Professional Documents
Culture Documents
Not all blue crossed swords marks are genuine Meissen marks.
Knowing what to look for and the dates that are relevant to each Meissen mark can help you avoid buying
imitation Meissen porcelain.
You should remember that the marks detailed below are mostly drawn by hand and that slight variations in
the format occur and the mark only supports the source and doesnt testify to it.
The true test of an antique Meissen porcelain piece is always the overall quality of the object and the
quality of the decoration.
1825-1924
blue crossed swords mark with
curved handles
1725-1732 Original
blue crossed swords mark with curved
crosspieces and handles.
1924-1934
blue crossed swords mark with dot
between top of blades.
1732-1773 Dot
period blue crossed swords mark with dot
between crosspieces.
1945-1947
blue crossed swords mark with
crescent below.
1773-1814
Marcolini period blue crossed swords
mark with asterix below or between
crosspieces.
1947-1973
blue crossed swords mark with
straight crosspieces.
1814-1824 blue
crossed swords mark with straight hilts
and vertical bar below
1974 blue
crossed swords mark with meissen
name in logotype script below.
Meissen incised marks, rather than underglaze, used on biscuit porcelain and
white glazed porcelain:
It was also added to pieces produced for the court of his son, August III, who succeeded him in 1733.
All court pieces were marked with the AR monogram, and occasionally the mark was added to
gifts produced for royal visitors.
The mark was always applied by hand, in underglaze blue, and some variations exist.
However pieces marked with the AR monogram were produced in the very early days of the meissen
factory and are mostly decorated with oriental motifs, in the Bottger chinoiserie or the kakiemon style.
It goes without saying that surviving pieces are very rare and very expensive and that there are almost
none available on the open market. Most if not all of the existing pieces are part of Royal or museum
collections.
You do see AR marked porcelain for sale at auctions on internet auction sites and at
fairs and markets
And buyers should be aware that they are probably all imitations, most having been produced in the
second half of the 19th century.
Most imitations will be colourful and completely different in style from the original early 18th century
meissen pieces.
In the 1880s Meissen did take legal steps and attempt to stop the imitations (as they have also
done with their crossed swords mark), but as with todays modern market, the general public are quite
willing to accept imitations at the right price and the copies continue to be produced throughout europe.
Read on for a selection of the imitators, including the almost perfect and very popular imitator, Helena
Wolfsohn.
Founded c1860
Used From: 1860 onwards
Founded in 1790
Used From: 1790 onwards
A small factory in production for a very short time.
Buschbad (Germany)
bought by John Rose, the owner of the Coalport factory. Rose transferred production and
used factory as a warehouse. Factory closed in 1814.
The Augustus Rex monogram (AR) was introduced by Meissen in the first half of the 18th century and
other manufacturers quickly saw the advantage of including a pseudo AR mark on their own porcelain
wares.
The list below details the best of these and includes English and
European makers marks.
The Bauscher Brothers founded their Porcelain factory in 1881 producing table wares for railroad and
shipping companies. In 1927 the company was taken over by the Lorenz Hutschenreuter AG from Selb.
The mark shown was registered in the RWZR (Weiden district) on the 7th of November 1882 and is
actually AB and not AR but the style is intended to mirror the Augustus Rex mark.
Its always worth repeating that the Meissen marks detailed above only support the source
as Meissen Porcelain and that the mark doesnt always testify to the authenticity of a piece.