Professional Documents
Culture Documents
PART A-D
INTRODUCTION TO CHINESE LIT
Chinese literature extends thousands of years, from the earliest recorded dynastic
court archives to the mature vernacular fiction novels that arose during the Ming Dynasty to
entertain the masses of literate Chinese. The introduction of widespread woodblock
printing during the Tang Dynasty (618907) and the invention of movable type printing by Bi
Sheng (9901051) during the Song Dynasty (9601279) rapidly spread written knowledge
throughout China. In more modern times, the author Lu Xun (18811936) is considered the
founder of baihua literature in China.
PRE CLASSICAL PERIOD
Formation of the earliest layer of Chinese literature was influenced by oral traditions of different
social and professional provenance: cult and lay musical practices (Shijing),[1]divination (Yi jing),
astronomy, exorcism. An attempt at tracing the genealogy of Chinese literature to religious spells
and incantations (the six zhu , as presented in the "Da zhu" chapter of the Rites of Zhou) was
made by Liu Shipei.
There is a wealth of early Chinese literature dating from the Hundred Schools of Thought that
occurred during the Eastern Zhou Dynasty (770-256 BC). The most important of these include
the Classics of Confucianism, of Daoism, of Mohism, of Legalism, as well as works of military
science and Chinese history. Note that, except for the books of poems and songs, most of this
literature is philosophical and didactic; there is little in the way of fiction. However, these texts
maintained their significance through both their ideas and their prose style.
The Confucian works in particular have been of key importance to Chinese culture and history,
as a set of works known as the Four Books and Five Classics were, in the 12th century AD,
chosen as the basis for the Imperial examination for any government post. These nine books
therefore became the center of the educational system. They have been grouped into two
categories: the Five Classics, allegedly commented and edited by Confucius, and the Four
Books. The Five Classics
Four Books[edit]
The Four Books (Chinese: ; pinyin: Ssh) are Chinese classic texts illustrating the core
value and belief systems in Confucianism. They were selected by Zhu Xi in the Song dynasty to
serve as general introduction to Confucian thought, and they were, in
the Ming and Qing dynasties, made the core of the official curriculum for the civil service
examinations.[2] They are:
Title
(English
)
Great
Learnin
g
Title
(Chinese
)
Brief Description
Doctrine
of the
Mean
Analects
Mencius
Five Classics[edit]
The Five Classics (simplified Chinese: ; traditional Chinese: ; pinyin: W Jng) are
five pre-Qin Chinese books that form part of the traditional Confucian canon. Several of the texts
were already prominent by the Warring States period. Mencius, the leading Confucian scholar of
the time, regarded the Spring and Autumn Annals as being equally important as the semilegendary chronicles of earlier periods. During the Western Han dynasty, which adopted
Confucianism as its official ideology, these texts became part of the state-sponsored curriculum.
It was during this period that the texts first began to be considered together as a set collection,
and to be called collectively the "Five Classics".[3]
The Five Classics are:
Title
(English)
Title
(Chinese
)
Classic of
Poetry
Book of
Document
s
Brief Description
A collection of 305 poems divided into 160 folk songs, 105 festal
songs sung at court ceremonies, and 40 hymns and eulogies sung at
sacrifices to gods and ancestral spirits of the royal house.
I Ching
(Book of
Changes)
Spring
and
Autumn
Annals
Book of
Rites
The Classic of Music () is sometimes considered as the sixth classic but was lost in
the Burning of the Books.
Up to the Western Han, authors would typically list the Classics in the order Poems-DocumentsRituals-Changes-Spring&Autumn. However from the Eastern Han the default order instead
became Changes-Documents-Poems-Rituals-Spring&Autumn.
Other important philosophical works include the Mohist Mozi, which taught "inclusive love"
as both an ethical and social principle, and Hanfeizi, one of the central Legalist texts.
Important Daoist classics include the Dao De Jing, the Zhuangzi, and the Classic of the Perfect
Emptiness. Later authors combined Daoism with Confucianism and Legalism, such as Liu
An (2nd century BC), whose Huainanzi (The Philosophers of Huai-nan) also added to the fields
of geography and topography.
Among the classics of military science, The Art of War by Sun Tzu (6th century BC) was perhaps
the first to outline guidelines for effective international diplomacy. It was also the first in a
tradition of Chinese military treatises, such as the Wujing Zongyao (Collection of the Most
Important Military Techniques, 1044 AD) and the Huolongjing (Fire Dragon Manual, 14th
century AD).
BC 18 AD) and the Shuowen Jiezi by Xu Shen (58147 AD). One of the largest was
the Kangxi Dictionary compiled by 1716 under the auspices of the Kangxi Emperor (r. 1661
1722); it provides definitions for over 47,000 characters.
Although court records and other independent records existed beforehand, the definitive work in
early Chinese historical writing was the Shiji, orRecords of the Grand Historian written by Han
Dynasty court historian Sima Qian (145 BC-90 BC). This groundbreaking text laid the
foundation for Chinese historiography and the many official Chinese historical texts compiled
for each dynasty thereafter. Sima Qian is often compared to the Greek Herodotus in scope and
method, because he covered Chinese history from the mythical Xia Dynasty until the
contemporary reign ofEmperor Wu of Han while retaining an objective and non-biased
standpoint. This was often difficult for the official dynastic historians, who used historical works
to justify the reign of the current dynasty. He influenced the written works of many Chinese
historians, including the works of Ban Gu and Ban Zhao in the 1st and 2nd centuries, and
even Sima Guang's 11th-century compilation of the Zizhi Tongjian, presented to Emperor
Shenzong of Song in 1084 AD. The overall scope of the historiographical tradition in China is
termed the Twenty-Four Histories, created for each successive Chinese dynasty up until the Ming
Dynasty (13681644); China's last dynasty, the Qing Dynasty (16441911), is not included.
Large encyclopedias were also produced in China through the ages. The Yiwen
Leiju encyclopedia was completed by Ouyang Xun in 624 during the Tang Dynasty, with aid
from scholars Linghu Defen and Chen Shuda. During the Song Dynasty, the compilation of
the Four Great Books of Song (10th century 11th century), begun by Li Fang and completed
by Cefu Yuangui, represented a massive undertaking of written material covering a wide range of
different subjects. This included the Extensive Records of the Taiping Era (978), the Imperial
Readings of the Taiping Era (983), the Finest Blossoms in the Garden of Literature (986), and
the Prime Tortoise of the Record Bureau (1013). Although these Song Dynasty Chinese
encyclopedias featured millions of written Chinese characters each, their aggregate size paled in
comparison to the later Yongle Encyclopedia (1408) of the Ming Dynasty, which contained a
total of 50 million Chinese characters.[4] Even this size was trumped by later Qing Dynasty
encyclopedias, such as the printed Gujin Tushu Jicheng (1726), which featured over 100 million
written Chinese characters in over 800,000 pages, printed in 60 different copies using coppermetal Chinese movable type printing. Other great encyclopedic writers include the polymath
scientist Shen Kuo (10311095) and his Dream Pool Essays, the agronomist and inventorWang
Zhen (fl. 12901333) and his Nongshu, and the minor scholar-official Song Yingxing (1587
1666) and his Tiangong Kaiwu.