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having
approximately
three
centuries
of
background,
violin
i.e.
portato,
martellato,
spiccato
or
ricochet
and
even
combination of them. And for guitar, there is only restricted variety of the
technique like regular staccato, staccatissimo or portato, despite where
the string is dumped affects the color of the staccato, which can anyhow
function variously in different phrasings and thus deserve to be
emphasized more in the field of guitarism.
Rachmaninoff is, without a doubt, one of the most well-known and greatest
composers of the twentieth century and Rhapsody on a Theme by
Paganini, his last work including piano, is the cumulative outcome of his
life in composition with all the experience he gained on piano. "Its form is
admirably planned, its scoring is a triumph of skill, and its solo part as
rewarding to play as to hear; added to which it has wit, charm, more than
a dash of romance, and an unfailing rhythmic excitement. Even people
who dislike Rachmaninoffs music in general are known to admire this
work: they cannot, in honesty, deny the originality of its conception or its
brilliantly successful execution." (Piggot, Patrick. Rachmaninov. London:
Faber and Faber Ltd., 1978). The rhapsodic richness and its mergence with
variative style of two contrastive themes in the composer's flexible hands
and mind, I believe, constitute a convenient base to build a study on
articulation.