Professional Documents
Culture Documents
20/21 POSTERS
THE SKI SALE
Thursday 22 January 2015
AUCTION
Posters,
lots
VIEWING
1-126, 152-247
Nicolette Tomkinson
ntomkinson@christies.com
Tel: +44 (0)20 7752 3301
Sophie Churcher
schurcher@christies.com
Tel: +44 (0)20 7752 3208
Irene Orgaz Garc-a
iorgazgarcia@christies.com
Tel: +44 (0)20 7752 3206
luggage,
lots
127-151
Clare Borthwick
cborthwick@christies.com
Tel: +44 (0)20 7752 3216
Saturday
Sunday
Monday
Tuesday
Wednesday
17
18
19
20
21
January
January
January
January
January
11.00
11.00
9.00
9.00
9.00
Ava Carleton-Williams
acarletonwilliams@christies.com
Tel: +44 (0)20 7752 3279
Fax: +44 (0)20 7752 3185
BUSINESS MANAGER
Georgina Lewis
glewis@christies.com
Tel: +44 (0)20 7389 2460
5.00
5.00
7.30
5.00
5.00
pm
pm
pm
pm
pm
AUCTIONEER
ADMINISTRATOR
am
am
am
am
am
Aina Truyols
Tel: +44 (0)20 7752 3179
CLIENT SERVICES
PAYMENT
BUYERS
[15]
christies.com
CONTENTS
SWITZERLAND
LUGGAGE
AMERICA & CANADA
ROGER BRODERS
FRANCE
GERMANY
NORWAY
AUSTRIA
ITALY
1-125, 171
127-151
152, 159, 164-166
167-179
126, 167-213
220-221, 223
224-228
229-240
241-247
MONTREUX-BERNER OBERLAND
BERNER OBERLAND
BERNER OBERLAND
1,000-1,500
$1,600-2,300
1,300-1,900
1,500-2,000
$2,400-3,100
1,900-2,500
1,000-1,500
$1,600-2,300
1,300-1,900
4
MARTIN PEIKERT (1901-1975)
MOB
offset lithograph in colours, 1946, printed by Klausfelder,
Vevey, condition A-; backed on japan
40 x 25 in. (102 x 64 cm.)
4,000-6,000
$6,300-9,300
5,100-7,600
*5
MARTIN PEIKERT (1901-1975)
MOB
lithograph in colours, printed by Suberlin & Pfeiffer, S.A.,
Vevey, condition A; backed on linen
39 x 25 in. (100 x 65 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
6
EDOUARD ELZINGRE (1880-1966)
THE GOLDEN PASS ROUTE
lithograph in colours, printed by Sonor S.A., Genve, condition
A-; backed on linen
40 x 25 in. (102 x 64 cm.)
5,000-7,000
$7,800-11,000
6,400-8,800
10
11
*7
10
LENK
WENGEN
2,000-3,000
1,000-1,500
$1,600-2,300
1,300-1,900
8
8
KANDERSTEG
lithograph in colours, printed by A. Trb
& Co., Aarau, condition A-; backed on
japan
40 x 25 in. (102 x 64 cm.)
800-1,200
*11
WENGEN
offset lithograph in colours, c.1935,
printed by Fretz Frres S.A., Zurich,
condition A; not backed
40 x 25 in. (102 x 64 cm.)
1,000-1,500
$1,600-2,300
1,300-1,900
*9
$3,200-4,700
2,600-3,800
W. STUDER (PHOTO)
1,000-1,500
$1,300-1,900
1,100-1,500
$1,600-2,300
1,300-1,900
13
12
12
*14
ANDR LECOMTE
MRREN
MRREN
4,000-6,000
$6,300-9,300
5,100-7,600
1,000-1,500
$1,600-2,300
1,300-1,900
*13
15
GURNIGEL
lithograph in colours, 1921, printed
by Hubacher A.G., Bern, condition A-;
backed on linen
39 x 26 in. (99 x 66 cm.)
1,500-2,000
$2,400-3,100
1,900-2,500
14
INTERLAKEN
lithograph in colours, 1933, printed
by Fretz Frres, Zurich, condition A-;
backed on linen
40 x 25 in. (102 x 65 cm.)
1,000-1,500
$1,600-2,300
1,300-1,900
15
16
18
16
ALEX WALTER DIGGELMANN (1902-1987)
GSTAAD
lithograph in colours, c.1933, printed by J.C.Mller, Zrich,
condition A; backed on linen
40 x 25 in. (103 x 64 cm.)
3,000-5,000
17
$4,700-7,800
3,800-6,300
SEILER
GSTAAD
lithograph in colours, 1942, printed by Grafca A.G., Basel,
condition A-; not backed
38 x 26 in. (98 x 67 cm.)
5,000-7,000
18
$7,800-11,000
6,400-8,800
2,000-3,000
17
$3,200-4,700
2,600-3,800
19
20
19
ALEX WALTER DIGGELMANN (1902-1987)
GSTAAD
lithograph in colours, 1938, printed by J.C.Mller, Zrich,
condition B+; backed on japan, framed
49 x 35 in. (126 x 89 cm.)
10,000-15,000
$16,000-23,000
13,000-19,000
20
ANONYMOUS
GSTAAD
lithograph in colours, 1930, printed by Brgger, Meiringen,
condition B+/A-; backed on linen, framed
39 x 27 in. (100 x 70 cm.)
8,000-12,000
21
$13,000-19,000
11,000-15,000
6,000-8,000
$9,400-12,000
7,600-10,000
21
22
25
28
23
26
29
24
27
30
22
AMSTUTZ & HERDEG
GSTAAD
offset lithograph in colours, 1939,
printed by Conzett & Huber, Zrich,
condition B+; backed on linen
50 x 35 in. (127 x 89 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
23
JOHANNES HANDSCHIN (18991948)
WINTERSPORT AUF BRAUNWALD
lithograph in colours, printed by A. Trb
& Cie., Aarau, condition A-, backed on
linen
39 x 27 in. (100 x 69 cm.)
800-1,200
$1,300-1,900
1,100-1,500
*26
24
PLETSCHER
*29
A. STEINER
1,000-1,500
*27
1,000-1,500
31
$1,600-2,300
1,300-1,900
$1,600-2,300
1,300-1,900
800-1,200
30
$1,300-1,900
1,100-1,500
1,000-1,500
$1,600-2,300
1,300-1,900
1,000-1,500
$1,600-2,300
1,300-1,900
*25
*28
*31
SWISSAIR
1,000-1,500
$1,600-2,300
1,300-1,900
1,000-1,500
$1,600-2,300
1,300-1,900
5,000-7,000
$7,800-11,000
6,400-8,800
9
32
35
*32
34
ANONYMOUS
JUNGFRAU
2,000-3,000
$3,200-4,700
2,600-3,800
800-1,200
$1,300-1,900
1,100-1,500
33
*33
35
JUNGFRAU-BAHN
JUNGFRAUBAHN
2,000-3,000
34
10
$3,200-4,700
2,600-3,800
3,000-5,000
$4,700-7,800
3,800-6,300
37
36
36
EMIL CARDINAUX (1877-1936)
JUNGFRAU
lithograph in colours, 1928, printed by Wolfsberg, Zurich,
condition A-; not backed
50 x 36 in. (127 x 92 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
*37
EMIL CARDINAUX (1877-1936)
JUNGFRAU-BAHN
lithograph in colours, 1911, printed by J.E. Wolfensberger,
Zrich, condition A-; backed on linen
48 x 36 in. (123 x 91 cm.)
10,000-15,000
$16,000-23,000
13,000-19,000
*38
EMIL CARDINAUX (1877-1936)
JUNGFRAU-RAILWAY
lithograph in colours, 1928, printed by Wolfsberg, Zrich,
condition A-; backed on linen
40 x 25 in. (102 x 65 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
38
11
39
42
40
39
41
AROSA
1,000-1,500
12
2,500-3,500
$3,900-5,400
3,200-4,400
40
42
FLUGSPENDE
AROSA
1,200-1,800
41
$1,600-2,300
1,300-1,900
$1,900-2,800
1,600-2,300
5,000-7,000
$7,800-11,000
6,400-8,800
43
44
43
HUGO LAUBI (1888-1959)
SUISSE
lithograph in colours, 1930, printed by Fretz Brothers S.A.,
Zurich, condition A-; backed on linen
40 x 25 in. (102 x 64 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
*44
ANONYMOUS
WINTER SPORTS IN SWITZERLAND
lithograph in colours, printed by Otis, condition B+; backed on
linen
41 x 27 in. (104 x 70 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
*45
ERICH HERMS (1881-1971)
WINTER IN SWITZERLAND
lithograph in colours, c.1938, printed by Suberlin & Pfeiffer
S.A., Vevey, condition A; backed on linen
39 x 24 in. (99 x 62 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
45
13
46
47
48
50
49
51
*46
48
J. CHARMOZ
KLOSTERS
KLOSTERS
1,000-1,500
$1,600-2,300
1,300-1,900
1,000-1,500
$1,600-2,300
1,300-1,900
*47
*49
ANONYMOUS
KLOSTERS
GOTSCHNA, KLOSTERS
1,500-2,000
14
$2,400-3,100
1,900-2,500
800-1,200
$1,300-1,900
1,100-1,500
52
53
50
*52
KLOSTERS
KLOSTERS
1,500-2,000
$2,400-3,100
1,900-2,500
3,000-5,000
$4,700-7,800
3,800-6,300
53
EMIL CARDINAUX (1887-1936)
51
KLOSTERS
lithograph in colours, c.1950, printed by J.C. Mller A.G.,
Zrich, condition A; not backed
40 x 25 in. (102 x 64 cm.)
1,500-2,000
3,000-5,000
$4,700-7,800
3,800-6,300
$2,400-3,100
1,900-2,500
15
54
57
55
*54
*56
DAVOS PARSENN
DAVOS PARSENN
800-1,200
16
800-1,200
$1,300-1,900
1,100-1,500
*55
57
DAVOS PARSENN
WINTER IN DAVOS
1,000-1,500
56
$1,300-1,900
1,100-1,500
$1,600-2,300
1,300-1,900
10,000-15,000
$16,000-23,000
13,000-19,000
58
59
58
59
DAVOS
12,000-18,000
$19,000-28,000
16,000-23,000
10,000-15,000
$16,000-23,000
13,000-19,000
17
60
63
60
63
DAVOS PARSENN
1,500-2,000
61
64
$2,400-3,100
1,900-2,500
64
800-1,200
1,500-2,000
DAVOS PARSENN-BAHN
lithograph in colours, c.1930, printed by
Wolfsberg, Zrich, condition A; backed
on linen
40 x 25 in. (102 x 64 cm.)
1,500-2,000
$1,300-1,900
1,100-1,500
62
18
$2,400-3,100
1,900-2,500
*61
DAVOS PARSENN
62
1,500-2,000
$2,400-3,100
1,900-2,500
$2,400-3,100
1,900-2,500
67
65
66
65
68
SCHR (PHOTO)
PONTRESINA
PONTRESINA
800-1,200
$1,300-1,900
1,100-1,500
1,000-1,500
$1,600-2,300
1,300-1,900
66
*69
PONTRESINA
PONTRESINA
2,000-3,000
$3,200-4,700
2,600-3,800
800-1,200
68
$1,300-1,900
1,100-1,500
67
MARTIN PEIKERT (1901-1975)
PONTRESINA
offset lithograph in colours, 1959,
printed by Klausfelder, Vevey, condition
A-; not backed
40 x 25 in. (102 x 64 cm.)
1,000-1,500
$1,600-2,300
1,300-1,900
69
19
70
71
72
70
73
BOSSHART
LENZERHEIDE
PONTRESINA
2,000-3,000
$3,200-4,700
2,600-3,800
8,000-12,000
$13,000-19,000
11,000-15,000
*71
74
RHTISCHE BAHN
WINTERSPORT
800-1,200
$1,300-1,900
1,100-1,500
5,000-7,000
$7,800-11,000
6,400-8,800
72
*75
MUOTTAS-MURAGL
WINTERSPORT IN GRAUBNDEN
2,000-3,000
20
$3,200-4,700
2,600-3,800
3,000-5,000
$4,700-7,800
3,800-6,300
73
75
74
21
76
79
77
*76
*78
ANONYMOUS
1,500-2,000
$2,400-3,100
1,900-2,500
79
1,000-1,500
22
$1,300-1,900
1,100-1,500
*77
78
800-1,200
$1,600-2,300
1,300-1,900
8,000-12,000
$13,000-19,000
11,000-15,000
81
80
80
*82
ST. MORITZ
ST. MORITZ
2,000-3,000
3,000-5,000
$4,700-7,800
3,800-6,300
$3,200-4,700
2,600-3,800
81
83
ST. MORITZ
ST. MORITZ
800-1,200
$1,300-1,900
1,100-1,500
82
2,000-3,000
$3,200-4,700
2,600-3,800
83
23
84
86
84
WILHELM FRIEDRICH BURGER (1882-1964)
ST. MORITZ
lithograph in colours, 1913, printed by H.J. Burger & Sohn,
Zrich, condition B+/A-; not backed
40 x 29 in. (102 x 74 cm.)
15,000-20,000
85
$24,000-31,000
19,000-25,000
HILDE SMITH
SKIFABRIK, ST. MORITZ
lithograph in colours, printed by H.J. Burger & Sohn, Zrich,
condition A-; backed on japan
43 x 31 in. (109 x 79 cm.)
10,000-15,000
86
$16,000-23,000
13,000-19,000
18,000-22,000
85
24
$28,000-34,000
23,000-28,000
87
87
88
4,000-6,000
88
$6,300-9,300
5,100-7,600
18,000-22,000
89
$28,000-34,000
23,000-28,000
2,500-3,500
$3,900-5,400
3,200-4,400
89
25
90
93
*90
92
ST. MORITZ
1,000-1,500
91
$1,600-2,300
1,300-1,900
3,000-5,000
$4,700-7,800
3,800-6,300
*91
*93
3,000-5,000
$4,700-7,800
3,800-6,300
2,000-3,000
$3,200-4,700
2,600-3,800
PROVENANCE:
92
26
94
*94
95
6,000-8,000
$9,400-12,000
7,600-10,000
*95
ALEX WALTER DIGGELMANN (1902-1987)
ST. MORITZ
lithograph in colours, 1930, printed by Eidenbenz-Seitz & Co.,
St. Gallen, condition A-; not backed
40 x 25 in. (102 x 64 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
*96
ALEX WALTER DIGGELMANN (1902-1987)
ST. MORITZ
lithograph in colours, 1955, printed by J.C. Mller, condition
A; backed on linen
40 x 25 in. (102 x 64 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
96
27
97
100
98
97
99
WILHELM MERNSINGER
(1898-1971)
SAAS-FEE
lithograph in colours, c.1930, printed by
C.-J. Bucher S.A., Lucerne, condition A;
backed on linen
40 x 25 in. (102 x 64 cm.)
1,500-2,000
*98
$1,300-1,900
1,100-1,500
*100
28
800-1,200
CHEMIN-DE-FER, MARTIGNY-ORSIERES
99
$2,400-3,100
1,900-2,500
1,500-2,000
VALAIS
$2,400-3,100
1,900-2,500
6,000-8,000
$9,400-12,000
7,600-10,000
102
101
101
103
MANFRED BINGLER
VERBIER
SWISSAIR
800-1,200
2,000-3,000
$3,200-4,700
2,600-3,800
$1,300-1,900
1,100-1,500
102
104
ALFRED PERREN-BARBERINI
(PHOTO)
ZERMATT
lithograph in colours, 1938, printed by
Fretz A.G., Zrich, condition A; backed
on linen
40 x 25 in. (101 x 64 cm.)
1,500-2,000
$2,400-3,100
1,900-2,500
103
ZERMATT
offset lithograph in colours, 1959,
printed by J.E. Wolfensberger, Zrich,
condition A; backed on linen
38 x 25 in. (98 x 64 cm.)
800-1,200
$1,300-1,900
1,100-1,500
104
29
105
108
106
105
107
WEHRLI (PHOTO)
ZERMATT
ZERMATT
1,500-2,000
$2,400-3,100
1,900-2,500
106
108
ALFRED PERREN-BARBERINI
(PHOTO)
SCHOL
ZERMATT
offset lithograph in colours, 1958,
printed by J.C. Mller A.G., Zrich,
condition A-; not backed
40 x 25 in. (102 x 64 cm.)
1,000-1,500
107
30
1,500-2,000
ZERMATT
lithograph in colours, 1947, printed by
J.C. Mller, A.G., Zrich, condition A-;
backed on linen
40 x 25 in. (102 x 65 cm.)
4,000-6,000
$1,600-2,300
1,300-1,900
$2,400-3,100
1,900-2,500
$6,300-9,300
5,100-7,600
109
110
109
CARL MOOS (1878-1959)
ZERMATT
lithograph in colours, c.1933, printed by Orell Fssli, Zrich,
condition B+/A-; backed on linen, framed
39 x 25 in. (100 x 65 cm.)
5,000-7,000
$7,800-11,000
6,400-8,800
*110
EMIL CARDINAUX (1877-1936)
ZERMATT
lithograph in colours, 1908, printed by J.E. Wolfensberger,
Zrich, condition B+; backed on japan
40 x 28 in. (103 x 72 cm.)
8,000-12,000
$13,000-19,000
11,000-15,000
*111
JEAN GABERELL-THALWIL (1887-1949)
WINTERSPORT IN ZERMATT
lithograph in colours, 1929, printed by Sadag, Geneva,
condition A; backed on linen
39 x 25 in. (100 x 64 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
111
31
112
*112
114
1,800-2,200
113
$2,800-3,400
2,300-2,800
ANONYMOUS
ENGELBERG
offset lithograph in colours, c.1934, printed by Fdrative
S.A., Berne, condition A-; backed on linen
38 x 26 in. (97 x 66 cm.)
2,000-3,000
114
$3,200-4,700
2,600-3,800
3,000-5,000
113
32
$4,700-7,800
3,800-6,300
116
115
115
*117
FRANOIS JAQUES
W. AMSTUTZ
STE-CROIX-LES RASSES
800-1,200
4,000-6,000
$6,300-9,300
5,100-7,600
$1,300-1,900
1,100-1,500
116
118
T.
ANONYMOUS
ANDERMATT
WINTERSPORT ANDERMATT
1,500-2,000
1,200-1,800
$1,900-2,800
1,600-2,300
117
$2,400-3,100
1,900-2,500
118
33
119
123
122
*119
*122
WINTER:SPORT, HEIDEN
lithograph in colours, 1914, printed by
H.J. Burger & Sohn, Zrich, condition
A-; backed on linen
39 x 28 in. (99 x 71 cm.)
1,200-1,800
120
3,500-5,500
$5,500-8,500
4,500-7,000
*120
123
ANONYMOUS
SKI-RENNEN, GLARUS
1,000-1,500
$1,600-2,300
1,300-1,900
121
MARTIN PEIKERT (1901-1975)
ZUGERBERG
lithograph in colours, 1948, printed by
Fretz A.G., Zrich, condition A-; backed
on linen
24 x 18 in. (63 x 46 cm.)
1,000-1,500
34
$1,900-2,800
1,600-2,300
121
AUTOMOBILES MARTINI
$1,600-2,300
1,300-1,900
1,800-2,200
$2,800-3,400
2,300-2,800
125
124
*124
HANS THONI (1906-1980)
GROSSER PREIS DER SCHWEIZ
lithograph in colours, 1936, condition A; backed on linen
39 x 27 in. (99 x 70 cm.)
4,000-6,000
$6,300-9,300
5,100-7,600
*125
ERIC DE COULON (1888-1956)
VI. INTERNATIONALES KLAUSEN RENNEN
lithograph in colours, 1927, printed by Polygraphisches
Institut A.G., Zrich, condition B+; backed on linen
50 x 36 in. (127 x 92 cm.)
12,000-18,000
$19,000-28,000
16,000-23,000
*126
ROBERT FALCUCCI (1900-1989)
MONTE CARLO
lithograph in colours, 1930, printed by Mongasque, Monte
Carlo, condition A-; backed on linen
47 x 31 in. (119 x 79 cm.)
10,000-15,000
$16,000-23,000
13,000-19,000
126
35
127
(2)
The lock of the trunk with the monogram JDER numbered 064378 the other numbered 061511
50,000-80,000
$78,000-120,000
64,000-100,000
LITERATURE:
For a similar trunk see Lonforte, Pierre and Pujalet-Pla, ric, 100 Legendary Trunks Louis Vuitton, New York, Abrams, 2010, pp. 206-209
These rare and unusual trunks were originally marketed as the perfect accompaniment to the large wardrobe trunk for the well to do
traveller, with both ladys and gentlemans versions available. The trunks came with a small pull out desk flap that allowed the owner to
compose their correspondence while travelling.
36
128
30,000-40,000
$47,000-62,000
38,000-51,000
129
15,000-20,000
128
$24,000-31,000
19,000-25,000
129
37
130
131
130
131
Composite leather and brass bound, with leather handles and the monogram
W.DWIGHT 12 N.Y. to either end one handle broken, mounted on casters, the
interior lined in ivory linen with one removable tray with two canvas cross straps
two lidded compartments each with dividers, the base with three canvas cross
straps, the padded lid studded with ribbon taping
13 x 43 x 21 in. (34 x 110 x 55 cm.)
Composite leather and brass bound, with leather handles and the monogram
LHH to either end, with fittings for a leather strap, mounted on casters, the
interior lined in ivory linen with one removable tray with two canvas cross straps
and two lidded compartments, each with dividers, the base with three canvas
cross straps, the padded lid studded with ribbon taping
13 x 43 x 21 in. (34 x 111 x 54.5 cm.)
5,000-8,000
$7,800-12,000
6,400-10,000
5,000-8,000
$7,800-12,000
6,400-10,000
132
38
8,000-12,000
$13,000-19,000
11,000-15,000
133
5,000-7,000
$7,800-11,000
6,400-8,800
133
134
5,000-8,000
$7,800-12,000
6,400-10,000
134
*135
2,500-3,500
$3,900-5,400
3,200-4,400
135
136
138
Comprising of a Hat Box, a Courrier trunk, a Miss France trunk and an Aero snow
globe, all of lithographed metal
The Hat Box 3 x 3 x 2 in. ( 7.5 x 9.5 x 6.25 cm.); the Courrier trunk 2 x 4 x 2
in. (6.5 x 11.5 x 7 cm.); the Miss France paperweight 3 x 6 x 3 in. ( 8 x 15 x 7.5 cm.); the
Aero snow globe 3 in. (8 cm.) (diam.) 5 in. (13 cm.) height
(4)
Comprising of two suitcases and a vanity case; the suitcases both with handles
and locks to top, with zip closures, keyfob and luggage tags, one with flap pocket
to front, the interiors both lined in biscuit leather, with leather cross straps to
base and elasticated pocket to lid; the vanity case with handle to top, front
closure and keyfob, the interior lined in biscuit leather, with elasticated pocket
to one side and elasticated fittings to the other, each case with green fabric cover
The larger suitcase 17 x 31 x 7 in. (45 x 77 x 18 cm.); the smaller suitcase 17 x 31 x
6 in. (43 x 77 x 15 cm.); the vanity case 11 x 12 x 11 in. (29 x 32 x 28 cm.)
1,200-1,500
$1,900-2,300
1,600-1,900
These mini trunks, originally created as gifts for Louis Vuittons VIP clients, are
modelled after three classic Louis Vuitton trunks. The Miss France paperweight after
the Ladys Trunk trunk that belonged to Miss France 1927, Roberte Cusey, the hat
box after the Ladys Hat Box hat box that belonged to Mrs. William Twombley, of
Paris 1895 and the courrier trunk an exact replica, one seventh the size, of an mans
courrier trunk from 1888. The Aero snow globe, also a VIP gift, was inspired by a
Pierre-Emilie Legrain ink drawing and pays homage to Louis Vuittons 1906 Aero
trunk which was designed to be attached to the gondola of a hot air balloon.
137
All stamped CUOIO SCHEDONI MODENA and the locks stamped 456 GT
1,000-1,500
(3)
$1,600-2,300
1,300-1,900
The Ferrari 456 GT released in 1992 saw Ferrari return to a front-engine model for
the first time since the 1968 365 GTB4. The 2+2 coup model came with a custom
made luggage set that fitted into the boot of the car in order to maximise space.
139
nW
Metal bound with leather handle to top, the interior lined in ivory linen, the base
with two canvas cross straps
5 x 33 x 17 in. (13 x 84 x 44 cm.)
2,000-3,000
40
$3,200-4,700
2,600-3,800
800-1,200
$1,300-1,900
1,100-1,500
140
1,000-2,000
$1,600-3,100
1,300-2,500
142
A PAIR OF MONOGRAM CANVAS SUITCASES
LOUIS VUITTON, MID 20TH CENTURY
Both composite leather and brass bound, with leather handle and the monogram
MP to the top, the interiors both lined in cream linen, with two canvas cross
straps to the base, one case with two further canvas cross straps to the lid, the
other with an additional removable tray also with two canvas cross straps
Both 7 x 24 x 14 in. (18 x 61 x 37 cm)
(2)
1,200-1,500
$1,900-2,300
1,600-1,900
141
A SET OF TAN LEATHER LUGGAGE
ASTON MARTIN, LATE 20TH - EARLY 21ST CENTURY
Comprising of two weekend bags, a small suitcase and a small golf bag; the
weekend bags both with two handles, shoulder strap and zip closure to top, the
interiors both lined in cream linen with side zip pocket; the suitcase with handle
to top, fittings for a shoulder strap, three zip closures and flat front pocket,
the interior lined in cream leather with three separate compartments and two
leather drawstring shoe bags; the golf bag with shoulder strap, front pocket and
removable top cover, the interior lined in cream leather
The weekend bags both 12 x 26 x 12 in. (30 x 67 x 30 cm.); the suitcase 14 x 18 x 7 in.
(35.5 x 46 x 18 cm.); the golf bag 47 x 7 x 3 in. (120 x 19 x 8 cm.)
The exteriors all stamped ASTON MARTIN, the interiors with additional leather
label stamped HAND MADE IN ITALY BY GOLF BROTHERS WITH FLORENTINE
LEATHER
(6)
1,000-1,500
$1,600-2,300
1,300-1,900
143
1,500-2,500
$2,400-3,900
1,900-3,200
41
~144
146
Both composite leather and brass bound, with handle to top, the interiors both
lined in cream leather with removable garment tray with two canvas cross
straps, three wooden hangers and linen divider, the base of both cases with two
canvas cross straps, one case with luggage tag
8 x 25 x 20 in. (22 x 65 x 52 cm.)
The lock of one suitcase numbered 127580 and the other 127579
1,500-2,000
(2)
$2,400-3,100
1,900-2,500
1,500-2,500
$2,400-3,900
1,900-3,200
147
145
nW
Composite leather and brass bound, with leather handle to top, the interior lined
in ivory linen, with a removable webbed basked with four canvas cross straps,
the padded lid studded with ribbon taping
19 x 19 x 17 in. (49 x 50 x 44 cm.)
Leather and brass bound, with leather handles and the monogram PGV and
a crown to either end, mounted on casters, the interior lined in ivory linen, the
padded lid studded with ribbon taping
12 x 40 x 21 in. (32 x 101.5 x 53.5 cm.)
2,000-3,000
42
$3,200-4,700
2,600-3,800
1,200-1,500
$1,900-2,300
1,600-1,900
148
150
Bound in leather, with leather handle to top, the interior lined in ivory linen with
one removable tray, the base with two red cord cross straps and one red canvas
cross strap
12 x 14 x 11 in. ( 31 x 36 x 29 cm.)
The interior label numbered 44406
2,000-4,000
$3,200-6,200
2,600-5,100
The lock of the suitcase stamped ASPREY LONDON; the lock of the vanity case
stamped PROV. PAT. 10965129 the interior of the suitcase stamped ASPREY
LONDON
(2)
1,500-2,000
$2,400-3,100
1,900-2,500
149
151
Metal bound with metal handles and a red diamond to either end, fittings for a
leather strap, mounted on casters, the interior lined in ivory linen with fittings for
removable trays, the padded lid studded with ribbon taping
21 x 39 x 20 in. (54 x 100 x 53 cm.)
Bound in metal, with metal handles, the monogram B.J.F and the number 4 to
either end, with fitting for a leather strap, mounted on casters, the interior lined in
cream and red striped paper and canvas, with three removable trays each with
three canvas cross straps, the padded lid studded with purple ribbon taping
27 x 39 x 23 in. (70 x 101 x 59 cm.)
3,500-4,500
$5,500-7,000
4,500-5,700
2,000-3,000
$3,200-4,700
2,600-3,800
43
152
155
153
152
154
ANONYMOUS
ANONYMOUS
SUN VALLEY
LA PROVINCE DE QUBEC
800-1,200
1,000-1,500
44
$1,600-2,300
1,300-1,900
$1,300-1,900
1,100-1,500
153
*155
R.A. JOHNSON
S.D.
ALBERTA
800-1,200
154
$1,300-1,900
1,100-1,500
3,000-5,000
$4,700-7,800
3,800-6,300
157
156
*156
158
ANONYMOUS
FLEXIBLE FLYER
1,800-2,200
$2,800-3,400
2,300-2,800
158
1,000-1,500
$1,600-2,300
1,300-1,900
157
159
LETS GO SKIING!
1,000-1,500
$1,600-2,300
1,300-1,900
1,000-1,500
$1,600-2,300
1,300-1,900
159
45
160
163
161
*160
162
ANONYMOUS
SELO CHROME
PAMPERS
800-1,200
$1,300-1,900
1,100-1,500
*163
J. HARPER
MIFFY, PAMPERS
KOSCIUSKO
800-1,200
46
$1,300-1,900
1,100-1,500
161
162
800-1,200
$1,300-1,900
1,100-1,500
3,000-5,000
$4,700-7,800
3,800-6,300
165
164
*164
T.N. JOANETHIS
DARTMOUTH
lithograph in colours, 1938, condition B+; backed on linen
34 x 22 in. (87 x 56 cm.)
2,500-3,500
*165
$3,900-5,400
3,200-4,400
ANONYMOUS
DARTMOUTH CARNIVAL
lithograph in colours, 1935, condition A; backed on linen
34 x 22 in. (87 x 56 cm.)
3,000-5,000
*166
$4,700-7,800
3,800-6,300
JOHN R. BOWERS
DARTMOUTH
lithograph in colours, 1942, printed by Brett Lithographing
Company, condition A-; backed on linen
34 x 22 in. (87 x 56 cm.)
1,500-2,000
$2,400-3,100
1,900-2,500
166
47
167
169
*167
ROGER BRODERS (1883-1953)
WINTER SPORTS IN THE FRENCH ALPS
lithograph in colours, c.1930, printed by L. Serre & Cie., Paris,
condition A-; not backed
40 x 25 in. (102 x 64 cm.)
8,000-12,000
*168
$13,000-19,000
11,000-15,000
5,000-7,000
169
$7,800-11,000
6,400-8,800
5,000-7,000
168
48
$7,800-11,000
6,400-8,800
171
170
*170
171
10,000-15,000
$16,000-23,000
13,000-19,000
15,000-20,000
$24,000-31,000
19,000-25,000
49
172
175
173
*172
*174
LE MONT REVARD
VILLARD DE LANS
800-1,200
50
2,000-3,000
$3,200-4,700
2,600-3,800
*173
*175
LE HOHWALD
MONT-REVARD
2,000-3,000
174
$1,300-1,900
1,100-1,500
$3,200-4,700
2,600-3,800
3,000-5,000
$4,700-7,800
3,800-6,300
177
176
*176
ROGER BRODERS (1883-1953)
COL DU GRAND ST. BERNARD
lithograph in colours, 1927, printed by Lucien Serre & Cie.,
Paris, condition A; backed on linen
42 x 31 in. (107 x 79 cm.)
2,000-3,000
*177
$3,200-4,700
2,600-3,800
4,000-6,000
178
$6,300-9,300
5,100-7,600
2,500-3,500
$3,900-5,400
3,200-4,400
178
51
179
182
180
*179
181
TAIRRAZ (PHOTO)
FUNICULAIRE CHAMONIX-PLANPRAZ
CHAMONIX-MONT BLANC
1,000-1,500
2,000-3,000
52
$1,600-2,300
1,300-1,900
$3,200-4,700
2,600-3,800
*180
182
JEAN JULIEN
CHAMONIX MONT-BLANC
1,500-2,000
181
$2,400-3,100
1,900-2,500
7,000-9,000
$11,000-14,000
8,900-11,000
184
183
183
185
CHAMONIX MONT-BLANC
lithograph in colours, 1933, printed by
Lucien Serre & Cie., Paris, condition
B/B+; backed on linen
39 x 24 in. (100 x 63 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
LE MONT BLANC
lithograph in colours, 1898, printed by
A. Bellier & Cie., Paris, condition A;
backed on linen
41 x 29 in. (106 x 75 cm.)
1,200-1,800
$1,900-2,800
1,600-2,300
184
186
Y. LATY
CHAMONIX MONT-BLANC
MONT BLANC
1,500-2,000
$2,400-3,100
1,900-2,500
185
700-900
$1,100-1,400
890-1,100
186
53
187
190
*187
*190
VERS LE MONT-BLANC
VERS LE MONT-BLANC
2,000-3,000
188
191
$3,200-4,700
2,600-3,800
*191
P. FERVE-BRIQUET
AURON
VERS LE MONT-BLANC
800-1,200
$1,300-1,900
1,100-1,500
2,000-3,000
$3,200-4,700
2,600-3,800
189
192
HUGUETTE CROMIRES
8 JOURS DE NEIGE
800-1,200
54
$3,200-4,700
2,600-3,800
188
189
2,000-3,000
1,000-1,500
$1,300-1,900
1,100-1,500
$1,600-2,300
1,300-1,900
194
192
193
193
*195
ABEL
1,000-1,500
$1,600-2,300
1,300-1,900
1,500-2,000
$2,400-3,100
1,900-2,500
194
196
VECOUX
JAN LGER
1,000-1,500
$1,600-2,300
1,300-1,900
800-1,200
195
$1,300-1,900
1,100-1,500
196
55
197
200
198
197
199
ANONYMOUS
H. CHAUFFARD
VALLOIRE
LE MARKSTEIN
800-1,200
$1,300-1,900
1,100-1,500
200
SERRALIER (PHOTO)
800-1,200
56
$1,900-2,800
1,600-2,300
198
199
1,200-1,800
$1,300-1,900
1,100-1,500
3,000-5,000
$4,700-7,800
3,800-6,300
201
202
201
PIERRE MICHEL
BARCELONNETTE
lithograph in colours, 1928, printed by Azmard Cousins,
Nimes, condition A-; backed on linen
42 x 31 in. (108 x 79 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
*202
PAUL ORDNER (1900-1969)
COMBLOUX
lithograph in colours, 1935, printed by Bahy, Mulhouse,
condition A-; backed on paper
39 x 24 in. (101 x 62 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
*203
LEONETTO CAPPIELLO (1875-1942)
SUPERBAGNRES-LUCHON
lithograph in colours, 1929, printed by Devambez, Paris,
condition A-; backed on linen
39 x 24 in. (100 x 61 cm.)
5,000-7,000
$7,800-11,000
6,400-8,800
203
57
204
205
206
58
207
208
209
210
211
212
*204
L. DE NEURAC
LUCHON-SUPERBAGNRES
lithograph in colours, 1922, printed by
Lopold Verger, Paris, condition B+;
backed on linen
39 x 25 in. (100 x 65 cm.)
1,500-2,000
$2,400-3,100
1,900-2,500
*205
ROGER SOUBIE (1898-1984)
COUPE DE FRANCE, LUCHONSUPERBAGNRES
lithograph in colours, 1923, printed by
Cornille & Serre, Paris, condition A-;
backed on linen
40 x 25 in. (102 x 64 cm.)
1,000-1,500
$1,600-2,300
1,300-1,900
213
206
209
*212
F.R. GANEAU
REN MICHAUD
LETE A MEGEVE
MGVE
LA NUIT DU SKI
3,000-5,000
800-1,200
$1,300-1,900
1,100-1,500
$4,700-7,800
3,800-6,300
1,000-1,500
$1,600-2,300
1,300-1,900
207
210
213
M. CARABIN (PHOTO)
RAYMOND SAVIGNAC
(1907-2002)
800-1,200
$1,300-1,900
1,100-1,500
*208
LUCIEN BLUMER (1871-1947)
1,500-2,000
3,000-5,000
$2,400-3,100
1,900-2,500
$4,700-7,800
3,800-6,300
211
HULON
VALLE DE MUNSTER
lithograph in colours, printed by
Alsacienne, Strasbourg, condition B+;
backed on linen
800-1,200
VAL DISRE
$1,300-1,900
1,100-1,500
1,000-1,500
$1,600-2,300
1,300-1,900
59
214
216
218
219
217
214
216
PIERRE-LAURENT BRENOT
(1913-1998)
800-1,200
$1,300-1,900
1,100-1,500
217
WINTER BEGINS
800-1,200
60
$1,300-1,900
1,100-1,500
215
215
800-1,200
$1,300-1,900
1,100-1,500
800-1,200
(2)
$1,300-1,900
1,100-1,500
221
220
218
*221
PIERRE-LAURENT BRENOT
(1913-1998)
DOWNHILL FOLLIE
WILDBAD KREUTH
800-1,200
$1,300-1,900
1,100-1,500
1,000-1,500
219
222
PIERRE-LAURENT BRENOT
(1913-1998)
V. RUBASTA
A GLANCE BACK
offset lithograph in colours, 1950,
condition A-; backed on linen
27 x 12 in. (69 x 31 cm.)
800-1,200
$1,600-2,300
1,300-1,900
222
800-1,200
$1,300-1,900
1,100-1,500
$1,300-1,900
1,100-1,500
*220
223
BILGERI-SKI-AUSRSTUNG
lithograph in colours, c.1910, printed by
Reichold & Lang, Munchen, condition
A; backed on linen
20 x 30 in. (51 x 77 cm.)
800-1,200
$1,300-1,900
1,100-1,500
DEUTSCHE SKI-MEISTERSCHAFT
lithograph in colours, 1927, printed by
Kunst Im Druck, Mnchen, condition
B+/A-; backed on linen
35 x 24 in. (89 x 61 cm.)
800-1,200
$1,300-1,900
1,100-1,500
223
61
224
227
225
224
226
ANONYMOUS
TIL NORGE
1,000-1,500
62
800-1,200
$1,300-1,900
1,100-1,500
225
227
SCHENK
LA SUDE, AEROTRANSPORT
LHIVER EN NORVGE
800-1,200
226
$1,600-2,300
1,300-1,900
$1,300-1,900
1,100-1,500
3,000-5,000
$4,700-7,800
3,800-6,300
228
229
228
CLAUDE LEMEUNIER
NORWAY
lithograph in colours, 1957, printed by Offset-service,
condition B+; not backed
38 x 24 in. (98 x 63 cm.)
2,000-3,000
$3,200-4,700
2,600-3,800
229
B.P.
AUSTRIA
lithograph in colours, 1938, condition B+; backed on linen
37 x 25 in. (95 x 64 cm.)
4,000-6,000
$6,300-9,300
5,100-7,600
230
EDITH REIDEL (1909-1992)
STEIERMARK
lithograph in colours, c.1930, printed by Alfred Wall, Graz,
condition B+/A-; backed on linen
37 x 25 in. ( 94 x 64 cm.)
3,000-5,000
$4,700-7,800
3,800-6,300
230
63
231
232
233
64
234
235
236
237
238
239
*231
HANS WAGULA (1894-1964)
L AUTRICHE
lithograph in colours, printed by Kefa,
Innsbruck, condition B+; backed on
linen
37 x 25 in. (96 x 64 cm.)
800-1,200
$1,300-1,900
1,100-1,500
232
EBNER
STERREICH
offset lithograph in colours, c.1950,
printed by Brder, Vienna, condition
B+/A-; backed on linen
37 x 25 in. (96 x 64 cm.)
800-1,200
$1,300-1,900
1,100-1,500
*233
240
236
239
WINTERSPORT IM STEIR
SALZKAMMERGVT
ANONYMOUS
AUSTRIA!
AUTRICHE
800-1,200
$1,300-1,900
1,100-1,500
800-1,200
$1,300-1,900
1,100-1,500
*237
234
WAGNER
LHIVER EN AUTRICHE
EN HIVER A VIENNE
lithograph in colours, printed by Gerin,
Wien, condition B+/A-: not backed
1,000-1,500
$1,600-2,300
1,300-1,900
240
ERICH VON WUNSCHHEIM
TO AUSTRIA
lithograph in colours, 1937, printed
by Richard Bruchsteiner, Wienne,
condition A-; backed on linen
37 x 24 in. (94 x 62 cm.)
800-1,200
$1,300-1,900
1,100-1,500
1,000-1,500
$1,600-2,300
1,300-1,900
238
235
$4,700-7,800
3,800-6,300
ANONYMOUS
AUTRICHE
1,000-1,500
3,000-5,000
$1,600-2,300
1,300-1,900
1,500-2,000
$2,400-3,100
1,900-2,500
65
241
242
243
241
244
*247
MADONNA DI CAMPIGLIO
AOSTA
lithograph in colours, 1931, printed by
E.N.I.T., condition A-; not backed
39 x 24 in. (100 x 62 cm.)
2,000-3,000
4,000-6,000
$3,200-4,700
2,600-3,800
$6,300-9,300
5,100-7,600
*242
245
ITALIA
CORTINA
1,000-1,500
$1,600-2,300
1,300-1,900
6,000-8,000
$9,400-12,000
7,600-10,000
243
*246
GIUSEPPE RICCOBALDI
(1887-1976)
TERMINILLO
lithograph in colours, 1940, printed by
Barabino & Graeve, Genova, condition
A-; backed on linen
39 x 27 in. (99 x 70 cm.)
3,000-5,000
66
$4,700-7,800
3,800-6,300
CORTINA
lithograph in colours, c.1930, condition
B+/A-; backed on japan
39 x 27 in. (99 x 69 cm.)
8,000-12,000
$13,000-19,000
11,000-15,000
2,000-3,000
$3,200-4,700
2,600-3,800
244
245
246
247
67
BIBLIOGRAPHY
THE ART OF SKIING
de Gex, Jenny, 2006, Palazzo Editions, ISBN
0954510380
BAUMBERGER
Otto Baumberger 1889-1961, 1988, Zurich,
ISBN 3 907065 27 1
BRODERS
Montry de, Anne & Lepeuve, Francoise, Les
Affiches de Roger Broders, 1991, Syros ISBN
2-86738-595-4
CARDINAUX
Emil Cardinaux 1877-1936, 1985, Museum
fr Geltaltung Zurich Kunstegewerbemuseum
CHAMONIX
Bibliothque Municipale Chamonix, Cent
ans daffiches Chamonix: exposition, Editions
Clouet, 1991, Paris
C.I.O.
Comite International Olympique, Olympism
Through Posters 1896-1984, 1983, International
Olympic
Committee
CONQUERING THE SKIES
Giroud, Jean Charles, Conquering the Skies
in Swiss Poster Art, Patrick Cramer, 2008,
Geneva
D.F.P. I
Das Frhe Plakat in Europa und den USA
Volume I, British and American Posters, Mann
Verlag, 1977, Berlin
D.F.P. II
Das Frhe Plakat in Europa und den USA
Volume II, French and Belgian Posters, Mann
Verlag, 1977, Berlin
D.F.P. III
Das Frhe Plakat in Europa und den USA
Volume III, German Posters, Mann Verlag,
1980, Berlin
ELZINGRE
Giroud, Jean Charles and Cramer, Patrick
(Editor) Ed. Elzingre, 1998, Geneva
GIROUD
Giroud, Jean-Charles, A Century of Swiss
Winter Sports Posters, 2006, Patrick Cramer
TRAVEL ITALIA
Ottaviani, Lorenzo, The Golden Age of Italian
Travel Posters (from the Collection Alessandro
Bellenda, Alassio, Italy), 2007, Abrams, New
York, ISBN 0810994410
LA MONTAGNE SAFFICHE
Hillion, Daniel, La Montagne sAffiche, 1991,
Editions Ouest France ISBN 2-7373-0862-3
LE TRAIN A LAFFICHE
Canard, F & Zagrodzki, C, Le Train a
lAffiche, 1989, La Vie du Rail, Paris ISBN
2-902802-30-5
LENHART
Festi, Roberto & Gullo, Lillo, Franz J.Lenhart,
ISBN 88-85341-04-7
LEUPIN
Lnd, Karl & Leupin, Charles, Herbert
Leupin, 1995, Reinhardt Verlag, Basel ISBN
2-902808-30-5
MANGOLD
Burkhard Mangold 1873-1950, 1984, Museum
fr Geltaltung Zurich Kunstgewerbemuseum
MARGADANT
Margadant, The Swiss Poster 1900-1983, 1983,
Birkhuser Verlag, Basel ISBN 3-7643-13544
OLYMPIC IMAGE
Yew W., The Olympic Image, 1996, Quon
Editions, Canada, ISBN 0-9694432-7-7
OLYMPIC POSTERS
Timmers, Margaret, A Century of Olympic
Posters, 2008, V&A Publishing, London
ISBN: 978-1-85177-538-5
PARADIS VENDRE
Cosandier, Giroud, Schlup & Vonche,
Paradis Vendre, Un Sicle dAffiches
Touristiques Suisses, 2005, Patrick Cramer,
Geneva
RAYNER
Rayner, Ranulf, The Story of Skiing, 1989,
Saik Wah Press, Singapore
SAVIGNAC
Lelieur, Anne-Claude, Savignac Affichiste,
2001, Bibliothque Forney, Paris ISBN 9782843310799
SPORTS DHIVER
Clerc, Jean-Daniel & Giroud, Jean-Charles,
Affiches de Sports DHiver, 2014, ditions
Citadelles & Mazenod, Paris ISBN 978 2
85088 597 6
TOURISM POSTERS OF
SWITZERLAND
Wobmann, K., Tourism Posters of Switzerland
1880-1940, 1981, AT Verlag, Stuttgart
ISBN 3-85502-063-9
WOBMANN & TRIET
Wobmann, Karl & Triet, Max, Swiss Sports
Posters, 1983, ABC Verlag, Zrich ISBN
3-85504-077-X
WYDER
Wyder, Bernard, Affiches Valaisannes Walliser
Plakate, 2004, Edition Verlag, ISBN
3-907624-49-1
INDEX OF RESORTS
SWITZERLAND
Arosa, 39, 42
Andermatt, 116, 118
Berner Oberland, 1-6
Braunwald, 23
Davos, 54-64
Engelberg, 112-113
Glarus, 120
Gstaad, 16-22
Gurnigel, 13
Heiden, 119
Interlaken, 15
Jungfrau, 32-38
Kandersteg, 8, 9
Klausen, 125
Klosters, 46-52
Lausanne, 123
Lenk, 7
Lenzerheide, 70
Martigny-Orsieres, 98
Muottas-Muragl, 72
Murren, 12, 14
68
Pontresina, 65-69, 73
Saas-Fee, 97
Silvaplana, 94
St Croix Les Rasses, 115, 117
St Moritz, 77-93, 95-96
Verbier, 102
Wengen, 10-11
Zermatt, 102-111
Zugerberg, 121
REST OF EUROPE
Aosta, 241
Alpe dHuez, 189
Auron, 188
Barcelonette, 201
Chamonix & Mont Blanc, 177, 179, 181186, 190-191
Combloux, 202
Cortina, 245-246
Le Hohwald, 173
Le Markstein, 199
Le Mont Revard, 172, 175
INDEX
A
Abel, 193
Amstutz & Herdeg, 22
Amstutz, W., 117
B
B.P., 229
Barberis, F., 3, 51
Barth, O., 233
Beckman, A., 225
Bickel, K., 89
Bingler, M., 103
Blumer, L., 208
Borer, A., 55
Bosshart, 70
Bowers, J., 166
Brenot, P., 216, 218-219
Broders, R., 167-175, 177-179
Brun, D., 30, 39, 46
Bruna, D., 161-162
Burger, W.F., 72-73, 84, 119
C
Cappiello, L., 203
Carabin, M., 207
Cardinaux, E., 32-33, 35-36, 38, 42, 53, 58,
71, 91, 110, 122
Carigiet, A., 28, 47, 80
Cassandre, A.M., 242
Charmoz, J., 48
Chauffard. H., 199
Cromires, H., 189
D
DAlesi, H.F., 185
de Coulon, E., 125
Diggelmann, A.W., 15, 16, 19, 50, 95-96
Dorival, G.S., 187, 190-191
Doro, T., 200
E
Ebner, 232
Eggimann, H., 59
Elzingre, E., 6
Erdt, H.R., 93
F
Ferve-Briquet, P., 188
Fix-Masseau, P., 213
Frauk, F.L., 212
G
Gaberell-Thalwil, J., 111
Ganeau, F.R., 206
Gusset, P., 2
J
Jahn, G., 235
Jaques, F., 115
Jegerlehner, H., 27
Joanethis, T.N., 164
Johnson, R.A., 153
Julien, J., 180
K
Kammller, P., 40
Keck & Furter, 61
Keck, L., 7, 102
Kirnig, 239
Koch, W., 74-75
Kuhn, C., 21, 41, 87
Kunst, C., 220
Kurtz, H., 63
L
Landry, P., 123
Laty, Y., 186
Laubi, H., 43, 52, 79, 83
Lecomte, A., 12
Lger, J., 196
Lemeunier, C., 228
Lenhart, F., 244, 246-247
Leupin, H., 25, 56, 60, 62
Libis, 100
Lichtenstein, R., 159
M
Magagnoli, G., 241
Mangold, B., 57
Matter, H., 26, 112, 114
Maurer, S., 156-157
Mernsinger, W., 97
Michaud, R., 209
Michel, P., 201
Monnerat, P., 54
Moos, C., 86, 88, 109
Muret, A., 98
P
Peikert, M., 4-5, 10, 14, 18, 31, 65-67, 101, 121
Pellegrini, C., 217
Perren-Barberini, A., 104, 106
Pletscher, 24
Ponty, M., 184
Puppo, M., 245
R
Ranson, R.G., 214
Reb, H., 183
Reckziegel, A., 105
Reidel, E., 230
Riccobaldi, G, 243
Rubasta, V., 222
S
S.D., 155
Savignac, R., 210
Schr, 68
Schenk, 227
Schol, 108
Seiler, 17
Serralier, 198
Smith, H., 85
Soubie, R., 205
Steiner, A., 29
Stiefel, E., 90
Studer, W., 11
T
Tairraz, 181
Tamagno, F., 182
Thommen, E., 69
Thoni, H., 124
Thos, Y., 215
Trapp, W., 8-9, 64, 92
V
Vecoux, 194
Villemot, B., 195
von Kager, E., 13
W
Wagner, 234
Wagula, H., 231
Wehrli, 107
Weisknig, W., 77
Wunschheim, E., 237, 240
N
Neurac, L., 204
69
30/09/14
70
BUYING AT CHRISTIES
CONDITIONS OF SALE
Christies Conditions of Sale and Limited Warranty are set out
later in this catalogue. Bidders are strongly encouraged to read
these as they set out the terms on which property is bought
at auction.
ESTIMATES
Estimates are based upon prices recently paid at auction for
comparable property, condition, rarity, quality and provenance.
Estimates are subject to revision. Buyers should not rely upon
estimates as a representation or prediction of actual selling
prices. Estimates do not include the buyers premium or VAT.
Where Estimate on Request appears, please contact the
Specialist Department for further information.
RESERVES
The reserve is the confidential minimum price the consignor
will accept and will not exceed the low pre-sale estimate. Lots
that are not subject to a reserve are identified by the symbol
next to the lot number.
BUYERS PREMIUM
Christies charges a premium to the buyer on the final bid
price of each lot sold at the following rates: 25% of the final
bid price of each lot up to and including 50,000, 20% of
the excess of the hammer price above 50,000 and up to and
including 1,000,000 and 12% of the excess of the hammer
price above 1,000,000. Exceptions: Wine and Cigars: 17.5%
of the final bid price of each lot. VAT is payable on the
premium at the applicable rate.
PRE-AUCTION VIEWING
Pre-auction viewings are open to the public free of charge.
Christies specialists are available to give advice and condition
reports at viewings or by appointment.
BIDDER REGISTRATION
Prospective buyers who have not previously bid or consigned
with Christies should bring:
Individuals: government-issued photo identification (such as
a photo driving licence, national identity card, or passport) and,
if not shown on the ID document, proof of current address, for
example a utility bill or bank statement.
Corporate clients: a certificate of incorporation.
For other business structures such as trusts, offshore
companies or partnerships, please contact Christies Credit
Department at + 44 (0)20 7839 2825 for advice on the
information you should supply.
A financial reference in the form of a recent bank statement
or a reference from your bank in line with your expected
purchase level. Christies can supply a form of wording for the
bank reference if necessary.
Persons registering to bid on behalf of someone who has
not previously bid or consigned with Christies should bring
identification documents not only for themselves but also for
the party on whose behalf they are bidding, together with a
signed letter of authorisation from that party.
To allow sufficient time to process the information, new clients
are encouraged to register at least 48 hours in advance of a sale.
Prospective buyers should register for a numbered bidding
paddle at least 30 minutes before the auction. Clients who have
not made a purchase from any Christies office within the last
one year and those wishing to spend more than on previous
occasions, will be asked to supply a new bank reference.
For assistance with references, please contact Christies Credit
Department at +44 (0)20 7389 2862 (London, King Street)
or at +44 (0)20 7752 3137 (London, South Kensington). We
may at our option ask you for a financial reference or a
deposit as a condition of allowing you to bid.
REGISTERING TO BID ON SOMEONE ELSES BEHALF
Persons bidding on behalf of an existing client should bring
a signed letter from the client authorising the bidder to act
on the clients behalf. Please note that Christies does not
accept payments from third parties. Christies can only accept
payment from the client, and not from the person bidding
on their behalf.
BIDDING
The auctioneer accepts bids from those present in the saleroom, from telephone bidders, or by absentee written bids left
with Christies in advance of the auction. The auctioneer may
also execute bids on behalf of the seller up to the amount of
the reserve. The auctioneer will not specifically identify bids
placed on behalf of the seller. Under no circumstances will the
auctioneer place any bid on behalf of the seller at or above the
reserve. Bid steps are shown on the Absentee Bid Form at the
back of this catalogue.
ABSENTEE BIDS
Absentee bids are written instructions from prospective buyers
directing Christies to bid on their behalf up to a maximum
amount specified for each lot. Christies staff will attempt to
execute an absentee bid at the lowest possible price, taking
into account the reserve price. Absentee bids submitted on no
reserve lots will, in the absence of a higher bid, be executed
at approximately 50% of the low pre sale estimate or at the
amount of the bid if it is less than 50% of the low pre-sale
estimate.The auctioneer may execute absentee bids directly
from the rostrum, clearly identifying these as absentee bids,
book bids, order bids or commission bids. Absentee
Bids Forms are available in this catalogue, at any Christies
location, or online at christies.com.
TELEPHONE BIDS
Telephone bids cannot be accepted for lots estimated below
2,000. Arrangements must be confirmed with the Bid
Department at least 24 hours prior to the auction at +44 (0)20
7389 2658 (London, King Street) or +44 (0)20 7752 3225
(London, South Kensington). Arrangements to bid in languages
other than English must be made well in advance of the sale
date. Telephone bids may be recorded. By bidding on the
telephone, prospective purchasers consent to the recording of
their conversation.
SUCCESSFUL BIDS
While Invoices are sent out by mail after the auction we do not
accept responsibility for notifying you of the result of your bid.
Buyers are requested to contact us by telephone or in person as
soon as possible after the sale to obtain details of the outcome
of their bids to avoid incurring unnecessary storage charges.
Successful bidders will pay the price of the final bid plus
premium plus any applicable VAT.
PAYMENT
Buyers are expected to make payment for purchases
immediately after the auction. To avoid delivery delays,
prospective buyers are encouraged to supply bank or other
suitable references before the auction. Please note that Christies
will not accept payments for purchased Lots from any party
other than the registered buyer.
Lots purchased in London may be paid for in the following
ways: wire transfer, credit card: Visa and MasterCard & American
Express only (up to 25,000), and cash (up to 5,000 (subject
to conditions)), bankers draft (subject to conditions) or cheque
(must be drawn in GBP on a UK bank; clearance will take 5 to
10 business days).
Wire Transfers: Lloyds TSB Bank Plc City Office PO Box 217
72 Lombard Street, London
EC3P 3BT A/C: 00172710 Sort Code: 30-00-02 for
international transfers, SWIFT LOYDGB2LCTY. For banks
asking for an IBAN: GB81 LOYD 3000 0200 1727 10.
Credit Card: Visa and MasterCard & American Express only. A
limit of 25,000 for credit card payments will apply. This limit
is inclusive of the buyers premium and any applicable taxes.
Credit card payments at London sale sites will only be accepted
for London sales. Christies will not accept credit card payments
for purchases made in any other sale site. The fax number to
send completed CNP (Card Member not Present) authorisation
forms to is +44 (0) 20 7389 2821. The number to call to make
a CNP payment over the phone is +44 (0) 20 7752 3388.
Alternatively, clients can mail the authorisation form to the
address below.
Cash is limited to 5,000 (subject to conditions).
Bankers Draft should be made payable to Christies (subject to
conditions).
Cheques should be made payable to Christies (must be
drawn in GBP on a UK bank, clearance will take 5 to 10
business days).
In order to process your payment efficiently, please quote
sale number, invoice number and client number with all
transactions.
All mailed payments should be sent to:
Christies, Cashiers Department,
8 King Street, St Jamess, London, SW1Y 6QT
Please direct all inquiries to King Street
Tel: +44 (0) 20 7389 2996 Fax: +44 (0) 20 7389 2863
VAT
These lots have been imported from outside the EU for sale
using a Temporary Import regime. Import VAT is payable
(at 20%) on the Hammer price. VAT is also payable (at 20%)
on the buyers Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. Where applicable
Customs duty will be charged (per rate specified by HMRC
guidance) on the Hammer price and VAT will be payable at
20% on duty. When a buyer of such a lot has registered an EU
address but wishes to export the lot or complete the import
into another EU country, he must advise Christies immediately
after the auction.
BuyersfromwithintheEU:
VAT payable at 20% on just the buyers premium (NOT the
hammer price).
BuyersfromoutsidetheEU:
VAT payable at 20% on hammer price and buyers premium.
If a buyer, having registered under a non-EU address, decides
that the item is not to be exported from the EU, then he
should advise Christies to this effect immediately
q Z
ero rated
No VAT charged.
(no symbol) Auctioneers Margin Scheme
In all other circumstances no VAT will be charged on the
hammer price, but VAT payable at 20% will be added to the
buyers premium which is invoiced on a VAT inclusive basis.
WineAuctions
This wine is in bond. You can choose to take the wine
in bond or duty paid. See the additional conditions of sale
relating to wine for further details.
VATRefunds
Refunds cannot be made where lots have been purchased with
an inside EU address. Christies can only refund Import VAT
(Lots with * or symbol) if lots are exported within 30 days
of collection. Valid export documents must be returned within
the stipulated time frame. No refund will be paid out where
the total amount is less than 100. UK & EU private buyers
cannot reclaim VAT. Christies will charge 35 for each
refund processed. For detailed information please see the leaflets
available, or email info@Christies.com
Where non-EU buyers have failed to export their lots outside
of the EU within the required time, HM Revenue & Customs
will not allow a VAT refund to be made. This is a requirement
of UK legislation and Christies do not have discretion to make
exceptions to the rule. UK and EU private buyers cannot
reclaim any VAT charged.
ARTISTS RESALE RIGHT (DROIT DE SUITE)
If a lot is affected by this right it will be identified with the
symbol next to the lot number. The buyer agrees to pay to
Christies an amount equal to the resale royalty. Resale royalty
applies where the Hammer Price is 1,000 Euro or more and
the amount cannot be more than 12,500 Euro per lot. The
amount is calculated as follows:
Royalty
4.00%
3.00%
1.00%
0.50%
0.25%
71
Furniture/
Large Objects
Transfer/Admin
Storage per day
Extended
Liability Charge:
42.00
21.00
5.25
2.65
The lower amount of 0.6% of
Hammer Price or 100% of the
above charges
Pictures/
Small Objects
CONDITIONS OF SALE
These Conditions of Sale and the Important Notices
and Explanation of Cataloguing Practice set out the
terms governing the legal relationship of Christies
and the seller with the buyer. You should read them
carefully before bidding.
3. AT THE SALE
(a) Refusal of admission
Christies has the right, at our complete discretion,
to refuse admission to the premises or participation
in any auction and to reject any bid.
1. CHRISTIES AS AGENT
Except as otherwise stated Christies acts as agent for
the seller. The contract for the sale of the property is
therefore made between the seller and the buyer.
2.
CATALOGUE DESCRIPTIONS
AND CONDITION
Lots are sold as described and otherwise in the
condition they are in at the time of the sale, on the
following basis.
(a) Condition
The nature of the lots sold in our auctions is such that
they will rarely be in perfect condition, and are likely,
due to their nature and age, to show signs of wear
and tear, damage, other imperfections, restoration or
repair. Any reference to condition in a catalogue entry
will not amount to a full description of condition.
Condition reports are usually available on request,
and will supplement the catalogue description. In
describing lots, our staff assess the condition in a
manner appropriate to the estimated value of the item
and the nature of the auction in which it is included.
Any statement as to the physical nature or condition
of a lot, in a catalogue, condition report or otherwise,
is given honestly and with appropriate care. However,
Christies staff are not professional restorers or trained
conservators and accordingly any such statement will
not be exhaustive. We therefore recommend that you
always view property personally, and, particularly
in the case of any items of significant value, that
you instruct your own restorer or other professional
adviser to report to you in advance of bidding.
(b) Cataloguing Practice
Our cataloguing practice is explained in the
Important Notices and Explanation of Cataloguing
Practice, which appear after the catalogue entries.
(c) Attribution etc
Any statements made by Christies about any lot,
whether orally or in writing, concerning attribution
to, for example, an artist, school, or country of origin,
or history or provenance, or any date or period, are
expressions of our opinion or belief. Our opinions and
beliefs have been formed honestly and in accordance
with the standard of care reasonably to be expected
of an auction house of Christies standing, due regard
having been had to the estimated value of the item
and the nature of the auction in which it is included.
It must be clearly understood, however, that, due to
the nature of the auction process, we are unable to
carry out exhaustive research of the kind undertaken
by professional historians and scholars, and also that, as
research develops and scholarship and expertise evolve,
opinions on these matters may change. We therefore
recommend that, particularly in the case of any item of
significant value, you seek advice on such matters from
your own professional advisers.
(d) Estimates
Estimates of the selling price should not be relied on
as a statement that this is the price at which the item
will sell or its value for any other purpose.
(e) Fitness for Purpose
Lots sold are enormously varied in terms of age, category
and condition, and may be purchased for a variety
of purposes. Unless otherwise specifically agreed, no
promise is made that a lot is fit for any particular purpose.
(h) Reserves
Unless otherwise indicated, all lots are offered
subject to a reserve, which is the confidential
minimum price below which the lot will not be
sold. The reserve will not exceed the low estimate
printed in the catalogue. If any lots are not subject
to a reserve, they will be identified with the symbol
next to the lot number. The auctioneer may open
the bidding on any lot below the reserve by placing
a bid on behalf of the seller. The auctioneer may
continue to bid on behalf of the seller up to the
amount of the reserve, either by placing consecutive
bids or by placing bids in response to other bidders.
(i) Auctioneers discretion
The auctioneer has the right to exercise reasonable
discretion in refusing any bid, advancing the bidding
in such a manner as he may decide, withdrawing or
dividing any lot, combining any two or more lots
and, in the case of error or dispute, and whether
during or after the sale, determining the successful
bidder, continuing the bidding, cancelling the sale
or reoffering and reselling the item in dispute. If
any dispute arises after the sale, then, in the absence
of any evidence to the contrary the sale record
maintained by the auctioneer will be conclusive.
(j) Successful bid and passing of risk
Subject to the auctioneers reasonable discretion, the
highest bidder accepted by the auctioneer will be
the buyer and the striking of his hammer marks the
acceptance of the highest bid and the conclusion of
a contract for sale between the seller and the buyer.
Risk and responsibility for the lot (including frames
or glass where relevant) passes to the buyer at the
expiration of seven calendar days from the date of
the sale or on collection by the buyer if earlier.
4. AFTER THE SALE
(a) Buyers premium
In addition to the hammer price, the buyer agrees
to pay to us the buyers premium together with any
applicable value added tax. The buyers premium
is 25% of the final bid price of each lot up to and
including 50,000, 20% of the excess of the hammer
price above 50,000 and up to and including
1,000,000 and 12% of the excess of the hammer
price above 1,000,000. Exceptions: Wine and
Cigars: 17.5% of the final bid price of each lot, VAT
is payable at the applicable rate.
(b) Artists Resale Right (Droit de Suite)
If the Artists Resale Right Regulations 2006 apply to
the lot the buyer also agrees to pay to us an amount
equal to the resale royalty provided for in those
Regulations. Lots affected are identified with the
symbol next to the lot number.
(c) Payment and ownership
The buyer must pay the full amount due
(comprising the hammer price, buyers premium
and any applicable taxes or resale royalty)
immediately after the sale. This applies even if
the buyer wishes to export the lot and an export
licence is, or may be, required. The buyer will not
acquire title to the lot until all amounts due to us
from the buyer have been received by us in good
cleared funds even in circumstances where we have
released the lot to the buyer.
09/08/13
73
(i)
(ii)
(iii)
(iv)
(v)
(vi)
6. COPYRIGHT
The copyright in all images, illustrations and written
material produced by or for Christies relating to a
lot including the contents of this catalogue, is and
shall remain at all times the property of Christies
and shall not be used by the buyer, nor by anyone
else, without our prior written consent. Christies
and the seller make no representation or warranty
that the buyer of a property will acquire any
copyright or other reproduction rights in it.
7. SEVERABILITY
If any part of these Conditions of Sale is found by
any court to be invalid, illegal or unenforceable,
that part shall be discounted and the rest of the
conditions shall continue to be valid to the fullest
extent permitted by law.
8. LAW AND JURISDICTION
The rights and obligations of the parties with
respect to these Conditions of Sale, the conduct of
the auction and any matters connected with any
of the foregoing shall be governed and interpreted
by the laws of England. By bidding at auction,
whether present in person or by agent, by written
bid, telephone or other means, the buyer shall
be deemed to have submitted, for the benefit of
Christies, to the exclusive jurisdiction of the courts
of the United Kingdom.
05/01/10
74
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PRE-COLUMBIAN ART
CONTEMPORARY ART
COSTUME, TEXTILES
AND FANS
MUSICAL INSTRUMENTS
London
Tel: +44 (0)20 7665 4350
Fax: +44 (0)20 7665 4351
Email: education@
christies.com
New York
Tel: +1 212 355 1501
Fax: +1 212 355 7370
Email: christieseducation@
christies.edu
Hong Kong
Tel: +852 2978 6747
Fax: +852 2525 3856
Email: hkcourse@
christies.com
CHRISTIES FINE ART
STORAGE SERVICES
New York
+1 212 974 4570
newyork@cfass.com
Singapore
Tel: +65 6543 5252
Email: singapore@cfass.
com
CHRISTIES
INTERNATIONAL
REAL ESTATE
New York
Tel +1 212 468 7182
Fax +1 212 468 7141
info@christiesrealestate.com
London
Tel +44 20 7389 2551
Fax +44 20 7389 2168
info@christiesrealestate.com
info@christiesrealestate.com
WINE
POST-WAR ART
CHRISTIES EDUCATION
VICTORIAN PICTURES
PHOTOGRAPHS
CORPORATE
COLLECTIONS
Hong Kong
Tel +852 2978 6788
Fax +852 2845 2646
POPULAR CULTURE
AND ENTERTAINMENT
OTHER SERVICES
AUCTION SERVICES
KEY TO ABBREVIATIONS
KS:
London, King Street
NY:
New York, Rockefeller Plaza
PAR:
Paris
SK:
London, South Kensington
06/11/14
76
Contact
30 January4 February
8 King Street
London SW1Y 6QT
Keith Gill
kgill@christies.com
+44 (0)20 7389 2175
Contact
Alastair Plumb
aplumb@christies.com
+44 (0)20 7752 3298
Tel
Email
Date
79
80
Absentee bids must be received at least 24 hours before the auction begins.
Tel: +44 (0)20 7752 3225 Fax: +44 (0)20 7581 1403 on-line www.christies.com
10070
by
by
by
by
UK50s
UK100s
UK200s
UK200, 500, 800
UK5,000 to UK10,000
UK10,000 to UK20,000
UK20,000 to UK30,000
UK30,000 to UK50,000
by UK2,000s
by UK2,000, 5,000, 8,000
(ie: UK32,000, 35,000,
38,000)
UK50,000 to UK100,000 by UK5,000s
UK100,000 to UK200,000 by UK10,000s
above UK200,000
at auctioneers discretion
09/08/13
Sale Number
Address
Post Code
Daytime Telephone
Evening Telephone
Fax (Important)
Please tick if you prefer not to receive information about our upcoming sales by e-mail
Signature
If you have not previously bid or consigned with Christies, please attach copies of the following documents.
Individuals: government-issued photo identification (such as a photo driving licence, national identity card,
or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or
bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts,
offshore companies or partnerships: please contact the Credit Department at + 44 (0)20 7752 3137 for advice
on the information you should supply. If you are registering to bid on behalf of someone who has not
previously bid or consigned with Christies, please attach identification documents for yourself as well as the
party on whose behalf you are bidding, together with a signed letter of authorisation from that party. New
clients, clients who have not made a purchase from any Christies office within the last one year, and those
wishing to spend more than on previous occasions may be asked to supply a bank reference. We may at our
option ask you for a financial reference or a deposit as a condition of allowing you to bid. We also request
that you complete the section below with your bank details:
Name of Bank(s)
Address of Banks(s)
Account Number(s)
Maximum Bid UK
(excluding buyers premium)
Lot number
(in numerical order)
Maximum Bid UK
(excluding buyers premium)
81
Code
L11
N61
N11
P61
K13
K72
Subscription Title
Photographs, Posters & Prints
Old Master, 19th Century,
Modern & Contemporary Prints
Photographs
Prints
Photographs
Old Master, 19th Century,
Modern & Contemporary Prints
Vintage Posters
Vintage works from the 19th and early 20th centuries, modern and
contemporary photographs and photographically illustrated books.
Original works from the great masters of all periods of western
printmaking from Drer through Rembrandt and Goya to ToulouseLautrec, Picasso and Contemporary artists.
Location
Issues
UKPrice
US$Price
EURPrice
King Street
57
91
86
New York
New York
Paris
South Kensington
5
3
2
4
119
71
38
68
190
114
61
114
181
108
57
103
South Kensington
43
71
66
www.christies.com/shop
Photographs, Posters and Prints Impressionist and Modern Art
Jewellery, Watches and Wine Antiquities and Tribal Art
Asian and Islamic Art Russian Art
Furniture, Decorative Arts and Collectables American Art and Furniture
Books, Travel and Science Design, Costume and Memorabilia
Post-War and Contemporary Art
Old Master Paintings and 19th Century Paintings
CHRISTIES
CHRISTIES INTERNATIONAL PLC
Patricia Barbizet, Chairman
Steven P. Murphy, Chief Executive Officer
Stephen Brooks, Chief Operating Officer
Loc Brivezac, Gilles Erulin, Gilles Pagniez,
Franois-Henri Pinault
CHRISTIES UK
CHAIRMANS OFFICE
Viscount Linley, Chairman
Nol Annesley, Honorary Chairman;
Richard Roundell, Vice Chairman;
Robert Copley, Deputy Chairman;
The Earl of Halifax, Deputy Chairman;
Francis Russell, Deputy Chairman;
Julia Delves Broughton, James Hervey-Bathurst,
Amin Jaffer, Orlando Rock,
Nicholas White, Mark Wrey
SENIOR DIRECTORS
Dina Amin, Daniel Baade, Philip Belcher,
Jeremy Bentley, Ellen Berkeley, Jill Berry,
Giovanna Bertazzoni, Prof. Dr. Dirk Boll,
Peter Brown, James Bruce-Gardyne,
Olivier Camu, Sophie Carter, Benjamin Clark,
Christopher Clayton-Jones, Karen Cole,
Isabelle de La Bruyere, Leila de Vos,
Nicole Dembinska, Paul Dickinson,
Harriet Drummond, Julie Edelson,
Hugh Edmeades, David Elswood,
David Findlay, Margaret Ford, Daniel Gallen,
Philippe Garner, Jane Griffiths, Karen Harkness,
Philip Harley, James Hastie, Paul Hewitt,
Rachel Hidderley, Mark Hinton, Nick Hough,
Michael Jeha, Hugues Joffre, Donald Johnston,
Erem Kassim-Lakha, William Lorimer,
Catherine Manson, John McDonald,
Nic McElhatton (Chairman, South Kensington),
Alexandra McMorrow, Jeremy Morrison,
Nicholas Orchard, Francis Outred, Clarice PecoriGiraldi, Benjamin Peronnet, Henry Pettifer,
Steve Phipps, Will Porter, Paul Raison,
Tara Rastrick, William Robinson, John Stainton,
Alexis de Tiesenhausen, Lynne Turner, Jay Vincze,
Andrew Ward, David Warren, Andrew Waters,
Harry Williams-Bulkeley, Martin Wilson,
Andr Zlattinger
DIRECTORS
Richard Addington, Zoe Ainscough,
Georgiana Aitken, Marco Almeida, Maddie Amos,
Simon Andrews, Helen Baker, Karl Barry,
Rachel Beattie, Sven Becker, Jane Blood,
Piers Boothman, David Bowes-Lyon,
Anthony Brown, Lucy Brown, Robert Brown,
Grace Campbell, Lucy Campbell, Jason Carey,
Romilly Collins, Ruth Cornett, Sigrun Danielsson,
Armelle de Laubier-Rhally, Adrian Denton,
Sophie DuCret, Anna Evans, Arne Everwijn,
Adele Falconer, Nick Finch, Peter Flory,
Elizabeth Floyd, Christopher Forrest, Giles Forster,
Patricia Frost, Sarah Ghinn, Zita Gibson,
Alexandra Gill, Sebastian Goetz, John Green,
Simon Green, David Gregory, Mathilde Heaton,
Annabel Hesketh, Sydney Hornsby,
Peter Horwood, Simon James, Robert Jenrick,
Sabine Kegel, Hans-Peter Keller, Jeffrey Kerr,
Tjabel Klok, Quincy Kresler, Robert Lagneau,
Nicholas Lambourn, Joanna Langston, Tina Law,
Darren Leak, Adriana Leese, Brandon Lindberg,
Laura Lindsay, David Llewellyn, Murray Macaulay,
ASSOCIATE DIRECTORS
Guy Agazarian, Cristian Albu, Jennie Amos,
Ksenia Apukhtina, Katharine Arnold, Alexis Ashot,
Alexandra Baker, Fiona Baker, Virginie BarocasHagelauer, Carin Baur, Sarah Boswell,
Mark Bowis, Clare Bramwell, John Caudle,
Dana Chahine, Marie-Louise Chaldecott,
Sophie Churcher, Marion Clermont,
Helen Culver Smith, Laetitia Delaloye,
Charlotte Delaney, Cristiano De Lorenzo,
Freddie De Rougemont, Grant Deudney,
Claudia Dilley,
Eva-Maria Dimitriadis, Howard Dixon,
Virginie Dulucq, Joe Dunning, Antonia Essex,
Kate Flitcroft, Nina Foote, Eva French,
Pat Galligan, Keith Gill, Andrew Grainger,
Leonie Grainger, Julia Grant, Pippa Green,
Angus Granlund, Christine Haines, Coral Hall,
Charlotte Hart, Evelyn Heathcoat Amory,
Anke Held, Valerie Hess, Carolyn Holmes,
Amy Huitson, Adrian Hume-Sayer,
James Hyslop, Helena Ingham, Pippa Jacomb,
Mark Jordan, Guady Kelly, Clementine Kerr,
Hala Khayat, Alexandra Kindermann,
Mark Henry Lamp, Tom Legh, Timothy Lloyd,
Graeme Maddison, Stephanie Manstein,
Astrid Mascher, Michelle McMullan,
Kateryna Merkalenko, Susanne Meyer-Abich,
Toby Monk, Sarah OBrien, William Paton,
Samuel Pedder-Smith, Suzanne Pennings,
Louise Phelps, Sarah Rancans, Lisa Redpath,
David Rees, Alexandra Reid, Sumiko Roberts,
Sangeeta Sachidanantham, Pat Savage,
Catherine Scantlebury, Julie Schutz,
Hannah Schweiger, Mark Silver, James Smith,
Graham Smithson, David Stead, Mark Stephen,
Annelies Stevens, Charlotte Stewart,
Dean Stimpson, Gemma Sudlow,
Dominique Suiveng, Cornelia Svedman,
Nicola Swain, Iain Tarling, Sarah Tennant,
Timothy Triptree, Flora Turnbull, Lisa Varsani,
Julie Vial, Anastasia von Seibold, Amelia Walker,
Tony Walshe, Chris White, Rosanna Widen,
Ben Wiggins, Annette Wilson, Julian Wilson,
Elissa Wood, Neal Young
19/11/14
+44 (0)20 7930 6074 telephone +44 (0)20 7389 2869 facsimile