder the prepared ends of the harness wires to their corresponding square solder pads on the Group
assemblies. This may be done with the assemblies in place by carefully using a fine-tipped
soldering iron. Make sure the wiring pads are tinned with fresh solder first for good joints. The
suggested order is :
Group Assembly 1
Pink wire, then Blue, Red, Yellow
Group Assembly 2
Pink, Blue, Red, Yellow
Lift the Master Assembly slightly from the panel to gain access to the wiring pads. Do this by
removing the master control knobs, potentiometer nuts and chrome jack socket nut. Desolder the
earth busbar from the Master assembly.
Solder the harness wires to the wiring pads on the Master Assembly as illustrated. the suggested
order is :
Master Assembly
Pink, Blue, Red, Yellow, Brown, Grey
Refit the Master assembly. Make sure that the jack washers, potentiometers and meter LEDs are
correctly positioned in the panel cutouts. Replace the control nuts and knobs.
Resolder the earth busbar to the Master Assembly.
ALLEN & HEATH
SHEET AP0204
5b. SOLDER ON THE SYS-LINK WIRE HARNESS GL2-S DIAGRAM 3

Lay the harness above the faders positioning each branch in place against the Stereo Return and
L/R circuit assemblies.
Solder the prepared ends of the harness wires to their corresponding square solder pads on the Stereo
Return assemblies. This may be done with the assemblies in place by carefully using a fine-tipped
soldering iron. Make sure the wiring pads are tinned with fresh solder first for good joints. The
suggested order is :
Stereo Return Assembly 1
Pink wire, then Blue, Red, Yellow
Stereo Return Assembly 2
Pink, Blue, Red, Yellow
Solder the harness wires to the wiring pads on the L/R Assembly as illustrated. The suggested order
is :
L/R Assembly
Brown *, Grey *, Pink,Yellow, Blue, Red
* Note that the Brown and Grey wires are most easily soldered by applying the iron from the
component side of the L/R assembly which is a through hole plated PCB.
6. FIT THE IDC RIBBON HARNESS
DIAGRAM 1
Plug on the IDC ribbon harness supplied with the kit. Make sure that all the pins are correctly aligned
and seated on the circuit assemblies including the SYS-LINK assembly.
Reposition the console power cable as shown in Diagram 1 to avoid it becoming trapped between
the IDC connectors and base.
7. CHECK YOUR WORK AND REFIT THE BASE

Clean out any dirt or debris. Check for correct connector seating, earth busbar and harness wire
connections, and good solder joints. Check that the SYS-LINK assembly and its components are
correctly secured and positioned on the stereo assembly.
Remove the stick-on covers from the D-connector cutouts in the base.
Refit the base making sure that the internal console power cable is correctly positioned.
Fit the 4x screwlocks to the D-connectors to secure them to the base panel.
8.
TEST THE CONSOLE

Apply power and test the console for correct operation.
SYS-LINK may be tested by probing the D-connectors or connecting to another GL2 or GL2-S with
the option fitted. A standard 25way male D-type connector cable is required to interconnect
consoles.
Assembly diagrams 1,2 and 3, circuit diagram and layout, and harness drawing follow for reference.
SHEET AP0204
ALLEN & HEATH
Add wire for

pre-EQ
Add wire for

pre-insert
GL2200 fitting connector PCB.
INTERNAL LINK OPTIONS

The console is set to satisfy most applications that should be encountered. However, the following
internal link options are offered to provide alternative settings for those applications that may require
them. These options involve resoldering of circuit board links and should only be carried out by
competent technical personnel. Further information is available in the GL2200 SERVICE MANUAL
and from your agent.
MONO & STEREO INPUT
1. Reconfigure each aux as required to be permanently pre-fade or post-fade rather than
switched by the front panel PRE switch.
2. Reconfigure the pre-fade sends to be pre-EQ / pre-mute, or post-EQ / pre-mute, instead
of the standard post-EQ / post-mute.
3. Disable +48V phantom power regardless of panel switch position - remove link.
4. Reconfigure the Direct Out Source to be pre-fade or post-fade.
DIRECT OUT
SOURCE
PRE-FADE
POST-FADE
PP
+48V
ENABLE
POST-FADE
SWITCHED
PRE-FADE
PRE-MUTE
POST-MUTE
PRE EQ
POST EQ
MONO
L22 STEREO
AG3428
PP
+48V
ENABLE
LEFT
POST EQ
PRE-EQ
RIGHT
POST EQ
PRE-EQ
AUX 6
CUT LINKS
INSERT IC
SSM2142
LEFT
POST-MUTE
PRE MUTE
RIGHT
POST-MUTE
PRE MUTE
STEREO
LEFT
L22 LEFT
AG3426
AUX 5
CUT LINKS
INSERT IC
SSM2142
LEFT & CONNECTOR

For Aux out 5 & 6 balance option with
jack output tip = hot, ring = cold. Remove
two links and plug in balance driver IC.
CONNECTOR
AUX 2/4
CUT LINKS
INSERT IC
SSM2142
AUX 1/3
CUT LINKS
INSERT IC
SSM2142
L22 GROUP
AG3425
GROUP
GROUP
For Aux out 1-4 balance option with jack
output tip = hot, ring = cold. Remove two
links and plug in balance driver IC.
GL2200 USER GUIDE
25
*/
5533
Audio mixing console
6(59,&(#0$18$/
PUBLICATION: AP3389
CONTENTS
Introduction ............................................................................................................................3
Service and Technical Support ..............................................................................................3
Safety Warning & General Precautions .................................................................................3
The GL2200 Range & Options ..............................................................................................4
Flightcasing the Console........................................................................................................4
Dimensions ............................................................................................................................4
Specifications & Connections ................................................................................................5
Ordering a GL2200 Console, Options and Documentation...................................................6
Ordering an Assembly ...........................................................................................................7
Ordering a Spares Kit ............................................................................................................8 - 9
Front Panel Layout.................................................................................................................10
Rear Panel Layout .................................................................................................................11
Block Diagram........................................................................................................................12
GL2200 INPUT Circuit Board component Ident ....................................................................AG3395
GL2200 INPUT Circuit Diagram ............................................................................................C3395
GL2200 STEREO Circuit Board component Ident ................................................................AG3428
GL2200 STEREO Circuit Diagram (Page 1 of 2) ..................................................................C3428
GL2200 STEREO Circuit Diagram (Page 2 of 2) ..................................................................C3428
GL2200 GROUP Circuit Board component Ident ..................................................................AG3425
GL2200 GROUP Circuit Diagram (Page 1 of 2) ....................................................................C3425
GL2200 GROUP Circuit Diagram (Page 2 of 2) ....................................................................C3425
GL2200 LEFT Circuit Board component Ident ......................................................................AG3426
GL2200 LEFT Circuit Diagram (Page 1 of 3) ........................................................................C3426
GL2200 RIGHT Circuit Board component Ident ....................................................................AG3427
GL2200 RIGHT Circuit Diagram (Page 1 of 2) ......................................................................C3427
GL2200 RIGHT Circuit Diagram (Page 2 of 2) ......................................................................C3427
GL2200 OSC/NOISE Circuit Board component Ident ...........................................................AG3519
GL2200 OSC/NOISE Circuit Diagram ...................................................................................C3519
GL2200 PSU Circuit Board component Ident........................................................................AG3504
GL2200 PSU Circuit Diagram................................................................................................C3504
Warning to the Service Engineer

Allen & Heath warns that any unauthorised changes or modifications to the GL2200 unit may
invalidate the legal compliance of the unit and could void the users authority to operate the
equipment.
GL2200 Service Manual AP3389 Issue 1. Copyright 1999 Allen & Heath. All rights reserved
MANUFACTURED IN ENGLAND BY:
ALLEN & HEATH AGENT:
ALLEN & HEATH

Kernick Industrial Estate
Penryn, Cornwall, TR10 9LU. UK
http://www.allen-heath.com
A DIVISION OF HARMAN INTERNATIONAL INDUSTRIES Ltd
GL2200 SERVICE MANUAL
Introduction
The information presented in this manual is intended for competent technical personnel to carry out
service and product support for the GL2200 range of consoles. We assume that the reader is familiar
with the related electronic theory and audio terminology, and is able to carry out servicing, faultfinding
and repair of audio equipment of this type. Service personnel should also be familiar with audio
systems, mains earthing and power requirements, as well as handling precautions.
For information on the configuration, operation and application of the GL2200 range, please
refer to GL2200 User Guide (A&H Part no: AP3388).
Whilst we believe the information in this manual to be reliable we do not assume responsibility for
inaccuracies. We also reserve the right to make changes in the interest of further product
development.
Service and Technical Support

Under normal conditions the GL2200 does not require user maintenance or internal calibration. Any
service work required should be carried out by qualified service personnel only.
We are able to offer further product support through our world-wide network of approved dealers and
service agents. You can also access our Web site on the Internet for information on our product
range, assistance with your technical queries or simply to chat about audio matters. To help us
provide the most efficient service please keep a record of the console serial number, the date and
place of purchase to be quoted in any communication regarding this product.
SAFETY WARNING!
Mains electricity is dangerous and can kill. Mains voltage
is present within the console power supply unit.
Do not remove the power supply cover with mains
electricity connected. To ensure your safety, mains earth
is connected to the chassis through the power lead. Do
not remove this mains earth connection.
To avoid the risk of fire, replace the mains fuse only with
the correct value and type as indicated on the power
supply unit.
The internal power supply unit contains no serviceable components

and must be replaced as a complete unit if a failure occurs.
General Precautions
Your GL2200 is ruggedly constructed to give many years of reliable operation. However, you will
extend the life of the console and preserve its cosmetics by applying these simple common sense
precautions.
x
Avoid storing or using the mixing console in conditions of excessive heat or cold, or in positions
where it is likely to be subject to vibration, dust, dirt or moisture.
Do not use any liquids to clean the control surface of the console, a soft dry brush or dry lint-free
cloth is ideal.
Use only water or ethyl alcohol to clean the trim and scribble strips. Other solvents may cause
damage to paint or plastic parts.
The faders, switches and potentiometers are lubricated for life. The use of electrical lubricants on
these parts is not recommended.
Avoid using the console close to strong sources of electromagnetic radiation (e.g. video monitors,
high power electric cabling): this may cause degradation of the audio quality due to induced
voltages in connecting leads and chassis. For the same reason, always site any external power
supply away from the unit.
The GL2200 Range

12, 16, 24 and 32 channel models
GL2200-412
GL2200-416
GL2200-424
GL2200-432
10 mono, 2 stereo, 4 groups, 6 aux, 2 stereo returns, L, R, Mono sum

Options
GL2200-SL1
RPS9
Sys-link buss expander, one kit per console

2U rack mount power supply for backup
Flightcasing The Console

If the console is to be regularly moved we recommend that it is installed in a foam-lined flightcase.
At all times avoid applying excessive force to any knobs, switches or connectors.
Dimensions for flightcasing the console are shown below:
Dimensions
Unpacked
Packed
Width
depth
height
weight(kg)
Width
depth
height
weight(kg)
GL2200-412........................548............ 572 ............ 155 ............16.................... 700............ 750 ............280............ 20
GL2200-416........................668............ 572 ............ 155 ............18.................... 815............ 750 ............280............ 23
GL2200-424........................920............ 572 ............ 155 ............24.................... 1065.......... 750 ............280............ 29
GL2200-432........................1160.......... 572 ............ 155 ............30.................... 1325.......... 750 ............280............ 35
RPS9 power supply ............483............ 140 ............ 96 ............. 6..................... 540............ 270 ............180............ 8
Specifications
0 dBu = 0.775 Volts rms
0 dBV = 1 Volt rms
HEADROOM:............................................................ +21dB
MAX OUTPUT: ..............XLR +25dBu 2kohm max load
...........................................JACK +21dBu 2kohm max load
METERS: L, R.peak reading 12 bar LED
Groups 1-4.peak reading 4 segment LED
Channelspeak reading 4 segment LED
PEAK LEDs: ........................... Turn on 5dB before clipping
FREQUENCY RESPONSE referred to 1kHz @ +4dBu:
Any input to any output.................... 20Hz to 30kHz +0/-1dB
DISTORTION: THD+Noise @ +14dBu 1kHz
Mic in to L-R output, 40dB gain ................................0.010%
Line in to L-R output, 0dB gain .................................0.008%
CMRR
Mic in, 40dB gain @ 1kHz ......................................... >88dB
CROSSTALK: Referred to driven channel @ 1kHz

Adjacent channel ... < -94dB
Channel fader off ..................................................... < -90dB
Channel mute on ..................................................... < -90dB
Channel Pan pot isolation ........................................ < -80dB
NOISE: Measured rms, 22kHz bandwidth
Mic input EIN (150 ohm source)............................. < -128dB
Line preamp, 0dB gain........................................... < -90dBu
L-R output residual noise .....................< -94dBu (98dB S/N)
L-R faders 0, nothing routed...............< -90dBu (94dB S/N)
L-R mix noise (16 channels routed) .....< -84dBu (88dB S/N)
Group, faders 0, nothing routed..........< -91dBu (95dB S/N)
Group mix noise (16 channels routed).< -84dBu (88dB S/N)
POWER SUPPLY:.................... 100 to 240V AC @ 47/63Hz
................................... Internal, autosensing AC mains input
Power consumption: ..............................................60W max
Mains Fuse rating 100-240VAC: ............... T1A 250V 20mm
Connections
INPUTS:
Mic in .............................XLR.........................pin 2 hot, 3 cold, balanced .................... >2k Ohm..........variable -60 to -20dBu
Line in ............................XLR.........................pin 2 hot, 3 cold, balanced .................... >10k Ohm........ variable -30 to +10dBu
or TRS jack .................tip hot, ring cold, balanced .................... >10k Ohm........ variable -30 to +10dBu
Stereo Ch Line in ...........TRS jack .................tip hot, unbalanced................................ >8k Ohm ......... -20dBu min
Stereo Return.................TRS jack .................tip hot, unbalanced................................ >6k Ohm.......... -10dBV min
2-Track Return ...............RCA PHONO ..........unbalanced ........................................... >10k Ohm........ -10dBV min
Insert Return ..................TRS jack .................tip send, ring return, unbalanced........... >6k Ohm.......... 0dBu (chan), -2dBu (out)
OUTPUTS:
L-R, Group out ...............XLR.........................pin 2 hot, 3 cold, balanced .................... <75 Ohm ......... +4dBu, +27dBu max
Direct out........................TRS jack .................tip hot, impedance balanced ................. <75 Ohm ......... 0dBu
2-Track sends ................RCA PHONO ..........unbalanced ........................................... <75 Ohm ......... variable +21dBu max
Aux out..........................TRS jack .................tip hot, impedance balanced ................. <75 Ohm ......... variable +21dBu max
Mono out ........................XLR.........................tip hot, ring cold, balanced .................... <75 Ohm ......... +4dBu, +27dBu max
Insert send .....................TRS jack .................tip send, ring return, unbalanced........... <75 Ohm ......... 0dBu (chan), -2dBu (out)
Monitor out .....................TRS jack .................tip left, ring right, unbalanced ................ <75 Ohm ......... variable +21dBu max
Phones out.....................TRS jack .................tip left, ring right .................................... for stereo headphones 30 to 600 Ohms
Ordering a GL2200 Console

To order a new console please specify the model number and AC mains voltage required.
MODEL
DESCRIPTION
ORDER CODE
GL2200 12 Channel
GL2200 16 Channel
GL2200 24 Channel
GL2200 32 Channel
10 mono + 2 stereo input channels

14 mono + 2 stereo inputs channels
GL2200-412/volts
GL2200-416/volts
GL2200-424/volts
GL2200-432/volts
Ordering an Option
To order an option please specify the serial number of the console that is to have the option fitted.
MODEL
DESCRIPTION
ORDER CODE
GL2200-SL1
GL2200 SYS-LINK KIT

GL2200 Balanced Output IC option
2U external linear power supply
GL2200-SL1
AE0302
RPS9/volts
RPS9
Manuals and Support Documentation

DESCRIPTION
ORDER CODE
GL2200 User Guide

GL2200 Service Manual
GL2200 Brochure
GL2200 SYS-LINK Fitting Instructions
GL2200 SYS-LINK Application Note
RPS9 User Guide
AP3388
AP3389
AP3390
AP3622
AP3623
AP0334
Service Tools
The tools required to service the GL2200 are standard to an electronic service workshop and are
easily obtainable. The following items are necessary for disassembly and service access:
1-point Crosshead screwdriver (M3, 4AB)
2-point Crosshead screwdriver (M4, 6AB)
11mm AF Nutdriver (potentiometer nuts)
12mm AF Nutdriver (jack nuts)
AT0004
AT0002
Ordering an Assembly
The following assemblies are supplied fully tested. Please note that several of these need to be
assigned according to their position in the console. This is achieved by soldering wire links or
assignment pads. It is best to check the assignment settings of the assembly you are replacing before
removing it from the console. Please quote the description and order code for the part required.
Printed Circuit Board (PCB) Assemblies:

* specify position of PCB assembly
Mono Input & Connector PCB assembly
Stereo Input & Connector PCB assembly
* Group PCB assembly
OSC/Noise PCB assembly
Left PCB assembly
Right PCB assembly
Switch Mode PSU assembly (12 & 16)
Switch Mode PSU assembly (24 & 32)
002-412
002-442
002-439
002-453
002-440
002-441
002-456
002-457
IDC connector harnesses:

GL2200-412
GL2200-416
GL2200-424
GL2200-432
20 way Main harness

20 way Main harness
20 way Main harness
20 way Main harness
AL3535
AL3536
AL3537
AL3538
Left & Right Chassis side trims

Write-on strip (specify console size)
AA2539-L/R
AK0327
The Chassis Trim

GL2200 (all formats)
Ordering a Spares Kit

It is recommended that the spares kit order code 002-481 is held and maintained by the service agent
to enable in-field service repairs to the GL2200 independent of the ALLEN & HEATH factory.
Commonly available items such as resistors, capacitors, tools and soldering equipment are not
included. The contents of the kit are listed below and are supplied in a cabinet of drawers. Individual
spare parts may be ordered. Please quote the description and order code for the part required.
DESCRIPTION
ORDER CODE
QTY
Fixings:
Screw 4AB x 5/16 CSK Pozi Black
Screw 6AB x 3/8 Pan Pozi Black
Screw M3 x 6mm Pan Pozi Black
Nylock Nut M3
Screw 4AB x Pan Pozi Plated
Screw 6B x Trunc Pozi Zinc
Screw 4 x 5/16 Pan Pozi Plastite
Screw 6B x 5/16 Pan Pozi Black
Screw 4 x 5/16 Poly Pan Pozi
AB0059
AB0062
AB0072
AB0073
AB0078
AB0079
AB0102
AB0233
AB0252
AB2083
AB2771
AB2809
AB2810
5
10
5
10
5
5
5
10
4
10
5
5
10
AJ2074
AJ2075
AJ2076
AJ2077
AJ2078
AJ2079
AJ2080
AJ2864
AJ2865
AJ2887
AJ2960
AJ2961
AJ2962
AJ3228
AJ8078
AJ8079
AJ8080
AJ8081
10
10
10
10
10
10
10
10
10
1
10
10
10
3
10
5
5
5
AI0150
AI8003
AI8004
AI8005
AI8006
AI8007
5
5
5
5
5
5
Knobs and caps:

Knob Red & Grey 11mm D
Knob Blue & Grey 11mm D
Knob Light Blue & Grey 11mm D
Knob Green & Grey 11mm D
Knob Dark Grey & Grey 11mm D
Knob Yellow & Grey 11mm D
Knob Brown & Grey 11mm D
Button 5.5mm Square Grey
Button 10 x 5mm Rectangular Grey
Button Round Black
Button 5.5mm Square White
Button 5.5mm Square Red
Button 10 x 5mm Rectangular White
Button 10 x 5mm Rectangular Black
Fader Knob 11mm White+Black Line
Fader Knob 11mm Red+Black Line
Fader Knob 11mm Yellow+Black Line
Fader Knob 11mm Blue+Black Line
Faders, Potentiometers, Switches and connectors:

Pot 10KC x 2 (103C 14mm wide)
Pot 20KK (203K 11mm wide)
Pot 20KB centre click (203B 11mm wide)
Pot 200KC x 2 (204C 11mm wide)
Pot 20KB x 2 centre click (14mm wide)
Pot 20KK x 2 (203K 14mm wide)
8
Pot 10K centre click (103AC 14mm wide)

Pot 5K (502RD 11mm wide)
Fader 10KA x 2 60mm
Fader 10KD 100mm
Fader 10KD x 2 100mm
Switch 2PCO Latching 90 Deg
Switch 4PCO Latching
Switch 2PCO Momentary
Jack Socket Headphone
XLR 3 Pin Female Vertical PCB Mount
XLR 3 Pin Male Vertical PCB Mount
Molex 0.1 Male 10 Pin 90 Deg
Molex 0.1 Female 10 way Straight
Jack Socket Stereo Unswitched
Jack Socket Stereo Switched
Pot Nut 9mm
AI8008
AI8111
AI8051
AI8117
AI8118
AL0162
AL0333
AL0374
AL0328
AL2410
AL2411
AL2572
AL2573
AL3407
AL3410
AB8050
5
5
5
10
5
5
5
5
1
5
5
3
3
5
5
10
AE0020
AE0037
AE0068
AE0273
AE3001
AE8069
AE0046
AE0071
AE0117
AE0221
AE0084
AE0085
AE0086
AE2701
AE3502
3
2
2
5
2
5
5
2
1
5
5
5
5
1
10
AH0205
AH0206
AH0323
AL0305
10
002-435
002-436
002-437
002-438
AH2228
LEDs and Semiconductors:

Transistor BC549 NPN
Transistor BC638 PNP
Transistor BC637 NPN
Transistor 2N4403 PNP
Transistor BC556B PNP
Transistor 2SB737 PNP
IC Op-Amp TL072
IC LM339N Quad Comparator
IC CMOS 4053B
IC Op-Amp NE5532N
LED 3mm T1 Yellow
LED 3mm T1 Green
LED 3mm T1 Red
LED Bar Rectangular 12 Way
LED 5 x 2mm Rectangular Red Flat Top
Power Supply:
Mains Lead IEC-2pin EURO
Mains Lead IEC-3pin UK
Mains Lead IEC-3pin US (C33)
Mains Fuse 20mm 1A Anti-Surge
Miscellaneous:
GL2200-412 Packing Assembly
Flex Cable 12 Way 90mm
10
30
-15
MF2
3-4
1-2
L-R
PFL
30
SIG
PFL
20
30
OO
OO
SIG
10
3-4
1-2
L-R
SIG
20
OO
30
10
10
MUTE
EVEN
R
PRE
+6
+6
PRE
+6
+6
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
HF
-15
MF2
PFL
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
3-4
1-2
L-R
SIG
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
250Hz
15kHz
+ 15
PFL
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
3kHz
30
+6
10
MF2
LF
-15
35Hz
MF1
500Hz
-15
- 10 20
PAD
GAIN
+6
MUTE
HF
12kHz
100Hz
60 30
50
-30dB
40
+6
20
3-4
1-2
L-R
EVEN
R
PRE
+6
+6
PRE
+6
+6
+6
+6
EQ IN
+ 15
+ 15
1kHz
30
PAD
48V
PEAK
+ 15
- 10 20
PAD
GAIN
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
+ 15
15kHz
250Hz
30
10
10
MF2
LF
-15
35Hz
MF1
50
100Hz
60 30
40
3kHz
+6
MUTE
EVEN
R
PRE
+6
+6
PRE
+6
+6
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
-15
500Hz
12kHz
HF
- 10 20
PAD
PEAK
+ 15
15kHz
250Hz
3kHz
50
100Hz
60 30
GAIN
-30dB
40
-30dB
48V
PAD
PAD
48V
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
10
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
11
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
12
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
13
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
14
3-4
1-2
20
60dB
20
10
+6
+6
PRE
+6
+6
+6
+6
OO
10
10
MUTE
EVEN
R
EQ IN
+ 15
+ 15
+ 15
+ 15
MIC
LINE
PRE
STEREO
30
20
50
40
48V
LINE
TO L-R
27-28
3-4
1-2
L-R
PFL
SIG
+6
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
-15
-15
-15
OO
OO
10
10
MUTE
30
MIC TOTALK
10
20
BAL
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
LF
250Hz
MF2
2.5kHz
MF1
12kHz
HF
LINE
GAIN
MIC
GAIN
16
STEREO
30
EVEN
R
PRE
+6
+6
PRE
+6
+6
+6
+6
EQ IN
+ 15
+ 15
+ 15
+ 15
MIC
LINE
LINE
TO L-R
20
10
60dB
50
40
48V
25-26
L-R
PFL
SIG
+6
30
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
-15
-15
-15
OO
10
20
BAL
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
LF
250Hz
MF2
2.5kHz
MF1
12kHz
HF
LINE
GAIN
MIC
GAIN
15
TALK
OSC/NOISE
ON
AUX
5-6
AUX
3-4
AUX
1-2
GRP
1-4
L-R
9
10
8
0
4
2
1kHz OSC
PINK NOISE
MIC TO TALK
ENABLE
+ 15
ODD
OO
OO
AUX1
OO
30
20
10
10
PAN
AUX
1
OO
PAN
+6
AUX2
OO
30
20
10
AUX3
OO
30
20
10
AUX4
OO
30
20
10
AUX5
OO
30
20
10
AUX6
OO
30
20
10
R
L
MUTE
AFL
AFL
10
MUTE
+ 10
WEDGE MONITOR
OO
AFL
10
MUTE
AFL
10
MUTE
AFL
10
MUTE
+ 10
AFL
AFL
10
MUTE
L-R
2-TRK
10
L-R
RETURN
FOH
STAGE MONITOR
PEAK
OO
R6
MONO OUT
PFL/AFL
L-R/AUX 5-6
REVERSE
AFL
AUX
6
SIG
+ 10
L5
+6
PEAK
OO
SIG
L-R
AFL
AUX
5
PAN
+ 10
SIG
+6
PEAK
OO
3
L-R
GRP/AUX 3-4
REVERSE
AFL
AUX
4
MONITOR
LEV 4 5
REPLAY
TO
+ 10
PFL/AFL
OO
SIG
PAN
+ 10
-30
-20
-16
-12
-9
-6
-3
+3
+6
+9
+ 16
MONITOR
+ 10
+6
PEAK
OO
OO
2-TRACK
SIG
L-R
AUX
3
RECORD
SEND
POWER
AFL
+ 10
LAMP
SIG
PEAK
+6
PEAK
L-R
GRP/AUX 1-2
REVERSE
AFL
+ 10
OO
30
10
20
OO
10
10
30
MUTE
EVEN
PFL
20
+6
+6
+ 15
+ 15
AUX
2
ODD
OO
OO
STEREO
RETURN
L-R
3-4
BAL
AUX
2
AUX
1
-15
-15
10
PFL
MUTE
EVEN
+6
+6
+6
OO
STEREO
RETURN
L-R
1-2
BAL
AUX
2
AUX
1
60Hz
60Hz
+ 15
LF
LF
-15
HF
12kHz
-15
HF
12kHz
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
17
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
18
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
19
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
20
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
21
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
22
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
23
0
30
-15
MF2
3-4
1-2
L-R
PFL
SIG
+6
+6
+6
+6
+6
10
10
MUTE
EVEN
R
PRE
+6
+6
EQ IN
+ 15
+ 15
1kHz
+ 15
PRE
OO
30
20
250Hz
15kHz
+ 15
100Hz
60 30
50
-30dB
PAD
48V
40
3kHz
PEAK
ODD
L
OO
OO
OO
OO
OO
OO
-15
PAN
AUX
6
AUX
5
AUX
4
AUX
3
AUX
2
AUX
1
60Hz
-15
35Hz
MF1
LF
-15
500Hz
12kHz
HF
- 10 20
PAD
GAIN
24
GL2200 FRONT PANEL
LINE
IN
LINE
IN
MIC/LINE
IN
DIRECT
OUT
23
LINE
IN
MIC/LINE
IN
DIRECT
OUT
24
DIRECT
OUT
21
22
MIC/LINE
IN
LINE
IN
21
INSERT
DIRECT
OUT
MIC/LINE
IN
22
23
24
INSERT
INSERT
INSERT
20
DIRECT
OUT
MIC/LINE
IN
LINE
IN
20
INSERT
MIC/LINE
IN
DIRECT
OUT
MIC/LINE
IN
DIRECT
OUT
18
LINE
IN
19
18
LINE
IN
INSERT
19
INSERT
17
DIRECT
OUT
MIC/LINE
IN
LINE
IN
17
INSERT
OUT
SEND
2-TRACK
RETURN
OUT
OUT
MONO
AFL/PFL
L INSERT
INSERT R
AUX
MONITOR
AUX
TIP L
RINGR
32
OUT
INSERT
AUX
STEREO
RETURN
AUX
L/MONO
OUT
INSERT
31
30
OUT
INSERT
AUX
STEREO
RETURN
AUX
OUT
AUX
GRP/AUX
REVERSE
GRP
L/MONO
INSERT
29
SYS-LINK
OUT
SYS-LINK
IN
TALKBACK
MIC
15
14
DIRECT
OUT
MIC/LINE
IN
LINE
IN
14
INSERT
13
DIRECT
OUT
MIC/LINE
IN
LINE
IN
13
INSERT
EXTERNAL SUPPLY
ACTIVE
INTERNAL SUPPLY
ACTIVE
T1A 250V 20mm
WARNING - THIS APPARATUS MUST BE EARTHED.
100 - 240V~
WARNING: DISCONNECT SUPPLY BEFORE CHANGINGFUSE.

ATTENTION: COUPER L'ALIMENTATION AVANT DE CHANGER LE FUSIBLE.
ATTENTION: REMPLACER LEFUSIBLEAVEC UN DES MEMES CARACTERISTIQUES.
CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACEFUSE

WITH SAMETYPE AND RATING.
MIC
26
28
16
STEREO
IN
25
STEREO
IN
L/MONO
27
L/MONO
47-63Hz ~ 60W MAX
SUPPLY VOLTAGERANGE:
100 - 240V.AC
12
DIRECT
OUT
MIC/LINE
IN
LINE
IN
12
INSERT
10
CAU TI ON
DIRECT
OUT
MIC/LINE
IN
LINE
IN
INSERT
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
DIRECT
OUT
MIC/LINE
IN
LINE
IN
INSERT
WARNING: TOREDUCE THE RISK OF ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TORAIN OR MOISTURE
SEE INSTALLATION INSTRUCTIONS BEFORE CONNECTING TO THE SUPPLY
DO NOT OBSTRUCT VENTILATION OPENINGS
NO USER SERVICEABLE PARTS INSIDE
DIRECT
OUT
11
MIC/LINE
IN
LINE
IN
10
INSERT
DIRECT
OUT
MIC/LINE
IN
LINE
IN
11
INSERT
DIRECT
OUT
MIC/LINE
IN
LINE
IN
INSERT
- OUT
XLR OUT
+ OUT
RETURN
SEND
LINE
IN/OUT
DIRECT
OUT
MIC/LINE
IN
LINE
IN
INSERT
INSERT
RING
TIP
RING-
TIP +
2
INPUT
DIRECT
OUT
MIC/LINE
IN
LINE
IN
INSERT
1
3
TIP + IN
RING-IN
- IN
+ IN
FOR XLR LINEINPUT

UNPLUG LINEJACK
DIRECT
OUT
LINE
MIC
MIC/LINE
IN
LINE
IN
INSERT
DIRECT
OUT
MIC/LINE
IN
LINE
IN
INSERT
DIRECT
OUT
MIC/LINE
IN
LINE
IN
INSERT
DIRECT
OUT
MIC/LINE
IN
LINE
IN
INSERT
GL2200 REAR PANEL
11
AUX 1-6
GRP 1-4
LEFT
RIGHT
P/AFL
SL
BLOCK DIAGRAM
L-R
= SYSLINK
OPTION
LEVEL
AUX1-2
4-BAND 2-SWEEP
EQUALISER
MONO
CHANNEL
x10, 14, 22 or 30
PEAK
+ 6dB
0dB
SIG
-30dBu
DIM
AUX5-6
ON
PINK
NOISE
GEN
PRESS
TO
TALK
TALKBACK SIGNAL
FROM STEREO INPUT
FADER
HF
SELECT
AUX3-4
PFL
PAD
LINE IN
OSC/PINK NOISE
/TALKBACK
1KHz
OSCILLATOR
GRP1-4
GAIN
STEREO RETURN x2
PFL
BAL
MF1
EQ IN
MIC/LINE IN
PAN
MUTE
+
2= +
L-R
3-4
MF2
RING = RETURN
LO-CUT
FILTER
PRE FADER
POST-EQ
POST-MUTE
PRE-EQ
PRE-MUTE
AFL
BAL OUT OPTION
PRE-FADE
POST FADER
RING = -
LF
SUM
AUX 2
TIP = +
0dBu
L/MONO
MUTE
AUX 1
+
0dBu
STEREO
RETURN
HF
1-2 (3-4)
LF
TIP = SEND
DIRECT
OUT
BAL
L-R
+ 48V
INSERT
2-BAND
EQUALISER
FADER
1-2
SL
POST-FADE
AUX
BAL
INTERNAL AUX LINK OPTIONS
AUX1
AUX5
AUX3
AUX 1
PRE-FADE
SWITCHED
POST-FADE
AUX MIX
GRP
GRP
GRP
OUT
AUX 2
AFL
AUX 3
GROUP/LEFT
AUX 4
PEAK
+ 6dB
0dB
SIG
FADER
SL
AUX
GROUP1
BAL
MUTE
-2dBu
POST
PRE
AUX 5
AUX
INSERT
AUX
GROUP3
LEFT
2= +
GROUP MIX
+ 4dBu
SUBGROUPING
(GROUP CCTS ONLY)
L-R
PAN
AUX 6
L POST
TO MONITOR
(L CCT ONLY)
POST
PRE
REV
1-2
GROUP/AUX REVERSE
REV
5-6
L-R
REV
3-4
SAME FOR
GROUP1-2, GROUP3-4, L-R
AUX1-2, AUX3-4, AUX5-6
TALKBACK SIGNAL
TO OSC/TALKBACK
AFL
BAL OUT OPTION
AUX
SL
BAL
AUX2
MIC TO TALK
ENABLE
(LAST STEREO ONLY)
GAIN
PEAK
+ 6dB
0dB
SIG
MIC IN
2= +
STEREO
CHANNEL
AFL
GROUP/RIGHT
SL
+ 48V
EQ IN
BAL
MUTE
+
MF2
AUX
RIGHT
GROUP MIX
MF1
L
GROUP4
GRP
2= +
HF
GRP
AUX
GROUP2
BAL
MUTE
-2dBu
GRP
AUX
INSERT
FADER
MIC/
LINE
PEAK
+ 6dB
0dB
SIG
FADER
PFL
4-BAND
EQUALISER
OUT
x2
AUX6
AUX4
AUX MIX
+ 4dBu
SUBGROUPING
(GROUP CCTS ONLY)
L-R
PAN
L-R
1-2
POST
R POST
TO MONITOR
(R CCT ONLY)
3-4
LF
L POST-FADE
POST-EQ
R POST-FADE
POST-MUTE
PRE
PRE-EQ
LINE
LEV
L/MONO
2-TRK SEND
PRE-MUTE
SUM
+
SUM

POST-FADE
SWITCHED
PRE-FADE
AUX 1
L
AUX 2
AUX 3
P/AFL MIX
MONO
LR SUM
BAL
LEV
MONO OUT
SL
M OUT
PFL/AFL
AUX 4
P/AFL DC
POST
PRE
AUX 5
MONITOR METERS
REPLAY TO L-R
AUX 6
L-R/2TRK
PFL/AFL
MONITOR
2-TRK RETURN
POST
PRE
HEADPHONES
+
L
R
AUX 1-6
GRP 1-4
LEFT
RIGHT
P/AFL
LINE TO L-R
12
PHONES LEV
+
GL2200
MIXING CONSOLE
THE BENEFITS OF USING SYS-LINK
The GL2200 SYS-LINK option allows console to console interconnection by means of
just one or two cables. By connecting two GL2200 consoles together the number of
input channels may be increased. One console acts as a channel expander (slave) to
the second (master). Up to 3 consoles may be daisy-chained in this way. The system
is also directly compatible with other A&H consoles fitted with SYS-LINK.
Plugging consoles together using SYS-LINK connects the signals directly to the
console busses so avoiding the use of the main console outputs and channel inputs for
the master / slave connection. All the console channels are available to the user for
input sources.
SYS-LINK CONNECTIONS
SYS-LINK connects all the console main busses including the L, R, 4 Groups, and 6
Aux sends. The PFL/AFL system is also interconnected such that operating PFL/AFL
on the slave console activates the master console monitor system. Operating PFL/AFL
on the master does not activate the slave monitor system which may be used for local
monitoring if required. SYS-LINK connects the PFL/AFL audio mix and DC control
buss.
SYS-LINK outputs are taken pre-fader so that the slave console output connectors
may be used for sub-mix or zone feeds if required. All output signals are unbalanced,
low impedance and operate at a line level of 2dBu to prevent problems with audio
interference and to maintain a headroom of 23dB.
SYS-LINK inputs are unbalanced, operate line level at 2dBu and are high impedance
to prevent loading the connected source.
SYS-LINK is presented on two 25way female D-type connectors, one for the console
buss inputs and the other for the outputs. Several pins are provided for audio 0V earth.
USING SYS-LINK
Connect consoles using two standard 25way male to male D-type cables, available
from electronic suppliers or computer shops (25line male to male). It is advised that
this cable is a screened type if longer than 1 metre, no longer than 10 metres in total,
and that professional quality locking connectors are used. Connect all pins one to one
with the screen to 0V.
Connect the slave console SYS-LINK output to the master console SYS-LINK input.
SYS-LINK may also be used to connect the GL2200 to other audio equipment. Make
sure that all unused inputs (except the P/AFL DC inputs) are linked to 0V earth at the
SYS-LINK input to prevent audible interference from connected audio signals.
Connect line level signals of around 2dBu. The GL2200 PFL/AFL system may be
activated by switching the P/AFL DC input to 0V earth through a 15k ohm resistor.
For information on fitting SYS-LINK please refer to FITTING INSTRUCTIONS AP3622.
SYS-LINK APPLICATIONS NOTE

Publication AP3623
ISSUE 1 JAN 99
CONSOLE TO CONSOLE CONNECTION USING SYS-LINK
SYS-LINK connectors are 25way D-type female.

Use 25way D-type male to male connector cable.
Line level output at 2dBu
Unbalanced, buffered, in-phase
Low impedance < 75 ohms
P/AFL DC output is open collector
sink to 0V through 15k.
All outputs are pre-fader
Line level input at 2dBu

Unbalanced, in-phase
High impedance = >10k ohm
When connecting to audio
Equipment other than GL
series link all unused audio
inputs to 0V earth at the
SYS-LINK input.
PFL/AFL DC input is through internal diode and
transistor switching so that Slave activates
Master PFL/AFL but Master does not activate
Slave.
To activate PFL or AFL: Switch the DC input to
0V earth through a 15k ohm resistor. Connect
the audio signal to PFL or AFL IN.
2
GL2200 SYS-LINK APPLICATIONS NOTE AP3622
ALLEN & HEATH
GL2200
MIXING CONSOLE
SYS-LINK EXPANDER
OPTION
This option connects a GL2200 console as a channel expander to a
second console with just one or two interconnecting cables.
Kit GL2200-SL1 = SINGLE

Single option to install SYS-LINK to one GL2200 console to allow
interconnection to a second console already fitted with SYS-LINK.
Interconnecting cables not supplied.
For information on using SYS-LINK please refer to APPLICATIONS

NOTE AP3623
FITTING INSTRUCTIONS
Publication AP3622
ISSUE 1 JAN 99
FITTING THE GL2200 SYS-LINK EXPANDER

OPTION
1)
CHECK THE CONTENTS:

GL2200-SL1 KIT
BLUE
RED , VIOLET, YELLOW, BLUE (ALL)
GREEN
ORANGE
RED
SYS-LINK
PCB
IDC HARNESS
SNAP-IN PILLARS
fig. 1
Contents:
1x SYS-LINK circuit board assembly with interconnecting harness and mountings
already fitted.
1x SYS-LINK Fitting Instructions (AP3622)
1x SYS-LINK Application notes (AP3623)
1x IDC Harness (AL3616)
2x Snap-In Pillar (AB2233)
1x 8K2 Resistor (AC0045)
2)
TOOLS REQUIRED:
SLIM BODIED SOLDERING IRON WITH SMALL TIP
SOLDER
LONG NOSE PLIERS
1pt CROSS POINT
5mm NUT DRIVER

2
GL2200 SYS-LINK OPTION
ALLEN & HEATH
3)
PRELIMINARY:
To fit the SYS-LINK option it is not necessary to remove any of the circuit board
assemblies as access to the SYS-LINK solder pads can be made with the circuit boards
in place.
4)
REMOVE THE CONSOLE BASE:

Before inverting the console to remove the base, remove the two screws next to the end
stereo input channel on the console front panel. Then invert the console and remove the
base as shown in fig. 9.
5)
REPLACE R45 RESISTOR:

Referring to fig. 2 and fig. 3; if R45 is a 22K resistor (bands: red, red, orange) then this
needs to be replaced by the supplied 8K2 resistor (bands: grey, red, red). However, if
R45 is already a 8K2 resistor (bands: grey, red, red) then do not replace.
R45
OSC/Noise PCB
fig. 2
6)
REMOVE THE BLANKING PLATE & POWER SUPPLY

BRACKET
The SYS-LINK blanking plate is located on the rear panel. Unscrew the retaining screws
and remove the blanking plate. The power supply bracket is located under the PSU.
Unscrew the two screws (A) and remove the bracket as shown in fig. 3.
ALLEN & HEATH
7)
DISCONNECTING THE HARNESS ASSEMBLIES:

Disconnect the MAIN HARNESS (B) plugged into the connectors mounted along
the edge of the circuit boards. Disconnect the flexible flat cables (C) plugged into
the GROUP circuit boards.
A
OSC/Noise PCB
C
B
CONSOLE FRONT
GL2200 inverted with the base cover removed.

fig. 3
8)
FITTING THE SYS-LINK IN HARNESS:

Remove the two screw fixings from the harness D Type connector. Mount the D
Type connector onto the rear panel with the fixings. Mount the other connector
onto the straight molex connector on the Osc/Noise PCB as shown in fig. 4.
Harness
Stereo Input PCB

Osc/Noise PCB
Group 1 PCB
fig. 4
4
ALLEN & HEATH
9)
POSITIONING THE SYS-LINK ASSEMBLY:

Fit the bracket to the SYS-LINK circuit board assembly with the 2 nylon snap-in pillars
(D) as shown in fig. 5. Place the SYS-LINK and bracket assembly on the console as
shown ready for soldering the wires.
SYS-LINK PCB
Power
supply
bracket
OSC/Noise
PCB
Stereo
Input PCB
Group 1
PCB
Group 3
PCB
GL2200 with power supply bracket fitted to SYS-LINK assembly.
fig. 5
10) SOLDERING THE SYS-LINK HARNESS ASSEMBLY:

Referring to fig. 6, prepare the solder pads on the circuit boards with new solder to ease
the soldering of the SYS-LINK wires.
Note, the wires for the Group, Left & Right PCBs are soldered to the trackside of
the circuit boards and not the component side.
The wires to the OSC/Noise PCB go through the PCB.
It is recommended that the wires in the SYS-LINK harness are soldered to each circuit
board in the following order:
OSC/Noise, GROUP 3, GROUP 1, LEFT and then finally the RIGHT circuit board
assembly.
ALLEN & HEATH
GL2200 WIRING PAD LOCATION FOR SYS-LINK
fig. 6
ALLEN & HEATH
M1 GY
RIGHT
M2 RED
M4 PK
M1 YEL
M3 BLU
LEFT
GROUP 2
M1 RED
M1 RED
GROUP 1
M2 BLU
M4 YEL
M3 PK
M2 BLU
M4 YEL
M3 PK
P6 RED
P5 BLU
P4 OR
P2 GN
P3 BK
OSC/NOISE
SYS-LINK WIRING HARNESSES
11) FITTING THE SYS-LINK OUT ASSEMBLY:

When all the SYS-LINK wires have been soldered, remove the 2 screw fixings from the
D Type Connector and manoeuvre the SYS-LINK circuit board and power supply
bracket assembly into the console chassis as shown in fig. 7. Mount the D Type
Connector onto the rear panel with the 2 fixings.
SYS-LINK and power supply bracket fitted into GL2200 console.

fig. 7
SYS-LINK
PCB In
position
OSC/Noise
PCB
C
Stereo
Input PCB
Group 1
PCB
Group 3
PCB
fig. 8
ALLEN & HEATH
12) REFIT THE POWER SUPPLY BRACKET:

Carefully stand the console on its rear panel and re-fit the two front panel power
supply bracket screws next to the end stereo input channel. Support the console
during this process. Place the console on its control surface and fit the two power
supply sub chassis screws.
13) REFIT THE HARNESSES:

Referring to fig. 8, re-fit the MAIN HARNESS (B) onto the circuit boards. Check the
harness is correctly aligned onto the circuit board connectors with pin 1 aligned with
the red stripe of the ribbon harness. Reconnect the two flexible flat cables (C) to
the GROUP circuit board assembly. Ensure that all harnessing is tidy.
14) REFIT THE BASE:
fig. 9
Refit the base. Locate the two screws for the power supply bracket before fitting
the other screws.
15) PLUG ON THE INTERCONNECTING CABLES:

SYS-LINK connectors are 25way D Type female. Use 25way D Type male to
male connector cables. Connect pin one to pin one on all connectors. Connect
shield (screen) to 0V. Standard cables are available from electronic suppliers or
computer shops. It is advised that the cable is a screened type less than 10
metres. Use professional quality locking connectors.
When connecting to equipment other than the GL Series link all unused audio
inputs to 0V earth at the SYS-LINK input.
16) TEST THE SYSTEM:

Test all SYS-LINK inputs and outputs for correct signal level and quality by probing
the D Connector pins or by interconnecting two consoles with SYS-LINK fitted.
Test the PFL/AFL system for correct DC buss switching. The SYS-LINK circuit
diagram and technical details are included for reference.
The SYS-LINK Applications Note AP3623 is included separately with these fitting
instructions. Provide this note to the user as applicable.
Please refer any queries to your Allen & Heath appointed service agent.
8
ALLEN & HEATH
ALLEN&HEATH
GL2200
Dual Function Audio Mixing Console
USER GUIDE
PUBLICATION: AP3388
LIMITED ONE YEAR WARRANTY

This product has been manufactured in the UK by ALLEN & HEATH and
is warranted to be free from defects in materials or workmanship for
period of one year from the date of purchase by the original owner.
To ensure a high level of performance and reliability for which this
equipment has been designed and manufactured, read this User Guide
before operating.
In the event of a failure, notify and return the defective unit to ALLEN &
HEATH or its authorised agent as soon as possible for repair under
warranty subject to the following conditions:
CONDITIONS OF WARRANTY
1. The equipment has been installed and operated in accordance with
the instructions in this User Guide.
2. The equipment has not been subject to misuse either intended or
accidental, neglect, or alteration other than as described in the User
Guide or Service Manual, or approved by ALLEN & HEATH.
3. Any necessary adjustment, alteration or repair has been carried out by
ALLEN & HEATH or its authorised agent.
4. The defective unit is to be returned carriage prepaid to ALLEN &
HEATH or its authorised agent with proof of purchase.
5. Units returned should be packed to avoid transit damage.
These terms of warranty apply to UK sales. In other territories the terms

may vary according to legal requirements. Check with your ALLEN &
HEATH agent for any additional warranty which may apply.
GL2200 User Guide AP3388 Issue 5. Copyright 2004 Allen & Heath Limited. All rights reserved
This product complies with the European Electromagnetic Compatibility

Directives 89/336/EEC & 92/31EEC and the European Low Voltage Directives
73/23/EEC & 93/68 EEC
MANUFACTURED IN ENGLAND BY:

Allen & Heath Limited
Kernick Industrial Estate
Penryn, Cornwall, TR10 9LU. UK
http://www.allen-heath.com
ALLEN&HEATH
CONTENTS
CONTENTS ..................................................................................................... 3
INTRODUCTION, SERVICE, SAFETY & PRECAUTIONS .......................................... 4
KEY FEATURES, THE RANGE & OPTIONS ........................................................... 5
CONNECTING POWER TO THE CONSOLE ............................................................ 6-7
EARTHING THE AUDIO SYSTEM ......................................................................... 7
PLUGGING UP THE CABLES ............................................................................... 8-9
ADJUSTING THE LEVELS ................................................................................... 9
FLIGHTCASING THE CONSOLE ........................................................................... 10
MONO INPUT CHANNEL ................................................................................... 11-12
STEREO INPUT CHANNEL ................................................................................. 13-14
STEREO RETURNS & AUX MASTER OUTPUTS ................................................... 15
GROUP OUTPUTS ........................................................................................... 16
MODE SWITCHING ........................................................................................... 17
MASTER & MONITOR ....................................................................................... 18
OSCILLATOR/PINK NOISE & TALKBACK ............................................................. 19
APPLICATION FRONT OF HOUSE.................................................................... 20
APPLICATION STAGE MONITOR...................................................................... 21
APPLICATION DUAL MODE ............................................................................ 22
FRONT PANEL LAYOUT .................................................................................... 23
REAR PANEL LAYOUT / SPECIFICATIONS & CONNECTIONS .................................. 24
INTERNAL LINK OPTIONS ................................................................................. 25
CUE SHEETS .................................................................................................. 26-27
GL2200 BLOCK DIAGRAM ............................................................................... COVER
GL2200 USER GUIDE
INTRODUCTION
The GL2200 continues ALLEN & HEATHs commitment to provide high quality audio mixing consoles
engineered to meet the exacting requirements of todays audio business. It brings you the latest in
high performance technology and offers the reassurance of over two decades of console manufacture
and customer support.
This user guide presents a quick reference to the function, application and installation of the GL2200.
We recommend that you read this guide fully before operating the console For further information on
the basic principles of audio system engineering please refer to one of the specialist publications
available from bookshops and audio equipment dealers.
Whilst we believe the information in this guide to be reliable we do not assume responsibility for any
inaccuracies. We also reserve the right to make changes in the interest of further product
development.
SERVICE AND TECHNICAL SUPPORT

Under normal conditions the GL2200 does not require user maintenance or internal calibration. Any
service work required should be carried out by qualified service personnel only.
We are able to offer further product support through our world-wide network of approved dealers and
service agents. You can also access our Web site on the internet for information on our product
range, assistance with your technical queries or simply to chat about audio matters. To help us
provide the most efficient service please keep a record of the console serial number, and date and
place of purchase to be quoted in any communication regarding this product.
SAFETY WARNING!
Mains electricity is dangerous and can kill. Mains voltage
is present within the console power supply.
Do not remove the power supply cover with mains
electricity connected. To ensure your safety, mains earth
is connected to the chassis through the power lead. Do
not remove this mains earth connection.
To avoid the risk of fire, replace the mains fuse only with
the correct value and type as indicated on the power
supply unit.
GENERAL PRECAUTIONS
Your GL2200 is ruggedly constructed to give many years of reliable operation. However, you will
extend the life of the console and preserve its cosmetics by applying these simple common sense
precautions.
Avoid storing or using the mixing console in conditions of excessive heat or cold, or in positions
where it is likely to be subject to vibration, dust, dirt or moisture.
Do not use any liquids to clean the control surface of the console, a soft dry brush or dry lint-free
cloth is ideal.
Use only water or ethyl alcohol to clean the trim and scribble strips. Other solvents may cause
damage to paint or plastic parts.
The faders, switches and potentiometers are lubricated for life. The use of electrical lubricants on
these parts is not recommended.
Avoid using the console close to strong sources of electromagnetic radiation (e.g. video monitors,
high power electric cabling): this may cause degradation of the audio quality due to induced
voltages in connecting leads and chassis. For the same reason, always site any external power
supply away from the unit.
GL2200 USER GUIDE
KEY FEATURES OF THE GL2200

The ALLEN & HEATH GL2200 offers the user the versatility to quickly adapt to the exacting demands
of live sound engineering today. The GL2200 is developed from the very successful GL2000 console,
which included mode switching to quickly convert the console from Front-of-House to On-stage
Monitor operation. In addition, the GL2200 includes 4 subgroups, 6 independent aux sends, stereo
mic/line channels, pink noise generator, 1kHz oscillator and lots more. It is built on the established
tradition of innovative British design and manufacture. The GL2200 is equally suited to home and
studio recording. Features include:
FOH/stage-monitor dual functionality
4 groups, 6 auxes
Groups, L, R and Mono outputs on balanced XLR
12, 16, 24 and 32 channel frames
2 stereo line channels with mic capability
2 stereo returns with mutes, faders, EQ and Aux sends
Mutes on Groups and L-R
Channel direct outs
2-track send and return
4-band EQ with swept mids and in/out switch
Input metering on each channel
Phantom Power 48V, switchable on each channel
Inserts on all mono inputs
Inserts on Groups (auxes) and L-R outs
Comprehensive AFL/PFL monitoring
Pink noise generator for speaker setup
Oscillator for equipment line up
Talkback facility
High-performance internal power supply with universal mains input voltage
Built-in combiner to add external backup power supply
Console lamp connector
Sys-linkTM expandability
Rugged build quality
The console is constructed using zinc plated steel panels and 1.6mm thick metal side plates.
Individual circuit board assemblies are accessible by removal of the steel base. A durable soft front
armrest is provided for comfort. A channel top write-on strip is provided for channel marking. High
quality reliable parts are used throughout. High performance op-amp and discrete circuits are used to
ensure low noise and sonic purity. The internal power supply is a low noise switch mode unit that can
be linked with an external DC power supply.
THE RANGE
12, 16, 24 and 32 channel models
GL2200-412 10 mono, 2 stereo, 4 groups, 6 aux, 2 stereo returns, L, R, Mono sum
OPTIONS
GL2200-SL1
RPS11-3C
002-225
Sys-link buss expander, one kit per console

3U rack mount power supply for backup
RPS11 to GL2200 DC cable assembly
GL2200 USER GUIDE
CONNECTING POWER TO THE CONSOLE

Refer to the SAFETY WARNING on page 4 of this User Guide. Read and understand the warnings
and instructions printed on the rear panel of the console and printed here.
Ensure adequate ventilation around the console. Do not cover the

console or position it on soft furnishings during operation.
The console must be connected to 0V ground by either the a.c.

mains input cable or by the EXTERNAL DC IN cable.
CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE

WITH SAME TYPE AND RATING.
ATTENTION: REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES.
WARNING: DISCONNECT SUPPLY BEFORE CHANGING FUSE.
100 - 240V~
EXTERNAL SUPPLY
ACTIVE
INTERNAL SUPPLY
ACTIVE
T1A 250V 20mm
SUPPLY VOLTAGE RANGE:

100 - 240V.AC
47-63Hz ~ 60W MAX
WARNING: TO REDUC
SEE INSTA
DO NOT OB
NO USER S
The GL2200 console can be powered from either the internal power supply, from an external
DC supply such as the Allen & Heath RPS11, or both together. The LED indicators on the rear
panel illuminate to indicate which supply is active.
Normally the internal power supply will be used to power the console by the standard 3 pin IEC
mains input connector. A mains cable with moulded mains plug suitable for the local supply is
supplied. Check that the correct mains lead with moulded plug has been supplied with your
console. Ensure that the IEC mains plug is fully inserted into the rear panel socket before
switching on.
POWER SUPPLY
The internal power supply for the GL2200 is a switch mode supply and will operate from a wide
range of mains input voltages. It produces the DC voltages required by the console. Before
switching on your console, check that the ac mains fuse is of the correct type and rating. This is
clearly marked on the rear panel of the console. Do not replace the fuse with any other type, as
this could become a safety hazard and will void the warranty.
AC~ mains input voltage
Fuse value
100 - 230V 10%
T 1A 250V 20mm
CAUTION: For continued protection against the risk of fire, replace

fuse only with the correct type and value.
The console power supply unit contains no user serviceable parts.

Do not remove the cover. Refer servicing to qualified service
personnel only.
GL2200 USER GUIDE
An external DC supply may be used instead of, or together with the internal supply. Use only
recommended Allen & Heath power supplies or a supply approved by Allen & Heath. The use of
alternative supplies is not recommended and may cause damage.
The pin connections for the EXTERNAL DC IN connector are specified below:
Pin
Voltage
Current
-16V
1.5A
Audio 0V
Chassis 0V
+16V
1.5A
+48V
0.1A
In the absence of an active 100V to 230V a.c. mains supply, the GL2200 will automatically switch over
to the external DC supply unit if connected.
Always turn connected power amplifiers down or off before switching the console on or off.
In the event of an electrical storm, or large mains voltage

fluctuations, immediately switch off and disconnect all power to the
console.
EARTHING THE AUDIO SYSTEM

The console chassis is connected to mains earth via the power cable. Audio 0V is connected
internally to the chassis and therefore mains earth. In this way all signal returns and connector shields
are connected to mains earth at the console.
To ensure safety, do not remove the earth connection from the AC

mains plug or from EXTERNAL DC IN cable.
For best performance it is important that the earth system is solid, clean and noise-free. To prevent
mains-borne and external interference pickup from lighting equipment, motors and other mains
powered equipment it is recommended that a separate clean mains distribution outlet is used for the
audio system.
All signal cables should have their screens connected to earth at the connector. If earth (ground) loop
problems result in audible hum or buzz then disconnect the cable screen connection at one end,
usually the destination end. This may be done within the cable plug or by operating the ground lift
switch if available on the connected equipment. Many DI boxes and power amplifiers include this
facility.
GL2200 USER GUIDE
PLUGGING UP THE CABLES

The GL2200 uses professional grade 3-pin XLR, 1/4" TRS jack and RCA PHONO sockets.
Where possible use balanced connections to prevent noise and interference pickup especially
on long cable runs. Avoid running audio cables next to AC mains, computer or lighting cables,
near thyristor dimmer units or power supplies etc. The use of low impedance sources such as
good quality microphones of 200 ohms or less significantly reduces interference pickup. Many
problems can be avoided by taking time to check that all cables are correctly wired. Avoid
reversing + and - on balanced connections as this will result in out of phase signals (reverse
polarity) causing signal cancellation effects. This situation is particularly common in multimicrophone mixing. Use professional quality cable and carefully soldered connections. The
following wiring convention is used:
XLR
TRS jack
Pin 1
0V earth shield
Tip
+ / hot / signal / left / send
Pin 2
+ / hot / signal
Ring
- / cold / 0V / right / return
Pin 3
- / cold
Sleeve
0V earth shield
CABLE WIRING
Tip
1
OUTPUT
Ring
Sleeve
Tip
Ring
BALANCED
Sleeve
3
2
CONSOLE
CONNECTIONS
3-PIN XLR FEMALE PLUG
TWIN SCREENED CABLE
INPUT
3
1
" 3-POLE (STEREO) JACK PLUG
3-PIN XLR MALE PLUG
Tip
1
OUTPUT
3
2
Link
Sleeve
Sleeve
Tip
UNBALANCED
3-PIN XLR FEMALE PLUG
SINGLE SCREENED CABLE
CONSOLE
CONNECTIONS
2
INPUT
3
1
" 2-POLE (MONO) JACK PLUG
3-PIN XLR MALE PLUG
Sleeve
Ring
CONSOLE
CONNECTIONS
Tip
UNBALANCED
Ring
SINGLE SCREENED CABLE
Tip
Sleeve
OUTPUT
Link
INPUT
RCA PHONO PLUG
" 3-POLE (STEREO) JACK PLUG
To connect an unbalanced source to a balanced console input, link the cold input (XLR pin 3 or
jack ring) to 0V earth (pin 1 or jack sleeve) at the console. To connect a balanced console
output to an unbalanced destination link the cold output to 0V earth at the console.
Deselect input channel +48V when inputs are connected to non-phantom

powered, mic, line or unbalanced sources.
GL2200 USER GUIDE
CONNECTING CHANNEL INPUTS

Both microphone and line sources such as keyboards, replay devices and effects processors
can be plugged into either the jack or XLR input for convenience. The channel accepts a wide
70dB range of source levels. The balanced 3-wire input provides the best immunity to
interference pickup on long cable runs.
CONNECTING TO INSERTS
You do not need to plug anything into the insert socket for normal operation. You may, however
wish to insert a signal processor such as a compressor/limiter or noise gate into the signal path
to prevent excessive peaks or to cut down source noise. The insert lets you do this by breaking
the signal path after the input pre-amp and before the EQ in the channel input or before the
fader in the Group and L-R section. Use a Y-lead or suitable TRS jack lead to connect to the
external processor. The insert operates at 0dBu line level in the channel input and 2dBu in the
Group and L-R section. Adjust the processor input and output levels for optimum signal level.
CHANNEL DIRECT OUTPUTS

The channel direct output taps the signal off post-fader (pre-fader if the internal link option is
changed) for connection to external processing or recording equipment. This is ideal for
multitrack recording during a live performance. Here each channel can be recorded on a
separate track for mixdown later. The output is impedance balanced on TRS jack. This means
that you get the benefit of interference immunity when connecting to outboard equipment with
balanced inputs. You can, of course, also connect to unbalanced equipment. The signal
operates at nominal 0dBu line level.
ADJUSTING THE LEVELS

For best performance it is important that the connected source signals are matched to the normal
operating level of the console. Similarly the console outputs should be correctly matched to the
operating levels of the connected amplifiers and destination equipment. If too high, the signal peaks
will be clipped resulting in a harsh distorted sound, and if too low, the signal-to-noise ratio is reduced
resulting in excessive background hiss.
For best results, operate the console with the meters averaging 0 or just below and allowing the
loudest passages and occasional peaks into the yellow. Reduce the gain if the peak indicators flash
(red). The GL2200 provides +4dBu output level at the XLR outputs for a meter reading of 0VU. It is
advisable to adjust the power amplifier input gain or fit an attenuator pad if normal console operation
results in an output level too high for the connected amplifier. Normal operation should give rise to
fader levels around the 0 mark.
The GL2200 has an advanced PFL (pre-fade listen) / AFL (after-fader listen) and channel metering
system to let you listen to and check the level of signals at different points in the signal path without
affecting the main outputs. Use the channel PFL switches to set up the input GAIN controls to read an
average 0 (yellow LED). Signal activity is always shown on the channel meters regardless of fader
position. The green SIG LED lights at -20dBu to indicate signal presence, the yellow 0 LED
indicates normal level, and the red PEAK LED warns of potential overload 5dB before clipping.
GL2200 USER GUIDE
FLIGHTCASING THE CONSOLE

If the console is to be regularly moved we recommend that it is installed in a foam-lined flightcase.
At all times avoid applying excessive force to any knobs, switches or connectors.
Dimensions for flightcasing the console are shown below:
DIMENSIONS
Unpacked
Packed
Width
depth
height
weight(kg)
Width
depth
height
weight(kg)
GL2200-412 ........................548 ............ 572 ............ 155 ............ 16.....................700 ............ 750 ............ 280 ............ 20
GL2200-416 ........................668 ............ 572 ............ 155 ............ 18.....................815 ............ 750 ............ 280 ............ 23
GL2200-424 ........................920 ............ 572 ............ 155 ............ 24.....................1065 .......... 750 ............ 280 ............ 29
GL2200-432 ........................1160 .......... 572 ............ 155 ............ 30.....................1325 .......... 750 ............ 280 ............ 35
RPS11 power supply ..........483 ............ 232 ............ 135 ............ 9.5....................575 ............ 270 ............ 170 ............ 11
Avoid storing or using the RPS11 in conditions of excessive heat or cold.

Position the RPS11 power supply away from the mixing console to avoid interference.
10
GL2200 USER GUIDE
MONO INPUT CHANNEL

The mono input channel is designed using a very high quality analogue signal path
to ensure absolute sonic purity for microphone or line level sources.
48V
PAD
-30dB
0
GAIN
40
30
MIC INPUTS Plug a microphone source into the XLR input. If you
leave the jack input unplugged then the PAD (LINE) switch becomes a
30dB pad for the microphone. This lets you use the XLR input for high
output microphones, or for line level sources.
LINE INPUTS Plug a line level source into either the XLR or the TRS
jack input. If you use the XLR input make sure that you do not plug
anything into the jack input, and that you press the PAD (LINE) switch.
If you use the TRS jack input make sure that you press the PAD (LINE)
switch. The jack input is only selected with this switch pressed.
50
PAD
- 10 20
60 30
100Hz
0
HF
12kHz
-15
+15
3kHz
500Hz
15kHz
MF1
-15
+15
250Hz
35Hz
1kHz
0
MF2
-15
48V selects +48V to the XLR input for microphones that require phantom power.
IMPORTANT NOTE : Switch off channel +48V when non-phantom powered
mic, line or unbalanced sources are to be used with the inputs.
+15
0
LF
60Hz
-15
+15
EQ IN
AUX
1
reverses the POLARITY of the input source to correct the problems often
encountered in microphone placement, or due to incorrectly wired cables (pin 3
hot instead of pin 2). May also helpful in reducing acoustic feedback between
closely positioned loudspeakers and mics in live sound mixing.
PAD (LINE) selects the line level jack input when pressed or becomes a 30dB pad
for the XLR input when no jack is plugged in. The XLR is normalled through the
unplugged jack contacts. See MIC/LINE description above.
GAIN matches the level of the input source to the normal operating level of the
console. Adjust this to read an average 0dB on the channel meter (yellow LED).
Use the PFL system to listen to the signal and fine tune the gain.
0
OO
+6
OO
+6
OO
+6
OO
+6
AUX
2
AUX
3
AUX
4
PRE
AUX
5
0
OO
+6
OO
+6
AUX
6
100Hz 18dB/Octave lo-cut filter removes low frequency noise such as microphone
pops, proximity effect, stage noise and transport rumble after the pre-amp stage. It
can also be used to clean up sounds that do not have much bass content, such as
vocals and cymbals. The lo-cut filter is independent of the equaliser.
PRE
C
PAN
The 4-band EQ lets you adjust the tonal quality of the sound. The
LF (bass) bands have a shelving response, which means that
beyond the corner frequency are affected. Used with the 100Hz
can tailor the low frequency response exactly as you require.
position is detented for quick resetting.
EVEN
R
ODD
L
MUTE
PEAK
+6
0
10
SIG
HF (treble) and
all frequencies
lo-cut filter you
The centre flat
AMPL(dBr) vs FREQ(Hz)
PFL
L-R
10.00
0.0
1-2
-10.00
10
3-4
-20.00
-30.00
20
-40.00
30
OO
-50.00
-60.00
10
100
1k
10k
20k
100 Hz lo-cut filter
GL2200 USER GUIDE
HF and LF EQ
11
48V
PAD
-30dB
0
GAIN
The 2 mid frequency bands MF1 and MF2 can be swept across a wide frequency
range to tune into the exact frequency required; useful for getting the best out of
microphones or for tuning out troublesome feedback. The mid bands are
overlapping with a Q of 1.6 and can boost or cut in excess of +/- 15dB. The centre
flat position is detented for quick resetting.
40
30
50
PAD
- 10 20
60 30
100Hz
0
HF
12kHz
-15
+15
3kHz
500Hz
15kHz
MF1
-15
+15
250Hz
35Hz
1kHz
0
MF2
-15
+15
MF1 EQ
LF
60Hz
-15
+15
EQ IN
AUX
1
0
OO
+6
OO
+6
OO
+6
OO
+6
AUX
2
AUX
3
AUX
4
PRE
AUX
5
0
OO
+6
OO
+6
AUX
6
PRE
C
PAN
EVEN
R
ODD
L
MUTE
PEAK
+6
0
10
SIG
5
PFL
L-R
1-2
10
3-4
20
30
OO
12
MF2 EQ
Press EQ IN to switch the EQ into the signal path.

6 AUX SENDS provide feeds for foldback monitors and effects. Aux 1-4 and Aux
5-6 may be set to pre or post-fader using the PRE switch.
Monitor sends to the performers are usually set pre-fade (PRE), although some
sources such as radio mics are often set post-fade to avoid dressing room talk
spill.
Effects sends to external signal processing equipment such as reverb and delay
effects units, are usually set post-fade so that the amount of effect (wet signal) is
always relative to the position of the fader (dry signal).
Adjust the amount of effect required for each channel using its AUX control.
The effect is returned to the mix through another channel, usually the stereo
return described later in this guide.
POST-FADE sends are post-EQ, post-mute. PRE-FADE sends are set post-EQ,
post-mute as standard. Internal link options are available to change the source of
the pre-fade sends. Refer to the internal link options section in this user guide.
Note; AUX 1-6 feed XLR outputs with inserts when the GRP/AUX REVERSE
switches are pressed in the master section.
PAN positions the channel signal within the stereo image or between L-R and the
groups when the routing switches are selected. The centre position is detented for
quick resetting.
MUTE switches the signal off when pressed regardless of fader position. Muted
channels are indicated by red LEDs. The channel meter continues to indicate prefader channel activity.
A 4 LED CHANNEL METER shows signal activity at all times. The green SIG
LED indicates signals greater than -20dBu, yellow 0 and +6 represents normal
operating level, and red PEAK warns of potential overload 5dB before clipping.
Set the channel signal so that the meter averages between 0 and +6. Back the
gain off if the red peak LED flashes.
Pressing PFL lets you listen to the channel pre-fader signal on headphones
without interrupting the main console outputs. The signal level is shown on the LR bargraph meters. In this way each sound can be correctly lined up and checked
at any time.
L-R, 1-2, 3-4 routing switches feed the channel signal to the L-R mix and groups
1-2, 3-4. Use the pan control to route to individual groups, i.e. left to route to L, 1,
3 and right to route to R, 2, 4. In this way subgroups may be set up in mono or
stereo to feed the main L-R mix.
A 100mm FADER provides +10dB boost above the normal 0 operating level. All
post-fade aux send levels are dependent on the level of the fader.
GL2200 USER GUIDE
STEREO INPUT CHANNEL

Two stereo input channels are included as standard. Each features a 4-band
EQ, 6 aux sends and group routing. Use this channel for stereo sources such
as keyboards and two track players, or for returning additional effects
processors to the mix and monitors. A mic input is included so that you can
use the channel for additional mics when needed. The stereo line input can still
be routed to the mix while using the channel mic input.
The stereo inputs are on separate TRS jacks. For mono line sources plug into
the L/MONO jack socket only. For microphone sources plug into the XLR.
48V
12
30
20
40
50
MIC
GAIN
60dB
10
MIC TO TALK
10
0
LINE
GAIN
OO
20
LINE
TO L-R
MIC
LINE
0
HF
12kHz
-15
+15
0
MF1
2.5kHz
-15
+15
0
MF2
250Hz
-15
+15
0
LF
60Hz
-15
+15
EQ IN
AUX
1
0
OO
+6
OO
+6
OO
+6
OO
+6
AUX
2
AUX
3
AUX
4
MIC TO TALK
ENABLE
48V selects +48V DC to the XLR input for microphones that require phantom
power.
IMPORTANT NOTE : Switch off channel +48V when non-phantom
powered or unbalanced sources are connected to the XLR input.
reverses the POLARITY of the input source to correct problems often

encountered in microphone placement, or due to incorrectly wired cables (pin 3
hot instead of pin 2). May also be helpful in reducing acoustic feedback
between closely positioned loudspeakers and mics in live sound mixing.
GAIN controls for the MIC and LINE inputs let you adjust each source
independently.
LINE TO L-R routes the stereo line source direct to the L-R mix. In this way
both the mic and stereo line inputs may be used at the same time. The mic
can be routed through the stereo channel while the line input becomes an
independent source or return to the LR mix.
MIC/LINE selects either the mic XLR or the stereo line jack inputs to the
channel. When selecting LINE on the second stereo input channel, the MIC
input section is available as the source for talkback. A green LED indicator
illuminates to confirm this. The channel can be used with the stereo line input
in the normal way while the mic is independently used for talkback.
PRE
AUX
5
0
OO
+6
OO
+6
AUX
6
PRE
C
BAL
ODD
L
EVEN
R
MUTE
PEAK
+6
0
10
SIG
5
PFL
L-R
1-2
10
3-4
20
30
OO
STEREO
15-16
The 4-band stereo EQ lets you adjust the tonal quality of the sound. The HF
(treble) and LF (bass) bands have a shelving response, which means that all
frequencies beyond the corner frequency are affected. The 2 mid frequencies
MF1 and MF2 provide optimum control over boomy or boxy sounds (250Hz),
and can add bite or reduce harshness to keyboards, vocals etc. (2.5kHz). The
centre flat position is detented for quick resetting.
6 AUX SENDS provide feeds for foldback monitors and effects. Aux 1-4 and
Aux 5-6 may be set to pre or post-fader using the PRE switch. The left and
right stereo signals are summed to provide aux feeds in mono.
Monitor sends to the performers are usually set pre-fade (PRE), although
some sources such as radio mics are often set post-fade to avoid dressing
room talk spill.
Effects sends to external signal processing equipment such as reverb and
delay effects units, are usually set post-fade so that the amount of effect (wet
signal) is always relative to the position of the fader (dry signal).
Adjust the amount of effect required for each channel using its AUX control.
The effect is returned to the mix through another channel, usually the stereo
return described later in this guide.
POST-FADE sends are post-EQ, post-mute. PRE-FADE sends are set postEQ, post-mute as standard. Internal link options are available to change the
source of the pre-fade sends. Refer to the internal link options section in this
user guide.
Note; AUX 1-6 feed XLR outputs with inserts when the GRP/AUX
REVERSE switches are pressed in the master section.
GL2200 USER GUIDE
13
48V
12
30
20
40
50
MIC
GAIN
60dB
10
MIC TO TALK
10
0
LINE
GAIN
OO
20
LINE
TO L-R
MIC
LINE
0
HF
12kHz
-15
+15
0
MF1
2.5kHz
-15
+15
0
MF2
250Hz
-15
+15
0
LF
60Hz
-15
+15
EQ IN
AUX
1
MIC TO TALK
ENABLE
BAL positions the channel signal within the stereo image or between L-R and
the groups when the routing switches are selected. The centre position is
detented for quick resetting.
MUTE switches the signal off when pressed regardless of fader position.
Muted channels are indicated by red LEDs. The meter continues to indicate
pre-fader channel activity.
A 4 LED CHANNEL METER shows signal activity. The green SIG LED
indicates signals greater than -20dBu, yellow 0 and +6 represents normal
operating level, and red PEAK warns of potential overload 5dB before clipping.
Set the channel signal so that the meter averages between 0 and +6. Back
the gain off if the red peak LED flashes.
without interrupting the main console outputs. The signal level is shown on the
L-R bargraph meters. In this way each sound can be correctly lined up and
checked at any time.
L-R, 1-2, 3-4 routing switches feed the channel signal to L-R mix and groups
1-2, 3-4. Use the pan control to route to individual groups, ie left to route to L,
1, 3 and right to route to R, 2, 4. In this way subgroups may be set up in mono
or stereo to feed the main L-R mix.
A 100mm FADER provides +10dB boost above the normal 0 operating level.
All post-fade aux send levels are dependent on the level of the fader.
0
OO
+6
OO
+6
OO
+6
AUX
2
TALKBACK SIGNAL
TO OSC/TALKBACK
AUX
3
AUX
4
MIC TO TALK
ENABLE
(LAST STEREO ONLY)
GAIN
0
OO
MIC IN
+6
2= +
x2
PFL
4-BAND
EQUALISER
PRE
STEREO
CHANNEL
PEAK
+6dB
0dB
SIG
FADER
HF
AUX
5
+48V
0
OO
MIC/
LINE
+6
AUX
6
0
OO
MF1
L
+6
EQ IN
BAL
MUTE
MF2
L-R
1-2
POST
3-4
LF
PRE
C
BAL
ODD
L
EVEN
R
MUTE
L/MONO
LINE
LEV
POST-EQ
POST-MUTE
PRE-EQ
PRE-MUTE
PEAK
SUM
+6
10
SIG
PRE
SUM
POST-FADE
SWITCHED
PRE-FADE
AUX 1
AUX 2
AUX 3
PFL
L-R
AUX 4
POST
PRE
AUX 5
1-2
10
3-4
AUX 6
20
POST
PRE
30
LINE TO L-R
AUX 1-6
GRP 1-4
LEFT
RIGHT
P/AFL
OO
STEREO
15-16
The stereo input diagram showing the

talkback and stereo line signal routing.
14
GL2200 USER GUIDE
STEREO RETURNS
HF
12kHz
-15
+15
0
LF
60Hz
-15
+15
AUX
1
0
OO
+6
OO
+6
AUX
2
BAL
ODD
EVEN
MUTE
PFL
10
L-R
1-2
5
0
5
10
20
Two stereo return inputs are provided with 2-band EQ, sends to auxes 1 & 2 and
routing to L-R mix or groups 1-2/3-4. These are normally used to return the effects
(wet) signal, usually from a stereo device, to the mix. They can also be used for
additional line inputs to the mix.
A 2 band EQ provides HF and LF control with 15dB cut and boost at 12kHz and
80Hz respectively. This is often used to remove unwanted high or low frequency
noise from effects devices.
2 aux sends are provided to feed a summed left and right pre-fade post mute
signal to auxes 1 & 2. This is ideal for returning effects to the monitors without
using up valuable channel inputs.
The BAL control adjusts the balance between left and right signals, or can be used
as a pan control to route the signal to one side only by rotating fully.
MUTE switches the signal off when pressed regardless of fader position. Muted
Returns are indicated by red LEDs. Mute does affect the pre-fade aux sends.
without interrupting the main console outputs. The signal level is shown on the L-R
bargraph meters. In this way each sound can be correctly lined up and checked at
any time.
L-R/1-2 (3-4) ROUTING SWITCHES - In the up position the signal is routed to the
main L-R mix but may be returned to the corresponding pairs of subgroups for
group effects (1-2 or 3-4).
A smooth travel 60mm FADER provides precise control of the level.
30
OO
STEREO
RETURN
AUX OUTPUTS
AUX MASTERS
Each aux mix has a master level control that adjusts the output level to match external
equipment, or to trim the monitor or effects level without affecting the mix balance. Up to +10dB
of boost is available above the nominal 0 position. Auxiliary outputs are on 3-wire impedance
balanced 1/4 TRS jacks.
AFL (After Fade Listen) routes the post mix signal to the console meters and headphone
monitoring to allow checks for sound quality and mix level.
AUX
1
OO
AUX
2
+10
AFL
GRP/AUX 1-2
REVERSE
OO
+10
AFL
AUX
3
OO
AUX
4
+10
AFL
OO
AUX
5
+10
AFL
GRP/AUX 3-4
REVERSE
OO
AUX
6
+10
AFL
L-R/AUX 5-6
REVERSE
OO
+10
AFL
FOH
STAGE MONITOR
If MODE SWITCHING aux/groups reverse is in operation, aux master level controls are
connected to the corresponding group busses (Group 1 to Aux Master 1, etc...). Refer to
MODE SWITCHING section on page 17 for more information
GL2200 USER GUIDE
15
GROUP OUTPUTS
GROUPS
GRP/AUX 1-2
REVERSE
PEAK
PEAK
+6
+6
SIG
SIG
2
L-R
C
PAN
L-R
C
PAN
MUTE
MUTE
AFL
AFL
10
10
10
10
20
20
Group outputs are controlled by 100mm travel faders which offer a

further 10dB boost above the normal 0 dB operating level.
MUTE switches the group signal off when pressed regardless of fader
position. Muted channels are indicated by red LEDs.
AFL (After Fade Listen) routes the post fader signal to the console
meters and headphone monitoring to allow checks for sound quality and
mix level. The AFL signal is sourced before the MUTE switch allowing
the signal to be checked even when the group is muted.
Each group has a 4 segment LED peak reading meter providing signal
presence indication and peak warning which illuminates approximately
5dB before clipping. Meter activity is interrupted when a group is muted.
SUB GROUPING
Sometimes it is necessary to control more than one channel
simultaneously, in the case of a drum kit or a group of backing vocalists
for example.
Route the relevant channels to groups instead of L-R, using the channel
routing switches and the pan controls.
PAN control positions the signal in the stereo image with the L-R switch
routing the group mix to the Left & Right masters. Ensure the group L-R
switch is selected to route the group signal to the L-R mix.
In this way, one group fader can control the level of several channels.
It is possible to set up mono or stereo subgroups using the channel and
group PAN controls.
AFL
BAL OUT OPTION
SL
30
30
OO
OO
AUX
BAL
AUX MIX
GROUP/LEFT
FADER
AUX1
PEAK
+6dB
0dB
SIG
AUX
INSERT
BAL
-2dBu
AUX2
AUX5
AUX3
MUTE
GROUP MIX
GRP
GRP
OUT
AFL
SL
AUX1
AUX
GROUP1
GRP
AUX
GROUP3
LEFT
2=+
+4dBu
SUBGROUPING
(GROUP CCTS ONLY)
L-R
PAN
L POST
TO MONITOR
(L CCT ONLY)
SAME FOR
AFL
BAL OUT OPTION
AUX
SL
BAL
AUX MIX
OUT
GROUP/RIGHT
FADER
SL
PEAK
+6dB
0dB
SIG
INSERT
-
GROUP MIX
MUTE
AUX 1-6
GRP 1-4
LEFT
RIGHT
P/AFL
R POST
TO MONITOR
(R CCT ONLY)
Group / Aux diagram
GRP
AUX
GROUP2
2=+
+4dBu
SUBGROUPING
(GROUP CCTS ONLY)
L-R
PAN
GL2200 USER GUIDE
AUX6
AUX4
GRP
AUX
BAL
-2dBu
16
AUX2
AFL
REV
5-6
L-R
REV
3-4
REV
1-2
GROUP/AUX REVERSE
GROUP4
GRP
AUX
RIGHT
MODE SWITCHING
The GL2200 features a set of GROUP/AUX REVERSE (REV) switches, which can transpose the AUX
and GROUP controls in pairs. These switches are recessed to avoid accidental operation. Set using a
pointed object or a pen tip.
This feature allows you to set the operation of the console for Front Of House, Stage monitor or a
combination of both (Dual mode).
With the switches out, the groups operate in the conventional manner, channel grouping using the
channel routing switches.
When the REVERSE switches are pressed in, the group busses are routed to the AUX send masters
and the aux busses are routed to the GROUPS (Aux 1 to Group 1, etc). Aux 5 & 6 are routed to L-R
faders respectively.
This configuration allows the user to control up to six monitor mix levels on faders. Outputs are on
balanced XLRs for long cable runs and a signal processor (equaliser, compressor, limiter, etc.) can be
inserted into the signal path using the group and left/right INSERT jacks.
The L-R and group busses are still operational but are now routed to the aux master controls and can
be used for additional monitor or effect sends.
It is advisable to study the GL2200 block diagram to fully understand this flexible routing arrangement.
1
2
Groups
Aux
Sends
1-2
Press
GRP/AUX REVERSE
switches.
5-6 / L-R
3-4
Aux Inserts
PAN
Group Outputs
Aux Outputs
Channel
Routing
L-R
1-2
3-4
Aux Masters
INPUT
CHANNEL
Aux and Groups reversed
GL2200 USER GUIDE
17
MASTER & MONITOR

LAMP
Plug in a standard 12V gooseneck lamp to provide illumination of the

control panel. This should be a BNC connector type with a current
consumption of no more than 350mA.
POWER
LAMP
2-TRACK
0
SEND
OO
RECORD
+10
OO
RETURN
+10
REPLAY
TO
L-R
MONITOR
+16
+9
+6
+3
0
-3
-6
-9
-12
-16
-20
-30
PFL/AFL
MONITOR
LEV 4 5
7
8
9
1
10
L-R
2-TRK
AUX
6
OO
+10
OO
+10
AFL
AFL
L-R/AUX 5-6
REVERSE
FOH
STAGE MONITOR
PEAK
PEAK
+6
+6
SIG
SIG
R6
MONO OUT
PFL/AFL
OO
+10
MUTE
18
MUTE
AFL
AFL
10
10
10
10
20
20
30
30
OO
OO
AUX5
AUX6
PHONES MONITOR AND BARGRAPH METERS

Use stereo headphones with a nominal impedance of 30 to 600 ohms.
Adjust the LEV control for a comfortable listening level. The phones and
the 12 segment bargraph normally meter the post fade L-R mix or the
two track return depending on the position of the L-R/2TRK switch.
Pressing any AFL/PFL button on the console will override the monitor
with the selected AFL/PFL signal. A large red LED located below the
meters indicates a PFL or AFL selection.
MONO OUTPUT
WEDGE MONITOR
Individual RCA phono sockets are provided for connecting a 2-track

stereo recorder such as a cassette or DAT machine. Connect the
recorder input (REC) connectors to the console SEND sockets and the
recorder output (PLAY) connectors to the RETURN sockets
Separate SEND and RETURN level controls adjust the signal to the
required line level and sensitivity. The console can work with both high
(+4dBu) and low (-10dBV) level equipment.
Alternatively the RETURN inputs may be used for stereo intermission
replay from a CD or similar to the main mix by pressing REPLAY TO LR. An LED warns that replay is selected.
The SEND may be used for recording or broadcasting the performance
in stereo, or to feed an alternative set of speakers, or drive an induction
loop hearing aid system. The send outputs are post L-R faders as
standard.
3
2
AUX
5
2-TRACK RECORD AND REPLAY
The MONO OUT / AFL/PFL switch sources the signal from either a
summed post-fader L-R mix or the AFL/PFL mix. When MONO OUT is
selected, the MONO output provides for a centre fill or sub-bass
loudspeaker, mono recording or broadcast feed. When AFL/PFL is
selected, you can feed a stage monitor engineers listen wedge.
This switch is recessed to avoid accidental operation. Use a pointed
object or pen tip to operate.
MAIN L-R OUTPUTS

MUTE switches the main mix signal off when pressed regardless of
fader position. Muted outputs are indicated by red LEDs.
AFL (After Fade Listen) routes the post fader mix signal to the console
meters and headphone monitoring to allow checks for sound quality and
mix level. The AFL signal is sourced before the MUTE switch allowing
the signal to be checked even when the mix signal is muted.
L-R FADERS - Individual 100mm faders adjust the main L-R mix level
with +10dB boost available above the nominal 0 position. For best
performance the faders should be operated around the 0 position for
normal loud level. If you find yourself operating significantly below 0
then the amplifier or recorder input is too sensitive for the console +4dBu
output. Simply turn down the amplifier or recorder level trim. If none is
available then insert an attenuator pad between the console and
connected equipment.
GL2200 USER GUIDE
OSCILLATOR/PINK NOISE & TALKBACK

The GL2200 oscillator section provides for two modes of operation:
1kHz Tone Mode
A 1kHz sinewave is provided for setting up input levels on external devices, such as recording
equipment, FX processors and so on.
Pink Noise Mode
A pink noise signal, can be used to check the phase and overall frequency response of a
loudspeaker or an array of loudspeakers or for analysing the acoustics of an auditorium. Pink noise
produces equal sound energy per octave over the audio band. It has a mellow, balanced sound to
the human ear compared with white noise, which sounds brilliant and hissy due to additional energy
at high frequencies.
OSCILLATOR
1kHz OSC
PINK NOISE
9
0
10
1kHz/Pink Noise Selects between the two signal types outlined above.
The level control allows adjustment from 20dBu to +20dBu.
When the TALK switch is pressed, the level of the oscillator/pink noise is reduced by
12dB.
L-R, GRP 1-4, AUX 1-2, AUX 3-4, AUX 5-6 routing switches assign the oscillator/pink
noise and talkback to the required mix busses.
ON Switches the oscillator/pink noise on and off. LED indicates status. Under-panel
switch prevents accidental triggering of the oscillator during performances.
L-R
AUX
1-2
AUX
3-4
AUX
5-6
OSC/NOISE
ON
TALK
WARNING! The oscillator/pink noise facility on the GL2200 is a powerful tool

for audio system checking and setup. However, the operator should ensure that
the ON switch is not selected during performances in order to avoid interruption
of the show and possible speaker damage by accidentally routing the oscillator
to the outputs.
TALKBACK
The talkback input is connected into the Mic input of the SECOND STEREO INPUT
CHANNEL. By selecting LINE, the signal is fed to the routing switches in the
oscillator/pink noise section and talkback is enabled when the momentary TALK
switch is pressed. Talk to several destinations at the same time by selecting a
combination of routing switches.
Use the MIC GAIN control on the stereo input channel to control talkback level.
+48V is available for microphones which require phantom power.
The ability to talk to auxes (foldback monitors) is important when using the console for
stage monitoring and cueing the performers.
The line jack inputs of the second stereo input channel can still be used when the mic
input is enabled for talkback.
AUX 1-6
GRP 1-4
LEFT
RIGHT
P/AFL
GRP
1-4
L-R
1KHz
OSCILLATOR
GRP1-4
AUX1-2
AUX3-4
AUX5-6
PRESS
TO
TALK
OSC/PINK NOISE
/TALKBACK
LEVEL
DIM
ON
SELECT
PINK
NOISE
GEN
TALKBACK SIGNAL
FROM STEREO INPUT
Oscillator / Pink noise generator and talkback section.

GL2200 USER GUIDE
19
FRONT OF HOUSE
MONO
MONO
This example shows the 4 groups,

L - R and Mono outputs feeding a
7-stack FOH amplification system.
The groups provide independent
control of the additional left and
right loudspeaker stacks or may
be used for zone feeds or for
subgrouping to the L-R mix.
GROUPS 1 & 2
GROUPS 3 & 4
INSERTS
LR
The
inserts
on
the
channels and outputs may
be used for outboard
effects
and
signal
processing devices such
as compressors, limiters
and graphic equalisers.
FOLDBACK
pre-fade aux sends
returns
inputs
EFFECTS
Post fader aux sends
returns
MULTITRACK RECORDER
CD PLAYER
playback
EFFECTS
2 TRACK RECORDER
insert
stereo chans
record
L
R
SIGNAL
PROCESSOR
(compressor)
2-TRACK
MONITOR
STEREO
STEREO
RETURN
RETURN
L/MONO
RETURN
15
STEREO
IN
inserts
INSERT R
L INSERT
INSERT
INSERT
INSERT
SEND
13
STEREO
IN
14
MIC
GRAPHIC EQUALISERS
L/MONO
16
12
MIC
11
INSERT
INSERT
INSERT
INSERT
INSERT
10
LINE
IN
LINE
IN
LINE
IN
LINE
IN
LINE
IN
INSERT
INSERT
INSERT
INSERT
LINE
IN
LINE
IN
LINE
IN
LINE
IN
INSERT
1
LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
INSERT
TALKBACK
10
direct outs
GRAPHIC EQUALISERS
MULTITRACK RECORDING
Graphic equalisers are used to

compensate for adverse room
acoustics. These devices help
reduce acoustic feedback and
enhance the clarity of the
sound.
Connect the inputs of the multitrack to the

channel direct out sockets to record each
channel on a separate track for mix down later.
2-TRACK RECORDING AND

INTERMISSION REPLAY
Use the console 2-track send and return
sockets for connecting a cassette or
DAT recorder and a CD player. Connect
the CD player to the console two track
return sockets for intermission replay.
This does not affect the recording
process.
AUX MASTERS
AUX
POST
AUX SENDS
Select aux 1-4 post-fade to access 4
effects processing devices. Use the
stereo returns and stereo inputs to add
the effects to L-R and mono mix.
PRE
Set the AUX REVERSE

switches to the up position for
conventional
aux/group
operation
Select aux 5-6 pre-fader for foldback

monitor sends.
20
These switches are recessed

to avoid accidental operation.
Set using a pen tip or pointed
object.
Set the LR SUM MONO

switch to up for mono out
(L+R sum)
GL2200 USER GUIDE
STAGE MONITOR
STAGE MONITORS
6
1
5
2
4
3
mic
splitter
AMPLIFIERS
GRAPHIC
EQUALISERS
R
inserts
GRAPHIC EQUALISERS
Graphic equalisers plugged into the console inserts are
an invaluable aid to reducing on-stage acoustic
feedback and enhancing the clarity of the monitors.
Using AFL allows the stage engineer to check the
operation of the equalisers in the listen wedge monitor.
It is best to use the same type of loudspeaker for the
engineer's monitor as those used on stage.
L
4
3
2
1
2-TRACK
MONITOR
STEREO
STEREO
RETURN
RETURN
L/MONO
RETURN
15
STEREO
IN
to FOH
console
16
R
MIC
INSERT R
L INSERT
INSERT
INSERT
INSERT
SEND
L/MONO
13
STEREO
IN
14
INSERT
10
LINE
IN
INSERT
LINE
IN
INSERT
LINE
IN
INSERT
LINE
IN
INSERT
LINE
IN
INSERT
LINE
IN
INSERT
LINE
IN
INSERT
LINE
IN
INSERT
LINE
IN
INSERT
LINE
IN
12
MIC
11
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
INSERT
TALKBACK
10
TALKBACK
Selecting the GRP 1-4 and L-R
switches in the OSC/NOISE
section enables talkback to the
performers using the stage
monitors.
SIGNAL
PROCESSOR
ENGINEER'S WEDGE MONITOR

Set up the WEDGE MIX by
selecting one or a combination of
the groups/L-R AFL switches to
listen to the desired monitor
outputs. These are post insert and
therefore post graphic EQ and
post fader for accurate monitoring.
Pressing any PFL or AFL switch
allows channel set up and signal
checking.
This example shows the 6 aux

sends routed through the main
groups and L-R outputs to provide
6 independent stage monitor
mixes with metering, MUTE
switches, inserts and balanced
XLR connectors.
The
AUX/GROUP
reverse
switches reroute the group and LR mix to the aux jacks outputs for
additional monitoring or effect
sends or as independent submix
facilities. For example, aux 5 and
6 jack outputs may provide a
seperate stereo mix output from
the channel L-R routing switches
and the additional 4 stereo return
line inputs.
These switches are recessed to

avoid accidental operation.
Set
using a pen tip or pointed object.
AUX
PRE
Set the AUX REVERSE switch to

the down position (below panel) to
route the aux mix through the
groups and L-R XLR outputs for
stage monitor level control with
fader.
PRE
Use the groups to add effects

such as delay, reverb or echo to
the stage monitors.
Set LR SUM MONO switch to down

(below panel) for engineer's listen
wedge following PFL/AFL.
GL2200 USER GUIDE
21
DUAL MODE
R
MULTITRACK RECORDING
Connect the inputs of the multitrack to the aux
jack outputs. These are now the group mix
outputs. Any unused multitrack inputs can be
connected to the channel direct out sockets to
record each channel on a separate track for mix
down later.
MONO
MONO
LR
STAGE MONITOR
AUX 3 & 4
pre-fade aux sends
STAGE MONITOR
pre-fade aux sends
AUX 1 & 2
MULTITRACK RECORDER
EFFECTS
aux 6
COMPRESSORS/LIMITERS
returns
These are used to prevent

excessive peaks overloading the
amplification
system,
for
example in club installations
subject to sound level control.

aux 5
returns
SIGNAL
PROCESSOR
(compressor)
GRAPHIC
EQUALISERS
4
inserts
3
2
insert
1
L
R
2-TRACK
MONITOR
STEREO
STEREO
RETURN
RETURN
L/MONO
RETURN
15
STEREO
IN
inserts
16
R
MIC
INSERT R
COMPRESSOR / LIMITER
M
R
L INSERT
INSERT
INSERT
INSERT
SEND
L/MONO
13
STEREO
IN
14
INSERT
10
LINE
IN
INSERT
INSERT
LINE
IN
LINE
IN
INSERT
7
LINE
IN
INSERT
6
LINE
IN
INSERT
5
LINE
IN
INSERT
4
LINE
IN
INSERT
3
LINE
IN
INSERT
2
LINE
IN
INSERT
1
LINE
IN
12
MIC
11
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
INSERT
TALKBACK
10
direct outs 1-6
groups 1 & 2
GRAPHIC EQUALISERS
Graphic equalisers plugged into the inserts are an
invaluable aid to reducing on-stage acoustic
feedback and enhancing the clarity of the monitors.
This example shows the

console configured to control
a Left, Right and Centre Front
of House system with 4 full
feature stage monitor mixes.
Stage monitor sends aux 1-4
are set pre-fade so that the
signal level is not affected by
the fader position and the
FOH mix.
Aux 5-6 are set post-fade to
access two effects devices
whose outputs are added to
the L-R mix via stereo returns
1 and 2. Alternatively, these
may be connected to the
stereo channels.
aux 1- 4
L- R
AUX
PRE
Set the AUX REVERSE switch

to the down position (below
panel) to route aux mixes 1-4
through groups 1-4. Set L-R
switch in the up position for
conventional operation.
POST
Set LR SUM MONO switch to

up for mono out (L+R sum).
The channel and output

inserts may be used for
outboard effects and signal
processors
such
as
compressors, limiters and
graphic equalisers.
22
These switches are recessed

to avoid accidental operation.
Set using a pen tip or pointed
object.
GL2200 USER GUIDE
FRONT PANEL LAYOUT

48V
10
48V
11
48V
12
30
GAIN
50
MIC
GAIN
40
30
40
60dB
10
- 10 20
60 30
10
-15
OO
LINE
GAIN
20
OO
-15
+15
SEND
OO
RECORD
AUX
1
+10
OO
OO
+15
L-R
OO
+6
+6
BAL
3kHz
+6
AUX
2
LINE
TO L-R
OO
RETURN
+10
REPLAY
TO
+6
AUX
2
20
LINE
TO L-R
-15
+15
OO
LINE
GAIN
HF
100Hz
12kHz
60Hz
AUX
1
10
2-TRACK
60Hz
MIC TO TALK
LAMP
+15
LF
60dB
10
50
PAD
-15
LF
50
MIC
GAIN
POWER
+15
0
20
40
-30dB
0
HF
12kHz
-15
30
20
PAD
HF
12kHz
MONITOR
+16
BAL
+9
+6
500Hz
MIC
LINE
15kHz
MF1
HF
MIC
LINE
0
HF
12kHz
L
MIC TO TALK
ENABLE
ODD
EVEN
EVEN
-15
+15
0
MF1
-15
MF2
-15
-15
-15
-15
+15
+15
0
OO
0
OO
+6
AUX
2
-15
+15
AUX
1
OO
1kHz OSC
PINK NOISE
+6
AUX
2
OO
+6
AUX
3
+6
4
AUX
2
OO
OO
+6
AUX
4
0
OO
0
OO
0
OO
OO
0
OO
OO
+6
AUX
5
20
20
30
30
EVEN
R
ODD
L
AUX
6
10
MUTE
+6
PRE
AUX
2
OO
ODD
L
+6
+6
+6
10
L-R
1-2
PFL
L-R
1-2
10
3-4
SIG
L-R
2-TRK
+10
OO
+10
AUX
4
OO
+10
AFL
AUX
5
OO
+10
AFL
AUX
6
OO
AFL
+10
OO
+10
AFL
AFL
GRP/AUX 1-2
REVERSE
GRP/AUX 3-4
REVERSE
L-R/AUX 5-6
REVERSE
PEAK
PEAK
PEAK
PEAK
PEAK
AUX
3-4
+6
+6
+6
+6
+6
+6
AUX
5-6
SIG
SIG
SIG
SIG
SIG
SIG
L5
R6
OSC/NOISE
MONO OUT
L-R
ON
TALK
FOH
STAGE MONITOR
PEAK
PAN
MUTE
PEAK
PFL
10
L-R
L-R
C
PAN
PAN
L-R
PFL/AFL
PAN
WEDGE MONITOR
MUTE
MUTE
OO
MUTE
+10
MUTE
MUTE
EVEN
R
MUTE
SIG
8
0
AUX
3
AFL
PEAK
10
7
9
PEAK
SIG
3
2
STEREO
RETURN
AUX
1
AUX
1-2
0
OO
BAL
EVEN
R
MONITOR
LEV 4 5
OO
MUTE
ODD
L
PFL/AFL
GRP
1-4
+6
PRE
C
BAL
10
OO
L-R
+6
PRE
C
10
OO
0
OO
+6
PAN
+6
AUX
4
+6
AUX
6
8
9
0
PRE
+6
AUX
6
OO
PRE
AUX
5
+6
PRE
+6
AUX
3
+6
AUX
4
+6
AUX
5
OO
-30
+6
AUX
3
STEREO
RETURN
1
OO
EQ IN
EQ IN
AUX
1
-20
5
+15
0
60Hz
EQ IN
AUX
1
-15
LF
60Hz
10
L-R
3-4
-16
+15
0
LF
60Hz
10
L-R
1-2
+15
250Hz
+15
0
LF
-15
MF2
250Hz
-9
-12
+15
0
-6
PFL
+15
2.5kHz
1kHz
MF2
-15
MF1
2.5kHz
35Hz
-3
12kHz
+15
250Hz
MUTE
PFL
-15
+3
ODD
MUTE
PFL
L-R
AFL
AFL
AFL
AFL
AFL
AFL
10
10
10
10
10
10
10
10
10
10
10
10
10
10
1-2
10
3-4
3-4
20
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
30
OO
OO
OO
OO
OO
OO
OO
OO
OO
STEREO
STEREO
AUX1
AUX2
AUX3
AUX4
AUX5
AUX6
13-14
15-16
GL2200 USER GUIDE
23
REAR PANEL LAYOUT

2-TRACK
RETURN
MONITOR
TIP L
RING R
AUX
20
AUX
STEREO
RETURN
19
AUX
L/MONO
18
AUX
STEREO
RETURN
AUX
17
L/MONO
SYS-LINK
IN
L/MONO
AUX
13
STEREO
IN
STEREO
IN
16
14
GRP
MIC
INSERT R
L INSERT
INSERT
INSERT
INSERT
OUT
INSERT
INSERT
INSERT
INSERT
10
LINE
IN
LINE
IN
LINE
IN
LINE
IN
LINE
IN
INSERT
INSERT
INSERT
INSERT
INSERT
LINE
IN
LINE
IN
LINE
IN
LINE
IN
LINE
IN
12
MIC
11
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
MIC/LINE
IN
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
DIRECT
OUT
INSERT
SYS-LINK
OUT
OUT
INSERT
L/MONO
15
TALKBACK
OUT
10
SEND
OUT
CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE

WITH SAME TYPE AND RATING.
OUT
OUT
GRP/AUX
REVERSE
CAUTION
ATTENTION: REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES.

WARNING: DISCONNECT SUPPLY BEFORE CHANGING FUSE.
OUT
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
AUX
100 - 240V~
EXTERNAL SUPPLY
ACTIVE
INTERNAL SUPPLY
ACTIVE
T1A 250V 20mm
SUPPLY VOLTAGE RANGE:

100 - 240V.AC
47-63Hz ~ 60W MAX
WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE
SEE INSTALLATION INSTRUCTIONS BEFORE CONNECTING TO THE SUPPLY
DO NOT OBSTRUCT VENTILATION OPENINGS
NO USER SERVICEABLE PARTS INSIDE
SPECIFICATIONS
0 dBu = 0.775 Volts rms
0 dBV = 1 Volt rms
HEADROOM:.............................................................. +21dB
MAX OUTPUT: .............. XLR +25dBu 2kohm max load
............................................JACK +21dBu 2kohm max load
METERS: L, R.peak reading 12 bar LED
Groups 1-4.peak reading 4 segment LED
Channelspeak reading 4 segment LED
PEAK LEDs: .............................Turn on 5dB before clipping
FREQUENCY RESPONSE referred to 1kHz @ +4dBu:
Any input to any output .....................20Hz to 30kHz +0/-1dB
DISTORTION: THD+Noise @ +14dBu 1kHz
Mic in to L-R output, 40dB gain .................................0.010%
Line in to L-R output, 0dB gain ..................................0.008%
CMRR
Mic in, 40dB gain @ 1kHz .......................................... >88dB
CROSSTALK: Referred to driven channel @ 1kHz

Adjacent channel ... < -90dB
Channel fader off.......................................................< -90dB
Channel mute on .......................................................< -90dB
Channel Pan pot isolation .........................................< -80dB
NOISE: Measured rms, 22kHz bandwidth
Mic input EIN (150 ohm source)..............................< -128dB
Line preamp, 0dB gain ............................................< -83dBu
L-R output residual noise .....................< -92dBu (96dB S/N)
L-R faders 0, nothing routed ...............< -88dBu (92dB S/N)
L-R mix noise (16 channels routed) .....< -83dBu (87dB S/N)
Group, faders 0, nothing routed..........< -91dBu (95dB S/N)
Group mix noise (16 channels routed).< -83dBu (87dB S/N)
POWER SUPPLY: .................... 100 to 240V AC @ 47/63Hz
....................................Internal, autosensing AC mains input
Power consumption:............................................... 60W max
Mains Fuse rating 100-240VAC: ............... T1A 250V 20mm
CONNECTIONS
INPUTS:
Mic in.............................. XLR......................... pin 2 hot, 3 cold, balanced .................... >2k Ohm ..........variable -60 to -20dBu
Line in ............................ XLR......................... pin 2 hot, 3 cold, balanced .................... >10k Ohm ........variable -30 to +10dBu
or TRS jack ................. tip hot, ring cold, balanced .................... >10k Ohm ........variable -30 to +10dBu
Stereo Ch Line in ........... TRS jack ................. tip hot, unbalanced ................................ >8k Ohm .........-20dBu min
Stereo Return ................ TRS jack ................. tip hot, unbalanced ................................ >6k Ohm ..........-10dBV min
2-Track Return ............... RCA PHONO .......... unbalanced ............................................ >10k Ohm ........-10dBV min
Insert Return .................. TRS jack ................. tip send, ring return, unbalanced ........... >6k Ohm ..........0dBu (chan), -2dBu (out)
OUTPUTS:
L-R, Group out ............... XLR......................... pin 2 hot, 3 cold, balanced .................... <75 Ohm..........+4dBu, +27dBu max
Direct out ....................... TRS jack ................. tip hot, impedance balanced ................. <75 Ohm..........0dBu
2-Track sends ................ RCA PHONO .......... unbalanced ............................................ <75 Ohm..........variable +21dBu max
Aux out.......................... TRS jack ................. tip hot, impedance balanced ................. <75 Ohm..........variable +21dBu max
Mono out ........................ XLR......................... pin 2 hot, 3 cold, balanced .................... <75 Ohm..........+4dBu, +27dBu max
Insert send ..................... TRS jack ................. tip send, ring return, unbalanced ........... <75 Ohm..........0dBu (chan), -2dBu (out)
Monitor out ..................... TRS jack ................. tip left, ring right, unbalanced ................ <75 Ohm..........variable +21dBu max
Phones out..................... TRS jack ................. tip left, ring right ..................................... for stereo headphones 30 to 600 Ohms
24
GL2200 USER GUIDE
INTERNAL LINK OPTIONS

The console is set to satisfy most applications that should be encountered. However, the following
internal link options are offered to provide alternative settings for those applications that may require
them. These options involve resoldering of circuit board links and should only be carried out by
competent technical personnel. Further information is available in the GL2200 SERVICE MANUAL
and from your agent.
MONO & STEREO INPUT
1. Reconfigure each aux as required to be permanently pre-fade or post-fade rather than
switched by the front panel PRE switch.
2. Reconfigure the pre-fade sends to be pre-EQ / pre-mute, or post-EQ / pre-mute, instead
of the standard post-EQ / post-mute.
3. Disable +48V phantom power regardless of panel switch position - remove link.
4. Reconfigure the Direct Out Source to be pre-fade or post-fade.
DIRECT OUT
SOURCE
PRE-FADE
POST-FADE
PP
+48V
ENABLE
POST-FADE
SWITCHED
PRE-FADE
PRE-MUTE
POST-MUTE
PRE EQ
POST EQ
MONO
L22 STEREO
AG3428
PP
+48V
ENABLE
LEFT
POST EQ
PRE-EQ
RIGHT
POST EQ
PRE-EQ
AUX 6
CUT LINKS
INSERT IC
SSM2142
LEFT
POST-MUTE
PRE MUTE
RIGHT
POST-MUTE
PRE MUTE
STEREO
LEFT
L22 LEFT
AG3426
AUX 5
CUT LINKS
INSERT IC
SSM2142
LEFT & CONNECTOR

For Aux out 5 & 6 balance option with
jack output tip = hot, ring = cold. Remove
two links and plug in balance driver IC.
CONNECTOR
AUX 2/4
CUT LINKS
INSERT IC
SSM2142
AUX 1/3
CUT LINKS
INSERT IC
SSM2142
L22 GROUP
AG3425
GROUP
GROUP
For Aux out 1-4 balance option with jack
output tip = hot, ring = cold. Remove two
links and plug in balance driver IC.
GL2200 USER GUIDE
25
GL2200 CUE SHEET - INPUTS

Copy this sheet and use it to record the console settings.
48V
48V
48V
48V
48V
48V
48V
48V
48V
48V
10
48V
11
48V
12
48V
13
48V
14
48V
15
48V
16
30
PAD
PAD
-30dB
0
GAIN
-30dB
0
40
30
GAIN
GAIN
60 30
GAIN
60 30
GAIN
60 30
GAIN
60 30
GAIN
60 30
GAIN
60 30
GAIN
60 30
GAIN
60 30
GAIN
60 30
GAIN
60 30
GAIN
PAD
- 10 20
60 30
GAIN
60 30
50
MIC
GAIN
40
30
50
PAD
- 10 20
20
40
60dB
10
60 30
- 10 20
100Hz
0
HF
-15
+15
-15
15kHz
500Hz
+15
-15
15kHz
500Hz
+15
-15
15kHz
500Hz
+15
-15
15kHz
500Hz
+15
-15
15kHz
500Hz
+15
-15
15kHz
500Hz
+15
-15
15kHz
500Hz
+15
-15
15kHz
500Hz
+15
-15
15kHz
500Hz
+15
-15
15kHz
500Hz
10
10
+15
-15
15kHz
500Hz
-15
15kHz
500Hz
3kHz
MF1
OO
-15
15kHz
500Hz
+15
-15
250Hz
+15
-15
250Hz
+15
-15
250Hz
+15
-15
250Hz
+15
-15
250Hz
+15
-15
250Hz
+15
-15
250Hz
+15
-15
250Hz
+15
-15
250Hz
+15
-15
250Hz
+15
-15
250Hz
+15
-15
250Hz
HF
+15
-15
250Hz
-15
+15
250Hz
35Hz
35Hz
1kHz
0
35Hz
1kHz
0
MF2
35Hz
1kHz
0
MF2
35Hz
1kHz
0
MF2
35Hz
1kHz
0
MF2
35Hz
1kHz
0
MF2
35Hz
1kHz
0
MF2
35Hz
1kHz
0
MF2
35Hz
1kHz
0
MF2
35Hz
1kHz
0
MF2
35Hz
1kHz
0
MF2
35Hz
1kHz
0
MF2
+15
0
MF1
35Hz
1kHz
0
MF2
-15
+15
0
LF
-15
+15
0
LF
-15
+15
0
OO
-15
+15
0
OO
+6
AUX
3
OO
+6
AUX
5
+6
AUX
5
+6
AUX
6
0
OO
AUX
6
+6
0
OO
+6
PRE
C
PAN
EVEN
R
0
OO
EVEN
R
5
PFL
L-R
1-2
L-R
1-2
1
3-4
L-R
3-4
3-4
0
OO
EVEN
R
L-R
L-R
3-4
3-4
EVEN
R
L-R
3-4
EVEN
R
L-R
L-R
1-2
1
3-4
EVEN
R
5
PFL
L-R
3-4
PFL
L-R
1-2
1
3-4
EVEN
R
PFL
L-R
3-4
L-R
3-4
L-R
1-2
1
3-4
3-4
EVEN
R
AUX
5
0
OO
L-R
EVEN
R
ODD
L
3-4
EVEN
R
MUTE
PEAK
+6
10
SIG
10
SIG
5
PFL
L-R
1-2
1
MUTE
PEAK
5
PFL
+6
PRE
BAL
ODD
L
10
SIG
+6
AUX
6
+6
+6
OO
PFL
L-R
1-2
1
3-4
3-4
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
30
30
30
30
30
30
30
30
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
STEREO
STEREO
25-26
NOTES:
26
+6
BAL
1-2
1
PRE
MUTE
5
PFL
+6
AUX
4
PRE
0
OO
PEAK
10
SIG
OO
+6
AUX
6
+6
5
PFL
ODD
L
+6
OO
+6
MUTE
+6
1-2
1
EVEN
R
AUX
5
PRE
PEAK
OO
AUX
3
+6
OO
0
OO
PAN
ODD
L
10
SIG
1-2
1
EVEN
R
10
SIG
MUTE
+6
+6
PRE
PEAK
+6
PRE
+6
AUX
6
0
OO
AUX
2
+6
AUX
4
OO
0
OO
0
OO
PAN
ODD
L
MUTE
PEAK
PAN
ODD
L
10
SIG
+6
PRE
+6
AUX
5
+6
AUX
6
PRE
0
OO
0
OO
+6
10
SIG
MUTE
PEAK
1-2
1
EVEN
R
ODD
L
AUX
6
+6
AUX
5
+15
EQ IN
+6
AUX
3
OO
0
OO
PRE
+6
PRE
PAN
+6
+6
AUX
4
-15
AUX
1
+6
AUX
2
OO
0
OO
0
OO
0
OO
0
OO
+6
5
PFL
MUTE
PEAK
10
SIG
AUX
6
+6
AUX
5
+6
PRE
PAN
ODD
L
0
OO
0
OO
+6
5
PFL
MUTE
10
SIG
+6
PAN
ODD
L
AUX
6
PRE
PEAK
1-2
1
0
OO
+6
5
PFL
MUTE
10
SIG
+6
PAN
ODD
L
AUX
6
PRE
PEAK
1-2
1
0
OO
+6
5
PFL
+6
MUTE
PEAK
1-2
1
EVEN
R
AUX
6
PRE
PAN
ODD
L
10
SIG
5
PFL
0
OO
+6
10
SIG
MUTE
+6
+6
PAN
ODD
L
AUX
6
PRE
PEAK
1-2
1
MUTE
5
PFL
+6
PAN
EVEN
R
AUX
6
PRE
PEAK
1-2
1
ODD
L
10
SIG
5
PFL
0
OO
+6
10
SIG
+6
MUTE
PEAK
+6
10
SIG
EVEN
R
AUX
6
PRE
PAN
ODD
L
+6
MUTE
PEAK
+6
0
OO
PRE
PAN
ODD
L
MUTE
PEAK
AUX
6
+6
PRE
PAN
ODD
L
AUX
6
+6
+15
OO
+15
0
EQ IN
+6
AUX
3
+6
PRE
-15
AUX
1
+6
OO
AUX
4
-15
LF
60Hz
+15
AUX
2
+15
0
EQ IN
OO
OO
-15
+6
AUX
3
+6
OO
-15
LF
60Hz
AUX
1
+6
AUX
2
OO
AUX
4
+6
AUX
5
+6
+15
+15
-15
MF2
250Hz
+15
0
EQ IN
OO
PRE
0
OO
-15
+6
AUX
3
OO
0
OO
-15
LF
60Hz
AUX
1
+6
AUX
2
+6
AUX
4
+6
AUX
5
+6
+15
OO
+15
0
EQ IN
OO
PRE
0
OO
-15
+6
AUX
3
OO
0
OO
-15
LF
60Hz
AUX
1
+6
AUX
2
+6
AUX
4
+6
AUX
5
+6
+15
OO
+15
0
EQ IN
OO
PRE
0
OO
-15
+6
AUX
3
OO
0
OO
-15
LF
60Hz
AUX
1
+6
AUX
2
+6
AUX
4
+6
AUX
5
+6
+15
OO
+15
0
EQ IN
OO
PRE
0
OO
-15
+6
AUX
3
OO
0
OO
-15
LF
60Hz
AUX
1
+6
AUX
2
+6
AUX
4
+6
AUX
5
+6
+15
OO
+15
0
EQ IN
OO
PRE
0
OO
-15
+6
AUX
3
OO
0
OO
-15
LF
60Hz
AUX
1
+6
AUX
2
+6
AUX
4
+6
AUX
5
+6
+15
OO
+15
0
EQ IN
OO
PRE
0
OO
-15
+6
AUX
3
OO
0
OO
-15
LF
60Hz
AUX
1
+6
AUX
2
+6
AUX
4
+6
AUX
5
+6
+15
OO
+15
0
EQ IN
OO
PRE
0
OO
-15
+6
AUX
3
OO
0
OO
-15
LF
60Hz
AUX
1
+6
AUX
2
+6
AUX
4
+6
AUX
5
+6
+15
OO
+15
0
EQ IN
OO
PRE
0
OO
-15
+6
AUX
3
OO
0
OO
-15
LF
60Hz
AUX
1
+6
AUX
2
+6
AUX
4
+6
AUX
5
+6
+15
OO
+15
0
EQ IN
OO
PRE
0
OO
-15
+6
AUX
3
OO
0
OO
-15
LF
60Hz
AUX
1
+6
AUX
2
+6
AUX
4
PRE
0
OO
+15
OO
+15
0
EQ IN
OO
OO
0
OO
PRE
-15
+6
AUX
3
+6
AUX
4
-15
LF
60Hz
AUX
1
+6
AUX
2
OO
0
OO
+15
OO
+15
0
EQ IN
+6
AUX
3
+6
OO
-15
AUX
1
+6
OO
AUX
4
0
OO
AUX
2
-15
LF
60Hz
EQ IN
AUX
1
+6
AUX
2
+15
0
60Hz
EQ IN
AUX
1
-15
LF
60Hz
+15
0
+15
-15
MF2
250Hz
60Hz
-15
MF1
2.5kHz
1kHz
0
MF2
MIC
LINE
0
HF
12kHz
2.5kHz
MF2
20
LINE
TO L-R
MIC
LINE
15kHz
MF1
12kHz
-15
OO
+15
3kHz
MF1
LINE
GAIN
20
LINE
TO L-R
+15
3kHz
MF1
LINE
GAIN
12kHz
+15
100Hz
0
HF
12kHz
3kHz
MF1
100Hz
0
HF
12kHz
3kHz
MF1
100Hz
0
HF
12kHz
3kHz
MF1
100Hz
0
HF
12kHz
3kHz
MF1
100Hz
0
HF
12kHz
3kHz
MF1
100Hz
0
HF
12kHz
3kHz
MF1
100Hz
0
HF
12kHz
3kHz
MF1
100Hz
0
HF
12kHz
3kHz
MF1
100Hz
0
HF
12kHz
3kHz
MF1
100Hz
0
HF
12kHz
3kHz
MF1
100Hz
0
HF
12kHz
3kHz
500Hz
100Hz
0
HF
12kHz
60dB
10
MIC TO TALK
60 30
0
100Hz
0
HF
12kHz
50
MIC
GAIN
50
PAD
- 10 20
40
-30dB
40
30
50
30
20
PAD
-30dB
40
30
50
PAD
- 10 20
PAD
-30dB
40
30
50
PAD
- 10 20
PAD
-30dB
40
30
50
PAD
- 10 20
PAD
-30dB
40
30
50
PAD
- 10 20
PAD
-30dB
40
30
50
PAD
- 10 20
PAD
-30dB
40
30
50
PAD
- 10 20
PAD
-30dB
40
30
50
PAD
- 10 20
PAD
-30dB
40
30
50
PAD
- 10 20
PAD
-30dB
40
30
50
PAD
- 10 20
PAD
-30dB
40
30
50
PAD
- 10 20
PAD
-30dB
40
30
50
PAD
PAD
GL2200 USER GUIDE
27-28
GL2200 CUE SHEET MASTER & INPUTS

Copy this sheet and use it to record the console settings.
HF
HF
12kHz
48V
POWER
12kHz
-15
+15
-15
LAMP
+15
17
2-TRACK
48V
18
48V
19
48V
20
48V
21
48V
22
48V
23
48V
24
LF
LF
60Hz
PAD
-15
+15
AUX
1
-15
0
OO
OO
OO
+10
OO
RETURN
+10
REPLAY
TO
L-R
GAIN
GAIN
OO
GAIN
60 30
- 10 20
60 30
100Hz
+6
HF
MONITOR
- 10 20
60 30
60 30
60 30
60 30
GAIN
50
PAD
- 10 20
60 30
- 10 20
60 30
100Hz
0
HF
12kHz
40
30
50
100Hz
0
HF
12kHz
-30dB
40
30
PAD
100Hz
0
HF
12kHz
GAIN
50
- 10 20
PAD
-30dB
40
30
PAD
100Hz
0
HF
12kHz
GAIN
50
- 10 20
PAD
-30dB
40
30
PAD
100Hz
0
HF
12kHz
GAIN
50
- 10 20
PAD
-30dB
40
30
PAD
100Hz
0
HF
12kHz
GAIN
50
PAD
PAD
-30dB
40
30
50
PAD
PAD
-30dB
40
30
50
- 10 20
PAD
-30dB
40
30
PAD
+6
+6
BAL
OO
AUX
2
SEND
RECORD
+6
AUX
2
+15
AUX
1
PAD
-30dB
60Hz
100Hz
0
HF
12kHz
12kHz
+16
BAL
-15
+9
+15
-15
3kHz
+15
-15
3kHz
+15
-15
3kHz
+15
-15
3kHz
+15
-15
3kHz
+15
-15
3kHz
+15
-15
3kHz
+15
3kHz
+6
L
ODD
EVEN
+3
ODD
EVEN
MUTE
MUTE
PFL
PFL
10
10
500Hz
L-R
3-4
-9
-15
+15
10
20
20
30
30
OO
PFL/AFL
10
OO
AUX
2
+10
OO
+10
AUX
4
OO
+10
AFL
OO
+10
AFL
GRP/AUX 1-2
REVERSE
AUX
5
OO
AFL
AUX
6
+10
OO
GRP/AUX 3-4
REVERSE
L-R/AUX 5-6
REVERSE
PEAK
PEAK
PEAK
AUX
3-4
+6
+6
+6
+6
+6
+6
AUX
5-6
SIG
SIG
SIG
SIG
SIG
SIG
L5
R6
PAN
MUTE
L-R
C
PAN
MUTE
L-R
-15
+15
15kHz
500Hz
15kHz
MF1
-15
+15
-15
250Hz
35Hz
1kHz
500Hz
15kHz
MF1
+15
-15
250Hz
35Hz
1kHz
MF2
MUTE
AFL
MUTE
AFL
+15
-15
250Hz
35Hz
1kHz
MF2
-15
+15
0
LF
+15
250Hz
35Hz
1kHz
MF2
+15
-15
+15
0
LF
60Hz
-15
35Hz
1kHz
MF2
-15
+15
-15
+15
0
LF
60Hz
EQ IN
AUX
1
+6
1kHz
MF2
-15
+15
-15
+15
0
LF
60Hz
EQ IN
-15
+15
-15
+15
0
LF
60Hz
EQ IN
60Hz
-15
+15
EQ IN
-15
+15
EQ IN
EQ IN
0
OO
AUX
1
+6
AUX
2
+6
AUX
3
0
OO
0
OO
AUX
1
+6
AUX
2
+6
AUX
3
0
OO
0
OO
AUX
1
+6
AUX
2
+6
AUX
3
0
OO
0
OO
AUX
1
+6
AUX
2
+6
AUX
3
0
OO
0
OO
AUX
1
+6
AUX
2
+6
AUX
3
0
OO
0
OO
OO
0
OO
+6
AUX
4
+6
AUX
5
+6
AUX
5
+6
+6
+6
AUX
5
0
OO
+6
OO
+6
OO
+6
AUX
2
+6
AUX
3
AUX
5
AUX
3
+6
AUX
5
AUX
6
+6
AUX
5
+6
0
OO
AUX
5
0
OO
+6
OO
+6
AUX
6
+6
PRE
C
PRE
+6
AUX
6
+6
PAN
0
OO
0
OO
0
OO
AUX
4
PRE
+6
PRE
C
PAN
0
OO
0
OO
+6
PRE
C
PAN
+6
AUX
4
PRE
OO
OO
0
OO
+6
AUX
6
+6
PRE
C
PAN
+6
OO
0
OO
+6
AUX
4
PRE
+6
AUX
6
OO
0
OO
0
OO
+6
PRE
C
PAN
+6
AUX
4
PRE
OO
OO
0
OO
+6
AUX
6
+6
PRE
C
AUX
5
OO
0
OO
+6
AUX
4
PRE
+6
AUX
6
OO
0
OO
0
OO
+6
PAN
+10
+6
AUX
4
PRE
0
OO
OO
0
OO
PRE
OO
PRE
C
PAN
PRE
C
PAN
MUTE
AFL
AUX
2
+6
AUX
6
MUTE
AFL
+15
AUX
1
+6
EVEN
R
ODD
L
AFL
+15
0
EQ IN
OO
0
OO
OO
-15
LF
60Hz
-15
+6
AUX
3
WEDGE MONITOR
OO
AUX
2
PFL/AFL
PAN
AUX
4
MONO OUT
L-R
L-R
+15
0
+15
AUX
1
FOH
STAGE MONITOR
PEAK
-15
LF
OO
AFL
PEAK
PAN
500Hz
MF1
+10
AFL
PEAK
ON
15kHz
250Hz
35Hz
MF2
60Hz
10
L-R
2-TRK
OSC/NOISE
TALK
+15
250Hz
EQ IN
9
0
AUX
3
AFL
AUX
1-2
500Hz
MF1
OO
GRP
1-4
15kHz
STEREO
RETURN
AUX
1
+15
0
LF
-15
MONITOR
LEV 4 5
L-R
-15
1kHz
MF2
60Hz
8
9
0
500Hz
MF1
10
+15
35Hz
1kHz
MF2
15kHz
250Hz
35Hz
-30
STEREO
RETURN
-15
250Hz
-15
500Hz
MF1
-16
15kHz
-20
1kHz OSC
PINK NOISE
500Hz
MF1
-6
-12
L-R
1-2
15kHz
MF1
-3
EVEN
R
ODD
L
MUTE
AFL
PEAK
PEAK
+6
+6
10
10
10
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
30
30
30
30
30
30
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
AUX3
AUX4
AUX5
AUX6
PFL
L-R
1-2
AUX1
AUX2
SIG
5
PFL
L-R
1-2
1
3-4
25
SIG
5
PFL
L-R
1-2
1
3-4
SIG
26
PFL
L-R
1-2
1
3-4
27
SIG
28
SIG
5
PFL
L-R
1-2
1
3-4
10
10
SIG
10
MUTE
PEAK
+6
10
EVEN
R
ODD
L
MUTE
PEAK
+6
10
EVEN
R
ODD
L
MUTE
PEAK
+6
10
EVEN
R
ODD
L
MUTE
PEAK
+6
EVEN
R
ODD
L
MUTE
PEAK
+6
10
EVEN
R
ODD
L
MUTE
PEAK
+6
0
EVEN
R
ODD
L
MUTE
29
SIG
5
PFL
L-R
1-2
1
3-4
10
PFL
L-R
1-2
1
3-4
30
10
SIG
5
PFL
L-R
1-2
1
3-4
31
3-4
32
NOTES:
GL2200 USER GUIDE
27
AUX 1-6
GRP 1-4
LEFT
RIGHT
P/AFL
SL
BLOCK DIAGRAM
L-R
=SYSLINK
OPTION
AUX1-2
4-BAND 2-SWEEP
EQUALISER
LINE IN
MONO
CHANNEL
x10, 14, 22 or 30
PEAK
+6dB
0dB
SIG
HF
TALKBACK SIGNAL
FROM STEREO INPUT
EQ IN
PAN
MUTE
+
2= +
L-R
3-4
MF2
L-R
LF
RING = RETURN
0dBu
LO-CUT
FILTER
PRE FADER
TIP = +
STEREO
RETURN
L/MONO
HF
MUTE
LF
AUX 1
+
POST-EQ
POST-MUTE
PRE-EQ
PRE-MUTE
SUM
AUX 2
AFL
PRE-FADE
POST FADER
RING = -
0dBu
BAL
1-2 (3-4)
TIP = SEND
2-BAND
EQUALISER
FADER
1-2
+48V
DIRECT
OUT
STEREO RETURN x2
PFL
MIC/LINE IN
ON
SELECT
PINK
NOISE
GEN
FADER
MF1
INSERT
DIM
PRESS
TO
TALK
GAIN
BAL
LEVEL
PFL
PAD
-30dBu
AUX3-4
AUX5-6
OSC/PINK NOISE
/TALKBACK
1KHz
OSCILLATOR
GRP1-4
AUX
BAL
AUX1
AUX5
AUX3
AUX 1
PRE-FADE
SWITCHED
POST-FADE
BAL OUT OPTION
SL
POST-FADE
AUX MIX
GRP
OUT
GRP
GRP
AUX 2
AFL
AUX 3
GROUP/LEFT
AUX 4
PEAK
+6dB
0dB
SIG
FADER
SL
GROUP MIX
AUX
GROUP1
BAL
MUTE
-2dBu
POST
PRE
AUX 5
AUX
INSERT
LEFT
+4dBu
SUBGROUPING
(GROUP CCTS ONLY)
PAN
L-R
AUX 6
AUX
GROUP3
2=+
L POST
TO MONITOR
(L CCT ONLY)
POST
PRE
REV
1-2
GROUP/AUX REVERSE
TALKBACK SIGNAL
TO OSC/TALKBACK
AFL
BAL OUT OPTION
AUX
SL
BAL
AUX2
AUX MIX
GAIN
PEAK
+6dB
0dB
SIG
MIC IN
2= +
STEREO
CHANNEL
AFL
GROUP/RIGHT
SL
+48V
GROUP MIX
MF1
L
R
EQ IN
BAL
MUTE
MF2
GROUP4
GRP
AUX
RIGHT
2=+
+4dBu
SUBGROUPING
(GROUP CCTS ONLY)
L-R
PAN
L-R
GRP
AUX
GROUP2
BAL
MUTE
-2dBu
GRP
AUX
INSERT
FADER
HF
MIC/
LINE
PEAK
+6dB
0dB
SIG
FADER
PFL
4-BAND
EQUALISER
OUT
x2
AUX6
AUX4
MIC TO TALK
ENABLE
(LAST STEREO ONLY)
REV
5-6
L-R
REV
3-4
SAME FOR
1-2
POST
R POST
TO MONITOR
(R CCT ONLY)
3-4
LF
L POST-FADE
L/MONO
LINE
LEV
POST-EQ
POST-MUTE
PRE-EQ
PRE-MUTE
R POST-FADE
PRE
2-TRK SEND
SUM
+
SUM

POST-FADE
SWITCHED
PRE-FADE
AUX 1
L
AUX 2
AUX 3
P/AFL MIX
MONO
LR SUM
BAL
LEV
MONO OUT
SL
M OUT
PFL/AFL
AUX 4
P/AFL DC
POST
PRE
AUX 5
R
MONITOR METERS
REPLAY TO L-R
AUX 6
L-R/2TRK
2-TRK RETURN
POST
PRE
AUX 1-6
GRP 1-4
LEFT
RIGHT
P/AFL
LINE TO L-R
28
GL2200 USER GUIDE
PFL/AFL
MONITOR
PHONES LEV
HEADPHONES
L
R

ALLEN & HEATH - GL2 - GL4 - Service Manual - 127 PDF

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ALLEN & HEATH - GL2 - GL4 - Service Manual - 127 PDF

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Publication: AP0179

WARRANTY STATEMENT ................................................... 2

GL2 INTERNAL LAYOUT ...................................................... 41

GL2 PANEL WIRING D246/1 ............................................... 42

TECHNICAL DESCRIPTION ................................................. 4

GL2-S FRONT PANEL .......................................................... 43

SPECIFICATION & CONNECTIONS .................................... 5

GL2-S REAR PANEL ............................................................. 44

REAR PANEL CONNECTIONS ............................................ 6

GL2-S INTERNAL LAYOUT ................................................... 45

INSTALLING THE CONSOLE ............................................... 7

GL2-S PANEL WIRING D327/2 ........................................... 46

EARTHING THE AUDIO SYSTEM ........................................ 7

INPUT PCB LAYOUT FW045D/3 ........................................ 47

INPUT PCB CIRCUIT D222/1 .............................................. 48

ADJUSTING THE LEVELS .................................................... 8

STEREO PCB LAYOUT FW046D/2 .................................... 49

STEREO PCB CIRCUIT D223/1 .......................................... 50

IDENTIFYING THE FAULT .................................................... 9

GL2 BLOCK DIAGRAM ......................................................... 51

SERVICE PROCEDURES ..................................................... 9

GL2 GROUP PCB LAYOUT FW047D/2 .............................. 52

GL2 GROUP PCB CIRCUIT D224/1 .................................... 53

TROUBLESHOOTING CHART ............................................. 10

GL2 MODE SWITCH BLOCK DIAGRAMS ............................ 54

REMOVING THE BASE ......................................................... 11

GL2 MASTER PCB LAYOUT FW048D/3 ............................ 55

REPLACING A CHANNEL ASSEMBLY ................................ 11

GL2 MASTER PCB CIRCUIT D225/1 sheet 1 ..................... 56

REMOVING THE POWER UNIT ........................................... 12

GL2 MASTER PCB CIRCUIT D225/1 sheet 2 ..................... 57

INPUT CIRCUIT BOARD OPTIONS ..................................... 13

GL2-S BLOCK DIAGRAM ...................................................... 58

STEREO CIRCUIT BOARD OPTIONS ................................. 14

GL2-S RETURN PCB LAYOUT ............................................. 59

GL2 GROUP CIRCUIT BOARD OPTIONS ........................... 15

GL2-S RETURN PCB CIRCUIT C2322/1 sheet 1 .................. 60

GL2 MASTER CIRCUIT BOARD OPTIONS ......................... 16

GL2-S RETURN PCB CIRCUIT C2322/1 sheet 2 .................. 61

GL2-S RETURN CIRCUIT BOARD OPTIONS ...................... 17

GL2-S LR PCB LAYOUT ....................................................... 62

GL2-S LR CIRCUIT BOARD OPTIONS ................................ 18

GL2-S LR PCB CIRCUIT C2323/1 sheet 1 ............................ 63

SYS-LINK EXPANDER OPTION FITTING ............................ 19-26

GL2-S LR PCB CIRCUIT C2323/1 sheet 2 ............................ 64

SYS-LINK OPTION APPLICATION ....................................... 27-28

POWER UNIT PCB LAYOUT FW049/3 .............................. 65

RIAA INPUT OPTION FITTING ............................................. 29-32

POWER UNIT CIRCUIT D226/3 .......................................... 66

FITTING NON-STANDARD FADERS ................................... 33-34

POWER UNIT WIRING D247A/1 ........................................ 67

DESK STAND FITTING ......................................................... 35

POWER UNIT WIRING D247/1 ........................................... 68

ORDERING SPARE PARTS ................................................. 36-38

SYS-LINK PCB LAYOUT FW050/1 ..................................... 69

GL2 FRONT PANEL .............................................................. 39

SYS-LINK PCB CIRCUIT D242/1 ........................................ 70

GL2 REAR PANEL ................................................................. 40

RIAA PCB LAYOUT & CIRCUIT MBD111/1 ........................ 71

SERVICE AND TECHNICAL SUPPORT

THE CIRCUIT COMPONENTS

THE POWER SUPPLY AND CONSOLE EARTHING