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admirable in the breadth of its coverage, but there are other aspects of student mobilization that are not overtly political but have significant political impact, and these warrant
more study. For instance, during the period after the heyday of student activism, the governments relative success in intellectual containment forced certain Chinese and Indian
groups to devote more energy to safer, nonreligious parapolitical outlets (p. 216). A
more sustained examination of, say, New Era College students or the University of
Malaya Chinese Language Societys nonpolitical cultural activities would have provided
an interesting counterweight to Weisss thorough treatment of the PBMUM (University
of Malaya Malay Language Society). Another aspect worth exploring is the impact of
non-student-organized events (particularly films, plays, talks, and other performances)
on the campus ecology that fashioned activism. For instance, the University of
Malayas Experimental Theatre witnessed many of these events through the years, including Kee Thuan Chyes searing political satire, 1984 Here and Now, which premiered on
campus in 1985 to much excitement among students, due in no small part to nightly
speculation about whether the police would shut the performance down.
These are less critiques of Student Activism in Malaysia but more an identification of
paths that build on Weisss important work. Readers interested in Malaysian and Southeast Asian studies, as well as social movements, will be indebted to her theoretically
informed and historically expansive treatment of student political activism in Malaysia.
CHEONG SOON GAN
University of Wisconsin-Superior
cheongsoon@gmail.com