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Dana Raydan
Koen Steemers
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Abstract
Leslie Martin and others at Cambridge University addressed the question What building forms make the best use of land? in a number of
influential papers published in the late 1960s. They selected six simplified urban arrays based on archetypal building forms. Then they
analysed and compared the archetypes in terms of built potential and day lighting criteria, eventually reaching the conclusion that courtyards
perform best. Their results, which inspired a generation of designers, are briefly reviewed here and reassessed in environmental terms using
innovative computer analysis techniques. Furthermore, the implications of their question, which to date has not addressed the link with
climate, are explored using a case study in a hot-arid region.
# 2003 Elsevier Science B.V. All rights reserved.
Keywords: Bioclimatic design; Archetypal forms; Image-processing; Vernacular architecture; Hot-arid climate
1. Introduction
*
Corresponding author. Tel.: 44-1223-331700.
E-mail address: kas11@cam.ac.uk (K. Steemers).
The question posed above demands, of course, two clarifications: that of best land-use and that of building form. The
definition of optimum land-use can be linked to quantifiable
parameters, such as the built potential (ratio of the floor area
of the built form to the site area) and the availability of
daylight [7]. Concerning built form, Martin and March
examined a number of simplified or archetypal forms; this
choice allowed them to limit the complexities found in real
urban textures and to examine and compare the impact of
geometry alone, at a time when computer power was limited.
Results could be more easily interpreted than if studying real
urban textures. The choice and definition of these simplified
archetypes became very popular in generic studies and were
extensively adopted, as shown later in the paper.
Initial results focussed on two forms: courtyards and
pavilions. Courts resemble the traditional building forms
which are found in many countries (including Cambridge,
UK; Figs. 110) pavilions reflect the more contemporary
tower building forms, which became popular after the
Modern Movement.
A comparison between an urban array of courtyard or
pavilion archetypes is shown in Fig. 2, both with 50% site
coverage, the same building height and floor area, as 49
pavilions or in the form of 25 courtyards. The first interesting
0378-7788/03/$ see front matter # 2003 Elsevier Science B.V. All rights reserved.
PII: S 0 3 7 8 - 7 7 8 8 ( 0 2 ) 0 0 0 7 9 - 8
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Fig. 3. Fresnels diagram: all concentric squared annuluses have the same
surface area, which is also equal to the area of the centre square.
Fig. 4. Martin Centre logo, where the surface area of the black perimeter
on the left (court archetype) is the same as the central square on the right
(pavilion archetype).
Fig. 1. Courts are an archetypal urban form prevalent not only in hot-arid
climates but also in cooler climates in cities, such as Cambridge, UK.
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Fig. 7. Generic urban forms, based on Martin and March [7] and environmentally reviewed by Steemers et al. [5]. From left to right: pavilions, slabs, terraces,
terrace-courts, pavilion-courts and courts.
Fig. 8. Urban ground map showing built and unbuilt areas (left) and urban DEM (middle) and axonometric view (right) for a selected case-study in central
London.
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Fig. 10. Graphic presentation of sky view factors for the six generic urban forms.
The same concept on a square geometry is clearly graphically represented by the Fresnel diagram (Fig. 3) perhaps
surprisingly each annulus (including the central square) has
equal area. This diagram has extensively been adopted to
make the point about the effectiveness of distributing built
volume on the perimeter of a site, thus in a courtyard shape,
as opposed to a centralised form as with pavilions. This
concept is represented iconically in the logo of the Martin
Centre (Fig. 4).
If the same kind of reasoning is extended in three dimensions, we can imagine a comparison between the two forms
presented in Fig. 5, a pavilion and a courtyard (also called
antiform), each summing up to the same floor space and the
same internal depth of room. As a result the court form is
seen to place the same amount of floor space on the same site
area with the same condition of building depth and in
approximately one-third the height required by the pavilion
form [7]. It is believed that prior to them, Le Corbusier had
intuitively reached a similar conclusion in terms of land-use
in the Maisons Jaoul (19541956) [8].
These studies eventually led to a provocative speculation
to replace the centre of Manhattan with large courts, thus
reducing the height of buildings from an average of 21
storeys to 7 (Fig. 6). A number of courtyard-type buildings
were also designed by Leslie Martin and others, of which a
famous example, is Harvey Court, a residential development
for Gonville and Caius College in Cambridge.
A more extensive and accurate comparison between
different ways of placing buildings on the land, however,
should take into account additional environmental parameters and possibly consider more simplified forms. In
addition to the pavilion (a finite form) and the court (which
extends infinitely along two axes), another elementary form
can be considered: the street, which extends, potentially,
infinitely along one axis. Some other combinations of these
three basic forms can be sought, which generate the six
archetypal forms presented in Fig. 7. These were examined
by March and Trace [9] and compared not only in terms of
their efficiency in built potential but also in terms of daylight
availability. Results confirmed that land use performance
improves with increasing circumference, i.e. courtyards
perform better than pavilions.
2.2. Further developments
The adoption of Martin and Marchs archetypal urban
forms has been extensive during the last three decades in
various kinds of researches, specifically those aiming at
assessing aspects of the environmental behaviour of urban
form. The attractiveness of these generic forms mainly lies
in their simple and repeatable characteristics, thus eliminating the complexities found in real urban sites and allowing
for a more systematic comparative analysis of geometry and
built form.
For example, Gupta [2] was interested in evaluating
thermal response of non-air-conditioned building forms in
the context of a hot-dry climate. He employed three generic
building formspavilion, street and pavilion-courtthe
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Table 1
Average sky view factor on building facades in the archetypal forms described in Fig. 7
Height on facade (m)
Pavilions
Slab
Terraces
Terrace-courts
Pavilion-courts
Courts
0
3
6
9
12
15
18
21
24
27
30
33
0.44
0.45
0.47
0.48
0.49
0.51
0.52
0.53
0.55
0.57
0.62
1.00
0.46
0.47
0.48
0.49
0.50
0.52
0.54
0.56
0.60
0.98
0.46
0.48
0.50
0.52
0.54
0.61
0.41
0.43
0.46
0.51
0.61
0.42
0.45
0.47
0.50
0.54
0.66
0.39
0.43
0.49
0.62
Average
0.57
0.53
0.49
0.52
0.49
0.57
54
55
Fig. 12. Axonometric representation on a 67:5 m 67:5 m site of the traditional Arabic courtyard (left: three floor courtyard) and of two pavilion structures
(middle: micro-pavilion, three floors; right: pavilion, six floors).
Fig. 13. Image of central Marrakech, showing the courtyard urban fabric. Marrakech latitude 31.638N, longitude 8.008W [18].
4.3. Analysis
Our analysis addressed the following parameters:
(i) Surface to volume ratio, obtained by dividing the total
surface of buildings (facades plus roofs) by their
Fig. 14. Plan representation of the three cases of overlaid; note that a set of
four courtyard houses are replaced by just one element in the second
pavilion alternative.
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Table 2
Numerical results from simulations
Total surface
(m2)
Total
volume (m3)
Surface to
volume ratio
Courtyards
Pavilion 1
Pavilion 2
15797
10931
7168
27030
27030
27030
0.584
0.404
0.265
Shadow density
Courtyards
Pavilion 1
Pavilion 2
Daylight
distribution
Courtyards
Pavilion 1
Pavilion 2
Sky view factor
Courtyards
Pavilion 1
Pavilion 2
DTmax urbanrural
(8C)
13.5
12.1
8.6
Fig. 15. Sky view factors from the street level for the three options presented in Fig. 14.
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5. Conclusions
Martin, March and Traces ingenious approach at analysing the urban built form through generic simplified yet very
representative forms has instigated an on-going wave of
interest among various scholars as shown throughout this
58
Acknowledgements
Aspects of the work in this paper were carried out within
the research project PRECis: Assessing the Potential for
Renewable Energy in Cities which is funded by the EUS
JOULE Programme (Project no. JOR3-CT97-0192) and is
co-ordinated by Koen Steemers at Department of Architecture, The Martin Centre for Architectural and Urban Studies,
University of Cambridge.
References
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[17] J. Ma nty, Cities Designed for Winter, Norman Pressman Building
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[18] B. Rudofsky, Architecture Without Architects: A Short Introduction To Non-Pedigreed Architecture, Academy Editions, London,
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Further reading
[19] G. Golany, Urban Design Morphology and Thermal Performance in
Atmospheric Environment, vol. 30 (no. 3), Elsevier, Amsterdam,
1996, pp. 455465.
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