HomesGardens201410 PDF

OCTOBER 2014
MODERN
ClassiCs
trend update
chic homes full of

timeless ideas
leopard print
refined country
statement fireplaces
SMart BuYS
sleeK shelving
tasK lighting
insiders guide to the

london design festival
raymond Blanc on
transforming
le manoirs garden
Pattern,
colour & style
We reveal the best
of this seasons fabrics
102
H&G CONTENTS
houses
GARDeNs
93 RENOVATED LODGE Elegant furnishings
120 CONTEMPORARY DESIGN This verdant
102 ISTANBUL CONVERSION East and
150 DREAM GARDEN A rooftop scheme in

Covent Garden with spectacular 360 views.
110 LONDON REMODEL How three bedsits
*182 HERITAGE GARDEN Raymond Blanc

invites us on a tour of his new horticultural venture
at Le Manoir aux QuatSaisons in Oxfordshire.
and a soothing palette of grey and white complement

the waterside setting of this Dutch home.
West are an intoxicating blend in this compact

apartment overlooking the Bosphorus.
were transformed into a modern, light-flled family

home with the creative use of glass.
*128 NEW-BUILD FARMHOUSE This
laid-back, art-flled retreat is an updated take

on traditional New England style.
our CoVEr
*storiEs
for
oCtoBEr
134 BE INSPIRED Ideas for using eye-catching

pattern on walls, foors and furnishings based on
the new-build farmhouses dcor.
Surrey plot has been cleverly confgured and planted

to make the best of its unusual shape.
INTeRIoRs
*67 NEW COLLECTIONS We showcase the
latest fabric designs for autumn/winter 2014 a

breathtaking mix of colours, patterns and prints.
*171 LEOPARD PRINT This bold motif is back in

vogue tame it to add an eclectic edge to schemes.
OCTOBER 2014 | H&G | 7
67
21
NEWS AND LIFESTYLE
19 H&G EDIT Events, shopping, gardening and style

inspiration, plus the latest news from the design world.
35 TRAVEL Boutiques, delicious seafood and coastal
walks: discover the many delights of St Mawes.
*41 LONDON DESIGN FESTIVAL We round up

the highlights of this much-anticipated 12-day event.
62 MOVERS & SHAKERS Designer-weaver Margo
Selby talks us through her glorious textile creations.
84 IN SEASON We celebrate the autumnal beauty
of the majestic Norway maple.
193 SWEET NATURED Recipes for delectable jams

and syrups made with seasonal fruits.
218 WE LOVE Kit Kemp does it again with Sohos Ham

Yard, the new addition to her portfolio of hip hotels.
DESIGN SOLUTIONS
139 KITCHEN A striking marble island and vast glass

and steel doors lend cool sophistication to this space.
144 LIVING ROOM Understated, yet with a touch of
frivolity, this scheme belies its Provenal setting.
146 BEDROOM An unfussy, clean-lined four-poster
bed allows a riot of pattern to take centre stage.
182
148 BATHROOM Uniting bathing and dressing areas,

this luxurious space is a pleasure to use.
*161 FOCAL POINT FIREPLACES Staying in looks

and feels fabulous with these statement designs.
188 ADVICE Celia Rufey answers your queries.
SHOPPING
*21 PURE COUNTRY Rustic, tactile pieces.

27 ISLAND LIVING Paints inspired by the relaxed
Caribbean style of Venezuelas Los Roques archipelago.
24
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8 | H&G | OCTOBER 2014
*32 LIGHTING Adjustable table, wall and foor lamps.

34 H&G TRAVEL Great oers on far-fung adventures.
193
135 H&G TRAVEL Stylish European trips for less.

*179 STYLISH SHELVES Striking storage solutions.
200 ADDRESS BOOK Contact details for stockists.
OCTOBER 2014
editor-in-cHief
Deborah Barker
PerSonal aSSiStantS Vera Purbrick 020 3148 7311
Caroline Clarke 020 3148 7311
editorial aSSiStant Sally Dominic 020 3148 7154
executive editor Giles Kime 020 3148 7310
dePuty editor Kate French 020 3148 7307
actinG dePuty editor Sarah Baldwin 020 3148 7299
ManaGinG editor Jane Akers 020 3148 7313
HouSeS & GardenS editor Arabella St John Parker 020 3148 7306
newS editor Luisa Ferdenzi 020 3148 7308

interiorS editor
aSSociate decoratinG editor

decoratinG StyliSt
Emma Thomas 020 3148 7307

Ali Brown 020 3148 7315
Laura Vinden 020 3148 7304
Erika Short 020 3148 7300

Andrea Lynch 020 3148 7309
Paula Randall 020 3148 7301
Christina McQuillan 020 3148 7899
art director
actinG art director
art editor
Senior deSiGner
Catriona Summerhill 020 3148 7291
cHief Sub-editor/
Production editor
dePuty cHief Sub-editor
Sub-editorS

executive editor featureS

featureS editorS

lifeStyle editor
Picture editor
Bernie Herlihy 020 3148 7344

Ginevra Benedetti 020 3148 7347
Charlotte Luxford 020 3148 7138
Sarah Wilson 020 3148 7191
Nicola Rowe 020 3148 7449
web & develoPMent editor

content editor
Stephanie Hendries 020 3148 7885

Julie Butterworth 020 3148 7888
Becky Ambury 020 3148 7292

Alix ONeill 020 3148 7296
Andrea Johnson 020 3148 7294
editorial Production ManaGer Nicola Tillman 020 3148 7891

actinG editorial Production Clare Willetts 020 3148 7891

ManaGer

art Production deSiGner Ricky Martin 020 3148 7294
GrouP Production ManaGer

Production ManaGer
advertiSeMent coPy & Make-uP
PubliSHinG director
Yvonne Ramsden 020 3148 7668
PerSonal aSSiStantS Vera Purbrick 020 3148 7311

Caroline Clarke 020 3148 7311
PubliSHer
GrouP advertiSinG director
Belinda Cooper 020 3148 7666

Alex Russell 020 3148 7570
ManaGinG director lifeStyle Fiona Dent 020 3148 5650

Pa to ManaGinG Lizzie Shepperson 020 3148 5651

director lifeStyle
ceo, iPc Media
Head of MarketinG
Marcus Rich 020 3148 5102
MarketinG
Kate Laurence 020 3148 7696
diSPlay advertiSeMent enQuirieS
020 3148 7641

advertiSinG director
Pa to advertiSinG director
advertiSinG ManaGer
international/luxury
accountS ManaGer
Joanne OHara 020 3148 7642

Lucienne Gillespie 020 3148 7641
Kate Bragazzi 020 3148 7627
Carole Bunce 020 3148 7620

Senior account ManaGerS

london SaleS ManaGer

account executive
creative SolutionS ManaGer

Head of aGency SaleS
reGional tradinG director

reGional buSineSS

develoPMent ManaGer
Dave Harvey 020 3148 7640

Ruth Roscorla 020 3148 7639
Claire Milward 020 3148 7636
Sue Valentine 020 3148 7630
Lindsay Dean 020 3148 3668
Russell Matthews 0161 601 3730
Libby Pinkess 0161 601 3728
diGital account director

beauty coMMunicationS
director
Toby Bicknell 020 3148 6715

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diGital client ManaGer
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claSSified advertiSeMent enQuirieS
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editorial enQuirieS
Blue Fin Building, 110 Southwark Street, London SE1 0SU
hgcontactus@ipcmedia.com

HouSeS & GardenS 020 3148 7306

decoratinG 020 3148 7304
General 020 3148 7311

claSSified Head of SaleS
claSSified advertiSinG ManaGer
actinG claSSified advertiSinG

ManaGer

SaleS executive
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inSert SaleS
SubScriPtion enQuirieS
+44 (0) 844 848 0848

ipcsubs@quadrantsubs.com
inSert SaleS, canoPy Media

advertiSeMent ManaGer
(MancHeSter)
ProjectS director
international editionS
Syndication
Lindsay Martin 0845 544 1857

Tim Aggett 0161 601 3725
iPc creative
SPecial offer enQuirieS
+44 (0) 20 3148 6340

back iSSueS
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Please note that paint and fabric colours may vary slightly, owing to the printing process. We recommend using
tester pots and swatches to check all colours in situ. Stockist details for most of the items featured in this issue of
Homes & Gardens are listed on page 200. All prices are correct at time of going to press. IPC Media reserves the
right to reuse any submissions sent to the letters column of Homes & Gardens magazine in any format or medium.
Homes & Gardens, ISSN 0018-4233, is published monthly, 12 times a year. This issue is published on 28 August 2014
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WELCOME
I was recently Introduced at a famIly
party with the phrase come and meet the mother of
our table, which isnt as mad as it sounds. Since we
had relocated our dining room, the said table was too
wide for the space, so we passed it on to a new home
where it was warmly welcomed. As I couldnt find a
suitable replacement in the right size, I decided to have
one custom made. It sounds like an expensive option but,
as it was made locally from pine which we then painted,
it was a lot more aordable than trying to buy a table that tted our room perfectly.
Neither my husband nor I come from a family with heirloom pieces that have
been passed down through the generations, but its not something I feel Ive missed
out on. My brother, however, was particularly pleased when he realised that my sister
and I were not going to challenge him for our parents Ercol furniture. He readily
gathered it up, along with all the childhood memories associated with it.
This months issue of Homes & Gardens, however, is all about looking forward
rather than back, as we celebrate the breadth and depth of the new designs in the
fabulous autumn fabric collections on page 67, and take a walk on the wild side
with the latest trend for leopard print on page 171. If you are planning to visit
London during September, why not try to incorporate the london design festival
into your trip? We preview this fantastic annual event on page 41, highlighting the
exhibitions, designers and venues that particularly caught our eye. With such an
impressive jamboree, youre sure to find something to grab your attention, and
perhaps youll even be inspired to commission the perfect piece for your home.
Deborah barker, eDitor-in-chief
H&G EXTRAS
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BLOGS Keep up with the
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and passionforpattern.com.
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ONLINE Browse
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homesandgardens for
more inspirational
decorating schemes.
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Cover photograph
bjrn wallander
H&G | october 2014
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H&G EDIT october

The people, products and places creating a buzz this month
Beautifully sculptural
yet eminently simple,
this blown-glass sconce
combines a modern aesthetic
with traditional craftsmanship.
Available in an array of opaque
and transparent colours, it makes
an ideal choice for entrance halls
where its diffused light will
give a welcoming glow.
Hold sconce light, H45xW20xD10cm, from
550, Sklo, 00 1 707 385 2101, sklostudio.com.
H&G EDIT | shopping
2|
3|
1|
4|
PurE
country
9|
Simple rustic products with refined

elegance and tactile appeal
8|
1 | Ceramic lighting with a smart silhouette.

From left, Vita pendant, H28xdiam13cm, 175;
Sigma, H26xdiam22cm, 225; Ksi, H25xdiam23cm,
175; all Mli-Mlo at The Conran Shop,
0844 848 4000, conranshop.co.uk.
5|
2 | Timeless stripes in muted stone hues.
Feature Laura Vinden PhotograPhs rhapsody (cushion), Tara Fisher (throws)
Daya cushion, 50x70cm, 65, Caravane,

020 7486 5233, caravane.fr.
3 | Made from a tree trunk cross-section.

Bowmore log side table, H52xdiam43cm, 325,
Croft at John Lewis, 0345 604 9049, johnlewis.com.
4 | Charming pieces inspired by Hebridean huts.

Houses, H9xW30cm, 185 set of four, Rowboat
London, 07944 845000, rowboatlondon.co.uk.
5 | Soft-touch throws in calming tones.
Assorted throws, from 195 each, Mourne Textiles,

020 7274 5664, mournetextiles.com.
6 | Traditional seating in coppiced hazel and ash.

Lath chair, H98xW42xD50cm, 450,
Sebastian Cox for Benchmark, 01488 608020,
benchmarkfurniture.com.
7 | A woven design that is both stylish and practical.

Market pack and fruit picking basket,
H50xW43xD33cm, 101.52, Kaufmann Mercantile,
kaufmann-mercantile.com.
8 | Hand-thrown porcelain uniting form and function.

Pitcher and bowl, H35xdiam30cm, 545,
Billy Lloyd at The New Craftsmen, 020 7148 3190,
thenewcraftsmen.com.
9 | A smart take on the kitchen coaster.
7|
Check linen coaster, 9cm sq, 5, Folklore,

020 7354 9333, shopfolklore.com. l
6|
october 2014 | H&G | 21
H&G EDIT | NEWS
BrighT Side
Taking style cues from mid-century
design adjustable arms and lean, artfully
offset lines the Andromeda Antique Brass
ceiling light, H54.5xW122cm, by Heathfeld
& Co is a dramatic addition to any living
space. Choose French drum shades in
Dark Teal (above), Ivory or Mocha satin for a
classic scheme or clear glass shades in
Smoke or Murano Blue for a modern look.
From 1,148, Heathfeld & Co, 01732
350450, heathfeld.co.uk.
Heritage revival
The designers at Cole & Son have been trawling through the
companys historic wallpaper archive in search of popular designs
of yesteryear, which they are releasing as the Archive Anthology
collection. The new range features resurrected papers that had
long been out of production alongside new takes on familiar classics.
Using a combination of surface and fexographic (a modern version of
letterpress) printing, designs such as Chinese Toile 100/8041 (pictured),
80 a roll, have been updated to give a more contemporary feel.
Contact Cole & Son, 020 7376 4628, cole-and-son.com.
For more pattern inspiration, go to our blog
into tHe fold

For a planter with a difference, we like Adam Christophers
Kronen design. if its form looks familiar a paper crown,
perhaps? know that the designers inspiration is the
Japanese art of origami and that kronen is danish for
crown. Available in fower pot (above) and bowl shapes
in white, Concrete or rust, the fbreglass pots are suitable
for interior and exterior use, and cost from 249 for
h62xdiam54cm. Contact Adam Christopher Design,
07793 049863, adamchristopherdesign.co.uk.
SwiTChed on STyle
The practical,
functional and attractive dont always go hand in hand,
which is why we were delighted to discover the new
Electricity range of light switches and dimmers by
Buster & Punch, 020 3176 5871, busterandpunch.com.
The solid metal fttings are available in several fnishes
Smoked Bronze, Brass, Marine-grade Steel, Matt White
and Matt Black and prices start at 30.
october 2014 | H&G | 23
ONE TO WATCH
Tom HuTcHinson
We came across Tom Hutchinson in the One
Year On section of this years New Designers
exhibition in London. Instantly taken with the
craftsmanship and simplicity of his Obtineo
range of accessories, we were keen to know
more about this rising stars work.
When did your passion for design begin?
Obtineo
As a child, I loved taking things apart to fnd
storage
out how they were put together, and even
jars (left),
150 set of
now Im eager to know how things have been
three; stool
manufactured. I want to understand the
(below) and
pendant (right), process behind a product and have always
made to order. appreciated well-made designs that are
built to last. Im a very practical person and
thats what makes me interested in crafts
such as glass-blowing and woodturning.
I like to combine these with good design.
Why did you choose wood and felt as
your main materials? The natural variations
make each product unique, giving it a bespoke
feel. I love the way glass, wood and felt are
so different in texture, but work so well
together; I like to combine materials that you
wouldnt necessarily think of putting together.
How did you establish your studio? Ive
always been entrepreneurial and wanted to
have my own business. After graduating, the
natural next step was to combine this with
TalenT spoT
Now in its tenth year, the Heals
Discovers initiative is a fantastic
platform for new designers to
kick-start their careers and a fne
opportunity to buy design from
a future star. Five graduates
have created pieces for this
years enterprise; our pick is
Sam Lloyds Sand Cast stools.
The aluminium tops are cast
in one piece in sand, which
leaves a wonderful texture on
the molten metal. Each stool
is unique as a new mould
must be made for every
one. Head to the Tottenham
Court Road showroom
during the London Design
Festival (13-21 September)
to see the launch of the
range. Heals, 020 7896
7451, heals.co.uk.
Sand Cast bar stool,

raw aluminium and
oak, H71xW46cm,
375; Sand Cast
low stool, black
aluminium and
fumed oak, H45x
W36cm, 245, Sam
Lloyd at Heals.
my love of design and to set up a studio. As

a student, I had followed the careers of a few
design graduates and saw how they progressed
their businesses, and hoped that I could
achieve the same. In my fnal year, I exhibited
the Obtineo collection at New Designers 2013.
I was overwhelmed by how many people loved
the products, so I decided that it would be the
perfect range to launch with.
Where do you fnd inspiration? Often, ideas
develop organically through playing around
with materials or exploring a certain process.
Im fascinated by traditional craftsmanship,
such as woodturning and slip-casting, and
will often build a product around the process,
rather than the other way around.
What are your future plans? I hope to
continue building relationships with craftsmen
around Britain to develop further ranges. We
have some amazing trades in this country
that Im really keen to support. As my
collection expands, Id love to showcase my
work at larger design fairs. Im also looking
forward to taking on more commissioned
work; I enjoy helping people develop their
ideas from a concept to the fnished product.
Tom Hutchinson Design, 07564 973432,
tomhutchinsondesign.com.
INTO THE FIRE

The statuesque good
looks of the Gizeh outdoor
fre by Rais will ensure it
has a starring role in the
garden long after summer
has passed. Made of raw
steel oxidised by the
elements, the woodburner
includes a grill for cooking.
Measuring H195xW37x
D36cm, it costs 832
from Robeys, 01773
820940, robeys.co.uk.
DESIGN EYE
BARBARA cHAnDLER
Homes & Gardens design
correspondent on Design
Nation, which represents
the best of British talent
FINE DININg
Dedicate some creative

energy to improving your dining space this season.
Visit housetohome.co.uk/dining-room for hundreds
of inspiring ideas for one-night-only occasions and
full room schemes, such as this hot pink look.
Log on to plainuseful.com for practical yet alluring

utensils, cleaning products and accessories for the
kitchen, garden, laundry and much more.
slim fiT
If you are one of the
many who has yearned
for a traditional Aga
but lack space for a
full-size version, see
the new City60. It has
everything you would
expect from a standard
model, but wrapped
in a neat 60cm-wide
package. Available in
14 colours, including
two new shades, Rose
(left) and Lemon,
it costs 4,995. Aga,
0845 712 5207,
agaliving.com.
more than 30 years ago, peta levi mBe, a tireless

campaigner for designers, set up New Designers,
newdesigners.com, now the worlds largest showcase
for graduate talent. She also founded New Designers
in Business (NDB) in 1991, to help fedgling businesses
grow, and Design Nation, designnation.co.uk, in
1997, to promote British design. Design Nation
later became NDBs selling arm, with a website,
a relatively new idea at the time.
Peta Levi put Britains abundant design talent in
touch with markets that included architects, interior
designers, manufacturers, shops and the general
public. Along the way she provided professional
advice, support and friendship, securing government
funding and international recognition and organising
exhibitions. Sadly, she died in 2008, aged 69.
Now Design Nation has a new manager, Liz Cooper,
and an injection of funds from The National Centre for
Craft and Design, nationalcraftanddesign.org.uk, in
Sleaford, Lincolnshire, the largest venue in England
dedicated to exhibiting and promoting craft and
design. The latest plans for Design Nation include
the recruitment of new members who, after proving
their credentials to a panel of industry peers, can
post photographs and details of their creations
on the website, which is a great resource for buying
or commissioning work. Recent new members
include product designer Lindsey Lang, Homes &
Gardens Young Designer 2014, lindseylang.co.uk;
hand-printed wallpaper designers Moody Monday,
moodymonday.co.uk, whose geometry wallpaper
is shown below; and ceramics designer Richard
Brendon, richardbrendon.com. Until 30 September,
the Southbank Shop on Festival Terrace, London
SE1 8XX, shop.southbankcentre.co.uk, will be
showcasing Design Nation furnishings and gifts.
H&G EDIT | PALETTE
A Day by the Sea, matt

emulsion, 35.50 for
2.5 litres, Fired Earth.
Hereford Earth, Low-sheen

Emulsion, 18 for 1 litre,
Konig Colours.
Ice V, flat emulsion,

36 for 2.5 litres,
Paint & Paper Library.
Bowery Blue, emulsion, 33

for 2.5 litres, Abigail Ahern. e
Island lIvIng
Using saturated turquoise, raw timber
and coastal pattern, we take our cue
from the distinctive Caribbean style
of the Los Roques archipelago that
lies off the Venezuelan coast
OCTOBER 2014 | H&G | 27
H&G EDIT | PALETTE
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3|
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1|
6|
4|
5|
16 |
8|
17 |
9|
15 |
13 |
11 |
12 |
14 |
1 | Hop in Ottanio, cotton, 140cm wide, 166.50m,
Dedar. 2 | Columbia CA1166/081; 082; 083; wool
mix, 140cm wide, 71.90m, Carlucci at JAB Anstoetz.
3 | Savile Row in Blue Canard, wool mix, 140cm
wide, 103.40m, Mtaphores at Abbott & Boyd.
4 | Toscana key tassel, leather, L18cm, 39, Samuel
& Sons. 5 | Perla in Topaz, viscose mix, 138cm wide,
65m, Harlequin. 6 | Contentment in Peacock,
cotton, 142cm wide, 58.70m, Robert Allen.
7 | Flamenco in Azul Turquoise, cotton mix,
28 | H&G | OCTOBER 2014
137cm wide, 150m, Donghia. 8 | Organic Sisal in

Peacock, 320 a roll, Stark. 9 | Cotswold in Marine,
linen, 140cm wide, 21m, Just Fabrics. 10 | Bukhara
in Blue/Blue, linen, 140cm wide, 218m, Peter
Dunham at Tissus dHlne. 11 | Bellamy in Bayoux,
polyester, 137cm wide, 42m, Old World Weavers at
Stark. 12 | Palazzo Melange, wool mix, 135cm wide,
72.20m, Chivasso at JAB Anstoetz. 13 | Emulsion
paints, 36 for 2 litres, Paint by Conran. 14 | Astor
wallcovering in Haveli, vinyl, 129.5cm wide, 50m,
Innovations at Altfeld. 15 | Edo Linen in Teal, linen,

137cm wide, 97m, Kelly Wearstler for Groundworks
at GP&J Baker. 16 | Reclaimed French oak (bottom),
from 168sq m; reclaimed French carriage oak,
from 174sq m; both The Reclaimed Flooring Co
of Clerkenwell. 17 | Texture in Aqua, 15x6.5cm,
13.75 a tile, Paris Ceramics. Background Manila
Hemp wallcovering in Turquoise 5276, 91.4cm
wide, from 40m, Phillip Jeries. l
WHERE TO BUY, PAGE 200
Styling Laura Vinden PHOtOgRAPHS ditte isager (lOS ROQUES), Catherine gratwiCke (PAlEttE)
10 |
H&G EDIT | NEWS
painting class
The latest colours, combinations
and fnishes to update your walls.
Zoffany has introduced Elite, a
resilient emulsion with a low sheen,
designed specifcally for high-traffc
areas such as entrance halls, kitchens
and childrens rooms. Available in all
of the companys 128 colours, Elite
emulsion costs 42.50 for 2.5 litres.
Contact 0844 543 4600, zoany.com.
little greene has come up
with inspiring ideas on how to use its
heritage paints in compelling colour
combinations (right). Visit the website
from the end of September to
see more stunning room schemes.
Intelligent Matt Emulsion costs
41.50 for 2.5 litres. Contact
0845 880 5855, littlegreene.com.
edward Bulmer pots of paint
has added 21 new colours, including
dusty yellow Brimstone, Invisible Green
and soft brown Nicaragua, to its range.
The paints are made using natural earth
and mineral pigments, which produce
rich, strong hues and chalky neutrals.
Natural Emulsion in Soft or Matt Chalky
fnish costs 38 for 2.5 litres. Contact
01544 388535, potsofpaint.com.
Paint shades,
CloCkwise from
left Deep Space
Blue, Bronze Red

and Yellow-Pink,
Little Greene; Smoke,
Russet and Pebble,
Zoany; Brimstone,
Edward Bulmer
Pots of Paint.
Anyone with a passion for interiors should make a beeline for our blog hglivingbeautifully.com
and sign up for its daily updates. We cover the latest design news and must-have buys,
plus beautiful room schemes with ideas to inspire you.
IN STITChES
Devotees of colour, pattern and
eclectic style, Ben Pentreath and
Bridie Hall have teamed up with
Fine Cell Work, a charity that trains
British prisoners in needlework. The
results of the collaboration are two
cushions, Falling Cubes (right) and
Tetrahedron (below) in six bold
colourways, 95 each. Contact
020 7430 2526, pentreath-hall.com.
into the Blue
Designer and stylist Faye Toogood

has joined forces with family-run pottery company 1882 to create
a striking range of ceramics, Indigo Storm. The name sums up the
mood of her designs, which feature swirls of deep blue on cream cups,
plates and bowls, with a painterly look that is right on trend. From
12.95 for a small cup. Contact 020 3002 8023, 1882ltd.com.
6 | H&G | october 2014
H&G EDIT | shopping
ADJUSTABLE LIGHTING
Our favourite articulated designs for versatility and style
1|
32 | H&G | OCTOBER 2014
2|
3|
4|
5|
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1 | Ryton table lamp, marble

and steel, H72xW37.5cm, 149,
Conran at Marks & Spencer.
2 | Angus task light in Grey,
steel, H77xdiam18cm, 50, Bhs.
3 | Full Moon lamp, galvanised
nickel and brass, H70xdiam
60cm, 1,668, S.
4 | Lektor table lamp, iron and
brass, H40xW54cm, 365, SCP.
5 | Wall lamp, steel, L132cm,
415, Another Country.
6 | Mantis B1, steel and
aluminium, H170xW55cm,
760, Bernard Schottlander.
7 | Accordion wall light,
metal, L55-95xdiam31cm,
125, French Connection.
8 | The Reading wall light,
bronze, H41xD61cm, 1,425,
Soane Britain.
Dining table two, H72x
W200xD100cm, 1,875,
Another Country. l
FIND MORE BEAUTIFUL SHOPPING BUYS AT

HOUSETOHOME.CO.UK/HOMESANDGARDENS-SHOPPING
8|
Styling Laura Vinden PhotograPh Katya de GrunwaLd
7|
OCTOBER 2014 | H&G | 33
TRAVE L
California and the Golden West
south afriCa
15 days from 1,699 per person. Selected departures up

to November 2014 and March to November 2015.

to November 2014 and January to November 2015.
hOLIdAy INCLudeS:
n Return flights from Heathrow,

taxes and transfers.
n Stay in hand-picked threeand four-star hotels, room only.
n Fully escorted sightseeing of
San Francisco, Los Angeles,
San Diego, Las Vegas, Grand

Canyon, Bryce Canyon, Zion
and Yosemite National Parks,
and Monument Valley.
n The opportunity to take
a helicopter ride over the
Grand Canyon.
hOLIdAy INCLudeS:

n Staying in three- and four-star
hotels with breakfast and five meals.
Kruger National Park, Isandlwana
and Rorkes Drift, the Garden

Route, whale watching (seasonal),
Swaziland, Winelands, Cape of
Good Hope, Kirstenbosch
National Botanical Garden, Cape
Town, Johannesburgs Apartheid
Museum and Blyde River Canyon.
Japan
Vietnam and Cambodia

to November 2014 and March to October 2015.

to November 2014 and January to November 2015.
hOLIdAy INCLudeS:

n Stay in four-star hotels with
breakfast and three meals.
n Fully escorted sightseeing
of Tokyo, Ginza, Nikko National
Park, UNESCO Shogun-era

architecture, Mount Fuji from
Lake Kawaguchi, Hakone, the
Owakudani Boiling Valley by
aerial gondola, bullet trains,
Hiroshima, Kegon Falls, Lake
Chuzenji and Kyoto.
hOLIdAy INCLudeS:
n Return flights from Gatwick,

n Four- and five-star hotel
accommodation with breakfast,
plus five meals.
Phnom Penh, Angkor and Hanoi

in Cambodia; cruise through
Vietnams Ha Long Bay and visit
the Citadel and Imperial City
in Hue, stay in Ho Chi Minh City,
visit the Cu Chi tunnels and enjoy
a Mekong Delta cruise and tour.
Terms and conditions Prices are per person, based on two sharing and subject to availability. Images used in conjunction with Riviera Travel. Offer operated by and subject to the booking conditions of Riviera Travel Ltd. Abta V4744, Atol 3430, a
company wholly independent of IPC Media Ltd. When you respond, IPC Media Ltd and other group companies may contact you with offers/services that may be of interest. Please give your mobile or email details if you wish to receive such offers
by SMS or email. We will not give your details to other companies without your permission; please let us know if you are happy for us to do so. Additional entrance costs may apply.
TO BOOK, CALL 01283 742330 OR VISIT hAgRIVIeRA.CO.uK
H&G EDIT | TRAVEL

4|
3|
1|
1 | A room at Hotel Tresanton,

designed by Olga Polizzi.
2|
2 | The clover-leaf shaped

St Mawes castle. 3 | Bag
a designer name at Onda.
5|
4 | The harbour at St
Mawes. 5 | The National
Maritime Museum
Cornwall in Falmouth.
6 | A natural sculpture
at The Lost Gardens of
Heligan. 7 | Local potter
Tony Worthingtons
raku fishing boat at
Waterside Gallery.
7|
6|
GREAT ESCAPE
ST MAWES, CORNWALL
FEATURE JANE AKERS PHOTOGRAPHS ALAMY, GETTY IMAGES
Fantastic hotels, tempting restaurants and stunning

scenery make this fishing village the perfect retreat,
especially in autumn when the crowds thin out
STAY
EAT
SHOP
VISIT
As peak season tourists return

home, secure yourself a room at
one of Cornwalls most luxurious
hotels. Hotel Tresanton, 01326
270055, tresanton.com, has 30
individually designed rooms
with views across the sea to St
Anthonys Lighthouse, as well as
its own cinema and private yacht.
Rooms from 250. Simpler but
equally stunning is The Idle Rocks,
01326 270270, idlerocks.com.
The dcor is laid-back nautical,
but the wow factor comes from
its harbour-side location and the
terrace built into the sea wall,
where you can drink, eat or simply
enjoy the view. Rooms from 180.
St Mawes is a haven for seafood

lovers, and the restaurants at both
Hotel Tresanton and The Idle
Rocks have a good selection
of fish on the menu. Another
favourite is The Watch House,
01326 270038, watchhousest
mawes.co.uk, where you can eat in
or treat yourself to fish and chips
as you walk along the harbour.
For real Cornish pasties, The St
Mawes Bakery, 01326 270292,
has a reputation that speaks for
itself. Or, for fresh, quality produce,
its hard to beat the salads at
Deli-cious, 01326 270045; be
sure to pick up a few artisan
foodie gifts while youre there.
Wander west along the main

coastal road and pop into
Grace & Favour, 01326 270672,
graceandfavouronline.co.uk, with
its enticing mix of gifts, jewellery,
clothes and homewares.
Neighbouring Waterside Gallery,
01326 270136, watersidegallery.
co.uk, is also worth a look for its
local art, ceramics and jewellery.
Head to Grove Hill for Onda, 01326
270456, ondarocks.co.uk, a lovely
boutique that sells designer
labels, accessories and luxury
skincare products. For a more
serious retail fix, a 25-minute
scenic trip on the foot ferry will
take you to bustling Falmouth.
Theres plenty of opportunity to

try your hand at watersports, but
back on land a visit to St Mawes
16th-century castle, built by
Henry VIII, is a must. From there,
take the two-mile coastal walk
to St Just in Roseland Church,
described by Sir John Betjeman
as the most beautiful churchyard
on earth. Also worth considering
is the St Mawes fish festival in
late September and the National
Maritime Museum Cornwall in
Falmouth, nmmc.co.uk. St Ives
and the Tate, tate.org.uk and
The Lost Gardens of Heligan,
heligan.com, are no more than
an hour away by car.
OCTOBER 2014 | H&G | 35
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HG Edit 5 news_st mawes_OCT1908_ReSupply.indd 1
19/08/2014 17:02
H&G EDIT | NEWS
BoLd Mix
If you love this

seasons trend for mismatching
and pattern clashing, Richard
Smiths new No. 9 Tiger Tiger
range for Jim Thompson is
ideal for achieving the look. The
fabrics and trimmings include
Lhasa (on sofa), cotton, 139cm
wide, 60m; and Elements border
(on ottoman), cotton mix, 10cm
wide, 48m. Contact 020 3701
5145, jimthompsonfabrics.com.
prince of teas
We have seen a few tea launches
recently, but none has quite hit
the spot like this brand. Founded
by east sussex-based husband
and wife team simon and Kate
Prince, Prince & sons tea Co
offers 12 delicately infused blends
that would impress even the
most discerning tea afcionado.
top-quality ingredients are
sourced from around the world,
then the individual favours are
created by a master blender in
Britain. From Caramel Vanilla
Rooibos to Lemongrass, Lime &
Root Ginger, each is beautifully
balanced and a pleasure to the
senses. the packaging is equally
elegant: the boxes feature
Farrow & Ball-esque shades,
with the companys charming
logo of an aristocratic frog,
striking a pose atop a teacup.
Prince & sons tea, 4.45 for
15 Fuso tea bags, is available
from princeandsonstea.com and
can also be found at boutique
hotel the Pig, near Bath.
neat seat
British upholsterer
George Smith has
teamed up with
Parisian designer
Jean-Louis Deniot
to create a seating
range with elegant
curves and a modern
edge. Shown is the
Jane sofa, H80x
W200xD90cm, from
3,480. Contact
020 7384 1004,
georgesmith.co.uk.
3 of the best Autumn essentiAls in print

1 | Sunshine on
a rainy day. Seek
2 | Scandinavian
style. Wrap up
3 | Anglo-Gallic
charm. These
shelter in style with

a New Hex print
umbrella, featuring
a maple wood shaft
and handle and
reinforced steel
frame, 95, David
David at Darkroom,
020 7831 7244,
darkroomlondon.com.
warmly in a cosy
Wool Jacquard
blanket, made from
New Zealand wool
with ten per cent
cotton and edged
with a neat blanket
stitch, 135, Toast,
0844 557 0460,
toast.co.uk.
elegant Aigle Miss

Juliette Liberty
wellingtons are
handmade in France
from natural rubber
by bootmaker Aigle
and adorned with an
exclusive Liberty print,
120, Quba & Co, 0870
777 1651, quba.com.
H&G | OCTOBER 2014
London design
FestivaL 2014
Theres no better place for design lovers than London in September, when a raft of exciting
launches, installations and exhibitions takes place across the capital. From individual makers
open studios to large-scale design shows, we share our highlights of this years 12-day event
FEATURE SARAH B A L DWIN I LLUST RAT I ON S O R L A ND O HO ETZEL
october 2014 | H&G | 41
Look west
Inspiring installations and talks from style makers
GLimPSE finlands finest

Finnish-born London-based artist and
designer Klaus Haapaniemi will be showing
his stunning new collection at the Finnish
Ambassadors residence on the famous
street in Kensington known informally as
Billionaires Row. The collection is as
exciting as the venue; called Nocturnal
Bloom, it features nature-inspired motifs
across furniture, fabrics, pendant lights
(above, 750), traditional Japanese
ceramics and silk sleepwear.
When 18-19 September.
Where 14 Kensington Palace Gardens, W8 4QP.
Find out more klaush.com.
Sneak into showrooms after hours

The Brompton Districts late-open evening is the perfect chance
to indulge in some after-hours shopping at showrooms such
as Skandium and The Conran Shop. Cruise from store to store
in style with Brompton Bicycles guided tours, which are taking
place on both Sundays of the festival and Thursday
18 September. These take around three hours and cost 10
each. 10am and 2pm starts; book at brompton.com.
When Late opening
18 September.
Where Various
venues. Brompton
Bicycle tours start
at Squint, 1 North
Terrace, SW3 2BA.
Find out more
bromptondesign
district.com.
Find the fashion

pack at a talk by
Jonathan Saunders
Scottish designer Jonathan Saunders
is the latest name on the list of elite
fashionistas to collaborate with The
Rug Company. Hes in good company,
joining Sir Paul Smith, Diane von
Furstenberg and Alexander McQueen.
Saunders will be sharing his story at an
evening Q&A session on Thursday 18
September at the Kings Road store. We
expect to see plenty of glitterati there.
When 18 September, 6-8pm.
Where The Rug Company, 555 Kings
Road, SW6 2EB.
Find out more therugcompany.com.
Hutton runner and Hamilton

runner, 700sq m, Jonathan
Saunders at The Rug Company.
0123456789
HG_LDF_FINAL 19_8.indd 2
19/08/2014 17:07
bespoke bronze
and shagreen
side table by
rupert bevan.
discoVer
conrans
dreaM desiGn
see ruPert bevan in his stuDio

open studios offer a chance to see the processes
and craftsmanship that go into creating beautiful
work. For LDF, bespoke furniture maker and
interior fnisher rupert bevan is opening his
Queens Park studio, so you will be able to see
him and his team in action. rupert will also be
hosting a talk on commissioning furniture. this
is all part of the Queens Park Design Districts
inaugural event, which launches at the Festival.
When 15-19 september, 10am-12pm and 3-5pm.
commissioning bespoke Furniture talk, 17 september,

11am; book via yasmin@rupertbevan.com.
Where 11 Lonsdale road, Queens Park, nW6 6ra.
Find out more rupertbevan.com.
For insight into what

terence conran, Zaha
hadid and richard
rogers ideal designs look
like, head to the Wish
list exhibition. the
american hardwood
export council and
benchmark have
collaborated to bring
together ten legends
with ten new faces. the
veterans have picked out
products they wish were
in production, and the
up-and-comers are
making them. the scope
is vast and, besides craft,
all the pieces show the
beauty of hardwood.
When 13-21 september.
Where V&a, cromwell
road, sW7 2rl.

Find out more
wishlistldf.info.
iMMerse yourselF in the

V&a MuseuMs installations
although London Design Festival was only conceived in 2003, 100% Design
turns 20 this year. it has been a key part of the international design calendar
since it began, although it underwent a much-needed revamp a few years ago.
100% is undoubtedly the most trade-focused exhibition of LDF, with four key
sections: eco, Design & build, kitchens & bathrooms, interiors and Workplace.
however, with favourite brands such as bulthaup (above) and heals alongside
makers such as artist Jo Downs and Decode London, it offers a rare chance to
see recent products from various sectors under one roof.
every year, the Victoria and albert Museum plays host to a series
of creative installations. its been the offcial hub of the festival
since 2009, and displays have included textile Field, a run of
undulating carpet by the bouroullec brothers on which visitors
could lie to view the artwork, and timber Wave, a wooden stair
that cascaded out of the entrance and on to brompton road.
this year, designers edward barber and Jay osgerby have
been brought on board. the london-based duo are two of the
hottest names on the scene, with recent high-profle work
including the 2012 olympic torch, the new ace hotel in
shoreditch and a 2 coin to commemorate the 150th anniversary
of london underground. For ldF 14, barberosgerby has created
double space with bMW, a dramatic 45x15m addition to one
of the museums most classic spaces. two mirrored structures,
which rotate in a choreographed sequence, have been suspended
from the ceiling of the raphael Gallery. one side of each is
convex and the other is fat, so the refection alters and distorts
the viewers perception of the space.
other special exhibitions include a display looking back to
the V&as the destruction of the country house, including
material from the 1974 show along with a new video feature
that aims to conjure the atmosphere of present-day country
piles. then theres human nature paris designer Jeremy
Maxwell Wintrebert worked with glass specialist Vessel Gallery
to create this bold installation at the entrance to the Glass
Galleries. its also worth hunting out the hidden location that
will host an immersive look at the theme of time.
When 17-20 september trade; 20 september open to public. Free to trade; 15 to public.
Where earls court exhibition centre 2, Warwick road, sW5 9ta.
Find out more 100percentdesign.co.uk.

Where V&a, cromwell road, sW7 2rl.
Find out more vam.ac.uk. e
Look at the Latest kitchens anD bathrooms
october 2014 | h&G | 43
Prime Opulent
candle in Black
ceramic, Zaha
Hadid, 99;
Traveller chair,
Steven Burks for
Roche Bobois,
from 7,650;
both exclusive
to Harrods.
Mingle wiTH THe CHelSea DeSign eliTe

what was once the quiet end of the Kings Road has become a hub of high-end stores. There are
more than 40 showrooms in this stretch which, with lots Road and imperial wharf, was rebranded
as Chelsea Design Quarter last year. The packed schedule of events here includes late openings on
15 September. H&Gs highlights are the talks Be inspired by light and Control at John Cullen
lighting from 4.30 to 6.30pm; Table Talk at lapicida from 6.30 to 8.30pm; and our executive
editor giles Kimes discussion, inspiration, at Drummonds from 6.30 to 8.30pm (see page 58).
When late opening 15 September. all the events are free. Where Various venues.
Find out more chelseadesignquarter.co.uk.
Lap up excLusives at
Harrods is design
Well-loved kitchen brand smallbone of

devizes is holding an interactive workshop
at its showroom in knightsbridge on 18
september. the demonstrations are aimed at
celebrating craft and making something
close to H&Gs heart with the in-house joiner
showing traditional skills and silversmith phil
jordan making exquisite spoons from silver.
drop in any time during the session.
not all that long ago, Harrods interiors

department was the preserve of the super rich.
But, following a radical refresh earlier this year,
the spacious third foor confdently named
Harrods is Home now plays host to a more
accessible edit of contemporary furniture,
with exclusive designs, regular pop-ups and
an innovative retail concept from Yoo. For LdF,
Harrods has created an in-store trail through
the department to take in the exclusive launch
of Zaha Hadids frst homeware collection, a
new collaboration between French brand
roche Bobois and american designer stephen
Burks, and a pop-up from Bethan gray
(among other offerings).
When 18 september, 6.30-8.30pm.

Where 220 Brompton road, sW3 2BB.
Find out more smallbone.co.uk

Where Harrods, 87/135 Brompton road, sW1x 7xL.
Find out more harrods.com. e
Learn joinerY and siLver

skiLLs at smaLLBone
SnOOP aROunD Real

HOMeS wiTH MaDe
Open house is a major element of lDF 2014,
with various exhibitions and events giving
participants a chance to see behind closed doors.
in keeping with this theme, Made is taking over
three of its customers homes in london, as well
as opening up the house of its founder, Chloe
Macintosh, to the public. This event is being
held to celebrate the launch of unboxed, an
online platform where users can share images
of Made products in their homes and ask each
other questions about them.
When Series launches on 16 September at the Fulham
home of Made co-founder Chloe Macintosh. email
rsvp@made.com to attend.
Find out more made.com.
october 2014 | h&G | 45
DECOREX
Thousands of new products from leading names

1|
With an exhibitor list that reads like a whos-who of interiors, Decorex is

one of the biggest events in the LDF calendar. More than 350 brands take
a stand (about a third are new to the show this year) and theres a lively
seminar programme. This year, it moves to Syon Park, one of Londons
great houses, which will make a stunning stage for an exhibition that
is taking the Georgians as its theme. To tie in with this, the entrance is
inspired by William Hogarths A Rakes Progress. Created in collaboration
with Sir John Soanes Museum, it will feature contemporary takes on
Hogarths scenes by talents such as Nigel Coates, De Gournay and Shaun
Clarkson. Meanwhile, Future Heritage, a selection of names to collect in
British craft curated by critic Corinne Julius, is another must-see feature.
2|
TAKE THE FLOOR

3|
the best
newcomers
An exciting unveiling at this years show is Quirky B; Alternative Floorings

new broadloom carpet collection created in collaboration with designers
Ashley Hicks and Margo Selby. Our favourite is the Hicks Chainmail
design (below), 95.85sq m; its angular lines will work in any room.
Contact 01264 335111, alternativefooring.com.
1 | the heritage collection,

from 75m, liberty art
Fabrics, 020 7734 1234,
liberty.co.uk.
2 | Gideon Hatch Coral
hand-knotted rug, 720sq
m, Gideon Hatch, 020 7498
5574, gideonhatch.co.uk.
3 | Portman headboard in
bisson bruneel Polyabaca Paille
and Dedar adam & eve (edge),
prices on request; herald
superb mattress with Prestige
divan, 4,500, Vispring, 0800
592952, vispring.co.uk.
Fabric watch
the latest ranges by altfeld
feature an exciting blend
of lively pattern and rich
texture. included
in the mix is the
anity collection
by bretano (right),
from 104m we love
the delicate texture and
hues. contact 020 7351
5893, altfeld.com.
LOndOn LuxuRy
Savoir Beds will be at the show to feature its new Savoy,
11,381 (left). As the name suggests, it was created to
celebrate the famous hotels 125th anniversary. We cant
wait to see it. Contact 020 8838 4838, savoirbeds.co.uk.
WHeN 21-24 September.
WHere Syon Park, London Road, TW8 8JF.
FiND ouT More decorex.com.
46 | H&G | october 2014
Design critic
corinne Julius
The curator of Future
Heritage on craft
How did your link with

Decorex come about? i was
aware that there was relatively
little modern craft or design at
the show. it seemed to me that
many visitors might have the
projects and budgets to work
with makers, but lack the
knowledge and expertise to
fnd one. i approached simone
du bois of Decorex and she
asked me to put my money
where my mouth was.
Tell us your take on the
historical theme. the
georgians were inveterate
experimenters. their designs
were the result of exploring
techniques and manipulating
forms, materials and methods.
my selection shows makers
who have similarly high
standards, engaging with ideas
and innovation: they are
present-day georgians.
What is your aim with the
show? i want visitors to see
that craft is a feld of enormous
interest to them. i have a deep
respect for todays makers.
they produce functional art,
at a price way below mundane
reproductions. i also want to
demystify commissioning.
Can you oer advice on this
process? the frst thing is
to look and look again. ask
questions and handle objects.
consider what you like and
why, before you even think of
commissioning. and enjoy
it; you are buying a slice of
the makers ingenuity and
something to pass on to future
generations. open studios and
artist-owned galleries are good
places to start your search. e
focus
1|
Ideas and opinion from design luminaries

This four-day event showcases almost 100 showrooms and 500 brands,
but its real USP is the chance to mingle with the biggest names in the
business. At the Conversations in Design sessions, global names such as
Terence Conran and Chester Jones share creative know-how and inspiring
ideas. The Access All Areas showroom events are also bigger this year,
with more events, workshops, talks, forums and meet the designer sessions.
2|
3|
INSPIRED BY INDIA
FaBulous FInDs
1 | Hex Box in weathered brass, 415, Davey

lighting, 020 7351 2130, davey-lighting.co.uk.
2 | Ipanema chair, 4,248, Poliform,
020 7352 0046, poliformuk.com.
3 | thassos marble mosaic tiles in Black on
Midnight Black, 417.95, selvaggio at ann
sacks, 020 3055 0802, annsacks.com.
GP&J Baker never fails to impress. Echo, its new range,

will be on show at Focus and takes its lead from Indian
textiles. Parvani PW78034.3 wallpaper, 79 per roll;
Kashmira PP50376.6 (left cushion and seat covers),
cotton, W139cm, 49m; Parvani PP50373.3 (right
cushion), linen, W139cm, 69m; all Baker Lifestyle
at GP&J Baker, 020 7351 7760, gpandjbaker.com.
When 21-23 september trade; 24 september
open to the public. Free.

Where Design Centre Chelsea Harbour,
lots road, sw10 0Xe.
Best oF BrItIsH
Act nAturAl
the new Armani/casa Exclusive
textiles by rubelli, 020 7349 1590,
rubelli.com, are inspired by the
shapes and textures found in nature.
Our favourite is this oversized palm
leaf motif, 164m.
48 | h&G | october 2014
one of our go-to stores at Design Centre Chelsea

Harbour is Zimmer+rohde, 020 7351 7115,
zimmer-rohde.com. at Focus, it will be showing
Hodsoll McKenzies Interiors range, inspired by
english styles, as well as own-brand and ardecora
collections. shown (clockwise from top left), emerson
21148 594, viscose, 110m; Platino 10591 486,
cotton mix, 150m; Portobello 10590 894, viscose
mix, 145m; avril 10602 616, linen, 120m.
BIID PresIDent
DanIel HoPwooD
What I love about Focus
n the world of interior design

moves quickly and its diffcult
to keep up with whats going
on. Focus helps me to, dare I
say it, focus, and to take on
board the latest products.
n I treat meeting with the
sales teams at Focus as a mini
CPD (continuing professional
development). I pick up on
trends and learn about the
latest technological feats that
are now possible. It keeps me
ahead of the game.
n Its crucial as a professional
designer to have an up-to-date
library. I also need to see what
is new and exciting, which
allows me to surprise and
delight my clients. at Focus,
Im able to do both in one hit.
n shows like Focus fre my
imagination. Discussing a
number of projects each day
takes its toll and I spend my
life on building sites or gazing
at a screen. a visit to Focus
reawakens my enthusiasm for
what is a very fulflling career.
n It provides a great
opportunity to catch up with
other designers, not just
through the Conversations
in Design series but also by
spotting familiar faces and
sharing stories. Focus offers
the chance to meet face-toface, rather than via email.
n at Focus Im able to easily
meet up with BIID members.
I like to hear what they want
from the institute and their
thoughts on what other
activities we could do to
assist their careers.
British Institute of Interior
Design, 020 7349 0800,
biid.org.uk. e
STAY CenTrAl
Daring collaborations, stylish shopping and fantastic eateries
picto watches by
rosendahl, 139 each,
the dezeen pop-up
store; patternity teapot,
175, richard Brendon.
get the scoop on trends

At designJunction
in terms of large-scale exhibitions that take
place during Ldf, designJunction is the
new kid on the block. it launched in 2011
as a small show of ten British brands and
now occupies 120,000 square feet of space
with more than 180 exhibitors, from known
names to cutting-edge newbies. the plethora
of products is well worth your attention, but
its the flash factories that make this event
unique. coakley & cox is bringing its bespoke
upholstery team to work on site, while Bert &
May will demonstrate how encaustic tiles are
made using its original hydraulic press. plus,
designJunction is a chance for a bit of retail
therapy more than 25 pop-up shops will be
selling wares for a fast design fx.
photograph Agnese sAnvito (shop exterior)
When 18-21 september;

tickets 8 in advance, 10 on the door.
Where the sorting offce,
21/31 new oxford street, Wc1A 1BA.
Find out more thedesignjunction.co.uk.
MEEt thE MakErs at oxo towEr

discover the faces behind the community of unique
design boutiques at the oxo tower with a breakfast
event on 17 september. also worth a look is the
graduate show hosted by 33@oxo.
When 17-21 september, 10am. Free.
Where oxo tower wharf, Bargehouse street, sE1 9ph.
Find out more oxotower.co.uk.
ExplorE old
and nEw with
Bocci and
MallEtt
antiquEs
Boccis sculptural
lights are undeniably
modern, but you will
see them in a new way
at this exhibition in
Malletts showrooms in
Ely house, a bishops
palace built in 1772.
this grand venue
merits a visit in its
own right, but the
juxtaposition of
classic architecture
and contemporary
product adds an
exciting edge.
Where Ely house, 37
dover street, w1s 4nJ.

Find out more bocci.ca;
mallettantiques.com.
WindoW shop for design

stroll down bustling regent street to see an
initiative that brings eye-catching installations
by leading riBA architects to fashion stores.
pairings include Banana republic with Make
Architects, folli follie with denizen Works and
Karl Lagerfeld with draisci studio.
Where Various venues on regent street, W1.
Find out more architecture.com. e
october 2014 | h&G | 51
Browse arTisan
proDuCTs aT
wesT elm loCal
Trunk vases, from 45

each, richard woods
for hay at Darkroom,
020 831 7244,
darkroomlondon.com.
american homewares company

west elms answer to the growing
popularity of British-made
goods is a collection of londonmade accessories, bedlinen and
furniture. Catch its launch on 16
september and meet the artisans,
including Jo robinson of ham,
whose work is shown left, from
29. There are also plans for
activities such as printing tote bags.
When 16 september, 6-10pm.
Where 209/210 Tottenham Court
road, w1T 7pn.

Find out more westelm.co.uk.
enjoy afternoon tea

and innovative design
at 19 greek street

Where 19 greek street, W1d 4dt.
Find out more 19greekstreet.com.
When 13-20 september. dinner 10, 13, 16, 17 and
20 september at 9pm. Booking essential.

Where 34 Queen annes gate, sW1H 9aB.
Find out more wrongforhay.com.
paperweight light by
henry wilson with
Benja harney, part of the
Design Caf show.
take a Look at designers interPretations of HoMe

The Landmark Projects are always a high point of the London Design Festival, not least
because they usually bring design to an unexpected public space. That said, never before
has one piqued our interest as much as this years A Place Called Home. Behind the project
is online portal Airbnb, which has invited four designers to offer their interpretation of a home.
The homes will be created in Trafalgar Square as four separate structures, all identical from
the outside but unique on the inside. The eminent names are StudioIlse (above left),
Raw Edges (above centre), Jasper Morrison (above right) and Patternity; expect to see
a host of exciting and surprising ideas in each little building.
Where Trafalgar Square, WC2N 5DN.
Find out more airbnb.co.uk.
52 | h&G | october 2014
TalenT spoT aT The

aram Gallerys
FuTure sTars show
how the design scene has changed
since 1964, when Zeev aram opened
his shop on the Kings road. This was
one of the frst stores to stock style-led
modern furniture, and it caused quite
the stir. Fast forward 50 years, and
aram remains a site of revolution, albeit
within a more sophisticated business.
Future stars at The aram Gallery is its
contribution to lDF and, with a focus on
emerging and new products, it presents
the best work to be launched in 2014.
you wont get a much more respected
edit than this one, so its a truly reliable
gauge of the talent around today. ps,
its worth adding 19 september to
your diary, when Zeev will talk about
londons cultural landscape at the V&a.
Where The aram Gallery,
110 Drury lane, wC2B 5sG.

Find out more thearamgallery.org. e
PHotograPH Andy Lewis (Light)
keen to see some seriously

cutting-edge ideas? Head to 19 greek
street, a victorian town house that
is home to a team of designers who
share a passion for experimentation.
of the several shows it is putting on
for Ldf, H&Gs pick is the new design
Caf, which will be open to the public
(it is usually by appointment only),
with its eccentric take on afternoon
tea and show of avant-garde design.
dine WitH Wrong for Hay

Last year, sebastian Wrong teamed up with design
company Hay to produce a stunning range of
affordable one-off pieces, and the launch event
was an unquestionable highlight of Ldf 2013.
this year, the brand is opening its showroom
at st jamess Park for the festival, where it will be
exhibiting brand-new lights, as well as the entire
2014 collection. not to be missed is the pop-up
restaurant by chef antto Melasniemi of nordic
eatery Hel yes! fame. drop in during the day or,
better still, book one of the coveted evening spots
via reservations@wrongforhay.com.
GO EAST
Edgy new designers and venues, plus hands-on activities
caTcH RiSing STaRS

aT TEnT lOnDOn
Housed in the Old Truman Brewery near
Spitalfelds Market, Tent london and Super
Brands london make for a fantastic afternoon
of talent spotting. young and inspiring
designers show their wares in the hope of
being noticed by large distributors and the
press, so its also a good place to look for
trends. Raw materials and exposed frames
seem to be two of the main themes coming
through. new this year, the Danish Made
exhibition will see young prodigies
reimagining works (above) by Brge
Mogensen and Hans wegner. The exhibition
coincides with Mogensens and wegners
centenaries, effectively highlighting both
established and up-and-coming Danish
design. This joins other country-oriented
exhibitions 100% norway and
Tokyo Designers week.
Dragonfies
side plate,
34.25,
Melody Rose;
architectural
sculptures,
140 each,
chisel &
Mouse; both
at Shop Tent,
shoptent.co.uk.
Have a bit of fun at tHe

Donna Wilson pop-up sHop
folksy designer Donna Wilson is taking over one of
the shipping containers at boxpark opposite the tea
building. Her team has arranged an event for every day
of the week, including an ice-cream party, a darning
workshop and a book signing. there will also be a
selfe station and limited-edition products for sale.
Where unit 26, boxpark, 2/10 bethnal
Green Road, e1 6GY.

Find out more donnawilson.com.
BE THE fiRST TO SEE a gREaT

nEw gallERy SpacE

Where Old Truman Brewery,
Hanbury Street, E1 6QR.

Find out more tentlondon.co.uk.
Head to greenwich to explore the latest addition to the

contemporary art scene, the now gallery. This seven
metre-tall, glass-fronted space will feature a new
commission every three months, starting with an
immersive installation by Simon Heijdens for lDf.
it is part of the regeneration of the greenwich peninsula,
which also includes landscaping by Tom Dixon.
When 19 September onwards. free.
Where now gallery, 1 green place, SE10 0pE.
Find out more nowgallery.co.uk. e
october 2014 | h&G | 55
See quirky pieceS in

iSlington DeSign DiStrict
Among the more recent additions to the ever-growing
design district scene are the ten design shops that
make up the Islington collective, which spreads from
pedestrianised Camden Passage to Upper Street.
The hub of this venture is Smug, selling everything
from stationery to furniture and hosting numerous
workshops for LDF. These will include a Donna Wilson
personalisation workshop, a screen-printing class with
Thornback & Peel and the chance to decorate a one-off
wooden owl with Matt Pugh. Elsewhere in the district,
distinctive brand Timorous Beasties is collaborating with
the Sim Smith Gallery to display works by Jonathan
McCree that have been inspired by its designs.
WHEN 13-21 September. Late opening 13 September.
Workshops on both weekends.

The Fato light
designed by Gio
Ponti for Artemide.
WHERE Smug, 13 Camden Passage, N1 8EA.

FIND OUT MORE ifeelsmug.com.
Be DazzLeD By LIGHTING
aT THe ITaLIaN CoNSULaTe
Lighting brand Artemide is presenting A Tribute
to Light at the Italian Consulate in Farringdon.
The exhibition features some of its iconic pieces
alongside images of their creators taken by
renowned photographer Elliot Erwitt.
When From 12 September.
Where 83/86 Farringdon Street, eC4a 4BL.
Find out more artemide.com.
DISCovEr NEW SkILLS WITh ThE

SATUrDAy MArkET ProJECT
head here for hands-on fun. The Saturday Market Project
is an innovative collective of specialists in New york and
London, all of who work with creative businesses and
individuals on the design of new products and services.
For the festival, it will be running demonstrations, including
carving with Barn the Spoon, horn-working with Abbeyhorn
and moulding leather with katherine Pogson. Drop in, or
book classes online. There will also be a shop in
collaboration with very Good & Proper.
WHEN 16-21 September.
WHERE 73 Leonard Street, EC2A 4QS.
FIND OUT MORE saturdaymarketproject.co.uk.
celebrate Simplicity in the

ShoreDitch DeSign triangle
Pared-back design at its best will be on show at
SCP on Curtain road. Its holding an exhibition
called Simplifed Beauty with pieces from Japan,
America and Britain, all of which are triumphs
of minimal style. The exhibition is one of
several Shoreditch Design Triangle events.
Check out Made in ratios new showroom
Plank chopping
and Lee Brooms new collection, too.
board in
walnut, 185,
Fort Standard
at SCP, 020
7739 1869,
scp.co.uk.
WHEN Late opening 16 September.

WHERE SCP, 135/139 Curtain road,
EC2A 3BX. various venues.

FIND OUT MORE shoreditchdesign
triangle.com.
make THe LINk BeTWeeN DeSIGN aND FILm aT

CLeRkeNWeLL DeSIGN QUaRTeRS FILm FeSTIVaL
Along with stunning new products from leading showrooms such as Viaduct,
Poltrona Frau and Cappellini, Clerkenwell district is launching flm festival
AND at LDF, which will mix design and screenings in unexpected venues.
Well be checking out the Wall of Objectifcation at Atwork, which considers
what objects mean through a feature wall and animation, and watching Sign
Painters by Faythe Levine and Sam Macon at AllCity Media.
When 15-19 September. Late evening 16 September.
Where Various venues. atwork, 33/41 Dallington Street, eC1V 0BB.
allCity media, 6 Hatton Place, eC1N 8RU.
Find out more clerkenwelldesignquarter.com. e
56 | H&G | october 2014
H&G EVENTS
Enjoy three exciting discussions led by the magazines team

H&G In Person is our series of events in which we link up
with leading lights of the design world to give readers
IN PERSO N
a chance to be inspired and learn more about interiors.
These take place year round and are the ideal opportunity to discover
trade secrets. During London Design Festival, we are hosting three talks
so, whatever your interest, be it fabrics and wallpapers or furniture and
fttings, there is something for everyone.
what can we
learn from
the past?
William Yeoward,
one of Britains leading
designers with
collections covering everything from
furniture and fabrics to world-famous
crystal will be discussing how he takes
inspiration from the past to create
something exciting and relevant to the
21st century. Illustrated with pictures
of his work and home, the talk will
oer a fascinating insight into this
creative and infuential fgure.
Syon Park, London Road, TW8 8JF.
Oulton cabinet in oak, 9,450;

Valentina fabric, 120m; both
William Yeoward.
In conversatIon wIth InterIor

desIgner chester Jones
Chester Jones is, according to art dealer Danny Katz,
one of the few designers who, while working in a modern
idiom, has a total understanding of the classical principles
of architecture. He applies this to produce some of the most
beautiful interiors I know. A trained architect and former
managing director of Sibyl Colefax & John Fowler, Chester
has for the past 20 years run his own studio creating highly
individual interiors that refect the tastes and lives of their
owners. To mark the publication of a new book on his work
by Henry Russell, he will be talking to Homes & Gardens
executive editor Giles Kime about how he works and
his strong beliefs regarding art, interior design and
architecture. This talk, The Art of Creating Spaces for
People to Call their Own, is part of the Conversations in
Design series taking place during Focus/14.
When 21 September, 11.30am-12.30pm.
Tickets 10; (7.50 for H&G readers). To book, call 020 7352 1900
or e-mail enquiries@dcch.co.uk or visit dcch.co.uk.
Where The Pavilion, Design Centre, Chelsea Harbour,
Lots Road, SW10 0XE.
58 | h&G | october 2014
Top designers share Their personal

inspiraTions aT drummonds
as part of Chelsea design Quarters celebration of the london design Festival,
luxury bathroom specialist drummonds will be hosting an event at its new
fagship showroom in Chelsea. a panel of leading interior designers will
each talk about a space, object or work of art that they have found hugely
inspirational. panellists in discussion with giles Kime, Homes & Gardens
associate editor (below left), will include interior designers susie atkinson and
(from second left) martin Brudnizki, guy goodfellow and maurizio pellizzoni.
When 15 september, 6.30-8.30pm (panel discussion, 7pm). Free.
Where drummonds, 642 Kings road, sW6 2du. l
phoTographs Jan Baldwin and alex edouard (Chester Jones), MiChael Franke (druMMonds)
When 23 September, 3pm. Free.

Where Seminar Theatre, Decorex,
H&G EDIT | movERS & ShakERS
TEXTILE DESIGNER
Colourful, three-dimensional fabrics lie at the heart of this

designer-weavers vibrant cushions, throws, rugs and home accessories
WO RD S EM M A J PAG E
P H OTO G RA P H S B EN R O B ERTS O N
62 | H&G | oCToBeR 2014
TOP ROW Margos workroom in

her Kent studio displays spools of
colourful yarns, as well as rolls of
recently designed fabrics, including
(from left) Galeano, Bindi, Congo
and Rozella; a handloom in the
studio. The numbers represent the
levers that lift the individual shafts
to create weaving patterns; Margos
Fair Isle runner for Alternative Flooring.
MIDDLE ROW Suki is a threedimensional mixed interiors fabric,
suitable for curtains, blinds and soft
furnishings; at her handloom, Margo
weaves a rug sample; a host of yarns
are stored at the studio, including
lambswool, cashmere and Lycra.
BOTTOM ROW Wool and cashmere
fabrics in development in the studio.
The hanging samples explore
various combinations of colour and
pattern; a criss-cross carpet design
in development, which takes its
name from the shuttle that carries
the thread across the loom.
H&G EDIT | movers & shakers
niting ancient weaving techniques

with industrial mill production,
Margo Selby has been creating
innovative hand-woven textiles for more
than a decade. The weavers trademark
three-dimensional fabrics, known for their
strong graphics and pattern, are created at
her Kent studio on a 24-shaft dobby loom,
before being produced by specialist mills.
Margos ranges encompass furniture,
lighting and home accessories, and she
has also recently collaborated on a carpet
collection with Alternative Flooring.
Can you tell us about your background?
There is a history in my family of
women making textiles in the home.
My grandmother, Edith Selby, known
as Janie, taught me to crotchet and
cross-stitch, so it was an obvious choice
to concentrate on textiles when I did my
foundation at Chelsea College of Arts. I
enjoyed many different medias during my
studies, though, especially graphic work,
sculpture and three-dimensional design.
How did the business take shape?
I studied for an MA in woven textiles at
the Royal College of Art and was then
awarded a fellowship at The Ann Sutton
Foundation. Some of the projects we
worked on there included developing
products for Shetland wool and designing
dobby fabrics to be woven in Yorkshire
for the interiors fabric industry. It was
here that I formed my first connections
with mills. I started to combine my
hand-woven ideas with industrial
processes and the result was the silk
and Lycra fabrics that were to become
the trademark of my brand.
When did the concept of three-dimensional
fabrics come about? I was always drawn
to surface and texture and thought it
would be interesting to try to recreate the
feel of bubble wrap packaging in silk. I
researched different fibres that would
shrink when heated and tried weaving
Fabrics from Margos recent

Tribal collection, including,
(from left) JoJo, Swan Lake,
Tribal Diamond and Chester.
64 | H&G | oCTober 2014
them in combination with silk to create

three-dimensional surfaces.
Where does your inspiration come
from? Weaving is the starting point for
all my designs, so as well as the work I
develop on my own handloom, I enjoy
researching what is happening in woven
textiles around the world. I am stimulated
by highly decorative design that
incorporates lots of pattern and colour.
Our most recent collections reference
indigenous and tribal fabrics, including
Japanese dyeing and African prints.
Can you explain the weaving process
from conception to completion? When
I create a fabric, I start by designing the
warp. It goes on to the loom with tension
and forms a series of taut threads similar
to a string instrument. Into this we weave
the weft yarns, which can be changeable.
The warp is the backbone of the fabric
and an integral part of the design, and
it cannot be changed once the fabric is
on the loom. In the warp, I experiment
with weaving different structures and
weft yarns until I have a product I am
happy with. The weaving is slow and
methodical and the fabric grows, one
row or pick at a time, giving much
contemplation time for design. Once
I am happy with a fabric, often after many
warps developing the idea, I then explore
the possibility for production with an
industrial mill. In the case of my flooring
collection, we have translated the woven
patterns into a carpet construction, which
is made in the UK.
Can you describe a typical day?
We all work in an open-plan studio
in Whitstable. The office and the looms
are together so I can hear whats
happening in the business while I am
weaving. I try to surround myself with
material, yarn and images that inspire
me as well as designs in progress. I spend
the first two hours of the day dealing
with emails and working with the team

on various projects before sitting at my
loom for the rest of the day.
What are you working on at the
moment? I recently collaborated with
Alternative Flooring to create my first
wool carpet and runner designs. They
are inspired by a collection of deflected
double-weave hand-woven cloths that
I have been developing on my handloom
in the studio over the past few years.
Where do you source your materials?
I buy yarn from anywhere I can find it.
Japan and the US are particularly good
for hand-woven varieties, as they have a
vibrant hand-weaving community. We try
to find the very best weavers for the type
of material we are working with.
Can you tell us how the business has
diversied? I started the business
eleven years ago, working on a handloom
in my bedroom. Since then, it has grown
to include a busy textile studio employing
eight full-time members of staff and a
team of piece workers in Whitstable,
weaving bespoke textiles for a wide variety
of end uses. The handloom and the craft
of weaving remains central to all our
products. Working on flooring for the
first time and witnessing both carpet
and colour come back into fashion is
an exciting development, too. Seeing
my designs, originally produced as soft
silk and wool fabrics, blown up and
recoloured to make them suitable for
flooring is very satisfying. We are also
focusing on developing interiors fabrics
to be sold by the metre, as well as
diversifying our accessories range
into bedlinen and towels.
Whats next? I am developing a body
of hand-woven artworks, which I hope
to exhibit in 2016. l
Margo Selby, 01227 282758,
margoselby.com.
New collections
THE LOOK
An enduring love of bold prints and graphic patterns is refected

in our choice of the latest fabric designs, which come into their
own here set against a whitewashed Greek island paradise
S T Y LI NG O LI V I A G R E G O R Y P HO TO G R A P HS A D R I A N B R I S C O E
The delicate nature of

this soft sheer is beautifully
displayed by the breeze.
Envotante in Bleu, polyester, 292cm
wide, 79.20m, Camengo. e
OCTOBER 2014 | H&G | 67
Modern geometrics and Persian-inspired designs in

bold shades of blue and green offer depth and richness.
ON WALL, FROM LEFT Ida in Ionian V3129/04, cotton, 140cm wide, 30m, Villa
Nova. Latea in Indigo, linen mix, 137cm wide, 55m, William Yeoward at Designers
Guild. Berry Lattice in Deep Sea FM3039, cotton, 137cm wide, 246m, Ferrick
Mason at Tissus dHlne. Irving in Ocean L8978-03, jute/linen mix, 137cm wide,
97m, Larsen at Colefax and Fowler. Jardin dOsier in Emeraude 211092M03,
silk, 135cm wide, 430m, Herms. e
68 | H&G | OCTOBER 2014
OCTOBER 2014 | H&G | 69
70 | H&G | OCTOBER 2014
Busy forals, Eastern motifs and striking ikats in hot pink,

teal and mint oer touches of eclectic exoticism.
Green and blue patterned fabric (on floor, left) Perspective in Mint, viscose
mix, 137cm wide, 129.30m, Beacon Hill. Ikat-style fabric (on floor, right) Hawk
Cove in Spring Grass, cotton, 112cm wide, 73.40m, Robert Allen. Pink cube in
Laguna in Hot Pink, linen, 132cm wide, 90m, Christopher Farr Cloth. Botanical
cube in Jungle Beat F6635-01, linen mix, 140cm wide, 55m, Matthew
Williamson at Osborne & Little. Skiathos cushion, 45cm sq, acrylic mix, 120,
Nobilis. Abstract mattress in Theia, viscose mix, 137cm wide, 45m, Kit Miles
at Heals. Cushion (in alcove) in Georgia Large Scale in Lime/Forest Green
8095-06, linen mix, 132cm wide, 200m, China Seas at Tissus dHlne.
Cushion (on mattress) in Chicago in Green, linen, 132cm wide, 110m,
Christopher Farr Cloth. Striped mattress in Zuri in Cinnamon/Raspberry/Indigo
131286, viscose mix, 137cm wide, 77m, Harlequin. Large cube in Sungadi in Jade
FDG2199/04, linen mix, 137cm wide, 55m, Designers Guild. e
OCTOBER 2014 | H&G | 71
A dark hue, such as chocolate or charcoal, will perfectly

oset this seasons decorative abstracts, serpentines and
spots in vibrant shades of citrine.
FROM LEFT Spotted cube in Hop in Olive, cotton, 140cm wide, 166.50m,
Dedar. Yellow and beige cube in Foliage in Jaune, viscose mix, 135cm wide,
43.10m, Camengo. Large cube in Orlando in Yellow L8963-03, linen, 134cm
wide, 77m, Larsen at Colefax and Fowler. Black cube in Tunisia Trellis
Embroidery in Charcoal AF26138, linen mix, 127cm wide, 82m, Anna French
at Thibaut. Yellow and brown cube in Cumulus in Oro 460, cotton, 139cm wide,
60m, Diane von Furstenberg for Kravet. e
OCTOBER 2014 | H&G | 73
Cerise makes a confdent lead colour. Alongside painterly

patterns and forals, use bold stripes and houndstooth check
to bring defnition and masculinity to the look.
FROM TOP Abstract cube in Avril 10602, linen, 145cm wide, 115m,
Zimmer+Rohde. Pink and brown cube in Spotted Cat in Passion 617, linen;
pink ikat-style cushion in Animal Ikat in Beet 7, cotton; both 139cm wide,
50m; Diane von Furstenberg for Kravet. Large striped cushion in Albuquerque
in Frambuesa 5151 001, cotton mix, 140cm wide, 124.40m, Gaston y Daniela
at Abbot & Boyd. Floral cube in Roseraie 04, linen mix, 130cm wide, 138m,
Lizzo. Small striped cushion in Stripes in Cerise, linen, 137cm wide, 115m,
GP&J Baker. Black floral cushion in Pemberley 03, cotton, 140cm wide,
40m, Swaffer. Red and green striped cushion in Baltic Stripe in Sweet Pea/
Lime Baltic 47-51, linen, 136cm wide, 55m, Vanessa Arbuthnott. Small-scale
weave cushion in Emerson in Peony 7701/05; houndstooth cushion in
Tremont in Peony 7699/12; both viscose mix, 138cm wide, 62.50m, Romo. e
74 | H&G | OCTOBER 2014
These designs refect our

ongoing penchant for
chalky pastels and muted
prints. Introduce one
strong accent colour, such
as midnight blue, to help
give a scheme focus.
FROM TOP Large cube and cushion
in Pojaji in Popodoms, linen, 136cm

wide, 150m, Jennifer Shorto at
Redloh House Fabrics. Cube in alcove
in Talavera in Aqua/Violette HB416-1,
linen mix, 137cm wide, 270m,
Hill Brown at Turnell & Gigon. Dark
blue cushion in Palasini in Cobalt
FDG2205/01, linen mix, 137cm wide,
75m, Designers Guild. Blue cube in
Mustique F6637-01, cotton, 140cm
wide, 125m, Matthew Williamson
at Osborne & Little. Mauve patterned
cushion in Granada 603, linen mix,
135cm wide, 130m, Cration
Baumann. Pink cushion in Medina
in Coral, linen, 132cm wide, 84m,
Rapture & Wright at Redloh House
Fabrics. Blue striped cushion in
Pienza Gessato in Cornflower/Ivory
178297, linen, 150cm wide, 204m,
C&C Milano. e
OCTOBER 2014 | H&G | 77
Opulent, shimmering silk

is updated with smart
contemporary chevrons.
Indupala in Cobalt FDG2191/02,
silk/cotton mix, 137cm wide,
100m, Designers Guild. e
78 | H&G | OCTOBER 2014
A pleasing array of patterns

brings liveliness to a
controlled colour palette of
earthy reds and inky blues.
FROM LEFT Blue cube in Little Aztec
in Blue/Red on Oyster, linen mix,

133cm wide, 190m, Bennison
Fabrics. Small paisley cushion in
Jayshree in Celadon/Multi, linen mix,
130cm wide, 150m, Zoffany. Red
cushion in Cirrus in Red J774F/05,
cotton mix, 132cm wide, 34m, Jane
Churchill at Colefax and Fowler. Blue
paisley cushion in Dores in Blu
Oceano 02326/04660/170, linen,
140cm wide, 120m, Etro at Pierre
Frey. Large blue cushion in Cocagne,
cotton, 140cm wide, from 80m,
Casamance. Brown and blue cube in
Kashgar velvet in Indigo 321778, linen
mix, 140cm wide, 85m, Zoffany.
Large paisley cube in Keran in
Rosso 00673/90017/001, cotton,
132cm wide, 86.40m, Etro at
Pierre Frey. Red paisley cube
(bottom) in Cornelius in Red
F4133/02, cotton, 130cm wide,
95m, Colefax and Fowler. Throw
(on wall) in Silique 3530 0485
(left), linen, 137cm wide, 72m,
Casamance; Ashfield (centre)
Harbour Blue LF1630C/6,
linen mix, 137cm wide, 49.90m,
Linwood Fabrics; and Dores (right)
in Blu Oceano 02326/04660/170,
linen, 140cm wide, 120m, Etro at
Pierre Frey. Fabric (on floor) Patch in
Indigo, linen mix, 142cm wide, 124m,
Jean Paul Gaultier at Lelivre.e
OCTOBER 2014 | H&G | 81
Wonderfully whimsical,
this dreamy fabric conjures
images of the tropics at dusk.
Cocos F6636-01, linen mix, 140cm
wide, 55m, Matthew Williamson at
Osborne & Little. l
With thanks to Villas & Mansions

of Santorini, 0030 21063 94214,
santorini-villas.gr.
82 | H&G | OCTOBER 2014
A vigorous tree with deep

red-purple leaves and pale
green clusters of fowers
in spring, Acer platanoides
Goldsworth Purple will
reach 12 to 15m in height.
In SeaSon
The Norway
84 | H&G | october 2014
maple
This grand European beauty is

a worthy rival to its more famous,
diminutive Japanese cousin
Wo rd s Sui K e e S e a rl e
october 2014 | H&G | 85
PhotograPhs GAP Photos/ChristinA Bollen,

heAther edwArds, jenny lilly, howArd riCe,
MArtin stAffler; MAriAnne MAjerus GArden iMAGes
hile it may be the more delicate Japanese

variety that springs to mind whenever
we think of acers, its larger and equally
handsome cousin, Acer platanoides, a
native of Europe and the Caucasus, has been brightening our parks and gardens since it was frst introduced
to Britain in the 17th century.
Commonly known as the Norway or plane-leaved
maple, the tree has many garden-worthy features. It is
larger and grows faster than its Japanese counterparts,
and its ornamental qualities make a fne focal point. It
is also impressively tolerant of pollution and shade, so
perfect for town plantings. In addition, it is a valuable
source of food for birds, bees and benefcial insects.
Its species name, platanoides, is a reference to its
elegant foliage, which closely resembles that of plane
trees (Platanus). Lime green in spring and summer, e
Planting and
maintenance
n Norway maples are large, vigorous trees.
Easy to grow, they can tolerate air pollution,
exposed positions, most soils (including
clay) and, once established, drought. Plant
in sun or partial shade.
n Container-grown trees can be planted all year
round but, like all trees, they will establish more
easily when planted in autumn or winter.
n Less expensive bare-root Norway
maples should be ordered now for planting
this autumn or winter.
n Very little maintenance or pruning is needed.
Once established, remove dead or damaged
branches in the dormant winter period.
CLOCKWISE, FROM TOP LEFT
Clusters of yellow-green owers

cover the branches of Acer
platanoides before it comes
into leaf, creating a spectacular
spring show; depending on
the cultivar, autumn colour
can range from gold to bright
orange and deep red; the vivid
yellow emerging leaves of
A. platanoides Drummondii
are a welcome sign of spring;
when young, the bark of the
species is smooth and pale grey,
becoming more rugged with
age; the mature leaves of
A. platanoides Drummondii are
vivid green with creamy-white
margins, making it the ideal tree
for brightening a shady spot.
october 2014 | H&G | 87
88 | H&G | october 2014
CLOCKWISE, FROM TOP LEFT
Put the Norway maples foliage

to good use in the home by
creating a seasonal wreath
like this one, in which the leaves
combine with physalis and
rose hips for a ftting autumn
tribute; planted where the
foliage will catch the low
autumn sun, a red-leaved
cultivar makes a glowing focal
point; clever planting with
other trees and shrubs can
create glorious contrasts;
the leaves of A. platanoides
Crimson Sentry, a columnar
cultivar, turn shades of red,
brown and orange in autumn.
Where to Buy
Barcham, 01353 720950,
barcham.co.uk.
Chew Valley Trees, 01275 333752,
chewvalleytrees.co.uk.
Deepdale Trees, 01767 262636,
deepdale-trees.co.uk.
King & Co, 01376 340469,
kingco.co.uk.
Landford Trees, 01794 390808,
landfordtrees.co.uk.
Majestic Trees, 01582 843881,
majestictrees.co.uk.
Ornamental Trees, 01257 265232,
ornamental-trees.co.uk.
PhotograPhs GAP Photos/lee Avison, Friedrich strAuss;

MAriAnne MAjerus GArden iMAGes
the classic maple-shaped leaves turn shades of bright

yellow, gold and, occasionally, orange-red in autumn,
while assorted cultivars can stretch to variegated forms
and deep red-purples. Just before the leaves appear
in spring, clusters of small owers smother the bare
branches, gradually turning into winged fruit that fall
in autumn to be spread as seed by the wind.
As the Norway maple matures, it develops the broad,
dense crown and rounded habit that makes it so useful
for screening and as a windbreak. However, its beguiling
features are put to best use in an ornamental specimen
role in larger gardens and landscapes. More columnar
or uniform cultivars, such as Crimson Sentry, can be
used to create avenues or a focal point at entrances and
gateways, where space is more restricted. l
iNspiriNg spaces
Our choice of irresistible homes and beautiful gardens
PhotograPh bjorn wallander
This monTh, we explore a

19th-century brick-built lodge with
a French country feel in Holland
(page 93), a bijou apartment that
juxtaposes Asian and Western design
in Istanbul (page 102), and an
Edwardian terrace that has been
remodelled to create a calm and
elegant interior for a growing family
(page 110). We also feature a modern
interpretation of a new England
farmhouse (page 128), and a compact
garden, cleverly reimagined as a
place for both entertaining and
solitary reflection (page 120).
OCTOBER 2014 | h&G | 91
Renovated lodge
Natural
beauty
The Smits have taken the interior of their 19th-century home in Holland
back to basics to allow its innate good looks to shine through
Wo rd s Alic e We stgAt e P hotogra P hs A no u k de kl eer m A eker
october 2014 | H&G | 93
94 | H&G | october 2014
The foor, treated

with lye for a pale
fnish, is the perfect
companion for the
gentle colour palette
and characterful
wood furniture.
EnTRAnCE HAll
living ROOM
Original features greet guests as they

enter, from the etched glass door to
a wood-block oor that was rescued
from beneath layers of shiny varnish.
This rooms palette focuses on tones

of grey and dusky pink with rusticstyle French furniture adding to the
laid-back, natural dcor.
Similar paint on walls, Blackened, Estate

Emulsion, 36 for 2.5 litres; similar paint
on woodwork, Pavilion Gray, Estate
Eggshell, 51 for 2.5 litres; both Farrow
& Ball, 01202 876141, farrow-ball.com.
Similar sofa, three-seater natural linen

loose-cover sofa, 1,082, La Maison Chic,
0800 133 7828, la-maison-chic.co.uk.
Similar cushions, Scrunch cushions,
55 each, Loaf, 0845 468 0697, loaf.com.
october 2014 | H&G | 95
LIVING ROOM
An unfussy re surround was added

to replace the broken original but
Mariska says, Were always on the
lookout for an authentic one.
Similar antique mercury ball, Puckhaber
Decorative Antiques, 020 7385 2724,
puckhaberdecorativeantiques.com.
KITCHEN
Mariska and Bastian

tted a modern
range cooker into
the old replace, but
kept the beautiful
woodwork of the
original surround.
A3 Opera range
cooker, 2,410, Smeg
at Rangecookers,
01244 402975,
rangecookers.co.uk.
KITCHEN
French country style and utilitarian

simplicity are brought together
through the choice of lighting. The
table was constructed by setting a
piece of solid timber on some metal
legs unearthed at a junk shop.
For a similar chandelier, try French Loft,
01903 882725, frenchloft.com. For
similar metal pendants, try Skinfint
Design, 01326 565227, skinfintdesign.co.uk.
octobeR 2014 | H&G | 97
DINING ROOM
Mariska found the dining chairs in

a local antiques shop. I painted
then gently distressed them so that
the colour is not too solid, she says.
For a similar antique French table,
try Appley Hoare Antiques, 07901
675050, appleyhoare.com. Similar
chairs, vintage French dining chairs,
255 pair, Vintage Living, 01803
863999, vintageliving.co.uk. For
a similar antique wooden bench,
try Such Gorgeous Things, 01823
240011, suchgorgeousthings.co.uk.
For a similar chandelier, try
French Finds, 01538 370052,
frenchfnds.co.uk.
STUDY AREA
This tranquil space is situated in

a corner of the dining room. We
incorporated moulded detailing and
sourced vintage door furniture for
the cupboards so that they suit the
period of the building, says Mariska.
Similar chair, reproduction French caf
chair, 120, Peppermill Antiques, 01543
375872, peppermillantiques.com.
Tolomeo Micro desk lamp, 182,
Geoffrey Harris, 020 3642 6498,
geoffreyharris.com.
october 2014 | H&G | 99
n overwhelming sense of peace prevails in the Smit

familys north Holland home. Its proximity to water
and the seclusion of the surroundings both play a
part, but an even deeper feeling of serenity comes
from the interior, with its soothing palette of greys and
rooms flled with time-worn furniture.
This brick-built house dates from 1860, when it was used as a
hunting lodge for a wealthy family from Amsterdam, which lies 30
miles to the south. Mariska Selbach Smit, a model, and her husband,
Bastian Smit, who works in property, were captivated by its setting
when they moved here eight years ago. The house stands alone,
with farmland and forest all around, and faces a channel from an
old sluice that leads into the north Holland canal, says Mariska. The
four-bedroom building is listed, which means that no structural
changes have been made over the years, but its previous owners had
introduced some anachronistic elements.
We felt that the house desperately needed to return to the style
of days gone by, and we wanted to decorate it in a modest, natural
way, says Mariska. Our frst job was to tackle the foors, which
were covered in shiny varnish that was completely out of place. The
couple and their three children Lois, now aged eight, Matz, 11, and
22-year-old Marlon moved out while the wood-block foors were
sanded and then treated with lye and a white-pigmented wax.
Once the foors were completed, the Smits turned their attention
to decorating the remaining surfaces and creating a timeless
atmosphere. We love travelling to France for weekends and visiting
classic French houses, which are probably my greatest infuence,
says Mariska. I found a fake of paint in a beautiful grey shade in
a lovely chteau. I carried it around in an envelope for a long time
until I was able to match the colour exactly.
The cherished hue was used to paint the doors and architraves,
while a paler shade of the same tone was used on the walls. Looking
at the fnished palette, one can see just how good a foil it is for
the original features, including the sash windows, the cast-iron
radiators and etched glass panels. The new additions, such as the
cupboards in the bedrooms and the slate grey units in the kitchen,
were designed with moulded detailing that echoes the original parts
of the house to create a coherent look.
To complement this attention to detail, the couple has spent years
hunting for furniture that has a similarly honest, artisan feel, with
visits to antiques shops and fea markets as far afeld as France, Italy
and Belgium, as well as in the Netherlands. It takes time to fnd the
right pieces; you cant go out and buy them o the shelf, says Mariska.
Other items have been made, including the kitchen table which
comprises a pair of salvaged wrought-iron legs and a rustic slab of wood.
Today, except for the odd jug of hedgerow fowers and some
comfortable textiles, there are few frivolous touches in the house, but
this lack of superfuous detail is one reason why the sense of calm
endures, even amid a hectic family life. The trick is not to have too
many decorative elements at work, says Mariska. Perhaps more
important, though, is to display things that look warm and lived with.
Anything else would upset the equilibrium. l
MAIN BEDROOM
BATHROOM
I am crazy about old linens,

says Mariska. I scour markets
and antiques shops for textiles.
For practicality, mosaic tiles

extend up the walls in this
room tucked under the eaves.
Similar bedcover, luxury cotton

bedspread, 90, Soak & Sleep,
01483 437762, soakandsleep.com.
For a similar bath, try Antique

Bath Company, 0808 108 1310,
antiquebathcompany.co.uk.
LOISS BEDROOM
Adding a muslin canopy

to a metal-framed bed
found in an antiques
shop in Antwerp creates
a soft, dreamy feel.
For a similar antique bed,
try The Original Home Store,
01372 451454, theoriginal
homestore.co.uk. Similar
canopy, white crown-top
mosquito net, 19.74,
Mosquito Nets Online,
mosquitonetsuk.co.uk.
october 2014 | H&G | 101
istanbul conversion
When worlds collide

Once an unremarkable oce space, this light-flled
apartment with breathtaking views of the Bosphorus now
oers a dramatic mix of Eastern and Western design
Wo rd s Se re na FokS c hane r Photogra P h s M a r k Lu S co M b e -Why t e
102 | H&G | OCTOBER 2014
DINING AREA
A mirrored wall amplies

the sense of space and light,
while opposite, a wall was
removed to allow the dining
area to ow seamlessly
into the living area.
East West pendant lights,
283.20 each, lightwork,
0090 212 245 7826,
lightwork-design.com.
THE VIEW
For Christopher, the

apartments most prized
asset is the view of the
Cihangir mosque, which
overlooks the Bosphorus
strait to the Asian shore.
OCTOBER 2014 | H&G | 103
LIVING area
What was a bedroom

is now a living space,
while sliding glass
panelled doors introduce
light to the bedroom
next door. The fact
that Christopher is
a keen Russophile is
reected in the arresting
artwork that spans
the width of the wall.
Sofa, Christopher
Hall, 07801 440867,
hallistanbul.com. Similar
1950s chairs, Danish
armchairs, 550 each,
The Old Cinema,
020 8995 4166,
theoldcinema.co.uk.
104 | H&G | october 2014
october 2014 | H&G | 105
KITCHEN arEa
As Christopher didnt
want the kitchen to
dominate, he used a
moody grey on the
cabinets to make them
recede into shadow.
Similar dining chairs,
Vic chairs in ply and oak,
175 each, Joined+
Jointed, 020 7371 7766,
joinedandjointed.com.
106 | H&g | october 2014
s Christopher Hall leads us to the living

room window of his top-floor at, he
remarks, Its hard to fnd uninterrupted
views like this in Istanbul. Below, fat
seagulls circle the minarets and glittering
tower blocks loom over wooden houses while, straight
ahead, the Bosphorus stretches out, its waters dotted
with steel-grey tankers and fshing boats bobbing towards
the Asian shore. Mixing ancient and modern, the vista
encapsulates this city, where East and West famously meet.
A similarly beguiling air pervades Christophers home.
The New Zealand-born interior designer succumbed to
Istanbuls exotic confusion of everything I love as a
student in the 1980s. Throughout his light-flled rooms,
thoughtful juxtapositions of European and Asian design
perky 1950s upholstery, silk ikat cushions and broodingly
dark marble reect the citys cultural mix.
a promising outlook
While all of this exudes a grand Ottoman feel, in reality,
the at is located in a charmless, concrete oce block and
everything inside has been created from scratch. When I

frst saw the place, it was in a sad state, Christopher says.
The bedroom was at the front, basking in the torturous
sun, while a dreary kitchen and living area lurked at the
rear. As soon as I saw the view, however, I thought, its
perfect. I knew I could make it work.
inVErting tHE laYout
Measuring little more than 450 square feet, the one-bedroom
home required a careful re-shue. I mapped out how to
transform it, down to the exact position of every light. The
walls were imsy enough to knock through, so I could
swing the layout round, to make the bathroom and bedroom the living area, to enjoy the view. The once dingy
living room and kitchen, which had overlooked a gloomy
lightwell, are now an elegant bedroom and bathroom,
tucked into the cooler, darker side of the at. For the living
room, Christopher designed a deep, Turkish-style divan
so guests can sleep comfortably.
The ats spacious feel was achieved through tried and
tested design ideas. In the central living area, I removed
bEdroom
New Zealand-born
Christopher (above
left), who discovered
Istanbul as a student
in the late 1980s,
opted for mirrored
cupboards in the
bedroom (top)
to help to reflect
light around the
windowless space.
baTHroom
The leaded glass

window (above) was
designed to obscure
the lightwell beyond,
while black Toros
marble surfaces
and a mirrored
ceiling add notes
of glamour.
october 2014 | H&g | 107
a wall and replaced it with sliding glass doors that oer

glimpses of the dining area, says Christopher. I also added
the foor-to-ceiling mirror at the far end.
Space-enhancing trickery was used in the adjacent
bedroom, too. Sliding doors, inset with specially made
frosted glass panels, allow light into the windowless
space. On the opposite wall, I used a generous cupboard
to conceal the lightwell, and added mirrors on the doors.
well-considered colour
Paint shades were also chosen to make the space feel
larger. Instead of picking out the woodwork, I painted the
walls and skirting in the same tone, so the joinery frames
the walls, rather than carving up the rooms. For the ceiling,
I added about ffteen per cent of the wall colour to white
paint; it complements the room without contrasting too
starkly. The furnishings create a sense of continuity, too;
mossy greens, chocolates and gunmetal greys are echoed
across the fat, enhancing the fow of the interior.
Against this subdued tonality, bold contrasts provide
drama. In the kitchen, for instance, Christopher designed
108 | H&G | OCTOBER 2014
the charcoal-grey cabinetry framed by deeply veined black

marble, while the copper-edged ceiling light is from a local
supplier. I didnt want the kitchen to shout functionality,
so I chose fnishes that make it fall into shadow, he says.
At night, subtle undercounter lighting illuminates the
glossy marble, an eect echoed in the bathroom. Here,
Christopher designed a leaded glass window to obscure
the views of the lightwell, and slipped storage in behind
a space-amplifying mirror.
eAsT MeeTs wesT
Istanbuls hybrid exoticism is refected in the furnishings:
mid-century modern pieces and Turkish antiques combine
with Christophers own designs, their stepped, symmetrical shapes infuenced by his extensive travels in Central
Asia and the Middle East. There are also chance fnds, such
as the huge Russian propaganda painting. Not simply
chosen for looks, every piece has been positioned to enhance
the sense of space. Tables, sofas and sideboards are deliberately low-slung and spare so that, ultimately, nothing
detracts from the fats most valuable asset: the view. l
BEDROOM
Locally sourced
lighting and
cushions combine
with mid-century
modern finds
in this simple yet
striking scheme.
Acrobat lights, 200
each, Lightwork,
0090 212 245 7826,
lightwork-design.com.
For similar cushions,
try Yastik by Rifat
Ozbek, 020 3538 7981,
yastikbyrifatozbek.com.
DINING ROOM
A suspended ceiling
surrounded by a glass
border helps to insulate
the room while providing
tantalising glimpses of sky.
Eames DSW side chairs,
328 each, Atomic, 0115 965
7920, atomicinteriors.co.uk.
Arctic Pear chandelier,
6,708 (120cm), ochre,
020 7096 7372, ochre.net.
Design, Jon Hamilton-King,
020 8995 3608,
hamiltonking.com.
110 | H&G | october 2014
london remodel
CLEAR VISION
A sunny, stylish family home has taken the place
of three gloomy bedsits, thanks to the creative use of
glass and an unconventional approach to space
Words Se re na FokS c h a ner P hotogra P hs Jo nat ha n G o o ch
october 2014 | H&G | 111
112 | H&G | october 2014
LIVING ROOM
The dcor here is more

relaxed than in the
adjacent sitting room. An
opening with sliding glass
doors between the two
rooms creates an easy ow
in the revised ground floor.
Oscar sofa, 1,750, Sofa.
com, 0333 220 4655. Similar
foor lamp, Searchlight
1037CC Arcs 1, 172, Ocean
Lighting, 01642 245066,
oceanlighting.co.uk.
october 2014 | H&G | 113
SITTING ROOM
A contemporary replace,
purple-grey palette and
thick rug have been
combined for an elegant
yet cosy eect.
Saturday sofa, 1,340,
Sofa.com, 0333 220 4351.
For similar 1960s leather
chairs, try Max Inc, 07973
121879, maxinc.co.uk.
unshine foods the interior of Josephine and Oliver

Champions Arts and Crafts terraced house in London.
Step into the small, enclosed porch and the light, open
and airy spaces that lie behind the white-plastered
faade come as a glorious surprise, encouraging you
to move on into the heart of the home.
When the Champions frst saw the property, it was divided
into three bedsits with a small extension at the back and French
windows leading to a patio and garden. Inside, it was dark and
gloomy but the couple fell in love with the building. All it needed
was to be opened up and the light allowed in.
So that is what they set about doing. Now, glass is the vital
ingredient in this re-fashioned home, together with inspired
storage solutions, which help to create an interior that is calm
and beautiful but also suitable for a growing family.
REWORKING THE GROUND FLOOR
Achieving an easy fow in the property was not without its
hurdles, as Josephine explains. The house is Grade-II listed
and situated within a conservation area, so there were lots of
restrictions. We had to retain the original windows and balconies, and we couldnt extend much further, but we were given
permission to build over the patio and to create a larger room
at the back of the house.
After living in fats for several years, dreaming of having an
entire house to themselves, the Champions had plenty of ideas
but were also aware that they needed expert help, so they
turned to designer Jon Hamilton-King. The trio decided to keep
114 | H&G | OCTOBer 2014
KITCHEN
Industrial pendant lights

echo the steely greys of the
exposed metal beams on
the ceiling. This feature
is also repeated at the
bottom of the island.
Similar pendant lights, Titan
Size 3, 260 each, Original
BTC, 020 7351 2130,
originalbtc.com.
the building in its existing shape, without knocking down any

walls, and to insert a new glass extension alongside the existing
one, to make a full square. The planners were surprisingly
responsive to this design because they felt it provided a clear
demarcation between the old and new, says Jon.
INTRODUCING GLASS
The new extension, now the dining room, resembles a glass box
but instead of a fully glazed roof, a plaster-and-lath ceiling is
suspended in a ring of glass within the roof space. The solution
is both practical and visually distinctive, as it has enabled
Josephine to hang a favourite, yet heavy, glass pendant light.
In the original extension, French windows have been replaced
with white-painted mullion-and-transom doors to match the
windows, and the old exterior wall has been partially knocked
through, giving the sense of a single area, with glazed doors that
can be closed to create distinct zones. Im keen on separate
spaces, says Josephine. I dont like the idea of sitting at a
dining room table and staring at clutter and childrens toys.
The kitchen is in the original extension, linked to the new
glass one and the living room by an arch. At frst we thought
of having it inside the house itself, behind the glass extension,
but we changed our minds when we realised that meant it
would be small and dark, says Josephine.
Glass is used creatively elsewhere, too. New Crittall-style
doors separate the sitting room from the entrance hall at the
front of the house, bringing much needed light into the northfacing space. Then, up the stairs, an ice-green glass-brick wall
OCTOBer 2014 | H&G | 115
MAIN BATHROOM
MAIN BEDROOM
The elegant free-standing

bath has been carefully
positioned so it can be
viewed through the sliding
doors, which separate this
room from the bedroom
and dressing room.
Pretty furniture in a
range of styles creates
a relaxed atmosphere.
Astrid pendant light, 315,

Brissi, 020 7229 2323,
brissi.com.
stretches from the ground to frst foors, flling the stairwell

with light. Not simply a design device, the glass also forms the
internal wall of the shower room on the frst foor.
IN THE DETAIL
On the frst foor, careful planning has transformed another
warren of dark rooms into a luxurious arrangement of main
bedroom and spacious bathroom, linked by a walk-through
wardrobe. From the bedroom we have an elegant view of the
roll-top bath; its like being in a grand hotel, says Josephine.
It has sliding doors, which means that if Oliver has to leave
early for work, he doesnt disturb me.
Actually, we made sure we designed every part of the house
to be fexible, she continues. In the childrens bedrooms, weve
opened up the roof space to create platforms that theyll be able
to climb up to when theyre older.
Back downstairs in the kitchen, a work station has been
tucked into a corner between the units. I made the units
from plywood with Formica doors and added metal shelves
above the sink for a retro Alvar Aalto look, says Jon. We left
the metal ceiling beams exposed; if you look under the island,
youll see Ive repeated that detail there. We also used metal
to fnish the opening between the glass extension and the
kitchen; it conceals the cavity in the brick-slip wall. Light and
practical, with a designer edge, the kitchen encapsulates the
ethos behind this entire family home. l
116 | H&G | october 2014
Similar bed, Antoinette,

from 845 for a double;
Gaston lamp, 95; both Loaf,
0845 468 0697, loaf.com.
Boldly patterned cushions,

together with the detail on the chest
of drawers and the lines of the
shutters, give a sense of movement.
october 2014 | H&G | 117
The clever use of space is a defning

feature of the house; the shower room was
created from part of a guest room
while the roof space above the childrens
rooms has also been used.
118 | H&G | october 2014
SHOWER ROOM
CLARAS BEDROOM
A glass brick strip aids the

ow of light from the hall
into this room and vice
versa. The stairs were
slightly diverted to make
way for this interesting
design element.
Instead of loft storage,

a mezzanine sleeping
platform has been created
above Claras bedroom. A
similar arrangement exists
in her brothers room.
Hemnes chest of drawers,
180, Ikea, 020 3645 0000,
ikea.com/gb.
CONTEMPORARY DESIGN
In full
leaf
Statement plants, and plenty of them, cleverly conceal

the shortcomings of an awkwardly shaped garden
Words Car ol i ne B e C k
120 | H&G | october 2014
A timber boardwalk connects

the two areas of the garden, which
have dramatically different soil
types. One section of the garden
contains plants that thrive in
sun, while the other more closely
resembles a secluded glade.
october 2014 | H&G | 121
TOP Alison and David have
playfully nicknamed the garden

planks and plants. The secluded
lower area is their location of
choice for an evening drink.
ABOVE The upper terrace is
softened by Hidcote lavender,
122 | H&G | october 2014
with neat mounds of pale green

Hebe rakaiensis and clipped box.
RIGHT The imposing fronds
of Dicksonia antarctica and

feathery Dryopteris erythrosora
(Japanese shield fern) are
full of movement.
BELOW fROm LEfT The
variegated leaves of Hosta

fortunei aureomarginata line the
path to the lower, boggy garden;
a textural green layering of
Phyllostachys nigra (bamboo),
Dryopteris erythrosora (Japanese
shield fern) and the arching
hat is a garden for? Of all the questions a

garden designer might put to a client, that
is the most important. It is not simply a
matter of practicality; it is to discover the
kind of personality a garden should have.
A space that will be used for entertaining may also have to play
the part of a solitary refuge, and often a designers challenge is
to marry seemingly conficting elements together.
When Alison Owen and David Williams began decorating
their home in Surrey, they found they had defnite ideas about
the look they wanted to achieve, but were less sure of what to
do with the outdoor space. It comprised two distinct areas
one dull suburban lawn, the other a raggedy shrub-covered
affair joined by a forbidding slope.
There wasnt a level piece of ground in the entire garden,
says Alison, and there was a depressingly large amount of lawn
to mow. The couple decided they wanted the two areas one
sandy and dry, the other boggy and shady to be linked, but
not by a giant set of steep steps. A place where they could entertain was crucial but, conversely, so was an escape from the
world, as they both had jobs in the City at that time. As for
the look, a strong element of theatricality was essential. All of
spikes of Carex oshimensis

Evergold; on the upper terrace,
plants such as Lavandula
angustifolia Hidcote thrive in the
sunny conditions; Chamaerops
humilis (European fan palm)
forms a dramatic backdrop
to Hemerocallis Stafford.
this in a garden measuring 164 by 82 feet, with neither Alison

nor David, by their own admission, being gardeners.
The solution came from Ian Smith and Debbie Roberts of
Acres Wild, creators of stylish, contemporary gardens in which
the plants are as valued as hard landscaping. At the pairs frst
meeting with Alison and David, Debbies one-word response
to a question about which materials to use was plants. It is no
surprise, then, that the resulting garden design focuses on
foliage, which acts as both visual stimuli and a clever disguise.
The spiked Yucca gloriosa, rounded Hebe rakaiensis and airy
Dicksonia antarctica (soft tree fern) all divert the eye from the
steep slope so that the garden seems to roll rather than plunge.
In summer, a low retaining wall is hidden by a dramatic sweep
of red and yellow Hemerocallis Stafford (daylily), which also
offers good early-spring foliage. In winter, the wall, painted
off-white, is subtly revealed.
The different soil conditions have been fully exploited with
sun-loving plants such as Trachycarpus fortunei (Chusan
palm), rosemary and agapanthus in the upper garden, while
feathery astilbe, the stately Osmunda regalis (royal fern) and
umbrella-leafed Gunnera manicata thrive in the damp shade
near the stream. The careful placing of fattened, rounded
october 2014 | H&G | 123
ABOVE The fronds of Dicksonia

antarctica provide an airy
counterpoint to the sinuous oak
sculptures by artist Si Uwins,
07779 656551, siuwins.co.uk
GARDEN GUIDE
Orientation The
garden is on a steep,
south-facing slope
leading down to a
boggy area which is
occasionally fooded
by a nearby stream.
Soil The upper part
of the garden is sandy
and free-draining
while the lower section
is very boggy and
rarely dries out.
Special features The
planting is deliberately
dense, with lots of
striking foliage plants,
creating a quirky,
contemporary garden.
Garden design Acres
Wild Landscape &
Garden Design, 01403
891084, acreswild.co.uk.
ILLUSTRATION SCOTT JESSOP
stepping stones through the boggy soil means that the

lower part of the garden is no longer off limits, with different
varieties of hosta and the ribbed, bronzed leaves of Rodgersia
pinnata giving this area a lush feel.
The patterning in the planting is beautiful, says Alison.
Suddenly, we saw how light acts upon the leaves, and how that
changes throughout the day, and the seasons. This interplay
has been enhanced by tall, sinuous oak sculptures by artist and
furniture maker Si Uwins, whose work is heavily infuenced
by natural forms. Sited near the tree ferns, they catch the
dappled evening light and seem to dance, says Alison. A timber
boardwalk leads down to the lower garden ending in a
decked, secluded hideaway somewhere to enjoy an evening
drink giving rise to the couples irreverent nickname for
the garden, planks and plants.
Alison and David have recently sold the house and have
experienced the sense of sadness that many do when leaving a
garden behind. I miss the views, the way the light plays on the
leaves, and the feeling of losing myself in the garden, says
Alison. But the whole process of having the garden designed
was really exciting, and we had a wonderful ten years there. l
october 2014 | H&G | 125
TOP The upper terrace features
sun-loving plants such as Yucca

gloriosa and Trachycarpus
fortunei (Chusan palm).
ABOVE Clouds of Hebe rakaiensis,
offset by upright Kniphofa Toffee
126 | H&G | october 2014
Nosed (red-hot poker), soften the

straight lines of the timber steps.
RIGHT An arc of Hemerocallis
Stafford masks a low retaining
wall and provides a strong visual
impact around the lawn.
Peace & purity

NEW-BUILD FARMHOUSE
A modern take on traditional New England

architecture, this pared-back home, with its
clean lines, colourful textiles and enviable art
collection, is a triumph of exacting design
WORDS NATALIE WAIN PHOTOGRAPHS BJ ORN WA L L A ND ER
128 | H&G | OCTOBER 2014
SITTING ROOM
The horizontally hung

pine wood panelling was a
response to Priscillas fears
that the neutral palette
could feel too sterile.
Similar chair, ChairJ104,
185, Hay at Folklore, 020
7354 9333, folklore.com.
For similar David Hilliard
photographs, try Yancey

Richardson Gallery, 001 646
230 9610, yanceyrichardson.
com. Similar rug, Starck
Home Custom and Diamond
rug, 4x6ft, 295, Pottery
Barn, potterybarn.com.
Architect, Hope Dana, Platt
Dana Architects, 001 646
336 6270, plattdana.com.
OCTOBER 2014 | H&G | 129
CONSERVATORY
The house is in a remote

spot, so Priscilla left
these windows unadorned
to maximise woodland
views. I wanted the
house to have as much
access to the outside as
possible, and this room
is perfect for summer.
Interior design, Nastasi Vail
Design, 001 718 797 9211,
nastasivaildesign.com.
Bespoke table, John
Danzer at Munder Skiles,
001 212 717 0150,
munder-skiles.com.
For similar patterned
cushions, try Oka, 0844
815 7380, okadirect.com.
weekend retreat in the country with

space for a family to ourish is many a
city dwellers fantasy. For New Yorker
Priscilla Caldwell it would be the
culmination of a long-held dream.
Before buying a plot of land on which to build a home
of their own, she and her husband Will had spent
summers with their two daughters, living in rented
cottages in the picture-postcard Connecticut town of
Norfolk. Will had attended boarding school nearby and
wanted his children to enjoy growing up there, too.
Almost nine years on, the pared-back contemporary
farmhouse that the couple designed with friend and
architect Hope Dana is a perfect reflection of their
elegant and unfussy tastes; a beautiful, modern interpretation of the traditional New England style of
buildings that pepper the state.
Sadly, the house is a dream that Will never saw to
completion. In February 2007, on the day they received
the nal proofs of the house design from the architect,
Will died from a sudden heart attack. Devastated, but
determined that her young daughters, then aged seven
and ten, would have a permanent connection to the
town their father loved, Priscilla decided to go ahead
and build the home that she and Will had planned.
Everyone told me I was crazy and that I shouldnt
go through with it, says Priscilla. But wed spent every
summer there since my elder daughter was just two
KITCHEN-DINING ROOM
This minimalist space

is perfectly in tune with
Priscillas easy-going
interiors style. We kept
it fairly simple. Its very
pieced together and is
like a history of my life,
says Priscilla of the
furniture she has
collected over time.
For a similar vintage dining
table, try Hamilton & Co,
01462 681173, retroand
vintagefurniture.co.uk.
For similar 1950s dining
chairs by Paul McCobb,
try 1stdibs, 1stdibs.com.
HALL
Priscilla (left), who

is an art dealer and
curator, has peppered
the house with works
by artists such as Joe
Fyfe, whose painting
introduces an eyecatching burst of colour
to this pale scheme.
For similar Joe Fyfe
artwork, try Christian
Lethert Gallery, Cologne,
0049 221 356 05 90,
christianlethert.com.
OCTOBER 2014 | H&G | 131
LIBRARY
Priscillas seven-year-old
nephew, Robbie, is one
of many visitors to enjoy
her tranquil Norfolk
home, whether it is
for Thanksgiving or
weekends. Its a place
where the whole family
gathers and its wonderful
to have everyone here
at once, she says.
For a similar daybed, try
Linthorpe Beds, 01642
612207, linthorpebeds.co.uk.
Chi Chi Kari cotton carpet
in Indigo, 2ft 6inx9ft,
$525, Madeline Weinrib,
001 646 602 3780,
madelineweinrib.com.
BATHROOM
Priscilla inherited the

sign on the door from
her grandmother.
Although it reads Chien
mchant Beware of the
dog the familys Border
terrier, Jojo, is always
on his best behaviour.
For a similar roman blind,
try Thomas Sanderson,
023 9223 2600,
thomas-sanderson.co.uk.
Brockway wash sink,
around 1,960; Cannock
taps, 310 each; all Kohler
at West One Bathrooms,
020 7324 0780,
westonebathrooms.com.
CAROLINES BEDROOM
Breaking with the

neutral palette found
in the rest of the house,
red accessories bring a
sense of playfulness to
the bedroom of Priscillas
youngest daughter.
For similar bedlinen, try
John Robshaw Textiles,
001 212 594 6006,
johnrobshaw.com. For
similar Robert Kushner
artwork, try DC Moore
Gallery, 001 212 247 2111,
dcmooregallery.com.
132 | H&G | OCTOBER 2014
Throughout the house,

the palette is clean and
fresh: the ideal canvas for
Priscillas contemporary
art collection.
years old, and we had built up a wonderful network of

friends in Norfolk. It felt like the natural thing to do.
REFINING THE DESIGN
Worried that the original scheme was too big, Priscilla
decided to streamline the design, creating the simpler
open-plan structure that we see today. Following the loss
of her husband, she took comfort in the building process,
describing it as a life-arming experience. I built the
house from the ground up with the most amazing group
of people all from Norfolk who knew Will, so there
was a great energy about it as they really wanted to be
a part of making this happen, she says. As a consultant,
independent curator and one of the directors at the
DC Moore Gallery in Manhattan, Priscilla has an eye
for design, and was very clear about what she wanted:
a four-bedroom house with a blend of crisp, clean lines
and a gracious, casual living space in muted hues.
As you wander around, it is clear that landscape
was another important consideration: Its incredibly
beautiful and remote here and I wanted the children
to experience the outdoors as much as possible, says
Priscilla. This led to the construction of a conservatory
on the side of the house that she has since extended
several times. It was a relatively inexpensive structure
and it was cheap to make it bigger, so I did, she says.
COLOUR AND PATTERN
When it came to the interior, Priscilla turned to her
sister, Katherine, who runs her own interior design business with her partner, David Nastasi. Throughout the
house, the palette is clean and fresh, which serves as the
ideal canvas for Priscillas contemporary art collection.
Working with Katherine helped Priscilla make sense
of what she calls her cobbled together furniture. Her
main concern, however, was that the neutral palette
would make the house feel sterile. Katherine responded
by introducing pops of warmer colour to the family
areas, in the form of geometric patterned carpets and
rugs. When Im here, it feels very comfortable just the
way I hoped it would be, says Priscilla.
Even so, the house remains a work in progress
and Priscilla has taken her time to grow into the space.
At the beginning, it would have been dicult for me to
articulate, but this project has been part of a healing
process. Its something that Will and I started together
and the sense of following through with something
would denitely have been very meaningful to him.
MAIN BEDROOM
The simple lines of the

propertys architecture
are echoed here by the
geometric rug and
contemporary artwork
by Florian Schmidt.
For similar artwork by
Florian Schmidt, try
Galerie Andreas Huber,
0043 1 586 0237,
galerieandreashuber.at.
IN fULL BLoom
When the rest of your scheme
is pared back, you can afford
to choose a more adventurous
palette for upholstery. Covered
in the limited-edition Wisteria
print by Occipinti, this Alderney
armchair, H89xW74xD90cm,
660, from Sofa.com, 0333 220
4168, sofa.com, is part of the
companys Design Lab initiative.
adding pattern
William YeoWard
fLoor sHoW
easy to change or move around, a bold, patterned rug is
an effective way to offset a neutral room and follow the
latest trends. We love the sellarsbrook Yellow rug
(above), from 700sq m, by suzanne sharp for the rug
Company, 020 7384 0980, therugcompany.com.
Be inSPireD
IncIdental pattern
Follow Priscilla Caldwells lead with busy fabrics, foorcoverings and accessories
master of art
Brightly coloured artwork
is ideal for creating a focal
point. Choose work in a loose,
casual style to give your room
a touch of informality.
Head to Art.co.uk or Loaf,
0845 468 0698, loaf.com
(right, Tomato Cabin, 345, by
Mungo Powney), for a range
of well-priced canvases to
suit all schemes.
POInts OF COntRast
for visual impact, layer different motifs, such as chevrons
and florals. Below from left, rosaline Lace, 85m, osborne
& Little, osborneandlittle.com; Desert, 78.44m, Carlucci
at JaB anstoetz, jab-uk.co.uk; and Pollen in moss,
178.08m, Neisha Crosland, neishacrosland.com.
In the shade
Kasbah Night Demijohn lamp,

H49xdiam30cm, 160,
Humblesticks, 01291 672643,
humblesticks.co.uk.
134 | H&G | OCTOBER 2014
sitting room as the seasons

change: in summer, I choose
one with great leaves and
blooms all over, while in winter
Ill go for a monochrome
patterned design.
n In a bedroom, capitalise on
the Charlton Farmhouse or
Bloomsbury Set look and
choose a lampshade painted
with a curious wild paisley or
abstract design its a perfect
substitute for a dull, plain
cream card shade.
n Although its the fashion to
set a dining table in a simple
scheme, to ring the changes
I prefer to introduce a botanical
or patterned plate just for the
dessert course.
n I love loose covers and use them
to refect the changing seasons,
with a foral linen or even a chintz.
n Swap simple water glasses
for clear or coloured engraved
goblets and keep all the
wine glasses plain to allow
the goblets to sing out.
n I think matching chairs
around a kitchen table can be
mildly dull, so I use cushions
to introduce pattern to a
couple at the head and foot
of the table, for example.
n When dining, add an extra
napkin for the frst course.
Try a large, plain linen napkin
together with a coral pattern
design to add interest.
n Dont forget those hidden
treasures. I noticed recently
that a friend had lined her
walk-in wardrobe with a
geometric paper-backed fabric.
What a joy to open the door
from a very neutral bedroom
to fnd this treat.
William Yeoward, 020 7349 7828,
williamyeoward.com. l
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H&G DESIGNSOLUTIONS
34 pages of inspired ideas for every room in your home
139
146
148
179
Dream spaces This month, our fve elegant schemes
include a sophisticated family kitchen with a striking island

centrepiece (page 139), William Yeowards boldly patterned
bedroom (page 146), and a Mediterranean-style roof-top
garden with dramatic views of London (page 150).
iDeas Statement fireplaces that offer an eye-catching
focal point on long winter evenings (page 161).
iNTeriOrs Take a walk on the wild side with our glamorous
leopard-print decorating schemes (page 171).
sHOppiNG H&Gs pick of the latest bookshelves (page 179).
aDVice Celia Rufey answers your design queries (page 188).
OCTOBER 2014 | H&G | 137
h&g DesigN DREAM KITCHEN
light moves
A clever layout and striking materials
that make the most of the natural light
create a perfectly balanced scheme
for family life and chic entertaining
OCTOBER 2014 | H&G | 139
H&G DESIGN DREAM KITCHEN
designer Jane Stewart,
design director, Mowlem & Co,

020 7610 6626,
mowlemandco.com.
budget From 60,000.
can you describe the original space and your

design brief? We started from scratch. The existing
kitchen, on the ground foor of this Georgian house in

south London, had been small and dark. My clients
wanted to create a larger, more open, light-flled space
suitable for busy family life with their two young children.
It also had to have a degree of sophistication and
elegance for entertaining.
how did you approach the design of the new
room? The building of an extension over the side return
of the house had almost doubled the size of the kitchen.

It incorporated roof lights and traditional Crittall-style steel
doors to maximise the fow of light into the space, and
the doors can be opened on to the secluded courtyard
garden in summer. I had worked with the clients on their
previous home, so we had a shortlist of their likes and
dislikes, and it was easy to collaborate closely with them
to develop a fresh and modern design.
The prominent striations

of the marble provide
a dramatic contrast to the
blocks of cool tones
elsewhere in the room.
can you tell us about the layout? Together, we
developed a layout centred on a marble-clad island that

serves as both a division between the dining and cooking
areas and a striking feature. Its half-height wall is made
of book-matched Marmara marble with prominent
horizontal striations, which provide a dramatic contrast
to the blocks of cool tones elsewhere in the room. It is
raised above the working side of the island to conceal
the sink and prep zone from the dining area.
what were the next considerations? We carefully
worked out how to maximise the available wall space
to provide plenty of storage and optimum functionality.
The range cooker is fanked by worksurfaces, wall
cupboards and base drawer units, with tall cabinets
positioned at both ends to create a symmetrical and
balanced design. One tall cupboard houses an integrated
fridge-freezer; the other is a larder where dry goods
and small appliances are stored. A further tall cabinet
situated between the living area doors holds glassware. e
140 | H&G | OCTOBER 2014
OCTOBER 2014 | H&G | 141
H&G DESIGN DREAM KITCHEN
What inspired the style of cabinets? We chose

a clean, handleless design to create a simple backdrop
to the room. Its fresh white colour doesnt compete with
the other elements, but helps bring them to life. The
marble on the island and the large steel-framed doors
are such strong features that the sleek elegance of the
units makes a natural counterpoint in the design.
What material are they made from? The cabinet
doors are made from Parapan, a high-gloss, solid acrylic

which is easy to care for, UV stable and repairable if
scratched, so it is a very practical choice for a kitchen
in a busy family home. Its Alpine White fnish also gently
refects the light, maximising the sense of space and
adding an extra dimension of interest to the room.
What Worktops and appliances did you
select and Why? The family loves to cook, often
quite adventurously, and to entertain, so we opted for
a hard-wearing, resistant quartz worktop in a neutral
white tone that is easy to maintain. The range cooker
is by Wolf, which is known for its professional-quality
appliances, and the bespoke, twin-motor extractor is by
Westin, chosen for its power and effciency. The Siemens
fridge-freezer is integrated into one of the tall cabinets,
but we added powder-coated steel grip handles, so that
its easy to open, even with sticky cooks hands.
What is the key to this kitchens success?
There is a balance between the functionality required

for cooking and active family life, and the elegant dining
and entertaining space. To my mind, this balance works
especially well in this room, because of the simple colour
palette and contrasts of light and dark. l
sources
Franke, 0161 436 6280,
franke.co.uk. Boiling
water tap, 850,
Quooker, 0808 102 0682,
swisslinelondon.co.uk.
luna tap, 249,
KWC, 020 8675 9335,
kwc-uk.com. Fiori
Urban zedda floor
tiles, from 53.97sq m,
In Situ, 020 7371 5677,
insituinternational.com.
saarinen oval dining
table, from 3,492,
Knoll, 020 7236 6655,
knoll-int.com. solo
dining chairs, from
692 each, B&B Italia,
020 7591 8111, bebitalia.
com. Downlights, to
order, Orlight, 01707
663883, orlight.com.
FIND ALL THE LATEST SHOPPING BUYS FOR YOUR KITCHEN

AT HOUSETOHOME.CO.UK/KITCHEN
142 | H&G | OCTOBER 2014
top A statement Mamara marble-clad island separates the cooking and dining
zones. aboVe Raised walls conceal the food preparation area. beloW left A tall
cupboard houses dry goods and small appliances, including a mixer and microwave.
beloW riGht Glossy white cabinets, metal and glass refect light around the room.
feature AmeliA Thorpe PhotograPhs JAke FiTzJones
parapan White Gloss

kitchen, from 30,000;
marmara marble island
panelling, around 3,000
as shown; Caesarstone
3141 osprey worktops,
around 4,500 as shown;
glass splashback, around
2,500 as shown; all
Mowlem & Co, 020 7610
6626, mowlemandco.com.
Dual fuel iCBD486G
range cooker, 17,200,
Wolf, 0845 250 0010,
subzero-wolf.co.uk.
m6032sC microwave
oven, 860, Miele, 0330
160 6600, miele.co.uk.
Bespoke extractor hood,
Westin Design, 01484
421585, westin.co.uk.
kubus kBX sink, 371,
H&G DESIGN DREAM LIVING ROOM
TAKING
IT EASY
DESIGNER Chester Jones,
chesterjones.com.
Splashes of bright colour,

rustic details and a
generous helping of fun
bring a relaxed feel
to this Modernist-style
Provenal scheme
CAN YOU DESCRIBE THE PROJECT? The building is mid-20th

century and rather ordinary. My client bought it as its within a
few hundred metres of his 18th century mas, so it gave him the
opportunity to create a self-contained four-bedroom villa for
visiting family and friends. His brief was very simple: he wanted
the conversion to be modest and modern.
DID YOU MAKE ANY ARCHITECTURAL CHANGES? I didnt alter the
layout of the room but I removed the door to the breakfast room,
added a simple fireplace and knocked a hole into the wall to create
bookshelves. The walls were given the same coarsely combed lime
plaster treatment that I used throughout the main house its a
local technique that adds texture. I took down the false ceiling to
expose the timber joists and chose large slabs of local limestone for
the floor, again to give texture to what was originally a very plain room.
HOW DID YOU APPROACH THE DECORATION? I took inspiration
from the propertys location, using materials such as limestone
and combed plaster, then introduced frivolous notes with a bright
oil painting, a red table and jolly cushion fabrics. These reflect the
colourful palettes of artists such as Picasso, Matisse and Mir, who
were drawn to the Provenal light. The scheme has a lightness of
touch that should inspire guests to relax and enjoy themselves.
chairs is separate from the main seating area on the other side of
the room, which consists of a large corner banquette, plus a games
table and four chairs. These chairs are Modernist designs from 1955
by Martin Eisler and Carlo Hauner for Forma, which I reupholstered
in a neutral linen. To illuminate this area, I used an Akari floor lamp
by Isamu Noguchi. I love the mellow quality of the light and the fact
that the design is strong and passive at the same time.
TELL US ABOUT THE FINISHING TOUCHES. I added pieces with a
rural feel to complement the modest style of the space: for example,
the 1950s Ibizan urns have a wonderfully archaic quality and are a
good size for the room. Other pieces are downright fun: I picked up
the cactus locally and added it to lighten the mood the whole point
of this scheme is that it doesnt take itself too seriously.
For more inspiration, see The Interiors of Chester Jones
by Henry Russell (40, Merrell).
FIND ALL THE LATEST SHOPPING BUYS FOR YOUR

LIVING ROOM AT HOUSETOHOME.CO.UK/LIVING-ROOM
144 | H&G | OCTOBER 2014
FEATURE RACHEL LEEDHAM PHOTOGRAPH CHESTER JONES/MARK LUSCOMBE-WHYTE
WHAT ABOUT THE SEATING? This casual arrangement of two low
SOURCES
Lounge chairs, Martin Eisler and
Carlo Hauner for Forma, 1955; Tree
standard lamp, Ron Arad, 1983-4,
both purchased at auction. Similar
orange stripe cushion fabric,
Birch, 212m, Galbraith & Paul at
Tissus dHlne, 020 7352 9977,
tissusdhelene.co.uk. Vitra Akari 10A
floor lamp, 446, Isamu Noguchi at
Heals, 020 7896 7451, heals.co.uk. Pair
of 1950s Ibizan urns, purchased at
Olympia International Art & Antiques
Fair, olympia-art-antiques.com. Oil
painting by Danish Modernist artist
Ib Geertsen, ibgeertsen.dk. Paper
Erosions artwork by Maty Grnberg,
matygrunberg.com. Similar willow
storage basket, 75, Marquis & Dawe,
01925 767611, marquisanddawe.co.uk.
OCTOBER 2014 | H&G | 145
H&G deSiGN DREAM BEDROOM
tailor
made
designer William Yeoward,
williamyeoward.com
Striped fabric walls,

eye-catching artwork
and a focused colour
palette are the mainstay
of this sophisticated
bedroom scheme
Can you desCribe the spaCe? This bedroom is in an apartment in
a new-build development in Chelsea. The picture was taken from the

doorway, with the doors to the dressing room and bathroom on the
left. The challenge was to refect the newness of the building without
making the scheme scarily modern: I took the apartments unpainted
joinery oak architraves, doors and cupboards as a starting point
and decided to refect that with a natural wood theme; I then mixed
things up and made it cheerful with fabrics.
What prompted you to Choose a four-poster bed? I like the
idea of lying in a luxurious space within another luxurious space I think

it promotes a feeling of well-being. In the 1980s, we got used to frilly
four-poster beds with curtains, but interiors are much more graphic
and architectural now. That is refected in this clean-lined design which,
importantly, you can see straight through. My nod to tradition is the
knife-pleated tester with a central rosette. I tend to have one foot in
the past and one in the future in the hope that I fnd today.
Can you disCuss the Wall treatment? Im obsessed with using
paper-backed fabric on walls. It shouts grandness and gives a soft glow

that you wouldnt get with wallpaper. The dark blue stripe is a very
daring choice, but everyone seems to love it; it creates an intimacy
that a pale colour wouldnt provide.
scheme is very tailored, which keeps the room crisp and clean in spite
of all the different designs. The colour palette also helps: blue and white
is a classic combination that seems to be universally popular. I dont
normally like blue and yellow rooms, but this space somehow cried out
for some yellow, which I initially introduced with the cushion and the
rug. Sometimes you have to be brave and follow your instinct. One
important point is that the designs are all from different collections
the stripe, for example, goes back four collections. Once I decide
I like something, I go on liking it.
What effeCt does the artWork have on the spaCe? I would have
liked a window at the end of the room, but as there isnt one I needed a
piece of art to break up the blue and white and draw the eye. The moment
I saw this painting, I knew it was made for the space; the colours are
perfect. It pops out against the stripes; in fact, you can see it better the
same goes for the smaller pieces on either side of the bed. l
Find all the latest shopping buys For your
bedroom at housetohome.co.uk/bedroom
146 | H&G | OctOber 2014
feature Rachel leedham PhotograPh James meRRRell
is there a seCret to using so many different patterns? The
SOURCES
Wallcovering Bude in Ink,
57m; lit Irene bed, 19,995;
Rocca sofa, 3,950 plus 12m
of fabric; Palmer armchair,
1,855 plus 6.5m of fabric;
armchair in Aynsham in Sky,
75m; headboard and divan
in Marese in Woad, 58m;
sofa in Favialla in Marine,
69m; curtains in Latea in
Indigo, 55m; azibal marine
cushions, 129 each; all
William Yeoward, 020 7349
7828, williamyeoward.com.
scroll bedcover, 155.90,
Antique Designs, 01409
271284, antique-designs.co. uk.

sweetlips rug, 850sq m,
Deirdre Dyson, 020 7384
4464, deirdredyson.com.
Table lamps, Brownrigg
Decorative Antiques, 01666
500850, brownrigginteriors.
co.uk. Paintings (from left)
Homage to Whistler Nocturne
Chelsea Twilight; Homage
to Whistler Nocturne
Thames Twilight, both by
Makiko Nakamura; Silwan
Valley 2 by Andrew Gifford;
all at John Martin Gallery, 020
7499 1314, jmlondon.com.
i tend to have one foot

in the past and one in the
future in the hope that
i fnd today.
OctOber 2014 | H&G | 147
H&G DESIGN DREAM BATHROOM
twIcE
aS NIcE
designers Martin and
Lisa Hammond, Ripples,

01564 730223, ripples.ltd.uk
budget 25,000.
With its luxurious fttings,

neat sense of symmetry
and clever layout, this
spacious combination of
bathroom and dressing
room makes getting ready
each morning a pleasure
can you describe the original space? The original bathroom was
just a blueprint in a new property being built by Lou and Peter Taylor
in Warwickshire. While the Taylors architect had designed a fantastic
house, the layout of the bedroom, dressing room and en-suite wasnt
quite right. They were three separate rooms, which lacked fow and
the feeling of luxury offered by an open space, so we suggested
reconfguring the bathroom and dressing room.
how did you change the layout? The new plan called for a
supporting wall, so we liaised with a structural engineer. We decided
to use the wall to defne the sections, with a bathing and WC area
and a dressing room linked by a wide opening. The bath has been
positioned to offer a pleasing view on entering the room.
what inspired the choice of materials and colour palette?
This room overlooks woodland at the rear, so we selected naturalistic

materials such as mother-of-pearl mosaics, and wood-effect porcelain
foor tiles that look just like timber but can be used in wet areas without
the risk of damage. We took colour cues from the Taylors previous
home, which was decorated in soft greys and neutrals.
what are the pros and cons of uniting bathing and dressing?
The only real downside is privacy, which is why we concealed the

shower and WC areas with frosted glass doors. One advantage of
merging two rooms is that it creates an airier, more spacious feel. Plus,
its more effcient Lou and Peter fnd getting ready in the mornings
much quicker because there is a natural progression from shower
to wardrobes to hair and make-up, all in one space.
can you pinpoint the key to this bathrooms success? Being
involved at the design stage made all the difference. It meant we were
able to make changes, such as increasing the planned ceiling height,
which was crucial for achieving a generous space. Once the house has
been built, it can be too costly to make signifcant alterations. l
148 | H&G | october 2014
FEATURE Linda CLayton PhoTogRAPhs PauL Craig
how did you create the vanity units? We started with off-the-peg
cabinets from Burgbads Crono range and commissioned a local glazier
to template two bespoke glass tops. These are spray painted on the
back; we used the Dulux Visualizer app to source a shade that falls
midway between the colour of the stone skirting tiles and the foor tiles.
The mirrored cabinets are recessed into the wall cavity to provide plenty
of storage without dominating the room.
the mirrored cabinets above the

vanity units are recessed into
the wall to provide plenty of
storage without dominating.
SOURCES
Crono cabinet and basin,
2,547; Integra mirror
cabinets, 1,742; all Burgbad,
01604 844133, uk.burgbad.
com. Lulu basin taps, 619
each; Lulu shower controls,
1,915; Lulu bath controls,
815; all Dornbracht, 024 7671
7129, dornbracht.com/en-gb/.
Viado bath, 1,194, BC Designs,
01206 827100, bcdesigns.co.uk.
Mosaic tiles, 257sq m,
Finwood Designs, 01926 484037,
finwooddesigns.co.uk. Patagonia
Encina floor tiles, 88sq m,
Grespania, 0121 457 6900,
grespania.com. Minima ceiling
lights, 20 each, Astro, 01279
427001, astrolighting.co.uk.
Find all the latest shopping buys For your bathrooM at housetohoMe.co.uk/bathrooM
october 2014 | H&G | 149
H&G DESIGN DREAM GARDEN
REacH foR
tHE Sky
This stylish space is sheltered by a fringe of
Mediterranean plants designed to enhance
dramatic views of the London skyline
designer profile Landscape designer, photographer
and writer Amir Schlezinger was born in Israel. In 1993,

he moved from New York to London, where he gained
a degree in landscape design and set up his design
studio, MyLandscapes, in 2002. Amir specialises in
contemporary urban gardens and roof terraces.
Can you desCribe the brief? The clients are a young couple
who wanted their drab roof terrace transformed into a contemporary

outdoor room for entertaining and relaxing. It is a long, thin space
on the fourth floor of an old building in Covent Garden, which is
exposed to wind and strong sunlight all year round and has a thrilling
360-degree view of the city.
how did you approaCh the design? I carved up the space into
three distinct areas: a tiled breakfast patio (shown here) close to
the apartments entrance; a deck with a fully equipped outdoor
kitchen; and a living space next to an artificial grass sun lounge
area at the back. The terrace is edged with raised planters filled with
Mediterranean plants, and the design gives the clients the luxurious
yet practical outdoor rooms they were looking for.
what problems did you have to overCome? The logistics
were complex and required months of planning. Although the

terrace and its reinforced floors already existed, we had to construct
scaffolding around the building to repair the waterproofing. The
building also has very limited access, a factor that can increase the
time and cost of a project. We had to remove the old decking and
rubble, and bring in all the new materials and equipment via a furniture
lift that was available only between 8 and 11am. We also had to pay fees
to Westminster Council to suspend the parking bays surrounding the
building so that we could store the building materials. Through all this,
the clients were very enthusiastic and supportive, and played a major
part in ensuring the project ran smoothly.
what diCtated your ChoiCe of plants? I decided to use
many of the Mediterranean plants I love, such as olive trees, lavender,

cordylines, Arbutus, euphorbia and Phlomis, all of which cope
well with sun and wind and enjoy the milder winter temperatures
here in the city. I also mixed tall plants that offer shelter with low
planting that allows clear views of the London landmarks that
surround the terrace, including Nelsons Column, the London Eye
and the Royal Opera House.
do roof terraCes require muCh maintenanCe? I always
recommend installing an automatic irrigation system because all

plants in containers need regular watering, particularly in summer,
even if they are drought tolerant like the ones used here. Also, you
need to make sure that your planters have good drainage to stop
150 | H&G | october 2014
them becoming waterlogged, which could risk flooding the terrace.

Some of the plants require a little pruning once or twice a year, but I
chose species that are generally low maintenance for my busy clients,
who travel frequently and have little time to spare. The clients employ
a gardener twice a year to tidy up.
what faCtors affeCt your ChoiCe of flooring? The most
important thing to consider with a roof garden is weight. All paving materials
must be assessed to ensure they meet the load-bearing regulations of
the building, and I often use a combination of decking and tiles, rather
than paving stones. The tiles here are porcelain and in the sun lounge
area I laid artificial grass, which provides a beautiful soft, green foil for the
furniture and planters, and injects colour and texture into the design. l
key plants
1 | Lavandula angustifolia
Munstead
2 | Cordyline australis
3 | Pseudopanax Purpurea
4 | Bergenia ciliata Dumbo
5 | Phillyrea angustifolia
6 | Phlomis bourgaei
where to buy
Binny Plants,
01506 858931,
binnyplants.com.
Burncoose Nurseries,
01209 860316,
burncoose.co.uk.
The Garden Centre Group,
0344 272 3000,
thegardencentregroup.co.uk.
Paramount Plants,
020 8367 8809,
paramountplants.co.uk.
lanDsCapInG anD
aCCessorIes
INTERvIEW ZIA AllAwAy

PHOTOGRAPH MARIANNe MAjeRuS
The terrace is paved with

porcelain tiles and decked
with balau hardwood. The
bespoke steel planters were
designed by Amir. The table is
by Alexander Rose and the
Vsman chairs are from Ikea.
I mixed tall plants

that ofer shelter
with low planting
that allows clear
views of the London
landmarks.
where to buy
Mandarin Stone,
0160 071 5444,
mandarinstone.com.
A good choice of porcelain
tiles for outdoor use.
Southgate Timber,
01277 890783,
southgatetimber.co.uk.
Specialist in hardwood
decking materials.
Alexander Rose,
01444 258931,
alexander-rose.co.uk.
For contemporary and
traditional garden furniture.
Ikea,
020 3645 0000,
ikea.com/gb.
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ContaCt DetaIls
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Amir Schlezinger,
020 8245 9151,
mylandscapes.co.uk.
october 2014 | H&G | 151
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THE BEAUTY
OF WOOL
7|
carpet
Homes & Gardens has joined forces with the
Campaign For Wool and some of the most
respected names in the carpet industry to offer
the latest trends and expert advice to anyone
planning a decorating project this autumn
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light & dark

From bold contrasting pattern to subtle two-tone designs,
shades of black, brown and white have timeless appeal
1|
1 | Royal Borough Kingston in Seal Dark Grey 1224/W0631,

74sq m, Axminster Carpets. 2 | Fitzroy in Black V73.02, 70cm wide,
115m, Roger Oates. 3 | Marquette Plaid in Princeton Black, 55sq m,
Adam Carpets. 4 | Hemingway in Honesty 11/30004, 59sq m, Ulster
Carpets. 5 | Daisy Gerbera 7260, 95.85sq m, Ashley Hicks for Alternative
Flooring. 6 | Avebury in Overton Stripe, 39sq m, Cormar Carpets.
7 | Durham County Loop in Mushroom Grey, 37.99sq m, Hugh Mackay.
8 | Audrey in Midnight WFS4, 140sq m, Crucial Trading. 9 | Grain du Bois
in Parchment, 75sq m, Brintons. 10 | Artwork in Truffe, 30sq m,
Kingsmead Carpets. Background in Donard F6522-16, linen,
143cm wide, 45m, Osborne & Little, osborneandlittle.com.
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H&G | promotion
ool carpet makes a practical

and beautiful fooring choice.
Luxurious and soft underfoot,
it has the potential to create more
impact than almost any other element
of dcor, but it can also be used as a
sumptuous yet subtle backdrop. As
a natural product, wool is a good insulator, absorbs noise and has excellent
eco credentials. Plus, wool carpet
doesnt get grubby easily but, if it does,
its easy to clean.
Offering a variety of looks, wool
carpet is hard to beat as a design feature
and its natural properties mean it
retains colour and texture very well.
It can be dyed in an array of colours
and woven into many textures and
patterns, transforming any room
without compromising on quality, says
Emma Hopkins, marketing manager
at Crucial Trading. Wool is the perfect
choice for a high-quality carpet in
daily use, adds Roger Oates. With
an inherent spring and resilience, it
recovers quickly from pressure and has
a structure that shields against dirt.
Here youll fnd the latest looks for
this classic material, plus we give you
expert advice on choosing the right
carpet for your home and lifestyle.
Types of carpeT
n Woven These are made by
weaving the face and back of
the carpet simultaneously and
come in two types: Wilton, which
is used mainly for plain carpets
and textures, from hard twists
to super plush velvets; and
Axminster, predominantly
patterned with extensive
colour and design potential. The
painstaking production methods
mean woven carpets tend to be
more expensive, but they are

also generally made with
higher quality yarns, so should
last well and be considered
as investment pieces.
n TuFTeD Most carpets are
now made using the quicker
and easier tufted method. Yarns
are punched into a pre-woven
backing, creating a loop-pile
or cut-pile, which can make a
distinct difference to a carpets
look, with the latest machinery

allowing for a variety of textures
and patterns. Tufted carpets
can be made from yarn that has
been tightly twisted to form a
textured pile surface called twist
pile. They can also be made from
a series of loops, either at a
uniform height to create a level
loop pile, or with differing heights
for a textured result (loop pile).
Look out too for closely cut
velvet pile, or the longer pile of

Saxony. Heather carpets use
complementing coloured fbres
for a tonal effect, while loop- or
cut-pile Berbers have a rugged
and fecked appearance.
n FLATWeAve Usually woven
carpet, with a fat, smooth
surface, these work well as
runners and stair carpets. Soft
underfoot, they have a density
that produces a clear pattern.
n Consider the effect you want to achieve. Neutral carpets

offer a blank canvas, while textured designs add interest.
Light tones stain more readily, but are also space enhancing,
and bold colour and pattern makes a statement.
n Look at the wear rating: carpets are generally defned
as being suitable for light, moderate, general, heavy
and extra-heavy domestic use. Opt for a harder-wearing
product for busy areas such as halls and staircases.
Pets, children and frequent guests may encourage
you to choose a more durable option for your living
room, too. Save the light-wear designs for rooms that
are used less, such as bedrooms.
n Carpets are available in different weights, which refer
to the weight of material used per square yard or metre.
While 40oz or 50oz is usually fne for residential purposes,
a heavier weight doesnt necessarily mean a stronger and
more luxuriant carpet: a 50oz carpet with a longer pile
wont be as dense as a 50oz twist, as fewer tufts per sq
inch may make it fatten down more quickly.
n Generally, you get what you pay for: its not just the
weight that will determine the price, you also pay for the
quality of the wool and the manufacturing standards.
n Carpets come in a range of different widths. Wider
designs avoid seams, and careful measuring can cut
wastage signifcantly.
n Wool and wool-mix carpets start at about 30sq m,
with mid-quality around 40sq m and premium
50sq m. Some luxury pure-wool, heavy-weight and
bespoke carpets are priced from 60sq m.
n Remember to factor in underlay and ftting, which each
cost around 5sq m, into your costs.
n For staircases, a striped or patterned wool runner in
a bold shade can add impact, while a natural-coloured
design lends subtle style. Both will soften the noise of
footsteps. Consider the fooring in the surrounding
rooms, as well as artwork and furniture in the hall itself,
so that designs dont jar. Usually fatweave or woven,
stair runners are generally 60 to 70cm wide its nice
to leave 5 to 15cm of tread exposed either side for a
balanced look. When stairs turn a corner, runner joins
can be mitred or overlaid for a traditional fnish. You
may also want to add a border to the runner or use
stair rods to create a fnal decorative fourish.
I love pattern, especially on

the foor. It gives instant
character and vitality to
a space, as well as hiding
marks and damage as a
father, I know about that!
ASHLEY HICKS, interior designer, ashleyhicks.com
words AmeliA Thorpe styling mArisA dAly (moodboArds) PhotograPhs

cArolyn bArber (moodboArds); AlAmy/Tim GrAhAm; ipc imAGes
buYIng CArpEt
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10 |
wArmer hUes
Deep reds, vibrant oranges and soothing browns offer the opportunity to make a stylish statement
1 | Audrey in Sunrise WFS1, 140sq m, Crucial Trading. 2 | Durham
County Loop in Sunshine Stripe, 39.99sq m, Hugh Mackay.
3 | Fine Worcester Twist in Bayton Birch, 47sq m, Adam Carpets.
4 | Artwork in Cappuchino, 30sq m, Kingsmead Carpets.
5 | Royal Borough Kingston in Ashen Beige 608/W0631, 74sq m,
Axminster Carpets. 6 | Tribe in Apple Blossom 71/30001, 59sq m,
Ulster Carpets. 7 | Zebo Moss 7122, 88.20sq m, Alternative

Flooring. 8 | Natural Berber Twist in Elite Platinum, 29sq m,
Cormar Carpets. 9 | Houndstooth in Fudge 6/50164, 75sq m,
Brintons. 10 | Fitzroy in Bright V73.01, 70cm wide, 115m, Roger
Oates. bACKground In Donard F6522-03, linen, 143cm wide,
45m, Osborne & Little, osborneandlittle.com.
1| 2|
3|
4|
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10 |
9|
6|
8|
7|
BLUE & NEUTRAL

From cool blues to soft greys and complementary neutrals, these distinctive designs in gentle hues create a calm feel
1 | Flaxman in Lichen V74.04, 71cm wide, 115m, Roger Oates.
2 | La Dolce Vita in Perugia, 45sq m, Adam Carpets. 3 | Durham
Chic Loop in Sky, 34.99sq m, Hugh Mackay. 4 | Biscayne in
Evergreen BS106, 73sq m, Crucial Trading. 5 | Chic in Summer
Breeze 31/30002, 59sq m, Ulster Carpets. 6 | Royal Borough
Chalfont in Itschner Light Grey 1220/W0636, 74sq m,
Axminster Carpets. 7 | Avebury in Stockley Granite, 39sq m,

Cormar Carpets. 8 | Glen Shee in Stone, 30sq m, Kingsmead
Carpets. 9 | Gingham in Pebble 10/50198, 75sq m, Brintons.
10 | Honeycomb in Duck Egg 7110, 88.20sq m, Alternative
Flooring. Background in Crommelin F6521-10, linen,
140cm wide, 49m, Osborne & Little, osborneandlittle.com.
H&G | promotion
why choose wool?

Soft to the touch, as well as naturally resilient, warm and
eco-friendly, wool is a wonderful material for carpets
A HiGH-peRFoRmAnCe FiBRe Wool

has been used in carpets for centuries the
Ardabil Carpet, housed in the V&A, dates
from the late 1530s and is thought to be the
oldest carpet in the world. Its dense pile is
made from wool and the impressive design
is still celebrated today for its vibrant beauty.
Besides retaining its looks, wool is also fame
retardant and anti-static, easy to clean and
maintain. Science has yet to produce a fbre
which matches its unique properties.
SUSTAinABLe AnD eCo-FRienDLY A

sheep will produce a new feece each year
to provide its own weather protection, with
an annual shearing generally considered
important for the animals health. Wool is
recyclable and biodegradable: it breaks down
quickly when disposed of in soil, whereas
synthetics can be very slow to degrade.
Buying wool helps reverse the trend towards
petrochemical fbres and can contribute to
the preservation of sustainable practices on
farms for the beneft of rural communities.
WARm AnD SoFT A sheeps feece

protects it from the cold and, once turned
into a wool carpet, it offers a sumptuous
feel underfoot that is hard to replicate in
synthetic fbres. As a natural insulator, it can
help to cut heat loss and draughts to reduce
energy costs. It helps to absorb noise, too.
LooKS BeTTeR FoR LonGeR Wool
fbres have a crimped structure with
natural elasticity. They are also strong and
resistant to tearing, able to be bent back
on themselves over 20,000 times without
breaking. British wool, in particular, is known
for its robust qualities it does not lose its
crimp or bulk in carpet processing, so is
resilient to constant footfall and has good
bounce-back. Wool absorbs dye well, holding
it within its central core, so will retain its
colour for many years.
eASY CARe Wool fbres are protected

by natural oils, which make them resistant
to staining and dirt particles, and easier
to clean (use products designed for wool

carpets The WoolSafe Organisation,
woolsafe.org, offers advice).
SAFe Thanks to its high water and nitrogen

content, wool is fame-retardant. It has a
much higher ignition threshold than other
fbres and, unlike synthetics, it does not
produce noxious fumes and will not melt or
drip. Wool generally self-extinguishes, as the
burn rate required has to be extremely high
for fame to take hold. In terms of health,
its not known to cause allergies and does
not promote the growth of bacteria.
BLenDS The wool industry recommends
100 per cent wool or 80/20 wool blends
for fooring. This is because a higher wool
content is needed to maintain the optimum
performance of the fbre in carpets and rugs,
particularly when it comes to appearance.
Lower ratios of wool to synthetics reduce the
capability of wool within the product, causing
it to lose its sumptuous texture underfoot.
SIMPLY THE BEST

Britain is home to some of the worlds most inventive carpet manufacturers. We look at the stories behind the names
AdAm CArpets adamcarpets.com.

This family-owned company has been
manufacturing carpets in Kidderminster for
more than 80 years, with fourth generation
Chris Adam running the business today. Every
colour of every range is still made at the Adam
Carpets factory in Kidderminster: there is no
other UK manufacturer that offers plain twist,
heather twist, berber twist, loop, stripes, wool
pattern and plaids all from its own factory.

Known for the quality of its yarn (it only uses
British and New Zealand wool) and investment
in state-of-the-art machinery, it is singled
out for its impressive colour bank: the Fine
Worcester collection is available in 65 colours
including on-trend greys, while its sister range,
Castlemead, comes in 60 more shades.
AlternAtive Flooring alternativefooring.com.

Not your normal fooring company is how it
describes itself and certainly its inspiring mix
of eco-conscious materials, bold designs and
natural classics has given Alternative Flooring
a reputation for innovation and creativity.
Founded more than 20 years ago, it was one of
the frst companies in the UK to import natural
fbre fooring. Its Make Me a Rug online rug
builder allows you to create your own rugs and

runners with thousands of design combinations.
Chunky loops, fnely woven herringbone and
chevron patterns, alongside the striking Quirky
B, an edgy, patterned carpet collection with
designs created in collaboration with British
designers Ashley Hicks and Margo Selby, form
part of this British companys collection.
Axminster CArpets axminster-carpets.co.uk.

This Devon-based company has been making
luxurious Axminster carpets in Axminster since
1937, using the traditional woven method frst
employed by Axminster-based Thomas Whitty
in 1755. It offers 200 plain and textured designs,
with a further 163 patterns, and is also able to
produce carpets to a customers specifcation.
All of its Axminster carpets are made with pure
wool, while tufted designs contain at least 80

per cent wool, selected from British sheep. The
bestselling range is Devonia, a solid plain carpet
available in 60 shades with further colours just
launched. The frm is proud to hold a Royal
Warrant and its latest designs include the Royal
Borough Wilton range, featuring different
weaves to create striking patterns and textures.
Brintons brintons.co.uk.
William Brinton frst began spinning woollen
yarn for carpets in Kidderminster in 1783, and
in 1890 the company patented the Axminster
loom that revolutionised the production of carpet
patterns. It has been a Royal Warrant holder
since the 1950s, which was also when the
company perfected its blend of 80 per cent
wool and 20 per cent nylon for softness with
strength a ratio still used today. Its latest looms

can create patterns of great depth, including the
pixelated designs by Cristian Zuzunaga. Other
new products include the spot, houndstooth,
point and gingham that make up the Padstow
collection, large-scale, dramatic pattern
produced in collaboration with Timorous
Beasties, and Abbotsford and Abbeyglen plaids.
CormAr CArpets cormarcarpets.co.uk.

Supplying affordable wool and easy-clean
polypropylene carpets for over 50 years,
Cormar Carpets is one of the UKs leading
manufacturers of tufted carpet. Established in
1956 by Neville Cormack OBE, the company
remains independently owned, with Nevilles
wife, Betty, chairperson, and son, David,
marketing director. Based in Lancashire,
Cormar manufactures all of its products in the

UK, and uses British wool in over half of its
wool ranges. The company has recently created
Home Counties Heathers and added 12 new
colours to its Home Counties Plains. Made
from 80 per cent wool, ten per cent tuftbond
and ten per cent polypropylene, they are ideal
for high-traffc areas such as stairways.
H&G | promotion
CrUCiAl trAding crucial-trading.com.

With more than 75 designs in wool, plant
and mixed fbres, Crucial Trading, which was
founded 27 years ago, is well known for its
trendsetting, natural products made of seagrass,
coir, sisal, jute, and New Zealand and British
wool. Choose from contemporary plains,
stripes and a variety of textures Crucial
Trading is not the home of traditional forals or
swirling pattern. Theres also an opportunity

to create your own rug or runner using the
companys Rug Builder service. Its latest
range, Biscayne, includes plains in Primrose,
Carnation, Oceanic, Raven and Smoked Pearl.
Made from pure ethically produced wool,
traceable back to identifable farms, Biscayne
is part of the sustainable Laneve collection.
kingsmeAd CArpets kingsmeadcarpets.co.uk.

This tufted carpet specialist was founded over
40 years ago and is now based in Staffordshire.
It produces around 50 ranges of plain, fecked
and striped designs in loop- and cut-pile styles,
which are available in dozens of colours. Most
of its sales are made from an 80 per cent
wool/20 per cent synthetic mix with the
majority manufactured in the UK. It recently
launched its Glen Shee collection, which

uses durable, soft Highland Fleece wool from
Scotland the frst carpet to be certifed by
the British Wool Marketing Board under its
Platinum banner. Fans of striped carpet will
enjoy its Book of Stripes, a collection featuring
six combinations of two colours, in varying
widths, made in pure wool.
roger oAtes rogeroates.com.

Roger and Fay Oates aim is to use natural,
high-quality materials and traditional
techniques to create beautiful products that are
relevant to modern living. The result is woven
fooring that transcends the functional to add
texture, depth and personality to a scheme.
Their strikingly simple, graphic designs are
woven to work either as runners for stairs or are
joined to create large-scale rugs, carpets

or ftted pieces. Flatweave has a robust
construction and its subtle texture provides a
stylish alternative to pile carpet rugs or ftted
carpets. The company has succeeded in
breathing new life into a traditional style of
fooring that looks as comfortable in an old
English farmhouse as a cutting-edge apartment.
Ulster CArpets ulstercarpets.com.

This manufacturer of wool-rich Axminster and
Wilton carpets was established in 1938, and
is still owned by the same family MD Nick
Coburn is the grandson of the founder. The
carpets are made in the UK, from processing
the wool in Yorkshire, though to dyeing,
weaving and fnishing at Castleisland in County
Armagh. With a well-earned reputation for
luxurious, long-lasting carpets, the company

produces an extensive range of traditional
and modern designs. Take a look at the Boho
collection, which features fve vintage-inspired
motifs made from 80 per cent wool/20 per
cent nylon, and new ranges in the bestselling
Open Spaces loop-pile collection made from
100 per cent wool.
Whitestone WeAvers & hUgh mACkAy CArpets

whitestone.co.uk. hughmackay.co.uk.
Established in 1991, Whitestone Weavers
specialises in woven and tufted carpets,
designing its own Axminster ranges. In 2004,
Whitestone bought Hugh Mackay Carpets,
which has been making carpet since 1903. The
tufted carpets by both brands are produced in
Dewsbury, and the woven ranges in Poland.
Choose from pure wool or wool blend, with all

wool sourced in Britain. Current Hugh Mackay
bestsellers include the Tartan collection and
Durham Twist, available in 40 colours with fve
co-ordinating stripes. You can also to create
your own carpet from its library of designs
or entirely from scratch.
H&G DesiGn IDEAS
Focal point
Fireplaces
Reclaimed surrounds, contemporary
woodburners and minimalist glass designs:
our edit of stylish looks will inspire you to create
a showstopping freplace that brings rich
character and interest to a scheme
contemporary classic Bring together old and new

by installing a woodburning stove in a traditional freplace
surround. Keep the freback simple and choose a burner in a
modern style to contrast with the ornate mantel; we love the
7110 Viking design by Mors UK, 01788 554410, morso.co.uk.
The nooks on either side of the stove make great log storage.
OCTOBER 2014 | H&G | 161
H&G DESIGN IDEAS
on the tiles Many late-Victorian and

Edwardian cast-iron freplaces featured
stunning decorative tiles. Carefully restored,
these bring lively colour and pattern to a
space. Find originals at Tile Heaven, 01952
433094, tileheaven.com.
ExpErt viEw size, position and style

paul Chesney,
managing director
and founder,
Chesneys,
020 7627 1410,
chesneys.co.uk.
n Dont be too concerned
about period. The only
consideration that should
govern the design of your
freplace is ensuring that the
correct scale is achieved.
n Position the mantelshelf
below or above the halfway
162 | H&G | oCTobEr 2014
point between the foor and

ceiling; if its in the middle, it
cuts the wall in two and can
look clumsy. Also ensure the
shelf doesnt oversail the
chimney breast; ideally, it
should sit in from the edges.
n A common mistake is to
choose a smaller mantelpiece
than is appropriate. If in doubt,
go for a larger surround and
make a statement with it.
n If you want a bespoke
freplace, carefully consider
what it will be made of, as

that may limit the choice of
style. For example, certain
materials are available only
in small sections and do
not lend themselves to plain,
large-format designs. Also,
there are some stones and
marbles that cant be
precision carved.
n Architectural styles from the
18th and early 19th centuries
will work well with most interiors.
The clean, strong lines of these
pieces suit both minimalist

and traditional schemes.
n The impact of a freplace
tends to derive from the
surround rather than the fre
grate or basket within, which
is more usually functional
rather than overtly decorative
in design. With a period
surround, you can be more
fexible with the style, but
traditional grates rarely
look comfortable in modern
statement freplaces.
Consider the existing ceiling

mouldings and architectural features
when you begin looking for a
fireplace, as this will help you choose
a suitable fitting to match the room.
Mike Johnson, director, English Fireplaces,
01730 888069, englishfreplaces.co.uk.
Double vision A chimney

breast with a dual-sided fre is
perfect for marking out zones
within an open-plan setting. You
can transform the chimney breast
into a feature wall rather than
just a concrete or brick pillar by
embellishing it in an unexpected
material, such as iridescent mosaic
tiles. For a similar fre, try Riva
Studio 2 Duplex woodburner
from Stovax, 01392 474000,
stovax.co.uk.
room service Recreate
boutique hotel-style luxury by
introducing a freplace into your
bedroom; it will feel like the ultimate
indulgence. A cushioned built-in
bench near to the fre creates a
cosy nook for reading and, if the
fre and hearth are raised off
the ground, it will be easier to
keep the carpet free from ash.
hole in the wall Open

up a length of a wall to create a
free-form freplace or, for a similar
off-the-peg look, try the Phenix
woodburning range, Bodart & Gonay,
0032 42 39 93 93, bgfres.com. Here,
for added character, the walls have
been treated with the Moroccan
tadelakt technique of rubbing
olive oil soap into lime plaster.
heritage Design This
17th-century surround makes a
striking focal point in an otherwise
simply decorated room. Keep the
scheme minimalist with a clean
colour palette to prevent the room
from looking overly traditional.
Lassco, 020 7394 8061, lassco.
co.uk, is a great resource for a
similar antique chimney piece,
or try specialist dealer Britains
Heritage, 0116 251 9592,
britainsheritage.co.uk. e
oCTobEr 2014 | H&G | 163
H&G DESIGN IDEAS
ADVICE
Woodburners
Consider these practical points
before you invest in a stove
PoWer levels When choosing a
stove, its not just about the style; you
also need to factor in whether it will heat
the room effciently. A simple calculation
will give you an idea of how powerful a
design you need. Divide the volume of
the room in cubic metres by 14 to work
out the kW output you require, explains
Declan Walsh, managing director of
Mors UK, 01788 554410, morso.co.uk.
the environment Buying the
wrong size can expose your stove to
damage by causing it to over-fre or, more
commonly, under-run, which can be even
more harmful to the stove, fue and the
environment, says Declan. Stoves are
designed to run on dried logs never use
unseasoned wood or pellets; though
pellet stoves require electricity to ignite.
You should also check whether you
live in a smoke-controlled area by asking
your local authority; if you do, its best
to plump for a DEFRA-approved stove.
Contact 0845 933 5577, defra.gov.uk.
design trends Theres a shift away
from the boxy, rustic-style stove that
has dominated over the past 100 years,
says Declan. Stoves have become a real
focal point; cylindrical shapes are now
favoured, either mounted on the wall or
raised on a simple pedestal.
Hanging around French sculptor

Dominique Imbert created the frst
suspended freplace in the 1960s and its
a design classic that is still going strong.
The Ergofocus from Focus, 0033 4 67 55
01 93, focus-creation.com, has an open
hearth that pivots 360, allowing you to
direct the heat where you want it great
for open-plan entertaining.
SCandinaVian STYLE Although
a woodburner will bring warmth to any
space, it is most effective in rooms
that have stone fooring, which can feel
cool. Here, the pared-back 7943 burner,
2,612, from Danish brand Mors,
morso.co.uk, adds a modern twist to this
rustic kitchen. Integrated log storage is
a practical and good-looking extra.
164 | H&G | october 2014
SHOPPING
stAtement
Woodburners
1|
2|
1 | Clean lines. I400F free-standing

stove with integrated log store in cast iron
in Red, H98.5xW45xD42.5cm, around
1,169, Arada Stoves, 01297 35700,
aradastoves.com.
2 | Slim fit. CL5 Highline 4.5kW
woodburner and multi-fuel stove with
integrated log store in Matt Black, H87.5x
W31.5xD31.5cm, around 1,499, Yeoman,
01392 474022, yeomanstoves.co.uk.
3|
3 | Rustic charm. Country 12 stove in cast
iron in Blue, H61.5xW61.5xD45cm, 1,410,
Charnwood, 01983 537777, charnwood.com.
4|
4 | All-white design. Living 9kW
woodburner with steel base and glass
door in Alpina White, H80xW91.5xD50cm,
from 2,799, Lotus, lotusfires.com.
CEnTrE STagE While

tradition dictates that a freplace
goes against a wall, there are
plenty of chic options designed
to be positioned centrally. The
Mezzofocus from Focus, 0033
4 67 55 01 93, focus-creation.
com, helps to divide an openplan space, as well as heating
the whole room. Celebrate the
statement that a piece like this
makes with the biggest size you
can fnd, but ensure it doesnt
disrupt the fow of the room.
good wood Use sawn logs
to transform an unused freplace
into a striking feature and bring
lovely texture to a space. The
Log Basket, 01594 562792,
thelogbasket.co.uk, sells a wide
range of attractive logs to help
create this look. Alternatively,
storm lanterns set against a
mirror give the impression
of a glowing hearth. e
october 2014 | H&G | 165
H&G DESIGN IDEAS
ADVICE
Flueless Fires
The best option for new-build
homes and fuel efficiency
Why Flueless? If you dont have a chimney,
a fueless fre might be the solution and they are
also super-effcient, with running costs around
a third of the price of a comparable conventional
fre. Another option is a balanced fue fre, which
is similar to a fueless option but has a sealed
glass front and a direct vent to an outside wall.
Fuel options Flueless fres can be gas,
electric or bio-ethanol, says Andrew Munro,
managing director of CVO Fire, 01325 301020,
cvo.co.uk. However, the running costs are
considerably higher when using electricity or
bio-ethanol. Electricity is double the cost of gas,
and bio-ethanol can be up to 20 times more.
pros and cons Gas is the cheapest
long-term solution for a fueless fre, providing
heat over a long period of time with the lowest
running costs. Bio-ethanol fres are a fexible
option, but they are generally expensive to run
and the fuel can cause condensation. They tend
to be best used for short periods and if you want
your stove to be more of a room feature.
Warm Welcome Give

an inviting air to a landing
by installing a freplace.
Here, a sleek, three-sided
glass design is a minimalist
yet eye-catching addition,
with the boxed in fue subtly
closing off this space from
the stairs. Banquette seating
extends the feature. Find a
similar fre at Robeys, 01773
820940, robeys.co.uk.
PaNel DIScUSSIoN
Bespoke wood panelling
houses a contemporary
freplace and television
while maintaining a
gentlemens club look. This
built-in gas fre has been
recessed into the wall to give
a seamless fnish. For a good
match, try the Relaxed
Smart M stove by Stone
& Fire, 01243 373300,
stoneandfre.co.uk. e
166 | H&G | october 2014
H&G DESIGN IDEAS
RaisiNG THE BaR Give the traditional hearth a twist by elevating

it off the foor, turning it into a storage feature that doubles as a
seat. Removing the mantel will keep the effect simple. Any builder
should be able to create a cast concrete hearth such as this fnd
a recommended one in your area at ratedpeople.com.
ADVICE
OpenInG up a
fIreplace
What you need to know before
you make a decision
What yOu need Opening up an
existing freplace can be straightforward
if its intact. There should be a hearth,
a freback to enclose the fre, a lintel
supporting the brickwork above, a fue
and a chimney, which youll need to
check for obstructions, even if its been
capped. Theres almost always a way
to open up a freplace, says Owen
Pacey, founder of Renaissance London,
020 7251 8844, renaissancelondon.com.
You can use the existing chimney
breast but you could also put a fan
on an outside wall.
SmOke preventIOn Its essential

that smoke draws up the chimney
properly dense, black smoke means
the fre isnt intense enough, and
damp coal or wood should not be
used. To check the draw, light a smoke
pellet in the freplace opening. The Solid
Fuel Association, 0845 601 4406,
solidfuel.co.uk, can offer advice and
suggest approved merchants. l
KEY CONTACTS
Acquisitions, 020 7482 2949,
acquisitions.co.uk.
Aga, 0845 712 5207, agaliving.com.
Arada Stoves, 01297 35700,
aradastoves.com.
Calor, 0845 744 4999, calor.co.uk.
Capital Fireplaces, 0808 252 0137,
capitalfireplaces.co.uk.
Charnwood, 01983 537777,
charnwood.com.
Eurostove, 01934 750500,
eurostove.co.uk.
Hunter Stoves, 01392 422760,
hunterstoves.co.uk.
Lotus, lotusfires.com.
Modus Fireplaces, 020 8906 9988,
modusfireplaces.com.
Nordpeis, nordpeis.co.uk.
Varde, 01392 474011, vardestoves.com.
168 | H&G | OCTOBER 2014
FEAturE Charlotte luxford PHOtOGrAPHS aNdreaS VoN eINSIedel, IPC IMaGeS, PoWerhouSe, CaMera PreSS/MCM/
VINCeNt thIbert, MedIa 10 IMaGeS/jefferSoN SMIth, GaP INterIorS/douGlaS GIbb, aNdreaS MIkkel haNSeN
plannInG Alterations often require

building regulations approval, unless
youre making minor changes, so its
best to check with your local authority
frst. If youre installing a gas fre,
the opening should be smaller than
90x90cm, as that is the maximum
permitted, whereas a real freplace can
be any size you like, explains Owen.
H&G DESIGN INTERIORS
Leopard
PRINT
Used in moderation, animal motifs add a touch of exotic sophistication to

room schemes. Rather than going wild, introduce focused hits of pattern and
you might be surprised to fnd that a leopard really can change its spots
STYLING ALI BROWN PHOTOGRAPHS CATHERINE GRATWICKE
OCTOBER 2014 | H&G | 171
g PREVIOUS PAGE
Chairs upholstered in a
lively print make a striking
statement in an otherwise
understated dining room.
Pale walls and dark ooring
help to ensure the pattern
remains the focus.
FURNITURE The Round Diamond
dining table, H77xdiam120cm,
2,195, Nicky Haslam for Oka.
Sydney dining chairs, H94xW51.5x
D45cm, 505 plus 2m of fabric
each, The Dining Chair Company.
Console table with three drawers
and bottom shelf, H75xW150x
D45cm, 964, Chelsea Textiles.
FABRICS Dining chairs in Rose
Cumming Duchamp in Magenta
5623/02, cotton, 140cm wide,
105.25m, Dessin Fournir at
Fromental. Curtains in Bolton
in Pink Raspberry, linen, 136cm
wide, 135.60m, Penny Morrison
at Redloh House Fabrics.
WALLS Oak Apple, Elements
Emulsion, 35.50 for 2.5 litres,
Fired Earth.
FLOORING Simply Oak in Rustic
Dark SO24, L30-120xW15cm,
39.99sq m, Kersaint Cobb.
ACCESSORIES Large Plain Pewsey
lampshade with diffuser in Cream,
H32xdiam50cm, 140, Fermoie.
Amplifer painting, 128cm sq,
4,000, Playpaint. Chalk tumblers
in Rose, 22 pair; Chalk jug in
Rose, 40; Remi vase in Copper,
H15.5cm, 38; all LSA International.
Charade round stud vase, H35.5x
diam34cm, 325, Jonathan Adler.
Faux Phalaenopsis stems, H76cm,
32 each; linen napkins with
natural border, 50cm sq, 44 set
of four; Fuego espresso cups and
saucers, 46 set of six; Schiap
medium plates, 9 each; Schiap
small plates, 5.50 each; all Oka.
Inge serving platter in Charcoal,
diam35cm, 52, Soendergaard
Design. Cumulus glasses, 8 each,
Anthropologie. Classic curtain poles
in Beeswax, diam20mm, 17p per cm;
Button fnials, diam20mm, 7.70
each; Chapel standard brackets,
5.90 each; standard rings,
1.05 each; all Jim Lawrence.
172 | H&G | OCTOBER 2014
A classic space can cope

with pops of graphic
interest when the palette
remains subtle. Here, the
leopard prints bring an air
of quiet condence and
work well with elegant
furniture and accessories.
FURNITURE Campden
three-seater sofa, H88xW184x

D105cm, 3,100 plus 13.5m of
fabric, Wesley-Barrell. Dezza chairs,
H59xW83xD83cm, 2,496 each,
Poltrona Frau. Matisse chests
of drawers, H85xW113xD54cm,
995 each, Graham and Green.
Upholstered footstool with
Regency legs, H35xW114x
D46cm, 245 plus 1.5m of fabric,
The Dormy House. Bill Sofeld
Hex side table, H61.5xdiam46cm,
1,249, McGuire at Baker.
FABRICS Sofa in Spotted Cat in
Kohl 81, cotton, 139cm wide, 50m,
Diane von Furstenburg for Kravet at
GP&J Baker. Footstool in Confetti
in Mercury Z360/02, viscose mix,
150cm wide, 105m, Zinc Textile.
Cushions on sofa in Big Cat
10455/585, linen, 147cm wide,
100m, Zimmer+Rohde. Curtains
in Aina in Natural, linen, 150cm wide,
8m, Ikea. Caf curtains in Metro
voile, 150cm wide, 9m, John Lewis.
PAINT Walls in Mirage II, Absolute
Matt Emulsion, 35 for 2.5 litres;
woodwork in Mirage II Intelligent
Eggshell, 51 for 2.5 litres; both
Little Greene.
39.99sq m, Kersaint Cobb. After
Lowry handmade tiles (in hearth),
15cm sq, 8 each, Smink Things.
ACCESSORIES Carl Aubck
original tilted foor lamp,
H140xdiam50cm, 3,200, Sigmar.
Industrial-style brown and copper
wall lights, 149 each, Rockett
St George. Leonine cushions,
45cm sq, 65 each, House of
Hackney. Palace Trellis glass, 12,
Anthropologie. Matthew Tyson
print, 56x69cm; Zhou Hao aquatint
print, 69x86cm, 1,134; Pierre
Bulliard Leaves nine-piece print,
104x127cm, 1,500; Vinca Monade
aquatint print, 69x81cm, 1,134;
all Trowbridge Gallery. Genoa table
lamp base, H43xW11.5cm, 342;
Warwick drum silk shade in Pale
Olive, 16in, 110; both Vaughan.
Photophore Magma storm
lanterns, from 25 each, I&JL Brown.
Selenite crystal ornaments, H42cm,
210 each; Jean Arp-inspired
rooster sculpture, H50cm, 2,850
pair; all Tyson. Taos rug, wool,
182x274cm, 2,693, Luke Irwin.
Classic curtain poles in Beeswax,
diam20mm, 17p per cm; Button
fnials, diam20mm, 7.70 each;
Chapel standard brackets, 5.90
each; all Jim Lawrence. e
OCTOBER 2014 | H&G | 173
Hallways are ideal for

experimenting with eclectic
dcor. Gleaming metal
nishes and an animal-print
runner add character to an
often overlooked space.
FURNITURE The Tripod table,
H58.5xdiam40.5cm, from
2,100, Soane Britain.
PAINT Walls in Mirage II, Absolute
Matt Emulsion, 35 for 2.5 litres;
woodwork in Mirage II, Intelligent
Eggshell, 51 for 2.5 litres; stairs
in French Grey Dark, Intelligent
Eggshell, 51 for 2.5 litres; all
Little Greene.
FLOORING Wild Things leopard
stair runner, nylon, 19.95sq m,
Animal Print Carpets. Simply Oak in
Rustic Dark SO24, L30-120xW15cm,
ACCESSORIES Sunset in the
Roman Campagna canvas,
100x70cm, 190, Surface View.
Stanley pendant lamp in
hammered nickel, H32x
diam26.5cm, 431, Original BTC.
Antique brass stair rods, L72.3cm,
7.95 each, Quality Stair Rods. Inza
vase in Truffe, H17cm, 70, LSA
International. Brass-fnish coat
stand, H176xdiam40cm, 105,
Graham and Green. Classic radiator
in Anthracite, from 367; valve set
D in Copper, 131; both Bisque.
Wallpaper and thick

curtains in rich, dark hues
give this study a cocooning
feel, while the leopard print
design is anything but staid.
FURNITURE Hendricks Wright
desk, H74xW152xD56cm,
909, Barker & Stonehouse.
Alexandra chair, H92xW67xD78cm,
2,540 plus 6m of fabric,
Beaumont & Fletcher.
FABRIC Curtains in Feline in Taupe/
Raisin GWF3106/911, linen, 140cm
wide, 140m, Lee Jofa at GP&J Baker.
WALLS Ocelot wallpaper TRA01002,
52cm wide, 62 a roll, Zofany.
PAINT Woodwork in City Grey,
Acrylic Eggshell, 49 for
2.5 litres, Zofany.
FLOORING Sisal in Linen Silver,
58sq m, Crucial Trading.
ACCESSORIES Paisley A4 lever
arch fle, 22; Paisley box fles,
44 set of three; all Oka. Brass
Misia orb, H16.5cm, 225, Jonathan
Adler. Hamburg table lamp in nickel
with black shade, H34xdiam32cm,
780, Richard Taylor Designs.
Kaweko Classic Sport fountain
pen, 19, Quill. John Derian
cantaloupe plate, diam5in,
42, Pentreath & Hall. Baalbek
rug, silk, 358x496cm, 1,518sq m,
Luke Irwin. Classic curtain pole
in Beeswax, diam20mm, 17p per
cm; button fnials, diam20mm,
7.70 each; all Jim Lawrence. e
174 | H&G | OCTOBER 2014
OCTOBER 2014 | H&G | 175
A leopard motif shower

curtain lifts this paredback scheme, softening
its strong lines.
FURNITURE Norfolk Showering
bath, H59xW74xL169cm, 519,

Bathstore.
FABRIC Shower curtain in Cat
1010455/892, linen, 147cm wide,
100m, Zimmer+Rohde.
WALLS Gemini matt white tiles,
15cm sq, 19.98sq m, Tile Supply.
V&A white dot border tiles,
15x1cm, 2.08 each, Marabese
Ceramics. White matt dado
border tiles, 15x5cm, 2.50
each, Tons of Tiles.
FLOORING For similar, try
Aurelius Silver Grey travertine tiles,
40.5cm sq, 9.99 each, Topps Tiles.
ACCESSORIES Shower curtain
liner, 180cm sq, 10, John Lewis.
Deep seagrass basket,
H31xdiam45cm, 24,
Notonthehighstreet.com. Edison
brass tray, 37x17cm, 55;
container, H13xdiam8cm, 42;
Harrison linen bath towel,
85x150cm, 90; all Balineum. Horn
toothbrush, 6.50, The Merchant
Venturers. Wooden bath brush,
9.50; Diptyque LEau de Neroli
cologne, 65; both John Lewis.
Vintage towel rail, from 45,
English Salvage.
Layering animal prints

with equally graphic florals
and stripes in a standout
monochrome palette creates
a stylish designer look.
FURNITURE Black Chippendale
side chair, H89xW46xD51cm,
695, Jonathan Adler. Brass Cube
side table, H45xW45xD45cm,
1,200, Trunk. Montague standard
bed in Contemporary Grey fabric,
H123xW152xD213cm, 925, Feather
& Black. Vouet stool, H43xW140x
D45cm, 1,025 plus 2.4m of fabric,
The Sofa & Chair Company.
FABRIC Curtain in Amrapali in
Charcoal F1840/02, linen, 140cm
wide, 89m, Designers Guild.
Cushion in Tartan Burns 31013/150,
silk, 120cm wide, 40m, James Hare.
Stool in Pardus Blair 02, viscose
mix, 140cm wide, 119.80m,
James Malone.
WALL Les Touches wallpaper
in Black, 61cm wide, 140 for
a 5.4m roll, Brunschwig & Fils at
GP&J Baker.
ACCESSORIES Ventana table
lamp, H66xdiam35.5cm, 250,
Jonathan Adler. Round Pearlescent
canister, 38, Anthropologie.
Crumple bedlinen, 125 for duvet,
ftted sheet and two pillowcases,
Loaf. Flaxman Stone runner, wool,
70cm wide, 115m, Roger Oates. l
176 | H&G | OCTOBER 2014
FIND MORE BEAUTIFUL DECORATING IDEAS AT HOUSETOHOME.CO.UK/HOMESANDGARDENS-IDEAS
h&G DesiGN shopping
stylish shelves
Our edit of the latest free-standing designs for neat storage and distinctive display
1|
2|
3|
4|
5|
1 | Lombard shelving, H195xW100xD36.5cm, 2,350, Pinch. 2 | Brunel lean-to shelves, H175.5xW100xD35cm, 350,
Rob Scarlett at Heals. 3 | Market shelves, H140xW76xD38cm, 775, SCP. 4 | Gazelle bookcase, H175xW77xD30cm,
399, John Lewis. 5 | Aetas shelf, H193xW120xD48cm, 935, Vitamin Design. e
october 2014 | H&G | 179
H&G DESIGN shopping
1|
3|
4|
1 | Stick system shelving, H35xW58.5xD29cm per unit, from 335, Menu at Utility Design. 2 | Rack + Table, H190xW180xD45cm, 5,040,
Muller Van Severen at Viaduct. 3 | Oxidised copper bookshelf, H220xW100xD40cm, 3,100, Mint. 4 | Bay bookshelf, H200xW150x
D50cm, 2,390, Julian Chichester. 5 | Whitewashed wood and metal shelves, H201xW109xD36cm, 799, West Elm. l
FIND MORE BEAUTIFUL BUYS AT hOUSETOhOME.cO.Uk/hOMESANDgARDENS-ShOppINg
180 | H&G | october 2014
5|
FEATURE Laura Vinden
2|
H&G DESIGN Heritage garden
FRom
seed
to
plate
Champion of locally grown organic produce,

Raymond Blanc has made heirloom vegetables the
heroes of a newly designed one-and-a-half-acre
plot in his gardens at Le Manoir in Oxfordshire
Wo r d s Zia a l l away a n d a r a b el l a St Jo hn Pa rk e r
P hotogra P h s M a r k b o lto n
182 | H&G | OCTOBER 2014
OPPOSITE PAGE,
FROM TOP Clipped
bay domes and box

balls add structure
to the herb garden,
which is planted with
rosemary (left) and
angelica (right);
grow lamps in the
glasshouse provide
extra daylight for
vegetables in winter.
THIS PAGE, FROM TOP
A section of the herb

garden with English
mace and camomile;
Raymond Blanc at
the entrance to his
heritage garden, which
is surrounded by
growing screens and
entered through a rustic
gate, made by master
craftsman Ed Brooks.
easonality and diversity in gardening are

vital, says Raymond Blanc emphatically, as
he takes time out of his relentless schedule
to show us round his latest venture: a
heritage garden for today. It has been created in the wellestablished grounds that surround and sustain his two
Michelin-starred restaurant and hotel in Oxfordshire,
Le Manoir aux QuatSaisons.
Growing your own food, or knowing that it has been
grown close to home, in the right season provides you
with produce that has a better avour, colour and texture, says Raymond. It also helps to support the local
economy in so many ways and, of course, there is a real
joy in gardening and then cooking your own produce.
For all those who grow their own, however, there are
many more without the resources to do so. This, Raymond
insists, is why we as consumers have a responsibility to
demand a wide seasonal range, to ask where our food
comes from and to expect the answer to be from near
where you live. To do that Britain not only has to preserve its gardening knowledge and heritage plants, but
also needs lots more gardens and trained gardeners.
This is at the heart of why this new garden, designed
by Anne Keenan MSGD (Member of the Society of Garden
Designers), came into being, as Raymond explains.
Why a heritage garden? Ive worked with Garden

Organic and with Bob Sherman, its recently retired chief
horticultural ocer, for many years and its Heritage
Seed Library is amazing. We use many of its vegetable
OCTOBER 2014 | H&G | 183
H&G DESIGN HERITAGE GARDEN
varieties at Le Manoir and it seemed ftting to create

something that would showcase them here. When my
dear friend Johnny Mobasher from Hartley Botanic
suggested a glasshouse, I thought we could use this
beautiful structure and create a garden around it.
How did you choose a design for the garden? We ran
a competition with the Society of Garden Designers to
fnd a designer and also a young gardener to take up a
placement here, to get involved in the creation of the
garden and to learn the skills needed to maintain it.
Deciding on the winners wasnt easy, but Anne
Keenans design fully incorporated the glasshouse as
the main focus. It was also aesthetically pleasing, yet
practical for our level of production and the display of
heritage vegetables.
We selected David Love Cameron as our frst
garden scholar for his pure views about growing organic
and heritage food and his determination to take what
he learns here back to Belfast, to share with the
communities that he works with there.
this piCture Growing

screens frame views of
the glasshouse and divide
up a bed planted with the
sweetcorns Golden Bantam
and Rainbow Inca.
Below Willow expert
Jay Davey wove the beautiful
screens with circular detail.
GrowinG
under Glass
To keep the restaurant kitchen supplied
with the tender and exotic vegetables
it needs all year round, head gardener
Anne-Marie Owens and her team use
the Victorian glasshouse, designed to
order by Hartley Botanic.
It has manual blinds, a series of
vents and a dual air conditioning and
heating system, says managing
director Johnny Mobasher.
The heat and grow lamps allow us
to grow lemongrass and micro-leaves
for salads during the winter, while the
space means a better air flow around
the plants, which in turn helps prevent
fungal diseases, says Anne-Marie.
Which crops are you growing? As a chef, Im interested

in growing anything Ive not tried before but, to begin
with, were concentrating on the endangered varieties
that were once the mainstay of British gardens, things
such as broad beans and lettuce.
And in the future? Is this garden a model you want
others to follow? The glasshouse is principally for
growing vegetables, but we also have plans to start a
gardening school, with the glasshouse as a base. Im
lucky that we have space at Le Manoir to grow so many
varieties but, even if peoples space is limited, I urge
them to make the most of what they have to grow some
wonderful fruit and vegetables.
Anne KeenAn
desiGninG a
heritaGe Garden
for today
this piCture The

Champagne bottle
bench creates a
captivating resting
place amid plantings
of white borage
(left) and Rose
de Roscoff onions
(in foreground).
riGht Logs from an
old birch hedge make
textured walls that
provide a nesting site
for benefcial insects.
My inspiration The local Cotswold

stone and the circular patterns at
Le Manoir, in the dovecot, the box balls
and even in the local church gate nearby,
led me to create a structure based on
circles, which take the eye away from
the awkward L shape of the site.
the detail A round area edged with
dry stone walls provides seating in front
of the glasshouse, and circular motifs are
woven into the growing screens that divide
up the space and frame different views.
I also designed a bench using wine cases
and old Champagne bottles, while logs
from trees felled after last years storms
provide insect habitats and owering
plants attract bees to pollinate the crops.
OCTOBER 2014 | H&G | 185
H&G DESIGN HERITAGE GARDEN
Top Tips for organic gardening

David Love Cameron, who won the competition to be Le Manoirs
first garden scholar and work in the heritage garden, gives advice
Make sure the soil is well fed using
all-natural feeds. We use compost
mulches made from Le Manoirs
own garden and kitchen waste. As
everything in the waste is organic,
using it to feed the soil completes the
circle. We also use green manures,
such as the quick-growing hardy
annual phacelia, and field beans.
In winter, we sow these so they
cover the soil to prevent erosion
and help keep weeds at bay and, in
spring, we dig the plants into the
soil to increase its fertility.
Choose robust old varieties such
as the shelling pea Carruthers Purple
Podded and the French bean Birds Egg,

and keep the plants healthy by mulching
annually with organic compost and
feeding with seaweed solution a
natural product that boosts growth.
To create your own organic
vegetable garden, research the crops
that have been traditionally grown
in your area, as these will probably
suit your conditions best and youll
be helping to keep your own local
heritage alive. Also speak to older
gardeners in your area and ask
what they used to grow, and look
through the old garden journals
held at your local library. l
cLocKWise, froM Top

LefT The view from the
glasshouse; just outside

the structure, the circular
seating area is built
from local Cotswold
stone; gardeners Anna
Greenland (left), David
Love Cameron and
Anne-Marie Owens take
a break on the bottle

bench; a small pool, made
from an oak whisky barrel,
attracts wildlife; the garden
is packed with crops,
including the heritage
broad bean Martock (in
foreground) and French
bean Birds Egg, climbing
the cane wigwams.
useful
CONTACTs
Anne Keenan,
01264 324193,
annekeenan.co.uk.
Ed Brooks,
01297 560807,
edbrooks.com.
Garden Organic,
024 7630 3517,
gardenorganic.org.uk.
Hartley Botanic,
01457 819155,
hartley-botanic.co.uk.
Jay Davey,
07977 788236,
jaydavey.co.uk.
Le Manoir aux
QuatSaisons,
01844 278881,
manoir.com.
Thomas Etty
Heritage Seeds,
01460 298249,
thomasetty.co.uk.
186 | H&G | OCTOBER 2014
H&G DESIGN ADVICE
HOUSE
CLINIC
Our expert Celia Rufey answers
your interior design questions
and decorating dilemmas
PROfILE Celia Rufey has
been the Homes & Gardens

decorating expert for more
than 30 years. She has
a wealth of interiors
knowledge and has also
designed her own range
of fabrics.
IS THERE A WAy TO CONTROL A

DRAUGHT FROM A FIREPLACE?
We have a rarely used open gas
fre, which lets a lot of cold air into
the room. Weve heard that a
chimney balloon could help, but
cannot fnd a supplier.
PM, Luton, Bedfordshire.
Chimney Balloon, 01252 319325, chimney
balloon.co.uk, produces balloons in six
sizes for lined and unlined chimneys,
which cost from 22. If your chimney
doesnt correspond to the standard sizes,
the company can make special sizes to
order; clear instructions for measuring
are given on the companys website. The
balloon is made from heavy gauge plastic
and is easy to install. It is inserted in the
chimney and infated to ft by blowing
gently through the supplied tube, priced
at 2.50. The balloon can be defated and
removed when you want to turn on the
fre. If you accidentally light the fre
without frst removing the balloon, it will
simply shrink and fall out of the chimney
but wont, of course, be reusable.
HOW SHOULD I BEST CARE FOR LEATHER?

My 1950s leather chair is worn and has a few scars.
I love the way it looks now, but I dont want it to get
worse. Is there anything I could apply to preserve it?
AS, London SW18.
Key to the preservation of your old leather chair is how it has
been looked after in the past, advises Nick Loxton of Leather
Chairs of Bath (now in London), 020 7731 1198, leatherchairs.co.uk.
If the chair has been waxed over the years, then that is the way
to continue. Beeswax polish is also his recommendation if there
is doubt about the chairs maintenance history. Try Original
Wax by Antiquax, 020 8450 4666, antiquax.co.uk, to maintain
the look and suppleness of the leather and, if it has a few scuffs,
choose the Brown wax version to help disguise them; each product
costs 4.49 for 100ml. Give special attention to high-use areas,
such as the fronts of the arms and the area where the head rests.
Leather needs to breathe, so dust regularly to prevent the pores
from becoming blocked and avoid using a modern silicone-based
spray polish. You should never soak leather, but it can be cleaned
with a cloth dampened with a soap solution to remove sticky
stains or surface marks. Nicks fnal piece of advice is to keep
your chair out of prolonged exposure to sunlight and clear of
cats claws, dogs and boisterous children.
INSIDERS TIP
To make your kitchen work hard, ensure you separate
food preparation and dishwashing by positioning the sink
centrally between hob and dishwasher.
LAURENCE PIDGEON, 020 7610 6166,
laurencepidgeon.com.
WHERE CAN I BUy TALL BAR

STOOLS? Im looking for 80cm-high
stools for my kitchen. I like traditional
wooden ones and might paint them.
AL, West Wickham, Kent.
1|
2|
WHICH FABRIC WILL UPDATE A KNOLE SOFA? I would like to

re-cover my traditional sofa to ft in with my contemporary living room.
Any ideas?
AJ, Durham, County Durham.
Try an understated unbleached linen or
one in a strong, bright shade. Ghent, in 41
colours, 40m from Villa Nova, 01623
756699, villanova.co.uk, is a good choice.
A plain wool would work equally well.
Take a look at Earth, in 30 colours,
47.95m, by Abraham Moon, 01943
873181, moons.co.uk. Wool felt could be
even better; try Block, in 32 colours,
Ghent in Bone, 40m,

Villa Nova.
81.50m, by Kirkby Design, 01623

756699, kirkbydesign.com. Another way
to emphasise the core shape of the sofa
would be to use upholstery with a small,
disciplined pattern, such as a
houndstooth check. Mono in Jet Black,
viscose mix, 59.50m, also by Kirkby
Design, would suit a contemporary
space. l
Block in Cobalt,
81.50m, Kirkby Design.
Mono in Jet Black,

59.50m, Kirkby Design.
A substantial design is the Jean Louis bar stool

(1), H81cm, 129.99, from Bar Stools, 0845
519 1628, barstools.co.uk. Also desirable are
the slender Bailey in weathered oak (2),
H81cm, 129; and the chunky Jack in raw oak,
H80cm, 120; both from The Olive Tree, 0845
372 0007, theolivetreeshop.co.uk. Im also
adding the Sofa stool in beech to the mix.
Although its only H77cm, it is well-priced at
53, from The Cotswold Company, 0844 984
0003, cotswoldco.com, and would be a good
choice if you decide to paint. Another beautiful
stool is the Zeitraum 1.3 stool, in oak, American
walnut or ash, H80cm, 485 from Nest, 0114
243 3000, nest.co.uk.
How to submit
your question
The House Clinic service is
free to all H&G subscribers.
By EmAIL Send your query,
subscriber number and
address to hgcontactus@
ipcmedia.com.
fOR NON-SUBSCRIBERS
There is a 12 fee per query.

Please note, this is a subsidised
service.
By POSt Send your query,
subscriber number or payment
and an sae to Homes &
Gardens, Blue Fin Building, 110
Southwark Street, London SE1
0SU. Make cheques/postal
orders payable to IPC Media
Ltd. We are unable to answer
more than one question per
reader each month. For
personalised room schemes
by Celia, visit housetohome.
co.uk/decorationservice.
SPeCIAl Offer
aga cookshop
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Treat yourself to top-quality cookware,
bakeware and accessories with this reader exclusive
ou dont need to own an AGA to

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the stylish products were originally created
to get the best performance from the iconic
cast-iron range cooker, all AGA cookware
works just as well with other ovens and hobs.
This month, Aga Cookshop is offering
Homes & Gardens readers an exclusive
15 per cent discount. With a wealth of options
on offer, theres something for every cook
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above left The classically styled AGA Cast Iron

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on all products, excluding electrical items, books and kettles, while stocks last at AGA stores or distributors and online. Offer open to UK residents only. No cash alternative. This offer is valid until 5 October 2014.
october 2014 | H&G | 191
food for friends
Sweet
natured
Fig marmalade with dates
and honey melon sage
Whether youre stuck with a

glut of ripe fruit or simply
keen to turn your hand to the
age-old tradition of preserving,
set your sights on these jam
and syrup recipes
r e c ipe s luc y c rab b
foo d st yl in g Monique Meij
st yl in g re nske ley enaar
ph otog ra phs jan luijk
october 2014 | H&G | 193
Damson Jam
makes 4 x 225g jars
With their blue-black colour

and velvety sheen, damsons
make a wonderful jam. Its
impossible to remove the stones
when raw, so they need to be
extracted while the jam cooks.
1.3kg damsons
400ml water
1kg granulated sugar
Juice of 1 lemon
n Place the damsons and the
water in a large pan and cook

over a gentle heat, stirring
occasionally, for 30 minutes,
until soft. Press the damsons
against the side of the pan
to break open the fruit and
release the stones.
n Add the sugar and lemon
juice, stirring until the sugar has
dissolved, then bring to a boil.
The stones will begin to rise to
the surface; remove them using
a slotted spoon and discard.
n Continue to boil for 5-10 minutes
until the jam reaches setting
point. Use a sugar thermometer
to check; the temperature should
be 104.5C. If you dont have
a thermometer, do the wrinkle
test (see the box, below right).
n Take the pan off the heat
and allow the jam to settle for
10 minutes, removing any
remaining stones.
n Ladle into hot, sterilised jars
(see box, below right), place a
waxed paper disc on the surface
of the jam and seal immediately
with a lid. Store in a cool, dark
place for up to a year and
refrigerate once opened.
Fig marmalaDe with Dates anD honey melon sage (previous page)
makes 5 x 225g jars
Besides the obvious uses, this marmalade is surprisingly good served with blue and soft goats
cheeses. Honey melon sage has a fragrant honeydew melon scent and produces bright red edible owers.
500g ripe purple fgs, quartered
and stalks removed
500g pitted dates, roughly
chopped
500ml orange juice
Juice of 1 lemon
1kg jam sugar
2 large sprigs honey melon sage,
194 | H&G | october 2014
leaves removed and roughly

chopped
n Place the fgs, dates and orange
and lemon juices in a pan and cook

on a gentle heat until the fgs are
soft and have released their juices.
n Add the sugar and stir gently
until dissolved. Increase the heat

to a rolling boil and cook for 10-12
minutes, stirring occasionally and
skimming off any scum.
n Test for the setting point with a
sugar thermometer (104.5C) or
do the wrinkle test (see box, right).
n Add the honey melon sage,
stir well and allow to infuse for

10 minutes before ladling into hot,
dry sterilised jars. Place a waxed
paper disc on the surface of the
jam and cover with a lid. Store in
a cool, dark place for up to a year.
Refrigerate once opened.
BlackBerry Jam with BlueBerries anD mint

testing For a set & sterilising Jars
makes 6 x 225g jars
Before you start, it is wise to note how to do the wrinkle test,

to check whether the jam has reached setting point (if you dont
have a sugar thermometer), and how to properly sterilise jars.
Blackberries and blueberries are low in pectin, so choose slightly

under-ripe fruit and use jam sugar with added pectin for a good set.
n The wrinkle TesT Put a couple of saucers in the freezer
before you make the jam. To test for a set, remove the jam from
the heat, place a spoonful on a saucer and refrigerate for a couple
of minutes. If the surface wrinkles when pushed with your fnger,
its ready. If not, boil for three minutes before testing again.
n sTerilisinG JArs Heat the oven to 140C/gas mark 1.
Wash the jars and lids in hot, soapy water and rinse well. Place
on a baking tray in the oven for 30 minutes. Make sure the jam
and jars are still hot when potting.
500g blackberries
500g blueberries
Juice of 1 lemon
1kg jam sugar
3 sprigs of mint, leaves removed
and fnely chopped
n Place the berries and lemon
juice in a pan and cook on a low

heat for 10 minutes, until soft.
until dissolved, then stir in the

mint and bring to a boil for
8 minutes. Test for a set with a
sugar thermometer (104.5C) or
do the wrinkle test (see box left).
n Ladle into sterilised jars. Place a
waxed paper disc on the surface
and cover with a lid. Store in a
cool, dark place for up to a year
and refrigerate once opened. e
Lemon Syrup
makes 2 litres
This is a light, fresh addition to drinks and is great for use in

cooking or baking. You may wish to add a teaspoon of citric acid
with the sugar, which helps to heighten the favour of the lemons.
8 large organic or unwaxed
lemons, washed and dried
1kg granulated sugar
1 litre water
n Finely grate the lemon zest,
squeeze the juice and mix

together in a bowl.
n Place the sugar and water in
a large, non-reactive saucepan
(avoid aluminium or copper)
over a gentle heat.
n Stir continuously until the sugar
has dissolved. Add the zest and
196 | H&G | october 2014
juice and continue cooking until it

has the consistency of thin syrup.
n Remove from the heat, cover
with a clean tea towel and leave
to infuse overnight.
n Strain the syrup and pour into
hot, sterilised bottles (see the
box on the previous page) and
seal immediately.
n Serve chilled mixed in still or
sparkling water. The syrup will
keep for two months; refrigerate
once opened.
Strawberry jam
with raSpberrieS
and Lavender
makes 6 x 225g jars
This is a delicious twist on

a classic. Make sure that
you use culinary-grade
lavender, which is readily
available as a dried herb. The
fowers have been grown for
cooking and are free of
chemicals and pesticides.
1kg strawberries, hulled
and halved if large
500g raspberries
Juice of 1 lemon
1kg jam sugar
2 tsp dried lavender fowers
n Place the strawberries,
raspberries and lemon juice

in a pan and cook on a gentle
heat until the juices start to
run, then simmer for 5 minutes.
until completely dissolved.
Increase the heat and bring to a
rolling boil, removing any scum
from the surface with a spoon.
n Boil steadily for 8 minutes
before testing for a set using
either a sugar thermometer
(104.5C) or doing the
wrinkle test (see the box
on the previous page). If
the jam hasnt reached
setting point, return to
the heat and test at
3 minute intervals until
a set has been reached.
n Stir in the dried lavender fowers
and leave the jam to settle for
10 minutes. This will allow it to
thicken slightly so the fruit will
be evenly distributed in the jar.
n Ladle into hot, dry sterilised
jars (see the box on the previous
page), place a waxed paper
disc on the surface of the
jam and cover immediately
with a lid. Store in a cool, dark
place for up to a year and
refrigerate once opened. e
october 2014 | H&G | 197
Plum Jam
makes 5 x 225g jars
Plums contain a high level of pectin so be careful not to

over-boil or the resulting jam may be rather sti.
1kg ripe plums
Juice of 1 lemon
250ml water
600g granulated sugar
n Halve the plums, remove and
discard the stones and cut the

fruit into thick slices. Place in a
pan with the lemon juice and water
and cook over a gentle heat for
10-15 minutes, until the fruit is soft.
n Add the sugar, stirring well until
dissolved. Increase the heat to a
fast rolling boil and cook for

3-5 minutes. Test for setting point
using a sugar thermometer (it
should reach 104.5C) or do the
wrinkle test (see page 195). Skim
any scum from the jams surface.
n Ladle into hot, dry sterilised
jars. Place a waxed disc on the
surface of the jam and cover
immediately with a lid. The
jam will keep for up to a year;
refrigerate once opened. l
For more recipes go to housetohome.co.uk/recipes
198 | H&G | october 2014
ADDRESS BOOK
Details of stockists featured in this issue; visit housetohome.co.uk/directory for more listings
Abbott & Boyd,

020 7351 9985,
abbottandboyd.co.uk.
Abigail Ahern, 020 7354 8181,
abigailahern.com.
Altfeld, 020 7351 5893,
altfeld.com.
Animal Print Carpets, 0800 026
8800, animalprintcarpets.com.
Another Country, 020 7486 3251,
anothercountry.com.
Anthropologie, 020 7870 4821,
anthropologie.eu.
Baker, 020 7823 3612,

bakerfurniture.com.
Balineum, 020 7431 9364,
balineum.co.uk.
Barker & Stonehouse, 01642 230988,
barkerandstonehouse.co.uk.
Bathstore, 0800 023 2323,
bathstore.com.
Beacon Hill, 020 7352 0931,
beaconhilldesign.com.
Beaumont & Fletcher,
020 7352 5594,
beaumontandfetcher.com.
Bennison Fabrics, 020 7730 8076,
bennisonfabrics.com.
Bernard Schottlander,
0033 1 23 45 67 89, schottlander.fr.
Bhs, 0344 411 6000, bhs.co.uk.
Bisque, 01225 478500, bisque.co.uk.
C&C Milano, 020 7751 4554,

cec-milano.com.
Camengo, 0844 369 0104,
camengo.fr.
Chelsea Textiles, 020 7584 5544,
chelseatextiles.com.
Christopher Farr Cloth,
020 7349 0888,
christopherfarrcloth.com.
Colefax and Fowler, 020 7244 7427,
colefax.com.
The Conran Shop, 0844 848 4000,
conranshop.co.uk.
Creation Baumann, 020 7226 7748,
creationbaumann.com.
Crucial Trading, 01562 743747,
crucial-trading.com.
Dedar, 020 7351 9939,

dedar.com.
Designers Guild, 020 7351 5775,
designersguild.com.
The Dining Chair Company,
020 7259 0422, diningchair.co.uk.
Donghia, 020 7349 1590,
donghia.com.
The Dormy House, 01264 365808,
thedormyhouse.com.
200 | H&G | october 2014
E
F
English Salvage, 01568 616205,

englishsalvage.co.uk.
Feather & Black, 01243 380600,

featherandblack.com.
Fermoie, 01672 513723, fermoie.com.
Ferrious Online, 0161 228 6880,
ferriousonline.co.uk.
Fired Earth, 01295 812088,
fredearth.com.
French Connection, 020 7036 7200,
frenchconnection.com.
Fromental, 020 3410 2000,
fromental.co.uk.
GP&J Baker, 020 7351 7760,

gpandjbaker.com.
Graham and Green, 0845 130 6622,
grahamandgreen.co.uk.
Harlequin, 0845 123 6815,

harlequin.uk.com.
Heals, 0870 024 0780, heals.co.uk.
Herms, 020 7098 1888,
uk.hermes.com.
House of Hackney, 020 7739 3901,
houseofhackney.com.
I&JL Brown, 01432 851991,

brownantiques.com.
Ikea, 020 3645 0000, ikea.com/gb.
JAB Anstoetz, 020 7348 6620,

jab-uk.co.uk.
James Hare, 0113 243 1204,
james-hare.com.
James Malone, 0034 952 652 844,
jamesmalonefabrics.com.
Jim Lawrence, 01473 826685,
jim-lawrence.co.uk.
John Lewis, 0345 604 9049,
johnlewis.com.
Jonathan Adler, 020 7589 9563,
uk.jonathanadler.com.
Julian Chichester, 020 7622 2928,
julianchichester.com.
Just Fabrics, 0845 498 9043,
justfabrics.co.uk.
Kersaint Cobb, 01675 430430,

kersaintcobb.co.uk.
Konig Colours, 01280 847166,
konigcolours.co.uk.
Kravet, 020 7351 7760, kravet.com.
Lelivre, 020 7352 4798,

lelievre.eu.
Linwood Fabrics, 01425 461176,
linwoodfabric.com.
Little Greene, 0845 880 5855,
littlegreene.com.
Lizzo UK, 020 7823 3456, lizzo.net.
Loaf, 0845 468 0698, loaf.com.

The Lollipop Shoppe, 01273 386870,
thelollipopshoppe.co.uk.
LSA International, 01932 789721,
lsa-international.com.
Luke Irwin, 020 7730 6070,
lukeirwin.com.
Marabese Ceramics,
01234 364002,
marabeseceramics.com.
Marks & Spencer, 0333 014 8000,
marksandspencer.com.
The Merchant Venturers,
07734 005135,
merchantph.users37.interdns.co.uk.
Mint, 020 7225 2228, mintshop.co.uk.
Nobilis, 020 8767 0774,

nobilis.fr.
Notonthehighstreet.com,
0845 259 1359,
notonthehighstreet.com.
Oka, 0844 815 7380,

okadirect.com.
Original BTC, 01993 882251,
originalbtc.com.
Osborne & Little, 020 7352 1456,
osborneandlittle.com.
Paris Ceramics, 020 7371 7778,

parisceramics.com.
Pentreath & Hall, 020 7430 2526,
pentreath-hall.com.
Phillip Jeffries, 0844 800 2522,
phillipjeffries.com.
Pierre Frey, 020 7376 5599,
pierrefrey.com.
Pinch, 020 7622 5075,
pinchdesign.com.
Playpaint, playpaint.co.uk.
Poltrona Frau, 020 7495 6101,
poltronafrau.it.
Quality Stair Rods,

01924 694800,
quality-stair-rods.co.uk.
The Reclaimed
Flooring Co, 0845 371 6131,
reclaimedfooringco.com.
Redloh House Fabrics, 020 7371 7787,
redlohhousefabrics.com.
Richard Taylor Designs, 020 7351
2567, richardtaylordesigns.co.uk.
Robert Allen, 020 7352 0931,
robertallendesign.com.
Rockett St George, 01444 253391,
rockettstgeorge.co.uk.
Roger Oates, 020 7351 2288,
rogeroates.com.
Romo, 01623 750005,

romo.com.
Samuel & Sons, 020 7351 5153,

samuelandsons.com.
SCP, 020 7739 1869, scp.co.uk.
S, 020 7739 1869, se-london.com.
Sigmar, 020 7751 5801,
sigmarlondon.com.
Smink Things, sminkthings.com.
Soane, 020 7730 6400, soane.co.uk.
Soendergaard Design, 01379
586200, soendergaarddesign.co.uk.
The Sofa & Chair Company,
020 8752 8935, thesofaandchair.co.uk.
Stark Carpet, 020 7352 6001,
starkcarpet.co.uk.
Surface View, 0118 922 1327,
surfaceview.co.uk.
Swaffer, 01733 371727, swaffer.co.uk.
Thibaut, 020 7737 6555,

thibautdesign.com.
Tile Supply, 0843 289 4230,
tilesupply.co.uk.
Tissus dHlne, 020 7352 9977,
tissusdhelene.co.uk.
Tons of Tiles, 0845 201 4888,
tonsoftiles.co.uk.
Topps Tiles, 0800 783 6262,
toppstiles.co.uk.
Trowbridge Gallery, 020 7371 8733,
trowbridgegallery.com.
Trunk, 0845 299 3519,
trunkhome.co.uk.
Turnell & Gigon, 020 7259 7280,
turnellandgigon.com.
Tyson, 020 7720 9331, tysonltd.com.
U
V
Utility Design, 0151 708 4192,

utilitydesign.co.uk.
Vanessa Arbuthnott, 01285

831437, vanessaarbuthnott.co.uk.
Vaughan, 020 7349 4600,
vaughandesigns.com.
Viaduct, 020 7278 8456, viaduct.co.uk.
Villa Nova, 01623 750005,
villanova.co.uk.
Vitamin Design, 0049 40 31798362,
vitamin-design.de.
Wesley-Barrell, 01993 893111,

wesley-barrell.co.uk.
West Elm, 020 7637 9150,
westelm.co.uk.
Zimmer+Rohde, 020 7351 7115,

zimmer-rohde.com.
Zinc Textile, 01623 756699,
zinctextile.com.
Zoffany, 0844 543 4748, zoffany.com.
we love
ham yard
Kit Kemps Firmdale group raises the bar yet again with this new London boutique hotel,
which boasts not only stunning rooms but also extraordinary facilities
e wondered whether wed seen

the best of Kit Kemp when the
Crosby Street Hotel opened in
Manhattan. Marrying the best of British
boutique style with New York cool, it was
near perfect. Then came Ham Yard in
the heart of Soho and Kit managed to
wow us anew. The 91 rooms offer all the
home-from-home touches the Firmdale
group is known for: large, sumptuously
fnished beds, comfortable armchairs and
the trademark mannequin. Each has
foor-to-ceiling windows, and bathrooms
are kitted out in oak and granite with
free-standing iron tubs. At Ham Yard,
however, its the communal areas that
really excite: theres a genuine Fifties bowling

alley from the US, a 176-seat theatre, an
expansive bar and restaurant, a rooftop
terrace and a tree-flled courtyard.
This is the largest Firmdale hotel to
date, taking over a 3,000sq m site that had
been deserted for decades. True to form,
Kit has thrown out the rule book with the
interiors; lively colours and patterns abound,
with no fear of clashing. The jaw-dropping
bar takes on a tribal theme, with a mash-up
of motifs and materials, while the more
serene library is a divinely subtle mix of
textures and tones. Ham Yard is a bold hit
of style in Soho, a vibrant addition to the
no less colourful streets surrounding it.
NEED TO KNOW
Ham Yard sits within spitting distance of
Regent Streets shops and Piccadilly Circus.
It has 91 rooms and suites, plus 24 apartments.
Double rooms start at 310 a night.
The restaurant focuses on British produce,
while the bar offers a selection of small
plates. Afternoon tea is served all day.
Head to the fully equipped gym, complete
with a hypoxic chamber for altitude training,
or unwind in the spa. The bowling alley and
theatre can be booked for private events.
Ham Yard Hotel, 1 Ham Yard,
London W1D 7DT, 020 3642 2000,
hamyardhotel.com. l
William IV library chair,

H96.5xW71xD76cm,
2,757 plus 4m of fabric,
George Smith, 020 7384
1004, georgesmith.co.uk.
Pulbrook Bouquet in Natural, linen,

113cm wide, 300m, Jean Monro,
020 7259 7281, jeanmonro.com.
Bedside table
with curved legs,
H73xW59xD42cm,
829, Chelsea Textiles,
020 7584 5544,
chelseatextiles.com.
218 | H&G | OCTOBER 2014
Vega 5
chandelier in
Natural Brass,
diam71cm, $329,
Schoolhouse
Electric & Supply
Co, schoolhouse
electric.com.
Feature sarah baldwin and laura vinden
TaKE iT hOmE Ideas for recreating the elegance of the library
dream kitchens
TRENDS CASE STUDIES EXPERT ADVICE SHOPPING
HI PF U L C
O
THE
N
PA
The New England Kitchen Copyright & Design Right Mark Wilkinson Furniture
RS
ER
OF
NI
TURE M
GREAT BRITAIN
EXPERIENCE THE WORLDS FINEST FURNITURE

www.mwf.com or call 01380 850 007
Unmistakably
Mark Wilkinson
Part of the Canburg Group
Discover why Miele

is perfect for you
Visit us and well
help you plan your
ideal kitchen over
a delicious lunch.
If youre planning a new kitchen, then join

us for Lets do Lunch at a Miele showroom.
Its the perfect place to plan years of good
cooking. Our home economists will provide
you with hands-on product demonstrations
and expert advice to help you create your
perfect kitchen.
As well as getting up-close to our state-ofthe-art appliances, well also cook lunch for
you. Youll discover how our appliances work
and the difference this makes to your food.
Whats more, our Lets do Lunch courses are
completely interactive and youll be able to
ask any questions you may have.
Should you decide to purchase eight or more
appliances* after the course, youll also qualify
for the Miele Connoisseur Club. Members
have access to a number of exclusive benets,
including a personal in-home demonstration,
a luxury hamper, a free set of Flexiclip runners
worth 157.49 and much more.
Make your booking today for Lets
do Lunch at www.miele.co.uk/events
*three of which are cooking
Join us at
Lets do Lunch:
Gallery
15/19 Cavendish Place
London W1G 0QE
Experience Centre
Fairacres
Marcham Road
Abingdon OX14 1TW
WELCOME
In compiling this kitchen supplement,
our main aim was to deliver page after
page of inspiring images to spark your
imagination. We didnt want to dictate
design trends; with such a significant
investment, it is wiser to follow your
instincts and opt for a look that you wont
tire of. That said, one trend that has
emerged across the board is a growth
in confidence, as bold colour, pattern
and texture have all come to the fore.
So weve brought together beautiful
new kitchens and expert advice to
help you achieve the look you want.
Besides style, there are two crucial
decisions: lighting, which must be flexible
to provide a bright space to work in
and atmosphere for entertaining, and
technology, as appliances are at the
heart of every hard-working kitchen.
Currently, there are some very advanced
products on the market that are well
worth learning more about. As with
style, an adventurous approach pays
off: check out ideas you might not have
previously considered and you could
find you get more out of your new
kitchen than you ever dreamed possible.
1824
31
27
39
18
DEBORah BaRkER, EDiTOR-in-ChiEf
Executive editor Giles Kime

Acting deputy editor Sarah Baldwin
Art director Andrea Lynch
Art editor Paula Randall
Designers Isabel Cruz and
Katherine Maccelari
Chief sub-editor Catriona Summerhill
Deputy chief sub-editor Becky Ambury
Sub-editor Andrea Johnson
Words Linda Clayton and
Amelia Thorpe
Acting editorial production manager
Clare Willetts
Editorial production Chris Saggers
contents
9
NEW DIRECTIONS
Leading kitchen designers forecast
the upcoming trends.
COlOuR
12 BRIGHT ACCENTS Vibrant shades

give this scheme a sharp edge.
14 THE RIGHT TONE Clever use of
hues to transform your space.
lIghTINg
20 LIGHT SHOW A modern kitchen
with a truly brilliant design.
23 ILLUMINATING IDEAS Inspiring

OCTOBER 2014 Published by IPC Media,
Blue Fin Building, 110 Southwark Street, London
SE1 0SU. Repro by Rhapsody, 109/123 Clifton
Street, London EC2A 4LD. Printed by Polestar
Chantry. Distributed by Marketforce (UK) Ltd,
Blue Fin Building, 110 Southwark Street,
London SE1 0SU. IPC Media Ltd 2014.
and practical ways of using

pendants, spots and strips.
applIaNCES
28 LOOKS FOR COOKS Luxury and
state-of-the-art features meet
in this multifunctional space.
31 CHEF-READY KITCHENS Ideas

for incorporating all mod cons.
SuRfaCES
36 SURFACE VALUE Concrete
makes a great impact in this
industrial-style kitchen.
39 ARRESTING FINISHES Striking
looks with tile, metal and stone.
18
27
32
43
44
ShOppINg
FREE-STANDING FURNITURE
PENDANT LIGHTS
APPLIANCES
WORKSURFACES
ESSENTIAL EXTRAS How
fnishing touches can defne
the style of your scheme.
46 KITChEN SOuRCEBOOK
Directory of essential contacts.
o Cto BE R 20 14 | H&G | 7
H&G KITCHENS | trends
new directions
Whats coming next in kitchen design? We grilled the experts to fnd out
AlexAnder
Wrighton,
managing director,
Bulthaup
APPliAnCeS Having
the latest in smart
electronic appliances saves time and
energy, while increasing our eciency
in day-to-day functions. Its amazing
how easily smart technology pairs with
everything from appliances to controls
for taps and cooktop surfaces. Bulthaup,
0844 846 7810, bulthaup.com.
lAUrenCe Pidgeon, director, Laurence Pidgeon
the look For 2015 Handleless we already sell three handleless
kitchens for every one with handles in matt fnishes, often mixed
with wood. Mirrored splashbacks are also likely to be a strong feature.
SUrFACeS Corian is increasingly chosen, especially teamed with satin
lacquer cabinets. Artifcial stone is more popular than real stone, as people
prefer its uniformity, although personally I like the variety and durability of the natural
material. We are also seeing the return of stainless steel and braver clients are showing
a keen interest in our patterned and colourful Made a Mano lavastone worktops.
APPliAnCeS Steam-combi ovens are gaining ground, as people shy away from microwaves.
V-Zug offers a full-size version that I believe will transform the way we cook it can be used to
steam broccoli or roast a whole turkey. I also predict that sous-vide appliances will become
more commonplace in homes. Laurence Pidgeon, 020 7610 6166, laurencepidgeon.com.
Simon riChmond, managing director, Poggenpohl UK
rob WhitAker,
lAYoUt Open-plan living is still very much the trend, with extensions being
built, basements being dug and internal walls removed to create large kitchen/
living spaces. As a result, the island unit is now an essential ingredient as it
creates a natural divide between the kitchen and living areas and can be the
social hub of the home, where the family comes together for breakfast or to
sit and chat while food is prepared. For those who entertain, islands become the focus of the
party, providing the perfect surface for food and drinks.
ColoUr As people are spending more time in the kitchen, colours remain neutral with a palette
of white, grey and cream that is easy to live with. Warmth is added with stone worktops and foor
tiles, and cabinets in contrasting wood veneer. Poggenpohl, 01727 738100, poggenpohl.com.
ShAne hilton,
designer, Harvey Jones
the look For 2015
Mixing wood and stone

for worktops is set to be
a key trend, especially
in island design. Customers are choosing
to add fair by using a chunkier piece of
wood on a butchers block, for example,
or a thinner stone worktop on a breakfast
bar. Bronze and copper touches are
growing in popularity and will continue
to be introduced through accents such
as lighting and taps. Stand-alone pantry
larders will be in high demand, as will
walk-in larders, where space allows.
ColoUr Neutrals will always remain
in fashion, but theres a move from
standard whites and creams to a deeper
palette of soft and muted shades such as
mushroom and taupe. Pale browns, subtle
greys and soft greens are popular for
adding chic touches to schemes, with
interest carried through by details such
as lighting, coloured splashbacks and
bright accessories. Harvey Jones,
0800 389 6938, harveyjones.com.
theres a clear trend

towards mixing bright
colours, including neons,
with natural wood fnishes
and more muted shades
Rob Whitaker, Fired Earth
creative director,
Fired Earth
the look For 2015
Eclectic. Colours and

fnishes will be mixed
and matched and painted cabinetry will
continue to be popular, with free-standing
pieces such as larders, dressers and
armoires to enhance the relaxed feel.
SUrFACeS Concrete-eect fnishes
are increasingly sought after for
worksurfaces and foors. Fired Earths
Barbican tiles are ideal, as they oer the
pared-back look of polished concrete in
low-maintenance porcelain. Decorative
fooring is very much in demand, too,
with customers becoming more
adventurous with using pattern. If you
want to play it safe with classic, neutralstyle cabinetry, graphic tiles will give
the scheme a visual lift. Fired Earth,
0845 293 8798, fredearth.com.
JAmie telFord, director, Roundhouse
SUrFACeS The trend is texture: combining polished smooth surfaces
with rough-sawn or metallic fnishes. For worksurfaces, there is a lot

of interest in cast-in-situ polished concrete and super durable Dekton
(a blend of the raw materials used in the production of the latest glass,
porcelain and top-quality quartz worktops), while more decorative
marbles and granites with exaggerated veining are also very appealing.
ColoUr A kitchen is a big spend and people are keen to future-proof their investment,
so white and neutrals will always be chosen, alongside greys and blue-grey. The popularity
of Farrow & Balls Downpipe looks set to continue. With a nod to Scandinavian design,
duck egg blue and dark blues are also emerging trends.
APPliAnCeS Customers are seeking appliances that oer copious storage (think big fridges),
that make cooking a pleasure and clearing up easy (such as fush induction hobs), and that
save time (boiling water taps), while still looking great. Steam ovens and wine fridges are the
new must-have items. Roundhouse, 020 7297 6220 roundhousedesign.com. e
october 2014 | h&g | 9
H&G KITCHENS | trends
KeiTh aTKinS,
DesignSpace London
layOUT We are still
embracing larger living
spaces that incorporate
the kitchen, often with
dining, living and kitchen combined in
one environment. Finishes and textures
refect this with an emphasis on more
tonal interiors where the kitchen is part
of the scheme, not a separate room.
SUrFaCeS The fashion for high-gloss
door fronts is fading in favour of satin or
matt fnishes. The trend is very much
towards smoked or warm-stained woods
mixed with a palette of complementary
soft tones. New door surfaces include
coloured aluminium and porcelain.
COlOUr After the austerity of the past
few years, it seems that we want to wrap
ourselves in cosy surroundings, with warm
greys and browns mixed with timbers or
natural metals to give a rich, comforting
feel. A splash of colour could be added
in anticipation of brighter times ahead.
DesignSpace London, 020 7487 5077,
designspacelondon.com.
TOny niChOlaS, managing director, Nicholas Anthony
The lOOK FOr 2015 Minimalism is holding its position in schemes that
combine handleless cabinets, clean sleek surfaces and the use of the same
materials for surfaces and walls. Concrete surfaces are the hottest trend
right now and we predict this will continue to grow.
layOUT The move to open-plan remains strong so the kitchen must work
even harder, encompassing cooking, dining, entertainment and relaxation zones. Multipurpose
rooms with lots of storage are a top priority. Our SieMatic kitchen furniture and MultiMatic
ftting systems offer great solutions as they increase storage volume by up to 30 per cent,
which is more than any other kitchen furniture provides.
SUrFaCeS The popularity of natural and raw materials is on the rise, especially concrete
surfaces and reclaimed woods that create an industrial look with a warm feel. Customers
have fallen in love with the exposed brick wall. We also have seen a return of brass, iron,
graphite and copper used in fxtures, fttings and accessories.
COlOUr Youll see colour popping up where you least expect it. A wall of glossy white units
can be interrupted with a fash of colourful storage, for instance burnt orange shelving or a
bright yellow wine rack. Wall cabinets may be opened to reveal a hit of colour inside this
can really make an impact. Nicholas Anthony, 0800 0683603, nicholas-anthony.co.uk.
the popularity of natural

and raw materials is on
the rise concrete surfaces
are the hottest trend
Tony Nicholas, Nicholas Anthony
MarK WilKinSOn, Mark Wilkinson Furniture
COlOUr There has been a very clear path for colour over the past decade.
It started with a love of all things white and o-white, with contrast provided
by natural oak, maple and walnut. In the years since, accent colours forced
their way in to home dcor; an early favourite, grey, is still in demand. In
fact, natural wood, o-white and grey is probably the core. There is an
established trend in which the perimeter cabinets of the room are in that starting point
o-white, with the island or an individual feature piece such as a dresser or larder taking
the accent colour, whether it be a solid grey, grey-blue or grey-red shade. Over the next
decade, I expect to see a swing back to the pure greys, perhaps with a solidifying of
the colour until it reaches charcoal. I have the feeling, too, that we may be surprised by
all-timber kitchens starting to make a comeback, perhaps with burr wood panels to provide
additional interest. Mark Wilkinson, 01380 850007, mwf.com.
neil POOley,
kitchen category
manager, Miele
aPPlianCeS
Combination steam
ovens is the biggest
growth area for Miele in terms of cooking.
They can be used for a variety of dishes,
from fsh, rice and vegetables to roasts,
sauces and desserts, and provide the best
cooking method for retaining vitamins
and minerals, and preserving texture
and taste. If you cook broccoli in a Miele
steam oven it will retain 50 per cent more
vitamin C than when it is boiled in a pan.
Miele, 0330 160 6600, miele.co.uk.
10 | h&G | october 2014
Barney Bell,
general manager,
Chalon
layOUT Demand for
the worktable or island
shows no sign of abating,
especially in open-plan, multifunctional
rooms where they can be used to delineate
space, as well as for food preparation
and informal gatherings. Other essentials
often include a housekeepers cupboard,
for storing food and small appliances,
a sink dresser base that also houses a
dishwasher, and a buffet base to provide
work space and storage.
SUrFaCeS We tend towards natural
materials, but there is a noticeable trend
for engineered products that have the
feel of granite but are more consistent
in their colour and patterning. They will
also prove easier to live with than some
granites, especially the paler tones.
Chalon, 0800 160 1978, chalon.com.
JOhn SiMS hildiTCh, founder, Neptune
The lOOK FOr 2015 Clean lines. Kitchen cabinetry continues to be

simple and straight. Next year, we expect to see an even crisper look, but
with strong texture and warmth to prevent it from becoming over-sleek
the minimal lines will be juxtaposed with accents of rich texture from
the fooring, worksurfaces, hardware and lighting.
layOUT Expect open foor plans using a mix of free-standing and ftted kitchen cabinets
and featuring an island. The look feels bespoke, but the cost is anything but. It also makes
the most of the space, feels more authentic and creates interesting focal points.
SUrFaCeS There is a move towards natural, raw materials: walls of brick and concrete and
ceilings of rough boarding and exposed beams. Weve also seen a shift from granite countertops
to materials such as limestone, marble, glass, metal or anything reclaimed. New protective
oils oer choices beyond stone and, when granite is used, there is more call for a tumbled or
textured fnish for a softer, natural look. Stainless steel, brass, aged gold and black hardware
are perfect for creating a softer industrial look. By choosing bold fxtures, we can create a
sense of depth, character and authenticity. Neptune, 01793 427427, neptune.com.
bright
accents
Whether its bold and brave or soft
and subtle, a well-considered palette will
bring design edge to any space
H&G KITCHENS | colour
CASE STUDY
DESIGNER Phillip Schne,
Penttinen Schne,
07976 628132,
penttinenschone.co.uk.
BUDGET 40,000,
kitchen only.
PhotograPhs BRUCE HEmming
DESIGN BRIEF While Jacqueline and Simon

Milton intended their new glazed wall to
highlight the garden beyond, they didnt want
the kitchen to fade into obscurity. Located
in the basement of their south-west London
Victorian semi, the kitchen is a spacious 5x8m,
but an old chimney breast and staircase had
left awkward nooks and recesses. The challenge
for architect Phillip Schne and designer-maker
Mark Dayman was to create a kitchen that
was bold enough to hold its own and smart
enough to disguise the irregular features.
EXPERT SOLUTION It was Phillips idea
to use coloured Formica to split the space
tonally and create strong contrasts that
would bring vibrancy to the kitchen. Settling
on the exact hues, however, required serious
deliberation. We looked at a lot of samples,
but always kept in mind the overall palette
for each side of the room: darker, richer,
stronger for the kitchen zone and brighter,
lighter, softer for the storage wall opposite,
says Phillip. All sorts of options were in
the running, including blues, reds and
pinks, but once we put the orange Formica
and rosewood veneer together we knew
immediately it was the right combination
and the rest followed far more easily.
Although the colours could have been
translated in various mediums, such as
painted glass or composite stone, Formicas
ColorCore laminate won on sheer intensity.
The colour goes through the core of the
material so its extremely durable and we
just loved the range of shades available
Clementine and Chrome Yellow were
eventually chosen, says Phillip. Its also very
versatile, which allowed Mark to shape it into
bespoke forms. Some of these were used to
defne the line of the staircase leading up to
the ground foor. The sharp diagonal has been
mirrored in the fooring, using deep brown
tiles to create a dramatic effect. It was great
that the couple were open to working with
such bold contrasts in this space. It has
led to striking results, says Phillip.
We looked at a lot of samples, but always kept in mind

the overall palette for each side of the room
SOURCES
Cabinets and dining table,
M Dayman Designs, 01959
533953, mdaymandesigns.
co.uk. Ovens and hob,
Rangemaster, 0800 804 6261,
rangemaster.co.uk. Cooling
appliances, Liebherr,
0844 412 2655, liebherr.co.uk.

Dishwasher, Bosch, 0344
892 8979, bosch-home.co.uk.
Extractor fan, Elica, 01252
351111 elica.co.uk. Splashback
tiles, Johnson Tiles, 01782
524000, johnson-tiles.com.
Sink and taps, Franke, 0161
436 6280, franke.co.uk.

Flooring, Kens Yard, 0844 856
9420, kensyard.co.uk. Dining
chairs, Twentytwentyone, 020
7288 1996, twentytwentyone.
com. Similar pendant light,
Garden Trading, 0845 608
4448, gardentrading.co.uk.
october 2014 | H&G | 13
H&G KITCHENS | colour
the right tone

Inspiring ways to create crisp details, clever contrasts and statement walls
1 | WONDER WALL Enhance a sleek, all-white kitchen by

introducing a patterned wall treatment. Here, large-scale foral
wallpaper and a complementary deep blue paint by Fired Earth
make a lively foil to the minimal look. Gala high-gloss lacquer
cabinets in Truffe Brown, 13,000 for a similar kitchen, Schller
at Rugby Fitted Kitchens, 01788 547647, rugbyfttedkitchens.co.uk.
2
3
2 | PERFECT BLEND Solid blocks
of blue and green create a relaxed,
vintage-farmhouse feel while painting
wall cabinets the same colour as the
panelling adds a modern twist. These
cupboards by British Standard, 020 7870
7688, britishstandardcupboards.co.uk,
are supplied ready for painting and cost
around 7,000 for an average kitchen.
3 | HOT SPOTS It neednt take large

areas of colour to lift a neutral scheme.
Here, a polished plaster splashback, box
light pendants and perky bar stools add
bright pops of fuchsia pink to invigorate
the space. Kitchen, from 19,000, Cue
& Co, 20 7731 4728, cueandco.com.
14 | H&G | october 2014
4 | MIX AND MATCH

Combining cabinets in
contrasting hues and
fnishes was the starting
point for this cleverly
composed scheme.
The sunny yellow of the
doors has been matched
to dining chairs and
accessories throughout
the room, creating a
sense of unity and a
striking modern look. A
typical Metod/Tingsryd/
Jrsta kitchen costs
1,855, Ikea, 0845 355
1141, ikea.com/gb.
free-standing fUrnitUre
Beautiful pieces that combine practicality and good looks
feature xxxxxxx xxxx, PhotograPhers xxxxxxxx xxxxx
1 Shaker style in solid wood.

Williamsburg worktable, black
walnut, H90xW202xD103cm;
kitchens from 40,000,
Plain English, 01449 774028,
plainenglishdesign.co.uk.
2 Charming retro-look design.

Cabin Kitchen island, H97xW122x
D74cm, 849; tower, H173xW61x
D47cm, 629, both white lacquer
fnish and oak top, West Elm,

0800 404 9780, westelm.co.uk.
3 Slots easily into a corner.

Eight-drawer storage unit,
untreated fr and metal, H81xW90x
D40cm, 325, Cox & Cox, 0844
858 0734, coxandcox.co.uk.
4 Chic mirrored interior and

glass shelves. Lansdowne drinks
cabinet, wood frame with

walnut veneer interior,
H241xW100.8xD45cm,
from 4,000, Richard Baker
Furniture, 020 8336 1777,
richardbakerfurniture.co.uk.
5 Varied storage for impressive

display. Bespoke solid bleached
walnut larder cupboard, H230x
W120xD68cm, around 6,000,
VERSATILE OpTIONS Can be positioned against a wall or as a moveable island in the middle of the room
Hits a contemporary country note.

Chichester free-standing island in Limestone,
birch with solid oak top, H92xW142xD82cm,
2,195, Neptune, 01793 427427, neptune.com.
18 | H&G | OCTOBER 2014
Perfect for storing tableware.

Bespoke sideboard, painted solid wood and oak,
H90xW180xD90cm, about 4,000, deVOL,
01509 261000, devolkitchens.co.uk.
Worktable with stylish concrete top.

Pantry Module 2, solid teak and concrete,
H91xW114xD60cm, 1,799, Skagerak at
Skandium, 020 7584 2066, skandium.com.
H&G KITCHENS | shopping
pANTRY
CUpBOARDS
Ample space for cooking essentials
Can be painted in your choice of colour.

Linear store cupboard, painted hardwood
frame and oak shelves, H211.6xW100x
D60cm; kitchens from 18,000, Harvey
Jones, 0800 389 6938, harveyjones.com.
Teddy Edwards, 01865 404960,

teddy-edwards.co.uk.
Hungerford, 01488 688100,

john-lewis.co.uk.
6 Traditional design with
7 A place for everything.
a painted fnish. Medium

Croft dresser in Marina Blue
and Ash Blue, oak worktop,
H210xW120xD500cm, from
3,199.48, John Lewis of
b2 Tool Cabinet, oak or

walnut veneer, H188xW132x
D70cm; kitchens from
36,000, Bulthaup, 0844
846 7810, bulthaup.com.
Adds a touch of coastal style.

Padstow two-door larder unit, natural oak
shelves and a cream-painted fnish, H209x
W127.5xD64cm, 1,599, Marks & Spencer,
0333 014 8000, marksandspencer.com.
Contemporary take on the classic larder.

Moderne free-standing larder, oak and
maple in Pumice and Black with bubble
glass, H208.5xW123.9xD59.7cm, 6,589.20,
Fired Earth, 0845 293 8798, fredearth.com.
OCTOBER 2014 | H&G | 19
Light show
Ideal for defning zones, creating atmosphere
and boosting overall design, cleverly planned lighting
is about much more than illuminating a scheme
H&G KITCHENS | LIGHTING
CASE STUDY
DESIGNER
Fabrizio Casazza,
GIQ Design,
020 3589 3389,
giqdesign.com.
BUDGET Around 75,000.
PhotograPhs leonard abrams/season image works
DESIGN BRIEF Tom and Martha Burtons

main requirement for the new kitchen of
their south-west London home was that it
shouldnt feel too kitcheny. It had to be both
a practical space in which to cook for their
three children and a glamorous place for
entertaining in the evening. They asked that
everything could be put away; all the small
appliances, all the food, all the crockery and
yet be very accessible, says designer Fabrizio
Casazza. By extending to the rear and side,
the couple had created a generous 6.7x6m
room, which the kitchen was to share with
space for dining and relaxing.
EXPERT SOLUTION Using bespoke cabinets
with a matt lacquer fnish and sleek handleless
design, Fabrizio planned a compact layout
with everything positioned to enhance
effciency and speed. The appliances were
built in or fully integrated to maximise the
rooms clean lines and wall cabinets were
eschewed in favour of full-height units offering
copious storage. The kitchen is designed
for someone very keen on cooking and used
ergonomic principles and a good dose of
common sense, says Fabrizio.For example,
you can transfer clean plates straight from
the dishwasher to the crockery drawer
without taking a step, and the island doubles
as a breakfast bar for light family meals and a
surface for large platters when entertaining.
Cut from the largest possible single piece
of marble, the island also scores on pure
beauty. Equal care was taken with the lighting
design, which was planned by interior
designer Anastasia Heywood. Featuring a
Lutron controlled system, it offers no fewer
than fve mood settings on three circuits. For
cooking, there are under-shelf task lights as
well as powerful halogens in the extractor
fan, plus two sizes of LED spots in the ceiling.
For entertaining, LED strip lights under the
island and cabinet plinths create a relaxed
atmosphere. Low-level LEDs are great for
creating a foating effect, essentially lightening
blocks of solid cabinetry to enhance the
feeling of space, says Fabrizio. This type of
background lighting also makes a room feel
more intimate in the evenings. Finally,
pendants in two styles provide decorative
features over the island and dining table.
Low-level
strip lights
create a floating
effect, essentially
lightening
blocks of solid
cabinetry
soUrCes
Lighting design,
Anastasia Heywood,
07957 614594,
anastasiaheywood.
com. Cabinets and
worktops, GIQ
Design, 020 3589
3389, giqdesign.com.
Appliances, Gaggenau,
0844 892 9026,
gaggenau.com.
Extractor fan, Falmec,
0845 338 1761,
falmec.co.uk. Sink,
Franke, 0161 436
6280, franke.co.uk.
Taps, Dornbracht,
024 7671 7129,
dornbracht.com.
Flooring, Surface,
020 8481 9588,
surfacetiles.com.
Lighting controls,
Lutron, 020 7702
0657, lutron.com.
LED strip lights,
Sycamore Lighting,
0113 286 6686,
sycamorelightingltd.
co.uk. Pendant lights,
Holloways of Ludlow,
020 7602 5757,
hollowaysofudlow.
com. Table and chairs,
The Conran Shop,
0844 848 4000,
conranshop.co.uk.
OCTOBER 2014 | H&G | 21
illuminating ideas
Layering different sources of light is the key to a practical and stylish space
1 | on rEFLEction Bouncing light around a room will boost its

impact and make the space feel larger. In this kitchen, high-gloss
white foor tiles refect the LED light strips in the plinth (from
Mr Resistor, 020 8874 2234, mr-resistor.co.uk) for double the
atmospheric appeal. Metro and Urbo kitchens, from 30,000,
Roundhouse, 020 7297 6220, roundhousedesign.com.
2
2 | dynamic trio When lining up multiple pendant lights, odd
numbers are considered more aesthetically pleasing than even, three
and fve being the most popular choices. This kitchen features the
Jazz 1337 pendant, 471.60, Vibia at Cameron Peters, 01235 835000,
cameronpeters.co.uk. Bulthaup kitchens start at 50,000 from
Kitchen Architecture, 01865 426990, kitchenarchitecture.co.uk.
4
3 | dramatic EFFEct Concealed LEDs can be used to
emphasise special design features such as the beautiful curves
of this stunning handleless island. Set on a separate control
unit, the LED plinth can also be used as a guide by night when
the rest of the lighting is turned off. Bespoke kitchens by
Davonport, 0845 468 0025, davonport.com, start at 35,000.
4 | thin bLuE LinE This modern kitchen features LEDs with
adjustable colour settings, which can be changed to alter both
appearance and mood. Positioning the lighting on three levels
ceiling perimeter, under cabinet and below worktop helps to
emphasise the strong linear shape of the room. Evolve kitchen from
28,000, Stoneham, 020 8300 8181, stoneham-kitchens.co.uk.
october 2014 | h&G | 23
5 | sharp practice A
7 | on the ball Lighting can
coloured glass wall with backlit

perimeter provides a striking
feature and ambient lighting,
which is especially practical in
kitchens that lack natural light.
The dramatic angled island unit
and extractor are made from
Corian, from 310 linear m,
0800 962116, corian.co.uk.
be used to inject a sense of fun

and character. Made from real
beach balls, these pendants
combine the classic primary
colours of red, blue and yellow
with white and are supplied
fat packed to be infated at home.
Beach Ball Lights, 90 each,
TOBYHouse, 020 8806 6431,
beachballlights.com.
6 | well covered Using

multi-directional fttings to wash
walls in light can accentuate
interesting textures and visually
widen a narrow space. This
bespoke kitchen, from 30,000,
Woodstock Furniture, 020 8876
0131, woodstockfurniture.co.uk,
features Astro D-Light LED
wall lights, 130 each.
24 | h&G | october 2014
8 | low level The length

of the cables on pendants can
have a big design impact. If you
are positioning pendants over
a permanent fxture, consider
low-hung shades for an intimate
atmosphere. Island unit, 6,600,
William Garvey, 01404 841430,
williamgarvey.co.uk.
H&G KITCHENS | shoppING
PENDANT LIGHTs
Stylish fttings to suit all schemes and budgets
1 For a sleek industrial look.

Smithfeld pendant light, matt
black metal, H34xdiam35cm,
180, Soho at Heals, 0870 024
0780, heals.co.uk.
2 Reproduction antique design.

White School House light, opal
glass shade with solid brass bell cap
top and fxed rod, H78xdiam35cm,
265, Fritz Fryer, 01989 567416,
fritzfryer.co.uk.
3 Inspired by French brasseries.

Rise/Fall Grand Paris pendant,
glass shade and nickel-coated
steel crown, H32xdiam38cm, 90,

Garden Trading, 0845 608 4448,
gardentrading.co.uk.
4 With delicate cut-glass beads.

Scandinavian glass chandelier,
small H23xdiam15cm, 102,
Nordic House, 01872 223220,
nordichouse.co.uk.
5 Also in copper, grey and white.

Levels pendant light, aluminium,
small H20xdiam30cm, 170,
Form Us With Love at The Lollipop
Shoppe, 01273 386370,
thelollipopshoppe.co.uk.
10
11
6 Eye-catching silhouette.
La Scala light, hand-blown glass,
H42xdiam42cm, 1,440, The
Longest Stay, 020 7349 9057,
thelongeststay.com.
9 Iconic light in a new colourway.
7 Strong colour in soft rubber.
10 On-trend metallic design.
Unfold pendant lamp in Red,

silicone rubber, H30xdiam32cm,
119, Muuto, 0045 3296 9899,
muuto.com.
Freja pendant light, copper,

H22xdiam13cm, 95, Bodie and Fou,
020 8450 5600, bodieandfou.com.
8 Looks fabulous in a group.

Torcia, recycled glass and beech
wood, H27xdiam12.5cm, 147,
Shop Tent, shoptent.co.uk.
PH 3-3 pendant lamp in metal

in Red, H30.7xdiam33cm, 632,
Louis Poulsen at Skandium,
020 7584 2066, skandium.com.
11 Ideal over a rectangular table.

Diner 125 pendant in polished
brass, H26xW125xD22cm, 789,
Davey Lighting, 020 7351 2130,
davey-lighting.co.uk.
OCTOber 2014 | H&G | 27
Looks
for cooks
State-of-the-art appliances positioned with effciency and ease in mind will ensure
professional performance as well as impressive style for years to come
H&G KITCHENS | APPLIANCES
CASE STUDY
DESIGNER Peter Sheppard,
Smallbone of Devizes,
020 7589 5998,
smallbone.co.uk.
BUDGET The Brasserie range
starts at 40,000.
PhotograPhs Darren Chung
DESIGN BRIEF Kitchen designer Peter

Sheppard is renovating this former library
into a London base for himself and his partner
Keith Day. This had been my design studio,
and it had no kitchen, but the room is large
with windows on both sides providing
a dual aspect and lots of light, so it was the
perfect location, says Peter. He and Keith
enjoy cooking but often call in caterers for
large gatherings, so it was essential to create
a big, sociable space that would be suitable
for cooking, eating and entertaining.
EXPERT SOLUTION The success of this
kitchens multifunctional role revolves around
planning the layout in two halves one for
cooking, the other for eating which meet at
the central island. The space is also ftted with
high-performance Gaggenau appliances,
including a six-burner gas hob, charcoal grill
and teppanyaki griddle. Its vital to have lots
of space around the hob, so that hot pans can
be set straight onto the worktop, says Peter.
We split the cooking surfaces across two
islands to make it easier for two or more
people to cook at the same time. The two
built-in ovens and warming drawer were

installed at eye level for safe and easy access,
while the RC 472 Gaggenau fridge was chosen
for its impressive 447-litre capacity. It has
temperature-controlled drawers for delicate
foods and motorised glass shelves to make
the most of the space, says Peter, who also
considered noise levels. While I love holding
dinner parties there is nothing worse than
having to talk over the sound of appliances.
These ones run extremely quietly, he says.
For cabinetry, the recently launched
Brasserie range, one of Peters designs, was
a natural choice. Its combination of pickled
oak, stainless steel, marble and granite help
to create a sense of informal luxury, says
Peter. The style of the handles also matches
those of the appliances, so I felt there was
a natural synergy with the overall design.
SOurCeS
Cabinets, worktops
and bar stools,
020 7589 5998,
smallbone.co.uk.
Appliances,
Gaggenau, 0844 892
9026, gaggenau.com.
Taps and sink, Kohler,
0844 571 0048,
kohler.co.uk.
OctOber 2014 | H&G | 29
H&G KITCHENS | APPLIANCES
chef-ready kitchens
A smart layout and hard-working appliances make the perfect combination
1 | match maker Co-ordinating cabinet materials
with those of the appliances creates a cutting-edge

industrial feel. In this bespoke kitchen, stainless-steel
wall units are intersected by a custom-made steel
extractor, framing the steel range cooker by Wolf, 020
8418 3800, westye.co.uk, below. Kitchens by Matrix,
020 7808 0340, matrixkitchens.co.uk, from 30,000.
2 | hidden depthS
With open-plan living as

popular as ever, one clear
trend is the hidden kitchen,
in which appliances and
fttings are concealed from
view. Shown here is the
SC10 kitchen by SieMatic in
a Truffe Grey and Mali Wenge
fnish. Its foor-to-ceiling
cabinets feature pocket doors
that hide the latest Siemens
appliances when closed. This
design is available from
30,000, from Nicholas
Anthony, 0800 068 3603,
nicholas-anthony.co.uk.
3 | ShOW StOpper The

latest extractor hoods are
about far more than clean air.
An outsized designer model,
such as this stainless-steel
Piatta extractor by Varenna,
will make a truly impressive
focal point. When shopping
for a cooker hood, its also
important to consider
the extraction power and
decibel rating. This room was
designed by MPD London,
020 7352 3887, mpdlondon.
co.uk; its kitchen schemes
start at 65,000.
4
3
4 | united appeal
Achieve perfect harmony
between appliances and
cabinets by choosing a
custom-made collection
such as La Cornue W.
The star of the range is
the W induction table,
13,760, which forms
a sleek island with
four powerful cooking
zones. Bespoke kitchens
start at 35,000,
La Cornue, 0870 789
5107, lacornue.com.
OCTOBER 2014 | h&G | 31
APPLIANCES
Sleek and innovative designs for cooking and refrigeration
CHill out Theres a specialised cooling option for every need, whether its storing food or wine or a combination of both
Dedicated temperature zones for reds and whites.

Vario RW 464 wine climate cabinets,
H212.5xW60xD61cm, 5,330 each, Gaggenau,
0344 892 8988, gaggenau.com.
32 | H&G | october 2014
Designed to keep food fresh for longer.

CBNpgb 3956 fridge-freezer,
H201xW60xD65cm, 1,400, Liebherr,
0844 412 2655, myliebherr.co.uk.
Modular units can be confgured to suit.

Vertigo wine cellar, H205xW58.7xD65.8cm, from
3,792; fridge-freezer, W88.7cm, from 4,224,
KitchenAid, 0844 499 0101, kitchenaid.co.uk.
H&G KITCHENS | shopping
Heat up
Clever features ensure
the latest built-in ovens meet the
requirements of modern life
Easy access via a slideaway door.

Series 5 B46E74N3GB single oven,
H59xW59.5xD55cm, around 983, Nef,
0344 892 8989, nef.co.uk.
Touch-screen control panel.

Linea SFP140 pyrolytic multifunction
oven, H59xW60xD55cm, 799, Smeg,
0844 557 9907, smeguk.com.
1 High-tech statement style.

Rubik recirculating hood
in black tempered glass,
H42xW42xD43cm, 1,870,
Falmec at Euroline, 0845 338
1761, euroline.org.uk.
2 Lowers from the ceiling.

SkyLift White glass hood,
L94xW64cm, 2,999,
Faber at KitchenEx, 0845
548 3130, kitchenex.co.uk.
3 Chic minimalist design.

Cast cooker hood, H91.8x
W89.8xD49cm, 879, Patricia

Urquiola for Beko, 0834 600
3903, beko.co.uk.
4 A modern twist on a classic.

Nexus 110 range cooker,
H93xW109xD61cm, 1,995,
Rangemaster, 0370 789 5107,
rangemaster.co.uk.
5 Small size, big performance.

ICBDF304 dual-fuel range
cooker, H94xW76xD75cm,
7,800, Wolf, 0845 250 0010,
subzero-wolf.co.uk.
6 Hob and extractor in one.

Bora Basic four-zone induction
hob and extractor, L76xW15.5cm,
3,174, Bora at Euroline,
0845 338 1761, euroline.org.uk.
7 Sleek zoneless cooking.

DIi1358DG Chef induction hob,
L56xD49cm, 1,000, De Dietrich,
01256 308000, dedietrich.co.uk.
8 With integrated wok burner.

KM6356 induction wok hob,
L79xW51cm, 2,950, Miele,
0330 160 6600, miele.co.uk.
With an extra-large internal cavity.

OB60SL11DCEPX1 oven, H59.8x
W59.7xD57.7cm, 1,300, Fisher & Paykel,
0800 088 6605, fsherpaykel.co.uk.
october 2014 | H&G | 33
Surface value
36 | H&G | october 2014
H&G KITCHENS | SURFACES
CASE STUDY
DESIGNER
David Hingamp,
ArChic, 020 7277
0464, archic.co.uk.
BUDGET
Around 20,000.
DESIGN BRIEF A substantial side-return extension solved the

spatial issues in James and Tamsin Gordons Victorian house
in south-east London. Turning their poky kitchen-diner and
cold rear conservatory into a generous, warm living space
was the essential frst step in the couples plans to use the
kitchen for both work and play. Tamsin is a professional chef
and wanted the potential to host cookery courses here, and
they both love to entertain, says architect David Hingamp.
While the rest of the house has a more traditional Victorian
feel, the Gordons were ready to make the leap to unfnished
materials with an industrial edge in this room.
Striking materials can set the tone for

an entire scheme. Choose sleek and
contemporary, rustic and rugged, or
an on-trend combination of the two
PhotograPhs William ECkERSlEy
EXPERT SOLUTION There was a strong emphasis on

materials from the start; concrete and Corian came up
regularly during our meetings, says David. The foor was
always going to be polished concrete, so using it on the island
too provides continuity. However, cladding the fve-metre
long unit in this material proved challenging. Initially, we wanted
to cast it in situ to make one solid piece but, in the end, we had
it pre-cast in a workshop, in four pieces that we assembled on
site, as this gave us more control over the colour and fnish.
Reinforced with steel, the concrete tops are incredibly
strong, but the protective wax sealant requires occasional
maintenance. If you want a perfect gloss fnish, concrete is
not for you, but its no less durable than a British stone and
its imperfections are what make it so special, says David.
The islands cabinet doors are clad in raw steel that was left
unsealed. We aimed for an industrial texture that, along with
the concrete, will oxidise and turn to dark grey/black and
even rusty orange in patches, to achieve an evolving patina
that will always be interesting, says David.
Forming a subtle backdrop to the dominant island, the
rest of the kitchen is ftted with simple matt white painted
units with matt white Corian worktops and splashbacks. We
wanted to ensure they receded next to the focal point of the
island, says David. The concept here is very much about
letting the materials breathe with the knowledge they will
become even more beautiful as they age.
SOURCES
Concrete worktops and
fooring, Mortise Concrete, 020
7924 6020, mortiseconcrete.
co.uk. Composite worktops
and splashbacks, Corian,
0800 962116, corian.co.uk.
Induction hob, dishwasher
and wok burner, Siemens,
0844 892 8999, siemenshome.co.uk. Ovens, John Lewis,
0345 604 9049, johnlewis.
com. Ceiling extractor fan,
Best, 0844 463 9705,
besthoods.co.uk. Fridge
drawers, Hotpoint, 0800 092

1922, hotpoint.co.uk. Wine
fridge, Liebherr, 0844 412
2655, liebherr.com. Tap, MGS,
01772 698111, mgstaps.com.
Sink, The 1810 Company,
01978 660770, the1810
company.co.uk. Pendant lights,
Historic Lighting by Factorylux,
available from Urban Cottage
Industries, 020 7193 2119,
urbancottageindustries.com.
Bar stools, Amnesty
International, 01709 888333,
amnestyshop.org.uk.
october 2014 | H&G | 37
arresting finishes
From stone to steel, distinctive materials will be a defning feature of any design
1 | above and beyond
2 | Mixed Media
Decorative tiles refected in

steel surfaces fll this entire
space with bold pattern.
Designer Annabel Karim
Kassar, annabelkassar.com,
has combined BlattChaya
tiles, blattchaya.com, with the
Elam kitchen in stainless steel,
from 25,000, Tisettanta, 020
7491 2044, tisettanta.ltd.uk.
Detailed materials are

ideal for adding interest to
simple white units. Here, a
worktop and cooker hood in
veined Carrara marble and
Moroccan-style tiles on the
island bring a lively edge to
the Sletten kitchen, from
25,000, Sola, 020 3004
0898, solakitchens.com.
4
3 | ToP TiMbeR Wood is
4 | SoLid CHoiCe Modern
generally quieter, softer

and more forgiving than other
solid surface materials and
any scratches and marks can
be sanded out. This unusual
and beautiful herringbone
worktop, from 890sq m, is
made from reclaimed Victorian
pine. Kitchens from Cue & Co,
020 7731 4728, cueandco.com,
start at 19,000.
man-made materials allow for

greater versatility in kitchen
design. These units are made
from Hi-Macs, a stone and
acrylic composite which is
ideal for creating seamless
surfaces. In Alpine White,
from 300m, it looks striking
against the larch wood doors.
Contact LG Hausys, 01892
704074, himacs.eu.
october 2014 | H&G | 39
5 | EPIC SCALE Cladding

a large central island with
book-matched marble on all
sides creates a statement
piece with a sense of
grandeur. Statuary marble,
750sq m, Stone Age, 020
7384 9090, stone-age.co.uk.
Solid stone with a riven edge

adds rugged textural interest
against sleek surfaces,
such as this mirrored base.
Kitchens from Woodstock
Furniture, 020 8876 0131,
woodstockfurniture.co.uk,
start at 30,000.
7 | grAIn EffECt Enjoy

the trend for distressed
woodgrain with laminate
doors that have a tactile
embossed surface. Malmo,
from 10,000, Continental
Collection at John Lewis, 0345
604 9049, johnlewis.com.
7
8
8 | hIgh ContrASt
9 | ShInIng ExAmPLE
Juxtapose dynamic materials

for a dramatic effect. This
kitchen from Pedinis new
Nightfy range, from 35,000,
features worktops in two
striking materials: 1.5cm-thick
lacquered glass bridged by
a 10cm-thick slab of gleaming
stainless steel. Contact
Lida Cucina, 0118 924 1617,
lidacucina.co.uk.
Take a modern approach to

traditional woodgrains by
specifying a lustrous fnish.
In this luxurious kitchen,
gloss lacquer was used to
bring extra depth and richness
to the birds-eye maple
veneer. Bespoke kitchens
from 25,000, Holloways
of Ludlow, 020 7371 1787,
hollowayskitchens.com.
40 | h&g | october 2014
PhotograPh Francesca Bottazzin (Solid choice)
6 | ChISELLEd LookS
H&G KITCHENS | Shopping
worksurfaces
Beautiful and durable materials for every style of kitchen
1 Smooth mottled grey

gives a contemporary feel.
Italian basalt, from 107sq m,
Stone Age, 020 7384 9090,
stone-age.co.uk.
5 Warm, tactile timber for

timeless appeal. End-grain
maple, 6cm thick, 285 for
50x60cm piece, Rencraft,
01732 762682, rencraft.co.uk.
2 Thin quartz that can be laid
6 Classic choice for a truly
over existing surfaces. ThinQ

Corda engineered quartz,
0.7cm thick, from 460m
(including installation), iinHaus,
0800 612 7214, iinhaus.co.uk.
luxurious fnish. Carrara

marble, 600m, 1909
Kitchens, 01325 505539,
1909kitchens.co.uk.
3 Solid surface available in
7 Durable stone with a
more than 50 colours. Corian

in Blueberry Ice and Mint Ice,
from 310m, Corian, 0800
962116, corian.co.uk.
stain-resistant treatment.
Sensa granite in Silver Silk,
from 350sq m, Sensa by
Cosentino, 01256 761229,
sensabycosentino.com.
4 Granite-effect material made
8 Variety of colours and patterns
from hard-wearing quartz.

Ocean Series in Mediterranean
(left) and Bering, from 400sq m,
Silestone, 01256 761229,
silestone.co.uk.
that can be cut to any shape.

Mistral solid surface in
Snowstorm, 2.5cm thick,
around 250m, Karonia,
0845 658 0333, karonia.com.
october 2014 | H&G | 43
essential extras
Finishing touches can dramatically change the look of a space. For proof,
see these four different takes on one classic Martin Moore kitchen
1 | ELEGANT WHITE When a kitchen offers

plenty of interesting features, such as this one with
its Georgian-inspired panelled doors, free-standing
cooks table, separate china cupboard and open
plate rack, accessorising with plain white china
can create a timeless and refned look. The scheme
has been kept simple there are no contrasting
colours or patterns to distract the eye, so the
fnishing details become more important.
H&G KITCHENS | accessories
2 | ECLECTIC MIX The idea here was to introduce pops of bright
colour and a variety of wares from around the world. Old with new is
also a theme. The character that comes with vintage pieces, such as
washed Italian linens and glass storage jars, is offset by the modern
coloured Clair glassware. This look was created by Jane Summerill
and Bernadette Bishop of Summerill & Bishop, 020 7221 4566,
summerillandbishop.com. I cant envisage a house without some
vintage pieces; they give a place authenticity, says Bernadette.
3 | BOLDLY GO The power of mixed
PhotograPhs darren chung
patterns and strong colours sings out

from this display by Keith Stephenson
and Mark Hampshire of Mini Moderns,
minimoderns.com. The jewel-blue hue
of the Paisley Crescent wallpaper anchors
the scheme. It is confdently contrasted
by retro graphic designs in vibrant
colourways on mugs and serveware.
4 | JUST ONE LOOK This shows the

English kitchen dressed to striking effect
with one colour, green, and one pattern, a
palm leaf motif. The scheme was devised
by Frieda Gormley and Javvy M Royle,
founders of House of Hackney, 020 7613
5559, houseofhackney.com. Its impact lies
in the liberal use of Palmeral wallpaper,
which covers all available wall surfaces,
with matching accessories and china
completing the singular theme.
English kitchen, from 35,000, Martin Moore &
Company, 0845 180 0015, martinmoore.com.
For more accessorising ideas, see Kitchenalia
by Vinny Lee, 30, Jacqui Small.
OctOber 2014 | H&G | 45
sourcebook
Essential contacts for kitchen projects
KITCHEN COMPANIES
AND DESIGNERS
Alno,
0113 331 5100,
alnokitchens.co.uk.
B&Q,
0333 014 3098, diy.com.
Baker & Baker,
01787 279119,
bakerandbaker.co.uk.
Barnes of Ashburton,
01364 653613,
barnesofashburton.co.uk.
Bespoke Kitchen Design,
0800 169 3979,
bespokekitchendesign.co.uk.
Betta Living,
0808 149 3438,
bettaliving.co.uk.
Blum,
01908 285700, blum.com.
British Standard,
020 7870 7688,
britishstandard
cupboards.co.uk.
Broadway Kitchens,
0845 505 4404,
kitchensbybroadway.co.uk.
Bulthaup,
0844 846 7810,
bulthaup.com.
Dada,
020 7631 2345,
dadaweb.it.
Davonport,
0845 468 0025,
davonport.com.
DeVol,
01509 261000,
devolkitchens.co.uk.
Johnny Grey,
01730 821424,
johnnygrey.com.
Doca,
020 3603 8835,
docauk.com.
Kitchen Architecture,
01865 426990,
kitchenarchitecture.co.uk.
Evitavonni,
0800 130 3180,
evitavonni.co.uk.
Kitchens International,
0845 074 0022,
kitchensinternational.co.uk.
Extreme Design,
0845 172 8078,
extreme-design.co.uk.
Kit Stone,
0370 777 0099,
kitstone.co.uk.
Pedini,
020 8549 9990, pedini.co.uk.
Fired Earth,
0845 293 8798,
firedearth.com.
Ktchenhaus,
0161 749 4110,
kutchenhaus.co.uk.
Plain English,
01449 774028,
The Freestanding
Kitchen Company,
0844 800 9808,
thefreestandingkitchen.com.
Landmark,
01 208 73285,
landmarkkitchens.co.uk.
Podesta,
01494 677770,
podesta.uk.com.
Laurence Pidgeon,
020 7610 6166,
Poggenpohl,
020 7902 5245,
poggenpohl.com.
Leicht,
leicht.com.
Poliform UK,
020 7368 7600,
poliformuk.com.
Chalon,
01458 254600, chalon.com.
Halcyon Interiors,
020 7486 3080,
halcyoninteriors.com.
Cococucine,
020 8968 9555,
cococucine.co.uk.
Simon Taylor
Furniture,
01296 488207,
simon-taylor.co.uk.
John Lewis of Hungerford,

0870 888 8123,
john-lewis.co.uk.
Hfele,
01788 542020, hafele.co.uk.
Clive Christian,
020 7349 9200, clive.com.
Neil Lerner,
020 7433 0705,
neillerner.com.
DesignSpace London,
020 7487 5077,
Caple,
0117 938 1900, caple.co.uk.
Clayton Cabinets,
01363 83615,
claytoncabinets.co.uk.
SieMatic,
0161 246 6010,
siematic.com.
John Lewis,
0345 604 9049,
johnlewis.com.
Burbidge,
024 7667 1600,
burbidge.co.uk.
Chiselwood,
01522 704446,
chiselwood.co.uk.
John Ladbury & Co,

01707 262966,
johnladbury.co.uk.
Mowlem & Co,

020 7610 6626,
mowlemandco.com.
Design Matters,
01628 531584, dmkbb.co.uk.
Green and
Fay Kitchens,
0800 078 7723,
greenandfaykitchens.co.uk.
Chamber Furniture,
01959 532553,
chamberfurniture.co.uk.
In-toto,
0113 331 5102, intoto.co.uk.
Harvey Jones,
0800 389 6938,
harveyjones.com.
Higham Furniture,
0800 047 0235,
higham.co.uk.
020 7602 5757,
hollowayskitchens.com.
Homebase,
0345 077 8888,
homebase.co.uk.
Howdens Joinery,
howdens.com.
Magnet,
01325 469441,
magnet.co.uk.
Mark David,
01279 868500,
markdavid.co.uk.
Mark Wilkinson Furniture,
01380 850007,
mwf.com.
Martin Moore & Company,
0845 180 0015,
martinmoore.com.
Neptune,
01793 427427,
neptune.com.
Neville Johnson,
0161 873 8333,
nevillejohnson.co.uk.
NGI Design,
01780 766899,
ngidesign.co.uk.
Nolte,
01707 290444,
nolte-kuechen.de.
Parapan,
01482 440680,
parapan.co.uk.
Rational GB Kitchens,
0114 255 8008,
rationalgb.com.
Rencraft,
01732 762682,
rencraft.co.uk.
Richard Baker Furniture,
020 8336 1777,
richardbakerfurniture.co.uk.
Roundhouse,
020 7297 6220,
roundhousedesign.com.
020 7589 5998,
smallbone.co.uk.
Sola Kitchens,
020 3004 0898,
solakitchens.com.
Stoneham,
020 8300 8181,
stoneham-kitchens.co.uk.
Tim Moss,
020 8444 9911,
timmoss.co.uk.
Tom Howley,
0161 848 1200,
tomhowley.co.uk.
Underwood,
01296 771801,
underwoodfurniture.com.
Valcucine,
020 7436 1808,
valcucine.com.
Varenna Kitchens,
020 7368 7600,
poliformuk.com.
Wickes,
0330 123 4123,
wickes.co.uk.
Woodstock Furniture,
01264 334044,
woodstockfurniture.co.uk.
Wren Living,
0845 404 1000,
wrenkitchens.com.
SINKS AND TAPS

Astracast,
01274 654700,
astracast.co.uk.
Blanco,
0844 912 0100,
blanco.co.uk.
Matrix,
020 7808 0340,
matrixkitchens.co.uk.
Scavolini,
scavolini.us.
Bristan,
0844 701 6273,
bristan.com.
Matthew Marsden Furniture,

01257 450413,
mmfurniture.co.uk.
Schmidt,
01634 311247,
schmidt-kitchens.com.
Brita,
0844 742 4900,
brita.co.uk.
Cotteswood,
01608 641858,
cotteswood.co.uk.
Ikea,
020 3645 0000, ikea.com/gb.
Mereway Kitchens,
0800 028 4466,
merewaykitchens.co.uk.
Schller,
0049 98 25830,
schueller.de.
Caple,
0117 938 1900,
caple.co.uk.
Crown Imperial,
01227 742424,
crown-imperial.co.uk.
In-house,
01661 842304,
inhouseuk.net.
Metris,
01325 505555,
metriskitchens.co.uk.
Second Nature,
01325 505539,
sncollection.co.uk.
Carron Phoenix,
01324 638321,
carron.com.
46 | H&G | OCTOBER 2014
H&G KITCHENS | DIRECTORY
Clearwater at Sterling,
01684 299555,
sterlingdistribution.co.uk.
Corian,
0800 962116,
corian.co.uk.
The Stone Collection,

01322 387315,
thestonecollection.co.uk.
Electrolux,
0844 561 3613,
electrolux. co.uk.
Liebherr,
0844 412 2655,
myliebherr.co.uk.
Dornbracht,
024 7671 7129,
dornbracht.co.uk.
Deco Glaze,
020 8569 8585,
decoglaze.co.uk.
Stoneham,
020 8300 8181,
stoneham-kitchens.co.uk.
Elica,
01252 351111, elica.co.uk.
Maytag,
0844 499 0101,
maytag.co.uk.
Falcon,
0870 789 5107,
falconappliances.com.
Eco by Cosentino,
01256 761229,
ecobycosentino.com/uk.
Stone Masters,
0800 085 3536,
stonemasters.co.uk.
Franke,
0161 436 6280,
franke.co.uk.
Fired Earth,
0845 293 8798,
firedearth.com.
Style Stone,
0845 491 8790,
stylestone.co.uk.
Gessi,
07734 954513,
gessi.com.
Granite
Transformations,
0808 231 7045,
granitetransformations.
co.uk.
Surface Tiles,
020 7819 2300,
surfacetiles.com.
Grohe,
0871 200 3414,
grohe.co.uk.
Hansgrohe,
01372 472001,
hansgrohe.co.uk.
Kohler,
0844 571 0048,
kohler.co.uk.
MGS,
01772 698111,
mgstaps.com.
Perrin & Rowe,
01708 526361,
perrinandrowe.co.uk.
Quooker,
0808 102 0673,
quooker.com.
Rak Ceramics,
01730 237850,
rakceramics.co.uk.
Sterling,
01684 299555,
sterlingdistribution.co.uk.
Villeroy & Boch,
020 8871 4028,
villeroy-boch.com.
William Garvey,
01404 841430,
Zip,
0845 600 5005,
zipheaters.co.uk.
WORKSURFACES
AND SPLASHBACKS
Hi-Macs,
01892 704074,
himacs.eu.
iinHaus,
0800 612 7214,
iinhaus.co.uk.
John Lewis,
0345 604 9049,
johnlewis.com.
Lapicida,
0800 012 2220,
lapicida.com.
London Stone,
0844 225 1915,
londonstone.com.
Maia,
01773 521300,
maiaworksurfaces.co.uk.
Mandarin Stone,
01600 715444,
mandarinstone.com.
Mistral by Karonia,
0845 658 0333,
mistralworktops.co.uk.
Original Style,
01392 473004,
originalstyle.com.
Resilica,
01273 511564,
resilica.com.
Silestone,
01256 761229,
silestone.co.uk.
Topps Tiles,
0800 783 6262,
toppstiles.co.uk.
Welbeck Tiles,
01736 762000,
welbeck.com.
The Winchester
Tile Company,
01392 473005,
winchestertiles.com.
APPLIANCES
Esse,
01282 813235, esse.com.
Everhot,
01453 890018,
everhot.co.uk.
Faber,
0845 548 3130,
faberhoods.co.uk.
Fagor,
01256 308045, fagor. co.uk.
Falcon,
0370 789 5107,
falconappliances.com.
Falmec,
0845 338 1761,
falmec. co.uk.
Fisher & Paykel,
0800 088 6605,
fisherpaykel. co.uk.
AEG,
03445 611611, aeg.co.uk.
Gaggenau,
0344 892 8988,
gaggenau.com.
Aga,
0845 712 5207,
agaliving.com.
Gorenje,
020 8247 3980,
gorenje.co.uk.
Barazza,
0845 338 1761,
barazza.co.uk.
Haier,
0845 025 3025, haier.com,
Baumatic,
0118 933 6900,
baumatic.co.uk.
Hotpoint,
0800 092 1922,
hotpoint.co.uk.
Mercury,
0370 789 5107,
mercuryappliances.co.uk.
Miele,
0330 160 6600,
miele.co.uk.
Neff,
0344 892 8989,
neff.co.uk.
Panasonic,
0844 844 3899,
panasonic.co.uk.
Pando,
0034 93 757 9411,
pando.es.
Rangemaster,
0800 804 6261,
rangemaster.co.uk.
Rayburn,
0845 762 6147,
rayburn-web.co.uk.
Samsung,
0330 726 7864,
samsung.com.
Servis,
0330 333 0855, servis.co.uk.
Siemens,
0844 892 8999,
siemens-home.co.uk.
Ikea,
020 3645 0000, ikea.com/gb.
Smeg,
0844 557 9907,
smeguk.com.
Belling,
0844 815 3746, belling.co.uk.
Ilve,
0845 548 3130,
ilveappliances.co.uk.
Steel Cuisine,
0039 5964 5180,
steelcuisine.co.uk.
Best,
0800 073 1003,
besthoods.co.uk.
Indesit,
0800 092 1922,
indesit.co.uk.
Sub-Zero,
0845 250 0010,
subzero-wolf.co.uk.
Bosch,
0844 463 9075,
bosch-home.co.uk.
KitchenAid,
0800 988 1266,
kitchenaid.co.uk.
V-Zug,
0843 289 5759, vzug.co.uk.
Britannia,
0844 463 9705,
britannialiving.co.uk.
Lacanche,
01202 733011,
lacanche.co.uk.
Candy,
01685 721222,
candy-domestic.co.uk.
La Cornue,
lacornue.com/en.
Whirlpool,
0844 815 8989,
whirlpool.co.uk.
Beko,
0845 600 4911, beko.co.uk.
Westin,
01484 421585,
westin.co.uk.
Bushboard,
01933 232200,
bushboard.co.uk.
Steve Robinson,
01437 721357,
steverobinsonglass.com.
Caesarstone,
01706 863600,
caesarstone.uk.com.
Stewkley Stone,
01525 240711,
stewkleystone.co.uk.
Caple,
0117 938 1900, caple.co.uk.
Leisure,
0845 600 4916
leisurecp.co.uk.
Wolf,
0845 250 0010,
subzero-wolf.co.uk.
Cargo Granite,
01234 853439,
graniteworktop.com.
Stone Age,
020 7384 9090,
stone-age.co.uk.
De Dietrich,
01256 308000,
dedietrich.co.uk.
LG,
0344 847 5454,
lg.com/uk.
Zanussi,
0844 561 2612,
zanussi.co.uk.
OCTOBER 2014 | H&G | 47
dream bathrooms
TRENDS CASE STUDIES EXPERT ADVICE SHOPPING
WELCOME
16
There are no hard and fast rules when

it comes to bathroom design. In terms
of style, you could say that almost
anything goes, as the lines between
different looks have become blurred:
classic fittings sit happily alongside
modern finishes, while spa-style serenity
can easily take on a guise of industrial
chic. Whats more, advances in materials
have given rise to adventurous forms
and finishes, so the bathroom really
can be a place of exciting design.
The important thing is to give your
new space a personal twist. It should
also meet your specific needs, whether
its a functional, family-friendly zone or
a tranquil retreat. In the following pages,
we cover colour, surfaces and showers
to bring you ideas that will work for any
kind of bathroom, with stunning images
accompanied by shopping ideas and
expert advice to show you the full range
of possibilities. Its worth bearing in
mind that it pays to invest in the best
products you can afford, to ensure you
create a room that is a joy to behold
and use for years to come.
28
13
DEBORah BaRkER, EDiTOR-in-ChiEf
Executive editor Giles Kime

Acting deputy editor Sarah Baldwin
Art director Andrea Lynch
Art editor Paula Randall
Designers Isabel Cruz and
Katherine Maccelari
Chief sub-editor Catriona Summerhill
Deputy chief sub-editor Becky Ambury
Sub-editor Andrea Johnson
Words Amelia Thorpe
Acting editorial production manager
Clare Willetts
Editorial production Chris Saggers
19
contents
5
NEW DIRECTIONS
athroom experts give the

B
insiders view on the latest looks
and the next design trends.
9
OCTOBER 2014 Published by IPC Media,
Blue Fin Building, 110 Southwark Street, London
SE1 0SU. Repro by Rhapsody, 109/123 Clifton
Street, London EC2A 4LD. Printed by Polestar
Chantry. Distributed by Marketforce (UK) Ltd,
Blue Fin Building, 110 Southwark Street,
London SE1 0SU. IPC Media Ltd 2014.
COlOuR
resh approach An elegant
F
palette of calming hues is the key
to this updated bathroom.
coNFIDeNT LooKs Our gallery
of modern schemes featuring bold
shades and striking patterns.
SuRfaCES
14 MaTerIaL MaGIc Marble effect
tiles create a luxurious-looking
low-maintenance design.
16 WeLL coVereD Ideas for using

stone, tile and textured furniture
to achieve your desired fnish.
ShOWERS
24 s
hoWer poWer Sensational
spa style in a compact space.
26 F
LoWING DesIGNs Innovative
ideas for unique shower rooms.
ShOPPING
13 Free-sTaNDING BaThs
19 WaLL aND FLoor TILes
28 shoWerheaDs
29 BaThROOM SOuRCEBOOK
Directory of essential contacts.
O CTO BE R 20 14 | H&G | 3
HEART MADE.
HAND FINISHED.
Created with Swiss precision and high quality demands. Combined
with the love for detail, exceptional bathroom concepts come to life:
LAUFEN ILBAGNOALESSI One, design by Stefano Giovannoni.
H&G batHroomS | trends
new directions
Leading lights of bathroom design share their predictions
Howard BircH,
managing director,
Aston Matthews
FiTTiNGS We have seen
a resurgence of interest
in traditional bathroom
fttings including Edwardian-style pedestal
basins and cast iron roll-top baths. These
pieces are timeless and give homeowners
the confdence that their bathroom scheme
will not date. One of the advantages of a
cast-iron bath is that the exterior can
be painted, which oers customers the
opportunity to bring their own personality
to a scheme with a splash of co-ordinating
or contrasting colour. Aston Matthews,
020 7226 7220, astonmatthews.co.uk.
kerri aNdrewS, senior designer, Ripples
THe look For 2015 Without a doubt, bathrooms today are about bespoke
design and layout, with the emphasis on quality, style and storage. Big mirrors
with in-built lighting are also in vogue.
FiTTiNGS Consumers are looking for very low-maintenance showering
areas, in which hinges, seals and even doors have been replaced with simple
panes of glass or a tiled wall to walk behind. Almost all of our clients are requesting wet areas
rather than the traditional shower enclosure. In most cases, they want a fxed over-head and
a hand-held shower, and often heated seats, walls and foors for added comfort.
SUrFaceS Wood-effect tiles are one of the key trends for fooring. These are an excellent
choice if you are looking for the style and warmth of natural wood, but with the durability
and easy maintenance of porcelain tile.
TecHNoloGY With the fashion for large tiled areas, underfoor heating is very popular
as an ecient, silent, invisible and practical heating solution. When this is the main heat
source in a bathroom, a splash of interest can be added with a coloured towel radiator,
which can generate 28-30 per cent better heat output than a chromed steel radiator.
Ripples, 0800 107 0700 ripples.ltd.uk.
david Pick, managing director, Samuel Heath
FiTTiNGS The popularity of concealed showers is declining in favour
of statement pieces. Weve seen an increased interest in showers with

exposed valves, especially our Style Moderne in City Bronze. The trend
for brass continues with a move towards warmer tones apparent in
unlacquered brass, bronze and copper fnishes in high-end bathroom
fttings. Other refective materials, such as light-refracting glass, are being used for
design accents and controls. Samuel Heath, 0121 766 4200, samuel-heath.co.uk.
drUMMoNd
SHaw, chairman,
Drummonds
THe look For 2015
Lush, generous, bold

but never fussy. There
is also a strong focus on the quality of
materials and manufacture. Nowadays,
people want their bathroom to make a
more personal statement, based around
focus pieces and distinctive fnishes.
FiTTiNGS Baths remain a centrepiece
for every bathroom and an important
investment when adding comfort in
a property. Relaxation is right at the
top of customers priority lists.
SUrFaceS Cast iron is always a
preferred choice for the bath. For the
external fnish, brass is becoming more
and more popular, especially when
left unlacquered to weather to a natural
patina. Nickel is also very much in
demand. Drummonds, 01483 237202,
drummonds-uk.com.
FraNciS cUNild,
managing director, Matki
FiNiSHeS We have seen a sharp
increase in the demand for nickel

fnish brassware and shower doors.
Architectural bronze and bright
colour details are set to liven up shower rooms
in 2015. Matki, 01454 322888, matki.co.uk.
With brass, copper, rose gold and bronze efects

being introduced to brassware ranges, the orthodoxy
of chrome fnish may be over Rachel Martin, CP Hart
racHel MarTiN, head of merchandising, CP Hart
FiNiSHeS We have noticed a mixology trend, with striking combinations

of materials and mood. Where high-gloss ceramics and lacquer were once
the materials of choice, manufacturers are now using a range of different
products, often in dramatically contrasting fnishes. Theres a fascination
with concrete, cement and plaster-style eects, as new technology gives
designers more fexibility with these materials. Weathered and waxed woods have been
spotted alongside lacquer and composite often in the same piece and mixing light and
dark woods with warm-toned paint fnishes has also become popular. From ceramics
glazed in metallic fnishes to mirrors, furniture and brassware, warm-toned metals are
everywhere. With brass, copper, rose gold and bronze effects being introduced to many
brassware ranges, the orthodoxy of chrome fnish in the bathroom may be over.
coloUr The Scandinavian infuence on colours and fnishes is showing no sign of
waning. At this years Salone Internazionale del Mobile show in Milan, you could hardly
see the wood for the trees, with timber walls, cabinets, countertops and even timber or
wood-eect basins and baths. We expect grey tones to continue to dominate the bathroom
palette in 2015. Along with hints of Nordic blue and textured natural materials, we are
anticipating additional incorporations of warm-toned painted fnishes mixed with light
and dark woods. CP Hart, 0845 873 1121, cphart.co.uk.
october 2014 | H&G | 5
H&G BATHROOMS | colour
fresh
approach
Serene schemes are no longer limited to plain fnishes and
neutral tones. The latest bathrooms embrace rich and daring
colours in elements from graphic tiles to statement fttings
CASE STUDY
DESIGNER Emma Stevenson.
BUDGET About 20,000, excluding construction.
DESIGN BRIEF After buying their Victorian

home in west London three years ago, Emma
and Charles Stevenson set to work. The house
hadnt been updated for about thirty-fve
years and needed masses of attention, says
Emma. One of their many projects was to
create a luxurious en suite. I wanted this
space to be like a mini living room with lots of
character and warmth, says Emma. I thought
of the bath as being like a sofa, where I could
go to relax or chat to Charles.
PhotograPh anthOny paRkinSOn
EXPERT SOLUTION The frst step was to

bring forward an internal wall, so the bathroom
could become part of a private suite, rather
than being accessed only from the landing.
Emma visited around 25 showrooms before
going to Drummonds. I instantly fell in
love with the classic look they do so well.
I spent a lot of time talking to the team and
developing my plans, she says.
The key piece in the scheme is the Spey
roll-top bath with a bespoke salmon pink
painted exterior. This is teamed with classic
brassware in unlacquered solid brass with
burnished black walnut lever handles. The
bath is centred against a new wall, coated in
waterproof resin, which conceals a steam
shower at one end and a WC enclosure at the
other. The Art Deco glass panel was found by
my mother in Paris, say Emma. It is backlit
and creates a beautiful glow in the evening.
Bold pattern is provided by the harlequin
tiled foor, custom-made to Emmas
specifcation in a pink chosen to echo the
tone of the bath, plus soft grey, white, khaki
and petrol blue. I love mixing textures and
playing with colour, and think this is crucial in
giving a room warm character and interest.
We can see ourselves living here for the rest
of our lives and we wont be bored.
SOURCES
Bath and brassware,
Drummonds,
020 7376 4499,
drummonds-uk.com.
Fireplace, marble
basins and
countertops,
Chesneys, 020 7627
1410, chesneys.co.uk.
Glass doors, steam
shower and WC, CP
Hart, 0845 873 1121,
cphart.co.uk.
Rock resin wall

covering, Senso,
020 8969 0183,
sensofoors.co.uk.
Terracotta foor
tiles, Palazzo Morelli,
0039 075 894 4888,
palazzomorelli.it.
Walnut vanity units,
made to order by
a local joiner.
Ceiling light, Moooi,
020 8962 5691,
moooi.com.
confident looks
Strong or subtle shades, both patterned and plain, create modern impact
1 | BOLD STATEMENT A stand-alone piece of furniture in a rich tone

makes an instant impression. This marble-topped wooden basin cabinet,
hand-painted in Farrow & Balls Hague Blue, is made to order from 5,000,
Barnes of Ashburton, 01364 653613, barnesofashburton.co.uk.
2 | OFF THE WALL This graphic-patterned feature wall draws the eye to the
central bathing area and conceals the shower and WC areas tucked behind.
Vanguard System wall tiles, 20x20cm, 42m sq, teamed with Neutral Blanco
Natural foor tiles, 96m sq, Aparici, 0870 136 7829, aparici.com.
3 | MOODY BLUES A
painted free-standing roll-top
bath makes an eye-catching
classic centrepiece, its white
interior providing sharp
contrast against dark walls.
This classic Bateau bath with
chromed aluminium feet,
painted in Fired Earths Carbon
Blue, costs 1,129 from
Clearwater Baths, 0845 539
0055, clearwaterbaths.com.
4 | ACID BRIGHT White

ceramics are a calm foil to
vibrant wall treatments and
fttings in one colour. This
striking contemporary
bathroom range is Kartell
by Laufen, 01530 510007,
uk.laufen.com, from 434
for a basin and from 724 for
drawer storage in Orange.
5 | CHECK IT OUT Update

a traditional black and white
chequerboard scheme with a
fash of red. Here, bathroom
furnishings from the Henley
range are shown with the
Greenwich Boat bath, supplied
primed and ready for painting,
4,856, CP Hart, 0845 873
1121, cphart.co.uk.
6 | MUTED HUES Layering

neutrals, such as the grey
and blue tones shown here,
feels timeless and serene,
while texture ensures the
scheme exudes confdence.
Chichester fve-piece
combination washstand,
from 3,435, Neptune,
01793 427427, neptune.com.
7 | A DIFFERENT ANGLE Juxtaposing contrasting plain and

patterned tiles brings assertive style to this small, awkwardly
shaped room, while white woodwork ensures an open feel.
Beattie bath, 599; Edwardian riser rail system with integrated
shower mixer, 179 each; Bathrooms.com, 0845 485 7420.
8 | GRAPHIC DESIGN Dolce Cube porcelain tiles, 30x30cm,

69m sq, create a novel rug effect on a simple grey foor and
a striking feature wall framed by sleek black and white. Tiles
from Piazza Tiles, 0845 257 0227, piazzatiles.com.
10 | H&G | october 2014
Vero furniture collection - Design by Kurt Merki Jr.
BATHROOM.
EXPERIENCE.
Leben im Bad
Living bathroom
bathrooms
news
Leben im Bad s
Living bathroom
Edition 4
badmagazi
P. 70 M RANGE HAPPY D.2
158
BATHROO
an
Reinterpreting
archetype
Duravit makes the difference. Attention to detail is key in the design of our products. High-quality materials,
smart technology and forward-thinking innovation are at the core of our manufacturing. The new Vero bathroom
furniture collection, which features optional LED lighting beneath the console, is our latest example of these
qualities. For more information: Phone 0845 500 7787, info@uk.duravit.com, www.duravit.co.uk
P. ASH
SOW
SEN R TOILET
WE
SHO
THAT ED
P. 122RE PROGRAMME
FOR
Y-WASH
FRESHL LING
FEE
FURNITU
X-LARGE
space,
Extra storage
extra flexible
extra light,
YOUR
CREATING
TH RO OM
DR EA M BA
Outstanding
vel
from the entry-le
design ranging
bathroom
to the luxury
Edition 6
E
H&G BATHROOMS | shopping
free-standing baths
Our edit of new designs, from classic to ultra modern
1
1 Incorporates built-in shelves.
KellyBook bath, white composite
and wood veneer, H51xW200x
D105cm, from 7,585, Alternative
Bathroom Company, 020 3375
9009, alternativebathrooms.com.
2 Strong industrial-style details.

Brunel bath, cast iron, H67.5x
W170xD70cm, 2,854.05,
Aston Matthews, 020 7226 7220,
astonmatthews.co.uk.
3 Classic bateau bath shape.

Landmark bath in Gunmetal
Grey fnish, Touchstone, H66x
W169xD65cm, 2,299, Bathstore,
0800 023 2323, bathstore.com.
4 Exterior can be painted to suit.
Origine double-ended bath,
Iso-Enamel composite,
H61xW162xD69.5cm, 2,398,
Albion Bath Company, 01255
831605, albionbathco.com.
5 Elegantly curved silhouette.

Amiata bath, Quarrycast
limestone and resin, H61x
W164.5xD80cm, 3,360,
Victoria + Albert, 020 7351 4378,
vandabaths.com.
7
8
6 Luxurious statement piece.

Samara bath, Black Marquina
marble, H54xW190xD95cm,
16,237.25, Porcelanosa, 0800
915 4000, porcelanosa.co.uk.
7 For a striking graphic look.

Accademia POP bath, Duralight
composite, H59xW181xD80.5cm,
9,600, Teuco, 01279 771159,
teuco.com.
8 Chic, modern and minimal.
Dea bath, acrylic, H61xW170x
D75cm, 1,100, Ideal Standard,
01482 346461, ideal-standard.co.uk.
october 2014 | H&G | 13
H&G BATHROOMS | SURFACES
MATERIAL
MAGIC
Surfaces are key to creating the look you want, whether its luxurious
glamour, Scandinavian spa style or pared-back industrial. Choose
durable, easy-to-clean fnishes to keep maintenance to a minimum
CASE STUDY
DESIGNER Tania Adir,
creative director,
G&T London, 0844 544 4513,
gandtlondon.com.
BUDGET About 10,000,
excluding construction.
PhotograPhs daRREn ChUng
DESIGN BRIEF This listed Georgian town

house in London was the subject of a major
renovation by luxury development specialist
G&T London. Creative director Tania Adir
explains, The house had long ago been
converted into fats, then used as a commercial
space before gradually falling into disrepair.
Our task was to restore the property to its
former glory as an elegant fve-storey family
home. Special attention was given to the
guest bathroom on the top foor. We wanted
to create a private retreat with a classic sense
of luxury, like the bathroom in an indulgent
boutique hotel, says Tania.
EXPERT SOLUTION You cant beat marble
for classic beauty, but it is a porous stone
so can be tricky to maintain, says Tania. As
an alternative, we sourced these Aura Grey
Pulido tiles, which feature extraordinarily
natural-looking marble veining, but are made
of porcelain and very practical: non-porous,
scratch and stain resistant and easy to keep
clean. They were used to create a striking
backdrop throughout the room. The colours
are subtle, soft greens and golds on greywhite, with a sense of movement, she adds.
For the fttings, Tania turned to CP Hart.
We suggested spa-like products, such as
the Raindance Air classic showerhead, which
injects air into the fow of water for a luxurious
feel, says contracts manager Carolyn Harrison.
The bold shape of the Ovale free-standing
bath is offset by classic Axor Montreux
brassware, while the walk-in shower area is
screened by a clear glass panel, chosen to
maximise the feeling of space.
Opposite, a bespoke wall cabinet (which
is fronted in heated mirror so it doesnt steam
up when the shower is in use) refects light,
while concealed lighting above and below
adds warmth. An elegant Bagnella wash
bowl, wall-mounted basin mixer taps and
a wall-mounted WC complete the scheme.
We were careful to choose simple, classiccontemporary pieces that really allow the
beauty of the tiles to shine, says Tania.
The marble-efect tiles

have natural-looking
veining, but are porcelain,
so very practical
SOURCES
Bath, basin, brassware, shower screen,
WC, fush plate and accessories, CP Hart,
0845 873 1121, cphart.co.uk.
Bespoke mirrored cabinet, G&T London,
0844 544 4513, gandtlondon.com.
Wall and foor tiles, Aparici, 0870 136 7829,
aparici.com.
OCTOBER 2014 | H&G | 15
well covered
Inspiring ways with decorative tiles, stone and textured cabinetry
1 | FULL OF GRACE White marble, frosted glass, mirror

and polished chrome evoke Art Deco elegance in this vanity
area, which has been given a modern fnish with elongated
hexagonal Hive mosaics in Ricepaper, 142.72sq m, Savoy
collection at Ann Sacks, 020 3055 0802, annsacks.com.
2 | FLOOR SHOW Laying tiles to create the appearance of a

boldly patterned rug brings strong visual interest to a scheme.
Quatrefoil encaustic foor tiles in Aubergine Verdigris and Olive,
224.70sq m, Fired Earth, 0845 293 8798, fredearth.com.
2
to deep forest-green walls and softens the hard lines of the white
ceramics in this room. Vero tall cabinet in Mediterranean Oak fnish,
825; vanity unit, from 662; bath panelling, 820; bath, 779; and
basin, 342; all Duravit, 0845 500 7787, duravit.co.uk.
4 | PATTERN PASSION Create an individual patchwork effect with

these lavastone and terracotta tiles, available in eight different
designs and more than 20 colours, from Old Rose and Honey to Dark
Copper Green. Tiles, 10sq cm, from 174sq m, Made a Mano at
Laurence Pidgeon, 020 7610 6166, laurencepidgeon.com.
16 | H&G | october 2014
PhotograPh david still (fired earth)
3 | BACK TO NATURE Wood adds warmth, texture and character
H&G BATHROOMS | Shopping
WALL AND FLOOR TILES

The latest patterns, colours and materials to complete your room in style
1 The look of stone without

the maintenance. Burlington
porcelain tiles in Ivory, 14.7x8.9cm,
from 74.40sq m, Surface, 020
7354 7000, surfacetiles.com.
2 Beautiful mosaics in tranquil

aqua shades. Indian Ocean
glass mosaics in Madagascar
Seaspray, 149.91sq m,
Fired Earth, 0845 293 8798,
fredearth.com.
3 Forms a bold, contemporary

geometric pattern. Hex encaustic
cement tiles in Blue, 20x23cm,
185sq m, Lindsey Lang, 020
7252 0273, wallsandfoors.eu.
4 Traditional mural design
5 A well-considered pairing
of pattern, texture and tone.
Baroque Decorative porcelain
tiles in Black/Blue, 20x20cm,
119.70sq m; Gris riven slate
tiles, 60x10cm, 26.40sq m,
Mandarin Stone, 0160 071 5444,
mandarinstone.com.
6 Reclaimed tiles from Spain
lend a historical feel. Santona
tiles, 20cm sq, 13.20 each,
Bert & May, 020 3673 4264,
bertandmay.com.
7 Hand-painted design made

to order in any size. Luna
limestone foor tiles, from
375sq m, Decorum Est, 020
7731 5556, decorumest.co.uk.
reworked with digital printing.

Murage ceramic tiles, from
441sq m, Alchemy collection
by Dominic Crinson, 01622
804808, crinson.com.
OCTOBER 2014 | H&G | 19
10
11
12
13
8 Elegant motif taken from

Japanese kimonos. Komon
tiles in Golden Curry, 30cm sq,
from 174sq m, Made a Mano
at Laurence Pidgeon, 020 7610
6166, laurencepidgeon.com.
9 Inspired by Moroccan carved
latticewood screens. Sultan
Field ceramic tiles in Gunmetal,
23.5cm sq, 1,142.85sq m,
Mousharabia collection by Martyn
Lawrence Bullard at Ann Sacks,
020 3055 0802, annsacks.com.
10 Relief fower design brings

delicate interest to walls.
Frozen Garden ceramic tile in
White, 29.8x25.8cm, 214sq m,
Marcel Wanders for Bisazza,
020 7584 8837, bisazza.com.
20 | H&G | OCTOBER 2014
11 Textured stone gives a natural

look with a modern edge.
Keystone Monterey natural
stone tiles in (from left), Fabric,
Flamed, Honed and Combed,
60x30cm, from 470sq m,
Waterworks, 0800 068 0248,
uk.waterworks.com.
12 Subtle marble pattern
in off-white, beige and grey.
Silver honed travertine tiles,
61x40.6cm, 37sq m,
Floors of Stone, 01509 234000,
foorsofstone.com.
13 Luxurious choice for a
glamorous scheme. Italian
silver travertine slab, 330sq m,
Lapicida, 0800 012 2220,
lapicida.com.
H&G BATHROOMS | SHOWERS
SHOWER
POWER
Team a drench head with distinctive fttings
and a spacious enclosure to create spa-style luxury
with a statement shower room. Its also the best
way to make the most of a smaller space
Dark colours
are dramatic,
but texture and
beautiful lighting
are needed to
make a scheme
like this work
SOURCES
Vanity unit and wash bowl,
Finwood Designs, 01926
484037, fnwooddesigns.co.uk.
Bespoke bath, mirror and
toughened glass shower
screen, Charlotte Conway
Design, 0121 439 2302,
charlotteconwaydesign.co.uk.
Shower and taps, Samuel
Heath, 0121 766 4200,
samuel-heath.co.uk.
WC, Bauhaus, 0845 873 8840,
bauhaus-bathrooms.co.uk.
Flush plate and in-wall
frame, Geberit, 0800 077
8365, geberit.co.uk.
Wall and oor tiles, Solus
Ceramics, 0121 753 0777,
solusceramics.com.
Mosaic tiles, Dune, 01455
610202, dune.es.
Radiators, SBH, 01400
250195, sbhradiators.co.uk.
Wall lights, Porta Romana,
01420 23005,
portaromana.co.uk.
CASE STUDY
PhotograPhs aliStaiR niChOllS
DESIGNER Charlotte Conway

Design, 0121 439 2302,
charlotteconwaydesign.co.uk.
BUDGET About 28,000,
including installation.
DESIGN BRIEF Interior designer Charlotte

Conway was called in to overhaul the dull
and basic bathroom of a first floor flat in a
Victorian house in London. My client wanted
a luxurious showering space with an inviting
feel, says Charlotte. He was inspired by the
warm, cosy style of a ski lodge hed seen on

holiday, and also wanted to make the most of
the rooms awkward shape with cut-off corner.
EXPERT SOLUTION Charlotte began by
developing a mix of colours and textures to
answer the ski chalet brief. Wooden-clad walls
werent going to work with all the moisture in
a bathroom, so we chose a teak vanity unit
to introduce some timber, she explains. She
teamed this with a stone wash bowl and echoed
its natural texture with black pebble mosaics
in the shower area. The walls are covered in
deep brown porcelain tiles, which have a
wood-effect fnish, but are waterproof.
Dark colours are dramatic, but texture
and beautiful lighting are needed to make
a scheme like this work, says Charlotte. She

proposed classic shower fttings and basin
mixer taps from Samuel Heaths Fairfeld
range, fnished in Country Bronze to add
burnished warmth. Metal Strip wall sconces
mounted on the mirror create an atmospheric
glow, while LED spots have been set in the
ceiling and at low level to accentuate textures.
The shower sits over a small bath, which
is ideal for a quick plunge. I felt that a slab of
white would kill the moody feel of the room,
and I wanted to create something special,
says Charlotte. Custom made to ft the tight
space, the bath is tiled with the pebble mosaics
to match the shower wall. My client says he
likes to open the screen, step into this zone
and feel transported to another world.
OCTOBER 2014 | H&G | 25
flowing designs
Combine the right layout with clever fttings and individual fair
1 | IN THE ZONE This

showering area is tucked
between a vanity unit on one
side and bookshelves on the
other, creating a streamlined
look with plenty of space
left in the room to relax
and unwind. Glass Design
Type 2 pivot door, 1,624.80,
CP Hart, 0845 873 1121,
cphart.co.uk.
2 | SMOOTH AND SLEEK

A fat shower tray creates the
seamless look of a wet room;
this design has a galvanised
steel frame for extra strength
and stability. MetalRim tray,
from 163, Architectura at
Villeroy & Boch, 020 8871
4028, villeroy-boch.co.uk.
3 | BOLD AS BRASS These geometric Parramore Colorforms mosaics, 2,805.13sq m,

add a modern touch to classic Keystone honed Carrara marble tiles, 323.88sq m,
and unlacquered brass Henley shower fttings, from 1,765.08 for the gooseneck
shower rose, all available from Waterworks, 0800 068 0248, uk.waterworks.com.
4 | ON THE LEVEL The Fiora Silex Extra Flat shower tray teams minimalist looks
with a low ledge to keep water off the foor. Its anti-slip Black Slate textured fnish
also adds defnition to a neutral scheme. A 120x90cm size costs 795.99, from
Alternative Bathroom Company, 020 3375 9009, alternativebathrooms.com.
26 | H&G | OCTOBER 2014
5 | PRIVATE ROOM
Half-glazed timber screens
can be used to carve out
an enclosed shower area
in the corner of a bedroom
or bathroom. Screen, from
4,800 linear m, Plain
English, 01449 774028,
6 | CLEAR VISION A
simple, transparent glass
screen enhances the sense
of space in any room. This
EauZone Plus wet room
panel is made from 12mm
safety glass with a very
clear low-iron fnish and
features a handy towel
rail. From 1,218 for a
900mm size, Matki, 01454
322888, matki.co.uk.
7 | RIPPLE
EFFECT
A bespoke
Hyperwave Dunes
wall in polished
cream limestone,
about 2,000sq m,
adds dramatic
three-dimensional
interest to this
otherwise paredback shower space
by Oliver Burns,
01727 814170,
oliverburns.com.
8 | ART ATTACK Make a feature of the shower with an

eye-catching mural. Try Surface View, 0118 922 1327,
surfaceview.co.uk, for ceramic tile designs, such as this
magnifcent pelican, from 515sq m. Here it is teamed with
a Dalby shower, from 2,274, and Naver basin, from 2,394,
Drummonds, 020 7376 4499, drummonds-uk.com.
october 2014 | H&G | 27
showerheads
Fluid, elegant forms and indulgent overhead designs
1
2
8
1 A fresh take on tradition.
Dalby thermostatic shower
in unlacquered brass and
Tear Drop Rose ceramic
showerhead, 2,568,
Drummonds, 01483 237202,
drummonds-uk.com.
2 Sleek minimalist design.
Armani/Roca thermostatic
shower mixer in Greige fnish
with fve-way diverter, hand
shower and two shower jets,
from 2,500, Roca, 01530
830080, uk.roca.com.
3 Adds a classic touch.

Le Thermo exposed shower,
solid brass in Polished Brass
28 | H&G | october 2014
fnish, 1,440, Catchpole

& Rye, 020 7531 0940,
catchpoleandrye.com.
4 Neatly concealed pipes.

Cirque dual-control shower
with two valves, hand shower
and 20cm wall-mounted
shower rose, 2,135, Fired
Earth, 0845 293 8798,
fredearth.com.
5 With a built-in light ftting.
Wall-mounted Axor
LampShower in a custom
black fnish, brass with
PVD coating, from 2,250,
Hansgrohe, 01372 472001,
hansgrohe.co.uk.
6 For keen shower singers.

Moxie shower column and
wireless speaker, chrome and
plastic/silicone, 749, Kohler,
0844 571 0048, kohler.co.uk.
7 Offers three spray settings.
Elite fxed showerhead,
chrome-plated brass, 525,
Crosswater, 0845 873 8840,
crosswater.co.uk.
8 In a warm rose-gold tone.
MEM shower in Cyprum
fnish (18-carat rose gold and
copper), 8,150, Dornbracht
at West One Bathrooms,
0333 011 3333,
westonebathrooms.com.
H&G BATHROOMS | directory
sourcebook
Essential contacts for bathroom projects
showrooms and
designers
Alternative Bathroom
Company,
020 3375 9009,
alternativebathrooms.com.
Aston Matthews,
020 7226 7220,
astonmatthews.co.uk.
B&Q,
0333 014 3098,
diy.com.
Bathrooms International,
020 7838 7788,
bathroomsint.com.
Bathstore,
0800 023 2323,
bathstore.com.
Better Bathrooms,
0844 484 7678,
betterbathrooms.com.
CP Hart,
0845 873 1121, cphart.co.uk.
DesignSpace London,
020 7228 8088,
Devon & Devon,
020 7221 5137,
devon-devon.com.
Drummonds,
01483 237202,
drummonds-uk.com.
Evitavonni,
0800 130 3180,
evitavonni.com.
020 7589 5998,
smallbone.co.uk.
Ellis Furniture,
01484 514212,
ellisfurniture.co.uk.
Simpsons,
0845 873 8840,
simpsons-enclosures.co.uk.
Dominic Crinson,
01622 804808,
crinson.com.
Taylors Etc,
029 2035 8400,
taylorsetc.co.uk.
Falper,
0039 5179 9319, falper.it.
Teuco,
0039 733 2201,
teuco.com.
Harvey Maria,
0845 680 1231,
harveymaria.co.uk.
Thomas Crapper,
01789 450522,
thomas-crapper.com.
Hi-Macs,
01892 704074,
himacs.eu.
TOTO,
020 7831 7544,
gb.toto.com.
Indigenous,
01993 824200,
indigenousltd.com.
Twyford,
0870 020 0099,
twyfordbathrooms.com.
Johnson Tiles,
01782 524000,
johnson-tiles.com.
Victoria + Albert,
020 7351 4378,
vandabaths.com.
Junckers,
01376 534700,
junckers.co.uk.
Villeroy & Boch,

020 8871 4028,
villeroy-boch.co.uk.
Karndean,
01386 820100,
karndean.com.
Vitra,
01235 750990,
uk.vitra.com.tr.
Lapicida,
0800 012 2220,
lapicida.com.
William Holland,
01305 251930,
williamholland.com.
Limestone Gallery,
020 7828 6900,
limestonegallery.com.
surFaces
Lindsey Lang,
020 7252 0273,
wallsandfloors.eu.
TG Studio,
020 7636 3838,
tg-studio.co.uk.
The Water Monopoly,
020 7624 2636,
watermonopoly.com.
Waterworks,
020 7384 4000,
waterworks.com.
West One Bathrooms,
0333 011 3333,
westonebathrooms.co.uk.
William Garvey,
01404 841430,
Fittings
Abode,
01226 283434,
abodedesigns.co.uk.
Agape,
0039 376 250311,
agapedesign.it.
Alape,
024 7671 7129, alape.com.
Aqualisa,
01959 560000,
aqualisa.co.uk.
Geberit,
0800 077 8365,
geberit.co.uk.
Glass Idromassagio,
0039 0422 7146,
glassidromassaggio.it.
Grohe,
0871 200 3414, grohe.com.
Hansgrohe,
01372 472001,
hansgrohe.co.uk.
Heritage Bathrooms,
0330 026 8501,
heritagebathrooms.com.
Ideal Standard,
01482 346461,
ideal-standard.co.uk.
Impey Showers,
01460 256080,
impeyshowers.com.
Kaldewei,
01480 498053,
kaldewei.co.uk.
Keuco,
01442 865220,
keuco.co.uk.
Kohler,
0844 571 0048, kohler.co.uk.
Amtico,
0121 745 0800,
amtico.com.
Ann Sacks,
020 3055 0802,
annsacks.com.
Made a Mano
at Laurence Pidgeon,
020 7610 6166,
Balineum,
020 7431 9364,
balineum.co.uk.
Mandarin Stone,
01600 715444,
mandarinstone.com.
Bert & May,

020 3673 4264,
bertandmay.com.
Original Style,
01392 473000,
originalstyle.com.
Biblioteque,
020 8365 2084,
bibliotheque.co.uk.
Parapan,
01482 440680,
parapan.co.uk.
Bisazza,
0039 444 707511,
bisazza.com.
Paris Ceramics,
020 7371 7778,
parisceramics.com.
British Ceramic Tile,

01626 834774,
britishceramictile.com.
Reed Harris,
0843 289 6059,
reedharris.co.uk.
Stone Age,
020 7384 9090,
stone-age.co.uk.
BC Designs,
01206 827100,
bcdesigns.co.uk.
Laufen,
uk.laufen.com
Bisazza Bagno,
bisazzabagno.com.
Matki,
01454 322888, matki.co.uk.
020 7602 5757,
hollowaysofudlow.com.
Bristan,
0330 0266273, bristan.com.
Mira,
0844 571 5000,
mirashowers.co.uk.
John Cullen,
020 7371 5400,
johncullenlighting.co.uk.
Catchpole & Rye,

020 7351 0940,
catchpoleandrye.com.
Mereway Bathrooms,
0121 706 5750,
merewaybathrooms.co.uk.
Crosswater,
0845 873 8840,
crosswater.co.uk.
Neptune,
01793 427427,
neptune.com.
Czech & Speake,

020 8983 7400,
czechandspeake.com.
Porcelanosa,
0800 915 4000,
porcelanosa.com.
Deva,
0800 195 1602,
deva.org.uk.
Roca,
01539 830080, roca.com.
Classical Flagstones,
0845 308 3030,
classical-flagstones.
co.uk.
Puro Design,
020 7462 0002,
puro-design.com.
Dornbracht,
024 7671 7129,
dornbracht.com.
Roman Showers,
01325 328033,
roman-showers.com.
Decorum Est,
020 7731 5556,
decorumest.co.uk.
Ripples,
0800 107 0700,
ripples.ltd.uk.
Duravit,
0845 500 7787,
duravit.co.uk.
Samuel Heath,
0121 766 4200,
samuel-heath.co.uk.
De Ferranti,
020 7384 4424,
deferranti.com.
Fired Earth,
0845 293 8798,
fredearth.com.
Perrin & Rowe,

01708 526361,
perrinandrowe.co.uk.
RAK Ceramics,
01730 237850,
rakceramics.co.uk.
Rencraft,
01732 762682,
rencraft.co.uk.
Surface Tiles,
020 7819 2300,
surfacetiles.com.
Worlds End Tiles,
020 7819 2100,
worldsendtiles.
co.uk.
OCTOBER 2014 | h&g | 29

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OCTOBER 2014

chic homes full of

insiders guide to the

93 RENOVATED LODGE Elegant furnishings

120 CONTEMPORARY DESIGN This verdant

102 ISTANBUL CONVERSION East and

150 DREAM GARDEN A rooftop scheme in

110 LONDON REMODEL How three bedsits

*182 HERITAGE GARDEN Raymond Blanc

and a soothing palette of grey and white complement

West are an intoxicating blend in this compact

were transformed into a modern, light-flled family

*128 NEW-BUILD FARMHOUSE This

laid-back, art-flled retreat is an updated take

134 BE INSPIRED Ideas for using eye-catching

Surrey plot has been cleverly confgured and planted

*67 NEW COLLECTIONS We showcase the

latest fabric designs for autumn/winter 2014 a

*171 LEOPARD PRINT This bold motif is back in

OCTOBER 2014 | H&G | 7

19 H&G EDIT Events, shopping, gardening and style

*41 LONDON DESIGN FESTIVAL We round up

193 SWEET NATURED Recipes for delectable jams

218 WE LOVE Kit Kemp does it again with Sohos Ham

139 KITCHEN A striking marble island and vast glass

148 BATHROOM Uniting bathing and dressing areas,

*161 FOCAL POINT FIREPLACES Staying in looks

*21 PURE COUNTRY Rustic, tactile pieces.

8 | H&G | OCTOBER 2014

*32 LIGHTING Adjustable table, wall and foor lamps.

135 H&G TRAVEL Stylish European trips for less.

Emma Thomas 020 3148 7307

Erika Short 020 3148 7300

Catriona Summerhill 020 3148 7291

executive editor featureS

Bernie Herlihy 020 3148 7344

web & develoPMent editor

Stephanie Hendries 020 3148 7885

Becky Ambury 020 3148 7292

editorial Production ManaGer Nicola Tillman 020 3148 7891

Yvonne Ramsden 020 3148 7668

PerSonal aSSiStantS Vera Purbrick 020 3148 7311

GrouP advertiSinG director

Belinda Cooper 020 3148 7666

ManaGinG director lifeStyle Fiona Dent 020 3148 5650

Pa to ManaGinG Lizzie Shepperson 020 3148 5651

ceo, iPc Media

Marcus Rich 020 3148 5102

diSPlay advertiSeMent enQuirieS

020 3148 7641

Joanne OHara 020 3148 7642

Dave Harvey 020 3148 7640

diGital account director

Toby Bicknell 020 3148 6715

diGital client ManaGer

Stephen Twort 020 3148 5439

Amy McKean 020 3148 7590

claSSified advertiSeMent enQuirieS

020 3148 2261

HouSeS & GardenS 020 3148 7306

Howard Jones 020 3148 2535

+44 (0) 844 848 0848