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U S. DEPARTMENT OF REALM
nein/mows WELFARE'
NATIONAL INSTITUTE OF
"PERMISSION taT
MATERIAL HAS
EDUCATION
TO THE EDUCATI9
INFORMATJON CENT
USERS OF THg ERIC.
L,
A Selected Bibli,ographY
by
Judith Lynne Hanna
01976
rev. 1978.
Categories
flay
F.
p.
.
1
2
2
3
4'
II. Methods
A. General
B. Movement Natation and Analytic Units
Structural Analyses of Dance
C..
,,,
+,
11
lism
12
J'a
Vs
I.
Barthel, Roland. Elements of SemiolOgy. Trans. by Annette Lavers and Coln Smith.',
Boston:' deacon Press, 1967 (orig. 1953)
Uni-
Philadelphia:
Buckley, Walter ., " Society as a Complex' Adaptive System,"'in Walter Buckley, ed.,
Modern Systems Research for'the Behavioral Scientist. Chicago: Aldine, 1968,
pp. 490-513
Dittman; Allen T.
Doolio, Leonard W.
Feld, Steven.
217, 1974
New Haven:
New York:
Springer, 1973
New York:
Garden City:
Cate-
Anchor, 1966
Philadelphia:
Uni-
Lvi-Strauss, Claude.
--Structural Anthropology.
Chicago:
Garden City:
New York:
Psychological per
r
Scheflen, Albert E.
Englewood Cliffs:
Prentice.
'Hell, 1972
(-1
New York:
V.
B.
Chapple, Eliot.
1970
New York;
Douglas, Mary.
61-81, 1972
New York:
Fernandez, James. "The Mission of Metaphor in Expressiye Culture," Current Anthropology 15(2):119-145, 1974
Lessa, William A. and Evon Z. Vogt, eds.,Reader in Comparative Religion: An AnthropoloLical Approach. New York: Harper and Row, 1965, introductions
Nancy. "Symbolism in a Ritual Context: Aspects of Symbolic Action," in John
J. Honigniann, ed., Handbook or Social and Cultural Anthropology. Chicago: Rand
McNally, 1973, pp. 579-612
Munh,
Aesthetics:
Chicago:
Aldine, 1969
Chicago:
Albrecht, Milton D.
1563
Alland, Alexander Jr. The Artistic Animal: An Inquiry into the Biological Roots
of Art. Garden City, New York: Anchor Books, 1977
Batson, Gregory.
New York:
Ballantine, 1972
311, 1977,
Becker, Howard S.
767-776, 1;74
"Art as
BlacidnE, John.
0 Johannesbur:
Review 39(6):
Seattle:
Primitive Art.
New York:
fI
Journal of Aesthetics
Bloomington,
Duvignaud, Jean.
Goodman, Nelson.
London:
Addison-Wesley Modules.
c,
Merriam, Alan P.
Press, 1964
Rudner, Richard.
10:67-77, 1951
Schechner, Richard:
Public Domain.
Evanston:
New York:
Northwestern University
Avon, 1969
Schramm, Adelsida. The Role of Music in the Interaction of Black Americans and
Hispanos in New York City's East Harlem. Unzublished doctoral thesis, COlumbia
University, 1975
Seeger, Charles. "nisic as a Tradition of Communication, Discipline and Play,"
Ethnomusicology 6:156-163, 1962
Turner, Victor. Dramas, Fields, aneMetaphor:
Ithaca: Cornell University press, 1974
IBerlyne, D. E.
New York:
1971
Bouradsion, Erika, ed., Religion, Altez4ed States of Conscidusness and Social Change.
Ohio State University Press, 1973
Columbus:
Fisher, Seymour
Body Experience in Fantasy and Behaviour.
Century Crofts, 1970
Gardner, froward.
New York:
New York:
Appleton
Cognitive Psychology.
New York:
Appleton-Century-Crofts, 1967
San Francisco:
W. H.
Creativity
Barnett, H. G.
1953
New York:
McGraw, Hill,
Jackson, Philip W. and Samuel Messick. "The Person, the Product, and the Response:
Conceptual Problems in the Assessment of Creativity," in Jerome Kagan, ed.,
Creativity and Learning. Boston:. Houghton Mifflin,.1967, pp. 1-19
Koestler, Arthur. The Act of Creation: A Study of the Conscibua and Unconscious
in Science and Art. New York: Dell, 1967
Mueller, Robert E. The Science of Art:
New York: John Day Co.; 1967
Peckham, Morriss
Chilton, 1965
Man.'s Raze.
for Chaos:
Biology, Behavior
the Arts.
Philadelph:
Tallor, Irving A. "Ail Emerging View of Creative Actions," in IrVing A. Taylor and
J. W. Getzels, eds., perspectives in Creativity, Chicago: Aldine, 1975,
pp. 297-325
F.
Play
Georges, Robert A.
The'Relevance of Models for Analyses of Traditional play
Activities," Southern Folklore Quarterly 33(1):1-23, 1969
,41
Handelman, Don.
Sutton-Smith, Brian.
owards an Anthropologyof PlaY, ft Thl/Association for the
Anthropological.Stucjhj of Play Newsletter 1(2):8-15, 1974
Methods
A. General
Bateson, Gregory and Margaret Mead. Balinese Character: A PhotographicAnalysia.
New York:
Special Publications of the NY Academy of'Sciences, 1942;,,
Blacking, John. "Field Work in African Music," in Determa, pominque-aener, ed.,
Reflections on'Afro-Americar Music, Kent: Kent State Univergity, 1973,-pp207-220
Collier, John, Jr. Visual Anthropology:
Photography as a Research Method. ,New
York: Holt, Rinehart and Winston, 1967
Gol.de, Per and Helena C. Kraemfr. "Analysis of an Aesthetic 'Values Test: Detection of Inter-Subgroup Differences Within a Pottery Producing Community in
Mexico," AmericanAnthropologist 75(5):1260-1275, 1973
Hockings, Paul, ed. Principles of Visual Anthrotiology (World Aftthropology).
The Hague:
Mouton, 1975 (see especially Schaeffer, Krebs:Prost)
Pelto, Pertti J. and Gretel H. Pelto. Anthropological Research:
Inquiry. Rev. Ed. New York: Cambridge University Press.
The Structure of
--"Intra-dultural Diversity:
Some Theoretical Issues," American
Ethnologist 2(1):1-18, 1975
WiArn, Jacqueline P.
19 4
'"The
research
Web,"
Urban. Life
and Culture
3(3),:31'7-328,
.,
5.--
B.
Movement Notation.
Loudon:
London:
New York:
New York:
Theatre Arts \
.1
International Fol,k. Music Council Study Group'for Folk Dance Terminology. "Foundatio:
for'the Ahalysis of the. Structure and Ram of Folk Dance: A Syllabus," Yearbook
of the International Polk.MUsic Council 6:115-135, 1975
Theory and
Effort:
Plays,
Martin, Giorgy and Erno Pesovar. "Determination of Motive Types in. Dance Folklore,"
Acta Ethnografica Academiae Scieritiarium Hungaricae 12(3-4):295-332, 1963
C.
Structural
Analyses
1".
Conceptualizations of Dance
Armstron2, Robert Plaht. The A:fectI; Presence: An Essay in Humentstic Anthropology. Urbana :" University of ill ois Press, 1971
Bateson and Mead lsee II)
*vang-Pritchard, B. E.
The-Dance.
tional
Austin:
The University
An Introduction.
eitier, Hans and Shulamith Kreitler. "Dance," in Kreitler and Kreitler, Psychology
of the Arts. Durham: Duke University Press, 1972, pp. 157-185
1C,Irath, Gertrude.
'Langer, Susanne K.
A Theory of Art.
Sons, 1953
Problems of Art.
New York:
,--
Phenix,'PhilipH.
Readings.
"Kinetic Language and Vocabulary," 1970 Yearbookof the International Folk Music Council 2:133,141, 1971
Cambridge:
Co5lbridge:
Yearbook of
"Dance a
Kurath, Gertrude.
1960
Discipline,".Focuson'Dance IV:
Dance as a Discipline,
Merriam, Alan P. "Anthropology and the Dance," in Tamara Comstock, ed., New,Dimensions in Dance Research; Anthropology and Dance--The American Indian (CORD
)
Research Annual VI). New York: ommitt*.se on Research In Dance, 1974, pp. 9-27
Royce, Anya,peterson. "Choreology Today: A lieview of the Field," ibid.:47-84.
The Anthropology of Dance. Bloomington: Indiana University Press, 1977
V.
Aesthetics in Dance
/
Ager, Lynn P. "Eskimo Dance and Cultural Values in an Alaskan Village," Dance
.
Researth Journal 8(1):7-12, 1976
Horton, Robin. The Kalahari Ekine Society:
Africa 33(2):94-114, 1963 (see Horton IX)
pectator," Impulse:
a.
Audience for
VI.
IX
Braun, D. Duane, Tcmaial'a Theory of Popullar Culture: The Sociology and History of
Amertean Music and. Dance, 192071966. Ann Arbor: Ann Arbor Publishers, 1969
Buechler) HaOs C. "The Ritual Dimension of Rural-Urban Networks:
The Fiesta'
System in th44 Northern Highlands of Bolivia," in 0.111am Mengin, ed:,,Peasants
in Cities: Readings in the Anthropology of Urbanization. Boston, Houghton
Mifflin, 1970, pp. 62-71.
.
Cottle, Thos J.
Cressey,
Recrat
aul. G.
Stodelle eds.
41,
--"Afric
;place:
the Continuity off' Change," Yearbook of the International Folk
Music Council 5:164.:174, 1974
New York:
Dutton, 1974
Manchester;
University
106
1I'
Schmais, Claire.
Singer, Milton.
New York:
Praeger, 1972
Vidyarthi, L. P. "WhitherAdivasi Dance in Tribal 'Bihar: Sore Preliminary Observations Regarding Impact of Christianity and City on the Onion Dance Pattern,"
Folklore (India) 2:298-308, 1961
Whitten, Norman E. Jr, and Aurctio Fuestes C. "44kIle Marimba'. Negro Folk Music in
Northwest Ecuador;' Journal of the Folklore Institute 3(2):168-191, 1966
VII.
Blacking, John.
1962
Glencoe:
--"African Dance and the Warrior Tradition," in Ali A. Mazrui, ed., The Warrior
Tradition in Modern Africa (Special Issue of Journal oftAsian and African Studies)1
12(1-2);111-133, 1977. Also in book form, Leiden: E. J. Brill.
Krebs (see VI)
Kuper, Hilda. "Celebration of Growth and Kingship:
Arts 1(3):57-59 and 90, 1968
Lienhardt, Godfrey.
VIII.
Songs
Trance Dance.
Clive, H. P. The Calvinists and the Question of Dancing in the 16th Century.
Bibliothque d'Humanisme et Renaissance 23:296-323.
Coland,Roger.
1/74
Extensions of
Journal
New Delhi:
Werbner, Richard p. "Atonement Ritual and Guardian - spirit Possession among Kalanga,"
Africa 34:206-223, 1964
IX.
Blacking, John. tongs, Dances, Mimes and Symbolism of Venda Girls' Initiation
Schools Part IV: The Great Domba Song," African Studies 28(4):215-266, 1969
Elsbree, Langdon. "The Purest and Most Perfect Form of Play:
the Dance," Criticism IX(4):361-372, 1972
Conversations with Ogotemmeli.
Griaule, Marcel.
1965
Horton, Robin.
183, 1966
"Igbo:
London:
New York:
Praeger, 19,70
Ithaca:
Cornell
Wescott, Joan. "The Sculpture and Myths of Eshu-Elegbo, the Yoruba Trickster:
Definition and Interpretation in Yoruba Iconography," Africa 32:336-354, 1962'
c-3
12
1.
Sieber, Roy. "Masks as Agents of Social Control," in Yehudi A. Cohen, ed., Man
in Adaptation: the Institutional Framework. Chicago: Aldine-Atherton, 1971,'
pp. 434-438
Toronto:
Thompson, Robert Farris. "Sons of Thunder: Twin Images'Among the Oyo and Other
Yoruba Groups. ,African Arts 4(3):8-13, 77-80, 1971
Vatsyayan (VIII)
B.
Music (see X)
13
Addenda
I-A,
Eco, Umberto.
A Theory of Semiotics.
Bloomington:
Wiener, Morton, Shannon Devoe, Stuart Rubinow, and Jesse Geller. "Nonverbal
Behavior and Nonverbal Communication7". Psychological Review 79:185-214, 1972
4
Gardner, Howard. "bn the Acquisition of Fist Symbol Systems ," Studies in the
Anthropology of Visual Communication 3(1):22-37, 1976
Hill, Carole E. Symbols and Society: Essays on Belief Systems
in Action.
Southern Anthropological Society proceedings, No. 9.
Athens: University of
Georgia, 1975
Prague
Turner, Victor.
Process, System, and Symbol:
Daedalus 106(3):61-80, 1977
Cambridge:
I.-C
Becker, Howard S.
889, 1978
I.-D.
New York:
I.-E.
Beverly Hills:
Sage
New
II-A.
n, Steve.
s4ology 20(2):293-,
325, 1976,
II. -B
Human Movement:
An Integrat'ed Approach.
III.
VI.
Howard, James. "The Plains Gourd Dance as_a Revitali ation Movement," American
'Ethnologist 3(2):243-260, 1976
"Tongan Dance:
A Study in Cult
Dance Therapy.
1 Change," Ethnomusicology
Washington,
15
1976
"Dense du Ventre:
20(2):273-
A Fresh Appraise
Dance
VII.
Copeland, Roger.
pi. 1,
Lloyd, Margaret.
New York:
igeria's
sociation
A. A.
opf, 1949
search
Tiotre Deme:
University' qP
Smith, Robert J. The Art of the Fesival. As Exemplified by the Fiesta to the
Patroness of Otuzeo: La Virgen de la Puerta. Lawrence: University of Kansas,
1975
rx.
Drewal, Henry John. EfT/Galade: The Educative Role of the Arts in Traditional
Yoruba Culture. Doctoral dissertation, Columbia University, 1972. Ann Arbor:
University Microfilms.
16
Hall, Gail. "Workshop for a Ballerina: An Exercise in Professional Socialization,"
Urban Life 6(2):193 -2243, 1977
Hanna (see III)
Was
Miller, James.
"The Philosophical Background of Renaissance Dance," York Dance
Review,"7No. 5, pp. 3-15, 1976
Sachs (see I-B)
Wild, Stephen Aubrey. Walbiri Music and Dance in their Social and Cultural Nexus.
Doctoral dissertation, Indiana UniVersity, 1975. Ann Arbor: University
Microfilms
X.-B.
Kilpatrick) David Bruce.
Function and Style'in Pontic Dance Musi. , Doctoral
dissertation, UCLA. Ann Arbor, University Microfilms, 1975.
1)