Professional Documents
Culture Documents
QUARTERLY
AUTUMN 2015 | ISSUE NUMBER 253
BOLD AND BEAUTIFUL
Stunning visual concrete
leaves its mark everywhere
from the Stirling shortlist to
the Shanghai docks
OXFORD FIRST
Zaha Hadid adds some
snaking curves to the city of
spires and quadrangles
WAVE OF VEGETATION
The new Paris sustainability
research centre with a
rolling meadow for a roof
CONTENTS
NEWS & EVENTS
INSPIRATION
06 ZAHA AND
THE GIANT
FOCUS
STRUCTURES
27 CONCRETE FRAME
SOLUTIONS
12 RIPPLES OF
DELIGHT
RETRO CONCRETE
15 NOUVELLE
VAGUE
17 UNDER THE
UMBRELLA
32 LASTING
IMPRESSION
31 FROM THE
ARCHIVE
32 FINAL
FRAME
THIS IS CONCRETE
Sticking power
Guy Thompson
Head of
architecture,
housing and
sustainability,
The Concrete
Centre
EVEN ON THE
HARDEST-NOSED
COMMERCIAL
DEVELOPMENTS,
SUSTAINABILITY
AND LONGEVITY
ARE COMING TO
THE FORE
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McLAUGHLIN
FROM THE
ARCHIVE
FINAL FRAME
SEASHORE
LIBRARY
and sustainability
requirements. The
exposed in-situ concrete
frame provides thermal
mass a key element of
the buildings BREEAM
Outstanding rating as
well as a raw aesthetic
and compartmentation
of fire, noise and
TOP OF THE CLASS vibration for the facilitys
specialist activities.
IN LONDON AND
Meanwhile, Paul
LANCASTER
Monaghan, director of
Inspirational and
Allford Hall Monaghan
robust architecture for
Morris, will tell the
education is also the
story of the dramatic
theme of Septembers
Concrete Elegance event transformation of
Burntwood School
at the Building Centre
(left). Exposed in-situ
in London.
James Dixon, associate concrete interiors and
director at John McAslan faceted precast-concrete
+ Partners, will introduce cladding combine to
the Engineering Building create a series of highly
attractive buildings.
at Lancaster University
Concrete Elegance takes
(above), which has
place on 8 September.
won several awards for
For details, go to www.
its clever integration
concretecentre.com
of structural, visual
Photo: Nick Guttridge
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NALL
McLAUGHLIN
FROM THE
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FINAL FRAME
SEASHORE
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OXFORD FIRST
Zaha Hadid adds some
snaking curves to the city of
spires and quadrangles
WAVE OF VEGETATION
The new Paris sustainability
research centre with a
rolling meadow for a roof
On the cover:
Burntwood School
in south London
by Allford Hall
Monaghan Morris.
Photo: Rob Parrish
www.mineralproducts.org
www.concretecentre.com/cq
FOCUS
VISUAL
CONCRETE
STRUCTURES
CONCRETE FRAME
SOLUTIONS
RETRO CONCRETE
NALL
McLAUGHLIN
FROM THE
ARCHIVE
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SEASHORE
LIBRARY
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CONCRETE
ZAHA
AND
THE
GIANT
CONCRETE FRAME
SOLUTIONS
RETRO CONCRETE
NALL
McLAUGHLIN
FROM THE
ARCHIVE
FINAL FRAME
SEASHORE
LIBRARY
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ABOVE LED lights are set flush into the exposed concrete soffit, and are
aligned with the pattern made by the phenolic resin shuttering
SEASHORE
LIBRARY
ABOVE The centre skirts around a young sequoia tree, which could keep
growing for another 600 years
Also made from the same selfcompacting mix is one of the centres
most striking features: a curving
V-shaped column (see box, page 10)
which rises from a piled foundation to
support the slab at two points. As it
rises through the lobby, this column
(or columns) curves in two planes,
one of which follows the shallow arc
of the building as it bends around
the sequoia. Together with the lift
core and concrete walls it provides
support for the first-floor slab,
meaning that most of the space on
the ground floor is column-free.
The Middle East Centre extension
actually connects two existing
Victorian houses 66 and 68
Woodstock Road and in so doing
adds considerably to its size. The
upper storeys comprise a library
and reading rooms but much of
the building is actually below
ground where basement levels
house substantial book storage and
archive rooms as well as a 117-seat
auditorium and lecture theatre.
These areas effectively sit within two
concrete boxes, the walls of which
have been cast up against sheetmetal piling.
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FROM THE
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PROJECT TEAM
Architect Zaha Hadid Architects
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mould in four sections was commissioned. the slab, we fitted specially made nylon
inserts about 1,200mm long and 80mm
The joins were carefully positioned to
deep to cast the spaces for the lighting
align with the top of the adjacent glazing
and to give the look of columns created
ABOVE Almost allto fit into. The inserts tapered slightly to
from five large blocks. As a pumpofhole
the buildings allow for easy removal after casting,
would have marred the appearance
of 2 roofspaceand
2,800m
is at the back of each insert we fixed a
conduit for the wiring to go directly to the
the V column, in this instance concrete
landscaped
back of the light.
had to be placed from above, meaning
He explains that the 80mm-deep
that extra care had to be taken to avoid
cavities made significant cuts into the
air becoming trapped.
300mm-deep slab and that this had
Another issue for the contractor was
some structural consequences: Because
the creation of inverted troughs in the
we had to cut the reinforcement to fit
underside of the first-floor slab to house
around the lights, it meant beefing up
lighting strips. The LED lighting is set
some of the reinforcement in the slab to
flush into the concrete soffit, says
maintain its strength.
OMeara. So when we laid the decking for
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10
RIPPLES OF
DELIGHT
Almost every concrete surface in Thomas Heatherwicks
Nanyang Learning Hub in Singapore incorporates an
ingenious visual effect, writes Andy Pearson
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FROM THE
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11
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PROJECT TEAM
FROM THE
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12
NOUVELLE VAGUE
A sustainability research centre
near Paris has been crowned with a
graceful landscaped park on a bed
of undulating concrete. Nick Jones
reports on one of the most ambitious
green roofs in Europe
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13
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the sun
SEASHORE
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15
A cathedral of experiments
Named after Fulgence Bienvene, the
civil engineer behind the Paris Metro, the
Bienvene building is the headquarters
of the Institut Franais des Sciences
et Technologies, des Transports, de
lAmenagement et des Reseaux, or IFSTARR.
This organisation conducts research into
transport, infrastructure and various other
aspects of sustainable development.
The new building contains labs that explore
everything from the impact of noise on
health to innovative new materials. But
its pice de rsistance is a massive 60m
x 10m testing pad, designed to measure
the strength and durability of new types of
concrete and related materials.
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Photo: Laurent Delahousse
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PROJECT TEAM
Architect Pargade et
Associs
Contractor Lon Grosse
Structural engineer
CONCRETE FRAME
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SNC Lavalin
FROM THE
ARCHIVE
Landscape designer
FINAL FRAME
David Besson-Girard
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16
UNDER THE
UMBRELLA
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industrial site
STRUCTURES
PROJECT TEAM
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Architect Atelier
Deshaus
RETRO CONCRETE
Main contractor
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Shanghai Xuhui
Development,
Investment &
Construction Company
Structural engineer
Tongji Architectural
Waterfront
FROM THE
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Burntwood School u
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19
The fundamentals:
Early design decisions
n Look at other examples of
concrete Visit some of the many
contemporary examples of visual
concrete. Take the design team
and client in order to manage both
your and their expectations of the
types of finish achievable. It is very
useful to benchmark an existing
project, or part of it, as a quality
reference. This is a simple way of
conveying your expectations to
the construction team at tender.
Ideally the buildings should be of
similar scale and reasonably local,
but this is not essential. What
is essential is that the type of
construction be similar that is,
precast or in situ. References
should also relate to equivalent
parts of the building, so internal
examples are used for proposed
internal locations.
n Establish if precast or in-situ
concrete is required The desire
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ABOVE The precast
panels on the facade
of Burntwood School
are 3m and 4.5m
long to align with a
typical classroom
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of 7.5m
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Specification
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of Structural Engineers
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headquarters in London
22
Concrete mix
BS 8500 stipulates five methods
of specifying concrete. While good
results are possible using highstrength concrete by designation
(performance) only, for in-situ
concrete it is advisable to use
a designed concrete, limiting
the allowable components and
proportions of the mix to those
suitable for visual concrete, while
still allowing the contractors and
Sand content
Minimum 350kg/m3
Total aggregate
Coarse aggregate
Consistence
Water-cement ratio
0.5 or less
Workmanship
The importance of good workmanship
cannot be overemphasised in
the process of achieving visual
concrete. It is a good idea to begin
a pre-tender collaboration with
specialist contractors and suppliers.
Appropriate site procedures should
be established and rigorously
enforced to maintain consistent
quality. This includes the preparation,
storing and construction of
formwork and ancillary elements;
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Blaibach Konzerthaus u
Bavaria, Germany
Peter Haimerl Architektur, completed 2015
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middle tones
25
CONCRETE FRAME
SOLUTIONS
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Flat slabs
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Precast and composite slabs
Hollowcore slabs
Hollowcore slabs are precast
elements, typically 1,200mm wide,
with a hollow core running
through their length to reduce
weight. Hollowcore slabs are also
prestressed to put a permanent
compression into the concrete.
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One-way slabs
One-way slabs are in-situ concrete
slabs spanning typically onto
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Troughed slabs
Troughed slabs are ribbed slabs
spanning one way onto band beams
of the same depth as the ribs. The
troughs are typically formed using
reusable formwork moulds. These can
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Flat slab
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Hollowcore slab
One-way slab
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PT flat slab
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Troughed slab
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3
10
11
12
13
14
15
LONG MUSEUM
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FIGURE 3: TYPICAL SLAB DEPTHS (mm)
FOCUS
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CONCRETE
Flat slab
Hollowcore slab
One-way slab
Troughed slab
0
100
200
300
400
500
600
700
800
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700
700
600
600
500
500
depth (mm)
depth (mm)
400
300
200
200
100
AUTUMN 2015
100
4
10
11
12
13
14
15
span (m)
10
11
12
13
14
15
700
700
600
600
500
500
depth (mm)
depth (mm)
span (m)
400
300
400
300
200
200
100
100
4
10
11
12
13
14
span (m)
15
PT flat slab
Troughed slab
TYPICAL DEPTHS
400
300
Flat slab
Hollowcore slab
One-way slab
10
11
span (m)
12
13
14
15
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RETRO CONCRETE
LASTING IMPRESSION
FRANK LLOYD
WRIGHT AND THE
RAIDERS OF THE
LOST ARK
Im mainly interested in precast concrete
at the moment, so the buildings Id like to
talk about are the suite of 1920s houses
by Frank Lloyd Wright in California:
La Miniatura 1 in Passadena (1923),
the John Storer House 2 in Hollywood
(1924), the Samuel Freeman house and
the Ennis House 3 4 in Los Angeles
(1924), which relate to the tessellated
use of complex precast concrete blocks.
Im always slightly suspicious of the
bton brut school theres a kind of a
machismo about the way in which it is
used and the almost impossibly exacting
demands of pouring in-situ concrete.
What I like about the Wright houses
is that he takes what concrete is good
at, being a cast and moulded product
that allows for a degree of repetition. In
other words, you can build complexity
into the mould, do it once and then get
a number of quite complex blocks the
Photos: 1. Scott Mayoral; 2. KTO/Flickr; 3. Kirk McCoy, 2009, Los Angeles Times; 4. Liz O. Baylen, 2010, Los Angeles Times. Reprinted with permission
NALL MCLAUGHLIN
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RETRO CONCRETE
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|
INSPIRATION
FINAL FRAME: SEASHORE
LIBRARY, CHINA
Vector Architects in-situ concrete Seashore Library sits on
a white-sand beach in Nandaihe facing out towards the
East China Sea. The concrete, both internal and external, is
marked with the grain of the timber formwork a reference
to the impressions left on the sand by wind and footprints.
The two-storey building contains a meditation space,
activity room and bar, but the centrepiece is a reading room
with a fully glazed facade that opens onto the sea.
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