Professional Documents
Culture Documents
of disnarrated elements - representing what did not happen but could have affected narrativity in a positive manner.
several elements positively affecting
narrativity: transactiveness rather than non-transactiveness (in other
words, actions as opposed to mere happenings); transitiveness rather than
intransitiveness (events involving an agent and a patient, as in Peterinsulted
Paul, instead of an agent only, as in Mary smiled); deep or remote causality
as opposed to a lack of it (so that the first events, chronologically speaking,
are linked to the last ones in significant ways); specificity instead of
generality (rather than sequences fitting any or indefinitely many sets of circumstances
like Countless people were born and died, the narrative act
would figure sequences contingent on specific sets like Wellington was born
in 1769 and died in 1852); singularity instead of banality (with the consequent
avoidance of repetitiveness and the kind of superficial diversity
whereby the more things seem to happen, the less things actually change,
(Coste 1989: 62); and the presence as opposed to the absence of alternative
courses of action for the narrative participants.
narrative texts create a
world by depicting particular entities and events and they make that world
coherent and intelligible by evoking a network of relations - causal links,
psychological motivations, goals, plans - among the entities and events
different modes of narrativity, including the simple
narrativity of fairy tales or urban legends (where the semantic dimension of
the text primarily springs from a linear plot revolving around a single problem),
the complex narrativity of Balzac, Dickens, or Dumas (where narrative
structures appear on both the macro- and the micro textual level and where
semantic integration obtains between the main plot lines and the subordinate
ones), the figural narrativity of lyric, historiographic, or philosophic texts (in
this case, the sender or the receiver constructs a story by reshaping universal
claims, collective entities, and abstract concepts into particular characters
and events), and the instrumental narrativity of sermons and debates (where
narrative structures appearing on the micro textual level function merely as
illustrations or clarifications of a nonnarrative macro textual level).
He point( edness) of a narrative or any other kind of text depends not only on
the constituent features of those texts but also on the context.
narrativity
should be distinguished from what is sometimes called reportability or tellability
(what makes a narrative worth telling, interesting, appealing in a given
context).'
A sexist
French formula for successful narratives valorizes the elements of mystery,
religion, sex, and aristocracy
narrativity is said to depend on the extent to which a text
involves a hierarchical organization as opposed to a mere temporal concatenation
of events (some of the latter should be of greater moment than
others); and such a hierarchical organization can be brought about by commentary
an integral and irreducible feature of narrativity. On the
one hand, its existence does not represent a counter to the argument that
different people often (but not always) agree on the comparative narrativity
of different texts. On the other hand, it can help to explain in part disagreements
in narrativity judgments. I find text A more narrative than you do
because. I do not take it to involve inordinate amounts of commentary, for
instance; and you consider text B more narrative than I do because you think
it favors specificity rather than generality.