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03/0315
1 APRIL
TOPOGRAPHICAL PICTURES,
THE WINKWORTH COLLECTION
LONDON, SOUTH KENSINGTON
13 MAY
THE VAN REGTEREN ALTENA
COLLECTION PART IV
AMSTERDAM
25 MARCH
DESSINS ANCIENS ET DU XIX SICLE
INC THE VAN REGTEREN ALTENA
COLLECTION PART III
PARIS
16 APRIL
19 TH CENTURY EUROPEAN
& ORIENTALIST ART
LONDON, SOUTH KENSINGTON
1 JUNE
RUSSIAN ART
LONDON, KING STREET
30 MARCH
TABLEAUX ANCIENS ET DU XIXEME
SICLE
PARIS
Subject to change.
30 APRIL
OLD MASTER PAINTINGS
LONDON, SOUTH KENSINGTON
9 JUNE
19 TH CENTURY EUROPEAN ART
& ORIENTALIST ART
LONDON, KING STREET
03/03/15
401
12,000-18,000
$19,000-27,000
17,000-25,000
402
10,000-15,000
$16,000-23,000
14,000-21,000
PROVENANCE:
403
7,000-10,000
$11,000-15,000
9,800-14,000
PROVENANCE:
404
a pair (2)
20,000-30,000
403
$31,000-45,000
28,000-42,000
404
405
4,000-6,000
$6,100-9,000
5,600-8,400
406
5,000-8,000
$7,600-12,000
7,000-11,000
This lot relates to the altarpiece by van Cleve in the Muse du Louvre,
Paris.
407
15,000-20,000
$23,000-30,000
21,000-28,000
11
408
409
408
409
oil on panel
10 x 14 in. (26.6 x 35.5 cm.)
7,000-10,000
12
oil on copper
10 x 13 in. (26.7 x 35 cm.)
3,000-5,000
$11,000-15,000
9,800-14,000
$4,600-7,500
4,200-7,000
410
25,000-35,000
$38,000-53,000
35,000-49,000
LITERATURE:
1570s except this lot, which he dates to 156570. This potentially places it amongst the earliest
known versions of this composition. Dr. Ertz
explains in the accompanying certifcate that
the size of our painting is unusual. The limited
height, but more extended width of panel has
led to the composition to be more spread out
compared to the others, for example the panel
in the Kunsthistorisches Museum, Vienna.
A farmer, his wife and their child are seated at
the table to the far left. The familiar gestures
between them indicate their family relations.
The man dressed in red is presumably a servant,
holding a piece of meat in one hand and a jug
in the other. The ffth fgure at the table is one
of the protagonists of the scene, according to
Ertz. His expensive clothing distinguishes him
from the farmer and his family, he is most
likely a nobleman or landlord. He looks on to
the centre of the room, where according to
13
411
12,000-18,000
PROVENANCE:
14
$19,000-27,000
17,000-25,000
412
ATTRIBUTED TO ABRAHAM
GOVAERTS (ANTWERP 1589-1626)
Ferries on an estuary stream
oil on copper, stamped on the reverse with the
maker's mark of Pieter Staes (active in Antwerp
c.1587-1610), the Antwerp hand and date 1604
8 x 11 in. (22.2 x 28.2 cm.)
8,000-12,000
$13,000-18,000
12,000-17,000
PROVENANCE:
15
413
30,000-50,000
$46,000-75,000
42,000-70,000
PROVENANCE:
16
414
415
414
415
3,000-5,000
oil on canvas
27 x 36 in. (70 x 92.8 cm.)
4,000-6,000
$4,600-7,500
4,200-7,000
PROVENANCE:
$6,100-9,000
5,600-8,400
416
417
416
3,000-5,000
$4,600-7,500
4,200-7,000
PROVENANCE:
George Wyndham, 3rd Earl of Egremont (17511837), by 1833, and at Petworth House, Sussex,
by 1837 (Inventory of Paintings, Sculpture and
Books at Petworth House, Property of The Late
George, 3rd Earl of Egremont), and by descent.
LITERATURE:
417
3,000-5,000
$4,600-7,500
4,200-7,000
418
419
420
418
419
420
MARTEN RYCKAERT
(ANTWERP 1587-1631)
A wooded river landscape with fgures
hunting ducks and stags, a hilltop village
beyond
10,000-15,000
PROVENANCE:
$16,000-23,000
14,000-21,000
oil on panel
22 x 32 in. (56.5 x 81.9 cm.)
7,000-10,000
oil on copper
21
421
a pair (2)
10,000-15,000
22
$16,000-23,000
14,000-21,000
n*422
7,000-10,000
$11,000-15,000
9,800-14,000
422
423
3,000-5,000
$4,600-7,500
4,200-7,000
PROVENANCE:
423
23
n424
7,000-10,000
$11,000-15,000
9,800-14,000
n425
FOLLOWER OF
SIR PETER PAUL RUBENS
The Death of Seneca
oil on canvas
74 x 49 in. (190 x 126 cm.)
in a late 17th century, early Rgence French
gilded frame with carved scallop shell corner
cartouches and fowered centred cartouches
linked by scrolling foliage and fowers on a crosshatched ground
15,000-25,000
$23,000-38,000
21,000-35,000
PROVENANCE:
424
LITERATURE:
24
425
426
3,000-5,000
$4,600-7,500
4,200-7,000
427
5,000-8,000
$7,600-12,000
7,000-11,000
426
428
15,000-20,000
$23,000-30,000
21,000-28,000
428
27
429
430
429
430
5,000-8,000
3,000-5,000
$7,600-12,000
7,000-11,000
431 NO LOT
28
$4,600-7,500
4,200-7,000
432
ENGLISH SCHOOL,
LATE 16TH CENTURY
Portrait of Henry Stanley, 4th Earl of
Derby, K.G. (1531-1593), bust-length,
in a black slashed doublet with a lacetrimmed ruff and a fur-lined coat,
wearing the Greater George and a black
bejewelled hat with a plume
inscribed with the sitters coat-of-arms within the
Garter motto and coronet (upper right)
oil on panel
24 x 19 in. (61 x 49.5 cm.)
5,000-8,000
$7,600-12,000
7,000-11,000 According to a Heinz library card, this lot was
PROVENANCE:
29
433
4,000-6,000
$6,100-9,000
5,600-8,400
433
434
10,000-20,000
$16,000-30,000
14,000-28,000
PROVENANCE:
30
My Turtle gone,
all Joy is gone from me,
Ill mourne a while,
and after fee:
For Time brings
youthfull Youths to age,
And Age brings
Death, our Heritage.
434
31
435
n435
8,000-12,000
$13,000-18,000
12,000-17,000
PROVENANCE:
436
32
436
4,000-6,000
$6,100-9,000
5,600-8,400
PROVENANCE:
W. Hollar, 1642.
n437
10,000-15,000
$16,000-23,000
14,000-21,000
The prime version of this composition is the halflength portrait in The Royal Collection.
437
33
438
439
n438
n439
6,000-10,000
oil on canvas
90 x 56 in. (229 x 142 cm.)
4,000-6,000
$9,100-15,000
8,400-14,000
$6,100-9,000
5,600-8,400
PROVENANCE:
PROVENANCE:
34
440
440
a pair (2)
6,000-8,000
$9,100-12,000
8,400-11,000
441
3,000-5,000
$4,600-7,500
4,200-7,000
After the picture of circa 1640, in the National Portrait Gallery, London.
441
35
442
3,000-5,000
$4,600-7,500
4,200-7,000
442
n*443
5,000-8,000
443
$7,600-12,000
7,000-11,000
n444
6,000-8,000
$9,100-12,000
8,400-11,000
PROVENANCE:
Estate of the 7th Earl of Craven; Phillips, London, 11 December 1984, lot 29.
Anonymous sale; Sothebys, London, November 14 1990, Lot 32.
444
n445
4,000-6,000
$6,100-9,000
5,600-8,400
PROVENANCE:
37
446
ALLAN RAMSAY
(EDINBURGH 1713-1784 DOVER)
Portrait of a gentleman, half-length, in a blue cloak
and cravat, holding a tricorn
oil on canvas
30 x 25 in. (76.2 x 63.5 cm.)
in an English 18th century carved frame in the Louis XV style
with cabochon centres and shell corners
8,000-12,000
$13,000-18,000
12,000-17,000
PROVENANCE:
446
447
3,000-5,000
$4,600-7,500
4,200-7,000
n448
THOMAS HUDSON
(DEVON 1701-1779 TWICKENHAM)
Portrait of a gentleman, three-quarter-length,
in Van Dyck costume, his left hand resting on a
stick, in a landscape
oil on canvas laid down on panel
48 x 37 in. (122 x 96.2 cm.)
20,000-30,000
$31,000-45,000
28,000-42,000
38
448
39
n*449
5,000-8,000
$7,600-12,000
7,000-11,000
449
n450
3,000-5,000
$4,600-7,500
4,200-7,000
PROVENANCE:
450
40
451
7,000-10,000
$11,000-15,000
9,800-14,000
PROVENANCE:
451
452
4,000-6,000
$6,100-9,000
5,600-8,400
452
41
453
3,000-5,000
$4,600-7,500
4,200-7,000
453
454
3,000-5,000
$4,600-7,500
4,200-7,000
PROVENANCE:
454
42
n455
10,000-15,000
$16,000-23,000
14,000-21,000
The ancient Shiloh was the religious capital of Israel in the time of the Judges. As described in
Judges 21, a war between tribes killed every man, woman and child of the tribe of Benjamin, save
for six hundred young men. After the war, the perpetrators repented and tried to fnd wives for
the surviving men, so that the tribe could perpetuate. Four hundred virgins were found in the only
city that was not guilty of the massacre. The other two hundred were kidnapped during a religious
celebration in Shiloh, when the daughters of the city went out to dance in the vineyards.
43
456
456
3,000-5,000
$4,600-7,500
4,200-7,000
*457
4,000-6,000
$6,100-9,000
5,600-8,400
458
7,000-10,000
457
$11,000-15,000
9,800-14,000
458
45
459
460
459
460
oil on panel
11 x 14 in. (28 x 37.9 cm.)
8,000-12,000
PROVENANCE:
46
$9,100-12,000
8,400-11,000
PROVENANCE:
PROPERTY OF A EUROPEAN FAMILY (LOTS 417, 418, 461, 543 & 545)
461
HERMAN SAFTLEVEN
(ROTTERDAM 1609-1685 UTRECHT)
An extensive mountainous landscape with fgures resting
in the foreground, others harvesting, a river valley beyond
signed in monogram and dated HS / 1673 (lower left)
oil on panel
11 x 14 in. (27.8 x 37.8 cm.)
12,000-18,000
$19,000-27,000
17,000-25,000
PROVENANCE:
47
462
3,000-5,000
$4,600-7,500
4,200-7,000
462
n463
5,000-7,000
$7,600-11,000
7,000-9,700
PROVENANCE:
463
464
6,000-8,000
$9,100-12,000
8,400-11,000
464
465
JACOB DE WET I
(HAARLEM C.1610-1671/2)
The meeting of David and Abigail
indistinctly signed J D W..T (lower centre)
oil on panel
20 x 26 in. (52 x 66 cm.)
5,000-7,000
$7,600-11,000
7,000-9,700
PROVENANCE:
465
49
466
5,000-8,000
$7,600-12,000
7,000-11,000
PROVENANCE:
466
467
4,000-6,000
$6,100-9,000
5,600-8,400
PROVENANCE:
467
468
5,000-7,000
$7,600-11,000
7,000-9,700
468
469
ISAC VROMANS
(? 1648/1668-C.1706 THE HAGUE?)
A forest foor with a snail on a tree trunk,
blackberries, butterfies and a bumblebee
indistinctly signed .... Isack .... (lower right)
oil on panel
11 x 9 in. (28.5 x 22.8 cm.)
1,500-2,000
$2,300-3,000
2,100-2,800
469
51
470
10,000-15,000
$16,000-23,000
14,000-21,000
PROVENANCE:
471
PIETER NEEFS II
(ANTWERP 1620-AFTER 1675) AND
FOLLOWER OF FRANS FRANCKEN II
The interior of the Cathedral of Our Lady,
Antwerp, with mass being celebrated
on one of the altars, and other elegant
fgures conversing
signed and dated P. NEFS / 1656 (lower right,
on the column)
oil on panel
20 x 27 in. (50.8 x 69.8 cm.)
10,000-15,000
LITERATURE:
PROVENANCE:
53
472
472
4,000-6,000
$6,100-9,000
5,600-8,400
PROVENANCE:
LITERATURE:
473
ATTRIBUTED TO ANTOINE
MONNOYER (PARIS 1670-1747
SAINT-GERMAIN-EN-LAYE)
Roses, parrot tulips, carnations, lilies
and other fowers in a wicker basket
on a stone ledge
with signature Baptiste (lower right)
oil on canvas
25 x 30 in. (63.5 x 76.2 cm.)
5,000-7,000
$7,600-11,000
7,000-9,700
473
474
a pair (2)
15,000-25,000
PROVENANCE:
$23,000-38,000
21,000-35,000
55
475
476
n475
476
oil on canvas
52 x 30 in. (133.4 x 78 cm.)
15,000-25,000
$23,000-38,000
21,000-35,000 6,000-8,000
$9,100-12,000
8,400-11,000
PROVENANCE:
M. Carminati, Cesare da Sesto (1477-1523), Milan, 1994, pp. 208 and 210,
illustrated.
57
n477
50,000-80,000
$76,000-120,000
70,000-110,000
PROVENANCE:
F. Todini, La pittura umbra. Dal duecento al primo cinquecento, Milan, I, 1989, p. 76.
In his 1989 publication on early Umbrian pictures, La pittura umbra, Filippo Todini
identifed a small group of stylistically coherent devotional works, gathered together
under the name of Pseudo Gerino da Pistoia. A Florentine follower of Perugino, he was
infuenced by Andrea dAssisi, called lIngegno, and Rocco Zoppo, who, according to
Vasari, collaborated with Perugino in his work in the Sistine Chapel. The Pseudo Gerino,
whilst in many respects similar to Gerino da Pistoia (1480-after 1529), is distinguished
for his more decorative style, exemplifed in the present lot. Our tondo is comparable to
the picture of the same format in the Galleria Franchetti, Ca dOro in Venice and to the
altarpiece in the church of San Francesco, Fiesole, dated 1502. Other examples of his
work are in the Muses Royaux des Beaux-Arts, Brussels and in Vassar College, Museum
of Art, New York (see F. Todini, La pittura umbra, Milan, 1989, p. 76).
We are grateful to Dr Todini for confrming the attribution on the basis of a photograph,
and for his kind assistance in cataloguing the present lot.
58
478
15,000-25,000
60
$23,000-38,000
21,000-35,000
479
15,000-20,000
$23,000-30,000
21,000-28,000
PROVENANCE:
61
n480
30,000-50,000
$46,000-75,000
42,000-70,000
62
n481
5,000-8,000
$7,600-12,000
7,000-11,000
PROVENANCE:
481
482
3,000-5,000
482
$4,600-7,500
4,200-7,000
483
6,000-8,000
$9,100-12,000
8,400-11,000
65
484
5,000-8,000
$7,600-12,000
7,000-11,000
484
n485
7,000-10,000
$11,000-15,000
9,800-14,000
PROVENANCE:
485
66
n486
15,000-20,000
$23,000-30,000
21,000-28,000
67
487
LAMBERT SUSTRIS
(AMSTERDAM C. 1510/15-AFTER 1560 VENICE)
Judith with the Head of Holofernes
oil on canvas
33 x 24 in. (84.2 x 63 cm.)
30,000-50,000
$46,000-75,000
42,000-70,000
68
488
n488
6,000-8,000
$9,100-12,000
8,400-11,000
PROVENANCE:
489
2,500-3,500
$3,800-5,300
3,500-4,900
490
6,000-8,000
$9,100-12,000
8,400-11,000
71
n491
12,000-18,000
$19,000-27,000
17,000-25,000
n492
5,000-8,000
$7,600-12,000
7,000-11,000
PROVENANCE:
n493
25,000-35,000
$38,000-53,000
35,000-49,000
PROVENANCE:
72
493
In direct contrast to the woeful and seriouslooking singers are the fgures gathered around
them, a motley crew clearly in a rowdy and
playful mood. They are, from left to right: a
satyr, sensuality personifed and crowned with
oak leaves; two peasants or shepherds with
pastoral instruments; in front of them, a Jew is
recognizable from his turban with a star, which
is about to be pulled by the satyr and which
was compulsory for sixteenth-century Venetian
Jews; a Bacchus fgure, looking drowsy and
corpulent; a sniggering man who is holding
his fnger mockingly to his mouth, apparently
amused at something not polite enough to be
mentioned out loud; a youth drinking from a
jug; and fnally a grinning man seated in the
right foreground.
The merriment and mockery, like the fnger
pointed in sarcasm by the last fgure, seem to
be aimed at the singers and caused in particular
by the affected nature of their love song, which
obviously puns upon carnal intention. This is
made plain by the suggestive still life on the
73
494
5,000-8,000
$7,600-12,000
7,000-11,000
495
3,000-5,000
$4,600-7,500
4,200-7,000
PROVENANCE:
496
494
20,000-30,000
$31,000-45,000
28,000-42,000
LITERATURE:
74
496
75
n497
20,000-40,000
PROVENANCE:
76
$31,000-60,000
28,000-56,000
n*498
15,000-20,000
$23,000-30,000
21,000-28,000
We are grateful to Prof. Francesca Baldassari and Dott. Sandro Bellesi for confrming the attribution
to Vignali, on the basis of a photograph.
78
499
15,000-25,000
PROVENANCE:
79
n500
8,000-12,000
$13,000-18,000
12,000-17,000
PROVENANCE:
501
4,000-6,000
501
80
$6,100-9,000
5,600-8,400
n502
MATTHIAS STOMER
(AMERSFOORT C.1600-C.1652 SICILY OR NORTHERN ITALY)
Saint Peter in jail
oil on canvas
38 x 49 in. (97.5 x 125.6 cm.)
30,000-50,000
$46,000-75,000
42,000-70,000
PROVENANCE:
81
503
20,000-30,000
$31,000-45,000
28,000-42,000
PROVENANCE:
503
n504
FRENCH SCHOOL,
LATE 17TH CENTURY
Two putti mourning the dead Christ,
in a landscape
oil on canvas
29 x 31 in. (75.2 x 78.9 cm.)
3,000-5,000
504
82
$4,600-7,500
4,200-7,000
n*505
40,000-60,000
$61,000-90,000
56,000-84,000
83
506
506
AGOSTINO TASSI
(PONZANO ROMANO 1580-1644 ROME)
A river landscape with a ferry crossing and boat builders
at work on the bank
oil on panel, oval, unframed
11 x 16 in. (29.8 x 40.7 cm.)
3,000-5,000
$4,600-7,500
4,200-7,000
LITERATURE:
507
4,000-6,000
507
$6,100-9,000
5,600-8,400
508
3,000-5,000
$4,600-7,500
4,200-7,000
PROVENANCE:
Florence, Palazzo Pitti, Mostra della pittura italiana del sei e settencento, 1922,
no. 412.
Birmingham, City of Birmingham Museum and Art Gallery, Works of Art from
Midland Houses, July-September 1953, no. 157.
London, Thomas Agnew & Sons, The Seventeenth Century, July 1960, no. 10.
LITERATURE:
508
The present lot relates to the picture of horizontal format by Fetti in the
Gemldegalerie, Dresden, which extends on both sides to include a classical
ruin far right, which probably alludes to the city of Jericho. The composition
has, however, achieved more popularity in its vertical format, of which
there are several known copies and studio versions, mostly of very similar
dimensions, with the picture in the Gallerie dellAccademia, Venice thought to
be autograph. Sarafk (op. cit.) lists the current picture, which was exhibited
as Fetti in Florence and London in the early twentieth century, as a copy most
closely related to the work in the Metropolitan Museum in New York, which
was in turn once thought to be autograph but subsequently downgraded.
509
5,000-7,000
$7,600-11,000
7,000-9,700
509
85
n510
5,000-8,000
$7,600-12,000
7,000-11,000
PROVENANCE:
510
511 NO LOT
n512
5,000-8,000
$7,600-12,000
7,000-11,000
n513
7,000-10,000
512
86
$11,000-15,000
9,800-14,000
513
PROVENANCE:
87
514
6,000-8,000
$9,100-12,000
8,400-11,000
PROVENANCE:
514
515
4,000-6,000
$6,100-9,000
5,600-8,400
PROVENANCE:
88
516
6,000-10,000
$9,100-15,000
8,400-14,000
516
n517
2,000-4,000
$3,100-6,000
2,800-5,600
PROVENANCE:
89
518
519
518
PROVENANCE:
5,000-8,000
$7,600-12,000
7,000-11,000
F. Vivares, 1760
519
JOHN RATHBONE
(CHESHIRE C.1750-1807 LONDON)
A view of Conwy Castle, North Wales
signed and dated J.Rathbone (lower left)
oil on canvas
25 x 37 in. (64 x 94.2 cm.)
4,000-6,000
$6,100-9,000
5,600-8,400
520
n520
6,000-8,000
$9,100-12,000
8,400-11,000
PROVENANCE:
521
3,000-5,000
$4,600-7,500
4,200-7,000
PROVENANCE:
521
91
n522
5,000-8,000
$7,600-12,000
7,000-11,000
PROVENANCE:
522
G.H. Every.
After the picture in the National Gallery of Ireland, Dublin,
presented by Sir Alfred and Lady Beit.
n523
THOMAS BEACH
(MILTON ABBAS 1738-1806 DORCHESTER)
Portrait of Mrs. Helyar Junior, three-quarter-length, in a white
dress, with her two children Harriet and Henry, before a draped
column, a landscape beyond
inscribed T.Beach pinx. / 1786 (lower left)
oil on canvas
50 x 40 in. (128.2 x 102 cm.)
in an English 18th century carved and gilded Maratta frame
5,000-8,000
$7,600-12,000
7,000-11,000
PROVENANCE:
523
524
525
n524
n525
THOMAS BEACH
(MILTON ABBAS 1738-1806 DORCHESTER)
Portrait of William Helyar (d.1820), three-quarter-length, in an
embroidered blue waistcoat and coat, holding a design for the
Georgian wing of Coker Court, standing before a column
THOMAS BEACH
(MILTON ABBAS 1738-1806 DORCHESTER)
Portrait of Elisabeth Helyar (d.1786) ne Weston, three-quarterlength, in an oyster dress with a lace shawl, holding a miniature
box, in an interior
oil on canvas
49 x 40 in. (145.8 x 102 cm.)
in an English 18th century carved and gilded Maratta frame
oil on canvas
49 x 40 in. (145.8 x 102 cm.)
in an English 18th century carved and gilded Maratta frame
5,000-8,000
$7,600-12,000 3,000-5,000
7,000-11,000
$4,600-7,500
4,200-7,000
PROVENANCE:
PROVENANCE:
EXHIBITED:
EXHIBITED:
LITERATURE:
LITERATURE:
93
526
n526
ANTHONY DEVIS
(PRESTON, LANCASHIRE 1729-1816 ALBURY, SURREY)
A pastoral river landscape with an elegant couple conversing
signed and dated Ant. Devis 1775 (lower left)
oil on canvas
31 x 48 in. (80.3 x 122.2 cm.)
10,000-15,000
$16,000-23,000
14,000-21,000
n527
WILLIAM PAYNE
(PLYMOUTH C.1760-AFTER 1830
LONDON)
A coastal landscape with fgures
preparing their nets on the shore,
a town beyond
oil on canvas
29 x 40 in. (74 x 101.5 cm.)
5,000-8,000
527
$7,600-12,000
7,000-11,000
n528
15,000-20,000
$23,000-30,000
21,000-28,000
PROVENANCE:
with Sabin Galleries, London, where acquired in 1971 by the father of the present owner.
EXHIBITED:
(Probably) London, Royal Academy, either 1785, no. 425 (View of Geneva with the Glaciers), 1786,
no. 6 (Lake of Geneva, nr Lausanne), or 1786, no. 22 (Lake nr Geneva).
We are grateful to Michael Liversidge F.S.A., University of Bristol, for his thoughts on this painting.
95
*529
RICHARD COSWAY
(OKEFORD 1742-1821 LONDON)
Portrait of a lady and a young girl, full-length, the
lady in a black silk dress with a white lace shawl,
a black choker, from which hangs a portrait
miniature, and a black hat with black and white
feathers, the girl in a white chiffon dress with pink
bow and ribbons and a straw with pink ribbons
and lining, in an English landscape
oil on canvas
30 x 21 in. (76.9 x 53.4 cm.)
3,000-5,000
$4,600-7,500
4,200-7,000
PROVENANCE:
530
4,000-6,000
$6,100-9,000
5,600-8,400
PROVENANCE:
529
531
15,000-20,000
$23,000-30,000
21,000-28,000
PROVENANCE:
531
EXHIBITED:
LITERATURE:
97
532
30,000-50,000
$46,000-75,000
42,000-70,000
PROVENANCE:
98
533
4,000-6,000
$6,100-9,000
5,600-8,400
533
n534
5,000-8,000
534
$7,600-12,000
7,000-11,000
535
7,000-10,000
$11,000-15,000
9,800-14,000
Though the present landscape in the Peak District is somewhat changed, engravings
dating to the 18th century show the more rocky appearance of the straits of
Dovedale. Nasmyths view as shown here may have been an accurate representation
of a stretch of the river, or more likely it may be a looser interpretation, bringing
together different vantage points to achieve a more dramatic effect. It encapsulates
that which Wordsworth would later describe as romantic Dovedales spiry rocks
(W. Wordsworth, The Prelude, 1850, Book VI, II.193). In palette and mood, the
present lot is comparable to the Nasmyths view of Hawthornden Castle, near
Edinburgh, circa 1820 (Yale Center for British Art).
101
*536
THOMAS HEEREMANS
(HAARLEM 1641-1694)
The beach at Scheveningen,
with fshermen selling their
catch
signed[?] and dated THMANS 1668
(THM linked, lower centre)
oil on panel
16 x 21 in. (41.9 x 54.2 cm.)
3,000-5,000
$4,600-7,500
4,200-7,000
536
n537
FOLLOWER OF PHILIPS
WOUWERMAN
A battle between Turks
and Christians
oil on canvas
32 x 41 in. (81.5 x 105 cm.)
6,000-8,000 $9,100-12,000
8,400-11,000
The composition is based on
the original of c.1668 in the
Gemldegalerie, Dresden.
537
102
n*538
10,000-15,000
$16,000-23,000
14,000-21,000
LITERATURE:
S. Slive, Jacob van Ruisdael - A Complete Catalogue of his Paintings, Drawings and Etchings,
New Haven and London, 2001, p. 644, no. dub90, (dub=doubtful), illustrated.
We are grateful to Ellis Dullaart, of the RKD, The Hague, for her assistance in cataloguing this lot.
Dullaart agrees with Slive that the staffage could be attributed to Johannes Lingelbach and proposes
that an Amsterdam artist, familiar with the work of Jacob Ruisdael and Jan Wijnants, painted the
foliage. Lingelbach, Ruisdael and Wijnants all worked in Amsterdam in the 1660s.
103
n539
15,000-20,000
104
$23,000-30,000
21,000-28,000
540
15,000-20,000
$23,000-30,000
21,000-28,000
105
n541
ADRIAAN VAN DER CABEL (RIJSWIJK, NEAR THE HAGUE 1630/1-1705 LYON)
A coastal landscape with a man-o-war and other vessels on the water, elegant
fgures on horseback on the shore, a fortress beyond
oil on canvas
50 x 81 in. (128 x 207.5 cm.)
10,000-15,000
106
$16,000-23,000
14,000-21,000
n542
ANTON GOUBAU
(ANTWERP 1616-1698)
An Italianate classical landscape with
fgures resting near a fountain, others
making merry, a town by a river beyond
signed and dated A. GOVBAV F. Ao 1654 and
inscribed SPQR (centre right, on the fountain)
oil on canvas
39 x 53 in. (100.3 x 134.6 cm.)
in an 18th century English carved and gilded
frame
25,000-35,000
$38,000-53,000
35,000-49,000
107
PROPERTY OF
A EUROPEAN FAMILY
(LOTS 417, 418, 461, 543 & 545)
543
JAN WOUWERMAN
(HAARLEM 1629-1666)
A wooded river landscape with
fgures on a path, a ruined
castle beyond
signed JWouwerman (JW linked,
lower right)
oil on panel
12 x 17 in. (32 x 44.1 cm.)
6,000-8,000 $9,100-12,000
8,400-11,000
PROVENANCE:
544
JAN VAN OS
(MIDDELHARNIS 1744-1808
THE HAGUE)
Shipping in calm waters with
fshermen unloading their
catch
oil on canvas
20 x 24 in. (51.5 x 61.5 cm.)
4,000-6,000
544
108
$6,100-9,000
5,600-8,400
PROPERTY OF A EUROPEAN FAMILY (LOTS 417, 418, 461, 543 & 545)
545
8,000-12,000
$13,000-18,000
12,000-17,000
PROVENANCE:
109
545A
8,000-12,000
$13,000-18,000
12,000-17,000
PROVENANCE:
545A
546
12,000-18,000
$19,000-27,000
17,000-25,000
We are grateful to Fred Meijer, of the RKD, The Hague, for confrming the
attribution on the basis of photographs.
546
110
547
30,000-50,000
PROVENANCE:
P. Mitchell, Jan van Os. 1744-1808, Leigh-on-Sea, 1968, p. 31, no. 62.
$46,000-75,000
42,000-70,000
111
548
n*548
549
6,000-8,000
8,000-12,000
549
oil on canvas
18 x 27 in. (47 x 68.6 cm.)
a pair (2)
$13,000-18,000
12,000-17,000
$9,100-12,000
8,400-11,000
n550
6,000-8,000
$9,100-12,000
8,400-11,000
PROVENANCE:
550
n551
5,000-8,000
$7,600-12,000
7,000-11,000
551
113
552
a pair (2)
20,000-30,000
114
$31,000-45,000
28,000-42,000
553
7,000-10,000
$11,000-15,000
9,800-14,000
PROVENANCE:
115
554
5,000-7,000
$7,600-11,000
7,000-9,700
554
555
4,000-6,000
$6,100-9,000
5,600-8,400
EXHIBITED:
555
116
n556
a pair (2)
10,000-15,000
$16,000-23,000
14,000-21,000
117
557
5,000-8,000
$7,600-12,000
7,000-11,000
558
4,000-6,000
$6,100-9,000
5,600-8,400
The present lot relates to a lost painting of similar composition (see B. Gaehtgens,
Adrian van der Werff, Munich, 1987, p. 355, no. 100).
559
2,000-3,000
557
558
118
559
$3,100-4,500
2,800-4,200
560
a pair (2)
15,000-20,000
$23,000-30,000
21,000-28,000
119
561
GASPARD DUGHET,
CALLED GASPARD POUSSIN
(ROME 1615-1675)
A view of Tivoli with classical
fgures conversing on a shore
oil on canvas
29 x 38 in. (73.7 x 97 cm.)
5,000-7,000 $7,600-11,000
7,000-9,700
561A
ATTRIBUTED TO
JOACHIM FRANZ BEICH
(RAVENSBURG 1665-1748
MUNICH)
A wooded river landscape
with classical fgures fshing,
mountains beyond; and
A wooded river landscape
with drovers and their cattle,
mountains beyond
oil on canvas
14 x 19 in. (36 x 48.5 cm.)
a pair (2)
561
6,000-8,000 $9,100-12,000
8,400-11,000
561A
120
562
25,000-35,000
$38,000-53,000
35,000-49,000
PROVENANCE:
with Colnaghi, London, where acquired in May 1971 by the father of the present owner.
LITERATURE:
A. Busiri Vici, Jan Frans Van Bloemen Orizzonte e lorigine del paesaggio romano
settecentesco, Rome, 1974, no. 183, whereabouts unknown.
121
122
563
ANDREA LOCATELLI
(ROME 1695-1741)
A wooded river landscape with fsherman
on the shore,
a town on a hilltop beyond
PROVENANCE:
oil on canvas
20 x 29 in. (52.5 x 74.5 cm.)
in a Carlo Maratta frame
EXHIBITED:
30,000-50,000
$46,000-75,000
42,000-70,000
Knapp-Fisher Collection.
with Agnews, London, where acquired in
February 1971 by the father of the present
owner.
564
FOLLOWER OF GASPAR
VAN WITTEL, IL VANVITELLI
A view of Tivoli with an artist
sketching on a shore and other
fgures
signed[?] A.v.(?) Fe: (lower left)
oil on canvas
14 x 18 in. (35.5 x 46 cm.)
4,000-6,000
$6,100-9,000
5,600-8,400
564
565
FRANCESCO IGNAZIO
BORGOGNONE (1660-1731)
A wooded river landscape
with travellers on a path
and fshermen on a shore,
mountains beyond
oil on canvas
18 x 24 in (46 x 61.5 cm.)
3,000-5,000
$4,600-7,500
4,200-7,000
565
124
n566
MARCANTONIO FRANCESCHINI
(BOLOGNA 1648-1729)
Rest during the Flight into Egypt
oil on canvas
45 x 69 in. (115.7 x 177 cm.)
10,000-15,000
$16,000-23,000
14,000-21,000
PROVENANCE:
125
567
20,000-30,000
$31,000-45,000
28,000-42,000
PROVENANCE:
Elisabeth Cousinet-Lempereur.
126
568
a pair (2)
6,000-8,000
$9,100-12,000
8,400-11,000
569
6,000-8,000
$9,100-12,000
8,400-11,000
n570
oil on canvas
30 x 36 in. (76.6 x 91.5 cm.)
7,000-10,000
$11,000-15,000
9,800-14,000
n571
5,000-7,000
569
128
$7,600-11,000
7,000-9,700
570
571
129
n572
FOLLOWER OF
GIAMBATTISTA TIEPOLO
The banquet of Cleopatra and
Marc Anthony
oil on canvas
48 x 58 in. (123.3 x 147.4 cm.)
7,000-10,000
$11,000-15,000
9,800-14,000
572
573
10,000-15,000
573
130
$16,000-23,000
14,000-21,000
n574
4,000-6,000
$6,100-9,000
5,600-8,400
PROVENANCE:
574
n575
CIRCLE OF GIOVANNI
PAOLO PANINI
(PIACENZA 1691-1765
ROME)
An architectural capriccio with
the Pantheon, an obelisk, an
equestrian statue and a ruined
temple, with classical fgures
conversing in the foreground
inscribed M.AGRIPPA.L.F.COS.
TERTIVM. (on the Pantheon)
oil on canvas
44 x 56 in. (112.2 x 144.2 cm.)
20,000-30,000
$31,000-45,000
28,000-42,000
575
131
576
a pair (2)
30,000-50,000
$46,000-75,000
42,000-70,000
PROVENANCE:
132
133
Index
A
Gainsborough, 522
Garvey, 528
Geldorp, 421, 427
German School, 404
Giordano, 480
Goubau, 542
Govaerts, 412, 418
Greenhill, 463
Griffier, 416
Nasmyth, 535
Neefs, 471
Netscher, 453
North Italian School, 488,
554
B
Barocci, 489
Bassano, J., 486
Bassano, L., 483
Beach, 523-525
Beich, 561A
Borgognone, 565
Brandi, 509
Bruegel, 413
Brueghel, 415
C
van der Cabel, 541
Carracci, 496
Central Italian School, 507
Cesare da Sesto, 475
van Cleve, J., 406
van Cleve, M., 410
Collier, 540
de Coster, 501
Cosway, 529
Curradi, 497
D
Dandini, 499
David, 442
Devis, 526
Dughet, 561
Dutch School, 449, 450
van Dyck, 423, 436,-438, 441
E
English School, 429, 430,
432, 434, 435, 521
F
Ferguson, 468
Fetti, 508
Finson, 500
Flemish School, 409
Florentine School, 490
Floris, 407
Franceschini, 566
Frangipane, 493
French School, 504, 505,
539, 551, 556
134
H
Heeremans, 536
van Hees, 417
Heinz, 573
Hispano-Flemish School, 405
de Hooch, 467
van Houbraken, 549
Hudson, 447, 448
Hulsmann, 455
J
Jervas, 445
Jonson, 433
K
Ketel, 451
Kneller, 443, 444
L
Lambert, 520
Lawrence, 532, 533
Lely, 439
Linthorst, 546
van Loo, 472, 574
Locatelli, 563
Lopez, 560
Lorrain, 510, 512, 513
de Loutherbourg, 531
M
Maes, 464
Massot, 555
Master of
Charles of Durazzo, 402
Master of the Langmatt
Foundation Views, 576
Master of the Morrison
Triptych, 403
Michau, 419
Mierevelt, 452
Molenaer, 545
Monnoyer, 473
Mortel, 545A
O
dOggiono, 478
van Oosten, 411
Orizzonte, 562
van Os, 544, 547
van Ostade, 457
P
Panini, 567, 570, 575
Payne, 527
Perino del Vaga, 479
Pillement, 552
Pourbus, 422
Pozzoserrato, 492
Pseudo Gerino da Pistoia, 477
R
Raeburn, 534
Ramsay, 446
Rathbone, 519
Rembrandt, 454
Reynolds, 515
Riley, 462
Rombouts, 456
Romney, 516, 517
Roos, 568
Rosa da Tivoli, 571
Rubens, 424-426, 428
van Ruisdael, 538
Ryckaert, 420
S
Sabatini, 476
Saftleven, C., 470
Saftleven, H., 461
Salviati, 491
Sienese School, 494
Smith of Chichester, 518
Soest, 440
Sorgh, 458
South German School, 557
Stomer, 502, 503
Sustris, 487
V
Vanvitelli, 564
Venetian School, 482, 559
Veronese, 484
Veronese School, 495
de Verwer, 460
Vestier, 553
Vignali, 498
Vinckboons, 408, 414
Vromans, 469
W
van der Werff, 558
de Wet, 465
Wou, 459
Wouwerman, J., 543
Wouwerman, P., 537
Wright of Derby, 514
Z
Zais, 569
Zoffany, 530
Zuera, 401
Conditions of Sale
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These Conditions of Sale and the Important Notices
and Explanation of Cataloguing Practice set out
the terms on which we offer the lots listed in this
catalogue for sale. By registering to bid and/or
by bidding at auction you agree to these terms so
you should read them carefully before doing so.
You will find a glossary at the end explaining the
meaning of the words and expressions coloured
in bold.
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A BEFORE THE SALE
1 DESCRIPTION OF LOTS
(a) Certain words used in the catalogue description
have special meanings. You can find details of
these on the page headed Important Notices and
Explanation of Cataloguing Practice which forms
part of these terms. You can find a key to the
Symbols found next to certain catalogue entries
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Used in this Catalogue.
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any lot, including about its nature or condition,
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DESCRIPTION OF LOTS
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(a) If you are planning to bid on a lot, you should
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(a) Coloured gemstones (such as rubies, sapphires years or if you want to spend more than on previous
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every gemstone sold in our auctions. Where we bid, we may cancel the contract for sale between
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will be described in the catalogue. Reports from 4 BIDDING ON BEHALF OF
American gemmological laboratories will describe
ANOTHER PERSON
any improvement or treatment to the gemstone. If you are bidding on behalf of another person,
Reports from European gemmological laboratories that person will need to complete the registration
will describe any improvement or treatment only requirements above before you can bid, and supply
if we request that they do so, but will confirm a signed letter authorising you to bid for him/
when no improvement or treatment has been her. A bidder accepts personal liability to pay the
made. Because of differences in approach and purchase price and all other sums due unless it
technology, laboratories may not agree whether a has been agreed in writing with Christies before
particular gemstone has been treated, the amount commencement of the auction that the bidder is
of treatment or whether treatment is permanent. acting as an agent on behalf of a named third party
The gemmological laboratories will only report acceptable to Christies and that Christies will only
on the improvements or treatments known to the seek payment from the named third party.
laboratories at the date of the report.
(d) For jewellery sales, estimates are based on the 5 BIDDING IN PERSON
information in any gemmological report or, if no If you wish to bid in the saleroom you must
report is available, assume that the gemstones may register for a numbered bidding paddle at least
have been treated or enhanced.
30 minutes before the auction. You may register
online at www.christies.com or in person. For
7 WATCHES & CLOCKS
help, please contact the Credit Department on +44
(a) Almost all clocks and watches are repaired in (0)20 7839 9060.
their lifetime and may include parts which are
not original. We do not give a warranty that 6 BIDDING SERVICES
any individual component part of any watch is The bidding services described below are a free
authentic. Watchbands described as associated service offered as a convenience to our clients and
are not part of the original watch and may not be Christies is not responsible for any error (human
authentic. Clocks may be sold without pendulums, or otherwise), omission or breakdown in providing
weights or keys.
these services.
(b) As collectors watches often have very fine and
complex mechanisms, a general service, change of (a) Phone Bids
battery or further repair work may be necessary,
Your request for this service must be made no
for which you are responsible. We do not give a
later than 24 hours prior to the auction. We
warranty that any watch is in good working order.
will accept bids by telephone for lots only if our
Certificates are not available unless described in
staff are available to take the bids. If you need
the catalogue.
to bid in a language other than in English, you
(c) Most wristwatches have been opened to find out must arrange this well before the auction. We
the type and quality of movement. For that reason, may record telephone bids. By bidding on the
wristwatches with water resistant cases may not be telephone, you are agreeing to us recording your
waterproof and we recommend you have them conversations. You also agree that your telephone
checked by a competent watchmaker before use.
bids are governed by these Conditions of Sale.
Important information about the sale, transport and
shipping of watches and watchbands can be found
(b) Internet Bids on Christies Live
in paragraph H2(h).
For certain auctions we will accept bids over
the Internet. Please visit www.christies.com/
B
REGISTERING TO BID
livebidding and click on the Bid Live icon to see
1 NEW BIDDERS
details of how to watch, hear and bid at the auction
(a) If this is your first time bidding at Christies or from your computer. As well as these Conditions
you are a returning bidder who has not bought of Sale, internet bids are governed by the Christies
anything from any of our salerooms within the last LIVE terms of use which are available on www.
two years you must register at least 48 hours before christies.com.
an auction to give us enough time to process and
approve your registration. We may, at our option, (c) Written Bids
decline to permit you to register as a bidder. You You can find a Written Bid Form at the back of our
will be asked for the following:
catalogues, at any Christies office or by choosing
(i) for individuals: Photo identification (driving the sale and viewing the lots online at www.
licence, national identity card or passport) and, if christies.com. We must receive your completed
not shown on the ID document, proof of your Written Bid Form at least 24 hours before the
current address (for example, a current utility bill auction. Bids must be placed in the currency of the
or bank statement).
saleroom. The auctioneer will take reasonable steps
(ii) for corporate clients: Your Certificate of to carry out written bids at the lowest possible price,
Incorporation or equivalent document(s) showing taking into account the reserve. If you make a
your name and registered address together with written bid on a lot which does not have a reserve
documentary proof of directors and beneficial and there is no higher bid than yours, we will bid
owners; and
on your behalf at around 50% of the low estimate
(iii) for trusts, partnerships, offshore companies or, if lower, the amount of your bid. If we receive
and other business structures, please contact us in written bids on a lot for identical amounts, and at
advance to discuss our requirements.
the auction these are the highest bids on the lot,
(b) We may also ask you to give us a financial we will sell the lot to the bidder whose written bid
reference and/or a deposit as a condition of we received first.
allowing you to bid. For help, please contact our
Credit Department on +44 (0)20 7839 9060.
C
AT THE SALE
1 WHO CAN ENTER THE AUCTION
We may, at our option, refuse admission to our
premises or decline to permit participation in any
auction or to reject any bid.
2 RESERVES
Unless otherwise indicated, all lots are subject to a
reserve. We identify lots that are offered without
reserve with the symbol ; next to the lot number.
The reserve cannot be more than the lots low
estimate.
3 AUCTIONEERS DISCRETION
The auctioneer can at his sole option:
(a) refuse any bid;
(b) move the bidding backwards or forwards in any
way he or she may decide, or change the order of
the lots;
(c) withdraw any lot;
(d) divide any lot or combine any two or more
lots;
(e) reopen or continue the bidding even after the
hammer has fallen; and
(f) in the case of error or dispute and whether
during or after the auction, to continue the bidding,
determine the successful bidder, cancel the sale of
the lot, or reoffer and resell any lot. If any dispute
relating to bidding arises during or after the auction,
the auctioneers decision in exercise of this option is
final.
4 BIDDING
The auctioneer accepts bids from:
(a) bidders in the saleroom;
(b) telephone bidders, and internet bidders through
Christies LIVE (as shown above in Section B6);
and
(c) written bids (also known as absentee bids or
commission bids) left with us by a bidder before the
auction.
5 BIDDING ON BEHALF OF THE SELLER
The auctioneer may, at his or her sole option, bid
on behalf of the seller up to but not including
the amount of the reserve either by making
consecutive bids or by making bids in response
to other bidders. The auctioneer will not identify
these as bids made on behalf of the seller and will
not make any bid on behalf of the seller at or above
the reserve. If lots are offered without reserve,
the auctioneer will generally decide to open the
bidding at 50% of the low estimate for the lot.
If no bid is made at that level, the auctioneer may
decide to go backwards until a bid is made, and
then continue up from that amount. In the event
that there are no bids on a lot, the auctioneer may
deem such lot unsold.
6 BID INCREMENTS
Bidding generally starts below the low estimate and
increases in steps (bid increments). The auctioneer
will decide at his or her sole option where the
bidding should start and the bid increments. The
usual bid increments are shown for guidance only on
the Written Bid Form at the back of this catalogue.
7 CURRENCY CONVERTER
The saleroom video screens (and Christies LIVETM)
may show bids in some other major currencies as
well as sterling. Any conversion is for guidance only
and we cannot be bound by any rate of exchange
used. Christies is not responsible for any error
(human or otherwise), omission or breakdown in
providing these services.
8 SUCCESSFUL BIDS
Unless the auctioneer decides to use his or her
discretion as set out in paragraph C3 above, when
the auctioneers hammer strikes, we have accepted
the last bid. This means a contract for sale has been
formed between the seller and the successful bidder.
We will issue an invoice only to the registered
bidder who made the successful bid. While we
send out invoices by post and/or email after the
auction, we do not accept responsibility for telling
you whether or not your bid was successful. If you
have bid by written bid, you should contact us by
telephone or in person as soon as possible after the
auction to get details of the outcome of your bid
to avoid having to pay unnecessary storage charges.
F
PAYMENT
1 HOW TO PAY
(a) Immediately following the auction, you must
pay the purchase price being:
(i) the hammer price; and
(ii) the buyers premium; and
(iii) any amounts due under section D3 above; and
(iv) any duties, goods, sales, use, compensating or
service tax or VAT.
Payment is due no later than by the end of the
seventh calendar day following the date of the
auction (the due date).
(b) We will only accept payment from the
registered bidder. Once issued, we cannot change
the buyers name on an invoice or re-issue the
invoice in a different name. You must pay
immediately even if you want to export the lot and
you need an export licence.
(c) You must pay for lots bought at Christies in
the United Kingdom in the currency stated on the
invoice in one of the following ways:
(i) Wire transfer
You must make payments to:
Lloyds Bank Plc, City Office, PO Box 217, 72
Lombard Street, London EC3P 3BT. Account
number: 00172710, sort code: 30-00-02 Swift
code: LOYDGB2LCTY. IBAN (international bank
account number): GB81 LOYD 3000 0200 1727
10.
(ii) Credit Card.
We accept most major credit cards subject to certain
conditions. To make a cardholder not present
(CNP) payment, you must complete a CNP
authorisation form which you can get from our
Cashiers Department. You must send a completed
CNP authorisation form by fax to +44 (0)20 7389
2869 or by post to the address set out in paragraph
(d) below. If you want to make a CNP payment
over the telephone, you must call +44 (0)20 7839
9060. CNP payments cannot be accepted by all
salerooms and are subject to certain restrictions.
Details of the conditions and restrictions applicable
to credit card payments are available from our
Cashiers Department, whose details are set out in
paragraph (d) below.
(iii) Cash
We accept cash subject to a maximum of j5,000
per buyer per year at our Cashiers Department only
(subject to conditions).
(iv) Bankers draft
You must make these payable to Christies and there
may be conditions.
(v) Cheque
You must make cheques payable to Christies.
Cheques must be from accounts in pounds sterling
from a United Kingdom bank.
(d) You must quote the sale number, your
invoice number and client number when making
a payment. All payments sent by post must be sent
to: Christies, Cashiers Department, 8 King Street,
St Jamess, London, SW1Y 6QT.
(e) For more information please contact our
Cashiers Department by phone on +44 (0)20 7839
9060 or fax on +44 (0)20 7389 2869.
2. TRANSFERRING OWNERSHIP TO YOU
You will not own the lot and ownership of
the lot will not pass to you until we have
received full and clear payment of the
purchase
price, even in circumstances
where we have released the lot to the buyer.
3 TRANSFERRING RISK TO YOU
The risk in and responsibility for the lot will
transfer to you from whichever is the earlier of the
following:
(a) When you collect the lot; or
(b) At the end of the seventh day following the
date of the auction or, if earlier, the date the lot is
taken into care by a third party warehouse as set out
on the page headed Storage and Collection, unless
we have agreed otherwise with you.
4 WHAT HAPPENS IF YOU DO NOT PAY
(a) If you fail to pay us the purchase price in full
by the due date, we will be entitled to do one or
more of the following (as well as enforce our rights
under paragraph F5 and any other rights we have by
law):
(i) to charge interest from the due date at a rate of
5% a year above the UK Lloyds Bank base rate from
time to time on the unpaid amount due;
137
138
10 REPORTING ON
WWW.CHRISTIES.COM
Details of all lots sold by us, including catalogue
descriptions and prices, may be reported on
www.christies.com. Sales totals are hammer
price plus buyers premium and do not reflect
J
OTHER TERMS
costs, financing fees, or application of buyers or
sellers credits. We regret that we cannot agree
1
OUR ABILITY TO CANCEL
In addition to the other rights of cancellation to requests to remove these details from www.
contained in this agreement, we can cancel a sale of christies.com.
a lot if we reasonably believe that completing the
GLOSSARY
transaction is, or may be, unlawful or that the sale J
places us or the seller under any liability to anyone authentic: a genuine example, rather than a copy
else or may damage our reputation.
or forgery of:
(i) the work of a particular artist, author or
2 RECORDINGS
manufacturer, if the lot is described in the
We may videotape and record proceedings at any Heading as the work of that artist, author or
auction. We will keep any personal information manufacturer;
confidential, except to the extent disclosure is (ii) a work created within a particular period or
required by law. However, we may, through this culture, if the lot is described in the Heading as a
process, use or share these recordings with another work created during that period or culture;
Christies Group company and marketing partners (iii) a work for a particular origin source if the lot
to analyse our customers and to help us to tailor is described in the Heading as being of that origin
our services for buyers. If you do not want to be or source; or
videotaped, you may make arrangements to make (iv) in the case of gems, a work which is made of
a telephone or written bid or bid on Christies a particular material, if the lot is described in the
LIVE instead. Unless we agree otherwise Heading as being made of that material.
in writing, you may not videotape or record authenticity warranty: the guarantee we give in
proceedings at any auction.
this agreement that a lot is authentic as set out in
section E2 of this agreement.
3 COPYRIGHT
buyers premium: the charge the buyer pays us
We own the copyright in all images, illustrations and along with the hammer price.
written material produced by or for us relating to a catalogue description: the description of a lot
lot (including the contents of our catalogues unless in the catalogue for the auction, as amended by any
otherwise noted in the catalogue). You cannot use saleroom notice.
them without our prior written permission. We Christies Group: Christies International Plc,
do not offer any guarantee that you will gain any its subsidiaries and other companies within its
copyright or other reproduction rights to the lot.
corporate group.
condition: the physical condition of a lot.
4 ENFORCING THIS AGREEMENT
due date: has the meaning given to it in paragraph
If a court finds that any part of this agreement is not F1(a).
valid or is illegal or impossible to enforce, that part estimate: the price range included in the catalogue
of the agreement will be treated as being deleted or any saleroom notice within which we believe
and the rest of this agreement will not be affected. a lot may sell. Low estimate means the lower
figure in the range and high estimate means the
5 TRANSFERRING YOUR RIGHTS
higher figure. The mid estimate is the midpoint
AND RESPONSIBILITIES
between the two.
You may not grant a security over or transfer your hammer price: the amount of the highest bid the
rights or responsibilities under these terms on the auctioneer accepts for the sale of a lot.
contract of sale with the buyer unless we have Heading: has the meaning given to it in paragraph
given our written permission. This agreement will E2.
be binding on your successors or estate and anyone lot: an item to be offered at auction (or two or
who takes over your rights and responsibilities.
more items to be offered at auction as a group).
other damages: any special, consequential,
6 TRANSLATIONS
incidental or indirect damages of any kind or any
If we have provided a translation of this agreement, damages which fall within the meaning of special,
we will use this original version in deciding any incidental or consequential under local law.
issues or disputes which arise under this agreement. purchase price: has the meaning given to it in
paragraph F1(a).
7 PERSONAL INFORMATION
provenance: the ownership history of a lot.
We will hold and process your personal information qualified: has the meaning given to it in paragraph
and may pass it to another Christies Group E2 and Qualified Headings means the section
company for use as described in, and in line with, headed Qualified Headings on the page of
our privacy policy at www.christies.com.
the catalogue headed Important Notices and
Explanation of Cataloguing Practice.
reserve: the confidential amount below which we
8 WAIVER
No failure or delay to exercise any right or remedy will not sell a lot.
provided under these Conditions of Sale shall saleroom notice: a written notice posted next to
constitute a waiver of that or any other right or the lot in the saleroom and on www.christies.
remedy, nor shall it prevent or restrict the further com, which is also read to prospective telephone
exercise of that or any other right or remedy. No bidders and notified to clients who have left
single or partial exercise of such right or remedy commission bids, or an announcement made by the
shall prevent or restrict the further exercise of that auctioneer either at the beginning of the sale, or
before a particular lot is auctioned.
or any other right or remedy.
UPPER CASE type: means having all capital
letters.
9 LAW AND DISPUTES
This agreement, and any non-contractual obligations warranty: a statement or representation in which
arising out of or in connection with this agreement, or the person making it guarantees that the facts set
any other rights you may have relating to the purchase out in it are correct.
of a lot will be governed by the laws of England and
Wales. Before we or you start any court proceedings
(except in the limited circumstances where the dispute,
controversy or claim is related to proceedings brought
by someone else and this dispute could be joined
We will use the VAT Margin Scheme. No VAT will be charged on the hammer price.
VAT at 20% will be added to the buyers premium but will not be shown separately on our invoice.
We will invoice under standard VAT rules and VAT will be charged at 20% on both the hammer price and buyers premium
and shown separately on our invoice.
For qualifying books only, no VAT is payable on the hammer price or the buyers premium.
These lots have been imported from outside the EU for sale and placed under the Temporary Admission regime.
Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyers premium but will not be shown separately
on our invoice.
These lots have been imported from outside the EU for sale and placed under the Temporary Admission regime.
Customs Duty as applicable will be added to the hammer price and Import VAT at 20% will be charged on the Duty Inclusive hammer price.
VAT at 20% will be added to the buyers premium but will not be shown separately on our invoice.
The VAT treatment will depend on whether you have registered to bid with an EU or non-EU address:
; If you register to bid with an address within the EU you will be invoiced under the VAT Margin Scheme (see No Symbol above).
; If you register to bid with an address outside of the EU you will be invoiced under standard VAT rules (see symbol above)
For wine offered in bond only. If you choose to buy the wine in bond no Excise Duty or Clearance VAT will be charged on the hammer.
If you choose to buy the wine out of bond Excise Duty as applicable will be added to the hammer price and Clearance VAT at 20% will be
charged on the Duty inclusive hammer price. Whether you buy the wine in bond or out of bond, 20% VAT will be added to the
buyers premium and shown on the invoice.
No refund is possible
No symbol and
* and
EU VAT registered
buyer
No Symbol, and #
Subject to HMRCs rules, you can reclaim the Import VAT charged on the hammer price through
your own VAT return when you are in receipt of a C79 form issued by HMRC. The VAT
amount in the buyers premium is invoiced under Margin Scheme rules so cannot normally be
claimed back. However, if you request to be re-invoiced outside of the Margin Scheme under
standard VAT rules (as if the lot had been sold with a symbol) then, subject to HMRCs rules,
you can reclaim the VAT charged through your own VAT return.
The VAT amount in the buyers premium cannot be refunded. However,
on request we can re-invoice you outside of the VAT Margin Scheme under normal UK VAT
rules (as if the lot had been sold with a symbol).
See below for the rules that would then apply.
If you provide us with your EU VAT number we will not charge VAT on the
buyers premium. We will also refund the VAT on the hammer price if you
ship the lot from the UK and provide us with proof of shipping, within three months
of collection.
* and
The VAT amount on the hammer and in the buyers premium cannot be refunded.
However, on request we can re-invoice you outside of the VAT Margin Scheme under normal
UK VAT rules (as if the lot had been sold with a symbol).
See above for the rules that would then apply.
If you meet ALL of the conditions in notes 1 to 3 below we will refund the following tax charges:
Non EU buyer
No Symbol
and
We will refund the VAT charged on the hammer price. VAT on the buyers premium can
only be refunded if you are an overseas business.
The VAT amount in the buyers premium cannot be refunded to non-trade clients.
(wine only)
No Excise Duty or Clearance VAT will be charged on the hammer price providing you export
the wine while in bond directly outside the EU using an Excise authorised shipper. VAT on the
buyers premium can only be refunded if you are an overseas business. The VAT amount in the
buyers premium cannot be refunded to non-trade clients.
* and
We will refund the Import VAT charged on the hammer price and the VAT amount
in the buyers premium.
Please note that lots are marked as a convenience to you and we shall not be liable for any errors in, or failure to, mark a lot.
140
Furniture/
Large Objects
Transfer/Admin
Storage per day
Extended
Liability Charge:
j42.00
j21.00
j5.25
j2.65
The lower amount of 0.6% of
Hammer Price or 100% of the
above charges
Pictures/
Small Objects
141
INDIA
MUMBAI
RUSSIA
MOSCOW
UNITED KINGDOM
LONDON
LONDON,
SOUTH KENSINGTON
BELGIUM
BRUSSELS
DELHI
SPAIN
BARCELONA
ISRAEL
TEL AVIV
MADRID
+358 40 5837945
Barbro Schauman
(Consultant)
FRANCE
PARIS
+33 (0)1 40 76 85 85
GERMANY
DSSELDORF
+49 (0)89 24 20 96 80
Marie Christine Grfin
Huyn
STUTTGART
+49 (0)71 12 26 96 99
Eva Susanne Schweizer
DENOTES SALEROOM
ITALY
MILAN
+377 97 97 11 00
Nancy Dotta
THE NETHERLANDS
AMSTERDAM
PORTUGAL
LISBON
E MA I L info@christies.com
16/02/15
142
INDIAN
CONTEMPORARY ART
POSTERS
PRINTS
JAPANESE
WORKS OF ART
JEWELLERY
AUSTRALIAN PICTURES
MARITIME PICTURES
BOOKS AND
MANUSCRIPTS
SWISS ART
MINIATURES
TOPOGRAPHICAL
PICTURES
MODERN DESIGN
ORIENTAL CERAMICS
AND WORKS OF ART
SILVER
TWENTIETH CENTURY
BRITISH ART
EUROPEAN CERAMICS
AND GLASS
NINETEENTH CENTURY
FURNITURE AND
SCULPTURE
SCULPTURE
TRIBAL AND
PRE-COLUMBIAN ART
CONTEMPORARY ART
COSTUME, TEXTILES
AND FANS
MUSICAL INSTRUMENTS
New York
Tel: +1 212 355 1501
Fax: +1 212 355 7370
Email: christieseducation@
christies.edu
Hong Kong
Tel: +852 2978 6747
Fax: +852 2525 3856
Email: hkcourse@
christies.com
CHRISTIES FINE ART
STORAGE SERVICES
New York
+1 212 974 4570
newyork@cfass.com
Singapore
Tel: +65 6543 5252
Email: singapore@cfass.
com
CHRISTIES
INTERNATIONAL
REAL ESTATE
PRIVATE SALES
New York
Tel +1 212 468 7182
Fax +1 212 468 7141
VALUATIONS
info@christiesrealestate.com
London
Tel +44 20 7389 2551
Fax +44 20 7389 2168
info@christiesrealestate.com
info@christiesrealestate.com
WINE
POST-WAR ART
CHRISTIES EDUCATION
London
Tel: +44 (0)20 7665 4350
Fax: +44 (0)20 7665 4351
Email: education@
christies.com
VICTORIAN PICTURES
PHOTOGRAPHS
CORPORATE
COLLECTIONS
Hong Kong
Tel +852 2978 6788
Fax +852 2845 2646
POPULAR CULTURE
AND ENTERTAINMENT
OTHER SERVICES
AUCTION SERVICES
KEY TO ABBREVIATIONS
KS:
London, King Street
NY:
New York, Rockefeller Plaza
PAR:
Paris
SK:
London, South Kensington
06/11/14
Retrace the footsteps of the Grand Tour, discover the stories behind famous battles,
people and provenance, and learn about methods and materials in the fne and decorative arts,
with our specialist-led tours of the upcoming sales of Old Master Pictures,
European Noble and Private Collections, and Around the World.
Christies
South Kensington
85 Old Brompton Road
London SW7 3LD
Kindly supported by
Children welcome
Sole UK affiliate of
Christies International Real Estate
Viewing
Contact
Descendants of His Royal Highness Prince Ferdinand of Bavaria, Infante of Spain (18841958)
The Royal House of Saxony, the House of Wettin A. L. (Albertine Line)
Heinrich Ahasverus Count von Lehndorff-Steinort (19091944)
The Blair Charitable Trust, removed From Blair Castle, Blair Atholl, Scotland
25 29 April
85 Old Brompton Road
London SW7 3LD
Charlotte Young
cyoung@christies.com
+44 (0) 20 7389 2730
christies.com
Jewellery
London, South Kensington 14 April 2015
Viewing
Contact
Geoff Young
gyoung@christies.com
+44 (0)20 7752 3267
Swiss Art
Zurich 5 May 2015
Viewing
Contact
14 May 2015
Kunsthaus Zrich, Vortragssaal
8001 Zurich
Hans-Peter Keller
hkeller@christies.com
+41 (0) 44 268 10 12
christies.com
Written bids must be received at least 24 hours before the auction begins.
Christies will confirm all bids received by fax by return fax. If you have not received
confirmation within one business day, please contact the Bid Department.
Tel: +44 (0)20 7752 3225 Fax: +44 (0)20 7581 1403 on-line www.christies.com
10448
Sale Number
BIDDING INCREMENTS
Bidding generally starts below the low estimate and
increases in steps (bid increments) of up to 10 per cent.
The auctioneer will decide where the bidding should
start and the bid increments. Written bids that do not
conform to the increments set below may be lowered
to the next bidding interval.
UK50 to UK 1,000
by UK50s
UK1,000 to UK2,000
by UK100s
UK2,000 to UK3,000
by UK200s
UK3,000 to UK5,000
UK5,000 to UK10,000
by UK500s
UK10,000 to UK20,000
by UK1,000s
UK20,000 to UK30,000
by UK2,000s
UK30,000 to UK50,000
UK50,000 to UK100,000
by UK5,000s
UK100,000 to UK120,000
by UK10,000s
Above UK200,000
at auctioneers discretion
Address
Post Code
Daytime Telephone
Evening Telephone
Fax (Important)
Please tick if you prefer not to receive information about our upcoming sales by e-mail
I have read and understood thIs WrItten BId Form and the CondItIons oF sale - Buyers agreement
Signature
If you have not previously bid or consigned with Christies, please attach copies of the following documents.
Individuals: government-issued photo identification (such as a photo driving licence, national identity card, or
passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank
statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts, offshore
companies or partnerships: please contact the Compliance Department at +44(0)20 7839 9060 for advice on
the information you should supply. If you are registering to bid on behalf of someone who has not previously
bid or consigned with Christies, please attach identification documents for yourself as well as the party on
whose behalf you are bidding, together with a signed letter of authorisation from that party. New clients,
clients who have not made a purchase from any Christies office within the last two years, and those wishing
to spend more than on previous occasions will be asked to supply a bank reference.
The auctioneer may vary the increments during the course of the
auction at his or her own discretion.
1. I request Christies to bid on the stated lots up to the
maximum bid I have indicated for each lot.
2. I understand that if my bid is successful, the amount payable
will be the sum of the hammer price and the buyers
premium (together with any taxes chargeable on the hammer
price and buyers premium and any applicable Artists Resale
Royalty in accordance with the Conditions of Sale). The buyers
premium rate shall be an amount equal to 25% of the hammer
price of each lot up to and including j50,000, 20% on any
amount over j50,000 up to and including j1,000,000 and 12%
of the amount above j1,000,000. For wine and cigars there is a
flat rate of 17.5% of the hammer price of each lot sold.
3. I agree to be bound by the Conditions of Sale printed in
the catalogue.
4. I understand that if Christies receive written bids on a lot for
identical amounts and at the auction these are the highest bids on
the lot, Christies will sell the lot to the bidder whose written bid
it received and accepted first.
5.
Written bids submitted on no reserve lots will, in the
absence of a higher bid, be executed at approximately 50% of the
low estimate or at the amount of the bid if it is less than 50%
of the low estimate.
I understand that Christies written bid service is a free service
provided for clients and that, while Christies will be as careful as
it reasonably can be, Christies will not be liable for any problems
with this service or loss or damage arising from circumstances
beyond Christies reasonable control.
Maximum Bid UK
(excluding buyers premium)
Lot number
(in numerical order)
Maximum Bid UK
(excluding buyers premium)
06.02.15
Code
Subscription Title
Location
A1
L193
L1
L195
L98
N193
N1
P1
K193
K9
K1
K2
K97
W9
Amsterdam
King Street
King Street
King Street
King Street
New York
New York
Paris
South Kensington
South Kensington
South Kensington
South Kensington
South Kensington
Worldwide
www.christies.com/shop
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Post-War and Contemporary Art
Old Master Paintings and 19th Century Paintings
Issues
2
2
5
2
1
2
3
1
2
1
4
5
1
4
UKPrice
US$Price
EURPrice
27
48
119
48
20
48
71
38
43
14
57
71
14
95
44
72
181
76
32
76
108
61
71
24
95
119
24
152
40
76
190
72
30
72
114
57
66
22
87
109
22
144
Christies
CHRISTIES INTERNATIONAL PLC
Patricia Barbizet, Chairwoman and CEO
Stephen Brooks, Global Chief Operating Officer
Loc Brivezac, Gilles Erulin, Gilles Pagniez,
Franois-Henri Pinault,
Jussi Pylkknen, Global President
CHRISTIES UK
CHAIRMANS OFFICE
Orlando Rock, Chairman
Nol Annesley, Honorary Chairman;
Richard Roundell, Vice Chairman;
Robert Copley, Deputy Chairman;
The Earl of Halifax, Deputy Chairman;
Francis Russell, Deputy Chairman;
Julia Delves Broughton, James Hervey-Bathurst,
Amin Jaffer, Nicholas White, Mark Wrey
SENIOR DIRECTORS
Dina Amin, Daniel Baade, Philip Belcher,
Jeremy Bentley, Ellen Berkeley, Jill Berry,
Peter Brown, James Bruce-Gardyne, Sophie Carter,
Benjamin Clark, Christopher Clayton-Jones,
Karen Cole, Isabelle de La Bruyere, Leila de Vos,
Nicole Dembinska, Paul Dickinson,
Harriet Drummond, Julie Edelson,
Hugh Edmeades, David Elswood, David Findlay,
Margaret Ford, Daniel Gallen, Karen Harkness,
Philip Harley, James Hastie, Karl Hermanns,
Paul Hewitt, Rachel Hidderley, Mark Hinton,
Nick Hough, Michael Jeha, Donald Johnston,
Erem Kassim-Lakha, William Lorimer,
Catherine Manson, John McDonald,
Nic McElhatton (Chairman, South Kensington),
Alexandra McMorrow, Jeremy Morrison,
Nicholas Orchard, Clarice Pecori-Giraldi,
Benjamin Peronnet, Henry Pettifer,
Steve Phipps, Will Porter, Paul Raison,
Tara Rastrick, William Robinson, John Stainton,
Alexis de Tiesenhausen, Lynne Turner, Jay Vincze,
Andrew Ward, David Warren, Andrew Waters,
Harry Williams-Bulkeley, Martin Wilson,
Andr Zlattinger
DIRECTORS
Richard Addington, Zoe Ainscough,
Georgiana Aitken, Marco Almeida, Maddie Amos,
Simon Andrews, Helen Baker, Karl Barry,
Rachel Beattie, Sven Becker, Jane Blood,
Piers Boothman, David Bowes-Lyon,
Anthony Brown, Lucy Brown, Robert Brown,
Grace Campbell, Lucy Campbell, Jason Carey,
Romilly Collins, Ruth Cornett, Nicky Crosbie,
Sigrun Danielsson, Armelle de Laubier-Rhally,
Sophie DuCret, Anna Evans, Arne Everwijn,
Adele Falconer, Nick Finch, Peter Flory,
Elizabeth Floyd, Christopher Forrest,
Giles Forster, Sarah Ghinn, Zita Gibson,
Alexandra Gill, Sebastian Goetz, John Green,
Simon Green, David Gregory, Mathilde Heaton,
Annabel Hesketh, Sydney Hornsby,
Peter Horwood, Simon James, Sabine Kegel,
Hans-Peter Keller, Tjabel Klok, Quincy Kresler,
Robert Lagneau, Nicholas Lambourn,
Joanna Langston, Tina Law, Darren Leak,
Adriana Leese, Brandon Lindberg, Laura Lindsay,
David Llewellyn, Murray Macaulay,
Sarah Mansfield, Nicolas Martineau,
09/03/15
+44 (0)20 7930 6074 telephone +44 (0)20 7389 2869 facsimile