2 Suite Nordestina Full Score

BRAZILIAN MUSIC FOR BAND SERIES
SUTE
NORDESTINA
musyc by
JOS URSICINO DA SILVA

(MESTRE DUDA)
Patrocnio
capa Suite Nordestina.indd 2-3
Realizao
5/5/08 9:57:40 PM
PRESIDENT OF THE FEDERATIVE REPUBLIC

Luiz Incio Lula da Silva
OF
BRAZIL
MINISTER OF CULTURE
Juca Ferreira
FUNDAO NACIONAL DE ARTES / FUNARTE
PRESIDENT
Srgio Mamberti
EXECUTIVE DIRETOR
Myriam Lewin
DIRECTOR OF THE MUSIC CENTER
Pedro Mller
PROJECT COORDINATION BANDS
Rosana G. Lemos
COMMUNICATION COORDINATION
Oswaldo Carvalho
COORDINATION ISSUES
Maristela Rangel
FUNARTE, 2008
IMPRESSO NO BRASIL / PRINTED IN BRAZIL
FUNARTE EDITIONS
BRAZILIAN MUSIC FOR BAND SERIES
SUTE
NORDESTINA
I. Lento e Baio
II. Serenata
III. Maracatu
IV. Frevo
music by
Jos Ursicino da Silva

(Mestre Duda)
revised and edited by
Marcelo Jardim
Patrocnio
Realizao
SCORES FOR BAND PUBLISHING PROJECT

G ENERAL DIRECTION
FLAVIO SILVA / MARIA JOS
DE
QUEIROZ FERREIRA
T ECHNICAL DIRECTION , ADAPTATION, REVISION

Marcelo Jardim
AND
STANDARDIZATION
MUSIC PUBLISHING
Si Thoca Edies Musicais
www.sithoca.com
Simone dos Santos
P ROGRAM NOTES
Marcos Vincio Nogueira
CONSULTING TABLE
Dario Sotelo
INDICATING
T ECHNICAL LEVEL
CONSULTING FLEXIBLE INSTRUMENTATION /ARRANGEMENTS

Hudson Nogueira
E LECTRONIC EDITING SCORE AND INSTRUMENTAL P ARTS
Alexandre Castro Sheila Mara
Leandro J. Campos Bruno Alencar
E NGLISH TEXTS
Tom Moore
T EXT E DITING AND REVISION
Maurette Brandt
G RAPHIC P RODUCTION
Joo Carlos Guimares
E DITORIAL PRODUCTION
Renata Arouca
COVER AND ILLUSTRATION
Rafael Torres
Fundao Nacional de Artes Funarte

Music Center (Cemus)
Rua da Imprensa 16, 13th Floor
Rio de Janeiro, RJ Brasil
CEP 20.030-120
Tel.: (21) 2279-8106 - Fax: (21) 2279-8088
coordenacaobandas@funarte.gov.br
www.funarte.gov.br
BAND REPERTOIRE OF YESTERDAY, TODAY, AND OF ALL TIME
The opportunity of resuming the process of publishing scores for band is a good rea-
son for rejoicing at Funarte. In 1995 and in 2000, 14 titles from the series Golden
Repertoire of Brazilian Bands were released; in 2004, Funarte released the series Hymns of
Brazil, with two titles. Presently 20 new titles are being issued, ten of which in a new series called
Brazilian Music for Band, which includes high level arrangements of popular songs and some
of the most praised classics of Brazilian popular music. The new series also highlights original
works written specifically for bands by composers of various periods, and opens space for transcriptions from the Brazilian symphonic repertoire.
These issues follow the international norms for publishing and the standardization of music
pieces for symphonic band, diversifying the supply of instrumental parts without losing sight of
the most noteworthy characteristics of our bands, as well as making possible for small groups and
bands, with reduced forces, to perform music using the same material. The process of publishing scores for band is searching for more dynamic ways to supply a market which is always eager
for novelties and information and seeking, at the same time, to keep the traditions of our countrys musical culture alive and in performance. Making this repertoire available and sharing information must be an ongoing and continuous task, so that it can produce good results. To this end,
Funarte concentrates its efforts to produce and present the band repertoire of yesterday, today,
and of all times.
III
Brazilian Music for Band Series Sute Nordestina
ABOUT THE NEW EDITIONS...
ith its new series of editions, Funarte intends to expand the contemporary literature for bands in
Brazil, so as to quantify it and qualify it, with especial emphasis on the use of the technical and sty-
listic patterns of each work, with the necessary revisions and annotations in terms of articulations, dynamics,
accents, nomenclature, tempi, rehearsal markings, abbreviations etc.
In order to allow that standards adopted by bands worldwide be applied, it was necessary to
make adaptations to the original material - without, however, altering melodic, harmonic, and
rhythmic lines. Original orchestrations were maintained, with the addition of new information in
the area of timbre, in order to take the most advantage of present-day instruments.
The standard pattern adopted was: piccolo, flute, oboe, bassoon, Eb clarinet (requinta), Bb
clarinets (3 parts), Bb bass clarinet, quartet of saxophones (2 Eb altos, 1 or 2 Bb tenors, and Eb
baritone), F horns (2 to 4 parts), Bb trumpets (3 parts), trombones (3 parts), baritone, tuba, contrabass (strings), timpani, keyboards (xylophone/bells or glockenspiel), percussion (snare drum,
pratos de choque, suspended cymbals, bass drum, agog, rattle, tambourine, ganz, triangle, recoreco, tambor, complete battery). In some works, particular instruments were suppressed, such as
tenor sax 2 and timpani, when they were not part of the original instrumentation. Nevertheless,
the director should note that the whole repertoire has its functionality guaranteed only with 1
flute, 1 Eb clarinet, 3 Bb clarinets, 1 Eb alto sax, 1 Bb tenor sax, 3 F horns or Eb saxhorns, 3 Bb
trumpets, 3 trombones, 1 baritone, 1 tuba, and percussion (snare, cymbal and bass drum). Extra
parts (not included in the instrumentation) will be printed for Eb saxhorns, Bb baritone in bass
clef, as well as Bb and Eb tubas, in all the editions.
Brazilian Music Series for Band
he repertoire of this series emphasizes arrangements of MPB and original compositions.
Optional instruments, originally intended by the composer or arranger, are included in the
scores instrumentation, but are not essential to the performance of the piece. It was sought to retain
such instruments as options, thus allowing the performance of a particular musical passage in more
than one way, so as to make possible its performance by symphonic and concert bands and also
to enhance its performance by traditional bands. To this end, indications of other instruments allow
the conductor to have a mass of sound for performances in the open air, while maintaining an equilibrium of sound in concerts taking place in closed spaces.
Maestro Marcelo Jardim
Technical Coordinator
IV
SUTE NORDESTINA
music by Jos Ursicino da Silva
revised and edited by Marcelo Jardim
Instrumentation
*piccolo
horn 1
flute
horn 2
*oboe
horn 3
*bassoon
Bb trumpet 1
*Eb clarinet
Bb trumpet 2
Bb clarinet 1
Bb trumpet 3
Bb clarinet 2
trombone 1
Bb clarinet 3
trombone 2
* bass clarinet
trombone 3
Eb sax alto 1
BC baritone
Eb sax alto 2
tuba
Bb sax tenor 1
percussion 1 (snare drum /drum set)
Bb sax tenor 2
percussion 2 (cymbals and bass drum)
Eb sax baritone
percussion 3 (triangle, ganz)
Extra Parts
Eb sax horn 1
BB Baritone TC
Eb sax horn 2
Bb tuba
Eb sax horn 3
Eb tuba
Note to the Director

All the parts marked with * are optional; they are not, therefore, essential to the performance
of the work. Such parts were added in accordance with the composers writing and the function of these instruments in the band, in order to allow the formatting of the score according
to present-day international standards.
V
SUTE NORDESTINA
music by Jos Ursicino da Silva
revised and edited by Marcelo Jardim
he introduction (Lento) presents a diatonic melodic figure which will interconnect all the
sections of the work, giving it unity and compensating for the formal disassociation
caused by the variety of characteristic genres presented. It is a simple melody without syncopations, thus being differentiated from the rhythmic character of the other sections. The little chromatic melodic cells in the accompaniment also stand out while the melody rests in long notes. The
first characteristic section (Baio) begins in a striking way, with a brief presentation of the typical
rhythmic cell, and of the ascending thirds, normal for the genres, and already hinted at in the
introduction. The articulations indicated by types of attack and accentuations are essential in
order to obtain the desired stylistic effect. The closing of the Baio (second ending) and the interlude (Pesante) which follows take on once more the character of the introduction, thus making the
connection with the simplicity of the Serenata, which brings back the melodic expression of the
introduction. The entire passage is marked by the expressive use of fermatas, which clarify the formal division and the separation of contrasting material thus, an effect contrary to that proposed
in the brusque passages from the introduction to the Baio and from the Maracatu to the Frevo.
The Maracatu is introduced by a tutti simulation of the group of percussion which originated this
genre from Pernambuco: brass, flutes, and E-flat clarinet represent alfaias (large drums), while
clarinets and saxophones are the voices of the tarols and the snares. The melody of the Maracatu
presents a new variation on the arpeggiated motive which we have heard since the introduction and
which also will be the base for the construction of the final genre visited: the Frevo. Here, the
author returns to the initial tonality and develops the theme in a textural play traditional to the
genre: the first phrase tutti, followed by a phrase given to the reeds alone (clarinets and saxophones); next a dialogue between the brasses (doubled by flutes and E-flat clarinet) and the
ensemble of reeds which must be carefully performed which is then given, once more to only
the last group. A second section of the Frevo broadens this dialogue and leads the work to its coda,
realized with the re-exposition of the initial phrase of the introduction.
Marcos Vincio Nogueira

Professor of Harmony and Composition,
Universidade Federal do Rio de Janeiros School of Music
VI
JOS URSICINO DA SILVA (MESTRE DUDA)
os Ursicino da Silva, known as Mestre Duda, got his start in music at eight years of age,
and composed his first frevo, "Furaco" [Hurricane], at age twelve. He worked as musician in
countless big bands, and also worked in the music departments of various radio and television stations, both in Recife and in So Paulo, as director and arranger.In 1961 he wrote music for the
play "Um americano no Recife" [An American in Recife], directed by Graa Melo. He also wrote
music for works directed by Lcio Mauro and Wilson Valena. He became a member of the
Orquestra Sinfnica do Recife, where he played oboe and English horn. In 1963 he created a
dance orchestra, and in 1967, signed a contract with TV Bandeirantes, in So Paulo. In 1970 he
returned to Recife and to the Orquestra Sinfnica, coming to work as well as professor and
arranger at the Conservatrio Pernambucano de Msica. In 1971 he won first place in the Festival
of Frevo promoted by Tupi Television Networking, with the frevo de rua Quinho. In the same
year he organized an orchestra for Carnaval balls, which received the prize for Best Orchestra of
the Year for various years in a row. In 1975 he recorded a disc in homage to the Jornal Dirio
Pernambucano, released on the Rozenblit label. He had frevos recorded by the Severino Arajo
Orchestra, as well as sambas recorded by Jamelo and other performers. In 1980 he was chosen
as arranger for the Festival MPB-Shell, promoted by Rede Globo. In 1982, his composition Sute
Nordestina was chosen to open the festivities of the Semana da Ptria, broadcast throughout Brazil
by TVE. In 1985, his orchestra represented Brazil in the Feira das Naes in Miami, Flrida. In
1988 he performed the Msica para Metais N 2, with the participation of American trumpeter
Charles Schlueter, of the Boston Symphony Orchestra, in commemoration of the 138 years of
the Teatro Santa Isabel, in Recife. His music has been recorded outside Brazil, and is present on
more than 100 discs. On various occasions he was elected the best arranger in the Northeast. He
is director, arranger and instrumentalist for the Orquestra Paraibana de Msica Popular. His most
famous work is the symphonic piece Fantasia Carnavalesca, recorded by the Orquestra Sinfnica
do Recife, with the participation of the Coral Ernani Braga. He has gained international recognition with the musical direction of the opera "Catirina", based on popular plays from the bumbameu-boi of the state of Maranho. He was chosen by the Projeto Memria Brasileira, of the
Secretaria de Cultura of So Paulo, as one of the 12 best arrangers of the century. In 1997 the
Projeto Memria Brasileira issued the CD "Arranjadores", with his arrangement of the
"Bachianas n 5" of Heitor Villa-Lobos, performed by the Banda Savana.
Principal works
Cidado frevo, Estao do frevo, Fantasia carnavalesca, Furaco, Homenagem Princesa Isabel, Marcela, Quinho,
Sute Nordestina para banda e orquestra, Sute Pernambucana de Bolso, Msica para Metais 1 e 2, Sute Monete
Bibliography
MARCONDES, Marcos Antnio. (ED). Enciclopdia da Msica popular brasileira: erudita, folclrica e popular. 2. ed. So Paulo: Art Editora/Publifolha, 1999
VII
Sute Nordestina PARTITURA 6.0.qxd
5/7/08
6:04 AM
Page 1
Srie Msica Brasileira para Banda
Suite Nordestina
Partitura Completa
Durao aproximada: 5'05"
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Jose Ursicino da Silva (Mestre Duda)
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Jos Ursicino da Silva

Funarte,
Ministrio
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2008
Jos
Ursicino
da Silva
MBB0001 - Suite Nordestina - Todos os direitos reservados / Impresso no Brasil
Funarte, Ministrio da Cultura, 2008
www.funarte.gov.br / projbandas@funarte.gov.br
MBB0001 - Suite Nordestina - Todos os direitos reservados / Impresso no Brasil

www.funarte.gov.br / projbandas@funarte.gov.br
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Page 2
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6:04 AM
10
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5/7/08
6:04 AM
Page 20
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tringulo

21
EDIES
FUNARTE
PARTITURAS
ANDAS
FUNARTE
S EDITIONS
OFDE
MUSIC
SCORESPARA
FOR BANDS
1995
Golden Repertoire of
Brazilian Bands
Antnio do Esprito Santo
Avante Camaradas / Dobrado 220
Gilberto Gagliardi
Cidade de Diadema (dobrado)
Joaquim Naegele
Mo de Luva (dobrado)
Silvestre Pereira de Oliveira
Amor de um Pai (dobrado)
Antnio Pedro Dantas (Tonheca Dantas)
A Desfolhar Saudades (valsa)
Francisco Manuel da Silva/Joaquim Osrio Duque Estrada

Hino Nacional do Brasil
2008
Brazilian Bands
Anacleto de Medeiros
Jubileu (dobrado)
Francisco Braga
Baro do Rio Branco (dobrado)
Joaquim Naegele
Professor Celso Woltzenlogel (dobrado)
Joaquim Naegele
Estrela de Friburgo (polka for solo trumpet and band)
2000
Brazilian Bands
Antonio do Esprito Santo
Avante Camaradas
Dobrado 220 (dobrado) * reissue
Anacleto de Medeiros
Os Bomios (Brazilian tango)
Ceciliano de Carvalho
Dever do Mestre (dobrado)
Jos Genuno da Rocha

Testa de Ao (frevo)
Gilberto Gagliardi
Cidade de Diadema (dobrado) * reissue
Pedro Salgado
Dois Coraes (dobrado)
Joo Firmino de Moura

Saudades de onde Nasci (valsa)
Hymns of Brazil
D. Pedro I/ Evaristo da Veiga
Hino da Independncia
Joo Trajano da Silva

Janaina (ciranda)
Joaquim Naegele
Mo de Luva (dobrado) * reissue
Jos Aniceto de Almeida
Ceclia Cavalcanti (valsa)
Jos Barbosa de Brito
Bento Barbosa de Brito (dobrado)
Levino Ferreira da Silva
Lgrimas de Folio (frevo)
Luiz Fernando da Costa
Archanjo Soares do Nascimento (dobrado)
Manoel Ferreira Lima
Diana no Frevo (frevo)
Manoel Rodrigues da Silva
Dengoso (choro)
Severino Ramos
Tubas de Papelo (dobrado)
Silvestre Pereira de Oliveira
Amor de um Pai (dobrado) * reissue
2004 e 2008
Hymns of Brazil
Francisco Braga/Olavo Bilac
Hino Bandeira Nacional
Joaquim Naegele
Ouro Negro (dobrado)
Leopoldo Miguez / Medeiros e Albuquerque

Hino da Proclamao da Repblica
Brazilian Music for Bands
Edu Lobo/Capinam
Ponteio (baio; arrangement by Hudson Nogueira)
Guinga / Aldir Blanc
Baio de Lacan (choro; arrangement by Hudson Nogueira)
Hermeto Paschoal
Beb (baio; arrangement by Hudson Nogueira)
Noel Rosa
Palpite Infeliz (samba; arrangement by: Hudson Nogueira)
Hudson Nogueira
Quatro Danas Brasileiras (samba, maxixe, marcha-rancho, choro)
Ivan Lins / Vitor Martins
Novo Tempo (arrangement by Hudson Nogueira)
Carlos Alberto Braga (Braguinha) / Alberto Ribeiro
Copacabana (samba; arrangement by Jos Carlos Ligiro)
Jos Ursicino da Silva (Mestre Duda)
Sute Nordestina (baio, serenata, maracatu, frevo)
Jos Ursicino da Silva (Mestre Duda)
Sute Pernambucana de Bolso (caboclinhos, serenata, cco, frevo)
Nelson Cavaquinho/Guilherme de Brito
Folhas secas (samba; arrangement by Hudson Nogueira)
Patrocnio
Realizao

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2 Suite Nordestina Full Score

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BRAZILIAN MUSIC FOR BAND SERIES

JOS URSICINO DA SILVA

capa Suite Nordestina.indd 2-3

PRESIDENT OF THE FEDERATIVE REPUBLIC

BRAZILIAN MUSIC FOR BAND SERIES

Jos Ursicino da Silva

SCORES FOR BAND PUBLISHING PROJECT

T ECHNICAL DIRECTION , ADAPTATION, REVISION

CONSULTING FLEXIBLE INSTRUMENTATION /ARRANGEMENTS

Fundao Nacional de Artes Funarte

BAND REPERTOIRE OF YESTERDAY, TODAY, AND OF ALL TIME

Brazilian Music for Band Series Sute Nordestina

ABOUT THE NEW EDITIONS...

Brazilian Music Series for Band

he repertoire of this series emphasizes arrangements of MPB and original compositions.

Brazilian Music for Band Series Sute Nordestina

percussion 1 (snare drum /drum set)

percussion 2 (cymbals and bass drum)

percussion 3 (triangle, ganz)

Note to the Director

Brazilian Music for Band Series Sute Nordestina

Marcos Vincio Nogueira

Brazilian Music for Band Series Sute Nordestina

JOS URSICINO DA SILVA (MESTRE DUDA)

Brazilian Music for Band Series Sute Nordestina

Sute Nordestina PARTITURA 6.0.qxd

Srie Msica Brasileira para Banda

(I. Lento e Baio, II. Serenata, III. Maracatu, IV. Frevo)

Lento (' = 60) "Tema de Abertura"

reviso Marcelo Jardim

Jos Ursicino da Silva

MBB0001 - Suite Nordestina - Todos os direitos reservados / Impresso no Brasil

Sute Nordestina PARTITURA 6.0.qxd

FUNARTE Ministrio da Cultura

Sute Nordestina PARTITURA 6.0.qxd

Baio (& = 102)

FUNARTE Ministrio da Cultura

Sute Nordestina PARTITURA 6.0.qxd

FUNARTE Ministrio da Cultura

" " " " " " (" "

%" %" %" %" %" %" "& "&

Sute Nordestina PARTITURA 6.0.qxd

$" $" $" $" $" $" "% "%

" " " " " " (" "

Srie Msica Brasileira para Banda Sute Nordestina

Sute Nordestina PARTITURA 6.0.qxd

, ) ) , "- , ) ) , "- , ) ) , "- , ) ) , "- "

FUNARTE Ministrio da Cultura

$" $" $" $" $" $" "% "%

Srie Msica Brasileira para Banda Sute Nordestina

"- , "- '

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$" $" $" $" $" $" "% "% '' (

Sute Nordestina PARTITURA 6.0.qxd

FUNARTE Ministrio da Cultura

Sute Nordestina PARTITURA 6.0.qxd

Serenata (& = 60) "Tema de Deolinda"

Serenata (& = 60) "Tema de Deolinda"

(Fagote, Clarineta Baixo, Sax. Bar.)

FUNARTE Ministrio da Cultura

Sute Nordestina PARTITURA 6.0.qxd

(Fagote, Clarineta Baixo, Sax. Bar.)

FUNARTE Ministrio da Cultura

Sute Nordestina PARTITURA 6.0.qxd