Professional Documents
Culture Documents
HILLY REGIONS
VERNACULAR ARCHITECTURE
CONCLUSION
Climate responsive buildings can improve human comfort and in doing so improve the human condition, in all parts of the
world. Scientific knowledge provides us with the tools and methodologies needed for passive low energy-climate responsive
buildings, and intelligent design dictates the strategies needed to implement such knowledge on the ground. Climate
responsive design substantially reduces the economic and environmental costs of buildings to individual, regions and
Learning from traditional wisdom of previous generations through the lessons of traditional buildings can be a very powerful
tool for improving the buildings of the future. This traditional architecture has stood till today. It commands deep interest
and respect as it represents and reveals the many faceted realities of the people living in different climatic zones of Himachal
Pradesh.
In the end it is concluded that the traditional and vernacular buildings are ecological sensitive, climate responsive designs.
Any change in these designs should aim for human comfort and aesthetical needs and these sustainable designs help to save
culture at the lowest possible ecological cost. The traditional construction method and process provides thermally
comfortable shelter to the occupants by giving due considerations to local climatic conditions. Traditional construction
techniques in hills are dictated by the climatic constraints and the availability of the materials. The most common building
materials used is wood, stone and mud bricks. And now the places which got connected by motorable roads, certain new
techniques have been evolved by using local materials for the construction of the buildings suiting to local climatic
conditions. Any new development should respect the site and adhere to the local needs.
GEOGRAPHY
CLIMATE
The typical house is constructed of clay bricks and the roofs are
of slate. in some areas the slate roof is also replaced by timber.
VERNACULAR ARCHITECTURE OF
THE REGION
Architecture in HP is highly evolved and
functional.
It is a clich example of Vernacular
Architecture. (Grown out of the land, fulfilled local
needs, uses local materials, drew on local culture)
Over the centuries, building methods had
successfully discharged domestic, temporal and
religious requirements.
The most elementary form of hill architecture
is still found in the old temples. These temples
are widely scattered everywhere all along the
mountain slopes and in the valleys.
Layout plans and construction of buildings is
much more complicated in hills is much more
complicated than in plains.
MAJOR CHALLENGES
MATERIAL USED
Basic materials used for
construction were:
1. Wood
2. Mud and stone
WOOD:
Easy availability.
Good insulation.
Good binding properties.
Either mud is filled into the wooden forms
and rammed into the place slowly building
up the wall or sun dried mud blocks are
used in the construction of the wall.
Hard Stone: Obtained from local quarries
and used in building foundation and
walls.
Slate Tiles: Metamorphic rock. Used in
roofs of buildings. Has high quartz
content, frost resistant, absorbs heat and
provides moisture barrier.
CONSTRUCTION TECHNIQUES
A
TYPICAL
VERNACULAR
HOUSE
OF
HIMACHAL
PRADESH
The long walls of the house are parallel to the mountains and
the gaushala door faces the valley.
The house has a high plinth so that the cows may remain cool
during summers warm during winters.
In the lower part of the gaushala walls, only stone is used at base
level. In the upper part of the wall the kath khuni method of
layering wood and stone begins.
The entrance to the living quarters is parallel to the gaushala
door and is approached by a wooden staircase at the side of the
house leading to the enclosed first floor balcony.
The first floor has rooms for fixed storage and unique feature of
mini granary integrated in the centre of the structure. It is
hidden from outside view.
The second floor is used for cooking, cleaning, living and
entertainment of guests. To one side of the entertainment
room is the kitchen and the other side is the living room.
There are a variety of open and closed wall units in all these
area. The walls of the kitchen are plastered with mud plaster.
The vent in the kitchen connects to the roof or half attic.
The rooms on the third floor are made of beautifully carved
local wood. The balconies have a corner built in wooden bench
and extended cubical spaces such as washrooms.
The stone used in the walls are chiseled and well dressed. The
walls are constructed with stacking wooden framed on each
other. While on the second floor, the stacking of wooden frame
is seen with an infill of rubble.
Design considerations in hills require extra sensitivity and care because of the delicate nature of terrain and
ecosystem. Unlike plains, here a new dimension or a height variation to the ground poses additional problem to
the entire exercise.
Physical Planning
The planning on the hills is very restrictive as compared to the plains. The major factors that govern the
planning are topography, climatic conditions, orientation, traffic movement, available usable spaces, sources of
water supply, natural drains and paths.
Gentle slopes are required so that the cost of site development is lessened. The roads for traffic movement are
of gradual gradient. Less excavation is required to be done to maintain the ecological balance.
Slope of the ground should not be more than 30 as far as possible even in rocky reaches to avoid instability
problems, especially during severe earthquakes.
Suitable clearance around buildings is necessary. Foundation of any part of building should not rest on filled
up ground. On hills there should be clearance of about 40 in case of soil, soil mixed boulder, fractured rock
zone, soft rock zone having outward dip, so that any slip, if occurs may not hit the building.
Due to the cold climate, the southern slopes are preferred.
The orientation of the houses is to maximize the penetration of the sun rays.
The stress is also laid on the preservation of the green cover. The site should be developed in such a way that
felling of trees is avoided as far as possible.
Site susceptible to high winds, storms, floods and landslides should be avoided.
Since the inner side of the cut slope may have higher bearing capacity, building should be so oriented and
planned so as to enhance that higher load comes on inner side. Where the site seems to undergo unequal
settlement, the site should be so planned and designed that the higher load comes on harder part of
foundation and soil.
Terrace in all around the building should have proper slope for efficient drainage. During the site development,
terrace may be cut at 1:30 to 1:50 slope and may be trimmed at suitable slope after the completion of the
building work.
BASIC ARCHITECTURAL
STYLES
Satluj Valley Architecture (Kath Khuni Style)- (Rampur,
Rohru,Sarahan, Kinnaur)
Ravi Valley Architecture (Thathara Style)- (Chamba, Bharmour, Pangi)
Kullu Architecture - (Kullu valley)
Dhajji Dewari - (Shimla and nearby villages,hamirpur , kangra)
Spiti Valley Architecture (Mud)- (Lahaul, Spiti, Upper Kinnaur)
KATH-KHUNI CONSTRUCTION
INTRODUCTION:
TECHNIQUE:
WOODEN FRAMEWORK
ALTERNATE
LAYERING OF STONE
AND WOOD
FOUNDATION:
WALL SYSTEM:
WALL SYSTEM: All The Walls Are Load Bearing And Of Thickness 600mm.
Construction Material: Walls Are Made Up Of Stones And Wood Of Deodar ,Rai And Perman Tree Without Any
Mortar. These Walls Are Then Plastered With Mixture Of Mud, Cow-dung And Kail Wood Powder Or Wheat
Husk.
Above The Raised Plinth Of Stones Wooden Beam Of 200mm Thickness Is Laid Spanning Over The Entire Length
Of Wall. Over This Beam A Framework Of Wooden Logs Are Created Which Are Later Hand Filled By Stones.
FLOOR TYPOLOGY:
ROOFING SYSTEM:
SECTIONAL VIEW:
Kathkuni house comprises of four primary
components:
a stone plinth, which creates the base of the
house,
wood-and-stone structural walls forming the
core of
the house with floors as an insert,
cantilevered wooden balconies acting as the
second
skin to the house,
an overhanging slate tile roof fixed to the
wooden framework, which caps the entire
structure.
WOOD CARVING:
Woodcarving As Ornamentation Of The Kath-khuni
Built Forms, Is One Of The Oldest Crafts Of
Himachal Pradesh. Ornamentation Of Large Wood
And Stone Built Forms Is An Artistic Testament To
The Sustainable Natural Resources Of The Great
Deodar Cedar Tree And The Peoples Ability To
Create Visual Narratives. Woodcarving Is A Form Of
Folk Art That Enables The Local People To Express
Their Culture Whether The Motifs Are Abstraction
Based On Nature, Spiritual Awareness, Or The
Replication Patterns Found In Local Flora And Fauna.
CLIMATE RESPONSIVE
FEATURES
The interior surfaces finished with wooden planks or mud
Help in insulation.
Small openings of doors and windows prevent heat loss.
Balconies act as buffer spaces between main structure and
harsh climate Help in maintaining interior temperature.
The heat from the animals bodies in the ground floor keeps
the living spaces warm.
Trap doors and vents in roof promote air circulation.
The curvilinear gable or pent-and-gable roof allows snow to
settle on the roof acting as the insulation during harsh winters.
These details keep interiors cool in summer and warm in
winter.
Wood and stone walls not only resist the racking forces of an
earthquake, but are also configured to resist sliding or
overturning.
OBJECTS OF INTEREST:
OLD TEMPLES
Bear a strong resemblance to Rajput temples (shikhara stylefrom which the design was probably taken).
Mostly dedicated to Lord Shiva and Vishnu and goddesses.
Elaborate and ornate carvings on stone and wood.
WOOD CARVING
Door panels, decoration under the eaves, and huge wooden
statues.
Main doorway including the door posts richly carved with
traditional motifs. One or
two niches to hold lamps at night made near the front door.
Wooden cantilever construction- Protruding wooden
verandas.
GADDERAN ARCHITECTURE
INTRODUCTION
: Traditional Architecture in locally available materials - Dry stone masonry and random rubble construction - supported
and intersected by wooden beams and rafters have the ability to absorb a lot of shocks from earth quakes.
The old aged wooden houses, raised multi storeyed on thathara walls.
Use of wood in construction of thathara style walls is lesser than its consumption in kath-kuni walls common in rest of
Himachal.
FOUNDATION
Rarely goes beyond 30 cm in the ground.
Large heavy stone slabs well packed together.
On the foundation so raised, pillars (thatharas) erected on corners or in
between forming a grid.
THATHARAS
Thick and roughly hewn wooden planks, (45 cm length x 40 cm width x
4 cm thickness) placed on the edge of two sides, with a gap of about 40
cm that defines the thickness of the walls.
Over it, same arrangement is repeated, but thatharas are now placed
across. The process is repeated until proposed height is obtained.
The hollow space within the pillar is filled with hand packed stones.
GADDERAN ARCHITECTURE
WALLS
The thatharas are connected with each other by horizontal planks, spaced one to one and a half metre apart vertically. The
intervening space is filled with dry irregular stone pieces.
Later, exposed faces of walls are treated with mud-cow dung plaster.
At times, the gaps between the thatharas are covered with thick and roughly hewn wooden planks. Such wall is known as
farque.
Sometimes, dhajji wall is also provided between the thatharas. To make dhajji wall, framework of wooden battens, braced
with the wooden diagonals, is made between the thatharas.
The farque and dhajji walls are preferred for upper storeys only. Being light weight, they exert much less load on foundations.
FLOORING
The floor of the obra is made up of rough flat stones. The gaps between stones filled with mud and cow dung mixture.
Upper floors made by spanning joists and beams on the walls. The post is known as thumbi. Thick wooden planks are laid on
these joists. Sometimes, thick layer of mud and cow dung mixture is applied over the wooden planks.
ROOFING
They employ age old method of supporting roof rafters (nhas) on the wall plates (kanaran) on the sides and the ridge pole
(baranda). Over them, thick slates of irregular sizes are nailed. The roof is projected considerably beyond the supports to protect
the exterior of the building from direct effect of snow and rain.
The lowest floor called obra - necessarily used for cattle and
storage of fuel and fodder.
Small holes called tohlu left on the side walls for ventilation.
The upper floors generally residential.
The first floor called obri, second floor- bhor and third floormandeh.
At times, third floor kept open on two sides to give it a
verandah type appearance, and is called sal.
No window to the outside, but only a small entrance door
called dwari on obra. Thus these multistorey houses look more
like castles than dwellings.
Independent kitchen on each floor.
KULLU ARCHITECTURE
INTRODUCTION
:This style is similar to Kath Kunni style with slight
variations.
CONSTRUCTION STYLE:
Kath Khuni style of construction
DHAJJI DIWARI
AREAS INCLUDED:
Areas of Western Himalayas like
1.Shimla
2.Hamirpur
3.Kangra
4.Kashmir
MATERIALS USED :
Wood, Stone
TYPE OF LABOUR REQUIRED :
Skilled labour
DHAJJI DIWARI
AREAS INCLUDED:
Areas of Western Himalayas like
1.Shimla
2.Hamirpur
3.Kangra
4.Kashmir
MATERIALS USED :
Wood, Stone
TYPE OF LABOUR REQUIRED :
Skilled labour
FINISHING DETAILS
Mud plaster:
A good mud plaster mix is made of one third of
clay, two thirds of sand and a fair amount of
pine needles or straw.
Apply the plaster in several layers not exceeding
0.5 each. If you make the layers too thick. they
will crack.
For paint use white wash (lime).
Dont use synthetic paint, it doesnt adhere
properly on mud plaster.
Effective response to extreme cold strong winds
or high earthquake zone.
Easy maintenance by common persons.
Economics in relation to peoples spending
capacity.
MUD ARCHITECTURE
Wall typology:
Wall system : Load bearing
Construction materials : roughly dressed stones, sun baked mud bricks and clay
Construction methodology:
Technique- 1 Rammed earth technique, wall thus formed is known as Gyank.
Technique- 2 Sun dried adobe blocks of size 15x22x30 cm known as peu.
The rough surfaces of the wall are made smooth with finishing coat of mud plaster (a special variety of mud clay
known as Markula).This clay has water resistant quality.
Seismic resistant/vulnerable features : In case of taller buildings, the base of the walls is given thicker than the top
Construction methodology : Rough logs are spanned across the room of the wall over which planks available is
placed. Due to scarcity of wood, it is common to lay poplar or willow sticks and knitted twigs closed to each other
as substitute for the planks over it rammed earth is spread to complete the roofing.
Durability/maintenance: As the roofs are flat, it is essential part of their chores during the winter that they remove
the snow regularly with wooden spades from the roof top.
TEMPLE
ARCHITECTURE
HIMACHAL PRADESH
GABLE ROOF
PENT ROOF
NAGARA STYLE
The Nagara temples in Himachal Pradesh broadly follow the
overall form and design of the typical Indo-Aryan stone
temples, found in Orissa and Khajurao areas.
Some minor modifications were made in the form of these
temples of the plains to adapt them to the climatic
conditions of the hill areas.
The series of monolithic temples of Massur in Kangra
district are the earliest specimen of the Nagara design (Figure
4).
There are a number of seventh century Nagara type temples
at Brahmaur, such as Manimahesh and Ganesha built by
Meru Verman ( 680-700 A.D).
The famous Lakshmi Narayan temple of Chamba is a group
of temples with Nagara style.
GRANARIES
VERNACULAR ARCHITECTURE
True to the conventional construction system of the villages, the granaries and small temples were constructed in KATHKHUNI method.
The organization of the buildings in the cluster is roughly circular.The granaries are on the one side and temples on the
other and open ground in the middle.
The granary is composed of two cuboids stacked on each other with a pent-and-gable roof.
The entry to the granary interior space is through first floor open balcony embracing all sides of the building.
The door to the granary is accessed by the organically stacked stones making a stairway to the open balcony.
This cantilevered balcony without a parapet, leveled at the average shoulder height of the villager, becomes an active
interactive space between the people sitting on it and the ones in the open ground during the festival.