Professional Documents
Culture Documents
Camille Zakharia, Allah Ybarek (God Bless), 2013, photo installation (24 prints),
Limited Edition 3, 280 x 280 cm (approximate)
You left Lebanon during the Civil War in 1985, where you had just
graduated from the American University of Beirut in the Engineering
Department. Do aspects of your formal education as an Engineer come into
play in your series called Division Lines? How?
I have always been fascinated with geometric shapes, forms and patterns. This is
most evident in my "Division Lines" series, where the main elements consist of
paint on asphalt - simple straight lines that offer a vast number of configurations
to consider. I believe my engineering background plays a role in the act of
reconstructing the photographs. In these works, I see an interesting blend
between art and science.
I ended up with many scrap photographs that I found difficult to throw away. I
started experimenting with the collage technique. It was a revelation for me at the
time, joining visuals that had nothing to do with each other, recreating scenes
that would not usually coexist together.
Sometimes the final results make sense, and sometimes they dont. Everything is
permitted. For me, working with collage is a therapeutic process that I need to
practise regularly. It unleashes my fantasies. Some collages need to be well
calculated with a high degree of precision and workmanship, while others flow
freely and uncontrolled.
Camille Zakharia, Muharraq V - Bahrain, 1998, Archival Inkjet Print on Hahnemuhle Fine Art
Paper, 14 x 40 cm, Stories from the Alley - Edition of 25
Tell us a little bit about your interest in urban landscapes and your series
Double Vue. What have you found out about humanity and the globalized
condition through the shape and size of the worlds cities?
Documenting my surroundings is of great interest to me. What made this topic
more exciting, is the fact that a huge wave of construction invaded the Arabian
Gulf at the turn of the 21st Century. The region witnessed unprecedented
changes into the urban landscape, with high-rise buildings being built in what
seemed to be overnight, gigantic shopping malls, entertainment parks.... I
prepared several projects with the main focus on the urban landscape,
attempting to draw visual similarities and differences between the past and
evolving present.
Some of the projects were commissions, including "Al Bilad" for the British
Council about the Sultanate of Oman and "Sharjah History Images", supported
by a Sharjah Production Grant. I also have completed a few about Bahrain:
"Distorted Memories" commissioned by the British Council on the occasion of a