Professional Documents
Culture Documents
Our boat
f loats.
T
h er e is so much her e . There is the concrete reality of
the joy Meg and I felt seeing Nirvana, our new home, being
slowly lowered into St. Martin’s Simpson Bay Lagoon after six
weeks of sweaty work in a steamy, mosquito-infested boatyard,
and having her actually float. Nirvana had been sitting in a sandy hole
for two years in a corner of the boatyard when we found her, slowly
rotting in the fierce Caribbean sun. She was like a nautical Humpty
Dumpty, having fallen from her watery perch, and now she sat cracked
and broken on the hard land. But we were determined to disprove the
old nursery rhyme and put her back together again. We had fixed cracks
in the hull, replaced chainplates (the metal tangs that hold the stays that
hold up the mast), installed new instruments and done a thousand other
small and not-so-small repairs, but most importantly we had replaced
all the thru-hull f ittings, seacocks, hoses, cutlass bearing, propel-
ler shaft, depth sounder transponder—basically everything below the
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but still apprehensive that something could go wrong at the last minute
after all the hassles with getting the boat out of German registry. As
soon as I received word from our lawyer on May ninth saying the boat
was finally ours, I put the word out that we were looking for qualified
mechanics, electricians, fiberglass repair people, woodworkers, paint-
ers and general help. In the next few days, as I began ripping out old
hoses and rotting wood, filling black plastic garbage bags with mil-
dewed curtains and old clothes left behind in drawers, and piling it all
in a growing garbage heap beside the boat, a small but steady stream of
people came by, looking for work.
There was Hartmut, an ex-Stasi (East German secret police) agent
who once protected Mother Theresa and who now lived on his own
sailboat with his Brazilian girlfriend and a pet monkey and two small
dogs, and who became our diesel mechanic. He was tall, muscular
and blond, with a heavy German accent, and had the typical German
love of all things mechanical. There was Ralf, a wiry, white, former
crack addict South African, who had sailed all the way from Cape
Town on a replica of Joshua Slocum’s famous sloop Spray, and who
was known around the island as a skillful electrician, but also a will-
ful eccentric. He claimed to have been on the bow of the Spray in the
middle of the Atlantic and seen a fish that was really his father, which
somehow caused him to become a devotee of Shinto with its emphasis
on animism, although his drug-addled version of Shinto varied greatly
from the traditional Japanese variety. Ralf was always in a constant
state of manic motion and would show up, work for a few hours, then
disappear, then materialize hours later… or not. Sometimes he didn’t
reappear until days later.
One morning after I’d been working on the boat for a few days a
huge young black man walked up to the base of the ladder.
“I hear you’re looking for help,” he said.
“Yes, what can you do?” I asked, wiping dirt, motor oil and sweat
off my bare arms.
“Well, I’ve worked on some other yachts; I sailed here from Trini-
dad, and now I’m living on St. Martin.”
He didn’t offer any particular skills, such as diesel mechanic or elec-
trician, but he looked like he could lift the entire thirty-ton boat out of
the hole she rested in by himself. His name was Dominic. I had no idea
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exactly how I was going to use him, but I knew there would be a lot of
heavy lifting.
“You’re hired,” I said, “when can you start?”
“I’ve got a few things I need to finish up, and then I can be here
tomorrow morning.”
The next day, and every day after that, he was the first one on the
boat, often arriving before I did, bringing with him some morning
coffee for both of us. It wasn’t until a few weeks later that I discovered
he was living in an abandoned shipping container in a far corner of the
boatyard, unknown even to the boatyard owner, where he had created
a small, organized home with a mattress on the floor, milk crates for
storage, and a rope strung across the container as a clothesline.
In another corner of the boatyard, an old wooden Portuguese fish-
ing schooner, the Saudade, was being completely rebuilt. The new
owners had hired a crew of experienced local boatwrights, mostly
carpenters, and they were completely tearing the boat apart and then
rebuilding her, replacing rotten ribs and hull planks and decking. Their
project made ours look like child’s play. It was obvious their time frame
and budget was much different from ours; the boat looked like it would
be at least a year away from getting back in the water. I spoke to the
foreman, explained my deadline problem to him and asked if he had
any extra workers he could spare for a couple weeks. He said he needed
his guys forty hours a week, but if they wanted to work overtime in the
evenings and weekends, he’d send them my way. That afternoon a wiry
black man covered with sawdust climbed up the ladder.
“I hear you lookin’ for some help,” he said with big, yellow-toothed
grin, a cigarette dangling from the corner of his mouth, big silver
chains dangling around his neck and a white rag wrapped around his
head to keep off the sun.
“My name’s ‘Eyes.’ Everyone calls me Eyes on account of my eye.”
One eye looked straight at me with a wisdom and smarts that came
from years of surviving on the margins of society, the other stared
straight ahead, not moving. Weeks later, when I had gotten to know
him better, he explained that his father used to beat him when he was
younger. “He broke my eye,” he said.
But there was no time for small talk now. “We need to get her in
the water before hurricane season, and we have a lot of work to do.”
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