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by Bill Storage
photos by Bill Storage & Laura Maish
updated July 20, 2006
Why Flashbulbs?
The flashbulb mystique has resulted in the hoarding of some very old screw base bulbs. I bought small quantities of them over
the past 20 years from estate sales; and purchased a few boxes recently on EBay. Over the past year, we (Laura and I) attempted
about eight photo shoots using large bulbs, and detected what seemed to be a large variation in the light output of batches of the
same type of bulbs. We also found we had a lot of duds that wouldn't fire in a 4.5 volt Graflex gun, in Honeywell 9 volt guns,
or in Ron Simmons' custom-built waterproof 22 volt guns (see Photo 6).
Flashbulbs take a surprisingly long time to ignite and reach maximum brightness. In the old days, cameras had several settings
for delaying the time between hitting the shutter button - which started the ignition process - and opening the shutter. As bulb
technology progressed, cameras accommodated the delay for bulb ignition by adding "M" and "FP" synchronization settings,
corresponding to delays of roughly 10 and 20 milliseconds. FP (Focal Plane) bulbs were designed to allow high shutter speeds,
(above the camera's "sync speed") the faster shutter speed during which the window onto the film plane is completely open (as
opposed to a slit between two curtains traveling across the film plane - see Figure 1, FP Sync at 1/250).
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Unfortunately, our testing showed a wide range in delay values for different FP bulbs. Initially we thought that different models
(e.g., No.3 vs. No.31) had greatly different sync delays. Further testing revealed huge variations within different batches from a
specific type and manufacture (here "batches" means groups obtained from different sources with apparent similarity within a
group, not manufacturing batches or lots). Sync delays of most batches of old bulbs that we tested were far greater than that
specified by their manufacturers - some exceeding one second. Apparently, loss of contained oxygen through the bulb base over
the years leads to slower ignition. More on this below.
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Figure 1 - Sample burn curves for electronic flash (strobe) and several types of flashbulbs, including open-shutter
timing and duration for several sync settings. Black/white rectangles indicate closed and open shutter at 5 mSec
intervals. Note partially open shutter when shutter speed exceeds sync speed (e.g. 1/250 FP). Based on
manufacturers' info, our testing, and Popular Photography's Photo Information Almanac '84.
Caves are no doubt the most common subject of flashbulb photography. Since caves lack common visual clues of space, such
as converging parallel lines and landmarks of known size, backlighting is commonly used to enhance the perception of depth.
Backlighting also avoids the fog effect caused by light from a flash reflecting off mist between the camera and subject. Cavers,
for whom equipment size and weight is critical, are remarkably adept at shooting backlit shots with multiple bulbs, no
electrical/electronic synchronization and no tripod. Impossible, an outsider might think. But in a dark chamber, bulb-firing
cavers have learned to fire their bulbs with amazingly small time intervals after seeing a first flash go off. The photographer
opens his shutter (on the B setting), calls "fire", sees a flash, and releases the shutter. The shutter may be open for half a second,
but the opportunity for a blurred image exists only in the interval between the first and last flash, provided stray light from
headlamps is eliminated. The shot of Lechuguilla Cave (photo 1) used this technique with three flashbulbs. The interval was
perhaps 1/10 second. Any camera movement during this time was masked by the fact the intersection of the exposures from
each of the flashes is relatively small and is in a dark or uninteresting part of the photo.
Finally, one aspect of bulbs usually seen as a weakness, burn time, often
turns out to be an advantage for cave photos. When raging torrents are
exposed for a few thousands of a second (the duration of an electronic
flash), their motion is unnaturally frozen. The 1/30 second burn duration
of an M3B bulb gives the appearance of motion, as seen in photo 3, a shot
of me on rope in Cueva de Agua Carlota, Mexico, by Jim Smith.
Big screw base bulbs are attractive for shots of very large cave chambers.
Their output-to-volume ratio is lower than that of small bulbs, but it is
often impractical to fire a large number of small bulbs. For impressive
big-room shots and discussion of technique, see the sites referenced at the
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Mixed light photos can also require high output flashes. The model in photo 4 is primarily lit by diffuse daylight. That meant
that we had to use a small aperture, in order to properly expose the model with an exposure time slow enough to catch the burn
of two large screw base bulbs. A small aperture was also needed for depth of field; the far wall, seen above the model's head, is
about 100 feet into the cave. At f/11, we needed very bright bulbs.
The slaves worked a bit too well, occasionally firing when ripples
resulting from our walking in the water beamed sun rays into the
cave causing misfires. The big bulbs were another story. About ten
consecutive No.22 bulbs failed to fire (details below). This shoot
involved difficult logistics (travel, hotels, assistants). While cavers
might think shooting nudes underground would be the best of all
jobs, unrelenting equipment problems can be quite stressful,
especially when the model is paying for the shoot, and has to
arrange travel to the site.
Photo 5 - Rail car backlit by No.50 flashbulb (just out of view at right rear) ISO 200, 10 sec, f/5.6.
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Since modern flash meters cannot measure the output of bulbs accurately, we chose to measure only their output relative to
each other (or a baseline bulb) by comparing brightness of images recorded by digital cameras. To do this we wrote a computer
program that calculates the average brightness of an image, allowing the user to define upper and lower brightness thresholds to
be included in the calculation. We set the lower threshold to a high enough value that with low ambient light, dark portions of
the image would not be counted in brightness measurement. This covered the possibility that the image was larger than the area
lit by the flashbulb. The program also warned us if part of the image was overexposed, having a brightness equal to the
maximum value possible in a digital image, thereby resulting in an invalid comparison. We varied the threshold values for a
variety of flash tests, confirming that the evaluation was not sensitive to changes in the threshold setting between 0 and 10
percent of the maximum brightness value.
In photo shoots, we used about fifty Number 50/50B bulbs with only a few duds and non-fires. We opened a second, much
fresher-looking box of No.50s for the below tests. Eight of the eleven bulbs we tried from this box did not fire at all. The
previous owner reported that he had stored them in a dry basement since the mid 1950s. They showed no rust or mildew.
We shot thirty No.11 and No.40 bulbs with a no-fire rate of about 10%. We used twenty-three No.2As consisting of 10 shots of
two bulbs each with two misfires and one bulb that broke lose from its base, before sensing that their output was way under
what it should be. At this point we began the controlled testing, experiencing a somewhat higher rate of non-fires, as shown in
the data below. We also shot twenty-four GE No.31 (Class FP) bulbs with good results, but retained none for testing. FP bulbs
are discussed below.
The results of these tests were far worse than we anticipated. In addition to the high failure (non-fire) rate, we found most of the
bulbs to be weaker than expected in comparison to the good batch of No.22s and to all brands of miniature base M3/M3B
bulbs. Note that while we did not attempt to measure absolute output of any bulbs, the relative outputs of No.11 and No.22 and
the much younger M3 and M3Bs is exactly as expected based on the manufacturers' data. This finding tends to validate our
testing methodology. Our No.22s average output was 1.5 stops greater than an M3. No.11s were 1/2 stop greater than M3s and
blue M3Bs are 1/2 stop dimmer than M3s. Our testing also shows that M3 bulbs are vastly superior to all screw base bulbs in
terms of light output per size (volume) or weight. Their reliability is also much higher; we have fired hundreds - maybe
thousands - of M3s in caves with only a handful of failures.
We also evaluated relative light output, within a bulb type, at different exposure times. Manufacturers' data states that class M
bulbs (M3, No. 11, No.40, and No.22) reach 50% power at 12 milliseconds (ms) and have a duration above 50% power lasting
15 milliseconds. Using a baseline of 1/15th second, we found the M3s to be down 1/4 stop at 1/30th and down 2/3 stop at
1/40th. Thus, M3s can easily be used at speeds up to 1/40 second. No.11s, however, based on a small sample, seem to be down
1/2 stop already at 1/20th. Significant differences exist between burn curves of M type bulbs.
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S-type bulbs (No.50, No.2A, No.3) are reported to reach mid power at about 19 milliseconds, and have a duration above 50%
power of about 30 milliseconds. While we would need to test more class S bulbs to be conclusive, it appears they were down
well over 1/2 stop at 1/30th second.
We found a wide discrepancy between manufacturers' data and claims made by enthusiasts about the burn curves of class FP
bulbs. A contributor to an online discussion forum reported that some FPs have a half peak duration of 27 milliseconds, while
the GE No.31 has a duration above 50% power of about 53 ms. In photo shoots, we found that we could use No.31 bulbs with
the Canon electronic flash in pre-flash (labeled ETTL sync in the below test data), thereby allowing us to shoot the large No.31
bulbs at a relatively fast shutter speed of 1/25th. Unfortunately, we retained no No.31 bulbs for lab testing. We did test the pre-
flash (ETTL-sync) arrangement with Class S bulbs, and found their output to be unacceptably low, due to the open shutter
being out of sync with most of the bulb burn.
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After having fairly good results with one batch of No.3B-S bulbs, we tested six bulbs from another batch of 100. These were
the newest looking bulbs and boxes we had seen. We mounted one in the test gun, a Graflex 3 D-cell unit, connected the slave
and opened the shutter. When it didn't flash I went to remove the bulb from the gun and it went off as I touched it. "Bad
connection", I thought and set up another. When the shutter opened, the second bulb didn't fire either. I took a step toward the
flash unit, but didn't touch it, and it went off - well over one second after the shutter. The next four bulbs behaved the same.
With a 2-second exposure, I finally caught the output of the 5th test on "film", and found it to be a bit over one stop below its
rated output. The 6th bulb fired with 120 volts, but I didn't meter it.
Conclusion
While the quality and available quantities of small flashbulbs (e.g., M2, M3) will support years of bulb photography, the future
of big-flashbulb photography appears fairly dim. While some enthusiasts report good luck with bulbs and only an occasional
dud, we found screw base bulbs to be generally not reliable enough for critical shooting. We carried an entire box to a fairly
remote location only to find that almost none of them would fire. We also found that the largest bulbs seem to have lost much
of their output and to ignite and burn more slowly than they did when they were new, more than fifty years ago in some cases.
In addition to the cost associated with big bulbs that fail, the risk of a failed photo shoot (travel, hotel, etc.) seems just too high.
The outlook for small bulbs seems much brighter. Finding M3 bulbs only 1.5 stops dimmer than large screw base bulbs, the
possibility of building bulb guns that can fire several miniature base bulbs simultaneously is very attractive. The M3 bulbs are
also suitable for more types of photography, being usable at shutter speeds (X sync) up to 1/40 second.
Test Data
Bare vertical bulb (1/20 sec) comparison of M3 and screw base bulbs to establish relative brightness of M3 and screw base
bulbs
f/16
Bulb type Sample number
No.22 GE 1 -0.19
No.22 Westinghouse 2 1.52
No.22 Westinghouse 3 1.44
No.11 GE 1 0.55
No.40 GE 1 0.37
No.40 GE 2 0.75
Conclusions
Average good No.22 is 1.48 stops brighter than M3(1)
Average good No.22 is 1.42 stops brighter than average M3
No.11 is .49 stops brighter than average M3
Average No.40 is .60 stops brighter than average M3
Notes
4 No.11s would not fire with 9v
2 No.22 GEs would not fire with 9v
Graflex 3D w 7 inch reflector comparison of screw base bulbs to establish relative brightness of screw base bulbs
f/22
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M3 GE 1 1/15 -0.14
M3 GE 2 1/15 -0.05
M3 GE 1 1/25 -0.13
M3 GE 2 1/25 -0.20
M3 GE 1/30 -0.28
Links
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Flashbulb suppliers
Cress Photo http://www.flashbulbs.com/index.shtml - also has a lot of bulb output info
Cole's Cameras http://www.colescameras.com/flashbulbs.htm
EBay - Search on both flashbulbs and "flash bulbs"
John Ganter assisted with testing and provided information used in this article. Bill Prewitt provided technical advice and produced
several delay circuits used to test pre-flash intervals.
Text and graphics copyright 2005 by William Storage. All rights reserved. Caching in search engines is explicitly permitted. Please link to this page rather than reproducing copies of it. This
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