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513
Mr. Beck's notion that art is "a sensuous presentationof connotations without denotations" seems to me to be founded on a
double confusion:first,that art is a formof communicationin the
same categoryas thatof our everydayusual verbal one; and, second,
that separation of the denotativeand connotativeaspects of language is a functionalpossibility,that is, whenwords are considered
behavioristically.
1
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514
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515
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516
maintain that here the meaning and the meant are separable?
Poetry is composed of judgments of meaning in verbal symbols,
and also is an art form. The words' intensionand extensionare
the same as in wordsused in everydayspeech-with this difference:
in poetrythese aspects appear as two levels of cognitioncoalesced
into one, for it is the art's unique functionto re-presentconceptual
plus existentialcontextsas language exhibits those contexts. In
otherwords,poetryis the "imitation" of our verbal communication,
its representationof language as the best of all possible communicables.
In poetry as in every other art the material and the idea are
differentiatedin terms of one another; but nowhere except in
poetryis the materialalready the formalvehicleof the idea. This
fact makes poetry the springboardfor a better understandingof
the problemof meaninginside and outside the art field. It is not
possible to go deeply into the language of poetryhere; 3 but it is
enough to say that the best poetryemploysthe commonestwords
in use as symbolsof the ideas attached by the world at large to
objects. My suggestionto Mr. Beck is that he try to apply his
definitionof art as "a sensuous presentationof connotationswithout denotations" literallyto any poem he may care to choose.
M. WHITCOMB HESS
ATHENS, OHIO
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