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Croatian Theatre

Showcase 2015
International Theatre Institute Croatian Centre

Zagreb, April 17 20, 2015

Croatian Theatre
Showcase 2015
Zagreb, April 17 20, 2015

www.hciti.hr

PROGRAMME

PROGRAMME

Photo: Sven ustovi

10th Croatian Theatre Showcase / Zagreb, April 17 20, 2015


FRIDAY, April 17, 2015
10:30 am Move-r, choreographer: Aleksandra Janeva Imfeld
06:00 pm Value is the dynamic excess of every function
choreographers: Sonja Pregrad and Marjana Kraja
08:00 pm Christopher Columbus, directed by Rene Medveek

Zagreb Dance Centre


Zagreb Dance Centre
Zagreb Youth Theatre

SATURDAY, April 18, 2015


12:00 pm

The Promotion of Kretanja, a magazine for Dance Art,


issue topic: Inkluzivna scena (An Inclusive Scene)
05:00 pm Theatre for children: The Little Witch, directed by Ivica imi
08:00 pm The Flood, directed by Miran Kuspahi
10:00 pm In The Blink Of An Eye, directed by Bobo Jeli

Zagreb Dance Centre


Mala scena Theatre
Theatre &TD.
Theatre &TD.

SUNDAY, April 19, 2015


11:00 am Presentation of the drame.hr web-portal
06:00 pm The Lamb, directed by Anica Tomi
08:00 pm How we survived, directed by Dino Mustafi

Croatian Centre of ITI


Zagreb Youth Theatre
Zagreb Youth Theatre

MONDAY, April 20, 2015


10:00 am Theatre for Children: No, Not You! Or on Differentness
directed by Nora Krstulovi
07:30 pm Vujak, directed by Ivica Buljan

Mala scena Theatre


Croatian National Theatre in Zagreb

INTRODUCTION
Honored colleagues, dear guests,
th

Welcome to Zagreb, to the 10 Croatian Theatre Showcase, where we want to show you some
of the best theatrical and dance performances created in the production of Croatian theatres and
independent groups.
The performances have been selected based on the attractiveness and excellence of the
themes and poetics of Croatian theatre, and they are sure to be interesting and informative to foreign theatre professionals as well.
Croatian theatre is not well-known on the global stage, so the Showcase is an opportunity to
increase its visibility beyond our borders. We hope you will help us accomplish that.
The Zagreb Youth Theatre will present as many as three shows, which is indicative of its diverse
and high-quality repertoire, making it one of the best repertory theatres in Croatia.
Christopher Columbus (1918) is an early expressionist play by Croatian literary icon Miroslav Krlea (1893-1981); through this staging, it communicates intensely with our present and confirms its
universal character. The show Lamb by the creative duo of director Anica Tomi and dramaturge
Jelena Kovai tackles the issue of the flip side of World War One in Zagreb via a strong social
context, while How We Survived by Bosnian-Herzegovinian director and MESS art director Dino
Mustafi, partially based on the essays of famous Croatian writer Slavenka Drakuli, draws a comparison between the era of socialism, the war of the nineties, and the contemporary period of
transition through the fates of eight women.
The &TD Theatre was a cult theatre in the sixties that brought new avant-garde pieces to the
Croatian theatre scene; nowadays it is open both to young directors and experimental projects and
will showcase two plays: In The Blink Of An Eye, an auteur project by Bobo Jeli, a director famous
for introducing documentarist approaches to Croatian theatres and creating the dramatic material of his shows through the work process itself, and The Flood, a play by Miran Kurspahi, a young

director whose theatre leans toward socio-political issues, with the play drawing inspiration
from the 50-year anniversary of the Great Flood of Zagreb in 1964. Two parallel stories from
different generations interweave in the play.
The Croatian National will also present one of Miroslav Krleas plays, Vujak, which belongs to his second playwriting phase, tackles the social and national issues in the twilight
days of the Austro-Hungarian Empire, through a realist-expressionist discourse. Vujak is the
name of a backwater, primitive village where Kreimir Horvat, a journalist and intellectual,
goes to escape the hypocrites and philistines of the big city, but soon comes to realize that
the countryside is even more crooked and bestial.
We also have two contemporary dance productions in store for you, with their phenomenological approach more akin to non-verbal theatre than to the classical notion of dance theatre. They are set in the attractive, modernist facilities of the Zagreb Dance Center, which was
created by renovating an old movie theatre in the center of Zagreb.
If you are interested in childrens theatre, you will have the opportunity to see two plays
in one of the most agile childrens theatres in Croatia, the Mala scena. One of them is a free
adaptation of Ottfried Preusslers cult play The Little Witch, steeped in circus poetics, while the
other one tackles the issue of prejudice towards anything different by playing with clichs.
In addition to our main program, we will present the Drame.hr web-portal through a discussion with two young playwrights, Ivor Martini and Lana ari, and on Saturday we will see
the promotion of the only dance magazine in Croatia, Kretanja (Movements), with the latest
issue focusing on the status of persons with disabilities in dance art.
We wish you a pleasant stay in Zagreb, hoping that our selection of shows and events will
provide you with an impression of the theatrical, dance and dramatic trends in Croatia.
eljka Turinovi
Artistic Director of the Showcase

Move-r

Studio for contemporary dance

Choreographer/Mover/ in collaboration with the


performers-movers: Aleksandra Janeva Imfeld
Dancers - performers/Move-rs/: Ana Vnuec,
Martina Tomi, Ana Mrak, Dina Ektajn,
Matea Bilosni, Branko Bankovi, Bruno Isakovi
Mover+: Bosiljka Vujovi Mauran
Sound design: Marin ivkovi
Costume design: Silvio Vujii
Set design: Silvio Vujii, Mladen Donadini
and the Movers
Lighting design: Aleksandar avlek
Photography: Aleksandra Janeva Imfeld
and Iva Koreni
Project collaborator: Vinja Horvat
Production: The Studio for contemporary dance in
co-production and collaboration with the Croatian
Institute for Movement and Dance, through the
Week of Contemporary Dance project

Friday,

In this show, choreograph Aleksandra Janeva Imfeld explores the questions


of originality, copying and ownership of ideas. The show is performed by
Move-rs: Ana Vnuec, Martina Tomi, Ana Mrak, Dina Ektajn, Matea Bilosni,
Branko Bankovi and Bruno Isakovi. The Move-rs hold that it is impossible
to repeat any action in exactly the same way, and they use copying and mutation to create new originals. The show was created by the Studio for Contemporary Dance (the first contemporary dance ensemble in Croatia and the
wider region) in co-production with the Croatian Institute for Movement and
Dance, through the Week of Contemporary Dance project.
From the performance program
Choreographer Aleksandra Janeva Imfeld, collaborating with excellent
dancers, has wisely chosen an open format for her performance, which entails certain strategies of behavior, but no control over the decisions of any
given dancer or their response to a certain situation () The multiplicity created by the melding and friction between the performing and the observing fields is artistically and politically very intriguing, posing a series of
question about the interactional transcendence of both the singular and the
plural, as well as the nature of the public sphere itself.
Nataa Govedi, Novi list

Artistic guidance: Bosiljka Vujovi Mauran

Premiere: May 28, 2014


Running Time: 50 min

Photo: Iva Koreni

Producer: Branko Bankovi

April 17, 2015

10.30 am, Zagreb Dance Centre

Sonja Pregrad & Marjana Kraja

Value is the dynamic excess of every function


Technical Support: Duko Richtermoc
Graphic Design: Valentina Toth
Production: Sodaberg choreography laboratory
This performance was created with the support of
the City of Zagreb, the Zagreb Dance Centre, the
Croatian Institute for Movement and Dance, the
Performing Arts Forum (St. Erma), the Uferstudios
Performing Centre in Berlin and the Improspekcije
festival in Zagreb.
Premiere: November 27, 2014

Sonja Pregrad and Marjana Kraja delve into a performing-choreographing


map of sorts in the form of a play which is based on dance as its stem cell.
Dance is a form that is porous to different surfaces of projection and still
emanates that fundamental phenomenon which makes a wide range of
focuses come together. Abandoning all current categories of evaluating artistic practices as being outdated and unrefined, this performance consists of
a series of fragmentary inquiries to which a comprehensible matrix of answers is yet to be found.
From the performance program
Even today, after philosophy has given in, after phenomenologists have diverted attention to the living body, after many anti-dualistic turns have taken
place and cognitive science has confirmed the physical nature of cognition,
dance as an art form in the mainstream refuses to move away from its rigid
principles. Because of that, Sonja Pregrads focus on the objectified nature
of the body, coming from the paradox that she didnt have a dancers body,
but kept doing what she was taught was dancing, is aimed against exclusionary policies that aim to regulate who can dance and who determines
these rules.
Ivana Slunjski, kulturpunkt.hr

Running Time: 50 min

Photo: Marjana Kraja

Performers: Sonja Pregrad and Marjana Kraja

Friday,

April 17, 2015

06.00 pm, Zagreb Dance Centre

Miroslav Krlea

Christopher Columbus
Director: Rene Medveek
Cast:
Christopher Columbus: Kreimir Miki
Admirals Phalanx: Sreten Mokrovi, Zoran ubrilo,
Maro Martinovi
Sailors: Pjer Menianin, Damir aban, Filip Nola,
Kristijan Ugrina
Slaves: Danijel Ljuboja, Frano Makovi,
Jasmin Telalovi, Petar Leventi
Dramaturge: Jelena Kovai
Set Design: Tanja Lacko
Costume Design: Doris Kristi
Score: Matija Antoli
Percussion performer: Nenad Kovai

Friday,

In the last hundred years, the borders in which we live have changed several times. The Earth has patiently suffered all our revolutions, as if she really believed us when we said we knew the answer to the question:
Where to? Today, when we live in a declaratively unified Europe, but at the
same time witness dissolutions undermining that same unity every day,
the answer to the question Where to? seems to be impossible. And even
though we seem to be moving forward, we keep finding ourselves surrounded by the Old.
Jelena Kovai, from the performance program
It is hard to imagine any premiere this season in Zagreb, in fact in all of
Croatia, overshadowing Christopher Columbus, directed by Rene Medveek
at the Zagreb Youth Theatre, with the inspired Kreimir Miki taking the lead
role and almost the entire male section of the ensemble providing a humorous performance. It has been a long time since weve seen a show
with such spirit and simple magic in these parts.
Tomislav ade, Jutarnji list

Lighting Design: Aleksandar avlek


Language Advisor: ura kavi

Running time: 1h 15min

Photo: Sven ustovi

Premiere: November 22, 2014

April 17, 2015

08.00 pm, Zagreb Youth Theatre

Other events
Saturday, April 18, 2015

Saturday, April 18, 2015

Sunday, April 19, 2015

Monday, April 20, 2015

12.00 pm
Zagreb Dance Centre

05:00 pm

11.00 am
Croatian Centre of ITI, Basariekova 24

10:00 am

The Promotion of Kretanja, a magazine for Dance Art,

Theatre for children:


Mala scena Theatre

Presentation of the Drame.hr web portal

Theatre for children:


Mala scena Theatre

issue topic: Inkluzivna scena (An Inclusive Scene)


Otffried Preussler
The Kretanja (Movements) magazine is a thematic and professional magazine covering different topics from the sphere of
dance art. The 22nd issue of Kretanja is called Inkluzivna scena
(An Inclusive Scene) and it will be presented by editorial board
member Maja urinovi, issue editor Iva Nerina Sibila and choreographer Ksenija Zec.
The Inclusive Scene topic brings together projects, processes and
discourses about including disabled persons into performance
practices, foremost into contemporary dance, mostly on the Croatian scene. The reason behind this choice of topic is the lack of a
well-developed protocol for enabling equal artistic education, access to artistic content and entry into the artistic professions, in
other words, the lack of a politics of equality and difference.
As part of the promotion, the Integrated Movement Research Collective or IMRC will perform a 10-minute dance performance.
Founded in 2012, the IMRC is an educational-performing inclusive
project working as part of the Zagreb Dance Center, and is led by
Iva Nerina Sibila as artistic director and Amela Paali as producer.

The Little Witch


Director: Ivica imi

The drame.hr web portal was created through an initiative of students and graduates of the Academy of
Dramatic Art in Zagreb. Through their practical work,
they noticed a need to present the texts of Croatian
playwrights and increase their public visibility, in order
to encourage new performances, readings and usage
of their texts. This portal contains both plays that are
as of yet unperformed and unpublished, and those
that have already been staged and/or translated, as
well as information about their authors.
Drame.hr publishes the texts of students or graduates
of drama academies, plays awarded in renowned
state or private competitions in Croatia or ab- road,
and other plays that pass the selection process of our
editors.
The drame.hr project will be presented by its founders and prominent young playwrights Ivor Martini
and Lana ari.

Kristina Gavran

No, Not You! Or on Differentness


Director: Nora Krstulovi

The Flood
Director and Dramaturge: Miran Kurspahi
Cast: Dean Krivai, Lana Bari, Sven Jakir,
Iskra Jirsak and Franka Mikolaci
Music: Nika Marinovi
Photography: Damir ii
Graphic Design: Lana Hudina
Producer: Petra Glad
Production: KUFER and the University of Zagreb,
Student Center, Culture of Change, &TD Theatre
With the support of: The City of Zagreb,
the Croatian Ministry of Culture,
and the Kultura Nova foundation

Saturday, April 18, 2015


2014 marks the 50th anniversary of the great flood of Zagreb. Two stories, one
set in 1964, the other in 2014. In a temporal leap, grandmothers and grandfathers become the peers of their grandchildren, who cope with life and deal
with their problems each in their specific way. Do we really need a Flood to
set everything in its place, nullify everything and start anew, or can things
still be fixed, preserved; can we build a new Moat to save the day?
From the performance program
In a very intelligent way, Flood tells an interesting family story. Inventively
directed, with a very good performance by the cast, this is a thematically
provocative performance. A well-measured dose of easy-going, refreshing
humor lightens up this difficult, bitter story.
Olivera Radovi, Kazalite.hr

Running Time: 1h 30min

Photo: Damir ii

Premiere: June 12, 2014

08.00 pm, &TD Theatre, Zagreb

Bobo Jeli

In The Blink Of An Eye


Cast: Ivana Krizmani, Marko Makovii, Jerko Mari
Premiere: April 28, 2014

One would say that Marko is a successful person. School and college graduated on time, job good, in a respectable company, well-paid, and
the rest career, girlfriend, friends all but perfect. He, like many, has
had his share of problems, professional or private, but, whatever it was,
he always felt capable and skilled enough to handle it. But now, he has
come across something big and painful, something he has never encountered, not in this scope. On the verge of despair, he calls his best
friends, a seemingly conventional married couple, intending to confide in
them and ask for their help
From the performance program
Jelis latest show presents the audience with a true little masterpiece of
the theatre of the socially repressed body, a body which pours out of the
performer in a way entirely different to the text not only as a neural
symptom, but as a sort of stifled cry, a call, an unspoken stream of longing of the inner world.
Nataa Govedi, Novi list

Running time: 50 min

Photo: Damir ii

Director: Bobo Jeli

Saturday, April 18, 2015

10.00 pm, &TD Theatre

Jelena Kovai

The Lamb
Director: Anica Tomi
Production: Zagreb Youth Theatre, Zagreb, Croatia,
MESS- Scena Mess, Sarajevo, B&H; BITEF Theatre,
Belgrade, Serbia
Cast: Dubravka Kovjani, Ivana Krizmani,
Vedran ivoli, Enes Salkovi
Music: Nenad Kovai

Sunday, April 19, 2015


This play is dedicated to the Zagreb Youth Theatre, specifically to the Miko
Polanec small hall, also known as the Lamb, and to a moment in time
which is commemorated as one of the greatest bloodsheds in the history
of war in the region. In a way, this play has also become an answer to the
question of whether spaces have memories of their own, and whether the
people leave traces of themselves by spending time in them.
dramaturge Jelena Kovai and director Anica Tomi,
from the performance program

Video: Ivan Luii


Lighting: Milan Kovaevi
Dramaturgy Associate: Igor tiks
Expert Associate: Dinko utura
Photography: Vladimira Spindler

The political potential of this show is more present in the respect towards
human (especially childrens) traces and documents, than in the repeated
emphasis on the extent to which a battlefield inevitably causes the annihilation of everything that makes us human. The play leaves some room for
improvement in the performance materials, but even in this form it offers
a high-quality piece of performance ethnography.

Executive Producer: Maja Gladovi

Nataa Govedi, Novi list

Premiere:
December 5, 2014 at the Sarajevo War Theatre
in Sarajevo, B&H
January 15, 2015 at the BITEF Theatre in Belgrade,
Serbia
January 23, 2015 at the Zagreb Youth Theatre,
Zagreb, Croatia
Running time: 1h

Photo: Vladimira Spindler

Costume Design: Marta egura

06.00 pm, Zagreb Youth Theatre

Based on the motifs of the essays of Slavenka Drakuli and actresses stories

How we survived
Director: Dino Mustafi
Cast: Katarina Bistrovi-Darva, Nataa Dori,
Jadranka oki, Doris ari Kukuljica, Ksenija
Marinkovi, Ura Raukar, Lucija erbedija,
Nina Violi
Musicians: Mate Matii and Stanislav Kovai
Dramaturge: eljka Udovii Pletina
Set Design: Dragutin Broz
Costume Design: Doris Kristi
Composer and song author: Mate Matii
Choreographer: Irma Omerzo

Sunday, April 19, 2015


Eight actresses on the scene try to reconstruct a period of time through their
personal memories, in a confessional tone, marking the space they shared
and which still belongs to them. How reliable are memories, how much of
them is subjective, and how big a part of them are the transferred memories of Others? The eight of them together, in the company of the audience,
will re-live communism, the war, transition and this contemporary time,
bearing witness, in theatre space, to a time that changed them.
Dubravka Vrgo, from the performance program
This is a show about our naivety, about the curse of a small nation and culture that dies every time it starts taking itself seriously. It openly mocks the
Southern Slavic pathos.
Tomislav ade, Jutarnji list

Lighting Design: Aleksandar avlek


Sound Design: Tomica Kralji
Dramaturgy and Direction Assistant: Dino Peut

Running time: 1h 20 min

Photo: Mara Brato

Premiere: May 08, 2014

08.00 pm, Zagreb Youth Theatre

Miroslav Krlea

Vujak
Dramaturge: Vlaho Bogii
Composer: Mitja Vrhovnik Smrekar
Set Design: Aleksandar Deni
Costume Design: Ana Savi Gecan
Lighting Design: Son:Da
Condition Trainer: Marinko Petrievi
Directors Assistant: Paolo Tiljari
Costume Design Assistant: Antonija
Jaki Doroti
Set Design Assistant: Ante Serdar
Premiere: December 30, 2014
Cast:
Characters in the Prelude:
Polugan: Bojan Navojec
Dr. Zlatko Strelec: Nika Kuelj
Venger-Ugarkovi: Livio Badurina
Boss-redactor: Damir Markovina
ipui: Ivan Glowatzky
Proofreader: Alen alinovi
Kreimir Horvat: Silvio Vovk

Characters in the First, Second


and Third Act:
Kreimir Horvat: Silvio Vovk
Marijana Margeti: Alma Prica
Eva: Nina Violi
Juraj Kui: Goran Grgi
Vjekoslav Hadrovi: Slavko Juraga
Pantelija Crnkovi: Milan Pletina
Mitar: Kristijan Potoki
Luka: Franjo Kuhar
Grga Tomerlin: Duan Buan
Old Man: Sinia Popovi
Pereks Juro: Ivan Glowatzky
Lazar Margeti: Dragan Despot
Evas Mother: Ana Begi
Characters in the Intermezzo:
Bride: Marija egvi
Father: Slavko Juraga
Mother: Ana Begi
Venger-Ugarkovi: Livio Badurina
Boss-redactor: Damir Markovina
Polugan: Bojan Navojec
Polugans wife: Iva Mihali
Marijana Margeti: Alma Prica
Zlatko Strelec: Nika Kuelj
Juro the Waiter: Goran Grgi
Grga Tomerlin: Duan Buan

Vujak is one of Miroslav Krleas most important


plays, and it contains almost all those characteristics of his theatrical opus from early expressionism and avant-garde, thematic blocs and ideas to
the stylistic superiority of his later works, which
have left their mark on a wide range of 20th-century Croatian literature. The clash between idealism and a world ruled by animal instincts will
make our protagonist Horvat a familiar everyday
neurasthenic with whom we can empathize, as
Vujak remains a thoroughly modern text which
seamlessly fits into our time as well.
From the performance program
What is especially enthralling is the way director
Ivica Buljan thoughtfully intertwines all the levels
of different on-scene activities, which, through
their forceful rhythm, energy, shifts and powerfully
charged performances create a fascinating picture
of our mentality and climate, but also of our society, which sometimes changes its appearance, but
never its essential underlying relations.
Tomislav Kurelec, Kazalite.hr
Running time: 3h 30 min

Photo: Mara Brato

Director: Ivica Buljan

Monday, April 20, 2015

07.30 pm, Croatian National Theatre in Zagreb

ABOUT THE CROATIAN CENTRE OF ITI


The Croatian Centre of ITI was founded in 1994 as a nonprofit, professional and volunteer organization (citizens association). At the Constitutive Assembly of the Centre, Sanja
Nikevi as elected its first president. Within a few years of
its activity, the Croatian Centre of ITI grew from a small association of theatre enthusiasts into an organizer of numerous theatre initiatives and manifestations as well as a
respectable publisher of theatrological publications and
books. The main task of the numerous programs of the Croatian Centre of ITI is building a bond between Croatian theatre
and the world, as well as its presentation abroad. At present,
the Croatian Centre of ITI has over one hundred and fifty
members who are eligible to carry an international I.D. card,
which enables them to have various benefits in theatres
worldwide. The Centre publishes the Croatian Drama and Theatre bulletin in Croatian and English; the bulletin contains information on the Centres activities as well as useful data on
Croatian drama and theatre. Thanks to the work of the Croatian Centre of ITI, a great deal of information on Croatian theatre, the dramatic and theatrical tradition of these parts as
well as on reputable Croatian dramatic artists has found its
way into global theatre publications.
Founded in June 2000, the Dance Board of the Croatian Centre of ITI has grown into one of the rare solid strongholds of

the Croatian dance scene. It primarily acts as a place that provides logistic support to dance groups and projects as well as
a source of information and a way of joining the international
network on the level of the ITI Dance Boards. Thus, tours of
our groups were successfully realized in Mexico, Peru and
Cyprus. Thanks to the Dance Board, the celebration of Dance
Day on April 29 has become a true holiday in the Croatian
dance calendar. What we consider the most valuable result
of the work of our Dance Board is the launching of the magazine for Dance Art Kretanja (Movements, 2002), published
twice a year, as well as the publishing of the Guide to Croatian Dance. The guide was published in English only and it is
a valuable asset anywhere where there is an interest and
need for information as it contains all the addresses, contacts and repertoires of the contemporary Croatian dance
scene.
Since 2001 on, eljka Turinovi has been leading the Croatian Centre of ITI as its President, while Dubravka ukman acts
as Administrative Assistant in the Centres office and Matko
Boti as expert collaborator. According to current Centre regulations, the Managing and the Supervisory Board meet
three to five times a year. The Annual Assembly is held in
the month of January.

ACTIVITIES OF ITI

The main goal of the regular activities of the Croatian


Centre of ITI is to inform its members about events organized by other ITI centers in Europe and worldwide
as well as about the programs of studies and seminars related to theatre work in the broadest sense.
Distributing information and making connections with
information networks is therefore our principal task.
The Centre has a very rich database (around 800 addresses of local and international theatre professionals) through which it maintains regular contacts with
over two hundred theatre professionals by sending
bulletins, translations of theatrical plays and miscellaneous information on Croatian theatre and drama. The
Croatian Centre of ITI also has a regularly updated Web
site (http://www.hciti.hr).

CONTACT / IMPORTANT INFO


CROATIAN CENTRE OF ITI

THEATRES / Venues

INFO

Address: Croatian Centre of ITI


Basariekova 24, 10000 Zagreb, Croatia

CROATIAN NATIONAL THEATRE IN ZAGREB


15 Marshal Tito Square, ZAGREB
phone: +385 1 4888 418
e-mail: infocentar@hnk.hr
web: www.hnk.hr/en

Hotel JADRAN
50 Vlaka St., ZAGREB
phone: +385 1 4553 777
e-mail: jadran.reservations@hup-zagreb.hr
web: www.hoteljadran.com.hr

phone: +385 1 4920 667


fax: +385 1 4920 668
e-mail: hc-iti@zg.t-com.hr
web: http://www.hciti.hr/en
working hours: Mon. to Fri. 10 am to 4 pm
eljka Turinovi, Artistic Director
of the Showcase
phone: + 385 91 4920 667
Matko Boti, Program Coordinator
phone: + 385 95 903 7070
Nina Krian, Producer
phone: +385 98 1975 666

&TD THEATRE
25 Savska St., ZAGREB
phone: +385 1 459 35 10
e-mail: itd@sczg.hr
web: www.itd.sczg.hr
MALA SCENA THEATRE
2 Medveak St., ZAGREB
phone: +385 1 4683 352
e-mail: info@mala.scena.hr
web: www.mala-scena.hr
ZAGREB DANCE CENTRE
10 Ilica St., ZAGREB
phone: +385 1 4833 083, +385 1 4621 967
e-mail: hipp-tsp@zg.t-com.hr
info@plesnicentar.info
web: www.plesnicentar.info
ZAGREB YOUTH THEATRE
7 Teslina St., ZAGREB
phone: +385 1 4872 561
e-mail: helena.braut@zekaem.hr
web: www.zekaem.hr

Guesthouse ZAGREB FOR YOU


6 Fijanova St., ZAGREB
phone: +385 91 213 7016
e-mail: info@zagreb-accommodation.com
web: www.zagreb-accommodation.com
The Hole In One Gastropub
42 Vlaka St., ZAGREB
phone: +385 1 48 35 280
e-mail: info@holeinone.hr
web: www.holeinone.hr
Restaurant Kvatri
9 Maksimirska Rd., ZAGREB
phone: +385 91 33 55 302
web: www.restoran-kvatric.hr
Publisher: Croatian Centre of ITI
For the Publisher: eljka Turinovi
Editor: Matko Boti

Design & Layout: Bernard Buni, Axis-Design d.o.o.


Translation: Vinko Zgaga
Cover photo: Sven ustovi , Back Cover photo: Iva Koreni

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