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iy]i\

J.

W1LL1A?.1

SCWERWINE

340 RlVEdSiDc DRIVE

NEW YORK

ktj

25, N. Y.

MASTERS OF
RUSSIAN SONG
Collected and Edited by

KURT SCHINDLER
TAe Knglish

ktj

versions by George

Harris , Jr.,

Deems Taylor, Sigmund Spaeth and Kurt Schindler

Vol.
Vol.

I.

Twenty-five songs by Moussorgsky

Twenty-five songs by Bakkireff,

Tchaikovsky, Rimsky-Korsakoff, Borodine,
Gretchaninoff and Rachmaninoff.

G.

II.

SCHIRMER.

INC.,

NEW YORK

ktij

Ci)pyright, 1917, by G.Srhir7ner, Inc.

Copyright renewal assigned, 1945,

Printed

to G.

Schirmer, Inn.

in the U.S.A.

A/

[\J\i\

n n'^
VJ

PREFACE

This volume of twenty-five songs by Moussorgsky

all

is oflFered

to the public of America

and

last-

of this greatest of innovators

and

other English-speaking countries with the earnest hope that

ingly contribute to the appreciation

prophets in modern music.

has firmly established his

While the success

name with American

strains of his other operatic work,

those privileged to attend

and understanding

its

it

may

definitely

of his historical opera "Boris

opera-goers,

Godounoff"

and while the serene and

"Khovanshtchina," have found

admirers

many

because in deahng with subjects that picture to a large extent the

people in

lofty

among

few performances in Russian at Drury Lane, yet for several

reasons Moussorgsky 's operas do not permit a complete evaluation of his genius;
all,

and

first

of

of the Russian

life

manifold aspects, Moussorgsky 's fanatical love of veracity, coupled with

its

a purposeful idealism that verged upon self-abnegation, induced him to

let

the people

speak in their own medium, the Russian folk-song, which he knew how to incorporate
in his

work as no other before or

after

substitute would have been as good).

these operas

must lack

in accuracy,

is,

him (and we must admit that no "composed"

Another reason why a critique based

that both works have been largely

Rimsky-Korsakoff, not only in orchestration but also

and

That

Finales.

this

was done with the

in the building of

fine theatrical sense of

solely

upon

made over by

Ensemble-scenes

a great practitioner as

well as with the delicate tact of a friend, no one can deny, nor that Rimsky's brilliant

orchestration

who know

and climaxes

the

sum

of

certainly hastened the recognition of these operas; yet for those

Rimsky's own operatic work, there

is little

doubt as to where, in

"Boris" and "Khovanshtchina," the original stops and the retouche begins.

certain

rectangular, pompous, over-regular style, an unnecessary polyphony, and a taint of conventionality, from which
for the

Rimsky was not

most part one can

This task

will

altogether free, creep in from time to time;

easily distinguish the true

from the "edited" Moussorgsky.

be especially facilitated by a perusal of his songs, because there one never

finds a trace of conventionality, never a line too

possible with the simplest

means

tion to correct declamation

much, rather a

almost sketch-like at times

down

desire to say the

finally,

to the reproduction of the minutest inflections of the

contemporary of Wagner, Moussorgsky has solved

theorizing
277

most

a meticulous atten-

spoken word.

and

in his

own way

without much

the problem of musical declamation, being led merely by his desire tobeab(

vii

>r

''*''"'

'

'

in
til ^TtRDA-

^vow*

Preface

viii

solutely true to

life.

development), a rare

The guiding advice

of his elder friend, Balakireff

unlike any other's.

It

is

not a

problem whicli he attacks.

It

not a pattern, but

style,

is

this

observation, scrupulous studies, and an unerring

gift for acoustical

steadfastness of purpose, thus led INIoussorgsky to find his

is

(who foresaw

is

own mode

of expression,

which

new and reborn with every new

so free, so intangible, so without

compromise and con-

vention, that one stands before his creations amazed, as before Nature herself.

The key
is

why

work

to INIoussorgsky 's

he cannot be imitated.

(I

man

of style, of patterns, of

say this in no derogatory sense).

who

sky,

is

This

is

laying open their inmost soul and letting

of the soul, in fact,

Manet and Monet

school of

an individual, hj^er-civilized musical vision

in direct opposition to the genius of ]Mouss6rg-

who

rugged, frank, untrammeled, and

an "impressionist"

if

it

by reason
far

of the

of the

him

itself, free

of all personal admixture;

one dare thus freely apply th6 name of the painter-

to a musician, inasmuch as the revolutionizing process, the

much

is

yoimger Russian school who

freedom and audacity of

from the roots and mainsprings

leads

strikes at the very roots of things,

speak for

gradual evolving of a* new ideal of expression,

The only one

himself; that

much amalgamated with this Frenchman's peculiar

out of the question. The point is that Debussy is

style, that the idea of imitation is

man

pages in Debussy's scores have similar melodic

If certain

contours or harmonies, they are so

essentially

the spiritual personality of the

is

of

the same in both cases.

called a disciple of

is

Moussorgsky,

his conceptions, Igor Stravinsky,

Moussorgsky 's

to an external, kaleidoscopic portrayal of

however,

His extraordinary technique

art.

life,

is,

quite unlike the direct simpUcity,

the power of divination of the master.

To

study Moussorgsky 's work

is

a profound experience in a musician's

life,

one

likely

to revolutionize not only accepted musical standards, but also to enlarge his vision of the
spiritual

and psychic powers

of music.

It

is

futile to argue, as

contemporaries did, that he lacked technique, that his artistic

that his originality was freakiskness.
life's

the

We who

many

Moussorgsky 's
equipment was amateurish,

are able to envisage the entire field of his

work, and to gauge the tremendous seriousness and achievement of

sum

of

of its energy-, the unerring logic of it all, the long

Moussorgsky

it,

can appreciate

path of self-development that

assimilate all the classical

was young enough, when he took up music as a career, to

technique of music, if he had so desired. But his conviction

was bent upon finding

own way,

he travelled.

of the

human

his

free

from

all

convention, to express

stumbling and staggering, often rugged and uncouth

heights of overpowering directness and lucidity.
before us completed in a

li*<s,:4-

in

lii.s

'"-

the emotions

so he began his way, at

work, but

Tluis his

life's

Rembrandtian chiaroscuro, with the high

2;;-i9

*'^*

And

heart as faithfully to nature as possible.

all

finallj'

first

arriving at

achievement stands
lights

always placed

340R\vtK.-;^_,.

Preface
where they lay bare the essential

in

This

of the soul.

and why the character

revelations of psychology,

Marfa

life

ix

of Boris

is

why

his

songs are such

Godounoff or of

and

Dosifiei

"Kliovanshtchina" affect audiences with the direct power of Shakespearian

drama.
Moussorgsky's songs constitute the bulk and mainstay of his
these,

Besides

artistic bequest.

and the two completed operas, he wrote only two operatic fragments ("The Fair
a small number of

Sorotchinsk" and "The Wedding");

less

ot

significant piano-pieces,

an orchestral fantasy, and a few choral works (among them the superb biblical cantata
"Joshua"). But among the songs there is a wide variety, and here we find the Moussorgsky

who uncovers

the soul of his art in

all its

purity.

Here he

usually free from the in-

is

fluence of the Russian folk-song, which otherwise so engrossingly preoccupied

him

as to

become almost a part of his own self. The collections comprising the four -"Songs and
Dances of Death" and the six songs of the cycle "Without Sunlight" show us the quintessence of Moussorgsky.

They were

opera "Boris" had, despite

intrigue,

its

success, been banished

and while he was living

Golenishtcheff-Kutoozoff.
rectness; melodic lines of

written during the darkest period of his

in

Here we

life,

after his

from the stage because of

political

poverty and seclusion with his poet-friend. Count

find a descriptive

power uncanny in its visual corundreamt-of boldness; harmonies that none other heard or felt

before him; and a masterful handling of technical resources and of declamation.

Probably no layman can imagine the

difficulty of translating these strange

musical incarnations into poetic or even adequate English.

and powerful

This, then, being the

time that these song-cycles are given in English versions, no effort was spared by
laborators and myself to render

them

as perfectly as possible

many

poem

in this

first

my

col-

volume

has been translated four or five times, before one compound version was deemed acceptable.
I

was singularly fortunate

literary ability as INIessrs.

of the translation

my wife

for the conscientiousness

in

having as

George Harris,
(herself

my
Jr.,

men

collaborators such

of both musical

and Deems Taylor; while

for the correctness

a Russian) and myself stand sponsors.

with which the attempt has been

made

and

Thus

can vouch

to render every shade of

the literary meaning into English idiom, as well as for the scrupulous care taken to have

everything singable and correctly accented.

Being myself a hearty believer in the use of the

since non-understanding or half-understanding on the

the very sense of such entertainments find
especially needed

English language for song-recitals

part of the audience
in

kills

it

the case of Moussorgsky's songs, where word and music form the most intimate union,

and where the one conveys nothing without the other.

German, or even

Italian translations

seems

(luite

Apart from

this,

the use of French,

inappropriate before an English-speaking

audience, as I said, six years ago, in the preface to

"A Century

of Russian Song."

This

Preface

X
earlier collection,

which has so effectively

a love for Russian Song in America,

instilled

already contained eleven songs by Moussorgsky, which of course have not been included in
Interested musicians

the present volume.

among them one

will find

may want

to consult these, especially as they

additional song from each of the afore-mentioned song-cycles,

which could not well be included here.

All periods of IMoussorgsky's productivity

new

this

The

collection.

from 1857 to about 1880, are represented

years of the forming of his personality (1865-67),

when he

in

lived

country near Pskoff, and observed and analyzed the melodies and unconscious

in the

musical expressions of the peasants

Girl," the

(noted

"Love-Song

down from the

all

around him, are especially featured; the "Orphan

of the Idiot," the

lips of

"Magpie," and the

Jewish peasants), are

among

biblical

the

of

"Song

Solomon"

first-fruits of this

period of

and expression; written

the Don" and the "Country Feast"

observation, during which he was bent upon deeper psychology

during thi^ same period, songs like "The

Bank

of

attest to his

happy gift of description.

The humorous side of Moussorgsky, which

is

such an essential and unique feature of his

by the excruciatingly funny adventures of the young Latin scholar

(the Seminarian), by the Doll's Cradle-Song, and finally by the dances of Parasha and
Khivria (from the Little-Russian opera-fragment "The Fair of Sorotchinsk") Little-Russian
work,

is

represented

melodies, so different in kind from the Northern Russian music, attracted Moussorgsky 's

attention frequently, and his "Dnyeper-Song"

music of the Cossacks.

The "Revery

of the

is

the very embodiment of the proud, fiery

Young Peasant," and

the song "Little Star

show how deeply the com-

so bright," in their close aflSnity to the pure Russian folk-song,

poser had entered into and comprehended the soul of the Russian peasant.
battle-songs stand out from

all

and

Tsar Alexander
affected

by the

destroyed his

II,

who

visited the

same

gallery

picture's strong realism, that the painter, out of deference to the Tsar,

own work.

The

tone-picture, however, that

on with us, as one of the most powerful delineations

shall

we

the horror of

The

last

from the
2774

from wife and

same subject at a picture exhibit.

a few days later, was so violently

lives

call

dies far

With a simple but inexorable rhythm, with harsh

harmonies, the grim picture is evoked. Moussorgsky was inspired to

after seeing Verestchagin's painting of the

it

who

beyond description.

pitilessly logical

write

two

the rest as towering creations of vital import to our war-

ridden age. "After the Battle," the ballad of the lonely soldier
child, is impressive

Finally,

the song of "Death the

Commander,"

if

in

it

inspired in

Moussorgsky

modern music.

And what

not the very incarnation in music of

War?

number

oi)era

of this

volume

not strictly a song, but a dramatic excerpt of melodies

"Khovanshtchina"

was included to

illustrate the ultimate period of the

340 rivers^d: g.^vt

N'W YORK

23, N. Y.

Preface

xi

composer's creativeness, and the strains of sublime mysticism which his genius could then
evoke.
off

Marfa, a young fanatic belonging to the sect of "Old-Believers," finds herself cut

by the enemy's troops

in

a dense forest, with her co-sectarians,

on a funeral pyre rather than surrender.

In the supreme

moment

who

choose to die

Prince Khovansky,

son of a dethroned Boiar^ but dearly beloved by Marfa, joins her in the forest; and she,
inspired with the spirit of self-immolation, bids

him

die with her,

and consecrates him

with the "Hallelujah of Love," while slowly circling about him with a lighted candle in

This scene belongs to the most sublime that can be seen on the

each upraised hand.

stage,

and the music reveals the mystic and divine powers

the right to
the opera
I

know

of

it,

even though the Metropolitan opera-stage

That

itself.

is

why

it

was chosen to end

Americans have

of the soul.

continues to bar

still

this book.

cannot close this introductory note without once more expressing

indebtedness to Messrs. George Harris,

Jr.,

and Deems Taylor

my

thanks and

for the unfaltering patience

and painstaking labor by which they have made it possible for me to present this volume
and its companion (twenty-five songs by Balakireff, Tchaikovsky, Borodine, RimskyKorsakoff, Gretchaninoff and Rachmaninoff).

that

we were

It

was

trustees of an important bequest to the

spirit of earnest

devotion that

Stony Brook, L.

August

I.,

26, 1917.

all

their conviction as well as

American

public,

and

it

was

mine

in this

obstacles were approached.

Kurt Schindler.

Short Explanatory Notes

No.

4.

The Country Feast. The frequent changes of rhythm need not disturb any singers.
The song drawls on slowly and easily, with no change of the basic quarter-note.

The

interpretation has to consist mainly in bringing out the broad

words, observing

the marks for expression and dynamics.

all

Russian peasants wear clumsy furs and boots, and there

in their festivities.

mony
1,

known only

with

No.

5.

its

Hymn

of the Idiot.

Love-Song

divui," as he

is

In winter-time the

much pomp and

Hence the heavy rhythm, which

is

cere-

in reality the rare

to the Sun).

One day

in

the country Moussorgsky witnessed a strange

which passed directly beneath his window.

scene,

of the

Russian folk-song (compare the Finale of "Snyegourotchka,"

in

pompous

is

humor

The

village simpleton

called in Russia), a poor half-witted wretch,

("Yuro-

was confronting one

of the village belles, pdliring out in breathless, pleading accents his long-repressed

There was a touching, imploring chant, a

love for her.

and the fascinated

From

this

In spite of

of pleading, relentless, hopeless despair

all their

The Orphan
Although

is

employed by the

whom

they impute the power of second sight.

This tune was likewise culled from the

was able recently to

of peasants.

establish

it,

when perusing a Russian museum-

pu])lication

on the songs of the "Kaliki perekhozhie," the wandering beggar-groups

of Russia.

There

found the music of a typical beggar-verse ("Stikh nishtchikh")

the Lord be kind to you, you and

The Seminarian.
with the famous

and

it

may

all

humor

It begins,

"May

your ancestors!"

Latin students the world over have to "cram their heads"

list

of exceptional masculine

nouns "Panis,

piscis, crinis, finis";

be taken for granted that a goodly proportion of the public under-

stands the dread that these words evoke in young scholars.

of this song

may

escai)e the attention of those

services of the Russian ()rtho(K)X (hurcli.

J7749

lips

never doubted the fact (not chronicled elsewhere by Moussorgsky 's

with the same rhythm and melodic outline as this Orphan Song.

7.

singer.

mockery, the Russian peasants have a superstitious reverence

Girl.

Ijiographers), I

No.

in his voice,

listener jotted

for their "Yurodivui," to

6.

melody,

down, unheeded, the intonations of the poor boy.

sketch grew the song, which can be correctly interpreted only when the

same tone

No.

real

>;ii

One

feature of the

who have never attended

Tlie middle section, describing the

^o^^JS^ao..:-

Short Explanatory Notes

holy mass,

to the point where the Seminarian intones a psahn "in the sixth

down

Hturgie mode,"

is

actually written in the

sequently

No.

it

is

explained that "Father Simeon"

of the so-called sixth tone

is

a lay

priest,

of the Russian

a "Pope," and con-

allowed to marry, and to have a beautiful daughter.

As

Death's Lullaby.

13.

modal sequences

For those unfamiliar with the institutions

of the Russian Liturgy.

Church, be

xiii

"Death and the Maiden,"

in Schubert's

it

is

necessary

that the interpreter should use different intonations for the pleading of the mother
for the cold, inexorable answers of

and

"No!" which cuts

of voice for the icy

Death.

Especially important

is

this

change

the heart-cry of the mother (last page but

off

one).

No.

In the last nine bars Death dances a Trepak, the

Death the Commander.

15.

accentuated Russian peasant-dance.

No.

one of the few pure

No.

An early counterpart to Rossetti's "Blessed Damozel,"

Silently Floated a Spirit.

17.

The

18.

Moussorgsky's work.

lyrics in

Moussorgsky took delight

Doll's Cradle Song.

dainty, minute inflections of the child's voice.

in

In singing

reproducing
it,

the

all

one should try to

imitate the melodious drawl of the youngster, almost relapsing into speech

at

the end.

No.

19.

An

Night.

early work,

It has a particularly fine

Turgenieff breathes in

No. 22.

Mark

Retrospect.

middle part!

No. 23.

No. 24.

few

erotic lyrics

sweep and much subtle

it.

The name

of the

the extraordinary

Mark

much with

Elegy.

of the

author of the

movement

is

poem

if

in "Pelleas."

sketching!
It

difficult to interpret.

very

half very quiet, the next-following

restless; then, after

shadows sweeps on,

needs supreme poise and a

finally

sinking

"The great sad

ends in a dim haze

of twilight

taken from the

The

first

page and a

half,

3d

act.

rings, as

page

shadowy,

and the

is

given

is

ex-

from an unseen monastery,

entire

The middle

last (4th) act of the opera.

act returns only as a short reminiscence)

27749

fleeting,

first

into itself like a fire-brand that

Death"

and

Consecration.

one and a half page

down

bell of

No. 25.

Keep the

a short episode of sweet reminiscence, a rising whirlwind of

tinguished.
all

not given.

of triplets in the visionary

great gift for contrast on the part of both singer and pianist.

and a

is

Pushkin and

the keen incisiveness of the harmonies and the power of

small means, as

This song

from Moussorgsky's pen.

detail; the spirit of

This device was adopted by Debussy

Resignation.

saying

and one

end

of this

number, are

section (which in the last

in its full

form as found

in the

Index of Titles
After the Battle.

(Baritone)

After Ye-rs.

(Baritone)

98

(Tenor)

90

Phantasy.

Banks

of the

Don

(The).

(Dram. Mezzo or Contralto)

Consecration.

Country Feast (The).

Death's Lullaby.

14

(Mezzo or CmdraUo)

60

Doll's Cradle-Song (The).

Attic.

Love-Song

(Dram. Mezzo or Contralto)

Girl (The).

Gypsy Dancer.

Retrospect.
Reverj- of the

(Soprano)

100

(Baritone)

Silently Floated

Peasant.

40

Tenor)

25

(Baritone)
Spirit.

Song

of

Khivria (The).

Song

of

Solomon (The).

44
104

(Baritone)

Seminarian (The).

22

(Mezzo)

Young

(Mezzo)

54

(Tenor)

Parasha's Revery and Dance.

Resignation.

18

(Baritone)

Little

the River Dnyeper.

Orphan

(Soprano)

of the Idiot.

113

96

(Baritone)

Magpie (The) and the

27749

87

(Mezzo or Soprano)

107

Little Star so Bright.

On

72

(Tenor)

(Baritone)

Hallelujah of Love.

My

66

(Mezzo or Baritone)

Death, the Commander.

In

113

(Baritone)

Death's Serenade.

Elegy.

50

(Mezzo or Baritone)

(Any

83

voice)

(Mezzo)

3'i

(Tenor or Soprano)

xiv

80

Index of First Lines

As the wild

By

the

rose

Don

am

80

a flow'ry lane

Deep shadows

veil

the night

**

hr,rk!

Dnyeper, ho! Dny^per,

Faintly the child sighs

Father! love

is

my only

Grieve no longer,

He met

my

1^^

sin

**

beloved

'

death in foreign land

his

Just look upon me!

Last night, in the crowd, you ignored

98

me

Little star so bright

Lone

in

"

my little room

My heart,

why

*0

weepest thou?

Oh, Mister, please be good!

*2

O my

Savishna

*^

Panis, piscis, ermis, fanis

104

Resign! thou art but born to weary

Silently floated a spirit

83

Sweet-scented breath of Night

66

The

vain and noisy day

is

100

done

They had opened wide the mighty doors

Thro*

Thy

my

of

gracious image spreads

upon me

With crash

of battle,

M
8

garden wicket hopping

its

enchantment

90
87

Tiapa, bye-bye

27740

oak

72

armor gleaming

(XV)

After the Battle

A BALLAD
(Ballada)
English version* by
Geo. Harris, Jr., and
Kurt Schindler

Modest

ma

Alia marcia. Sostenuto,

Voice

'

V'

(r

Music by
Moussorgsky

(1874)

non troppo

Jl.

He

P.

met

}\

Jl-

his

dfath

>
in

jlfor

I|>

J'-

Pign

land,

Jl

In

^^^

-77

p pesnnte

Piano

''^^W-

^-

>

Jl

Ij.

J-

J^^

4^''i'V'

i'

J),
bit

i'-

ter fight

1'

J'-

ing,

hand

they are shout-inff.On-lv he,

i^'
to

i'-

>

JL

hand; His friends

Jl ^ji.
have won

f-

I'i'
the

For-got-ten un-der-neath the skies,

vie

p-

to

ry,

lone he lies.

LSSTi
Original poem by Count A. Gole'nishtcheff-Kutoozoff

(after the destroyed picture

27749

by Vassili

Schirmer, Inc.
Copyright, 1917, by
renewal
assigned, 1945, to G. Schirmer, Inc.
Copyright
Printed in the U.S.A.
G.

V.

VereshtchaginX

J'-<

And

And

f'i.V'

down

i'i' .hi.A

Ji^ J'.

;,.

there

sweeps a

JM^'To

crow

greed -y

drink

^3f

te

^
-^^iJ^

-|^'i.V'

I?

^p

drinks his

fill,

sf

he

leaves

P-^
He

doth flow,

With

fe

P"

death

p
-

ly glance

i^

^-

in death's

^-^
own

hourj

He

i:

^;

^'

^^'i,V-

^*

do glowV

his eyes that still

picks

k^

J^-

j>

that still

W ^

^^

J^-

i'p

.hi.J>.
his blood

his

And

prey

m
f

cresc.

flies

way.

A,

^^^
^
^

J^

t>

far

home

at

>

i'

cross

i.r^

;7^

wild

the

r^

i ^
^

i
P"

jl

J.

4 J. 4

^l

^m
-9
^/'ef/.

87749

-m

-9

-9

i-

J.

ll'

j^

J,

J.

^J.

\\ir^

=^ ?

cresc.

no

shed

ah!

For

tear,

soon

fa

your

J.
^

jj.

still!

ji^^J^
P

'

Ji

ther

j^-^^:
=

shall

J'

have pies

^^

dim.

^'

cake, That

and

be

j-ji- jJ-jU- j i-j^-

>

will

'

we

fe
r

;j:^jr^j^^

be

still,

r""'-^

^ N^

i'

^m

jU-ji- ji-j^-j

jj.

^^

z:^

'

1J.

k*

I'"

Be

child:

i' j>-.

jru~^

j>

lone-Iy moth-er rocks her

One

'iKl,

jl
f)

^v'W
I

}\

^
sh;

''

11

rfm.
-

J.

U-

J-

i-

^^^

J.

^^^g=^:

^^
r\

m//.
b'-

Ji .

bake.-

|^'#'j^^

^m
27749

^
lie

k
-

il

i' ^

neath dark skies

-^^^^

lone

he

lies.

r\

Xi_

-o-

PPP

/r\

-ow>

XT

Little Star

So Bright

(Gdye tui zvydzdotchka?)

English Vf-rsion

Words and Music by

Modest P. Moussorgsky (1857)
Posthumous work, revised by

by-

Deems Taylor and

Kurt Schindler

V. G.

**

hi

Voice

Adagio
(^

Piano

r\

n? n

"--=

'

pi*

"f

):

^fe^
'^f

Karatuigin

Lit

- tlf

r\
^2:

r\

fct

so.

star

bright,

Where

fefe

hide_

thy

Sl

'^Z

^
r^^^

cloud black

ver

^^E5
-

cast_

ray,

thy_

O-ver-cast

in:

3E

=^
w;
2f

^^

"f

m"f

Copyright, 1917, by

thy

Schirmcr^ Inc.

p
ray

J\ i^
in

^
$
P^
1

G.

i'

^-i

'

i-J^^

fr
7749

^^

-9-

storm

Has

light?

mjf

I*

thou

^
i

dost

the

^^
'

ft

tt
i

'

r\

at^iT*

black

of

night?

njsT] ^
I

8^
il:^

isz

^
Where

P.P.

p-pr -^^^'N'
thou, maid-en

art

thy

locks of

fair,

With

pp

^'

gold

p^(^

p
-

en hair? Hast

P^

'J'

w^^

p
for

^m

J71
IE

p.

w^

tf
w

cr

tf

rj] JT3

r
2f

"

IT

sak

en thy

W'^^

mrf

.
<i^)

i
/,

A,

340 RlVERSiDt DRIVE

87749

love, hast thou

h-

I ^

X.

'

NEW YORK

25, N, Y,

left

him

in

^ ^ a^

de-spair,

n r
f
f.

UA
r=^

Him, so

true

so brave, true

^
be

-r^

and

*E3E

V^-

^i

tf:

4 i

yond com

w;
^^

fc

^^

M?
^

pp

P 3 i^

/
**

p'

S
is

**

i'ipJ^JTfi

t.

te
hid by the

black

xsz

Si

cloud deep;

r\

Cv

IS

iE
J^

In her

^5^

122

ji

/T\

:./0

star

'

the

C\

1^

Now

pare?

lone-ly grave lies the

n iS

^
jP

perdendosi
&!

fZ

maid,

IS

PP
5

5Efe

rs

P
sleep

Z7749

The Magpie and the Little Gypsy Dancer

A HUMORESQUE
(Sordka)
English version by
Kurt Schindler
After the

Music by

Modest

poem by Pushkin

P.

p staccato.

Allegretto non troppo

3t:

Voice

i' j^
Thro'

i ^m

^3=

Piano

"f:

'i

')--\,

^
^^

Who comes chatt'fing

J^ J)

gar -den

my

3il

^U'
wick-et

^
hop -ping,

i ^^^

jg^^
p=~

pp

i^^'..^
it

j^Jm

j^J)

(1867)

Moussorgsky

^^^

bright and gay?

^P p iiJ^'Jm

^p

'Tis the mag-pie,

she's

J^'

piJ^J^rjHJw^
a pro-phet,She

an-nounc-es

s >^
Wi ^^^^^^g
^
fi
^^
I
h

/)J t]^

h*

i)

J^s

-/

>L

j^r

*/

SI

ji

iJ^'

PTi'P

guests to- c^ay.

In

J'

'p

the morn-ing

air

J'

tink-ling

p
Sound a

2"!^.

87749

Copyright, 1917, by O. Schirmcr, Inc.

J'i \i

my-riad

-=#

vf

itMft^

'a<

crys-tal bells;

10

rn.

if-

^
Pur-

slants

plo

sun

the

ff

ver^

sil

light,

f^

*^ ^p

^^^
^
*
S

'

'

"

and

hills

^5_Ji^_J
3
t=^ il
I

^te
I

^^:

'-'

^
^

Chimes are

dells.

r\

float- ing

VT#

'pL
/r\
i|

3E

the

thro'

55r

square,

i^#

Lads and maid -ens, j'oung and

a t^rtm

.^

air:.

Lo,

^ 7

rpifr

see the

to

if=-

# ^ffffh

^S

^
a

vil-lage fair

iM
^

r
see

'rr

cl.id_

ii^;

:^

Come

old,

;SI^S

j^^

^_'^^^

'^

&^
^^ ^
14

r
-

snow

ra

-f-

^
mar-ket

on

ft

Lies

3^

=P

-/^
.-

=|5

1?=^

i'

"r
In

^5

m
87749

r
their

r
midst

V
a

Gyp

mN

ir

F f

sy danc

Ji
'W^Mp.

r
-

es,

i'

Cast

ing

&
^

r
round

y
co

quet

tish

^^
glanc

^^

es,

ts

11

^f

h^

^
J

[)^ i

tam-bou

Beats her

^p

p^

so

rine

s p right

ly,

^
m

i 1^
P

Hark,

good

peo-ple, to

my

songs,

and

rzi

e:

a:

lit

i.^

lis

^
^s?

ii

ten

tle:_ song:

H
^M^

'I

^IZ

rj'f

tones her

I-.

z:=:a

IS

^^

^mk

^;

in

ij

IS

r^

')

well,

By

21

in
iz

:2

5^

IS
mj'

/O

"z?

z::
-t9-

your

for -tunes

#
27749

iW
=f

throng,

^^^^^

^v"

3^

^=

\x

'J?
m"f

the

LTr

Then

ly;

cresc.

Z2.

'/>

cards

ing_ bright

i i\&^A'

^t'

17

^m

smil

to

cresc.

f^

i^

m,
-f

*^'

cresc.

ker-chief

2=^^

Skip-ping, trip- ping,

^^

her

^^
r^ ^^^r ^^^
i^

^^

Waves

\>r

^=7^

K^

a^

./f

V^h J

suzzs

let

me

tell!"

n:

aj

iz:

""Z?

g:
=:

IE

5^

2
I"

Tempo

J) staccato^

J^

And

} TT~^'

the

mag-pie

Ji
is

still

J^

>

!,

^jj

Chat

tVing, bab-bling,

t^J

Jm ^

ii

hop-ping,

'

and

bright

gay;-

Si

^ ^^^

w,

t-/:^

She's

an

J i
i

oth

er

Gyp

m^^

J)

j>
a

She's

sy,

pro

i==i

the

morn

air

ing

p
-

tink

her

'

r^

^
Sound

ling

^^^i
a

my

riad

2i^

m
I f^mcry?

tal

f-

m.

And

bells,

sun

the

^.Li
i

1!

light.

ra

i^

^^

1*
a77''.i

11^,

way.

Li U
p

I.J

^p

ji
in

phet

In

i'

f
i

>-

#"

j^

j^

j>

s i^

h.

^^

j^

ij'

lit - tie

i^:

^p

TtJ' ij'

-/

ss

J-'

iij^

sheds

its

13

^u

1^

.b

-^

;
t

J5f

ver

sil

_i

'

r^J o* ^
snow

clad.

and

hills

5E

dells

i-^

I
>9^

/T\

a:

3E

^/>

^#i
I'

g
mf

cresc.

While

the

<r

Allegro

lit

T^r\
Gyp

tie

danc

sy

Cast

es,

ing round co

Sj

f"n>sn

*^=^

pen

P^^
it #

:J

P?

'
I

^f

^^^^
good

''Hark,

pie,

to

^
my

rK

rj
^^

iE

..

^.

-:

cresc.

and

122

IS

quet

tish

glanc

es:

P^
i^

^^

2Z

songs,

( V'-\>

rs

cresc.

"

a
I

li-

ir

vor

ten

lis

well.

:si

OI

2Z
37

#is:

is:

is:

sz^=:s

^-^

iz:

/?S

ii
f
By

^
S
27749

IZZ

my

cards

your_

for

P
-

tunes

let

me

tellf
/:>

_1X,

IS

21

lEn
-o-

?^

-Qi
is:
:^:

^
IS

is:

?^

/^

r.

14

The Country Feast

(Peerooshka)
Poem by Koltzoff
English version by
Geo. Harris,

*^

^'' 'i

^t^
M; ^

pened wide

s^

the

might

doors of

^^

^'^^

J-.

r r
J

host

In

r
oak;

r
-

Jj

ess bowed to them;

ii'r

:fi

=3=

^
i?

From the

cx)urt

they led them

^^ ^
^ ^
^
m/*-

sa-lute the host and

mnf

?f

^
^

is:

m^

m.
"/-

ST"

^^

fr

^=^

^
^

<s-^

fe^^

^^

sleds the guests ar- rived.

in

i'

,7719

/
Some on horse and some

(1867)

<

i ^r?^
I

Moussorgsky

rhey had

Piauo

P.

Tranquillo

Voice

Muic by

Modest

Jr.

to

the

^=^
^

r
light

=^

ed hall,

Copyright, 1917, by G. Schir7ncr^ Inc.

^==

^
S

15

^^

=f
'-

t^J

'1^^

Where

knelt

they

be

fore

sa

the

5t^#:

im

cred

^^

ges,

=3^

ii
l^'g

g'

t
j

^
i2_

-e>^

/-

w?:

^
Then

as

sem

k=a
spg

round

bled

ta

the

bles

rich

^
r
-

decked,.

ly

^TX

If-

^^
And

up

on

^^^
the

oak

en

bench

as

r\

^
^
sat

them down.

r\

'i

-^^
w:
nf

^g

Pdt

2794a

^
^

^
P

p
/7\

3^:

he:

<s-

"Tgr

16

M'

i
*

^
r

In

hand-some dress of

i^M

tEt

-J

5E#z

fe^

iE

aitg

tt^

her

with

jti

soft

black

Moved

eyes,

1^

t>

r
kiss

'f

es for

s=^

all,

,*

them

Of

f ring

^
the

mong

them the bowl

of

^m m fe*

hos

pi

;iL

1^

^^
-

tal

^t^

nif

ty;

ft

sy

the

host

^i
him

self

?=k

^i

bJ>

dipp'd

-P
is:

rt

4=

^
/

^
out

^
a

I?

w?f:

^^^

^h^F

i^

While

with

guests

t*

cresc.

S7749

tEfeat

cresc.

It-

en-dear-ing

cresc.

itJ

^^
S

'/:

!*^

i*

'^

wife,

a=^

T ^^

ff^

The young

mus-lin trimm'd with fringe,

i'

eresc.

^^

s?^

the

foam

ing

beer

zs

l\

^^

^
S

^^^

Bf

With a spoon em -boss'd wivh

S^

^^
t^'1;

B^
J^
S

mong

guests with

the

^
^^

a=
S

eat and

fe5i=^=^
i a: ^i^EE
I
=3=

cresc.

^i

drink and laugh and talk

ff

(2

K^

^
^ ^; ^

Thus the guests did

*
PP

3EES

her sweet, child-like smile.

w=^

^m^
I

mfcresc.

Went

^^

i^r

is:

W^^
M A

:/*

pass-ing mead to them,

w?/

n*^

the mas-ters daugh-ter,

w?/

And

le-gends of his house,

^P

^3S

i ^eeS

^
From

the close

of day

fi

un

"P

*^^^

r\

"

r
til

77

f=1=

27749

r
the

mid

night

^^

hour.

:^;

3:

^i
S

r\
is:

is:

To Cesar Gut

Love-Song of the Idiot

(Svyetik Savishna [Yurodivu^)
Words and Music by
P. Moussorgsky (1865)

English version by
Geo. Harris, Jr., and

Modest

Kurt Schindler

Allegro

Voice

^
O

Piano

^yi

Bright -eyed

mfz

^''fl

J
fal

m/
\~

r3

'h^i

con mine,

m'if

Give

thy

love

to

me,

Though a

2f

87749

Sa-vish-na,

(#
(

my

Copyright, 1917, by O. S!(hirmrr, Inc.

'r^r r

19

^^
Bright

^/

#
fal

eyed

con

mine,

^^^

Love

ly

My

vish -na,

^^

va

'

'

W|
'/-

nov

me

not

f
for

my

Na

!>

ked

mis

^^

rjr

i^

er

y,

^#

me

not

s^

=*
un

Fate

!>

for

j j i

tu

nate!

the

See,

peo

j~j i

=^^

^^^

laugh

pie

my

/"

m
27749

shape,

ly

t^
^-iS^

f
E
curst

am

By

their

mock

er

y!

And

the

pass

ers

^te:

^Ei

=-1ii

m\

ug

ts>-^

how

At

^m

my

^^

i'

See

for

f^

na!

fc
Scorn

F=^
1

i
^

-S*

(^iJ
Scorn

Sa

w-

-m

'_f

^
-6^

by

20

me

Call

weak

of

And

mind,

bow

they

Gods

At

and laugh

ho

ly

i-i

fool;

mnf

:a:

-*

m
Love

^
-

ly

My

Sa-vish-na,

va-nov-na!

S3^

/
'i/"-

With their

'/

IS

their fists they rain

^m
p

Blows up

on

my

head. But

on

>d

hoi

u^

f
^

ho

t>

i < $,

ly

fool,

-!-

t>>

days, When the

peo-ple feast,

a
^^m
r

^^

^7\;

'

the

Me,

Tj

lS^

E^^N
^

^,n

*t3

'

With

they kick

^
^^-*

fe

:fe

feet

g^^

i;

rrr

/;/

J
I

if

^
And

a- dorn them-selves With red rib-bons

^
>

''Ff r

gay.

Then they kind

^^ ^

ly

<

throw Bits of bread

r
''if

"/

"

sf=

IZij

=3^

27749

to me.

21

They do

not

for-get

^
,1

ho-ly

j^^

own

God's

fool.

Love-lv

-=

3:1^^

2/"

-<s^

-<s^

==5:

-6*-^

3:*

*
mf

I'm not

beau-ti-ful,

Love me,

com-fort

i
w*lf

me

In

- li

lone

m}'

m m

-ness!

rJ

=. ^!P

Try

T
y

*^
How

22

frr

7f

~=^f

sf

-^^
e-ven though

Pa-vish-na, Bright-eyed

w:/ P~~

''//

Love me,

=p
fal- con mine!

p
long for thee

^ ^E^

could

tsv-

nev-er

nf

5^

^
tell!

Love-ly

tS't

Sa-vish-na, Trust, or

"F

trust

' '
r

m"f

me

not,

^T

Ej
-^*

My

r\

va

^-J
-

nov

na!

r\

:*

-m

P
^^
^*

27749

f^rf
i

'^'^^ ^

d^-J

^/*

^7>^

rs

r3d^-J
f

zz

The Orphan-Girl
(Sirotka)
English version by

Words and Music by

Modest P. Moussorgsky (1868)

Geo. Harris, Jr., and

Kurt Schindler

Andante

Voice

(alia breve)

r^

^^
fe

f.

f=rr

m.

r^f^

^^

^
Dear Mis-ter,

Oh, Mis-ter, please be good!

please be kind!

k
3=

fr\

^m fV

^^

fepfel

Piano

S]

r>

S3t

^-

fe

s^

let

me

tell

Hearwhat

you,

r^

f^=^frrTr.'^^'P

to

pqr

r\

fir*'
I

:fc=s:

CN
\~-

^ V

^^

\f

-&n

^^
^

fip

or

home

less child!

^
^^

^^^
m"f-

cresc-

#
cold

have been

DEC

?^

sup-per and

bed forjne,

12

^ Tr

^:^

jSi

;q

rt
i9i7,

by

G.

i:

3[

ir

Copyright,

phan,

i^j

"^f"

^.
87749

Skx

am an

txr

-i^

f-frv
2

^i N^^

Hun-gerand

say!

^^
j

i'

fe

^r. r

M^
ip^

i'^

f=

cresc-

?^

Please

%&

^52?:

r=r

7-

^^1>'1>L<I'

i=fe

/=

l.h.

i^

f^

a=fe

Schirmcr Inc.

3:

]z^

23

M
^^

m'f

^
was my

Night

shel

m
and

ter

^^
was my

snow

311

>y=F
33

IS

ZZi

m'/r

scold

im

me and

ed

me a

sent

way

in

Scorn was the

tears,

^^

t#

if

^H"i.\

^J

p ^j

one

t*
t^

That

re

ceiv'd

rj

in

'fi/i

cresc:

^M

21

dr

m
i ^

mis

my

er-

Oft

y.

in

f
ply

the

Pzlz
-

i=kt=i
t

tJ

re

cresc.

i'
'

^ ^^^

^
P

y*

fe*

All the peo-ple

cov-er-let;

ZSi

i.^r

for

i
est

ke-

^
pp

^\^^yl

5
rpp

^^

2%i^

1^

^'JC^Jx

^
r
hide my-self,

^g^
VP
Ms

and lone

ly,

Then hun-ger

^^m

^^

s^
^
^
#

^m
-s-^.

27749

sad

^i^k

calls

te
#

[^

me and

^^-^"j;

^^.

makes me

2^

re

#"

E^S
^^ a

^^

^ i

^^

24

f^

^
turn

My

gain..

i^

strength

^^P
is

^^

Oh,

:i

I,

Mis-ter,

^^

please help me!

^F

^.9=g:

gg'

ST

have

-a-

1^
ZSl

Iffi

IZ

-#

6^

'

.^

-!

dim.

ifi

f*\fpocg_ag itato

Mis-ter,

^^

^^

Dear

TO

Z7

i^

55

in'

>

^ r

J^

drink once more!

-.

*^^ @a
t*

must

eat,

5L

must

gone,

pit

^
^
i J

me

Let

y!

not

i^^
s^

s^

m-f

\^

jopo accel.

i
:i

te
'-^t>

S^

^^"

r r

die

of

^^

t*
?=lz

Z2L

Let

hun-fcrL

fi

me

not'

P
freeze

Dear Mis-ter,

death!

to

^=

B?

is:

f:f

*^

please help me!

fe
~o
=

cresc.

^^^:

If:
fl

te

ii^S
Please

let

me

r
tell

^
^^^^^?

.^

J^

a7749

13

r r
to

r
I

you,

i^
:z

tempo

am

an

r r

or-phan, a

r-

^^^:::^i

VP

VFP

-o-

9-^

7^-^

^^

home-less child!

i^ i m
y^-'

/O

2S

The Seminarian
(Seminarist)

A HUMORESQUE

English version by
T)eemB Taj-lor and
Kurt Schindler

Words and Music by

Modest P. Moussorgsky (1H66)

Allegro moderate

Voice

Piano

4'ja^J'J'JU'J^

Fa-nis,pts-cis,cri-nis,/i-HiSj

Q}
-

in

l/Pr
^^J

words! they

drive

f f f

grim

^3

W'/-

ing_ from

iJ^J

the

jj>>^

priest

I've

had!

^
How

^
he

Ji=i

cuffd

y-

^^

m^
^

t t

y-

IJJIJ
bless

fc

^^

07'-bis,a?n-nis et ca-nn-lis.

Si

r7Tlj-J

Such

27749

iz::

f~

Or-bis,n)n-iiis et cn-ua -lis,

/-

these

JJiJiJ'JUUWHJ'J'Jii^^^

me mad!

m^

>

<//>.

^^

#:

Oh,

nif-

L^t

r"

ig-nis, la-pis,pul-vis,ci-ms...

^m ^1
^^

'

'

JU>JU''J'J'J>

J J

i^

^y

P^

i
Copyright,

1917,

hi/

G.

zfi

j;t^

Schirmct\ Inv.

and-

26

m17/*^^ di?n.

iN^^
4

kick'd me,

S c?r

me_

gave

he

knock'd

near-ly

f2J

me

out_ of

"^11''

!F=^

i'ii[;p
-

'

y
J^

nn

ttA. ,,.

^ ^a ^
^

ii'^it'^ltr

^tXc7
r

Fa

3C

:3^:^
shape!

ther

J)

xi.Sjfif

i)J^^
nis,

'

eon__

has_

en-sisj

fns-tis, ves-tis,

daugh-ter,

r^rf i

J
J
J
idEEi^
"> r crx^ C/CT^-^

^^

T
J~l

a sweet, de

cresc^

r^

T"

:,S
'1^

^
-

rz==

i^J

ver-miSjmen-sis.

such

h ii J^ j^

j^i'p

r'

Sim-

^
t-^ ^

c/^-^iiT

7748

ly

fcft

Fns-cis, a

ji'

W,
/-

s
^

I
5P:=s

ho

his

BiT
hand

With

scrape,

up

ir

man- y_a_ bruise and

it

i'

i)

mure

one!

aim.

'

J > P
.

27

J^J

*
She

has

%k
tf^i

^
^

.1

red as

cheeks as

^-

i<3

pop-pies,

/Q

Ian

guid eyes

"t

that

i
lure

[5=:^
one;

i^

%^l^

*=ti=*

i=*=*

m-

^^

Crim-son

the

is

smock that

3=
w,
2f-

^te
fs^

^^

hides her waist so slen-der,

m^

-z:

Snow-y white her bos

> g

om,

AST

xr

T5-

i^ ^

swel-ling smooth

and ten-der.

pppppp

pp

Fas-cis, a-xis^fu-nis, en-sisj

pppFpp

/us-tis, ves-tis, ver-mis,tnen-sis.

ff

M
27749

Ah,

my

c/r
Stio-sha,

ir::

r^^
lit

-tie

dar

^^^

?
-

ling!

How

Id

i
.

hold

you, To

^i

%
HE

to

tf^jtp

JT"
an

dear-ly_ love

<&

Ni^

28

fMk

kiss

[^

zai

irr

you

mad

in

ly,

my

i ^
rc^

dim.

r^rr
arms

lov-ing

1^

en

to

fold_

xn

5:

<///.

dim.

XL

g^

z:

#f
'f^
5

3s:

'>

h-tr^

M E^

JP

jq

J^ J^ Ji J) J^ J^

Pos-tis, fol-lis, en- cu-mis,

Mr

"

t J

Latp-lj' at the

pTr

.-,

eel

{'

5J

spe-cial

m 3

mass

in

hon

J J
-

or

of

?
the

\^

bra

ii

Ho

^^
ly

fW

f=

ij

LiLU

tion

of

53

S.=^

cu-mis,

Jini

Mi

f
-

thro

^jj^--^
^1- i I r

^S

^''j
cresc.

27749

^fe^
r

cresc.

fe^

ctt -

j d j j

P^^
a

S5

at-que pol-lis, at-que pol-lis...

ii

^^ii

*^

pp

i"

(!fc

zm

?P

you!

fg

*>

*-!L-I

do

^
i^
31:

29

^^

<*-

I I

f]J

in-toned

i^^S ^
P

-p

gsi
S35^

r=f

^^

the

^ ^
il2_

c \% % \

in

psalm

'f-

VI]

^
sixth

li

tur

gic

ie

r^f-

fe

PP

l\hl^l

All

^1

the

sJ
"i

iy

^ 1% 4

my

UL

-^^

^^ff^

bJ

^11 JJJ^Jii^
vout

87749

s
while

ly

pray

ing.

^r Or
left-

eye

f^J

wan-der'd,

could not

/3J
i

**

JlJg
keep_ from_

=i^3
JgJ^t
r

f-^t^p^

30

f
Dear

Fa

me!

callcl

me

out in

27749

it

Af-ter mass

all,

in

Then up-on my

e -dic-tion!

IJ

^^^^
ben-

Jr
^^

to_the hall;

^M^^

Lat

saw_

^ MJ

J?r

^^
i

Sim-eon

-f

gj

*:

ther_

^-r-

cresc.

mi
^if-

J J

Pr

pate his Rev-'rence

^^^
r

served a three-fold

d^ ^

^^^
cresc.

^p
y
r

Then with might

gram-mar:

r
and

main he

Or-bis,ani^iis et ca^ia-lis,

made me

et ea-na-lis,

^
cram

my

head

with

san^guis,ung^iis et (mrrwrlis,

31
cresc.

d^F^
et
(\)X

an-na-lis.

EE^^

mif

^
dim.

SI

r
i"

i ?^

oi

t:

Thus by

"ig

?^
Sa

tan_

was

iEi

=eP

:#

*=&
^;;

^
I

^B^^

Right with

tempt -ed

^3?i

&

?=

1l^^

the_ ho

in

^f

ca-na-lis,

ly

i_Ji

^T

san-^7tis,nit--ffii/-i et

is:
^^:^=#

151=

et ca-iia-lis, et ca-na-lis.

r\

'

VI

,^3
27749

JiS
^MhhAM i^^^ih^
* ^ te
?nf*

n"

/T\

^it^

32

The Song

of Khivria

The Buxom Matron

COMIC DAXCE-SONG

English version by
De-ems Taylor and
Kurt Schindler

Music

by
Moussorgsky (1877)
Edited by A. Lyadoff

iLittlc-Ku^sian)

MM ^
m
mm ^\

Modest

P.

Allegretto scherzando

Bather broadly

^E

Voice

Just look up

^ ^f^^SEi

None can de-ny

on me!

mj-

Piano

l^i*

love me,

^m
m

p'Pi'-r

fall

ing?_

to

|t^

j^

^
I

i>

^^

Jia
when the

tJ

i^''-p-^
when the
night

is

t-^

^MJU^n JJ
c:j7
Who_ would not run meet me

P=f

Ij

EiC

t-T '^^

^
^

glad-ly seek me,

CJ

*
$

^^^
would not

I^

such a charm-ing love-bird?

would not

311

r-J-^e^F
Who
a

Who

charm!

i^

p^

night
5e

?-f

is

s
fall

ing?

^j
#

^^

s
?=

*Froin the opera "The Fair of Sor6tchin.sk"(lH77), the text adapted from the like-named tale by Gogol in his novels
"Evenings at Dikanka." Khivria, the stepmother of Parasha'the heroine of Gdgol's story), is a buxom matron, still
far from averse to an occasional flirtation. She sings this song during the absence of her husband, the
peasant
Tcherevik, while she is awaiting the arrival of her lover Afanasius Ivanovitch, the pope's son, for whom she has prepared a delicious repast.

27749

Copyright,

1917.

by

G.

Schirmcr, Inc.

33

Andantino

A tempo.
Andantino
LCIIipU. rvaUdllLlIlU
in.

^V^len the night

fall

is

ing?.

*:

*>^^l-n--r^

be-lov-ed not ap

my

m^^

JiJ'

^tir-i'7

#^

does

?f^

^^

t;

Ms

iJi

Why

cantabile
CdllLdUHt

All the

pear.''

j>

dump-lings

^p-^M-^p
All
ru-ined!

^''

M^

J'

love -ly pan-cakes grow-ing cold!

the

^P

pooo

Andante

rail.

^gg
Ah

3*

-5^^

me!

Oft

^A^F-^^^^
Through

^gft
27749

i*

the val-leys, o

tt

^j> ^

J^-

4^-

wan-der'd through the_ fields, through the wood,through the wood,

fcS

i?
ver

i'

j>

moun-tains

ji
off

"f

iui
to

^m

the fair,

"I*

^S

off to the fair!

K>

34

&

*S

^'

H'j)^ a'p

Easter-i)uns

^'

iui^-

"

i=^#*

frr

m
Lento

u.
i^

J-1

"P #

m^

J^JVipJl?

^ ^ j>^n

Where's my la-zy lover?

^P

tt

Moderate
ji

The dev-

i'.

^P p
fe i

take the

il

mnf

i ^tt

^m calmando

,A

^'

p
Nev

er

Still I'm wait-ing.

r~r p~F fHt

e

dim.

i'P

ras-cal!

^g

-^y

^^

if

i'

i^i

just from me, on-ly me.

h'^^rr^^

All the Co&sacksxisedto_ buy them

at

m^

PA

used tQ_sell there, three a-piece,two for five.

'^i""

'

^u

111

mind,

/-^
my

stop

fret

J)

'Tis no

time

im
VP

27748

ting,

fc

-&

P
SI
sz:

fF

^^

./^

ISh

itJ-.

for

J''

griev-ing,

^^

j)

Ra-ther

is*

ii

^fii^7

let_

Ah!

'S

me

sing!_

tia

i4&

j>7

i^c

#^^

#=

w:

*^*P

* ^^

38
Allegretto

scherzando

i)J''

j)

Since the time

r3
^
i=y=3

J^

l-p

when

^-F=A

J^J

P
P P
hand-some
man-ya

^
F

Bru-de-us,

Bru-de-us,

f'

pair of shoes,

pair

^y

of shoes.

J\
wretch

Ho,

ras-cal

E2P

Bru-de-us!

am

^i^
Bru-de

ed

P P
filled

with

P P

in-dig-na-tion,

^'

That he had

my

^^5

r^

ad-mi- ra-tion;

u'^^^i
^

^=n

^ H^

de-clare,with

^f

J^

J^

'

j> j>

deep de-jec-tion,

t_
P

njf//,

iij
I

^' .i)
'

have wast-ed

m
pooo

rail.

j)p

iS

ft

3
^oeo

i)

^^

J^^tHF

llAj)

us!

fi
E5

5;^

9#j te^

27749

/.

ft

7J)J)|J^Jli

y=p
/

^^

^ i

Woe,

fct

J'^

have ru-ined

^^

|J)i)

|J:p

**

p
my

first I

Pife

1^
g

pp
met

i' J' J^ Ji

my

af-fec-tion!

5^^^5

~^

^^

86

%
*

J>
:>
Bru -de

MM

JM

J''

us

such

is

dan

dy,

a tempo

iA

1^ ^^

[4^^p
Look

J'
at

J^

Neat and

J)

And

f*

jw

J'
his

:?

Ho,

5EE*:

J^'
shin

al

T^

ji

j^
fop

F
-

ways

#=#

f
7

boots are

neat and trim.

trim,

J^

him!

at

|-

Pp
look

him!

^ih^^
yi
i'

J'

Ji

j"^

Bru -de

pish

us!

s
fct

*S

m
^ii"

p
Woe,

^
V

^
iA=4:

27748

j^
pre

i^
-

cious

f>

nn
Bru

-de

^-

zz

tfc

j^
us!

How

1^

?
blush

to

fe

iiT^

1^

tt^ ^

37

think

That

kissed him,

S-

r^

^^
nev-er

could

re

i'

J'

j^ j>

sist him!

am

ii

filled with

fct

:ii

M1

f~V

S^^
tf

in

dig

/w//.

j;ooo

^
^^

j> j>

Ji

na

At

our for

tion

>*

nj^

mer

i'

i'

os

cu

la

fcS

,i

J^

^(?C<3

/Y?//.

a tempo

tion!

^m

lie z

f:;.

^I

la:

a tempo
Ssfc

J'

J'

ji

Bru-de

us

JH

p
called

is

feMt
2
1

p
to

p
But

bat -tie,

JO^
he

saj's

J-'

J^

he

IS

la:

Iffi

r-

')-i^ ^

>

will not

fight,

-^

la:

r^^^T^
sMsft
r

j^

i)

J^

^'
\'

For he

can't

en

dure

the

rat

P
-

tie

P
And

^''

^'
I

he

can- not

i'

J^

stand the sight.

S-

4f>
IZt

i^
is;

9J

27749

>.

>.

>_r
=^

-^

38

pi

j'o>

tim

Ho,

^>tt
,

^
"

Would

#^^
M

us!

'y

had from

j^

Woe,

cow

thee

>

P
Such

de-part-ed,l

-,

V^

am

5=5

lov

us!

^^

1^5

p^

chick-en

er

heart-ed!

s;^
^

i^

filled

with

in

J>

t'

^i

ji
na-tion

dig

J)

rail.

J^^

At such hor

>

rid

tre

;^

i a1

J^

am

JWi
told,

when

eve-ning

r
falls,

-p

m//.

^^

iO'

On some

i
r
r

r
^>^
r

pi

oth

i'
-

er

i^
da

J^
-

tion!

^
^
>^i.

Meno mosso
i'

jpoeo

i'

'

8:

^?
I

87749

Bru -de

ard

tt*

^^^^^

ar

/I

J'
I

^oco

.fefe

1'

^^

T'

Bru -de

id

|tl

ilj)

J'

J'
girl

he

calls,

39

J)j.JMH^i
Hold-ing hands and

mak-ing eyes,

^""i^
I

Tempo

p^

f^

Bru-de-us!

^t

Pt

i,

ji

mm

For such sheer a

#=^

i'i'
bom-i

na-tion!

fe^

J^J^
I

j)

i^ljo^j

am throughwith you,my
r^

i|

friend!

^^^

J)

^a

X^

?=?:

are words of

Menomosso

f^^^
at

an end!

Ah!_

m^

P^

in-dig-na-tion

'

X-^

i^^^

Pa - tience now

=te=
No more

love

for

za.

me!_

is

ff^=^
r

ZZI

i
/

Where

i fcS

IP

Bru-de-us!

y'

^Hrr

J>J]j^r

;fe

r=r

faith-less

Woe,

m^

fick-le

Ho,

^H

di allegretto

i'J]jw

tell-ing lies.

f^

f=T

Boast-ing, strut-ting,

Jn

JM^^B^g

pi'

If

poeo a pooo

Jl.

X^

/T\

Ha

ha!

r\
fcft

^H
77*9

J^.

r\

40

Revery of the \oung Peasant

(Do^mka Parobka)
English version by

Sigmund Spaeth and Deems Taylor

Modest

P.

Music* by
Moussorgsky

(1877;

mm

Larghetto, quasi largo

Voice

^M

^^

Piano

^j

^m

^m

i A
My

^
M
i
A

Why

art.

^
thou

why weep-est thou?

^^^

4^U 47^
^

heart,

pin

J)
-

ing?

>
1

^^

What can

do

^
to

J^

J^

J^

com- fort thy

r
sor

fr

row,

a
fe-JLg
i

PI

* From the
opera'The

novels
F.iir of Sorotchirsk',' the text adapted from the like-named tale by Gogol (in his
"Evenings at Dikdnka"'.The opera was edited, after Moussorgsky's death, by A. K. Lyadoff Gogol's Little-Russian story of the Sorotchinsk Fair describes the wooing of the beautiful peasant -girl Parasha by a young peasant lad. Khivria, the girl's stepmother, plots against the suitor, and in this song he voices the apparent hopelessness
of his love- The melody of this song was also used by Moussorgsky (to describe the breaking of dawn) as the closing, 'theme of his orchestral Fantasy "A Night on the Bald Mountain'!

27749

Copyright. 1917, by

O.

Schirmer^

Inc.

41

^ ^m

^~3-^'

poor_ heart of mine?

^p

iift

P
Is

^^^^u^'

ph

^'pj) J)J'.ap

VI

i'

gm

^^m ^^p

4i Ji iJS

smil

eth, And the road

to

it

[T

that like

:;ir

me thou griev- est

M
^

27749

^^

si

lent

now,

hap-pi-ness is

heart!

weep

Be

rmgn

^^
^

ing

i'

i'J

long-er.

barr'd ?

ra//.

^
my

that fate no

jj

a
S
^

J'

J)J)J'^J_^J)

,_ ^ziy

J' i'

heart

of

<

3E^
mineL

42

Cantabile

^/'^

M
s

tf

r
Sor

^p
-

row,

^^

\^r^^ \\Sf

r
for

sake thou me!

De-spair,

bid thee

long

^^^
all

for,

my hearts

de

p
-

m
i SH!

^r

Ah,

Pa

"r*

-o^

Vi

love

^'

P
of

'

the

I*

'e

^r
-

ra

f
fair

'If?

Pa-

r
ra

sha,

^0
my

m m^

Pa

-o-

^^ ^
^

^J
ra

-:=

j)
-

sha!

n cjjr
Thou

J)
sha!

^5
f
fr^

is:

i'

>

in

4]f^

the

^^1^

is

sire,

f!

that

^
3^

.^

M
ig

27749

go!

^
i

I,,

All

^^
t^

^r

^^

my

r ^f

lit - tie

dove, thou

^U-^
^

^cresc.

ff

43

"r

m^

^'F ^'J

fair-est lit-tle queen of mine!

Ih =

..J

a'

g:

ij-

P3^^
r

"ii'^

f.

harm

-#4
?=;?

-^^

[T

us.

^r

None

but

thy

^^'f^
wick-ed

1
^

-j^p
I'os

\\^

Still

my

long

r
-

^
^f

^p
all

ing,

J'

\'

my hearts de

sire,

p
is

-T^

love

of

the

^W

i,^

P2

la:

is:

\7
Pa

fair

::s:

"^

ra

sha!

^ 135

Heart,-

r\

^^^
why

weep

fe
est

JTL.

XT

^^

^^;

allargando

Why

m^^
27749

thou?

u>

the

i^

iA^

f.

3 3

p<

ter-moth-er tries to

xn

V y

Wi

all

fesi

^^
ir

^'

ci/air
thou
art

'

pin-ing?

'M
i^^ti
Whatcan
I

do

to

Ml

I'll

com-fortthysor-row? Heart,

^=^d

r>\

t^i

O myheart!
r\

allargando

if

44

Parasha's Revery and Dance

(Do^mka Parassi)
Little-Russian
English version by

Deems Taylor and Kurt Schindler

Modest

Andantino

\>

{*

Piano

^m

i'J.

Music* by
Moussorgsky

(1877)

J)
I

p
'-^^'''f J

P.

allarg.

^j

J^i

al-^at

a tempo

w U^^

^M ^ i
^^
r 'i^^' Mi
i

Grieve

no long-er,

be

^^
There

^^

ed,

Griev-ing

nev

ban-ish'd sor

er

^^^^

row;

^i- J^iJJ
!

f=

are oth-er

S^:

lev

;g

^^ ^
n
^
f
r-

i>i^l

Sp

my

love-ly maid- ens

Fair-er

than

far

^^

S^

r^

thy

Pa

ra

sha,

^/jjvj

From the opera"The Fair of Sorotchinsk',' the text adapted from the like-named tale by GoroI (in his novels
at Dikanka"). The opera was edited, after
Moussorgsky's death, by A. K. Lyadoff- In this song Para-

"Evenings

sha, the heroine of this Little-Russian tale, contemplates the

the intrigues of her stepmother, Khivria. Her natural

many obstacles placed between her and her lover by

gayety finally asserts itself and finds expression in a merry
dance-tune, which calls up memories of the lively times on market-days.
27749

Copyrtgnt,

1U17, by U.

Scmrmcr^

Inc.

45

|m

Lfp

[T

Ah, how

love

Off
hear

to

pHTp r^-fe

.thee say:

Pa-ra

my

sha,

lit-tlc

dove,

w.

i ^i

espressivo

g)

1.

fe^
J

J'.

fair-est

*i^

t^

'

queen of

mine'.'

^^

>

-^i

Ah how

dear

Si~^

^^
see^

love to

ly

_j

ff-

ra

J
i

ij' Jir
ven brows thine eyes

J).

J
i

=f^ I ^

cJF^
gleam so

^m

I''

1j

fal

con

like!

15

&t

Pi^

g
^

7749

*
p

!2I

"S

fi

#
m'/-

fe

thy ten-derglance,

^^

p- pc?p
|iWhen
be-neaththy

^^

ml'

tt

i'jyJir'

[T

lit - tie

^-f?^^?P

/J?2,J3i:

^^
S

^^A,TnyJ^
I

46

i^^^

sor-

Nay,.

^
row

must

ban

^(t

'Pr

r-^'^-

^^
i

ft

Im

not

^^

i'
old

^-'

and

Nay,

J'

J-'

For de-spair

iVe no

ur

rea-son:

i^
"27

M
aS^

^'

^'

for-sooth, I'm youth

21

n:

^'^'MV
hid-e-ous,

ish;

^
|)t-

^'

^'"''

ful

^''

and pret

.-

ty.

JZI

Allegretto grazioso

Have not

lost all

my charm

Let's

yet!

dance!

my young and

Hi!

black-eyed lov-er,

8-

^^-^U

Stand-ing up

rJ'lF
so

Rlg

27749

^
P

straight and tall,

M^'
Come and tread a dain
-C^P

^'
P

-'^'l^T

ty mea-sure With thy sweet-heart

47

J^

p p

'f'

slim and small! Pit,

go the

pat,

jt?oeo

te
r^
i

?
s

tf

to

^ ^

pocu

straight and tall

^^

m ts

^B:

^P^

#^

M^.M
be

^
^ ^^

Don't

begloom-y,

don't

JD^i B-j

f^

sad,

fi

sS

be coy would

be

sin,

i^-gj.

"

p- f
'

pocu

go'the Irt- tie slip-pers,

Don't

begloom-y,

^^ fnr^n.^ -K
:3?

poco a poco

J bii

Just behold and

^
__^

Pit,

f=T

slim and small; Click, clack.

^
m
P

pat,

K n
j^M

in.

cresc.

27748

To

lad!

E
cresc.

^^^

7
night, my

^^ H
^^ n "^ ^^ ^^

TO" V

stepright

MEJ

the lov-er

J Jiim
^j

t
f
Of the maid-en

f^=^

k4^^
f^=p

rr Q/iF
-

^ ^ J)J

>^

'

s^

Come a-gain

slip-pers

;^

:*=t

i^F
r^i? r^
gotheheav-y top-boots Of

.& m

cresc.

feES

lit-tie

i^^
i

frcF

don't

be sad!

5^bt
%=^
f

48

''

^
P

Click, clack,

1^

go theheav-y top-boots:

'X.

^M

Come

F
Hop!

Ho

^
B=^

night, my

pak-dance!

/:
Gav-

Iv prance! Pit,

g^i

pat,

ero

the lit- tie slip-pers. Let us dance

^^

I*-

mfsempre

Ho

r
-

pak

r
gay!

^^ r^

cresc.

i=?
I

P
Pit,

>

F
pat,

iH\i
go

the

lit - tie

slip-pers,

i^p
This

s-

i
^
7749

e^

fet:

f'
/.

thi

:=r

=1=

=j

cresc.

nifsempre

on!

^&

=5

lad!

Li
m,
f

-/

1^

'

IF

hop!

a-gain to

^^

.^
is

mer

ry

Piu mosso

4''

L>

mar-ket-day!

Hop!

^
^

Ho-pak

hop!

^
^

'

'

1^

lit

^
F^ ^

i
g^P Ff^M
go the

lit-tle slip-pers!

us dance

till

TT

^^'

Hop!

Pit-ter-pat!
8-

i
/

H i[^r^l

'

my

lov

er

day!

fe

f=ifcF

r
"'

27749

r>:i

Ho-pak gay!

f^

^^^ sp

'-

=^

xj _Li,

hop!

^^

j^ ff f

i-i^ J

Greet-ingsto

break of

SI
sempre cresc.

M Mu'F ^

mar-ket-day

ii _i:_
-tie
slip-pers!

^m ^

ho!

jj
i

^^

Hi!

-^
i:i

pat,

Pit,

Let

dance!

r^

'

^^

-n^i

i=ff=

w^

*ii

-?

49

<ks

+^

gay!

Hop!

hop!

sfz

^^^

Lets

be mer-ry!

Hi!\

'

/?\

^t
.

The Banks
(Po nad

of the

Don

Donom sad tzvyetyot)

Poem by Koltzoff
English version byTaylor and Kurt Schindler

Deems

Music by
Moussorgsky (1867)

Modest

P.

Andantino

te

Voice

&^ ^^ S s^
^a
Hti ^ f
i^^^ W
a
f^t
^=*i
^^
^
}^rr^
^
F
7^
J

nt t^i

,<,,.

Piano

tf

i3t

^r-

If
By

[JzS^

J).

i
gar

den

j''rj

^^ -i-Si

The Don

27749

^
is

r
Pass

lane

^r

r
-

es

thro'

=j"
^ ft^-

n
Oft

green;

^M W

f'.uw'r -

my

zj:

Jj

i)^

IS

:P

1^

3faii

^^
V^L

Don

the

"Si/",

\i

^Hi

7)/>.

.^

en,

'!('
p

poco

p^j

^g

from

my

I'",'

lat

one of the largest rivers of Southern Russia;

Copyright. 1917, by

win

tice

dow,

w
'^^m

it

J J)T J^^

oresc.

empties at Rostov into the Sea of Azov.

O.

Schirmer^

Ijic.

^l^:! J

lip

J?|J

Have mine

m
3

fi-^

Ma

sha

r?f

'V

^p

From

fY

mg
i-hi

^^

re

turn

mg,

9 1'^^

bash

with

'l-"-l'

'i[p

ful

Ji
b

p
up

fe:

m
-

rf^^^bf

^\,fL hil>i

well

fair-

rlm^
fj
p

^p

the

eve

at

^m

ir

Smil

t^

i*
^

^^

i^j

i p
^

^I'ijj

me,

pass'd

J k^

sf

There

i J^r

^""^^

^^isrsi

4C=ii:

scene.

be-held the

pj'cs

^m

^^

^^

Scherzando

glanc

^
es,

i}f^^^f^^\ffffff^f
i'i'

^^

V3

27749

-j)

-,

I^ ^

"CT"

#
^i

S2

22:

i
Cheeks

with blush

burn

es

Pyfffff^fP^'fff

ing.

Yf^^^^

i^

l.h.

~^

k^

^f^^f

"T5"

Shy

%
-

ly

she'd

re

turn

my

FP

SI

is

fcg

poeo

*774B

rit

^r
greet

F
-

ing

a tempOftranquillo

^
Once

she

a tempo,

^m
ab

sent

>

ly

tipp'd

J)

.')

her

\va

.!-'

ter

jar,

tranquillo

p
\>

^.Tj)?
it

Spilt

JO)

o-ver

\.lh

yflow

Hy

ing.

Don

the

m
a.

pj)

i
flow'r

Pass

lane

JE^g

es

^Hn^i^
])

^9p-

^
f
47749

\V'
-

^^
:'000

thro'

k
r
my

r
gar

den....

oa
i
^fel

31

^^^

s/

T^

\i

i
F

^
r

54

On

the River Dnyeper

(Na Dnyeprye)

From

the Little-Russian

Music by

poem*

"The Haidamaks'; by T. G. Shevtchenko

English version by Geo. Harris, Jr.

Modest

P.

Moussorgsky

1866, revised in 1880

Composed

Largamente

Voice
i

,f:^^f:j

Piano

'

sf

<-^ ^

ih
^

4i

^^

"^
l

grrTF^-ir' t^r

4''''i>/'r"
Dnye

1/^

per,_

-p7

ho!

f-

"^=f=

W k^

J-^
^^j)7

3:

21

=K=

^3!=^

=fF

^&^

-9

:3

er!

.&^

^
M^
r

You've borne the

^B
r

->'

^'

red blood of

-ffi

er!_

=:

ii.y rrrlT-p.rcJ^-L^r
-

iffl

7?/"

^f^e

Dnye-per, my broad riv

^^

iz:

Dnye-per,my deep riv

:5i!^

Dnye -per, hark!

:P
V-[,'-|>

vif
^
^

JJ

j'

i^

Cos~

3
a

?2=

4
f

r>
sacks

^^

?>

^
W
:4:

* The
Dnyeper is- after the Volga- the largest river of Russia. It rises near Smolensk, flows through Kieff and
Yekaterinoslav, and empties into the Black Sea. The Poles have been the traditional enemies of the
Cossacks
through many centuries.
27748

Copyright, i9i7, by O. Hchirmer Inc.

M ^ ^ ^^ m
5
^

|#

55

ti=

On your

wind

long,

course to

ing

'H^)n

l..

^On

<3=g=g

P^

i
-

was

W
^
ly

i
^

Allegro risoluto
are

day you

2Z-,

t>

IS

^^

nev-er sat-is

fied,

J|p~ff7^
ne'ersat-is

^
broad.

you are

day

^^^

si

^3=
i2_

wait

ti^
l

U-

pares for

^^i

iv

-ZiZ
--H

f
=* fe

pre

i.

i'J

^I^

TT

I 5ifi

*
My

ing,

sii

Dnye-per

is:

^7'^

^
^

krai

na

so

^?

zz:

day God

sc

^^

IS
-

itfb

To

7-^
To

fied.

<i

ij*

to

6S=
i2_

Z2

^m

=*

i
s

is:

?>

^^

^^
27749

sea.

>

'2

^^
i

tant

e^

=5

w^ait-ing,

^^

mr
:z:

if-J^^EE

.i')l
-

-sf

sea

the

.O^^^h"

far dis

IS

S 2zi

the

r.y. ^^

t*

J.
I'

its

feast- ing,

Its

"

r^

J-

J^'J

^r^^

B6

cresc.

f<'ast

so

ing

^^
-

fright

ful,

For

flow

ta

blood

^^

^^

m
in

tor- rents,

great

SI

The

Cos

re

l;

Het

i^=^

r
a

-72^

ijniJTn

"

ni'i>

-TniTTl

ris

in

comes the

m=^

iJJJJJT]
J
W
f
r
r

gn
r

fe

^1^
T

^
n
r

ff

day

ments re

gar

^^^

es

I.

J ^

-#

^S
when

krai

J dP

W
^^=4

^
\>

na shall

splen

fe

dent,

=*fe

!^

s;

Once

1ZZ2:

^^

fe
-^

And

live.

^P
Jrzs:

^ ^a

1'-^

fe

more

The

vivas;

fe

r
man

g: p>jt j*

il2_

'

27749

sack

3zz::

^>i.\^

^S

^^

;i

IZZ

r.

h.

^
i

i^:

cresc.

-^>hii1rf
2=fep

is

ing

U^-il

St* ^

flow

ing,

57

^^

i ?*=^
far

tS

o'er

the

on

steppe

k^

i-HTJ

J
the

graves'!!^

-is^

our

broth

^J

jz:

^
r

f
foe

ujOTj

'neath the

shall fall

lis:
=n:

at-ts-

men

tyfeP

our

of

gleam

blades.

&

>-=-

(
/

k^>-^TniTn

new

^
^
Cos

sack

bold-ly

in

i
i

praise

of

'^

^ grf
*

^2_

Lite-rally translated, the original

27749

sing his

^'r

ri-

free

song

m
puem

^^^Un
-

ly,

fet

ter'd

and

rfii= .Cf^^^
TO

'

^j| j

iS>-

r~p

'^

J J

shall the

S d
1*

The

ers

f g

i.

^
of

r'i^M'
na:"Our
krai
-

iz:

"m

refers to the"Kurgani',' the

land

ff Mr
shall

4^=^

f^

be free to the sea of

l=F=^

^
1^
tumulus-shaped burial-mounds of the Cossacks.

68

k^

^ ^^

i
and

ish

Pf'l

4^E *

Jew-

Down

blood!

ish

^^

^^^^^
m^^
^^

the

riv

er

of

3^
331

7*

bones

now

float.

^^
f

it

r^

>

our

en

r
-

mies

Lr4,J
of

Blood

Pol

^
(

z:

^^
a
w^

blood.

te

Z2Z

^ ^t=^

Cj'^J
of

21

rJew-

(T

^mi

::z:

[^

er

riv

^^^^"^
s::

-e-

feed

1722

^
^
STT ^^Tn ^ss

^ ^^
^

ish vic-tims,

/.

27749

ish vic-tims,

P'\>

OP
fe

(T
-

ir

^
down

Now

flows

3=

^^

^T7]-rj7]

mg

^
>J

the

^"^JTn

r
i 5=fb

P
the

f^ JT^
1^

IE

sea!.

5*

^
I^

s
^
s
^

59

Largamente

i#U

/L

r~g
^rr-"rYrr"^r
r
CliTT

Dnj'e

w 1

If

rj

=B=

PP

M=^

IQ

^^-r-

be

r ^pr~r

thy vie

be_

soon wilt thou

to-ry,

per,

s:^r~q

PP

^>

i!

^m^

r?^'

^'--^r

et-ed!_

qui

-o-

r^

7\'

Dnye

^9

^'

-^

p^.

=R=

//^

will

^^ Ji>

3;:

/J\>fiJ'r
Soon

Dnye-per, hark!

per, halt!

-4-g

^^

-f^^

r
O

halt!

.^.^

my

er

riv

:zj:

1^

-<-

--

-d

^^^-& ^

::e

-e-

-^

deep!

^^

^^^i^^

..

r?

r?

W^W^V
,

-iS^

lS>-

5^

^^

^^^

^^

zz
"ZT

a774

1^

fS^

"ST

77

-si-

^z:

ifeEE^

60

Death's Lullaby
(Koluibelnaya)
English version* by

Deems Taylor and

Modest

Kurt Schindler

P.

Music by
Moussorgsky (1875)

Lento doloroso

Voice

ii

^1-^

lamp

* After

gi
1
'

dim-ly flick -ers,

^;

Sheds

^
but

phan

torn of

light;

poco

rit.

the poem by Count A. Gole'nishtcheff- Kutoozoff (No. 2 of "Sonps and Danres of Death").
No.l of this cycle, "Trepak", is to be found in "A Century of Russian Song:", collected and edited by Kurt Schindler,
published b}' G. Schirmer, New York, 1911.
Copyrifrht, 1917, by O. Schirmer^ Inc.
27749

61
a tempo

J^^^^E^
Rock

^
era

ing the

a tempo

die, the

J^

?i

wear-y moth

pale,

Waits

er

S S

T
iS

:S^

3^

tfP^

Moderate tranquillo

rit.

^^
long,

J^

thro' the

*2E

jfopo

J^

5t*i

5t*

?^

te

te

J^

^^

^pp_

Jiii^^9*^

Ear

sleep-less night.

at

ly

^'ff

break

of

sion

ate:

day

a mezza voce

#J'

L^'

soft

comes,

j)'

J>

tip

ly

^
knock

-"P

S
-

J'

^-t^'-^-jr-'

J)

1^

tti'
all -

Death,

ing,

>f

p-

^p
"Hark!"

Trem

bling, she

ii

^^=*

starts,

gaz -ing

poco dim.

2:

K?
27748

pas
pa

'i

^r

<}''

Janx

IE

cresc.

It

rfm.

tt^

sf

com

3, ^

n
"p

rj-

f agitato
1

i'

'

[i

tip

'

ious-ly

Up

round

i
^

J^

"?--

her....

^?--

62

Lento funesto
3

^^JU^
"Fear not,

J'

i) J^
i|

nioth-<-r, the

J-

dark!

nr

-''

See,

"

^^Ef
^1

sJ=^=#p

J
Man

it

the

tho pale

morn looks

in

at

Ei=5

S-^
thou hast

tears

thy win-dow;

ff

^
shed,

accel.

^^ 3^3Ea^

P
Wear -y
3

vi

thy

gils

pray

thee,

4
j/J'

?
J^

So

i^

^^i
^^i

P^

ie

:
m^

a^

now,

now

^S

i
f
rest

27749

IE

'i'

^^

:^

>

will

^'

J> i'

r-

keep watch in thy stead.

63
cantab.

Agitato patetico

rail.

p-

Soft

er

sweet

and

er

sing

w^'

I!"

-^K^
'Si

m//.

In

lence!

J^

^p^^rr

lit

tie

J'

-/

one

toss

at

i
i

^5

i
Torn

es,

^tfi'

:;^

fft^

'Wax

white

me he

will

^'

i>i|jM
soon cease to

E^=l

P
his

his

1^

l_i^^w>

Agitato

with

heart

allargando

"Nay, but with

cry!"

^ ^

my

is

Lento funesto

"f!

my

^
^

ver

PP

s
*i=3i

Vr

fe

as^^^

27749

:5=5

-^^

?
i

cheeks

now,

his

nJi^^^
suf-fer.

Lul-la-by,

^^W=^

breast

faint

ly

^\j^^'j>
lul -la

^
fal

-by-bye. "-

ters -

64

Be

still,

Lento

^m

:*

and stand

'

J'

-<

J^

}i ;i tJ>

J^

i-^n

is

to -ken; his

the

"P

g ^^^

<

->

J) i|i

strug-gles are

r^

^'

nigh!"- "Good

so

not

tranquillo

f-

tt^

Agitato

aUargando

^^^^^S
f
^'

end-ing.

Lul-la-by,

lul

la

J^'^J,
by -bj'e."-

^^

f
^=s

^-^
/^

Jf
^

^T

allargando

i].

I I

p-7
"Go,

thou

J^'JUJJ)
ac-curs

ed

one! Foul

thy

^
ca

^
StEE=^

^^

?/

^^'

^^

i?*

r
Lento

co dolore

ress

es!

-J

Touch not

^J

^^
27749

my

child,

lest

he

die!' "No!

tranqw'llo

'Tis

a comfort-ing dream

shall

^
i5

9^

65

Agitato, con dolore

allargando

^i
waft

him;

^hJ'
Lul

la

-by,

rr
7

^\j' ^\i.
lul
la
-

^m^allargando

ter

thy

P
-

ri

-ble

song!

*
cresc.

^P

f|'~^f

T^

i r-^r-p
It

now

me mer

grant.

^p

..d

^'

i|J'

"Cease

by -bye."-

^'

^'

'

J^

Canst thou

cy!

te

Lento

tranquillo

S^
Si

my

plead

ing de

"Look ye!

ny?"

'9-

<//w.

"
-J

pc 7j

i'r

-(rj

j:

la

1*

TW//.

*
My

87749

h J^

^^

^^ P

J. iJ^

singing has luU'd him to

slum

ber.

Lul

la

by,

lul

by

bye."

66

Death's Serenade
(Serenjida)

English version* by

Deems Taylor and

Modest

P.

Kurt Schindler

Music by
Moussorgsky

(1875)

Larg-hetto

Voice

S^

,'eet
Sweet

scent

^1^ 3^

ed

breath

of Nijrht,

r\

Piano

^^

5EE*:

3-

mzm-d-d
-m-m

* After

"4t

the

^^

v,<

i^

t^

^S
-

twi

bling blue

light of

if

liz^

ii

:^^=S

June.

i^^^

^E^

P=:^

poem by Count A.

d m

fe^^
Trem

ress

^)^^

iy

znz

^f
*

fcz^

and

soft

(No. 3 of "Songs and Dances of Death").

Golenishtcheff-Kuto'ozoff

Copyright 1917 by O. Schirmer^Int.

,

fca I
-

67
eresc.

J ;=s
come

not

will

Sleep

to

her

ver

fe

-"Z7

calls

^a

vain

in

aiazc

la

at

Un

maid;

J'

^^

der

the

E3m=m ZBZBza
=ar

her

w^in

^E^^
crese.

dim. e

5^5

in

dow,

M
^F^

1 m_^ J-gi-J-g

^-*

i?

to

r-g -M

\^m

mtE^

bright with

eyes,

\l

dim.

Life

si

W*

lence

of

l-*^

'jif'jjJi

S
.

-7

i^J).

mid

night

^dj^

J^

J^

K\

rail.

i^
Death

j^j^ p

f^^

sings

w*

ser

grim

nade

^m

t>t

Ti??7tW

m//.

f
27749

i^

J J'

r\

^to
i
2=lz

^S
^^

68

Andantino

i^^-r^^;^^:=^JJir^p"p
n5
"Lone

ly

and

fet

terd,

^H''

age,

&i^
"?

h:

ii ^^

^"^

r
bond

ness of

f^
isf^

bi

=:N

dark

in

sfi

t^

-^-'

-L

r*^P

;in

/.

te

now

Youth

^Jirfad

ing from

is

1
dim.

K-

fe"

'

r
knight

5=k

,x

$"* ^F^P
te

J.

vest-ed with

ii

h;

ma

J.

^^

gic

i.

^^
Raise

l:i>l.

''^"

47748

kiJ

_N

f^
g

il

J',

er

rp
-

rant

p^j
r

f-

p
to

ir

^*

free.

p
ff rr

^^

^
^J',

thee and

i^

J-p

^'-7

look in thy glass:

!,#:

^:^^i^;
J

J.

"^

^^

as

come thy young soul

r?
^

Mr

--pp
Roam - ing

Crp

p-'P
powr,

to

'r

thee;

fW^ i^^
K.

'

if

r^'ip

J.

m5

iP

Ah,what

69

fe^

P
Lim-pid-ly

beau-ty

M
^^

glows

in

J.

>

thy

face!

Ros

i J i

^^?
shim

K
1=1
*
m
^

es,

p p

Cloud

MF^

like, thy

pr-p

hi

the gleam

^^

as

?^^

blue

and

eyes

"

^'''iV'

>

i dim.

r'

lam

bent,

^ f=r

gEE?

i
p

_&

jfc

J^

fr

em-brace.

f^

Bright.

of thine

the

JgloAv

^
UJ
of

hs^

f^^

i:

^m

y*

^^ipwi

P
the

?=F=?

>

^^
ii

tei
ii

5^

-:i-

P
,

bod

37

capriccioso

is

'

r P

pE^

SJ.

J=Ji

27749

joeo

Clear

ti

^=p

*3

^^ r^ ^ rf

^=3=^

^S
^^^

tress

mer-ing

thy

are;

1^

cheeks

thy

ti^

isSES

'J%

t=*

te

k
tfzirdr

TP

creso.

5
J'

s^

dim.

cresc.

sky

;.

^
5^
:

W*
s
zr

10

Ja^L^

?Fe^
1

Ma

tide,

^^
taJ

^
^

|f'#r-

to

yield

PPP
j-

Pooo

7749

^
Soon must
a tempo

thou_

'

'

?~^

.k/

spell

of

my

hJ

ing.

^yxf-

tx

"^

sing

#=

L/

i^'-'^P"PPir
the

I W^"

^
^ .^d^lM

\i

rT~7

s ri-

^y-"

h-

^^

^sr\*

J.

thy true

^m i ^^
ii^i=

*?

jl

-A

^^^_ P^^
Now

*/

nigh.

accel.

^:
rsi-

me

draws

a tempo, tranquillo

^^^
J:

^^

charm

thy

the

JIHr-

gic

as

k:

^=&

^^

warm

J.

flCC^/.

jDOCO

fragrant breath,

f^

P^W^
noon

Sweet wafts thy

^/>

#=

^T

^^

p-^p'ipp
gal

m
ji

lant

is

^
i

p-

near;

v
i

r-^'pppp^^

Heed

ing thy

^^^^^^

call

he

is

ti'nf^ ^^7

71

Hr^=12:

f
com

.pp

claim

ing to

'

r p

Lo! the su

thee.

pi

^^

=5
Dain

u-^

?;

here!

is

j>

-^^^'7 p
so

tW^

J'J

^'p

^^'

enchant -ing thy trembling!

m^m^^

w
it

$f^

Jijiui^^^

ij

ir

^=^a
i

form,

ty thy

preme hour

i
^^

fiKEfi

f^

^m^ t^t

i'i

i'j

i'

^^.
^i?
5

^feLtJ-

Oh!

thou shalt

^^

swoon

and de

Under

cline

my

r.^'^

*-^^ dim.

jjq

kisses!

jy

^^^ JJi

i'

iJ^

whis -per? Lis

j)U I? Jm J.V'?
-ten!....

Lie

'

2774a

^'

^''^P
Dost hear what I

J'

^^^

itft

i'

I^
P
Thou

still!.

^^
^te 7

i'

=f^^ iii

i9?P parlando
17

'

"Z7".

l^H-

'
i

a^^

rgd

cresc.

^^i^^ii

M'P

r-

art

mine!'!.

^
^^

rr\

72

Death, the

Commander

(Polkovodyetz)
English version* by
Geo. Harris, Jr.

Voice

'nh

Music by
Modest P. Moussorgsky

Vivo,

alia

(1877)

guerra

ff2ij

Piano

J^g

~3

With

crash

^ p

of

r ^r r r

^^

31
bat

^^

1^

^n
g

87749

rm ^^

^Ji

is:

nons

be!

jz:

ing.

S
The

can

Inm inn
,

After the

. 0.

..n-g

sfi^

imi
*

JT]

"!/

gleam

mor

tie,

i
poem by Count

^
t^^l^

their

^\

ttpt^r

JTh

ti

rf

A. Golenishtcheff-Kutoozoff 'No. 4 of "Songs and Dances of Death")

Copyright, 1917, by O.Schirmer, Inv.

low forth

^-^

fire,

73

And

men

take

flight,

7
i9-

e:

hors

their

es

n.

J^

j/"/"

S8B

^^

ic:

in:

^=^

*ft

m
^m
steam

55^1=15=

And

ing

stum

ni

fi

^#

1
tti

yB

ji

tin

J J

>tJ

^
f

pT

iJ

[f

.J^i^i

^r

mid

of

blood

X>

3stt***j.i^i

Wit
ith glare

mire.

the

thro'

bling

day

8-

'j'\H

CT#f^

"^^^p

^j^-jj-f
W
f
xa arrgra^g

rf

wm

'

j^j|JJ. |^Jx

J J ^ ^ %^ \ ^

ip-*
.

*xj.

K-#

*^
I

SB
S7740

5:

bat

tie

The

es:

rag

A
b:

-1

^^
'i

5::

*
%^\

rrrttr

rft r

T ^

tir

'i^_y

a^^i^^d^j^

14

^^^^w^^^^^^
U
P
ga

ges The foe

--

p
mer

to

')V

3^

^
[}

i^

-ci-

^
^^
*=^
^^

*?

<tpil

new

less

^^
jS^

P !;

Tiflf//.

ie
*i

^
1]

^ JxJ

But night

pes ante

dim.

IT
V

-y

SI

^*^^
fe3^5

spite.

S7748

^p

Sps ^^3:

^^

zssz

tt^^5*

tts

?
has

f^m

;2

faH'n,

and

all

^-LS

end

is

The

ed,

Sxi

hosts a

sun-der

be

1^

friend-ed

3T
rise to

groanings

heav n

Then

^
i"

dim.

cresc.

^^

;:?2:

Grave, marziale

At

ii

pby

p
the

^'^ u-

silence,-

5i

^^
PT

Then

p?

PP

J-

i^^
m

:z:
-^\

tii

\,i t
iif

Unheed-ed

pip"'^

have been driv'n

P^^ ^

s
^

from the un

&

PP

rH'

w*

-yg

ID

risoluto

-I

75

p-

J^-

moon

jif
il

-lu

J^

J'if
-

mi-nat

ed,

>

ii

i^
Ji

His bones

all

J'-

p-"p

'^
J-^f
As

glit-tVing white and stark,

ffiFia

f^

^^

p^^-^^'-jiif
of the hosts in -stat

r'
cap

3-

?^S
LT'
27749

>

tain

p
-

There

ed,

k^h^^^
y
fB
.T^ U
3

'

^
.

rides forth

^
li

A,
S

Death .-

^ ^
^

kkA:

11

jp

tes

76

P
1
Lo!

^7

in

dark

the

C ^=^
sob

the

heeds

bing and the

^m ^

?^

^
He

^2
^1
-q

12=22.

il7

pray

^^

Jl

^^

Un-til

ing,

tf^

his

i.

J'

pride

is

sat

-<e

TTg

^^mi

^i

is

fied,

m\
I

^~5

hi

risoluto

~^''^i

2=k

V'

4>

'

"M-^

J)

^s
27749

Ji

Then on

stride.

J^''jn

li

1\

#^

a hil-lock,

w g

E:

light-ed dim -ly,

1^
^^B^

^^

ii

-hJ

J)

2^

He

looks a-round him,

77

n-

smil-ing grim

;^

^B

hi'liJ'

i'

iJ
-

Then

ly,

o'er the

ti^fe
crese.

^m
A

41

p-

p
"Mine

voice with fate-ful sound:

the bat-

p' P
-

p-

friend shall

to

I'f

man and

J^

p
me bow

All wrongs are right -ed,

tie!

Foe

^a

is

the head!

dolce

Those

a:

1^

^__^__^

ii

JMp
who

p-

were en

Ji ii->e- mies,

\J^ ir~^l

^
%
IZZ

m
^

have

nit

ed:

3 s 4^.P
'

-n''i.
r

87749

f^^
P

p^p

ground He sends his

;?

p-

si - lent

^:

V
poco

J^'-p

bat-ties

^'ii

Rise

^n

now,

^rg

to

p p

the re

view

P
pass

g -g

cresc.

P'p
of the dead!

*
f

poco

*
t}i

U-

78

^^

^B

sol

emnly,

m^

$:

S^5

^
a^

?=
and foes;

Cool

* #i

J>

"if

friends

ip

ppir

S^s^^

^ =^fn

the ground, and the

is

s
i

dark

tei
g=g

Soft

ly

from

you

life

shall

tt-^

pc/^,

beckons yon-der,

t^ST

^m
sink

to

^^
r
Years

re -pose.

weo mosso

PPT
shall

in

t^m
f*m
^*myT?r~^

s
1

vi

P
-

si-bly

f^

me no mosso

:t

jm

f^hi

jyoro

^
\

PPpp

^i

j-^Jj rj^

?^

/?oco

f
you

<

ti

P
for

5^5^=5

^^
a;

account

shall

^ff=F^=^

all,

r~rp

your command - er!

greet

iT>

l i

i!

fe

by me

March

I',

*i;

d?=ci

^^

change

S
27749

in

to

s
a

ges,

f=^

Soon

-will

P
be

gone

the

re

n rn
jF^

*r

^^
-

mem-brance

J^

of you;

i^i\

79
a tempo, pomposo

i
shall

a tempo

war

re -call you, when

M^
^

no more rag

ti^

Bid

es,

emn

Mr-%

I'll

\^'-^\

JJJ

P'P

'

J ^

^'F

iJ'^

P
forth

in this

joeo

al

^
'

grow wear

y,

W^
r pF
nihj J

J J

lr

Grave-yard your bones

drear-y

nr^t

^f^i

till

step,

rail.

JJJJ

marcato

^^

t|^i

stamp the earth, that hence

night to

jDOPO

? 2^5

F
-

1=3

^^^^^^

jL>

mid

m^

Danc-ing with heav

meno mosso

at

*^

^LJ*

fe^^

re-view.

you

w^wo mosso

sol

^'

__j___6Zi

=^

F*T

^^
shall for-

'M

rail.

J J J

r'F

'

J^
?'P'

t^'P"
?o//o

jy^ allargando

3W

'

^
'

#
'

/7Y.

=5:
ev

er be

bound.

That you

shall

nev

er rise

il^f=
-p

5^

-^^^^

S
olio

allargando

ground!-

i^

3
rit.

ga

T
77'9

up

from the

1.*

\^,

80

The Song of Solomon

(Yevreiskaya Pyesnya)
Poem by

L.

Music by
Modest P. Moussorgsky (1867)
(after an original Jewish melody)

Mey

English version by
Deems Taylor and Kurt Schindler

Andante appassionato
Voice

Piano

As

the

wild

rose

am

as

I,

the

lil

of

the.

field;

if

m.

"*

i%b.
f.

my

snow-y-breast-ed

i
cresc.

dove,

fe

lit

tie

dove

5
of

i
r

^
27749

^^

a=H=^

She,

r^

Copyright, 1917, by G. Schirmer, Inc.

mine.

jiji
Shii>-eth

81

oresc.

ItJ^J
fair^

w ?r3

'midst-

i'-

Aiti'

JjJ

her

sis

I?

as

ters

J-^

I
i

pf^^

SS:
1

white^jreast-ed

mong

^^

37749

the

111

&^
^

y.

Oh

my

a tempo

^^

r\

J^ ^

J"3 iJ^

J^

1^

dove,

.fe

thorns

T1

lit

tie

dove_

/T^

r
^

{-

r
^A.

/?N

^^

As the

of mine!

J> i'
"p

\\{ji

^p

Meno mosso

# ^P^

|J

r
fair

r
myr-

[^

tie- tree,

82

i
with-er

in

the for- est,

Shin

eth

my

^^m
'

fel4Jyii>ltfJ

less- er men, the youth

of

Is

ra

j^

ti -

lov

ed 'midst the

host.

of

Meno mosso
5

''

^
"Where-fore

hid

est

i^*LJ
thou,

my.

rs

Si

r\

^^^

2%!^

ful?.

^j

^.

fi

f^^

C3iLi
^^

\n\9

^5

el.

ife

a tempo

be

^m

^^^^m
beau

^J-^^

well

Ir

^
3^

^ J-i^

^^

r^'l

83

Silently Floated a Spirit

(Gornimee tikho letyela doosha nyebesami)
Poem by Count Alexis K.TolstoV
English version by Geo. Harris,

Music by

Modest

Jr.

P.

Moussorgsky

(1877)

Sostenuto, Lamentoso, Mistico

P_

Voice

==

F3^
Si
c^-

Piano

^\>

a^

t>

9-

\>a

J
-

cross the high heav

?^

Low

ens,

-Sf-i-

r 'T
in

r ^ ^^
sor-row

ful

--

er

ing earth-ward her

9-&

-<s^

^
i

^^'^^

From them

dreaming;

^
Copyright, 1917, by

G.

-s*-^

^=^

there

=B=
^
f-

B=

=??=

^=

eye-lids

27749

ed

=g=

#^?A

ly

^^3

float

tremolando

J
a

it

s
.

is>-^

* lv

spir

p=i

lent

PPP
^

(ff)

^
^

33

Schirm.c>\ Inc.

fell

IS

^
to

3F
^

^
^
^

the

U^

3E

84

pi'^^

iJ

earth the pure tear-drops

J2^J

H^

^*

starswerethey,end

^
te

r
oth

less

and

er

Like

row,

stars

jT

i!

^
what

de

spair_

i
i

chain

of

bright

^^

ask'd

^^

?^

of

sis

their

pp

"For

to

gleam-ing.

r
-

sor

of

^J

"r

a^iL

'^4^

iJ'-r

iir

from

r
thine

^^
-

ter:

r
eyes

^
flow

the

iUSU
jyp

8K

is ^

tear

'l

drops

'

feA:

^
burn

so

Then

ing?"

g-jr

she

did

s^-=-

fe

^
con espress.

l(^^'l>

an

and

swer

^-44?^

my

"Lo,

say:

thought turn

eth

r
earth

t^
ward;

e-

*^

^1

^-^

53

in

i*

Ez:

/>o<?o rj/.

r 't
Might

t^
^g
>.

for

fi:

r
-

get what

r
I've

r
left

m^

there

of

i^

poco

ff

tempo

*
Here

is

8
a tempo

27749

"^

'"^~ r

-'^

and yearn-ing!

f
rit

Q-

l>i^

j3

suf-fring

m^

^A

;fe

^'

no

light

but

the

-^

i^

^m
light

of

1
Jthe

joy

;^^
of

the

^^'^

r
right

eous,

86

r\

J^v

hJ
Here

no

is

an

11'

nor

ger

grief

in

heav

the

^m

en

ly

cit

y.

^^^
krr:^

wh

'te

jrJ

5E
^

v:;

*^

ep?

\>

fl

->

|gf
me

Oh, send

g==

down

a -gain

r^^

Cre-a-tor,

earth-ward,

r
I

=?F==

tta

^k''iJ

r
That

fe

J
i^4>d

^F=

^
i

'p
I

>

i.p

may

r
find there

|{

l,^^^

some

^^^^

jooco nY.

^^^T
"^T

soul

^^ ^

that needs com-fort

and

pit- y!"

^ poco
u ^^m

rit.

VP

S7749

Thee,

IS

I*

pray

i*

/7>^

(j
k^

^^
^

?f
[

-s-^

r\

f^^
:2j

The

Kookloi)

(S'

Dedicated

my

to

87

Cradle- Song

Doll's

children, Tdniushku und

Gi/ffu

No. 4 of the cycle

^
"The Child's Nursery"
English version by
Deems Taylor and Kurt Schindler

Words and Music by

P. Moussorgsky

Modest

Andante
f

LJL>

Tia-pa,

t>

JTJ- J.

:t

rj.

a!

i ^^^T T r T r

^ rii,i_
rmxf

1%

pLlPh-

Sand-man soon

t:

is

J,

^TZLf

J^
J^

Tia-pa,

|jj,j,i)

i'7j,j,,-

^
ISf

P
*

"
I

J^J^p

JmiJ^'J^P^

ji^p

5t

1K^^

J,,;;]

Tia-pa,sleepand dream!

sleep, dol-ly!

LUj

ji^

d ream.

;ii

3=^

rii.i_
j,i
cjT
tr ^

2^-^^^-

^^
trTcL?
* hJ)i'i)itJ^
N'

Ci

sleep and

Tia-pa,

LJ'LC_Cr

J''^*
round.

com-ing

rzi j

J. .

bye,_

Piano

bye

iM

:*

Voice

Boo-gie-man will catch you, Moth-er witch willscratch you, Brotl>erwolf willsnatchyou!

*
i

y'^'
J^^^J^
..rr^
tt

^O^
i

^r

^J^
i

i-

?t7!

'

^^^

IT

* Another
song from

VOCO

this same cycle, "The Beetle" is to be found in "A Century of Russian song", collected and
edited by Kurt Schindler, published by G. Schirmer, N. Y. 1911.

277SU

Copyright,

1917,

by

O.

Schirmer, Inc.

88

^&i>.

fc

F
Then

F
to

mor

p
row

>

J)
Of

774

J)
won

(7

me

tell

^'

J'

^i)
-

drous

is

lands

What

p
you

J^

-i^

Free

from

have

been

||J^

J^

work

and

^
dream

^i'
wor

ing:

^^
-

ry,

89

*
p

j^

Where

the

r
are

trees

glow

Filled

ing

fc

Where

?
nests

in

*:

p
of

^.

P^'-4P
sil

ver

Gold

en

^m
P

dim.

i^

with

p
of

pears

birds

are

sing

iirl^
Bye

'i

bye,

j-j^

i"

CiU

F^ ''Lrr~^
2774,9

Ai

^^
dim.

^^
/T\

Bye-bye, Tia-pa!

lul-la-by!_

r\

^^

ber,

r\

/?N

ing.

CB=':J

am

P^p^ ^

m m

^^

rs

Sdi

/?s

ft^

f*

r\

-o-

90

Night

A PHANTASY
(Notch. Fantasia)
English version by
Geo. Harris, Jr., and
Kurt Schindler

Modest

P.

Music by
Moussorgsky

(1864)

Adagio
Voice

Piano

3%ii.

J.

^,iti

gra

^
*m

J^

^^ P^

h i) J

ft-:^

me

cious im-agespreadsup- on

its

en-chant-ment,

^r
a

^^

te
1

^=E^

fT

ing mys- ter-y,

won- drous

vi

That

sion

'''

haunts

my

J^
lone

jr^ W

^^
r-

27749

':a:

>

fleet

t-

ft;

i'A^^

^^

J\- ii

Copyright,

1917,

by

G.

Schirmer^ Inc.

^'
-

J^

^islum

^
^
ly

ber,

91

r\

When

falls

hour

the

of

si -

lence.

p4=f^_

n_jnj_l_rLiF

^"ii

j^yiJ^r^^
-

hear theewhis

Thy mur

per-ing;

^^

JW

J^ J

mur'd words

that

^^-^^

m,

hi

flow

ff n

^
27749

up

on

mine ear,

Likecrys

fpfi^ fCtn

i-

tal

i-T r

^ PjH*

foun4ains,

in the

si -

lence of night

t r
J

J>

tl*

are

93
eresc.

^m
ma

gic

al

ful

J)

fil

ment

^^^

UJzlj=

27740

d
\\

93

*^

})

and

ob

liv

ion.

^^

^S

^
r7\

TP.

ppp

dim.

g^^ ^
r\

^PPPP.i:

te

-^

i?

Se^

When

^
?r

i^A^i^A^

f
is

night

J-)

dark,.

^^

m^L^^^^^i^

27749

r\

liiiiij

'

t^

4i4i4^

4^

j-F^^

94

^^Lx^i'

thine

ijJ^-

eyes

.N^

are shin

be

close

ing

i^

"p

5:

Ah!

they

C=^

my

fore

seem

pi^

>

to

smile

at

1^

ft

lo!

<y

^f

hear

thee

777

S
soft

ly

^i'

'a?Sf~^:f^

I
and,

Tfii*?

me,

^=v^ ^

^^

gaze;.

J'^

5f

^^

27749

W:

ii

^^

^'^/0^j

9^^

95

p
iE=Sf
3

My

say:

W-

P
my

love!

tfi

own

heart's

tte

^ ^^
PP

.gj,

J^r-) E^

friend!

ii

!^--

i^

iW^

F
love

^)

r*

y
II

\h.
^ ^

^ji'

^?

thee so!

My

f^^
5EEEt

^t^ftj

rji
i^"

nV.

"r
^,^11%"
heart

is

thme!

a tempo

^^

^^
311

fctt

87749

^^

i^

rtY.

.a

te

s ^^

r\

QCE

i-

ns

PPP

^i^

dim.

I^

n\

96

My

In

Attic

(V'tchetuiryokh styenakh)

English version* by

Deems Taylor and Kurt

Modest

Schindler

P.

Music by
Moussorgsky

Andante tranquillo

Voice

*
Lone

?
my

is

lit

tie

room,

3fgT
Jjp

^m

Ie^

^
shad

ows

Z2t:
5^*-

to

me,

jr^
i^
^

;>
hov

er

J
there,

J
uray

and

^
iin

/C\

^5

mov

ble.-

:^

s""^

if

cresc.

Scene

and dear

^^
i

lent

^^

^
Deep

M
w

=B=

Piano

si

(1874)

of

my

rev

er

les,

dim.

home

r\

P^^L^
of

my

thren

dies,

$W
cresc.

r\

dim.

r\

-m:
* After the poem by Count

87749

^
A. Golenishtcheff-Kutoozoff, in his cycle "Without
Sunlight" (No.

Copyright, 1917, by G. Schirmer^ Itic.

International Copyright Secured

1)

^^

h?
-

High

pi

ra

and

tions,

hopes

of

my

in

113-

wH, ^^
r

J)

4t,'

W.

nr
ii^^T
Y

r
r

\>r

iiJ
Mo-ments of rap -ture that

flick -er

and die

k#
^m

viii

^^

l>p-

far-dis-tant

hap

j)
-

i)r4y

pi-ness;

"^

Doubt and

Brief, fleet

^
*

ing glanc

S
M

es

of

24ZS

:^

b'^'

un-cer-

ZZi

9^

fet
J

i-p

ip-

&

sor-row and suf-fer-ing:

tain-ty,

^^

ijz.:

te

ST-

s^t
Meno mosso

^
^^
Such
are

^TT ^i
ri^^

-i)7

r
m

my

-i) ^

e tranquillo

lone

ly

wrs
nights

*
my

in

there.

lit

fc
-

tie

room.

zsh

m-

-^'

VP
.V.

gggf
27749

^^^f

^r^^^

fcd^

^^ ^
I
m

most heart.

C\

a-gain;

Z.A.

w^=^

^^

i-J''^-

W.

r ^j

J)

r~^

^.1.

08

After Years
(Monya

tui v'tolpye

nye ooznala)
Music by
Moussorgsky

English version* by

Modest

Deems Taylor and Kurt Schindlr

P.

(1S74)

Andante con moto

Voice

Piano

'3

jr-?
nored

me;

p^i^^
^H ^r?

})
Your

J)

J)

i|J)

no

gave

eyes

J'

J>

sign

that

J.'

they

J)

saw;

But

once

-^
I

'J^

j).

-J

more

en-

S^

H-

rj J
snared

"^m

by your gianc

^
-

es,

^'

'

J)

i''

trcm-bled

J'

''p

with

ter

i'
-

ror

^-'

and

\S^

i^

awe.

After the poem by Count A. Golenishtcheff-Kutoozoff,

in his

cycle "Without Sunlight" (No. 2)

Copyright. 1917, by G. Schtrmer^ Inc.

^'
It

rs

i
r\

ih

7749

99

U-.
'
i

J>

> ^

yi'

J/

was but one flash

of

i'

J;

re-mem-brance, But

ness

of

pas

in

f=^-^ \
-

l-r

./

mad

i)

sion

it

J)

^'

long

jS

came back

van

thro'

^^
the

t;^^^

dim.

27749

^J).^

ish'd,

years

^
All

100

Retrospect
(Okontchen prazdnui,shooinnui dyen)

English version by

Deems Taylor and Kurt

Modest

Schindler

P.

Music by
Moussorgsky

(1874)

Moderate assai

|M

Voice

fir

The

j)^

vain and nois

J.

J)
is

day

in:

^^

^W=r.

J)

>

Un - eas - y

done;

^;

\>^

ik ^
ends

in

tt5.

^'

^
dream

i)

Deep

ing.

^^ ^N
m
9

p^j

cit

y wrapt

.9

J
in

nw

si -

;
I

J\

bJHJ^

Shad- ows

lence.

the

of

slum-ber.

'

After
27749

the

5-r
poem by Count

Per-vade the

night

PP

r^^'^
But
comes
sleep

i^

^^ ^'

^^''

33=

-^h-^

^^ i JJTj
bS-

fe

j J

li'

A. Golenishtcheff-Kutoozoff, in his cycle "Without ounlight" (No. 3)

Copyright, 1917, by

G.

Schirmer^ Inc.

JW'

Now breaks

not to soothe mine eyes.

m,
^f-

3^^

^P

2j
z:

m
V

now

222

trrr

^^
toil

-^

Piano

U-J)

-^
a

101

JT' ^^'Uiii'^^
pj.
dawn with
mys
me;
- tic

^T

i'l'^-'^^

iJ^Tj^jijibi'
Im-a-gi

in

back To

IS

p-^p'^^^

^r'

na-tion glanc-es

3;

^^

scan the book of years long

3225

H^
^g^

jg^

^^

i ^
H

^ ^^

^^

kg

U:.

^
van

^'

As

if

''p

new

my

J-g'^f

soul

f
J

pa

m
en

gan Spring's

g''-M

rap

-Ui i \.ilt^

tured

VESt

Be

vi-sions,

--5

\i'

"li>^

poeo

^^

te

I,<

i.t

train

\>i^

\>$ I.t
J

\.

t
L

Of

hopes,

b^

1^
^

d:

\\

/'M^
/r\j^*M^

3
f leet -

of yearn-ings,

^m

^V

n't.

ing

fol

^P
^

lies....

L^r uk

^3<^4hC
t?

I,

^^

(^

sI
* a
^j=^ 1,5*

b5fJ ^k:^

i\^

rit.
I

a7749

t-

pppoco
'i^^

1221

floats

\,

.?

:jb^ J.

Z \h

it

spir

>

my

fore

't^t ^c
I >rrT i%^

:^

It*

22i
-

With

filled.

*s

"were

f^j^ I

si

^^

|lJ_J^^^^

tip

''

12ZZ

^'
f?

ish'd.

^^

tHi

^>^

ns

tb^^j#^

*^

103

a tempo

J^

tf-^^'^i)^-' J\j>
las!

what phan-tom-world

is

j ^i>rthis?

wear

j'
-

^J'
'mid

J)

''^

i'

the host that haunts

me,

J)

-7

And

a tempo

\'

what

their

'-^

fu

Mt gj
.

^'i h i-

^''

d
^

tile

voic

zz:

fc

:72:

"l.t'-i

')

H
b'3

Jl
i

V'-^
-

es

VJ)i

J.
Has

tell

lii^j^

HJ

^^^

the ma-gic that en-thrall'd me.

lost

P? i J
J

j)

Of

Ki^

XT

"

"^cr

Andante cantabile

6
all

<774B

the

shad- ows

on

ly

oqe,

I?y

faith

il

lum

ind,

stands

^^

be-fore me, And

103

^
i
-^
she

poco

'

who

i'

me

loved

Q r^^^dr?^ ^^

J^^

f'

long

^
-^

once_

i if

my

spir-

'

it

stirs,

ing,

^m^

;^r-v

bends

ly

J)

Js

pil-low.

And

^^

bove_ my

d im.
3

And

once_

^^

^cllrti*^^ ^r

^
a

gain_ my

soul

'

'^*^^

^.

^^^ ^
1

sur-ren-ders.

M^^^r

tears of rap-ture,

^-^^^
? >/

3E

soft

r, fejUi)>

fall

Mytearsare

^^

^_^

gain_

\r

P^3

'
1
I

Now

go

a tempo
I

rit.

Un-heed-ed tears of mys-tic

joy

r\

r\

^
^^

btf'S-

'l

i^

r/Y.

#
LC^

27749

1t1

AWTERDMI AVtm*

PP

104

Resignation
(Skootchai)

English version by

Deems Taylor and Kurt Srhindler

Modest

P.

Music by
Moussorgsky

(1874)

Andantino comodo assai e poco lamentoso

Voice

Piano

iw

tefct
wear

He

y.

^^
r-^^T^i^
glad-dens

af

ter

part

knows

not

joy,

whose heart

f
is

^m ^^

ing-,

Who

* After the
poem by Count A. Golenishtcheff-Kutoozoff,

would pre -vail,

in his

must

*"^*

MOir*i

III

f^'^^

Re

dead;

Brban

p
fT

cycle "Without Sunlight" (No. 4)

Copyright, 1917, by O. Schirmer^ Inc.

27749

^^^

'i'

turn

bJ

ish dread.

i
but

105

Meno mosso

^^u^j''i'i
sound

te

* P^
ly-ing

S7740

with

in

2>

thee

The

mr
greet- ing

dost

J)

call

of

love,

the_

voice

of truth;

poeo

c?j

J'^^1

thou an-swer The

^-^i^i'^'M
dreams_ of

vir-gin

>

'

With

rail.

^^

ea-geryouth.

^^

106

a tempo

iS

~yT~

J)

"Re
ff

dos

tined

to death, thou

birth

From

cles

cir

~T"

^^
^

"

^^

^^^

i'

ft

ii

art

not

^m

p
free,

r "^U^'I[J)^

While drop

^^

Gods peace

Till thou Shalt die..

'.9

pre

.>)

^fei^=t-^^-^r-^=^M

177

in

J)

^>^F=g=^

i'

tempo

&m
m

With-

s^igjn!

f/l

senza espressione

by

r\

drop thy

f^r,

for- ces

mi
m^ Efe
p

ish,

i^^^i
God's

to thee!

^ m

van

J)
-

Jiii_^ \'cJh
peace

1=

>

to thee!

tempo

<7

ns>-

J)

HE^i
=i

/>0<^6

W//.

r^
i^J.

ni'

^^

/^

107

Elegy
(Elegia)

English version* by

Deems Taylor and Kurt Schindler

Modest

P.

Music by
Moussorgsky

(1874)

Andantino mosso

Voice

i^^

IE

X
shad

Deep

?
Piano

^m

^^

J-^

pp

pale and

^^J^~^'
si -

lent

it

star

W^^
After
27749

the

poem by Count

ows

>V

is

gleam

ing,

dim

and

s^
^=^

lone

5*

'y.

And

""
I'f

1B

A. Golenishtcheff-Kutoozoff, in his cycle "Without Sunlight" (No.6)

Copyright, 1917, by G. Schirmer^ Inc.

J J

^^

^'

the

veil

i 2^2 2^2

^
r

108

^
where

bells,

dis

^*^

tant hors

:^^

es

Like

graze

r>

rail

s Sft-i PeFepe Fe^f^

itt

#^

^
r\

Allegro agitato

storm -y
In

rr.

i'

fffleet

27749

clouds

of

night

Sft

tt.

J-'
II

jtJ)

5^^

-ing forms they drift,

p
my
lift

ttft

in

mj-

p
trou

^^'

J''

most thoughts are surg

li-'-^fe.

itp

>ti

i^j'

^p

soul

fes

ing;

In

>

^J-^-^

bled

sub

I'r
-

mer

iti'

i,j'

ging With

109

^
sions from

the

with

past,

see!

w^^

"^TSt

^^

1
ghost

and

*^

real

d ^ d ^

S
to

ll

me,

ai

27749

speak of wear

i-ness

ttf

jt^

^^^^

^ d

IP
1Jjlifl
van
but
since
long

PH:^jj=^>^>-^

They

.f

and

Once

fears

3^

^*

^
hopes

ly

\^

^JttJ J

^P

J^^
-

ishd with

weep

the years.

^^
ing.

Un-

110

Andantino mosso
J-

bid

J)
-

J.^.

j^

J,

den fan-cies

rise

p^i^ g^

)H-^yi^
with

nev

er

Some

aim or end:

re-calls

^^P^^^^

ft

mosso

e cantabile

* -o-

^^S^^tfj'^>rT-^H-^^^^tt>
well-be-lov ed
-

friend,

p ^'^r

^"p

vok-ing from the past the thoughts

^p;-^'^^
A

that long lay sleep

Allegro non troppo

i'

^^'itJ''it>
tim

774

id

Ml

^-'

e cantabile

times their form

jo^o w/eo

W^ ^

poco meno mosso

spir

it

shrinks

^ P^
?

[g
from thoughts

of

fu

ture

strife.

Me

ing,

Ill

m
hear

thinks

\f

fe

f f ^1

^^

of

m
The

life;

?^

heart

;e
I

^
-

ing

world

less

if

that

ie

1^-r^

J. JJJJi^

^^^^^i^
^'
trea

mim

"m^^u
27749

^ iJ

^15

the clash

far

^g Ir

^3

din

J) h^

sons

that

i'

||J

tf^'

op -press

J J

"J^

me;

^773
^

112
dim. e rit
.(lo:

of

bell

The

Death

^t

'te-

afe~rt
fP

w
r6'o

sfpp

2 Pedali)

Andantino mosso

morn-

J ht^-'^^

fc

^J^

ing-stars white flame

Grows

i>j)it^"i^"'

faint

^J

^p

iiJ'

Vtfj)^

o-ver-come with shame. She hides her Vir-gin face

er,

in

^^

g
?i
joy

less mists

morn

W-

of

te

mg,

sj-m

pii

^^

bol

of

my

fate,

fr

^^

^^ Et

^=^

IF?^

I*
^_

tM

The sixth and last song, belonging to this cycle, "Without Sunlight", is to be found in "A Century of Russian Song",collected and edited by Kurt Schindler, published by G. Schirmer, New York, 1911 (page 102-107)
27749

113

CONSECRATION
The Hallelujah

Love

of

(Alleluia Lubvefe)
Music by Modest

Enjjlish version bj'

P.

Moussorgsky

From

the opera "Khovanshtchina"

Arranged for concert -performance by
Kurt Schindler

Deems Taylor and

Kurt Schindler

Molto moderato

Voice

fe

^M
Piano

^
s gyr=i

^^

w^
f

i
V^

W\
p

*S5
ate
I

'

[JiJ

l>#

\>

espress.
p
^^L, -

^^

PP

Fa-ther! love

is

on

my

Fain would

ly sin.

-a

th.

I^'i.'yi'

j^/jj)

soul

sal-va-tion ere he dies.

*
g$^E

?]g.Ti

p p j^p

With him

i=i

?
cresc.

S E^

rs

27749

his_

1^

^^

3EEi;

j;j

bring

ri

pp sosten.

S^ ?

*^

:s

Copyright.

do not

fear to meet

i^

1.917, bij

j)p- j,j
my

des

r\

^
h

21

p p

G. Srhirmer. Inc.

ti-ny.

i^iiii^^i

W
M

114

p^

*
I

"r
For

\
give

"^'

me. Lord! Bless

me,

t*

me

with

i^^

^'P"PP

Thv
Thy

mor

cv_
cy_ and strengthen me!

-6-

iI

^"^'^'

r\
->
CJ2.

I.

Vh.

h.

A.

rfm.

gCT =^ z

-^/J
/TN

ifcr

^^jis

*>-

p P^^
S

^
iw

w(f

i^

i A

.
Lar^o

"f;

mil.

tfj'

\^

(J = 48)

^^m

'mm ^
Now

^ra^ jj^

'

my

heart re -calls the

J.
first

J)

j^

ji

bright hour of

J
love;

p p
?
Won-drous vi-sions

^'Ij

^^

i1:^1^

IS

Jthen

S7749

J>
have

J)
I

jN
be -held.

2ES

p
Dark

J^

j^

p
thro'

my dreams

appear 'd the

since

--

s
fear

lest

^^

he_prove un-true;

116

'

!'

J^=fc=^

Black

thoughts like an-gry clouds of

5;

m
ft

iA
\n

1
soul

&N

J
p

has been tor-ment and

J)

J^

found no_rest,

sor

fc^
For

me

i'
-

^^^i

row to_ me,

p
as

seem'd

W
if

Day

Q'

the will

1*

or

^Pr

of_ God

rrtJ^^a^^m-I^^T

love

Sh

J-

was a

sin

gainst His

-^^J"!,^

ho

Fa

law.

ly

^-

j^^^^

^
guish'd

^'-^

transgress'd,Thatmy

an

my_

night

"ltc-:

^
tt
i

IE

(appassionato)

^
Love

mid -night hung o-ver me.

(J=6a)

Larghetto

ther, if

^tr-t^

f
q-f;^ p
I_

have sinn'd,

i*

P^
27749

44
^

j.-

^^

rjrj
rr-

J]

IIG

wicked was my^ love, Spare

if

^^m
^r-n^.j

Thy child, spare not Thine erring child! Oh,

not

-"^-T

:i

&4.^ PJ^^

me hence, and

J-jTOj

take

^/>

3 5
r\

ifc^:^^jl^^^-i
may

bod-j-_die, So

mj-

/T^

g %

|A

j'i^.nJ

87749

j,j,J'

J-

and

my

hap-pi-ness!

\i.

|.

^
jS

.-^

may be re-deem-ed!

he spoke to me,

Soft

ly whisp'ring of his

PPr\

r^i
I

r
Now

^'J^p

"O:;

piJ

has our love been shrouded

dark

J)J:;)J^
-

ly

^ r

-^1-

-^g-T-

first

j:

-e-

ii

iolce

1*

^S

when

-O::

love

J'

that bj' death mj- soul

those burn-ing nights

Ah,

in_sombre clouds,

^
j2.

s-

2:
3=

k3

li)

^=F^^P
Now
has the

t#

d'5 f aL
death

is

at_hand,

jah!

ed,

jv^^J^
now a

bid thee

Hal

tt

jah! Hal-le

lu

le

^ "^

last

i*

Vn
,^IA
te
vS i
* For concert -performances

tt

lu

ttlH

jah!

J)

Jv

be-hold, the hour

of_

^5
pm^

fare-well. Hal-le-

-^

1^

[3^1 ^ j^J
Hal

le

lu

jah!

jz;

dolciss.

^tJjo

dim.

ttf

^=m

m
/r\

PBP

kki^

j- i^ j^ffl

S
'

*=!t*:

42

^^

^1 ^
k=Ji
^g f i
u

27749

lov

J^. ^

fefefy

A*

gripp'd our hearts,

Fate

h J)l iJ
P^*^
My be

^
Now,

js'jsjs

^^
lu

cy hand of

^^

^^
j

JSJ jQ- i^^ffl

PP

the air can finish here.

smorzando

'
i
*:^dr\

^
^

sto;

118

(The Funeral Pyre)

Tempo

di

Marcia funebre J z

k^
'm

es)

p-

Hark! Dost

^p

thou hear,

P'

be

far

^'

yond

the

for

^m

i
est,

^
w'/=

i 4 i 4

W^^

^^

f H-P^f^m

^^

s
^t=M

J^

Clash and din of arms that pro

TT}

te^

P
See ,_

rn

S&

r
surround
they

No

us!

-/J^^ji-^

'Twas Fate her-self

17749

y> J]

where to

that weld

ed

U4U

jj

is lost!

^^

i:

^.

close our lives

.k,

pur

where sal-va-tion!

3^ ^-nn

%).

t^

8
i

all

i^

no

us,_

hide

^^
'^.

h>b'-

y-~

ppr

Lost!

&),

r^u

^
-J

y\r

approach-ing?

Sto

te

gg^
g

hosts

the

5&.

fe
ly

claim

j-f-3

^p^
!>

to -geth

t'P'
-

er;

^^ ^

Now we

must

die,

the

119

fi .

\. i

P^-

Doom

voice of

has spo-ken!

tears a -vail, nor an

^M^

^^

tr-tr

hour now has struck

the

^i

^^^^
t
i-v

^^^^

Ah!

tion ._

Ah!

f7\

^-

^ "P

heart re -calls the

dolce\

^'

'f

those burning nights of

i^^ TOP
fW
^--^^

^-r

-^

r\

it

P
my

5i

c
p

hour of love!

The

^yp mister ioso

rzY.

^3g^

^-i'-

reproach-es;

l^argo^(come prima)

^^^

hour of con-se- era

ri p^-f^

sigh-ing or

/O

^'

first brighi,

^s

^
^

rit.

\>

rr^ p

P^f^^iJ^J^p-p
No

P^P

s
J-

^^
iM *i
r

love

F^
and hap-pi-ness!

:t

^^3;^ T
*
-f^

^#^

^i.
In

J JiJ'i

hJ

>ri"

fier

fur-naces

shall

37749

^fsf^-^'P"
be
our love
A

Ji

tem-pered

J-

for

aye!

-'

n\

22
-T

Vfj