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20/2 1 P O STER S TH E SKI SALE

22 JANUARY 2015 SOUTH KENSINGTON

20/21 POSTERS
THE SKI SALE
Thursday 22 January 2015
AUCTION

STORAGE AND COLLECTION

Thursday 22 January 2015


at 1.00 pm Lots 1-247
85 Old Brompton Road
London SW7 3LD

Please refer to the important notice


on page 72. Please note that Cadogan
Tates opening hours are Monday to
Friday 9am to 5pm, and purchases
transferred to their warehouse are not
available for collection at weekends.

AUCTION CODE AND NUMBER

In sending absentee bids or making


enquiries, this sale should be referred
to as POS-10070
SPECIALIST

Posters,

lots

VIEWING

1-126, 152-247

Nicolette Tomkinson
ntomkinson@christies.com
Tel: +44 (0)20 7752 3301
Sophie Churcher
schurcher@christies.com
Tel: +44 (0)20 7752 3208
Irene Orgaz Garc-a
iorgazgarcia@christies.com
Tel: +44 (0)20 7752 3206
luggage,

lots

127-151

Clare Borthwick
cborthwick@christies.com
Tel: +44 (0)20 7752 3216

Saturday
Sunday
Monday
Tuesday
Wednesday

17
18
19
20
21

January
January
January
January
January

11.00
11.00
9.00
9.00
9.00

Ava Carleton-Williams
acarletonwilliams@christies.com
Tel: +44 (0)20 7752 3279
Fax: +44 (0)20 7752 3185
BUSINESS MANAGER

Georgina Lewis
glewis@christies.com
Tel: +44 (0)20 7389 2460

Front cover: Lot 31


Inside front cover: 229
Back cover: Lots 88, 101, 133, 146

Please note all lots are sold


unframed unless otherwise stated in
the lots description.

5.00
5.00
7.30
5.00
5.00

pm
pm
pm
pm
pm

AUCTIONEER

Hugh Edmeades and William Porter


SERVICES
ABSENTEE BIDS

Tel: +44 (0)20 7752 3225


Fax: +44 (0)20 7581 1403
AUCTION RESULTS

ADMINISTRATOR

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CLIENT LIAISON

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Tel: +44 (0)20 7752 3179
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CONDITIONS OF SALE

This auction is subject to


Important Notices,
Conditions of Sale and to Reserves
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CONTENTS
SWITZERLAND
LUGGAGE
AMERICA & CANADA
ROGER BRODERS
FRANCE
GERMANY
NORWAY
AUSTRIA
ITALY

1-125, 171
127-151
152, 159, 164-166
167-179
126, 167-213
220-221, 223
224-228
229-240
241-247

ERICH HERMS (1881-1971)

PAUL GUSSET (1909-1975)

FRANCO BARBERIS (1905-1992)

MONTREUX-BERNER OBERLAND

BERNER OBERLAND

BERNER OBERLAND

lithograph in colours, 1929, printed


by Suberlin & Pfeiffer, S.A., Vevey,
condition A-; backed on linen

lithograph in colours, c.1950, printed by


Brgger A.G., Meiringen, condition A-;
backed on linen

lithograph in colours, printed by


J.C.Mller A.G., Zrich, condition B+;
backed on linen

40 x 25 in. (102 x 64 cm.)

40 x 28 in. (101 x 71 cm.)

40 x 27 in. (102 x 69 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

1,500-2,000

$2,400-3,100
1,900-2,500

1,000-1,500

$1,600-2,300
1,300-1,900

4
MARTIN PEIKERT (1901-1975)
MOB
offset lithograph in colours, 1946, printed by Klausfelder,
Vevey, condition A-; backed on japan
40 x 25 in. (102 x 64 cm.)

4,000-6,000

$6,300-9,300
5,100-7,600

*5
MARTIN PEIKERT (1901-1975)
MOB
lithograph in colours, printed by Suberlin & Pfeiffer, S.A.,
Vevey, condition A; backed on linen
39 x 25 in. (100 x 65 cm.)

3,000-5,000

$4,700-7,800
3,800-6,300

6
EDOUARD ELZINGRE (1880-1966)
THE GOLDEN PASS ROUTE
lithograph in colours, printed by Sonor S.A., Genve, condition
A-; backed on linen
40 x 25 in. (102 x 64 cm.)

5,000-7,000

$7,800-11,000
6,400-8,800

10

11

*7

10

LEO KECK (1906-1987)

MARTIN PEIKERT (1901-1975)

LENK

WENGEN

lithograph in colours, 1940, printed


by Fretz A.G., Zrich, condition A; not
backed

lithograph in colours, c.1948, condition


A; not backed

40 x 25 in. (102 x 64 cm.)

2,000-3,000

1,000-1,500

$1,600-2,300
1,300-1,900

8
8

KANDERSTEG
lithograph in colours, printed by A. Trb
& Co., Aarau, condition A-; backed on
japan
40 x 25 in. (102 x 64 cm.)

WILLY TRAPP (1905-1984)


KANDERSTEG
lithograph in colours, printed by
Wolfsberg, Zrich, condition A; backed
on linen
40 x 25 in. (102 x 65 cm.)

800-1,200

*11
WENGEN
offset lithograph in colours, c.1935,
printed by Fretz Frres S.A., Zurich,
condition A; not backed
40 x 25 in. (102 x 64 cm.)

1,000-1,500
$1,600-2,300
1,300-1,900

*9

$3,200-4,700
2,600-3,800

W. STUDER (PHOTO)

WILLY TRAPP (1905-1984)

1,000-1,500

40 x 25 in. (102 x 64 cm.)

$1,300-1,900
1,100-1,500

$1,600-2,300
1,300-1,900

13

12

12

*14

ANDR LECOMTE

MARTIN PEIKERT (1901-1975)

MRREN

MRREN

lithograph in colours, 1931, printed


by Wolfsberg, Zrich, condition B+;
backed on linen

lithograph in colours, c.1933, printed


by Orell Fssli, Zrich, condition B+/A-;
backed on japan

40 x 25 in. (102 x 65 cm.)

42 x 26 in. (107 x 68 cm.)

4,000-6,000

$6,300-9,300
5,100-7,600

1,000-1,500

$1,600-2,300
1,300-1,900

*13

15

ERIKA VON KAGER (1890-1975)

ALEX WALTER DIGGELMANN


(1902-1987)

GURNIGEL
lithograph in colours, 1921, printed
by Hubacher A.G., Bern, condition A-;
backed on linen
39 x 26 in. (99 x 66 cm.)

1,500-2,000

$2,400-3,100
1,900-2,500

14

INTERLAKEN
lithograph in colours, 1933, printed
by Fretz Frres, Zurich, condition A-;
backed on linen
40 x 25 in. (102 x 65 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

15

16

18

16
ALEX WALTER DIGGELMANN (1902-1987)
GSTAAD
lithograph in colours, c.1933, printed by J.C.Mller, Zrich,
condition A; backed on linen
40 x 25 in. (103 x 64 cm.)

3,000-5,000

17

$4,700-7,800
3,800-6,300

SEILER
GSTAAD
lithograph in colours, 1942, printed by Grafca A.G., Basel,
condition A-; not backed
38 x 26 in. (98 x 67 cm.)

5,000-7,000

18

$7,800-11,000
6,400-8,800

MARTIN PEIKERT (1901-1975)


GSTAAD
lithograph in colours, 1946, printed by Klausfelder S.A.,
Vevey, condition B; backed on linen
40 x 25 in. (102 x 64 cm.)

2,000-3,000
17

$3,200-4,700
2,600-3,800

19

20

19
ALEX WALTER DIGGELMANN (1902-1987)
GSTAAD
lithograph in colours, 1938, printed by J.C.Mller, Zrich,
condition B+; backed on japan, framed
49 x 35 in. (126 x 89 cm.)

10,000-15,000

$16,000-23,000
13,000-19,000

20
ANONYMOUS
GSTAAD
lithograph in colours, 1930, printed by Brgger, Meiringen,
condition B+/A-; backed on linen, framed
39 x 27 in. (100 x 70 cm.)

8,000-12,000

21

$13,000-19,000
11,000-15,000

CHARLES KUHN (1903-1999)


GSTAAD
lithograph in colours, 1931, printed by Wolfsberg, Zrich,
condition B+; backed on japan
50 x 36 in. (127 x 91 cm.)

6,000-8,000

$9,400-12,000
7,600-10,000

21

22

25

28

23

26

29

24

27

30

22
AMSTUTZ & HERDEG
GSTAAD
offset lithograph in colours, 1939,
printed by Conzett & Huber, Zrich,
condition B+; backed on linen
50 x 35 in. (127 x 89 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

23
JOHANNES HANDSCHIN (18991948)
WINTERSPORT AUF BRAUNWALD
lithograph in colours, printed by A. Trb
& Cie., Aarau, condition A-, backed on
linen
39 x 27 in. (100 x 69 cm.)

800-1,200

$1,300-1,900
1,100-1,500

*26

24
PLETSCHER

*29

HERBERT MATTER (1907-1984)

A. STEINER

ALL ROADS LEAD TO SWITZERLAND

WINTERSPORT IN DER SCHWEIZ

offset lithograph in colours, 1935,


condition A-; backed on linen

offset lithograph in colours, printed


by Hlio Sadag, Genve, condition A;
backed on linen

40 x 25 in. (102 x 64 cm.)

WINTER SPORTS? FLY THERE BY


SWISSAIR

1,000-1,500

lithograph in colours, c.1936, printed by


Bollmann S.A., Zurich, condition A; not
backed

*27

40 x 25 in. (102 x 64 cm.)

1,000-1,500

31

$1,600-2,300
1,300-1,900

$1,600-2,300
1,300-1,900

HANS JEGERLEHNER (1906-1974)


ZUM WINTERSPORT MIT DER
EISENBAHN
lithograph in colours, 1950, condition
B+/A-; backed on linen
50 x 36 in. (127 x 92 cm.)

39 x 25 in. (100 x 64 cm.)

800-1,200

30

$1,300-1,900
1,100-1,500

DONALD BRUN (1909-1999)


HOLIDAYS IN SWITZERLAND
lithograph in colours, 1949, printed
by Eidenbenz-Seitz & Co., St. Gallen,
condition A; not backed
40 x 25 in. (102 x 64 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

1,000-1,500

$1,600-2,300
1,300-1,900

*25

*28

*31

HERBET LEUPIN (1916-1999)

ALOIS CARIGIET (1902-1985)

MARTIN PEIKERT (1901-1975)

SWISSAIR

WINTER IN DER SCHWEIZ

SCHWEIZ. SKIRENNEN UNTERWASSER

lithograph in colours, 1952, printed by


Wolfsberg, Zurich, condition A; backed
on japan

lithograph in colours, 1937, printed by


Ringier & Co., A.G., Zofngue, condition
A-; not backed

lithograph in colours, 1939, printed


by Eidenbenz-Seitz & Co., St. Gallen,
condition A; backed on linen

40 x 25 in. (102 x 64 cm.)

40 x 25 in. (102 x 64 cm.)

39 x 27 in. (100 x 70 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

1,000-1,500

$1,600-2,300
1,300-1,900

5,000-7,000

$7,800-11,000
6,400-8,800
9

32
35

*32

34

EMIL CARDINAUX (1877-1936)

ANONYMOUS

JUNGFRAU

WENGERNALP & JUNGFRAU

lithograph in colours, 1925, printed


by Paul Bender, Zrich, condition B+;
backed on linen

lithograph in colours, c.1930, printed


by Paul Bender, Zurich, condition A;
backed on linen

39 x 25 in. (100 x 64 cm.)

39 x 25 in. (100 x 64 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

800-1,200

$1,300-1,900
1,100-1,500

33

*33

35

EMIL CARDINAUX (1877-1936)

EMIL CARDINAUX (1877-1936)

JUNGFRAU-BAHN

JUNGFRAUBAHN

lithograph in colours, 1910, printed by


J.E. Wolfensberger, Zrich, condition
B+; backed on linen

lithograph in colours, printed by Hoffer


& Co., Zrich, condition B+; backed on
linen

40 x 28 in. (102 x 71 cm.)

27 x 39 in. (70 x 100 cm.)

2,000-3,000

34

10

$3,200-4,700
2,600-3,800

3,000-5,000

$4,700-7,800
3,800-6,300

37

36

36
EMIL CARDINAUX (1877-1936)
JUNGFRAU
lithograph in colours, 1928, printed by Wolfsberg, Zurich,
condition A-; not backed
50 x 36 in. (127 x 92 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

*37
EMIL CARDINAUX (1877-1936)
JUNGFRAU-BAHN
lithograph in colours, 1911, printed by J.E. Wolfensberger,
Zrich, condition A-; backed on linen
48 x 36 in. (123 x 91 cm.)

10,000-15,000

$16,000-23,000
13,000-19,000

*38
EMIL CARDINAUX (1877-1936)
JUNGFRAU-RAILWAY
lithograph in colours, 1928, printed by Wolfsberg, Zrich,
condition A-; backed on linen
40 x 25 in. (102 x 65 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

38

11

39

42

40

39

41

DONALD BRUN (1909-1999)

CHARLES KUHN (1903-1999)

AROSA

SWISS ALPINE POSTAL COACHES

lithograph in colours, c.1955, printed by


Frobenius S.A., Basel, condition A-; not
backed

lithograph in colours, printed by


Wolfsberg, Zrich, condition A-; backed
on linen

40 x 25 in. (101 x 63 cm.)

40 x 24 in. (102 x 63 cm.)

1,000-1,500

12

2,500-3,500

$3,900-5,400
3,200-4,400

40

42

PAUL KAMMLLER (1885-1946)

EMIL CARDINAUX (1877-1936)

FLUGSPENDE

AROSA

lithograph in colours, printed by


Wasserman, Basel, condition A-;
backed on linen

lithograph in colours, 1915, printed by


J.E. Wolfensberger, Zrich, condition
A-; backed on paper

40 x 27 in. (102 x 68 cm.)

50 x 35 in. (128 x 90 cm.)

1,200-1,800
41

$1,600-2,300
1,300-1,900

$1,900-2,800
1,600-2,300

5,000-7,000

$7,800-11,000
6,400-8,800

43

44

43
HUGO LAUBI (1888-1959)
SUISSE
lithograph in colours, 1930, printed by Fretz Brothers S.A.,
Zurich, condition A-; backed on linen
40 x 25 in. (102 x 64 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

*44
ANONYMOUS
WINTER SPORTS IN SWITZERLAND
lithograph in colours, printed by Otis, condition B+; backed on
linen
41 x 27 in. (104 x 70 cm.)

3,000-5,000

$4,700-7,800
3,800-6,300

*45
ERICH HERMS (1881-1971)
WINTER IN SWITZERLAND
lithograph in colours, c.1938, printed by Suberlin & Pfeiffer
S.A., Vevey, condition A; backed on linen
39 x 24 in. (99 x 62 cm.)

3,000-5,000

$4,700-7,800
3,800-6,300

45

13

46

47

48

50

49

51

*46

48

DONALD BRUN (1909-1999)

J. CHARMOZ

KLOSTERS

KLOSTERS

lithograph in colours, printed by J.C. Mller, Zrich, condition


A; not backed

offset lithograph in colours, 1957, printed by S.A. Klausfelder,


Vevey, condition B/B+; backed on linen

40 x 25 in. (102 x 64 cm.)

38 x 27 in. (97 x 68 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

1,000-1,500

$1,600-2,300
1,300-1,900

*47

*49

ALOIS CARIGIET (1902-1985)

ANONYMOUS

KLOSTERS

GOTSCHNA, KLOSTERS

lithograph in colours, 1947, printed by J.C. Mller A.G., Zrich,


condition A-; backed on linen

lithograph in colours, 1990, printed by J.C.M. Schlieren,


condition A; backed on linen

40 x 25 in. (101 x 64 cm.)

50 x 35 in. (127 x 89 cm.)

1,500-2,000

14

$2,400-3,100
1,900-2,500

800-1,200

$1,300-1,900
1,100-1,500

52

53

50

*52

ALEX WALTER DIGGELMANN (1902-1987)

HUGO LAUBI (1888-1959)

KLOSTERS

KLOSTERS

lithograph in colours, printed by J.C. Mller, Zrich, condition


A; backed on linen

lithograph in colours, 1934, printed by Fretz Bros Ltd., Zrich,


condition A-; not backed

40 x 25 in. (102 x 64 cm.)

40 x 25 in. (102 x 64 cm.)

1,500-2,000

$2,400-3,100
1,900-2,500

3,000-5,000

$4,700-7,800
3,800-6,300

53
EMIL CARDINAUX (1887-1936)

51

LINVERNO NELLA SVIZZERA

FRANCO BARBERIS (1905-1992)

lithograph in colours, 1921, printed by Wolfsberg, Zurigo,


condition B; backed on linen

KLOSTERS
lithograph in colours, c.1950, printed by J.C. Mller A.G.,
Zrich, condition A; not backed
40 x 25 in. (102 x 64 cm.)

1,500-2,000

50 x 35 in. (127 x 90 cm.)

3,000-5,000

$4,700-7,800
3,800-6,300

$2,400-3,100
1,900-2,500
15

54

57

55

*54

*56

PIERRE MONNERAT (1917-)

HERBERT LEUPIN (1916-1999)

DAVOS PARSENN

DAVOS PARSENN

lithograph in colours, 1947, printed


by Fretz Frres S.A., Zurich, condition
B+/A-; backed on linen

offset lithograph in colours, 1956,


printed by Wolfsberg, Zurich, condition
A; not backed

40 x 25 in. (102 x 64 cm.)

40 x 25 in. (102 x 64 cm.)

800-1,200

16

800-1,200

$1,300-1,900
1,100-1,500

*55

57

ALBERT BORER (1910-2004)

BUKHARD MANGOLD (1873-1950)

DAVOS PARSENN

WINTER IN DAVOS

lithograph in colours, 1952, printed by


A. Trb & Cie., Aarau, condition A; not
backed

lithograph in colours, 1914, printed by


J.E. Wolfensberger, Zrich, condition B;
backed on linen

40 x 25 in. (102 x 64 cm.)

49 x 34 in. (126 x 88 cm.)

1,000-1,500
56

$1,300-1,900
1,100-1,500

$1,600-2,300
1,300-1,900

10,000-15,000

$16,000-23,000
13,000-19,000

58

59

58

59

EMIL CARDINAUX (1877-1936)

HANS EGGIMANN (1872-1929)

DAVOS

GRAND HOTEL & BELVEDERE, DAVOS

lithograph in colours, 1918, printed by Wolfsberg, Zrich,


condition B+; backed on japan

lithograph in colours, 1905, printed by Kmerly & Frey, Bern,


condition A-; backed on japan

49 x 35 in. (126 x 89 cm.)

50 x 35 in. (127 x 90 cm.)

12,000-18,000

$19,000-28,000
16,000-23,000

10,000-15,000

$16,000-23,000
13,000-19,000

17

60
63

60

63

HERBERT LEUPIN (1916-1999)

HELMUT KURTZ (1903-1959)

DAVOS PARSENN

PARSENN BAHN, DAVOS

lithograph in colours, 1946, printed by


Wolfsberg, Zrich, condition A-; backed
on linen

offset lithograph in colours, c.1930,


printed by Wolfsberg, Zrich, condition
B+; not backed

40 x 25 in. (102 x 64 cm.)

50 x 35 in. (127 x 90 cm.)

1,500-2,000

61

64

$2,400-3,100
1,900-2,500

64

LEO KECK (1906-1987) & FURTER


(PHOTO)

WILLY TRAPP (1905-1984)

offset lithograph in colours, printed by


Eidenbenz-Seitz, St. Gallen, condition
B+; backed on linen
40 x 26 in. (102 x 66 cm.)

800-1,200

HERBERT LEUPIN (1916-1999)


DAVOS
offset lithograph in colours, 1958,
printed by Basler Druck, Basel,
condition A; not backed
40 x 25 in. (102 x 64 cm.)

1,500-2,000

DAVOS PARSENN-BAHN
lithograph in colours, c.1930, printed by
Wolfsberg, Zrich, condition A; backed
on linen
40 x 25 in. (102 x 64 cm.)

1,500-2,000
$1,300-1,900
1,100-1,500

62

18

$2,400-3,100
1,900-2,500

*61
DAVOS PARSENN

62

1,500-2,000

$2,400-3,100
1,900-2,500

$2,400-3,100
1,900-2,500

67
65

66

65

68

MARTIN PEIKERT (1901-1975)

SCHR (PHOTO)

PONTRESINA

PONTRESINA

lithograph in colours, printed by Fretz


A.G., Zurich, condition B+/A-; backed
on linen

offset lithograph in colours, printed by


Fretz Bros., Ltd., Zurich, condition A-;
backed on linen

39 x 25 in. (99 x 65 cm.)

40 x 25 in. (102 x 64 cm.)

800-1,200

$1,300-1,900
1,100-1,500

1,000-1,500

$1,600-2,300
1,300-1,900

66

*69

MARTIN PEIKERT (1901-1975)

ERNST THOMMEN (1891-1976)

PONTRESINA

PONTRESINA

lithograph in colours, 1943, printed


by Fretz A.G., Zrich, condition B; not
backed

lithograph in colours, 1952, printed by


Fretz A.G., Zrich, condition A; backed
on linen

40 x 25 in. (102 x 64 cm.)

40 x 25 in. (102 x 64 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

800-1,200

68

$1,300-1,900
1,100-1,500

67
MARTIN PEIKERT (1901-1975)
PONTRESINA
offset lithograph in colours, 1959,
printed by Klausfelder, Vevey, condition
A-; not backed
40 x 25 in. (102 x 64 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

69

19

70

71

72

70

73

BOSSHART

WILHELM FRIEDERICH BURGER (1882-1964)

LENZERHEIDE

PONTRESINA

lithograph in colours, printed by Eidenbenz Seitz & Co., St.


Gallen, condition B+; backed on linen

lithograph in colours, 1914, printed by H.J. Burger & Sohn,


Zrich, condition A; backed on linen

50 x 36 in. (127 x 92 cm.)

39 x 26 in. (99 x 68 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

8,000-12,000

$13,000-19,000
11,000-15,000

*71

74

EMIL CARDINAUX (1877-1936)

WALTER KOCH (1875-1915)

RHTISCHE BAHN

WINTERSPORT

lithograph in colours, 1916, printed by J.E. Wolfensberger,


Zrich, condition B/B+; backed on linen

lithograph in colours, printed by J.E. Wolfensberger, Zrich,


condition A-; backed on linen

50 x 35 in. (128 x 90 cm.)

36 x 47 in. (92 x 121 cm.)

800-1,200

$1,300-1,900
1,100-1,500

5,000-7,000

$7,800-11,000
6,400-8,800

72

*75

WILHELM FRIEDRICH BURGER (1882-1964)

WALTER KOCH (1875-1915)

MUOTTAS-MURAGL

WINTERSPORT IN GRAUBNDEN

lithograph in colours, printed by J.C. Mller A.G., Zrich,


condition A-; backed on linen

lithograph in colours, 1906, printed by Gebr. Fretz, Zrich,


condition B+; backed on linen

40 x 26 in. (102 x 66 cm.)

39 x 28 in. (100 x 72 cm.)

2,000-3,000

20

$3,200-4,700
2,600-3,800

3,000-5,000

$4,700-7,800
3,800-6,300

73

75

74
21

76

79

77

*76

*78

FRITZ HELLINGER (1923-)

ANONYMOUS

OLYMPIC WINTER GAMES

EISFEST, ST. MORITZ

lithograph in colours, 1948, printed


by Wolfsberg, Zrich, condition B+;
backed on linen

lithograph in colours, printed by Fretz


A.G., Zurich, condition A; backed on
linen

40 x 25 in. (102 x 65 cm.)

39 x 28 in. (99 x 73 cm.)

1,500-2,000

$2,400-3,100
1,900-2,500

79

WERNER WEISKNIG (1907-1982)

HUGO LAUBI (1888-1959)

ST. MORITZ 1948

II. OLYMPISCHE WINTERSPIELE, ST.


MORITZ

40 x 25 in. (102 x 64 cm.)

1,000-1,500

22

$1,300-1,900
1,100-1,500

*77

lithograph in colours, 1946, printed by


Orell Fussli AG, Zurich, condition A-;
backed on linen

78

800-1,200

$1,600-2,300
1,300-1,900

lithograph in colours, 1928, printed by


Seitz & Co., St. Gallen, condition A-;
backed on linen
40 x 25 in. (102 x 64 cm.)

8,000-12,000

$13,000-19,000
11,000-15,000

81

80

80

*82

ALOIS CARIGIET (1902-1985)

WALTER HERDEG (1908-1995)

ST. MORITZ

ST. MORITZ

lithograph in colours, 1932, printed by


Wolfsberg, Zrich, condition A-; backed
on japan

lithograph in colours, printed by Orell


Fssli, condition A-; backed on linen

40 x 25 in. (102 x 64 cm.)

2,000-3,000

3,000-5,000

40 x 25 in. (102 x 64 cm.)

$4,700-7,800
3,800-6,300

$3,200-4,700
2,600-3,800

81

83

WALTER HERDEG (1908-1995)

HUGO LAUBI (1888-1959)

ST. MORITZ

ST. MORITZ

lithograph in colours, c.1936, printed by


Wolfsberg, Zurich, condition A-; backed
on linen

lithograph in colours, 1952, printed by


Fretz A.G., Zrich, condition A-; backed
on linen

50 x 36 in. (127 x 90 cm.)

40 x 25 in. (102 x 64 cm.)

800-1,200

$1,300-1,900
1,100-1,500

82

2,000-3,000

$3,200-4,700
2,600-3,800

83

23

84

86

84
WILHELM FRIEDRICH BURGER (1882-1964)
ST. MORITZ
lithograph in colours, 1913, printed by H.J. Burger & Sohn,
Zrich, condition B+/A-; not backed
40 x 29 in. (102 x 74 cm.)

15,000-20,000

85

$24,000-31,000
19,000-25,000

HILDE SMITH
SKIFABRIK, ST. MORITZ
lithograph in colours, printed by H.J. Burger & Sohn, Zrich,
condition A-; backed on japan
43 x 31 in. (109 x 79 cm.)

10,000-15,000

86

$16,000-23,000
13,000-19,000

CARL MOOS (1878-1959)


ST. MORITZER, SKIRENNEN
lithograph in colours, 1928, printed by Fretz A.G., Zrich,
condition B+/A-; backed on japan, framed
39 x 27 in. (99 x 69 cm.)

18,000-22,000
85

24

$28,000-34,000
23,000-28,000

87

87

88

CHARLES KUHN (1903-1999)


ST. MORITZ
lithograph in colours, 1928, printed by Wolfsberg, Zrich,
condition A; backed on linen
40 x 25 in. (102 x 65 cm.)

4,000-6,000

88

$6,300-9,300
5,100-7,600

CARL MOOS (1878-1959)


ST. MORITZ
lithograph in colours, printed by Fretz Bros., Ltd., Zurich,
condition A; backed on japan, framed
40 x 25 in. (102 x 64 cm.)

18,000-22,000

89

$28,000-34,000
23,000-28,000

KARL BICKEL (1886-1982)


ST. MORITZ
lithograph in colours, 1930, printed by Wolfsberg, Zurich,
condition A-; backed on linen
36 x 25 in. (92 x 64 cm.)

2,500-3,500

$3,900-5,400
3,200-4,400

89

25

90
93

*90

92

EDWARD STIEFEL (1875-1968)

WILLY TRAPP (1905-1984)

ST. MORITZ

KULM HOTEL, ST. MORITZ

lithograph in colours, 1924, printed by


Engadin Press, St. Moritz, condition A-;
backed on linen

lithograph in colours, 1928, printed by


Wolfsberg, Zrich, condition A-; backed
on linen

40 x 25 in. (103 x 64 cm.)

36 x 25 in. (92 x 65 cm.)

1,000-1,500
91

$1,600-2,300
1,300-1,900

3,000-5,000

$4,700-7,800
3,800-6,300

*91

*93

EMIL CARDINAUX (1877-1936)

HANS RUDI ERDT (1883-1918)

PALACE HOTEL, ST. MORITZ

DIE WOCHE, DIE SONNE VON ST.


MORITZ

lithograph in colours, 1921, printed by


Wolfsberg, Zrich, condition A-; backed
on linen
50 x 35 in. (127 x 90 cm.)

3,000-5,000

$4,700-7,800
3,800-6,300

lithograph in colours, 1910, printed by


Hollerbaum & Scmidt, Berlin, condition
B/B+; backed on linen
28 x 37 in. (71 x 94 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

PROVENANCE:

92

26

Restituted to the heirs of Hans Sachs by the German


Goverment, 2012.

94

*94

95

JOHANNES HANDSCHIN (1899-1948)


SILVAPLANA
lithograph in colours, 1934, printed by Wassermann & Co.,
Basel, condition B; backed on linen
39 x 28 in. (99 x 71 cm.)

6,000-8,000

$9,400-12,000
7,600-10,000

*95
ALEX WALTER DIGGELMANN (1902-1987)
ST. MORITZ
lithograph in colours, 1930, printed by Eidenbenz-Seitz & Co.,
St. Gallen, condition A-; not backed
40 x 25 in. (102 x 64 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

*96
ALEX WALTER DIGGELMANN (1902-1987)
ST. MORITZ
lithograph in colours, 1955, printed by J.C. Mller, condition
A; backed on linen
40 x 25 in. (102 x 64 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

96

27

97

100

98

97

99

WILHELM MERNSINGER
(1898-1971)

JEAN PIERRE OTTH

SAAS-FEE
lithograph in colours, c.1930, printed by
C.-J. Bucher S.A., Lucerne, condition A;
backed on linen
40 x 25 in. (102 x 64 cm.)

1,500-2,000

*98

$1,300-1,900
1,100-1,500

*100

lithograph in colours, 1913, printed by


Sonor, Genve, condition A; backed on
linen
39 x 28 in. (101 x 71 cm.)

28

40 x 25 in. (102 x 64 cm.)

800-1,200

CHEMIN-DE-FER, MARTIGNY-ORSIERES

99

offset lithograph in colours, printed by


Brgger S.A., Meiringen, condition A;
backed on linen, framed

$2,400-3,100
1,900-2,500

ALBERT MURET (1874-1955)

1,500-2,000

VALAIS

$2,400-3,100
1,900-2,500

LIBIS (HERBERT LIBISZEWSKI,


1897-1985)
WALLIS
lithograph in colours, 1949, printed
by Suberlin & Pfeiffer S.A., Vevey,
condition A-; backed on linen
50 x 35 in. (127 x 90 cm.)

6,000-8,000

$9,400-12,000
7,600-10,000

102

101

101

103

MARTIN PEIKERT (1901-1975)

MANFRED BINGLER

VERBIER

SWISSAIR

lithograph in colours, c.1950, printed by


Klausfelder S.A., Vevey. condition B/B+;
backed on linen

offset lithograph in colours, 1964,


condition A; backed on linen

39 x 25 in. (103 x 96 cm.)

800-1,200

2,000-3,000

40 x 25 in. (102 x 64 cm.)

$3,200-4,700
2,600-3,800

$1,300-1,900
1,100-1,500

102

104

LEO KECK (1906-1987)

ALFRED PERREN-BARBERINI
(PHOTO)

ZERMATT
lithograph in colours, 1938, printed by
Fretz A.G., Zrich, condition A; backed
on linen
40 x 25 in. (101 x 64 cm.)

1,500-2,000

$2,400-3,100
1,900-2,500

103

ZERMATT
offset lithograph in colours, 1959,
printed by J.E. Wolfensberger, Zrich,
condition A; backed on linen
38 x 25 in. (98 x 64 cm.)

800-1,200

$1,300-1,900
1,100-1,500

104

29

105

108

106

105

107

ANTON RECKZIEGEL (1865-1932)

WEHRLI (PHOTO)

ZERMATT

ZERMATT

lithograph in colours, c.1900, printed by


Hubacher & Cie., Berne, condition A-;
backed on linen

offset lithograph in colours, c.1927,


printed by Rotogravure, Genve,
condition B+/A-; backed on japan

42 x 28 in. (108 x 71 cm.)

39 x 25 in. (99 x 64 cm.)

1,500-2,000

$2,400-3,100
1,900-2,500

106

108

ALFRED PERREN-BARBERINI
(PHOTO)

SCHOL

ZERMATT
offset lithograph in colours, 1958,
printed by J.C. Mller A.G., Zrich,
condition A-; not backed
40 x 25 in. (102 x 64 cm.)

1,000-1,500
107

30

1,500-2,000

ZERMATT
lithograph in colours, 1947, printed by
J.C. Mller, A.G., Zrich, condition A-;
backed on linen
40 x 25 in. (102 x 65 cm.)

4,000-6,000
$1,600-2,300
1,300-1,900

$2,400-3,100
1,900-2,500

$6,300-9,300
5,100-7,600

109

110

109
CARL MOOS (1878-1959)
ZERMATT
lithograph in colours, c.1933, printed by Orell Fssli, Zrich,
condition B+/A-; backed on linen, framed
39 x 25 in. (100 x 65 cm.)

5,000-7,000

$7,800-11,000
6,400-8,800

*110
EMIL CARDINAUX (1877-1936)
ZERMATT
lithograph in colours, 1908, printed by J.E. Wolfensberger,
Zrich, condition B+; backed on japan
40 x 28 in. (103 x 72 cm.)

8,000-12,000

$13,000-19,000
11,000-15,000

*111
JEAN GABERELL-THALWIL (1887-1949)
WINTERSPORT IN ZERMATT
lithograph in colours, 1929, printed by Sadag, Geneva,
condition A; backed on linen
39 x 25 in. (100 x 64 cm.)

3,000-5,000

$4,700-7,800
3,800-6,300

111

31

112

*112

114

HERBERT MATTER (1907-1984)


ENGELBERG
offset lithograph, 1936, printed by C.J. Bucher A.G., Luzern,
condition A-; not backed
40 x 25 in. (102 x 64 cm.)

1,800-2,200

113

$2,800-3,400
2,300-2,800

ANONYMOUS
ENGELBERG
offset lithograph in colours, c.1934, printed by Fdrative
S.A., Berne, condition A-; backed on linen
38 x 26 in. (97 x 66 cm.)

2,000-3,000

114

$3,200-4,700
2,600-3,800

HERBERT MATTER (1907-1984)


SUISSE
offset lithograph in colours, 1935, printed by Ringier,
condition A; backed on linen
40 x 25 in. (102 x 64 cm.)

3,000-5,000
113

32

$4,700-7,800
3,800-6,300

116

115

115

*117

FRANOIS JAQUES

W. AMSTUTZ

STE-CROIX-LES RASSES

STE. CROIX - LES RASSES

lithograph in colours, c.1910, printed by


Klausfelder S.A., Vevey, condition B+/A-;
backed on linen

offset in colours, printed by Orell Fssli,


Zrich, condition A-; backed on japan

39 x 24 in. (100 x 63 cm.)

800-1,200

4,000-6,000

$6,300-9,300
5,100-7,600

$1,300-1,900
1,100-1,500

116

118

T.

ANONYMOUS

ANDERMATT

WINTERSPORT ANDERMATT

lithograph in colours, printed by Brunner


& Co., A.G., Zrich, condition A; backed
on linen

lithograph in colours, c.1910, condition


A-; backed on japan

40 x 27 in. (102 x 69 cm.)

1,500-2,000

1,200-1,800

$1,900-2,800
1,600-2,300

117

40 x 25 in. (102 x 64 cm.)

39 x 29 in. (100 x 75 cm.)

$2,400-3,100
1,900-2,500
118

33

119

123

122

*119

*122

WILHELM FRIEDRICH BURGER


(1882-1964)

EMIL CARDINAUX (1877-1936)

WINTER:SPORT, HEIDEN
lithograph in colours, 1914, printed by
H.J. Burger & Sohn, Zrich, condition
A-; backed on linen
39 x 28 in. (99 x 71 cm.)

1,200-1,800

120

50 x 35 in. (127 x 90 cm.)

3,500-5,500

$5,500-8,500
4,500-7,000

*120

123

ANONYMOUS

PAUL LANDRY (1904-1990)

SKI-RENNEN, GLARUS

GRAND PRIX AUTOMOBILE,


LAUSANNE

41 x 28 in. (104 x 72 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

121
MARTIN PEIKERT (1901-1975)
ZUGERBERG
lithograph in colours, 1948, printed by
Fretz A.G., Zrich, condition A-; backed
on linen
24 x 18 in. (63 x 46 cm.)

1,000-1,500

34

lithograph in colours, 1916, printed by


J.E. Wolfensberger, Zurich, condition
B/B+; backed on linen

$1,900-2,800
1,600-2,300

lithograph in colours, 1905, printed by


Fretz, Zrich, condition B; backed on
japan

121

AUTOMOBILES MARTINI

$1,600-2,300
1,300-1,900

lithograph in colours, 1947, printed by


R. Marsens, Lausanne, condition A;
backed on linen
39 x 25 in. (99 x 65 cm.)

1,800-2,200

$2,800-3,400
2,300-2,800

125

124

*124
HANS THONI (1906-1980)
GROSSER PREIS DER SCHWEIZ
lithograph in colours, 1936, condition A; backed on linen
39 x 27 in. (99 x 70 cm.)

4,000-6,000

$6,300-9,300
5,100-7,600

*125
ERIC DE COULON (1888-1956)
VI. INTERNATIONALES KLAUSEN RENNEN
lithograph in colours, 1927, printed by Polygraphisches
Institut A.G., Zrich, condition B+; backed on linen
50 x 36 in. (127 x 92 cm.)

12,000-18,000

$19,000-28,000
16,000-23,000

*126
ROBERT FALCUCCI (1900-1989)
MONTE CARLO
lithograph in colours, 1930, printed by Mongasque, Monte
Carlo, condition A-; backed on linen
47 x 31 in. (119 x 79 cm.)

10,000-15,000

$16,000-23,000
13,000-19,000

126

35

127

A PAIR OF MONOGRAM CANVAS DESK TRUNKS


LOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Both composite leather and brass bound with leather handles to either side, one with the monogram JDER the other with D.C.S ST
PAUL MINN USA, both mounted on casters, both with hinged lid and front opening panel to reveal three large and two small drawers,
a removable webbed basket, a pull out black wooden desk flap and the top with two lidded compartments, the padded lids studded
with ribbon taping
Both 38 x 22 x 20 in. (98 x 56 x 52 cm.)

(2)

The lock of the trunk with the monogram JDER numbered 064378 the other numbered 061511

50,000-80,000

$78,000-120,000
64,000-100,000

LITERATURE:

For a similar trunk see Lonforte, Pierre and Pujalet-Pla, ric, 100 Legendary Trunks Louis Vuitton, New York, Abrams, 2010, pp. 206-209
These rare and unusual trunks were originally marketed as the perfect accompaniment to the large wardrobe trunk for the well to do
traveller, with both ladys and gentlemans versions available. The trunks came with a small pull out desk flap that allowed the owner to
compose their correspondence while travelling.

36

128

A MONOGRAM CANVAS SHOE TRUNK


LOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Leather and brass bound, with leather handles and a S in a diamond to
either end, green and yellow stripes to the centre, mounted on casters,
with a hinged lid and front opening panel revealing thirty individual shoe
storage drawers, two full width drawers and a removable top tray
45 x 25 x 16 in. (114 x 64 x 42 cm.)
The lock numbered 060193

30,000-40,000

$47,000-62,000
38,000-51,000

129

A MONOGRAM CANVAS SHOE TRUNK


LOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Composite leather and brass bound, with leather handle and the
monogram BM to either end, lined in orange leather and brown felt, with
two removable trays both with fittings for and with dividers
19 x 35 x 15 in. (49 x 91 x 39 cm.)
The lock numbered 046609

15,000-20,000

128

$24,000-31,000
19,000-25,000

129

37

130

131

130

131

A MONOGRAM CANVAS CABIN TRUNK

A MONOGRAM CANVAS CABIN TRUNK

LOUIS VUITTON FIRST HALF OF THE 20TH CENTURY

LOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

Composite leather and brass bound, with leather handles and the monogram
W.DWIGHT 12 N.Y. to either end one handle broken, mounted on casters, the
interior lined in ivory linen with one removable tray with two canvas cross straps
two lidded compartments each with dividers, the base with three canvas cross
straps, the padded lid studded with ribbon taping
13 x 43 x 21 in. (34 x 110 x 55 cm.)

Composite leather and brass bound, with leather handles and the monogram
LHH to either end, with fittings for a leather strap, mounted on casters, the
interior lined in ivory linen with one removable tray with two canvas cross straps
and two lidded compartments, each with dividers, the base with three canvas
cross straps, the padded lid studded with ribbon taping
13 x 43 x 21 in. (34 x 111 x 54.5 cm.)

The lock numbered 049826

The lock numbered 032066

5,000-8,000

$7,800-12,000
6,400-10,000

5,000-8,000

$7,800-12,000
6,400-10,000

132

A TRUNK WITH DRAWERS IN NATURAL


CALF LEATHER
LOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Leather and brass bound, with leather handles to either end,
the front panel hinged at either end, opening at the centre to
reveal two horizontal drawers, the top fitted with a tray with
dividers and a removable tray with two lidded compartments
each with dividers, the padded lid studded with ribbon taping
23 x 40 x 22 in. ( 59 x 102 x 57 cm.)
The lock numbered 101372
132

38

8,000-12,000

$13,000-19,000
11,000-15,000

133

A LADYS LOW TRUNK IN MONOGRAM CANVAS


LOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Composite leather and metal bound, with metal handles and blue, black, yellow
and white stripes in the shape of a circle to either end, fittings for a leather strap,
mounted on casters, the interior lined in cream linen with one removable tray,
the padded lid studded with ribbon taping
22 x 39 x 21 in. (56 x 100 x 55 cm.)
The lock numbered 040564

5,000-7,000

$7,800-11,000
6,400-8,800
133

134

A LADYS LOW TRUNK IN MONOGRAM CANVAS


LOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Brass and composite leather bound, with leather handles to either end, mounted
on casters, the interior lined in ivory linen, the padded lid studded with ribbon
taping, with one key
22 x 31 x 20 in. (57 x 80 x 51 cm.)
The lock numbered 010970

5,000-8,000

$7,800-12,000
6,400-10,000
134

*135

A MAIL TRUNK IN STRIPED CANVAS


LOUIS VUITTON, LATE 19TH CENTURY
Leather and brass bound, with metal handles and the monogram FHB and the
number 3 to either end, mounted on casters, the interior lined in ivory linen, with
a removable tray, the padded lid studded with purple ribbon taping
17 x 30 x 17 in. (43 x 76 x 43 cm.)
The interior labelled and numbered 6385

2,500-3,500

$3,900-5,400
3,200-4,400

135

136

138

A TRIO OF LIMITED EDITION PAPERWEIGHT TRUNKS


AND A AERO SNOW GLOBE

A SET OF FITTED TAN LEATHER LUGGAGE FOR A


FERRARI 456 GT

LOUIS VUITTON, 2013, 2012 AND 2000

FERRARI AND SCHEDONI CIRCA 1990S

Comprising of a Hat Box, a Courrier trunk, a Miss France trunk and an Aero snow
globe, all of lithographed metal
The Hat Box 3 x 3 x 2 in. ( 7.5 x 9.5 x 6.25 cm.); the Courrier trunk 2 x 4 x 2
in. (6.5 x 11.5 x 7 cm.); the Miss France paperweight 3 x 6 x 3 in. ( 8 x 15 x 7.5 cm.); the
Aero snow globe 3 in. (8 cm.) (diam.) 5 in. (13 cm.) height
(4)

Comprising of two suitcases and a vanity case; the suitcases both with handles
and locks to top, with zip closures, keyfob and luggage tags, one with flap pocket
to front, the interiors both lined in biscuit leather, with leather cross straps to
base and elasticated pocket to lid; the vanity case with handle to top, front
closure and keyfob, the interior lined in biscuit leather, with elasticated pocket
to one side and elasticated fittings to the other, each case with green fabric cover
The larger suitcase 17 x 31 x 7 in. (45 x 77 x 18 cm.); the smaller suitcase 17 x 31 x
6 in. (43 x 77 x 15 cm.); the vanity case 11 x 12 x 11 in. (29 x 32 x 28 cm.)

1,200-1,500

$1,900-2,300
1,600-1,900

These mini trunks, originally created as gifts for Louis Vuittons VIP clients, are
modelled after three classic Louis Vuitton trunks. The Miss France paperweight after
the Ladys Trunk trunk that belonged to Miss France 1927, Roberte Cusey, the hat
box after the Ladys Hat Box hat box that belonged to Mrs. William Twombley, of
Paris 1895 and the courrier trunk an exact replica, one seventh the size, of an mans
courrier trunk from 1888. The Aero snow globe, also a VIP gift, was inspired by a
Pierre-Emilie Legrain ink drawing and pays homage to Louis Vuittons 1906 Aero
trunk which was designed to be attached to the gondola of a hot air balloon.

137

All stamped CUOIO SCHEDONI MODENA and the locks stamped 456 GT

1,000-1,500

(3)

$1,600-2,300
1,300-1,900

The Ferrari 456 GT released in 1992 saw Ferrari return to a front-engine model for
the first time since the 1968 365 GTB4. The 2+2 coup model came with a custom
made luggage set that fitted into the boot of the car in order to maximise space.

139

nW

A TAN LEATHER ENGLISH SADDLE

A MOTORING TRUNK IN BLACK VUITTONITE CANVAS

GUCCI, LATE 20TH CENTURY

LOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

With stirrup irons, leathers and canvas saddle bag


18 in. (46 x 46 x 25 cm.)

Metal bound with leather handle to top, the interior lined in ivory linen, the base
with two canvas cross straps
5 x 33 x 17 in. (13 x 84 x 44 cm.)

The leather stamped with GUCCI monogram

The lock numbered 773821

2,000-3,000

40

$3,200-4,700
2,600-3,800

800-1,200

$1,300-1,900
1,100-1,500

140

A MOTORING TRUNK IN BRICK RED VUITTONITE


CANVAS
LOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Metal bound, with metal handles to either end, the interior lined in ivory linen
with fittings for a removable tray
10 x 21 x 17 in. (25 x 55 x 45 cm.)
The lock marked with a D

1,000-2,000

$1,600-3,100
1,300-2,500

142
A PAIR OF MONOGRAM CANVAS SUITCASES
LOUIS VUITTON, MID 20TH CENTURY
Both composite leather and brass bound, with leather handle and the monogram
MP to the top, the interiors both lined in cream linen, with two canvas cross
straps to the base, one case with two further canvas cross straps to the lid, the
other with an additional removable tray also with two canvas cross straps
Both 7 x 24 x 14 in. (18 x 61 x 37 cm)

(2)

Both locks numbered 084239

1,200-1,500

$1,900-2,300
1,600-1,900

141
A SET OF TAN LEATHER LUGGAGE
ASTON MARTIN, LATE 20TH - EARLY 21ST CENTURY
Comprising of two weekend bags, a small suitcase and a small golf bag; the
weekend bags both with two handles, shoulder strap and zip closure to top, the
interiors both lined in cream linen with side zip pocket; the suitcase with handle
to top, fittings for a shoulder strap, three zip closures and flat front pocket,
the interior lined in cream leather with three separate compartments and two
leather drawstring shoe bags; the golf bag with shoulder strap, front pocket and
removable top cover, the interior lined in cream leather
The weekend bags both 12 x 26 x 12 in. (30 x 67 x 30 cm.); the suitcase 14 x 18 x 7 in.
(35.5 x 46 x 18 cm.); the golf bag 47 x 7 x 3 in. (120 x 19 x 8 cm.)
The exteriors all stamped ASTON MARTIN, the interiors with additional leather
label stamped HAND MADE IN ITALY BY GOLF BROTHERS WITH FLORENTINE
LEATHER
(6)

1,000-1,500

$1,600-2,300
1,300-1,900

143

A MOTORING TRUNK IN BLACK VUITTONITE CANVAS


LOUIS VUITTON, EARLY 20TH CENTURY
Metal and leather bound, with metal handles to either end, the interior lined in
ivory linen, with fittings for one removable tray
17 x 32 x 17 in. (43 x 82 x 43.5 cm.)
The lock numbered 2087??

1,500-2,500

$2,400-3,900
1,900-3,200
41

~144

146

A GENTLEMANS FITTED SUITCASE IN NATURAL


COWHIDE

LOUIS VUITTON, 20TH CENTURY

A PAIR OF MONOGRAM CANVAS BRAKEN SUITCASES

LOUIS VUITTON, EARLY 20TH CENTURY CIRCA 1920S - 1930S


With brass hardware, a handle and the monogram FL to the top, the interior
lined in black leather, with fittings for various accessories, including four glass
bottles, three glass containers all with silver lids with the monogram FL, an ivory
shoe buffer, brushes, combs, jewellery boxes, a lamp, a mirror and leather wallets
with various ivory tools and pill boxes, the case also with two further leather
accessories boxes both with the monogram FL one with fittings for brushes the
other with nail accessories; with canvas dust cover
7 x 22 x 13 in. (18 x 56 x 35 cm.)

Both composite leather and brass bound, with handle to top, the interiors both
lined in cream leather with removable garment tray with two canvas cross
straps, three wooden hangers and linen divider, the base of both cases with two
canvas cross straps, one case with luggage tag
8 x 25 x 20 in. (22 x 65 x 52 cm.)
The lock of one suitcase numbered 127580 and the other 127579

1,500-2,000

(2)

$2,400-3,100
1,900-2,500

The lock numbered 049614

1,500-2,500

$2,400-3,900
1,900-3,200

147

145

nW

A MONOGRAM CANVAS HAT BOX

A TRUNK IN NATURAL COW HIDE

LOUIS VUITTON, 20TH CENTURY

LOUIS VUITTON, 20TH CENTURY

Composite leather and brass bound, with leather handle to top, the interior lined
in ivory linen, with a removable webbed basked with four canvas cross straps,
the padded lid studded with ribbon taping
19 x 19 x 17 in. (49 x 50 x 44 cm.)

Leather and brass bound, with leather handles and the monogram PGV and
a crown to either end, mounted on casters, the interior lined in ivory linen, the
padded lid studded with ribbon taping
12 x 40 x 21 in. (32 x 101.5 x 53.5 cm.)

The lock numbered 076579

The lock numbered 028435

2,000-3,000

42

$3,200-4,700
2,600-3,800

1,200-1,500

$1,900-2,300
1,600-1,900

148

150

A MUSTARD YELLOW LEATHER SUITCASE


AND FITTED VANITY CASE

LOUIS VUITTON, LATE 19TH / EARLY 20TH CENTURY

A DAMIER CANVAS MANS HAT BOX

ASPREY, FIRST HALF 20TH CENTURY


Both cases with the monogram A.O.S in gold and leather handles with canvas
covers to top, both lined in brown moir silk, the suitcase with fittings for a
removable tray, the vanity case with various fittings, one side fitted with four
brushes and a mirror in simulated tortoiseshell with the monogram AOS in gold,
three lidded compartments two lids missing and four padded cushions, the other
side with three glass bottles, four glass pots all with simulated tortoiseshell tops
and lids with the monogram AOS in gold and fittings for two removable boxes
one missing
The suitcase 7 x 25 x 15 in. (19 x 65.5 x 39 cm.); the vanity case 5 x 14 x 12
in. (14 x 37 x 31 cm.)

Bound in leather, with leather handle to top, the interior lined in ivory linen with
one removable tray, the base with two red cord cross straps and one red canvas
cross strap
12 x 14 x 11 in. ( 31 x 36 x 29 cm.)
The interior label numbered 44406

2,000-4,000

$3,200-6,200
2,600-5,100

The lock of the suitcase stamped ASPREY LONDON; the lock of the vanity case
stamped PROV. PAT. 10965129 the interior of the suitcase stamped ASPREY
LONDON
(2)

1,500-2,000

$2,400-3,100
1,900-2,500

149

151

A MANS TRUNK IN MONOGRAM CANVAS

A LADYS HIGH TRUNK IN STRIPED CANVAS

LOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

LOUIS VUITTON, LATE 19TH CENTURY

Metal bound with metal handles and a red diamond to either end, fittings for a
leather strap, mounted on casters, the interior lined in ivory linen with fittings for
removable trays, the padded lid studded with ribbon taping
21 x 39 x 20 in. (54 x 100 x 53 cm.)

Bound in metal, with metal handles, the monogram B.J.F and the number 4 to
either end, with fitting for a leather strap, mounted on casters, the interior lined in
cream and red striped paper and canvas, with three removable trays each with
three canvas cross straps, the padded lid studded with purple ribbon taping
27 x 39 x 23 in. (70 x 101 x 59 cm.)

The lock numbered 07302

The interior label numbered 10727

3,500-4,500

$5,500-7,000
4,500-5,700

2,000-3,000

$3,200-4,700
2,600-3,800
43

152

155

153

152

154

ANONYMOUS

ANONYMOUS

SUN VALLEY

LA PROVINCE DE QUBEC

offset lithograph in colours, condition


B+/A-; backed on linen

silkscreen, condition A-; backed on linen

34 x 25 in. (88 x 64 cm.)

800-1,200

1,000-1,500

44

$1,600-2,300
1,300-1,900

$1,300-1,900
1,100-1,500

153

*155

R.A. JOHNSON

S.D.

ALBERTA

SUN VALLEY, IDAHO

offset lithograph in colours, 1952,


condition A-; backed on linen

offset lithograph in colours, c.1950,


condition B+; backed on linen

38 x 25 in. (97 x 64 cm.)

40 x 26 in. (103 x 66 cm.)

800-1,200
154

30 x 20 in. (76 x 51 cm.)

$1,300-1,900
1,100-1,500

3,000-5,000

$4,700-7,800
3,800-6,300

157

156

*156

158

SASCHA MAURER (1897-1961)

ANONYMOUS

FLEXIBLE FLYER

III OLYMPIC WINTER GAMES, LAKE


PLACID 1932

offset lithograph in colours, condition


A-; backed on linen
37 x 23 in. (94 x 59 cm.)

1,800-2,200

$2,800-3,400
2,300-2,800

158

lithograph in colours, 1932, condition


B+; backed on linen
40 x 25 in. (102 x 63 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

157

159

SASCHA MAURER (1897-1961)

ROY LICHTENSTEIN (1923-1997)

LETS GO SKIING!

ASPEN WINTER JAZZ

lithograph in colours, printed by Latham


Litho Co., condition A-; backed on linen

silkscreen, 1967, condition A-; not


backed

22 x 14 in. (56 x 36 cm.)

40 x 26 in. (102 x 66 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

1,000-1,500

$1,600-2,300
1,300-1,900

159

45

160

163

161

*160

162

ANONYMOUS

DICK (HENRIK M. BRUNA, B.1947)

SELO CHROME

PAMPERS

lithograph in colours, condition A-;


backed on linen

lithograph in colours, 1974, condition A;


not backed

30 x 20 in. (76 x 51 cm.)

24 x 16 in. (62 x 41 cm.)

800-1,200

$1,300-1,900
1,100-1,500

*163

DICK (HENDRIK M. BRUNA, B.1947)

J. HARPER

MIFFY, PAMPERS

KOSCIUSKO

lithograph in colours, 1963, condition A;


not backed

lithograph in colours, printed by D.H.


Paisley, Sydney, condition A-; backed
on linen

800-1,200

46

$1,300-1,900
1,100-1,500

161

24 x 16 in. (61 x 40 cm.)

162

800-1,200

$1,300-1,900
1,100-1,500

40 x 30 in. (102 x 77 cm.)

3,000-5,000

$4,700-7,800
3,800-6,300

165

164

*164
T.N. JOANETHIS
DARTMOUTH
lithograph in colours, 1938, condition B+; backed on linen
34 x 22 in. (87 x 56 cm.)

2,500-3,500

*165

$3,900-5,400
3,200-4,400

ANONYMOUS
DARTMOUTH CARNIVAL
lithograph in colours, 1935, condition A; backed on linen
34 x 22 in. (87 x 56 cm.)

3,000-5,000

*166

$4,700-7,800
3,800-6,300

JOHN R. BOWERS
DARTMOUTH
lithograph in colours, 1942, printed by Brett Lithographing
Company, condition A-; backed on linen
34 x 22 in. (87 x 56 cm.)

1,500-2,000

$2,400-3,100
1,900-2,500

166

47

167

169

*167
ROGER BRODERS (1883-1953)
WINTER SPORTS IN THE FRENCH ALPS
lithograph in colours, c.1930, printed by L. Serre & Cie., Paris,
condition A-; not backed
40 x 25 in. (102 x 64 cm.)

8,000-12,000

*168

$13,000-19,000
11,000-15,000

ROGER BRODERS (1883-1953)


ST. GERVAIS-LES-BAINS
lithograph in colours, c.1930, condition A; not backed
39 x 25 in. (101 x 64 cm.)

5,000-7,000

169

$7,800-11,000
6,400-8,800

ROGER BRODERS (1883-1953)


SPORTS DHIVER DANS LES VOSGES
lithograph in colours, c.1930, printed by Lucien Serre, Paris,
condition B; backed on linen
39 x 24 in. (99 x 62 cm.)

5,000-7,000
168

48

$7,800-11,000
6,400-8,800

171

170

*170

171

ROGER BRODERS (1883-1953)

ROGER BRODERS (1883-1953)

LES SPORTS DHIVER A ST.PIERRE DE CHARTREUSE

GOLDEN MOUNTAIN, PULLMAN EXPRESS

lithograph in colours, 1930, printed by de Vaugirard, Paris,


condition A; backed on linen

lithograph in colours, c.1930, printed by Lucien Serre, Paris,


condition B+; backed on linen

39 x 25 in. (101 x 64 cm.)

39 x 24 in. (100 x 62 cm.)

10,000-15,000

$16,000-23,000
13,000-19,000

15,000-20,000

$24,000-31,000
19,000-25,000

49

172

175

173

*172

*174

ROGER BRODERS (1883-1953)

ROGER BRODERS (1883-1953)

LE MONT REVARD

VILLARD DE LANS

lithograph in colours, 1927, printed by


Maurice Dupuy, Paris, condition A-; not
backed

lithograph in colours, c.1936, printed


by Gnrale, Grenoble, condition B+;
backed on linen

42 x 31 in. (108 x 79 cm.)

39 x 24 in. (99 x 62 cm.)

800-1,200

50

2,000-3,000

$3,200-4,700
2,600-3,800

*173

*175

ROGER BRODERS (1883-1953)

ROGER BRODERS (1883-1953)

LE HOHWALD

MONT-REVARD

lithograph in colours, c.1930, printed by


Lucien Serre & Cie., Paris, condition
B/B+; backed on linen

lithograph in colours, c.1927, printed by


Lucien Serre & Cie., Paris, condition A-;
backed on linen

39 x 24 in. (100 x 63 cm.)

42 x 30 in. (107 x 76 cm.)

2,000-3,000
174

$1,300-1,900
1,100-1,500

$3,200-4,700
2,600-3,800

3,000-5,000

$4,700-7,800
3,800-6,300

177

176

*176
ROGER BRODERS (1883-1953)
COL DU GRAND ST. BERNARD
lithograph in colours, 1927, printed by Lucien Serre & Cie.,
Paris, condition A; backed on linen
42 x 31 in. (107 x 79 cm.)

2,000-3,000

*177

$3,200-4,700
2,600-3,800

ROGER BRODERS (1883-1953)


CHAMONIX MT. BLANC
lithograph in colours, 1930, printed by Lucien Serre & Cie.,
Paris, condition A; backed on linen
39 x 25 in. (101 x 63 cm.)

4,000-6,000

178

$6,300-9,300
5,100-7,600

ROGER BRODERS (1883-1953)


LA CTE DAZUR
lithograph in colours, c.1930, printed by Lucien Serre & Cie.,
Paris, condition A-; backed on linen, framed
39 x 25 in. (100 x 64 cm.)

2,500-3,500

$3,900-5,400
3,200-4,400

178

51

179

182

180

*179

181

ROGER BRODERS (1883-1953)

TAIRRAZ (PHOTO)

FUNICULAIRE CHAMONIX-PLANPRAZ

CHAMONIX-MONT BLANC

lithograph in colours, c.1931, printed by


Lucien Serre & Cie., Paris, condition A;
not backed

offset lithograph, condition A-; backed


on linen

39 x 24 in. (100 x 63 cm.)

1,000-1,500

2,000-3,000

52

$1,600-2,300
1,300-1,900

$3,200-4,700
2,600-3,800

*180

182

JEAN JULIEN

FRANCISCO TAMAGNO (1851-)

ROUTE DHIVER DES ALPES

CHAMONIX MONT-BLANC

lithograph in colours, printed by Lucien


Serre & Cie., Paris, condition B+;
backed on linen

lithograph in colours, c.1900, printed by


mile Pcaud & Cie., Paris, condition
B+/A-; backed on linen

42 x 30 in. (107 x 76 cm.)

42 x 31 in. (107 x 79 cm.)

1,500-2,000
181

39 x 24 in. (99 x 62 cm.)

$2,400-3,100
1,900-2,500

7,000-9,000

$11,000-14,000
8,900-11,000

184

183

183

185

HENRY REB (1883-1959)

HUGO FREDERIC DALESI


(1849-1906)

CHAMONIX MONT-BLANC
lithograph in colours, 1933, printed by
Lucien Serre & Cie., Paris, condition
B/B+; backed on linen
39 x 24 in. (100 x 63 cm.)

3,000-5,000

$4,700-7,800
3,800-6,300

LE MONT BLANC
lithograph in colours, 1898, printed by
A. Bellier & Cie., Paris, condition A;
backed on linen
41 x 29 in. (106 x 75 cm.)

1,200-1,800

$1,900-2,800
1,600-2,300

184

186

MAX PONTY (1904-1972)

Y. LATY

CHAMONIX MONT-BLANC

MONT BLANC

lithograph in colours, 1935, condition A-;


backed on linen, framed

lithograph in colours, c.1960, printed by


B. Arnaud, Paris, condition A; backed
on linen

39 x 24 in. (100 x 63 cm.)

1,500-2,000

$2,400-3,100
1,900-2,500

185

38 x 24 in. (97 x 62 cm.)

700-900

$1,100-1,400
890-1,100

186

53

187

190

*187

*190

GEORGES S. DORIVAL (1879-1968)

GEORGES S. DORIVAL (1879-1968)

VERS LE MONT-BLANC

VERS LE MONT-BLANC

lithograph in colours, 1928, printed by


Lucien Serre & Cie., Paris, condition A-;
backed on linen

lithograph in colours, 1928, printed by


Lucien Serre & Cie., Paris, condition A-;
backed on linen

41 x 29 in. (104 x 75 cm.)

41 x 29 in. (104 x 75 cm.)

2,000-3,000

188

191

$3,200-4,700
2,600-3,800

*191

P. FERVE-BRIQUET

GEORGES S. DORIVAL (1879-1968)

AURON

VERS LE MONT-BLANC

39 x 24 in. (99 x 61 cm.)

800-1,200

$1,300-1,900
1,100-1,500

lithograph in colours, 1928, printed by


Lucien Serre & Cie., Paris, condition A-;
backed on linen
41 x 30 in. (104 x 77 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

189

192

HUGUETTE CROMIRES

ROLAND HUGON (1911-)

BOBSLEIGH, ALPE DHUEZ

8 JOURS DE NEIGE

lithograph in colours, 1951, printed by


Watelet-Arbelot, Paris, condition A;
backed on linen

lithograph in colours, condition A-;


backed on linen

39 x 24 in. (99 x 63 cm.)

800-1,200

54

$3,200-4,700
2,600-3,800

188

lithograph in colours, 1950, printed by


Mongasque, Monte-Carlo, condition
A-; backed on linen

189

2,000-3,000

39 x 24 in. (100 x 63 cm.)

1,000-1,500
$1,300-1,900
1,100-1,500

$1,600-2,300
1,300-1,900

194

192

193

193

*195

ABEL

BERNARD VILLEMOT (1911-1989)

FAITES DU SKI EN FRANCE

SPORTS DHIVER, FRANCE

lithograph in colours, 1952, condition A;


backed on linen

lithograph in colours, 1954, printed


by S.A.Courbet, Paris, condition B+;
backed on linen

39 x 24 in. (100 x 61 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

38 x 24 in. (98 x 61 cm.)

1,500-2,000

$2,400-3,100
1,900-2,500

194

196

VECOUX

JAN LGER

WINTER SPORTS IN FRANCE

WINTER SPORTS IN FRANCE

lithograph in colours, 1947, printed by


Paul-Martial, Paris, condition A-; backed
on linen

lithograph in colours, printed by E.


Desfosss, Paris, condition A; backed
on linen

39 x 24 in. (99 x 62 cm.)

39 x 25 in. (99 x 64 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

800-1,200

195

$1,300-1,900
1,100-1,500

196

55

197

200

198

197

199

ANONYMOUS

H. CHAUFFARD

VALLOIRE

LE MARKSTEIN

lithograph in colours, printed by


Runies, Lyon, condition A-; backed on
linen

lithograph in colours, c.1930, printed by


Lucien Serre & Cie., Paris, condition A-;
backed on linen, framed

39 x 24 in. (99 x 61 cm.)

39 x 24 in. (99 x 61 cm.)

800-1,200

$1,300-1,900
1,100-1,500

200

SERRALIER (PHOTO)

THEO DORO (1896-1973)

SPORTS DHIVER EN FRANCE, MERIBEL

SPORTS DHIVER DANS LES VOSGES

offset lithograph in colours, condition A;


backed on linen

lithograph in colours, 1931, printed by


C. Courtois, Paris, condition B+; backed
on linen

800-1,200

56

$1,900-2,800
1,600-2,300

198

23 x 15 in. (60 x 39 cm.)

199

1,200-1,800

$1,300-1,900
1,100-1,500

38 x 25 in. (97 x 64 cm.)

3,000-5,000

$4,700-7,800
3,800-6,300

201
202

201
PIERRE MICHEL
BARCELONNETTE
lithograph in colours, 1928, printed by Azmard Cousins,
Nimes, condition A-; backed on linen
42 x 31 in. (108 x 79 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

*202
PAUL ORDNER (1900-1969)
COMBLOUX
lithograph in colours, 1935, printed by Bahy, Mulhouse,
condition A-; backed on paper
39 x 24 in. (101 x 62 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

*203
LEONETTO CAPPIELLO (1875-1942)
SUPERBAGNRES-LUCHON
lithograph in colours, 1929, printed by Devambez, Paris,
condition A-; backed on linen
39 x 24 in. (100 x 61 cm.)

5,000-7,000

$7,800-11,000
6,400-8,800

203

57

204

205

206

58

207

208

209

210

211

212

*204
L. DE NEURAC
LUCHON-SUPERBAGNRES
lithograph in colours, 1922, printed by
Lopold Verger, Paris, condition B+;
backed on linen
39 x 25 in. (100 x 65 cm.)

1,500-2,000

$2,400-3,100
1,900-2,500

*205
ROGER SOUBIE (1898-1984)
COUPE DE FRANCE, LUCHONSUPERBAGNRES
lithograph in colours, 1923, printed by
Cornille & Serre, Paris, condition A-;
backed on linen
40 x 25 in. (102 x 64 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900
213

206

209

*212

F.R. GANEAU

REN MICHAUD

AFTER F.L. FRAUK

LETE A MEGEVE

MGVE

LA NUIT DU SKI

lithograph in colours, 1955, printed by


Chantenay, Paris, condition B+; backed
on linen

lithograph in colours, 1933, condition A;


backed on linen

lithograph in colours, 1931, printed


by Sple. du Salon du Ski, condition B;
backed on linen

38 x 24 in. (97 x 63 cm.)

3,000-5,000

800-1,200

38 x 25 in. (98 x 64 cm.)

$1,300-1,900
1,100-1,500

$4,700-7,800
3,800-6,300

46 x 29 in. (117 x 75 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

207

210

213

M. CARABIN (PHOTO)

RAYMOND SAVIGNAC
(1907-2002)

PIERRE FIX-MASSEAU (1905-1994)

FRANCE, VAL DISERE


offset lithograph in colours, 1954,
printed by Draeger, Paris, condition A;
backed on linen
39 x 25 in. (99 x 64 cm.)

800-1,200

$1,300-1,900
1,100-1,500

*208
LUCIEN BLUMER (1871-1947)

lithograph in colours, 1948, printed by


Bahy, Mulhouse, condition B+; backed
on linen
39 x 24 in. (100 x 62 cm.)

1,500-2,000

lithograph in colours, 1938, printed by


Edita, Paris, condition B/B+; backed on
linen
39 x 48 in. (99 x 123 cm.)

3,000-5,000
$2,400-3,100
1,900-2,500

$4,700-7,800
3,800-6,300

211
HULON

VALLE DE MUNSTER
lithograph in colours, printed by
Alsacienne, Strasbourg, condition B+;
backed on linen

SKI YACHTING NICE


lithograph in colours, 1954, condition A-;
backed on linen
25 x 18 in. (64 x 47 cm.)

39 x 24 in. (100 x 62 cm.)

800-1,200

BON VOYAGE, BONNE NEIGE

VAL DISRE

$1,300-1,900
1,100-1,500

1,000-1,500

$1,600-2,300
1,300-1,900
59

214

216

218

219

217

214

216

REN GONTRAN RANSON


(1891-1977)

PIERRE-LAURENT BRENOT
(1913-1998)

OH! LE JOLI BATON DE SKI

MARIE DES NEIGES

offset lithograph in colours, condition A;


not backed

offset lithograph in colours, 1952,


condition A-; backed on linen

18 x 12 in. (48 x 31 cm.)

27 x 12 in. (69 x 31 cm.)

800-1,200

$1,300-1,900
1,100-1,500

217

YVES THOS (B.1935)

CARLO PELLEGRINI (1866-1937)

AU SERVICE SECRET DE SA MAJESTE

WINTER BEGINS

offset lithograph in colours, 1969, Eon/


United Artists, condition A-; on two
sheets, not backed

chromolithograph, 1912, published by


Vouga & Cie., Genve (Srie 211, No.
3); not backed, framed
together with one other framed
lithograph by Pellegrini

800-1,200

60

$1,300-1,900
1,100-1,500

215

123 x 47 in. (312 x 120 cm.)

215

800-1,200

$1,300-1,900
1,100-1,500

13 x 24 in. (33 x 61 cm.)

800-1,200

(2)

$1,300-1,900
1,100-1,500

221

220

218

*221

PIERRE-LAURENT BRENOT
(1913-1998)

LUDWIG HOHLWEIN (1874-1949)

DOWNHILL FOLLIE

WILDBAD KREUTH

offset lithograph in colours, 1950,


condition A-; backed on linen

lithograph in colours, 1912, printed by


G. Schuh & Cie., Mnchen, condition B/
B+; not backed

27 x 12 in. (69 x 31 cm.)

29 x 41 in. (75 x 105 cm.)

800-1,200

$1,300-1,900
1,100-1,500

1,000-1,500

219

222

PIERRE-LAURENT BRENOT
(1913-1998)

V. RUBASTA

A GLANCE BACK
offset lithograph in colours, 1950,
condition A-; backed on linen
27 x 12 in. (69 x 31 cm.)

800-1,200

$1,600-2,300
1,300-1,900

JASNA NIZKE TATRY

222

lithograph in colours, 1951, condition A;


not backed, framed
33 x 23 in. (84 x 59 cm.)

800-1,200
$1,300-1,900
1,100-1,500

$1,300-1,900
1,100-1,500

*220

223

CARL KUNST (1884-1912)

EDWIN HERMANN R. HENEL


(1883-1953)

BILGERI-SKI-AUSRSTUNG
lithograph in colours, c.1910, printed by
Reichold & Lang, Munchen, condition
A; backed on linen
20 x 30 in. (51 x 77 cm.)

800-1,200

$1,300-1,900
1,100-1,500

DEUTSCHE SKI-MEISTERSCHAFT
lithograph in colours, 1927, printed by
Kunst Im Druck, Mnchen, condition
B+/A-; backed on linen
35 x 24 in. (89 x 61 cm.)

800-1,200

$1,300-1,900
1,100-1,500

223

61

224

227

225

224

226

DAGTIN TH. HANSSEN

ANONYMOUS

NORVEGE, PAYS DU SKI

TIL NORGE

lithograph in colours, 1935, printed


by Norsk Lithografsk Offcin, Oslo,
condition A; not backed

lithograph in colours, printed by


Broholm Poulsen, Kbenhavn, condition
A; not backed

39 x 24 in. (99 x 63 cm.)

33 x 24 in. (85 x 61 cm.)

1,000-1,500

62

800-1,200

$1,300-1,900
1,100-1,500

225

227

ANDERS BECKMAN (1907-1967)

SCHENK

LA SUDE, AEROTRANSPORT

LHIVER EN NORVGE

offset lithograph, printed by A.-B.


Offsettryck, Stockholm, condition B+;
backed on linen

lithograph in colours, 1938, printed by


Norsk Lithografsk, Oslo, condition A;
not backed

39 x 25 in. (100 x 63 cm.)

39 x 24 in. (99 x 61 cm.)

800-1,200
226

$1,600-2,300
1,300-1,900

$1,300-1,900
1,100-1,500

3,000-5,000

$4,700-7,800
3,800-6,300

228

229

228
CLAUDE LEMEUNIER
NORWAY
lithograph in colours, 1957, printed by Offset-service,
condition B+; not backed
38 x 24 in. (98 x 63 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

229
B.P.
AUSTRIA
lithograph in colours, 1938, condition B+; backed on linen
37 x 25 in. (95 x 64 cm.)

4,000-6,000

$6,300-9,300
5,100-7,600

230
EDITH REIDEL (1909-1992)
STEIERMARK
lithograph in colours, c.1930, printed by Alfred Wall, Graz,
condition B+/A-; backed on linen
37 x 25 in. ( 94 x 64 cm.)

3,000-5,000

$4,700-7,800
3,800-6,300

230

63

231

232

233

64

234

235

236

237

238

239

*231
HANS WAGULA (1894-1964)
L AUTRICHE
lithograph in colours, printed by Kefa,
Innsbruck, condition B+; backed on
linen
37 x 25 in. (96 x 64 cm.)

800-1,200

$1,300-1,900
1,100-1,500

232
EBNER
STERREICH
offset lithograph in colours, c.1950,
printed by Brder, Vienna, condition
B+/A-; backed on linen
37 x 25 in. (96 x 64 cm.)

800-1,200

$1,300-1,900
1,100-1,500

*233

240

OTTO BARTH (1876-1916)

236

239

WINTERSPORT IM STEIR
SALZKAMMERGVT

ANONYMOUS

ATELIER PROF. KIRNIG

AUSTRIA!

lithograph in colours, c.1915, printed


by Cristoph Reissers Shne, Wien,
condition B+/A-; backed on linen

AUTRICHE

offset lithograph in colours, printed by


Elbemuhl, Ltd., Vienna condition B/B+;
backed on linen

lithograph in colours, 1937, printed by


Christoph Reissers Shne, Vienne,
condition A-; not backed

38 x 23 in. (97 x 58 cm.)

37 x 25 in. (95 x 64 cm.)

38 x 26 in. (98 x 66 cm.)

800-1,200

$1,300-1,900
1,100-1,500

800-1,200

$1,300-1,900
1,100-1,500

*237

234

ERICH VON WUNSCHHEIM

WAGNER

LHIVER EN AUTRICHE

EN HIVER A VIENNE
lithograph in colours, printed by Gerin,
Wien, condition B+/A-: not backed

lithograph in colours, c.1930, printed by


A. Luigard., Wien, condition A; backed
on japan

37 x 25 in. (94 x 64 cm.)

37 x 25 in. (96 x 64 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

240
ERICH VON WUNSCHHEIM
TO AUSTRIA
lithograph in colours, 1937, printed
by Richard Bruchsteiner, Wienne,
condition A-; backed on linen
37 x 24 in. (94 x 62 cm.)

800-1,200

$1,300-1,900
1,100-1,500

1,000-1,500

$1,600-2,300
1,300-1,900

238

235

$4,700-7,800
3,800-6,300

ANONYMOUS

GUSTAV JAHN (1879-1919)


HOHE TAUERN, GROSSGLOCKNER

AUTRICHE

lithograph in colours, condition A-;


backed on japan

lithograph in colours, printed by J.


Weiner, Vienne, condition A-; backed
on linen

39 x 27 in. (100 x 71 cm.)

39 x 25 in. (100 x 64 cm.)

1,000-1,500

3,000-5,000

$1,600-2,300
1,300-1,900

1,500-2,000

$2,400-3,100
1,900-2,500
65

241

242

243

241

244

*247

MAGA (GIUSEPPE MAGAGNOLI,


1878-1933)

FRANZ LENHART (1898-1992)

FRANZ LENHART (1898-1992)

WINTER SPORT IN ITALIEN

MADONNA DI CAMPIGLIO

lithograph in colours, condition A-; not


backed

lithograph in colours, 1950, printed by


Barabino & Graeve, Genova, condition
B+; backed on linen

AOSTA
lithograph in colours, 1931, printed by
E.N.I.T., condition A-; not backed
39 x 24 in. (100 x 62 cm.)

2,000-3,000

39 x 24 in. (99 x 61 cm.)

4,000-6,000
$3,200-4,700
2,600-3,800

$6,300-9,300
5,100-7,600

*242

245

A.M. CASSANDRE (1901-1968)

MARIO PUPPO (1905-1977)

ITALIA

CORTINA

lithograph in colours, 1935, printed by


Graf, Coen & C., Milano, condition B+;
backed on linen

lithograph in colours, 1938, printed by


Pizzi & Pizio, Milano, condition B+/A-;
backed on paper

39 x 24 in. (101 x 61 cm.)

39 x 27 in. (99 x 70 cm.)

1,000-1,500

$1,600-2,300
1,300-1,900

6,000-8,000

$9,400-12,000
7,600-10,000

243

*246

GIUSEPPE RICCOBALDI
(1887-1976)

FRANZ LENHART (1898-1992)

TERMINILLO
lithograph in colours, 1940, printed by
Barabino & Graeve, Genova, condition
A-; backed on linen
39 x 27 in. (99 x 70 cm.)

3,000-5,000

66

$4,700-7,800
3,800-6,300

CORTINA
lithograph in colours, c.1930, condition
B+/A-; backed on japan
39 x 27 in. (99 x 69 cm.)

8,000-12,000

$13,000-19,000
11,000-15,000

39 x 27 in. (100 x 69 cm.)

2,000-3,000

$3,200-4,700
2,600-3,800

244

245

246

247

67

BIBLIOGRAPHY
THE ART OF SKIING
de Gex, Jenny, 2006, Palazzo Editions, ISBN
0954510380
BAUMBERGER
Otto Baumberger 1889-1961, 1988, Zurich,
ISBN 3 907065 27 1
BRODERS
Montry de, Anne & Lepeuve, Francoise, Les
Affiches de Roger Broders, 1991, Syros ISBN
2-86738-595-4
CARDINAUX
Emil Cardinaux 1877-1936, 1985, Museum
fr Geltaltung Zurich Kunstegewerbemuseum
CHAMONIX
Bibliothque Municipale Chamonix, Cent
ans daffiches Chamonix: exposition, Editions
Clouet, 1991, Paris
C.I.O.
Comite International Olympique, Olympism
Through Posters 1896-1984, 1983, International
Olympic
Committee
CONQUERING THE SKIES
Giroud, Jean Charles, Conquering the Skies
in Swiss Poster Art, Patrick Cramer, 2008,
Geneva
D.F.P. I
Das Frhe Plakat in Europa und den USA
Volume I, British and American Posters, Mann
Verlag, 1977, Berlin
D.F.P. II
Das Frhe Plakat in Europa und den USA
Volume II, French and Belgian Posters, Mann
Verlag, 1977, Berlin
D.F.P. III
Das Frhe Plakat in Europa und den USA
Volume III, German Posters, Mann Verlag,
1980, Berlin

ELZINGRE
Giroud, Jean Charles and Cramer, Patrick
(Editor) Ed. Elzingre, 1998, Geneva
GIROUD
Giroud, Jean-Charles, A Century of Swiss
Winter Sports Posters, 2006, Patrick Cramer
TRAVEL ITALIA
Ottaviani, Lorenzo, The Golden Age of Italian
Travel Posters (from the Collection Alessandro
Bellenda, Alassio, Italy), 2007, Abrams, New
York, ISBN 0810994410
LA MONTAGNE SAFFICHE
Hillion, Daniel, La Montagne sAffiche, 1991,
Editions Ouest France ISBN 2-7373-0862-3
LE TRAIN A LAFFICHE
Canard, F & Zagrodzki, C, Le Train a
lAffiche, 1989, La Vie du Rail, Paris ISBN
2-902802-30-5
LENHART
Festi, Roberto & Gullo, Lillo, Franz J.Lenhart,
ISBN 88-85341-04-7
LEUPIN
Lnd, Karl & Leupin, Charles, Herbert
Leupin, 1995, Reinhardt Verlag, Basel ISBN
2-902808-30-5
MANGOLD
Burkhard Mangold 1873-1950, 1984, Museum
fr Geltaltung Zurich Kunstgewerbemuseum
MARGADANT
Margadant, The Swiss Poster 1900-1983, 1983,
Birkhuser Verlag, Basel ISBN 3-7643-13544
OLYMPIC IMAGE
Yew W., The Olympic Image, 1996, Quon
Editions, Canada, ISBN 0-9694432-7-7

OLYMPIC POSTERS
Timmers, Margaret, A Century of Olympic
Posters, 2008, V&A Publishing, London
ISBN: 978-1-85177-538-5
PARADIS VENDRE
Cosandier, Giroud, Schlup & Vonche,
Paradis Vendre, Un Sicle dAffiches
Touristiques Suisses, 2005, Patrick Cramer,
Geneva
RAYNER
Rayner, Ranulf, The Story of Skiing, 1989,
Saik Wah Press, Singapore
SAVIGNAC
Lelieur, Anne-Claude, Savignac Affichiste,
2001, Bibliothque Forney, Paris ISBN 9782843310799
SPORTS DHIVER
Clerc, Jean-Daniel & Giroud, Jean-Charles,
Affiches de Sports DHiver, 2014, ditions
Citadelles & Mazenod, Paris ISBN 978 2
85088 597 6
TOURISM POSTERS OF
SWITZERLAND
Wobmann, K., Tourism Posters of Switzerland
1880-1940, 1981, AT Verlag, Stuttgart
ISBN 3-85502-063-9
WOBMANN & TRIET
Wobmann, Karl & Triet, Max, Swiss Sports
Posters, 1983, ABC Verlag, Zrich ISBN
3-85504-077-X
WYDER
Wyder, Bernard, Affiches Valaisannes Walliser
Plakate, 2004, Edition Verlag, ISBN
3-907624-49-1

INDEX OF RESORTS
SWITZERLAND
Arosa, 39, 42
Andermatt, 116, 118
Berner Oberland, 1-6
Braunwald, 23
Davos, 54-64
Engelberg, 112-113
Glarus, 120
Gstaad, 16-22
Gurnigel, 13
Heiden, 119
Interlaken, 15
Jungfrau, 32-38
Kandersteg, 8, 9
Klausen, 125
Klosters, 46-52
Lausanne, 123
Lenk, 7
Lenzerheide, 70
Martigny-Orsieres, 98
Muottas-Muragl, 72
Murren, 12, 14

68

Pontresina, 65-69, 73
Saas-Fee, 97
Silvaplana, 94
St Croix Les Rasses, 115, 117
St Moritz, 77-93, 95-96
Verbier, 102
Wengen, 10-11
Zermatt, 102-111
Zugerberg, 121

REST OF EUROPE
Aosta, 241
Alpe dHuez, 189
Auron, 188
Barcelonette, 201
Chamonix & Mont Blanc, 177, 179, 181186, 190-191
Combloux, 202
Cortina, 245-246
Le Hohwald, 173
Le Markstein, 199
Le Mont Revard, 172, 175

Les Vosges, 169, 200


Madonna di Campidoglio, 247
Megeve, 206
Meribel, 198, 209
St Bernard, 176
St Gervais Les Bains, 168
St Pierre de Chartreuse, 170
Superbagneres-Luchon, 203-205
Terminillo, 243
Val dIsere, 207, 210
Valle de Munster, 208
Valloire, 197
Villard de Lans, 174

USA & CANADA


Alberta, 153
Aspen, 159
Dartmouth, 164-166
Lake Placid, 158
Quebec, 154
Sun Valley, 152, 155

INDEX
A

Abel, 193
Amstutz & Herdeg, 22
Amstutz, W., 117

Handschin, J., 23, 94


Hanssen, D., 224
Haper, J., 163
Hellinger, F., 76
Henel, E.H.R., 223
Herdeg, W., 81-82
Hermes, E., 1, 45
Hugon, R., 192
Hulon, 211

Ordner, P., 202


Otth, J.P., 99

B
B.P., 229
Barberis, F., 3, 51
Barth, O., 233
Beckman, A., 225
Bickel, K., 89
Bingler, M., 103
Blumer, L., 208
Borer, A., 55
Bosshart, 70
Bowers, J., 166
Brenot, P., 216, 218-219
Broders, R., 167-175, 177-179
Brun, D., 30, 39, 46
Bruna, D., 161-162
Burger, W.F., 72-73, 84, 119

C
Cappiello, L., 203
Carabin, M., 207
Cardinaux, E., 32-33, 35-36, 38, 42, 53, 58,
71, 91, 110, 122
Carigiet, A., 28, 47, 80
Cassandre, A.M., 242
Charmoz, J., 48
Chauffard. H., 199
Cromires, H., 189

D
DAlesi, H.F., 185
de Coulon, E., 125
Diggelmann, A.W., 15, 16, 19, 50, 95-96
Dorival, G.S., 187, 190-191
Doro, T., 200

E
Ebner, 232
Eggimann, H., 59
Elzingre, E., 6
Erdt, H.R., 93

F
Ferve-Briquet, P., 188
Fix-Masseau, P., 213
Frauk, F.L., 212

G
Gaberell-Thalwil, J., 111
Ganeau, F.R., 206
Gusset, P., 2

J
Jahn, G., 235
Jaques, F., 115
Jegerlehner, H., 27
Joanethis, T.N., 164
Johnson, R.A., 153
Julien, J., 180

K
Kammller, P., 40
Keck & Furter, 61
Keck, L., 7, 102
Kirnig, 239
Koch, W., 74-75
Kuhn, C., 21, 41, 87
Kunst, C., 220
Kurtz, H., 63

L
Landry, P., 123
Laty, Y., 186
Laubi, H., 43, 52, 79, 83
Lecomte, A., 12
Lger, J., 196
Lemeunier, C., 228
Lenhart, F., 244, 246-247
Leupin, H., 25, 56, 60, 62
Libis, 100
Lichtenstein, R., 159

M
Magagnoli, G., 241
Mangold, B., 57
Matter, H., 26, 112, 114
Maurer, S., 156-157
Mernsinger, W., 97
Michaud, R., 209
Michel, P., 201
Monnerat, P., 54
Moos, C., 86, 88, 109
Muret, A., 98

P
Peikert, M., 4-5, 10, 14, 18, 31, 65-67, 101, 121
Pellegrini, C., 217
Perren-Barberini, A., 104, 106
Pletscher, 24
Ponty, M., 184
Puppo, M., 245

R
Ranson, R.G., 214
Reb, H., 183
Reckziegel, A., 105
Reidel, E., 230
Riccobaldi, G, 243
Rubasta, V., 222

S
S.D., 155
Savignac, R., 210
Schr, 68
Schenk, 227
Schol, 108
Seiler, 17
Serralier, 198
Smith, H., 85
Soubie, R., 205
Steiner, A., 29
Stiefel, E., 90
Studer, W., 11

T
Tairraz, 181
Tamagno, F., 182
Thommen, E., 69
Thoni, H., 124
Thos, Y., 215
Trapp, W., 8-9, 64, 92

V
Vecoux, 194
Villemot, B., 195
von Kager, E., 13

W
Wagner, 234
Wagula, H., 231
Wehrli, 107
Weisknig, W., 77
Wunschheim, E., 237, 240

N
Neurac, L., 204

69

IMPORTANT NOTICES AND EXPLANATION OF


CATALOGUING PRACTICE
IMPORTANT NOTICES
CHRISTIES INTEREST IN PROPERTY
CONSIGNED FOR AUCTION
From time to time, Christies may offer a lot which
it owns in whole or in part. Such property is
identified in the catalogue with the symbol next to
its lot number.
On occasion, Christies has a direct financial interest
in lots consigned for sale, which may include
guaranteeing a minimum price or making an
advance to the consignor that is secured solely by
consigned property. Where Christies holds such
financial interest on its own we identify such lots
with the symbol next to the lot number.
Where Christies has financed all or part of such
interest through a third party the lots are identified
in the catalogue with the symbol u. When a
third party agrees to finance all or part of Christies
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exchange for accepting this risk based on a fixed fee
if the third party is the successful bidder or on the
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is not the successful bidder. The third party may also
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CONDITION
Christies catalogues include references to condition
only in descriptions of multiple works (such as
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only alterations or replacement components are
listed. Please contact the Specialist Department
for a condition report on a particular lot. The
nature of the lots sold in our auctions is such that
they will rarely be in perfect condition, and are
likely, due to their nature and age, to show signs
of wear and tear, damage, other imperfections,
restoration or repair. Any reference to condition
in a catalogue entry will not amount to a full
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usually available on request, and will supplement
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staff assess the condition in a manner appropriate to
the estimated value of the item and the nature of
the auction in which it is included. Any statement
as to the physical nature or condition of a lot, in a
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statement will not be exhaustive. We therefore
recommend that you always view property
personally, and, particularly in the case of any items
of significant value, that you instruct your own
restorer or other professional adviser to report to
you in advance of bidding.

30/09/14

70

PROPERTY INCORPORATING MATERIALS


FROM ENDANGERED AND OTHER
PROTECTED SPECIES
Property made of or incorporating (irrespective
of percentage) endangered and other protected
species of wildlife are marked with the symbol ~
in the catalogue. Such material includes, among
other things, ivory, tortoiseshell, crocodile skin,
rhinoceros horn, whale bone and certain species of
coral, together with Brazilian rosewood. Prospective
purchasers are advised that several countries prohibit
altogether the importation of property containing
such materials, and that other countries require a
permit (e.g., a CITES permit) from the relevant
regulatory agencies in the countries of exportation
as well as importation. Accordingly, clients should
familiarise themselves with the relevant customs laws
and regulations prior to bidding on any property
with wildlife material if they intend to import the
property into another country. Please note that it is
the clients responsibility to determine and satisfy the
requirements of any applicable laws or regulations
applying to the export or import of property
containing endangered and other protected wildlife
material. The inability of a client to export or import
property containing endangered and other protected
wildlife material is not a basis for cancellation or
rescission of the sale. Please note also that lots
containing potentially regulated wildlife material are
marked as a convenience to our clients, but Christies
does not accept liability for errors or for failing to
mark lots containing protected or regulated species.
RECENT CHANGES TO IMPORTS OF
ELEPHANT IVORY AND OTHER WILDLIFE
MATERIAL INTO THE USA
The USA has recently changed its policy on the
import of property made of or containing elephant
ivory. Only Asian Elephant ivory may be imported
into the USA, and imports must be accompanied by
DNA analysis and confirmation the object is more
than 100 years old. We have not obtained a DNA
analysis on any lot prior to sale and cannot indicate
whether the elephant ivory in a particular lot is
African or Asian elephant. Buyers purchase these
lots at their own risk and will be responsible for the
costs of obtaining any DNA analysis or other report
required in connection with their proposed import of
such property into the USA.
The USA is also currently requiring all imports of
property made of or containing wildlife material
to be accompanied by a scientific confirmation of
species and in some cases an additional confirmation
of age. We have not obtained such confirmations
prior to sale (unless specifically indicated) and
buyers will be responsible for the costs of any such
additional confirmations or opinions required for
their proposed import into the USA.
A buyers inability to export or import any lot
containing elephant ivory or other wildlife material
is not a basis for cancelling the purchase.
POST 1950 FURNITURE
All items of post-1950 furniture included in this
sale are items either not originally supplied for use
in a private home or now offered solely as works
of art. These items may not comply with the
provisions of the Furniture and Furnishings (Fire)
(Safety) Regulations 1988 (as amended in 1989 and
1993, the Regulations). Accordingly, these items
should not be used as furniture in your home in
their current condition. If you do intend to use such
items for this purpose, you must first ensure that
they are reupholstered, restuffed and/or recovered
(as appropriate) in order that they comply with the
provisions of the Regulations.

BUYING AT CHRISTIES
CONDITIONS OF SALE
Christies Conditions of Sale and Limited Warranty are set out
later in this catalogue. Bidders are strongly encouraged to read
these as they set out the terms on which property is bought
at auction.
ESTIMATES
Estimates are based upon prices recently paid at auction for
comparable property, condition, rarity, quality and provenance.
Estimates are subject to revision. Buyers should not rely upon
estimates as a representation or prediction of actual selling
prices. Estimates do not include the buyers premium or VAT.
Where Estimate on Request appears, please contact the
Specialist Department for further information.
RESERVES
The reserve is the confidential minimum price the consignor
will accept and will not exceed the low pre-sale estimate. Lots
that are not subject to a reserve are identified by the symbol
next to the lot number.
BUYERS PREMIUM
Christies charges a premium to the buyer on the final bid
price of each lot sold at the following rates: 25% of the final
bid price of each lot up to and including 50,000, 20% of
the excess of the hammer price above 50,000 and up to and
including 1,000,000 and 12% of the excess of the hammer
price above 1,000,000. Exceptions: Wine and Cigars: 17.5%
of the final bid price of each lot. VAT is payable on the
premium at the applicable rate.
PRE-AUCTION VIEWING
Pre-auction viewings are open to the public free of charge.
Christies specialists are available to give advice and condition
reports at viewings or by appointment.
BIDDER REGISTRATION
Prospective buyers who have not previously bid or consigned
with Christies should bring:
Individuals: government-issued photo identification (such as
a photo driving licence, national identity card, or passport) and,
if not shown on the ID document, proof of current address, for
example a utility bill or bank statement.
Corporate clients: a certificate of incorporation.
For other business structures such as trusts, offshore
companies or partnerships, please contact Christies Credit
Department at + 44 (0)20 7839 2825 for advice on the
information you should supply.
A financial reference in the form of a recent bank statement
or a reference from your bank in line with your expected
purchase level. Christies can supply a form of wording for the
bank reference if necessary.
Persons registering to bid on behalf of someone who has
not previously bid or consigned with Christies should bring
identification documents not only for themselves but also for
the party on whose behalf they are bidding, together with a
signed letter of authorisation from that party.
To allow sufficient time to process the information, new clients
are encouraged to register at least 48 hours in advance of a sale.
Prospective buyers should register for a numbered bidding
paddle at least 30 minutes before the auction. Clients who have
not made a purchase from any Christies office within the last
one year and those wishing to spend more than on previous
occasions, will be asked to supply a new bank reference.
For assistance with references, please contact Christies Credit
Department at +44 (0)20 7389 2862 (London, King Street)
or at +44 (0)20 7752 3137 (London, South Kensington). We
may at our option ask you for a financial reference or a
deposit as a condition of allowing you to bid.
REGISTERING TO BID ON SOMEONE ELSES BEHALF
Persons bidding on behalf of an existing client should bring
a signed letter from the client authorising the bidder to act
on the clients behalf. Please note that Christies does not
accept payments from third parties. Christies can only accept
payment from the client, and not from the person bidding
on their behalf.
BIDDING
The auctioneer accepts bids from those present in the saleroom, from telephone bidders, or by absentee written bids left
with Christies in advance of the auction. The auctioneer may
also execute bids on behalf of the seller up to the amount of
the reserve. The auctioneer will not specifically identify bids
placed on behalf of the seller. Under no circumstances will the
auctioneer place any bid on behalf of the seller at or above the
reserve. Bid steps are shown on the Absentee Bid Form at the
back of this catalogue.
ABSENTEE BIDS
Absentee bids are written instructions from prospective buyers
directing Christies to bid on their behalf up to a maximum
amount specified for each lot. Christies staff will attempt to
execute an absentee bid at the lowest possible price, taking
into account the reserve price. Absentee bids submitted on no
reserve lots will, in the absence of a higher bid, be executed
at approximately 50% of the low pre sale estimate or at the
amount of the bid if it is less than 50% of the low pre-sale
estimate.The auctioneer may execute absentee bids directly
from the rostrum, clearly identifying these as absentee bids,
book bids, order bids or commission bids. Absentee
Bids Forms are available in this catalogue, at any Christies
location, or online at christies.com.

TELEPHONE BIDS
Telephone bids cannot be accepted for lots estimated below
2,000. Arrangements must be confirmed with the Bid
Department at least 24 hours prior to the auction at +44 (0)20
7389 2658 (London, King Street) or +44 (0)20 7752 3225
(London, South Kensington). Arrangements to bid in languages
other than English must be made well in advance of the sale
date. Telephone bids may be recorded. By bidding on the
telephone, prospective purchasers consent to the recording of
their conversation.
SUCCESSFUL BIDS
While Invoices are sent out by mail after the auction we do not
accept responsibility for notifying you of the result of your bid.
Buyers are requested to contact us by telephone or in person as
soon as possible after the sale to obtain details of the outcome
of their bids to avoid incurring unnecessary storage charges.
Successful bidders will pay the price of the final bid plus
premium plus any applicable VAT.
PAYMENT
Buyers are expected to make payment for purchases
immediately after the auction. To avoid delivery delays,
prospective buyers are encouraged to supply bank or other
suitable references before the auction. Please note that Christies
will not accept payments for purchased Lots from any party
other than the registered buyer.
Lots purchased in London may be paid for in the following
ways: wire transfer, credit card: Visa and MasterCard & American
Express only (up to 25,000), and cash (up to 5,000 (subject
to conditions)), bankers draft (subject to conditions) or cheque
(must be drawn in GBP on a UK bank; clearance will take 5 to
10 business days).
Wire Transfers: Lloyds TSB Bank Plc City Office PO Box 217
72 Lombard Street, London
EC3P 3BT A/C: 00172710 Sort Code: 30-00-02 for
international transfers, SWIFT LOYDGB2LCTY. For banks
asking for an IBAN: GB81 LOYD 3000 0200 1727 10.
Credit Card: Visa and MasterCard & American Express only. A
limit of 25,000 for credit card payments will apply. This limit
is inclusive of the buyers premium and any applicable taxes.
Credit card payments at London sale sites will only be accepted
for London sales. Christies will not accept credit card payments
for purchases made in any other sale site. The fax number to
send completed CNP (Card Member not Present) authorisation
forms to is +44 (0) 20 7389 2821. The number to call to make
a CNP payment over the phone is +44 (0) 20 7752 3388.
Alternatively, clients can mail the authorisation form to the
address below.
Cash is limited to 5,000 (subject to conditions).
Bankers Draft should be made payable to Christies (subject to
conditions).
Cheques should be made payable to Christies (must be
drawn in GBP on a UK bank, clearance will take 5 to 10
business days).
In order to process your payment efficiently, please quote
sale number, invoice number and client number with all
transactions.
All mailed payments should be sent to:
Christies, Cashiers Department,
8 King Street, St Jamess, London, SW1Y 6QT
Please direct all inquiries to King Street
Tel: +44 (0) 20 7389 2996 Fax: +44 (0) 20 7389 2863
VAT

VAT payable at 20% on hammer price and buyers premium


*
These lots have been imported from outside the EU for sale
using a Temporary Import regime. Import VAT is payable (at
5%) on the Hammer price. VAT is also payable (at 20%) on
the buyers Premium on a VAT inclusive basis. This VAT is
not shown separately on the invoice. When a buyer of such a
lot has registered an EU address but wishes to export the lot or
complete the import into another EU country, he must advise
Christies immediately after the auction.

These lots have been imported from outside the EU for sale
using a Temporary Import regime. Import VAT is payable
(at 20%) on the Hammer price. VAT is also payable (at 20%)
on the buyers Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. Where applicable
Customs duty will be charged (per rate specified by HMRC
guidance) on the Hammer price and VAT will be payable at
20% on duty. When a buyer of such a lot has registered an EU
address but wishes to export the lot or complete the import
into another EU country, he must advise Christies immediately
after the auction.
BuyersfromwithintheEU:
VAT payable at 20% on just the buyers premium (NOT the
hammer price).
BuyersfromoutsidetheEU:
VAT payable at 20% on hammer price and buyers premium.
If a buyer, having registered under a non-EU address, decides
that the item is not to be exported from the EU, then he
should advise Christies to this effect immediately
q Z
ero rated
No VAT charged.
(no symbol) Auctioneers Margin Scheme
In all other circumstances no VAT will be charged on the
hammer price, but VAT payable at 20% will be added to the
buyers premium which is invoiced on a VAT inclusive basis.

WineAuctions
This wine is in bond. You can choose to take the wine
in bond or duty paid. See the additional conditions of sale
relating to wine for further details.
VATRefunds
Refunds cannot be made where lots have been purchased with
an inside EU address. Christies can only refund Import VAT
(Lots with * or symbol) if lots are exported within 30 days
of collection. Valid export documents must be returned within
the stipulated time frame. No refund will be paid out where
the total amount is less than 100. UK & EU private buyers
cannot reclaim VAT. Christies will charge 35 for each
refund processed. For detailed information please see the leaflets
available, or email info@Christies.com
Where non-EU buyers have failed to export their lots outside
of the EU within the required time, HM Revenue & Customs
will not allow a VAT refund to be made. This is a requirement
of UK legislation and Christies do not have discretion to make
exceptions to the rule. UK and EU private buyers cannot
reclaim any VAT charged.
ARTISTS RESALE RIGHT (DROIT DE SUITE)
If a lot is affected by this right it will be identified with the
symbol next to the lot number. The buyer agrees to pay to
Christies an amount equal to the resale royalty. Resale royalty
applies where the Hammer Price is 1,000 Euro or more and
the amount cannot be more than 12,500 Euro per lot. The
amount is calculated as follows:
Royalty
4.00%
3.00%
1.00%
0.50%
0.25%

For the portion of the Hammer Price (in Euro)


up to 50,000
between 50,000.01 and 200,000
between 200,000.01 and 350,000
between 350,000.01 and 500,000
in excess of 500,000

Invoices will, as usual, be issued in Pounds Sterling. For the


purposes of calculating the resale royalty the Pounds Sterling/
Euro rate of exchange will be the European Central Bank
reference rate on the day of the sale.
SHIPPING
It is the buyers responsibility to pick up purchases or make
all shipping arrangements. After payment has been made in
full, Christies can arrange property packing and shipping at
the buyers request and expense. Buyers should request an
estimate for any large items or property of high value that
require professional packing. A shipping form is enclosed with
each invoice, alternatively buyers can visit www.christies.com/
shipping to request a shipping estimate. For more information
please contact the Shipping Department at + 44 (0)20 7389
2712 or via
ArtTransport_London@christies.com for both London,
King Street and London, South Kensington sales.
EXPORT OF GOODS FROM THE EU
If you are proposing to take purchased items outside the EU the
following applies:
ChristiesArtTransport:
If you use Christies Art Transport you will not be required to
pay the VAT at the time of settlement.
ChristiesVATauthorisedShipper:
If you use a Christies VAT authorised shipper you will not be
required to pay the VAT at the time of settlement.
OwnShipper:
VAT will be charged on the invoice, refundable by the VAT
Department upon receipt of the appropriate official documents
sent to us by your shipper.
Hand-Carried:
VAT will be charged on the invoice.This will be refunded by
the VAT Department upon receipt of the appropriate official
document.
*, or
Starred, Omega or Daggered lots A C88 can be obtained
from Christies Shipping Department .This document must be
stamped by UK Customs on leaving the UK.
(no symbol)
Margin Scheme lots Please obtain GB Tax Free form from
the Cashiers. This document must be stamped by UK Customs
on leaving the UK.
Starred or Omega lots must be exported within 30 days of the
date of collection. All other lots not subject to import VAT
must be exported within three months of collection, and proof
of export provided in the appropriate form.
EXPORT/IMPORT PERMITS
Buyers should always check whether an export licence is required
before exporting. It is the buyers sole responsibility to obtain any
relevant export or import licence. The denial of any licence or
any delay in obtaining licences shall neither justify the rescission of
any sale nor any delay in making full payment for the lot.
Christies can advise buyers on the detailed provisions of the
export licensing regulations and will submit any necessary
export licence applications on request. However, Christies
cannot ensure that a licence will be obtained. Local laws may
prohibit the import of some property and/or may prohibit
the resale of some property in the country of importation.
For more information, please contact Christies Shipping
Department at +44 (0)20 7389 2828 or the Museums, Libraries
and Archives Council: Acquisitions, Export and Loans Unit at
+44 (0)20 7273 8269/8267.
20/11/13

71

STORAGE AND COLLECTION


STORAGE & COLLECTION CHARGES
Specified lots, marked with a filled square ( ) not
cleared from Christies by 5.00 pm on the day of
the sale and all sold and unsold lots not cleared from
Christies by 5.00 pm on the fifth Friday following
the sale will be removed to the warehouse of:
Cadogan Tate Ltd
241 Acton Lane, Park Royal
London NW10 7NP
Telephone: +44 (0)800 988 6100
Email: collections@cadogantate.com
Lots will be available for collection on the first full
business week after transfer to Cadogan Tate Ltd and
every business weekday from 9.00 am to 5.00 pm.
Property, once paid, can be released to Christies
Fine Art Storage Services (CFASS) in London,
New York or Singapore FreePort at any time for
environmentally controlled long term storage, per
client request. CFASS is a separate subsidiary of
Christies and clients enjoy complete confidentiality.
Visit www.cfass.com, or contact london@cfass.com.
Telephone: +44 (0)20 7622 0609 for details.
TRANSFER, STORAGE & RELATED
CHARGES (PER LOT)
CHARGES

Furniture/
Large Objects

Transfer/Admin
Storage per day
Extended
Liability Charge:

42.00
21.00
5.25
2.65
The lower amount of 0.6% of
Hammer Price or 100% of the
above charges

Pictures/
Small Objects

All charges are subject to VAT. Very large or heavy


items may be subject to a surcharge.

COLLECTION & PAYMENT OF ANY


CHARGES DUE
Lots will be available for collection from
Cadogan Tate Ltd
241 Acton Lane, Park Royal
London NW10 7NP
Telephone: +44 (0)800 988 6100
Email: collections@cadogantate.com
on every business day after the day of transfer,
from 9.00 am until 5.00 pm.
Lots may only be released by Cadogan Tate upon
a) production of the Collection Order
obtained from the cashiers office at
Christies, 85 Old Brompton Road, London SW7
or Christies, 8 King Street, London SW1
b) payment of any charges that may be due to
Cadogan Tate Ltd
To assist Cadogan Tate to provide a swift release
please telephone on the business day prior to
collection to ensure that Lots are available and to
ascertain any charges due. If sending a carrier please
ensure that they are provided with all necessary
information, your written authority to collect, the
Collection Order and the means to settle any charges.
COLLECTION FROM CADOGAN TATE
Please note that Cadogan Tate Ltds opening hours
are Monday to Friday 9.00 am to 5.00 pm, and
purchases transferred to their warehouse are not
available for collection at weekends.

EXTENDED LIABILITY CHARGES


All services provided by Cadogan Tate Ltd
(Cadogan Tate) will be subject to their standard
Conditions of Business, copies of which are
available at Christies South Kensington.
Please note in particular that Cadogan Tate
does not accept any liability for damage or loss,
due to its negligence or otherwise, exceeding the
Hammer Price of a Lot plus associated Buyers
Premium, or, at its sole option, the cost of repairing
or replacing the damaged or missing Lot and
it reserves a lien over all goods in its possession
for payment of storage and all other charges due
to it and
it automatically arranges on behalf of the Lots
owner and at the owners cost, insurance of the
Lot for the sum of the Hammer price plus Buyers
Premium. The Extended Liability Charge covers
the Lot from the time of collection from the
saleroom until release of the Lot to the owner or
the owners agent. The Extended Liability Charge
payable by the owner of the Lot is 0.6% of the
sum of the Hammer Price and Buyers Premium or
100% of the transfer and storage charges, whichever
is the smaller. This Extended Liability will not be
arranged and no charge will be payable only on
receipt by Cadogan Tate of advance written notice
from the owner of the lot together with formal
waiver of subrogation from the owners insurers.
Christies Fine Art Storage Services (CFASS)
also offers storage solutions for fine art, antiques and
collectibles in New York and Singapore FreePort.
CFASS is a separate subsidiary of Christies and
clients enjoy complete confidentiality.
Visit www.cfass.com for charges and other details.

Please note that there will be no charge to


purchasers who collect their lots within two
weeks of this sale.

Cadogan TaTe LTds Warehouse


241 Acton Lane,
Park Royal,
London NW10 7NP
Telephone: +44 (0)800 988 6100
Email: collections@cadogantate.com
28/10/14
72

CONDITIONS OF SALE
These Conditions of Sale and the Important Notices
and Explanation of Cataloguing Practice set out the
terms governing the legal relationship of Christies
and the seller with the buyer. You should read them
carefully before bidding.

3. AT THE SALE
(a) Refusal of admission
Christies has the right, at our complete discretion,
to refuse admission to the premises or participation
in any auction and to reject any bid.

1. CHRISTIES AS AGENT
Except as otherwise stated Christies acts as agent for
the seller. The contract for the sale of the property is
therefore made between the seller and the buyer.

(b) Registration before bidding


Prospective buyers who wish to bid in the saleroom
can register online in advance of the sale, or
can come to the saleroom on the day of the sale
approximately 30 minutes before the start of the
sale to register in person. Prospective buyers must
complete and sign a registration form with his
or her name and permanent address, and provide
identification before bidding. We may require the
production of bank details from which payment will
be made or other financial references.

2.

CATALOGUE DESCRIPTIONS
AND CONDITION
Lots are sold as described and otherwise in the
condition they are in at the time of the sale, on the
following basis.
(a) Condition
The nature of the lots sold in our auctions is such that
they will rarely be in perfect condition, and are likely,
due to their nature and age, to show signs of wear
and tear, damage, other imperfections, restoration or
repair. Any reference to condition in a catalogue entry
will not amount to a full description of condition.
Condition reports are usually available on request,
and will supplement the catalogue description. In
describing lots, our staff assess the condition in a
manner appropriate to the estimated value of the item
and the nature of the auction in which it is included.
Any statement as to the physical nature or condition
of a lot, in a catalogue, condition report or otherwise,
is given honestly and with appropriate care. However,
Christies staff are not professional restorers or trained
conservators and accordingly any such statement will
not be exhaustive. We therefore recommend that you
always view property personally, and, particularly
in the case of any items of significant value, that
you instruct your own restorer or other professional
adviser to report to you in advance of bidding.
(b) Cataloguing Practice
Our cataloguing practice is explained in the
Important Notices and Explanation of Cataloguing
Practice, which appear after the catalogue entries.
(c) Attribution etc
Any statements made by Christies about any lot,
whether orally or in writing, concerning attribution
to, for example, an artist, school, or country of origin,
or history or provenance, or any date or period, are
expressions of our opinion or belief. Our opinions and
beliefs have been formed honestly and in accordance
with the standard of care reasonably to be expected
of an auction house of Christies standing, due regard
having been had to the estimated value of the item
and the nature of the auction in which it is included.
It must be clearly understood, however, that, due to
the nature of the auction process, we are unable to
carry out exhaustive research of the kind undertaken
by professional historians and scholars, and also that, as
research develops and scholarship and expertise evolve,
opinions on these matters may change. We therefore
recommend that, particularly in the case of any item of
significant value, you seek advice on such matters from
your own professional advisers.
(d) Estimates
Estimates of the selling price should not be relied on
as a statement that this is the price at which the item
will sell or its value for any other purpose.
(e) Fitness for Purpose
Lots sold are enormously varied in terms of age, category
and condition, and may be purchased for a variety
of purposes. Unless otherwise specifically agreed, no
promise is made that a lot is fit for any particular purpose.

(c) Bidding as principal


When making a bid, a bidder is accepting personal
liability to pay the purchase price, including the
buyers premium and all applicable taxes, plus
all other applicable charges, unless it has been
explicitly agreed in writing with Christies before
the commencement of the sale that the bidder is
acting as agent on behalf of an identified third party
acceptable to Christies, and that Christies will only
look to the principal for payment.
(d) Absentee bids
We will use reasonable efforts to carry out written
bids delivered to us prior to the sale for the
convenience of clients who are not present at the
auction in person, by an agent or by telephone. Bids
must be placed in the currency of the place of the
sale. Please refer to the catalogue for the Absentee
Bids Form. If we receive written bids on a particular
lot for identical amounts, and at the auction these
are the highest bids on the lot, it will be sold to
the person whose written bid was received and
accepted first. Execution of written bids is a free
service undertaken subject to other commitments
at the time of the sale and provided that we have
exercised reasonable care in the handling of written
bids, the volume of goods is such that we cannot
accept liability in any individual instance for failing
to execute a written bid or for errors and omissions
in connection with it arising from circumstances
beyond our reasonable control.
(e) Telephone bids
If a prospective buyer makes arrangements with us
prior to the commencement of the sale we will use
reasonable efforts to contact them to enable them to
participate in the bidding by telephone but we do
not accept liability for failure to do so or for errors
and omissions in connection with telephone bidding
arising from circumstances beyond our reasonable
control.
(f) Currency converter
At some auctions a currency converter may be
operated. Errors may occur in the operation of
the currency converter. Where these arise from
circumstances beyond our reasonable control we
do not accept liability to bidders who follow the
currency converter rather than the actual bidding in
the saleroom.
(g) Video or digital images
At some auctions there may be a video or digital
screen. Errors may occur in its operation and in the
quality of the image. We do not accept liability for
such errors where they arise for reasons beyond our
reasonable control.

(h) Reserves
Unless otherwise indicated, all lots are offered
subject to a reserve, which is the confidential
minimum price below which the lot will not be
sold. The reserve will not exceed the low estimate
printed in the catalogue. If any lots are not subject
to a reserve, they will be identified with the symbol
next to the lot number. The auctioneer may open
the bidding on any lot below the reserve by placing
a bid on behalf of the seller. The auctioneer may
continue to bid on behalf of the seller up to the
amount of the reserve, either by placing consecutive
bids or by placing bids in response to other bidders.
(i) Auctioneers discretion
The auctioneer has the right to exercise reasonable
discretion in refusing any bid, advancing the bidding
in such a manner as he may decide, withdrawing or
dividing any lot, combining any two or more lots
and, in the case of error or dispute, and whether
during or after the sale, determining the successful
bidder, continuing the bidding, cancelling the sale
or reoffering and reselling the item in dispute. If
any dispute arises after the sale, then, in the absence
of any evidence to the contrary the sale record
maintained by the auctioneer will be conclusive.
(j) Successful bid and passing of risk
Subject to the auctioneers reasonable discretion, the
highest bidder accepted by the auctioneer will be
the buyer and the striking of his hammer marks the
acceptance of the highest bid and the conclusion of
a contract for sale between the seller and the buyer.
Risk and responsibility for the lot (including frames
or glass where relevant) passes to the buyer at the
expiration of seven calendar days from the date of
the sale or on collection by the buyer if earlier.
4. AFTER THE SALE
(a) Buyers premium
In addition to the hammer price, the buyer agrees
to pay to us the buyers premium together with any
applicable value added tax. The buyers premium
is 25% of the final bid price of each lot up to and
including 50,000, 20% of the excess of the hammer
price above 50,000 and up to and including
1,000,000 and 12% of the excess of the hammer
price above 1,000,000. Exceptions: Wine and
Cigars: 17.5% of the final bid price of each lot, VAT
is payable at the applicable rate.
(b) Artists Resale Right (Droit de Suite)
If the Artists Resale Right Regulations 2006 apply to
the lot the buyer also agrees to pay to us an amount
equal to the resale royalty provided for in those
Regulations. Lots affected are identified with the
symbol next to the lot number.
(c) Payment and ownership
The buyer must pay the full amount due
(comprising the hammer price, buyers premium
and any applicable taxes or resale royalty)
immediately after the sale. This applies even if
the buyer wishes to export the lot and an export
licence is, or may be, required. The buyer will not
acquire title to the lot until all amounts due to us
from the buyer have been received by us in good
cleared funds even in circumstances where we have
released the lot to the buyer.

09/08/13

73

(d) Collection of purchases


We shall be entitled to retain items sold until all
amounts due to us, or to Christies International
plc, or to any of its affiliates, subsidiaries or parent
companies worldwide, have been received in full in
good cleared funds or until the buyer has performed
any other outstanding obligations as we, at our sole
discretion, shall require, including, for the avoidance
of doubt, completing any anti-money laundering or
anti-terrorism financing checks we may require to our
satisfaction. In the event a buyer fails to complete any
anti-money laundering or anti-terrorism financing
checks to our satisfaction, Christies shall be entitled
to cancel the sale and to take any other actions that are
required or permitted under applicable law. Subject
to this, the buyer shall collect purchased lots within
two calendar days from the date of the sale unless
otherwise agreed between us and the buyer.

transactions, to apply any amount paid to


discharge any amount owed in respect of any
particular transaction, whether or not the buyer
so directs;
(viii) to reject at any future auction any bids made by
or on behalf of the buyer or to obtain a deposit
from the buyer before accepting any bids;
(ix) to exercise all the rights and remedies of a
person holding security over any property in our
possession owned by the buyer, whether by way
of pledge, security interest or in any other way,
to the fullest extent permitted by the law of the
place where such property is located. The buyer
will be deemed to have granted such security to
us and we may retain such property as collateral
security for such buyers obligations to us;
(x) to take such other action as we deem necessary
or appropriate.

(e) Packing, handling and shipping


Although we shall use reasonable efforts to take care
when handling, packing and shipping a purchased
lot and in selecting third parties for these purposes,
we are not responsible for the acts or omissions of
any such third parties. Similarly, where we suggest
other handlers, packers or carriers if so requested,
our suggestions are made on the basis of our general
experience of such parties in the past and we are not
responsible to any person to whom we have made
a recommendation for the acts or omissions of the
third party concerned.

If we resell the property under paragraph (iv) above,


the defaulting buyer shall be liable for payment of
any deficiency between the total amount originally
due to us and the price obtained upon resale as well
as for all reasonable costs, expenses, damages, legal
fees and commissions and premiums of whatever
kind associated with both sales or otherwise arising
from the default. If we pay any amount to the seller
under paragraph (v) above, the buyer acknowledges
that Christies shall have all of the rights of the seller,
however arising, to pursue the buyer for such amount.

(f) Export licence


Unless otherwise agreed by us in writing, the fact
that the buyer wishes to apply for an export licence
does not affect his or her obligation to make payment
immediately after the sale nor our right to charge
interest or storage charges on late payment. If the
buyer requests us to apply for an export licence on his
or her behalf, we shall be entitled to make a charge for
this service. We shall not be obliged to rescind a sale
nor to refund any interest or other expenses incurred
by the buyer where payment is made by the buyer in
circumstances where an export licence is required.
(g) Remedies for non payment
If the buyer fails to make payment in full in good
cleared funds within 7 days after the sale, we shall
have the right to exercise a number of legal rights
and remedies. These include, but are not limited to,
the following:
(i) to charge interest at an annual rate equal to 5%
above the base rate of Lloyds TSB Bank Plc;
(ii) to hold the defaulting buyer liable for the
total amount due and to commence legal
proceedings for its recovery together with
interest, legal fees and costs to the fullest extent
permitted under applicable law;
(iii) to cancel the sale;
(iv) to resell the property publicly or privately on
such terms as we shall think fit;
(v) to pay the seller an amount up to the net
proceeds payable in respect of the amount bid
by the defaulting buyer;
(vi) to set off against any amounts which we,
or Christies International plc, or any of its
affiliates, subsidiaries or parent companies
worldwide, may owe the buyer in any other
transactions, the outstanding amount remaining
unpaid by the buyer;
(vii) where several amounts are owed by the buyer
to us, or to Christies International plc, or
to any of its affiliates, subsidiaries or parent
companies worldwide, in respect of different

(h) Failure to collect purchases


Where purchases are not collected within two calendar
days from the date of the sale, whether or not payment
has been made, we shall be permitted to remove the
property to a third party warehouse at the buyers
expense, and only release the items after payment in full
has been made of removal, storage, handling, and any
other costs reasonably incurred, together with payment
of all other amounts due to us.
(i) Selling Property at Christies
In addition to expenses such as transport, all
consignors pay a commission according to a fixed
scale of charges based upon the value of the property
sold by the consignor at Christies in a calendar year.
Commissions are charged on a sale by sale basis.
5. LIMITED WARRANTY
In addition to Christies liability to buyers set out in
clause 2 of these Conditions, but subject to the terms
and conditions of this paragraph, Christies warrants for
a period of five years from the date of the sale that any
property described in headings printed in UPPER CASE
TYPE (i.e. headings having all capital-letter type) in
this catalogue (as such description may be amended by
any saleroom notice or announcement) which is stated
without qualification to be the work of a named author
or authorship, is authentic and not a forgery. The term
author or authorship refers to the creator of the
property or to the period, culture, source or origin, as the
case may be, with which the creation of such property
is identified in the UPPER CASE description of the
property in this catalogue. Only UPPER CASE TYPE
headings of lots in this catalogue indicate what is being
warranted by Christies. Christies warranty does not
apply to supplemental material which appears below
the UPPER CASE TYPE headings of each lot and
Christies is not responsible for any errors or omissions
in such material. The terms used in the headings are
further explained in Important Notices and Explanation
of Cataloguing Practice. The warranty does not apply
to any heading which is stated to represent a qualified
opinion. The warranty is subject to the following:

(i)

(ii)

(iii)

(iv)

(v)

(vi)

It does not apply where (a) the catalogue


description or saleroom notice corresponded
to the generally accepted opinion of scholars
or experts at the date of the sale or fairly
indicated that there was a conflict of opinions;
or (b) correct identification of a lot can be
demonstrated only by means of either a
scientific process not generally accepted for
use until after publication of the catalogue or
a process which at the date of publication of
the catalogue was unreasonably expensive or
impractical or likely to have caused damage to
the property.
The benefits of the warranty are not assignable
and shall apply only to the original buyer of the
lot as shown on the invoice originally issued by
Christies when the lot was sold at auction.
The original buyer must have remained the
owner of the lot without disposing of any
interest in it to any third party.
The buyers sole and exclusive remedy against
Christies and the seller, in place of any other
remedy which might be available, is the
cancellation of the sale and the refund of the
original purchase price paid for the lot. Neither
Christies nor the seller will be liable for any
special, incidental or consequential damages
including, without limitation, loss of profits
nor for interest.
The buyer must give written notice of claim
to us within five years from the date of the
auction. It is Christies general policy, and
Christies shall have the right, to require the
buyer to obtain the written opinions of two
recognised experts in the field, mutually
acceptable to Christies and the buyer, before
Christies decides whether or not to cancel the
sale under the warranty.
The buyer must return the lot to the Christies
saleroom at which it was purchased in the same
condition as at the time of the sale.

6. COPYRIGHT
The copyright in all images, illustrations and written
material produced by or for Christies relating to a
lot including the contents of this catalogue, is and
shall remain at all times the property of Christies
and shall not be used by the buyer, nor by anyone
else, without our prior written consent. Christies
and the seller make no representation or warranty
that the buyer of a property will acquire any
copyright or other reproduction rights in it.
7. SEVERABILITY
If any part of these Conditions of Sale is found by
any court to be invalid, illegal or unenforceable,
that part shall be discounted and the rest of the
conditions shall continue to be valid to the fullest
extent permitted by law.
8. LAW AND JURISDICTION
The rights and obligations of the parties with
respect to these Conditions of Sale, the conduct of
the auction and any matters connected with any
of the foregoing shall be governed and interpreted
by the laws of England. By bidding at auction,
whether present in person or by agent, by written
bid, telephone or other means, the buyer shall
be deemed to have submitted, for the benefit of
Christies, to the exclusive jurisdiction of the courts
of the United Kingdom.

05/01/10

74

WORLDWIDE SALEROOMS AND EUROPEAN OFFICES

AUSTRIA
VIENNA

INDIA
MUMBAI

RUSSIA
MOSCOW

UNITED KINGDOM
LONDON
LONDON,
SOUTH KENSINGTON

+43 (0)1 533 8812


Angela Baillou

+91 (22) 2280 7905


Sonal Singh

BELGIUM
BRUSSELS

DELHI

+7 495 937 6364


+44 20 7389 2318
Katya Vinokurova

+91 (98) 1032 2399


Sanjay Sharma

SPAIN
BARCELONA

NORTH

ISRAEL
TEL AVIV

+34 (0)93 487 8259


Carmen Schjaer

+44 (0)20 7752 3004


Thomas Scott

+972 (0)3 695 0695


Roni Gilat-Baharaff

MADRID

SOUTH

+34 (0)91 532 6626


Juan Varez
Dalia Padilla

+44 (0)1730 814 300


Mark Wrey
EAST

SWEDEN
STOCKHOLM

+44 (0)20 7752 3004


Thomas Scott

+46 (0)70 5368 166


Marie Boettiger
Kleman (Consultant)
+46 (0)70 9369 201
Louise Dyhln
(Consultant)

NORTHWEST AND
WALES

+32 (0)2 512 88 30


Roland de Lathuy
DENMARK
COPENHAGEN

+45 3962 2377


Birgitta Hillingso
(Consultant)
+ 45 2612 0092
Rikke Juel Brandt
(Consultant)
FINLAND AND THE
BALTIC STATES
HELSINKI

+358 40 5837945
Barbro Schauman
(Consultant)
FRANCE
PARIS

ITALY
MILAN

+39 02 303 2831


ROME

+39 06 686 3333


Marina Cicogna
Business Development
Director
MONACO

+377 97 97 11 00
Nancy Dotta
THE NETHERLANDS
AMSTERDAM

+33 (0)1 40 76 85 85

+31 (0)20 57 55 255

GERMANY
DSSELDORF

PEOPLES REPUBLIC
OF CHINA
BEIJING

+49 (0)21 14 91 59 30
Arno Verkade

+86 (0)10 8572 7900

FRANKFURT

HONG KONG

+49 (0)61 74 20 94 85
Anja Schaller

SHANGHAI

HAMBURG

+49 (0)40 27 94 073


Christiane Grfin zu
Rantzau
MUNICH

+49 (0)89 24 20 96 80
Marie Christine Grfin
Huyn
STUTTGART

+49 (0)71 12 26 96 99
Eva Susanne Schweizer

DENOTES SALEROOM

+852 2760 1766


+86 86 (0)21 6355 1766
Jinqing Cai
PORTUGAL
LISBON

SWITZERLAND
GENEVA

+41 (0)22 319 1766


Eveline de Proyart
ZURICH

+44 (0)20 7839 9060

+44 (0)20 7930 6074

+44 (0)20 7752 3004


Jane Blood
SCOTLAND

+44 (0)131 225 4756


Bernard Williams
Robert Lagneau
David Bowes-Lyon
(Consultant)
ISLE OF MAN

+44 (0)20 7389 2032

+41 (0)44 268 1010


Dr. Bertold Mueller

CHANNEL ISLANDS

TURKEY
ISTANBUL

+44 (0)1534 485 988


Melissa Bonn

+90 (532) 558 7514


Eda Kehale Argn
(Consultant)

+353 (0)59 86 24996


Christine Ryall

UNITED ARAB EMIRATES


DUBAI

+971 (0)4 425 5647

IRELAND

UNITED STATES
NEW YORK

+1 212 636 2000

+351 919 317 233


Mafalda Pereira
Coutinho
(Independent
Consultant)

ENQ UI RI ES Call the Saleroom or Office


For a complete salerooms & offices listing go to christies.com

EMA I L info@christies.com
03/11/14

75

CHRISTIES SPECIALIST DEPARTMENTS AND SERVICES

DEPARTMENTS
AMERICAN FURNITURE

NY: +1 212 636 2230


AMERICAN INDIAN ART

NY: +1 212 606 0536


AMERICAN PICTURES

NY: +1 212 636 2140


ANGLO-INDIAN ART

KS: +44 (0)20 7389 2570


ANTIQUITIES

INDIAN
CONTEMPORARY ART

KS: +44 (0)20 7389 2700


NY: +1 212 636 2189
INTERIORS

SK: +44 (0)20 7389 2236


NY: +1 212 636 2032
ISLAMIC WORKS OF ART

POSTERS
PRINTS

KS: +44 (0)20 7389 2328


SK: +44 (0)20 7752 3109
PRIVATE COLLECTIONS
AND
COUNTRY HOUSE SALES

KS: +44 (0)20 7389 2700


SK: +44 (0)20 7752 3239

KS: +44 (0)20 7389 2343

JAPANESE
WORKS OF ART

KS: +44 (0)20 7389 2057

RUSSIAN WORKS OF ART


TRAVEL, SCIENCE AND
NATURAL HISTORY

ARMS AND ARMOUR

KS: +44 (0)20 7389 2591


SK: +44 (0)20 7752 3239

SK: +44 (0)20 7752 3119

JEWELLERY

ASIAN 20TH CENTURY


AND CONTEMPORARY ART

KS: +44 (0)20 7389 2383


SK: +44 (0)20 7752 3265

NY: +1 212 468 7133

LATIN AMERICAN ART

AUSTRALIAN PICTURES

NY: +1 212 636 2150

KS: +44 (0)20 7389 2040

MARITIME PICTURES

BOOKS AND
MANUSCRIPTS

SK: +44 (0)20 7752 3284


NY: +1 212 707 5949

SWISS ART

KS: +44 (0)20 7389 2674


SK: +44 (0)20 7752 3203

MINIATURES

KS: +44 (0)20 7389 2650

TOPOGRAPHICAL
PICTURES

BRITISH & IRISH ART

MODERN DESIGN

KS: +44 (0)20 7389 2682


NY: +1 212 636 2084
SK: +44 (0)20 7752 3257

SK: +44 (0)20 7389 2142

KS: +44 (0)20 7389 2040


SK: +44 (0)20 7752 3291

SK: +44 (0)20 7752 3219

BRITISH ART ON PAPER

KS: +44 (0)20 7389 2278


SK: +44 (0)20 7752 3293
NY: +1 212 636 2085
BRITISH PICTURES
1500-1850

KS: +44 (0)20 7389 2945


CARPETS

KS: +44 (0)20 7389 2370


SK: +44 (0)20 7389 2776
CHINESE WORKS OF ART

KS: +44 (0)20 7389 2577


SK: +44 (0)20 7752 3239
CLOCKS

KS: +44 (0)20 7389 2357

KS: +44 (0)20 7389 2699


NINETEENTH CENTURY
EUROPEAN PICTURES

KS: +44 (0)20 7389 2443


SK: +44 (0)20 7752 3309
OBJECTS OF VERTU

KS: +44 (0)20 7389 2347


SK: +44 (0)20 7752 3001
OLD MASTER DRAWINGS

KS: +44 (0)20 7389 2251


OLD MASTER PICTURES

ORIENTAL CERAMICS
AND WORKS OF ART

SK: +44 (0)20 7752 3026


FURNITURE

KS: +44 (0)20 7389 2482


SK: +44 (0)20 7389 2791
IMPRESSIONIST PICTURES

KS: +44 (0)20 7389 2638


SK: +44 (0)20 7752 3218

SILVER

KS: +44 (0)20 7389 2666


SK: +44 (0)20 7752 3262
ZUR: +41 (0) 44 268 1012

TWENTIETH CENTURY
BRITISH ART

KS: +44 (0)20 7389 2446


SK: +44 (0)20 7389 2502

EUROPEAN CERAMICS
AND GLASS

KS: +44 (0)20 7389 2331


SK: +44 (0)20 7389 2794

NINETEENTH CENTURY
FURNITURE AND
SCULPTURE

KS: +44 (0)20 7389 2531


SK: +44 (0)20 7752 3250

SK: +44 (0)20 7752 3215

SCULPTURE

TRIBAL AND
PRE-COLUMBIAN ART

CONTEMPORARY ART

COSTUME, TEXTILES
AND FANS

SK: +44 (0)20 7752 3291

SK: +44 (0)20 7752 3365

MUSICAL INSTRUMENTS

PAR: +33 (0)140 768 386

KS: +44 (0)20 7389 2684


SK: +44 (0)20 7752 3311
TWENTIETH CENTURY
DECORATIVE ART
& DESIGN

KS: +44 (0)20 7389 2140


SK: +44 (0)20 7752 3236
TWENTIETH CENTURY
PICTURES

KS: +44 (0)20 7389 2446


SK: +44 (0)20 7389 2502

Tel: +44 (0)20 7389 2548


Email: norchard@
christies.com
FINANCIAL SERVICES

Tel: +44 (0)20 7389 2624


Fax: +44 (0)20 7389 2204
HERITAGE AND
TAXATION

Tel: +44 (0)20 7389 2101


Fax: +44 (0)20 7389 2300
Email:rcornett@christies.
com
PRIVATE COLLECTIONS
AND
COUNTRY HOUSE SALES

Tel: +44 (0)20 7389 2343


Fax: +44 (0)20 7389 2225
Email: awaters@christies.
com
MUSEUM SERVICES, UK

Tel: +44 (0)20 7389 2570


Email: llindsay@christies.
com
PRIVATE SALES

US: +1 212 636 2034


Fax: +1 212 636 2035
VALUATIONS

Tel: +44 (0)20 7389 2464


Fax: +44 (0)20 7389 2038
Email: mwrey@christies.
com

London
Tel: +44 (0)20 7665 4350
Fax: +44 (0)20 7665 4351
Email: education@
christies.com
New York
Tel: +1 212 355 1501
Fax: +1 212 355 7370
Email: christieseducation@
christies.edu

Hong Kong
Tel: +852 2978 6747
Fax: +852 2525 3856
Email: hkcourse@
christies.com
CHRISTIES FINE ART
STORAGE SERVICES

New York
+1 212 974 4570
newyork@cfass.com
Singapore
Tel: +65 6543 5252
Email: singapore@cfass.
com
CHRISTIES
INTERNATIONAL
REAL ESTATE

New York
Tel +1 212 468 7182
Fax +1 212 468 7141
info@christiesrealestate.com

London
Tel +44 20 7389 2551
Fax +44 20 7389 2168
info@christiesrealestate.com

info@christiesrealestate.com

KS: +44 (0)20 7389 2468


SK: +44 (0)20 7752 3257
WATERCOLOURS AND
DRAWINGS

WINE

POST-WAR ART

CHRISTIES EDUCATION

VICTORIAN PICTURES

PHOTOGRAPHS

SK: +44 (0)20 7752 3275

CORPORATE
COLLECTIONS

Hong Kong
Tel +852 2978 6788
Fax +852 2845 2646

KS: +44 (0)20 7389 2257


SK: +44 (0)20 7752 3293

POPULAR CULTURE
AND ENTERTAINMENT

OTHER SERVICES

SK: +44 (0)20 7752 3218

SK: +44 (0)20 7752 3235


KS: +44 (0)20 7389 2292

AUCTION SERVICES

SK: +44 (0)20 7752 3208

KS: +44 (0)20 7752 3366

KEY TO ABBREVIATIONS

KS:
London, King Street
NY:
New York, Rockefeller Plaza
PAR:
Paris
SK:
London, South Kensington
06/11/14

76

ALFONS WALDE (1891-1958)


Einsamer berghof
oil on board 13 x 23 in. (33.4 x 52.8 cm.)
Painted in 1935
150,000250,000

Impressionist and Modern Day Sale


London, King Street 5 February 2015
Viewing

Contact

30 January4 February
8 King Street
London SW1Y 6QT

Keith Gill
kgill@christies.com
+44 (0)20 7389 2175

EMILE EISMAN-SEMENOWSKY (POLISH, 1857-1911)


Celebration
signed, inscribed and dated EISMAN-SEMENOWSKY - PARIS 93. (lower right)
oil on panel 8 x 6 in. (21 x 15 cm.)
2,0004,000

19th Century European Art


London, South Kensington 21 January 2015
Viewing

Contact

1720 January 2015


85 Old Brompton Road
London SW7 3LD

Alastair Plumb
aplumb@christies.com
+44 (0)20 7752 3298

Bespoke Framing Service


The framing of a vintage poster requires
knowledge and sensitivity. Our framing consultants
have collectively been framing old masters and
contemporary work for 120 years, so we have a
wealth of expert advice and experience, not just
in terms of recommending the correct presentation
materials, but also in terms of the design aesthetic.
Whether you require a vintage deco style frame or
a minimal Perspex box, we can help. With our own
collection, delivery and installation service, your work
can be framed and up on the wall within two weeks.
To arrange a visit to our client showrooms
or to speak to one of our consultants directly,
please call us on 020 7281 5439.
John Jones
4 Morris Place London N4 3JG
E sales.assistant@ johnjones.co.uk
www.johnjones.co.uk
Opening hours:
MonFri 9.30am5.30pm,
Sat 10am3pm, or by appointment

For Client Use


Name
Address

Tel
Email

By signing this form you hereby authorise


John Jones to collect the following lots on your
behalf. John Jones will contact you to arrange
a framing consultation before a complimentary
collection of the work is booked. Please return
this form to Christies upon completion.
Signature

Date

For Christies Use


Lot No.
Artwork title
Artist
Medium
Dimensions
Weight
Value

79

80

20/21 POSTERS THE SKI SALE

ABSENTEE BIDS FORM

CHRISTIES SOUTH KENSINGTON

THURSDAY 22 JANUARY 2015 AT 1.00 PM

85 Old Brompton Road, London SW7 3LD


CODE NAME: POS
SALE NUMBER: 10070

(Dealers billing name and address must agree with tax


exemption certificate. Invoices cannot be changed after
they have been printed.)

Absentee bids must be received at least 24 hours before the auction begins.
Tel: +44 (0)20 7752 3225 Fax: +44 (0)20 7581 1403 on-line www.christies.com

10070

BID ONLINE FOR THIS SALE AT CHRISTIES.COM


BIDDING INCREMENTS

Client Number (if applicable)

Bidding generally opens below the low estimate


and advances in increments of up to 10%, subject
to the auctioneers discretion. Absentee bids that
do not conform to the increments set below may
be lowered to the next bidding interval.
UK50 to UK1,000
UK1,000 to UK2,000
UK2,000 to UK3,000
UK3,000 to UK5,000

by
by
by
by

UK50s
UK100s
UK200s
UK200, 500, 800

UK5,000 to UK10,000
UK10,000 to UK20,000

(ie: UK4,200, 4,500, 4,800)


by UK500s
by UK1,000s

UK20,000 to UK30,000
UK30,000 to UK50,000

by UK2,000s
by UK2,000, 5,000, 8,000
(ie: UK32,000, 35,000,
38,000)
UK50,000 to UK100,000 by UK5,000s
UK100,000 to UK200,000 by UK10,000s
above UK200,000
at auctioneers discretion

The auctioneer may vary the increments during the


course of the auction at his or her own discretion.
Auction Results: +44 (0)20 7839 9060
Please also refer to the information contained in Buying at
Christies.
I request Christies to bid on the following lots up to the
maximum price I have indicated for each lot. I understand
that if my bid is successful, the purchase price will be the
sum of my final bid plus a buyers premium of 25% of the
final bid price of each lot up to and including 50,000,
20% of the excess of the hammer price above 50,000 and
up to and including 1,000,000 and 12% of the excess of
the hammer price above 1,000,000, together with any
VAT chargeable on the final bid and the buyers premium.
VAT is chargeable on the purchase price of daggered () lots,
and for buyers outside the EU on () lots, at the standard
rate. VAT is chargeable on the purchase price of starred (*)
lots at the reduced rate.
Christies South Kensington is not able to notify successful
bidders by telephone. While Invoices are sent out by mail
after the auction we do not accept responsibility for notifying
you of the result of your bid. Buyers are requested to contact
us by telephone or in person as soon as possible after the
sale to obtain details of the outcome of their bids to avoid
incurring unnecessary storage charges.
I understand that Christies provides the service of executing
absentee bids for the convenience of clients and that Christies
is not responsible for failing to execute bids or for errors
relating to execution of bids. On my behalf, Christies will try
to purchase these lots for the lowest possible price, taking into
account the reserve and other bids. Absentee bids submitted
on no reserve lots will, in the absence of a higher bid, be
executed at approximately 50% of the low pre-sale estimate
or at the amount of the bid if it is less than 50% of the low
pre-sale estimate. If identical absentee bids are received for
the same lot, the written bid received first by Christies will
take precedence. Please contact the Telephone Bid office at
least 24 hours in advance of the sale to make arrangements for
telephone bidding. Tel: +44 (0)20 7752 3225
All bids are subject to the terms of the Conditions of Sale
and Limited Warranty printed in each Christies catalogue.

09/08/13

Sale Number

Billing Name (please print)

Address

Post Code

Daytime Telephone

Evening Telephone

Fax (Important)

Email

Please tick if you prefer not to receive information about our upcoming sales by e-mail

Signature

If you have not previously bid or consigned with Christies, please attach copies of the following documents.
Individuals: government-issued photo identification (such as a photo driving licence, national identity card,
or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or
bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts,
offshore companies or partnerships: please contact the Credit Department at + 44 (0)20 7752 3137 for advice
on the information you should supply. If you are registering to bid on behalf of someone who has not
previously bid or consigned with Christies, please attach identification documents for yourself as well as the
party on whose behalf you are bidding, together with a signed letter of authorisation from that party. New
clients, clients who have not made a purchase from any Christies office within the last one year, and those
wishing to spend more than on previous occasions may be asked to supply a bank reference. We may at our
option ask you for a financial reference or a deposit as a condition of allowing you to bid. We also request
that you complete the section below with your bank details:
Name of Bank(s)

Address of Banks(s)

Account Number(s)

Name of Account Officer(s)

Bank Telephone Number

PLEASE PRINT CLEARLY


Lot number
(in numerical order)

Maximum Bid UK
(excluding buyers premium)

Lot number
(in numerical order)

Maximum Bid UK
(excluding buyers premium)

If you are registered within the European Community for VAT/IVA/TVA/BTW/MWST/MOMS


Please quote number below:

81

PHOTOGRAPHS, POSTERS & PRINTS

expert knowledge beautifully presented

Code
L11
N61
N11
P61
K13
K72

Subscription Title
Photographs, Posters & Prints
Old Master, 19th Century,
Modern & Contemporary Prints
Photographs
Prints
Photographs
Old Master, 19th Century,
Modern & Contemporary Prints
Vintage Posters

Vintage works from the 19th and early 20th centuries, modern and
contemporary photographs and photographically illustrated books.
Original works from the great masters of all periods of western
printmaking from Drer through Rembrandt and Goya to ToulouseLautrec, Picasso and Contemporary artists.

Location

Issues

UKPrice

US$Price

EURPrice

King Street

57

91

86

New York
New York
Paris
South Kensington

5
3
2
4

119
71
38
68

190
114
61
114

181
108
57
103

South Kensington

43

71

66

www.christies.com/shop
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Post-War and Contemporary Art
Old Master Paintings and 19th Century Paintings

CHRISTIES
CHRISTIES INTERNATIONAL PLC
Patricia Barbizet, Chairman
Steven P. Murphy, Chief Executive Officer
Stephen Brooks, Chief Operating Officer
Loc Brivezac, Gilles Erulin, Gilles Pagniez,
Franois-Henri Pinault

Sophie Carter, Company Secretary


CHRISTIES EXECUTIVE
Steven P. Murphy,
Stephen Brooks, Kerry Chandler, Franois Curiel,
Marc Porter, Jussi Pylkknen, Doug Woodham

Charles Cator, Deputy Chairman,


Christies International
CHRISTIES EUROPE
CHAIRMANS OFFICE
Jussi Pylkknen, President
Orlando Rock, Deputy Chairman
SENIOR DIRECTORS
Mariolina Bassetti, Giovanna Bertazzoni,
Olivier Camu, Philippe Garner, Richard Knight,
Francis Outred, Andreas Rumbler,
Franois de Ricqles
DIRECTORS
Prof. Dr. Dirk Boll, Roland de Lathuy,
Eveline de Proyart, Roni Gilat-Baharaff,
Paul Hewitt, Clarice Pecori Giraldi,
Christiane Rantzau, Jop Ubbens, Juan Varez
CHRISTIES EUROPEAN
ADVISORY BOARD
Pedro Girao, Chairman,
Christopher Balfour, Patricia Barbizet,
Arpad Busson, Loula Chandris,
Kemal Has Cingillioglu, Ginevra Elkann,
I. D. Frstin zu Frstenberg, Laurence Graff,
H.R.H. Prince Pavlos of Greece, Alicia Koplowitz,
Viscount Linley, Robert Manoukian,
Rosita, Duchess of Marlborough,
Dimitri Mavrommatis,
Countess Daniela Memmo dAmelio, Usha Mittal,
Leopoldo Rods, igdem Simavi

CHRISTIES UK
CHAIRMANS OFFICE
Viscount Linley, Chairman
Nol Annesley, Honorary Chairman;
Richard Roundell, Vice Chairman;
Robert Copley, Deputy Chairman;
The Earl of Halifax, Deputy Chairman;
Francis Russell, Deputy Chairman;
Julia Delves Broughton, James Hervey-Bathurst,
Amin Jaffer, Orlando Rock,
Nicholas White, Mark Wrey
SENIOR DIRECTORS
Dina Amin, Daniel Baade, Philip Belcher,
Jeremy Bentley, Ellen Berkeley, Jill Berry,
Giovanna Bertazzoni, Prof. Dr. Dirk Boll,
Peter Brown, James Bruce-Gardyne,
Olivier Camu, Sophie Carter, Benjamin Clark,
Christopher Clayton-Jones, Karen Cole,
Isabelle de La Bruyere, Leila de Vos,
Nicole Dembinska, Paul Dickinson,
Harriet Drummond, Julie Edelson,
Hugh Edmeades, David Elswood,
David Findlay, Margaret Ford, Daniel Gallen,
Philippe Garner, Jane Griffiths, Karen Harkness,
Philip Harley, James Hastie, Paul Hewitt,
Rachel Hidderley, Mark Hinton, Nick Hough,
Michael Jeha, Hugues Joffre, Donald Johnston,
Erem Kassim-Lakha, William Lorimer,
Catherine Manson, John McDonald,
Nic McElhatton (Chairman, South Kensington),
Alexandra McMorrow, Jeremy Morrison,
Nicholas Orchard, Francis Outred, Clarice PecoriGiraldi, Benjamin Peronnet, Henry Pettifer,
Steve Phipps, Will Porter, Paul Raison,
Tara Rastrick, William Robinson, John Stainton,
Alexis de Tiesenhausen, Lynne Turner, Jay Vincze,
Andrew Ward, David Warren, Andrew Waters,
Harry Williams-Bulkeley, Martin Wilson,
Andr Zlattinger

Sarah Mansfield, Nicolas Martineau,


Roger Massey, Joy McCall, Neil McCutcheon,
Daniel McPherson, Neil Millen, Edward Monagle,
Jeremy Morgan, Leonie Moschner,
Giles Mountain, Chris Munro, Rupert Neelands,
Liberte Nuti, Beatriz Ordovs, Rosalind Patient,
Keith Penton, Romain Pingannaud,
Sara Plumbly, Caroline Porter, Michael Prevezer,
Anne Qaimmaqami, Marcus Rdecke,
Pedram Rasti, Amjad Rauf, Sandra Romito,
Tom Rooth, Alice de Roquemaurel,
Francois Rothlisberger, Patrick Saich,
Tim Schmelcher, Rosemary Scott, Tom Scott,
Nigel Shorthouse, Dominic Simpson, Nick Sims,
Katie Siveyer, Nicola Steel, Robin Stephenson,
Kay Sutton, Rakhi Talwar, Nicolette Tomkinson,
Jane Turner, Thomas Venning, Sophie Wiles,
Mark Wilkinson, Bernard Williams,
Georgina Wilsenach, Toby Woolley, Geoff Young

DIRECTORS
Richard Addington, Zoe Ainscough,
Georgiana Aitken, Marco Almeida, Maddie Amos,
Simon Andrews, Helen Baker, Karl Barry,
Rachel Beattie, Sven Becker, Jane Blood,
Piers Boothman, David Bowes-Lyon,
Anthony Brown, Lucy Brown, Robert Brown,
Grace Campbell, Lucy Campbell, Jason Carey,
Romilly Collins, Ruth Cornett, Sigrun Danielsson,
Armelle de Laubier-Rhally, Adrian Denton,
Sophie DuCret, Anna Evans, Arne Everwijn,
Adele Falconer, Nick Finch, Peter Flory,
Elizabeth Floyd, Christopher Forrest, Giles Forster,
Patricia Frost, Sarah Ghinn, Zita Gibson,
Alexandra Gill, Sebastian Goetz, John Green,
Simon Green, David Gregory, Mathilde Heaton,
Annabel Hesketh, Sydney Hornsby,
Peter Horwood, Simon James, Robert Jenrick,
Sabine Kegel, Hans-Peter Keller, Jeffrey Kerr,
Tjabel Klok, Quincy Kresler, Robert Lagneau,
Nicholas Lambourn, Joanna Langston, Tina Law,
Darren Leak, Adriana Leese, Brandon Lindberg,
Laura Lindsay, David Llewellyn, Murray Macaulay,

ASSOCIATE DIRECTORS
Guy Agazarian, Cristian Albu, Jennie Amos,
Ksenia Apukhtina, Katharine Arnold, Alexis Ashot,
Alexandra Baker, Fiona Baker, Virginie BarocasHagelauer, Carin Baur, Sarah Boswell,
Mark Bowis, Clare Bramwell, John Caudle,
Dana Chahine, Marie-Louise Chaldecott,
Sophie Churcher, Marion Clermont,
Helen Culver Smith, Laetitia Delaloye,
Charlotte Delaney, Cristiano De Lorenzo,
Freddie De Rougemont, Grant Deudney,
Claudia Dilley,
Eva-Maria Dimitriadis, Howard Dixon,
Virginie Dulucq, Joe Dunning, Antonia Essex,
Kate Flitcroft, Nina Foote, Eva French,
Pat Galligan, Keith Gill, Andrew Grainger,
Leonie Grainger, Julia Grant, Pippa Green,
Angus Granlund, Christine Haines, Coral Hall,
Charlotte Hart, Evelyn Heathcoat Amory,
Anke Held, Valerie Hess, Carolyn Holmes,
Amy Huitson, Adrian Hume-Sayer,
James Hyslop, Helena Ingham, Pippa Jacomb,
Mark Jordan, Guady Kelly, Clementine Kerr,
Hala Khayat, Alexandra Kindermann,
Mark Henry Lamp, Tom Legh, Timothy Lloyd,
Graeme Maddison, Stephanie Manstein,
Astrid Mascher, Michelle McMullan,
Kateryna Merkalenko, Susanne Meyer-Abich,
Toby Monk, Sarah OBrien, William Paton,
Samuel Pedder-Smith, Suzanne Pennings,
Louise Phelps, Sarah Rancans, Lisa Redpath,
David Rees, Alexandra Reid, Sumiko Roberts,
Sangeeta Sachidanantham, Pat Savage,
Catherine Scantlebury, Julie Schutz,
Hannah Schweiger, Mark Silver, James Smith,
Graham Smithson, David Stead, Mark Stephen,
Annelies Stevens, Charlotte Stewart,
Dean Stimpson, Gemma Sudlow,
Dominique Suiveng, Cornelia Svedman,
Nicola Swain, Iain Tarling, Sarah Tennant,
Timothy Triptree, Flora Turnbull, Lisa Varsani,
Julie Vial, Anastasia von Seibold, Amelia Walker,
Tony Walshe, Chris White, Rosanna Widen,
Ben Wiggins, Annette Wilson, Julian Wilson,
Elissa Wood, Neal Young

Christie, Manson & Woods Ltd. (2014)

19/11/14

85 Old Brompton Road London SW7 3LD

+44 (0)20 7930 6074 telephone +44 (0)20 7389 2869 facsimile

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