$Header: /Src/Cakewalk/TipOfTheDay.

txt 9

9/16/99 10:51a Ron $

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You can optimize Cakewalk Pro Audio, making it more responsive while mixing in r
ealtime, or allowing more audio tracks to play back.
\p
To do so, go to Help-Topics-Index, and enter "Reducing Mixing Latency."
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You can register your copy of Cakewalk Pro Audio online.
\p
To do so, go to Help-Register Online. This will take you to the Cakewalk web sit
e, where you can register by following the online instructions.
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The Cakewalk Pro Audio User's Guide contains three great tutorials (Playing a so
ng, Recording MIDI and Digital Audio, and Audio Editing and Mixing) which will g
et you up and running in no time at all.
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The ReadMe file has tons of great information in it.
\p
You can view it by choosing Help-View README.RTF.
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You can optionally add a 4-band parametric EQ to each audio track automatically.
\p
To do so, go to Options-Global-General, and select 'Patch EQ to Audio Tracks'.
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You can instantly jump to any measure in a song.
\p
To do so, click the Now Time box in the Position or Transport (Large) toolbar, c
hoose Go-Time, or simply press F5. Then, type the measure number and click OK/p
ress enter.
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Want to create a new song with changing time signatures? Pro Audio lets the time
signature of your songs change any time you want.
\p
Choose Insert-Meter/Key Change to insert a change in time signature, or choose V
iew-Meter/Key to see all the time signatures in your song.
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After zooming in or out in the Clips pane, Piano Roll view, Audio view, you can
quickly revert to the previous zoom level.
\p
To do so, press the U key (in the Clips pane, press Ctrl+Alt+U).
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Want to put music on your web site? You can create RealAudio G2, MP3 and Window

s Media Advanced Streaming Format files with Pro Audio.

\p
Choose Tools-Mixdown Audio-Export to File(s) to save audio data in the desired f
ormat.
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If you keep adding audio tracks, eventually the overall volume will get too high
, causing clipping or distortion.
\p
One simple solution is to make use of the Vel+ velocity offset in each audio tra
ck. Enter a negative number to decrease the track's playback level.
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You can mixdown audio tracks, applying all effects and controllers, and producin
g output tracks that sound identical to you what you hear.
\p
To do so, choose Tools-Mixdown Audio.
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In the clips pane (right half) of the Track view, you can select tracks and regi
ons of time -- regardless of clip boundaries.
\p
To do so, hold the ALT key while clicking and dragging to select.
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You can insert Markers whenever a MIDI pedal or key combination is pressed.
\p
To do so, choose Options-Key Bindings, and create a MIDI key binding for the Ins
ert-Marker command.
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In the StudioWare view, you can create customized "floating" toolbars.
\p
To do so, assign a button widget's Kind property to Binding.
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If your keyboard recording playing is a little loose in its timing, Pro Audio ca
n fix it up to be as precise as you'd like.
\p
Select the clip you want to modify, and then choose the Edit-Quantize command.
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Is the song in the wrong key for
IDI data, you can change the key
\p
Choose Edit-Select-All to select
-Transpose to move it up or down
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you to sing along? If all the tracks contain M

in a few seconds!
all the clips in the song, and then choose Edit
as you like.

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You can use the Console view to alter the balance and stereo panning of your tra
cks while the song is playing.
\p

To do so, choose View-Console, then adjust the pan slider for the desired track.
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You can visit our web site, which includes news, technical information, free dow
nloads, and lots more cool stuff.
\p
To do so, choose Help-Cakewalk Web Site. This will automatically launch most Int
ernet browsers. If yours doesn't, then start it manually and go to "http://www.c
akewalk.com".
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You can display the Now time using a large font, so that it is easier to see. T
his is handy if you're not close to the computer monitor, but still want to see
the Now time.
\p
To do so, choose View-Big Time, right-click on the window, and choose a large fo
nt.
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You can create Markers that label specific points in your song, and then use the
Marker whenever you want to reference a particular time.
\p
To create a Marker, choose Insert-Marker, or press F11 while the song is playing
. To use a marker, press F5 whenever you'd normally enter a time.
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When you record on an existing track, you can layer new notes on top of existing
notes, or replace the existing material.
\p
To choose, click the Record Mode button in the control bar, or choose RealtimeRecord Mode.
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Made a Mistake? You can undo virtually any change you've made to a Pro Audio pr
oject.
\p
To do so, type Ctrl-Z, or choose Edit-Undo.
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It's easy to create accidentals (sharps or flats) in the Staff view.
\p
To do so, choose the Draw tool (pencil), and drag the note while holding down bo
th mouse buttons.
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You can set the time signature for a new song before you start recording. You'll
want to do this before recording a waltz or tarantella.
\p
First, choose File-New to create a new song. Then click on the Meter (time sign
ature) area in the Transport (Large) toolbar, or choose Insert-Meter/Key Change.
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You can quickly zoom in to perform a detailed edit in the Clips pane/Piano Roll
view/Audio view, then zoom back out to continue working on other areas of a proj
ect.
\p
To do so, hold down the Z key, and lasso select the region you want to zoom in o
n. You can then press the U key to revert to the previous zoom level.
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In any Pro Audio dialog which has a time field, you can quickly enter the locati
on of a Marker.
\p
To do so, press F5. This opens a list of Markers you can pick from. The list inc
ludes Markers you have created, plus various predefined Markers (Now, Beginning,
End, From and Thru).
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You can quickly set up a time selection in any of the graphical views by draggin
g the mouse cursor over the horizontal Time ruler.
\p
If you first press the Snap button, the time selection will be evenly incremente
d by the Snap duration.
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You can graphically edit fades made in the StudioWare and Console views.
\p
To do so, open the Piano Roll View and edit the fade in the Controllers pane. If
you are in the Console view, you can right-click a module, and select Edit Auto
mation Data.
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You can change the scale that is used for meters in the Console view.
\p
To do so, right-click a meter, and select one of four scales: 24 dB Range, 42 dB
Range, 60 dB Range, or 90 dB Range.
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You can make sample accurate cuts of your audio.
\p
To do so, right-click on the audio and select Split. You can enter the sample yo
u wish to cut at.
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For persistent time selections, you can insert a pair of markers in any graphica
l view: one at the beginning time and another at the end time.
\p
Clicking between the markers (in the time ruler) will now select the time range.
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You can quickly find patches that contain specific text. For example, you can fi
nd all patches (in any bank) that contains the word "Piano".
\p

To do so, right-click a track in the Track

xt, click the Patch Browser button that is
Patch drop-down lists. You can then type a
ill only display patches that contain that
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view, and select Track Properties. Ne

located to the right of the Bank and
specific text string, and Pro Audio w
specific text string.

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You can jump to any Marker by pressing F5 twice.
\p
Press F5 the first time to open the GoTo Time dialog box. Press F5 again to choo
se from a list of Markers. The list includes all your own Markers, plus various
predefined Markers (Now, Beginning, End, From and Thru).
\p
You can also jump to any marker by selecting the marker from the drop-down list
in the Markers toolbar.
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If you want to enter a track name in the Track view that starts with the letter
"R" or "W", press Enter or F2 first before you type the name.
\p
The reason is because "R" is the hotkey for Record, and "W" is the hotkey for Re
wind. Other characters are not special, and will automatically start inserting t
ext.
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Confused about which MIDI port is assigned to which MIDI device? Pro Audio lets
you see which one is which.
\p
Choose Options-MIDI Devices. The first selected output device is assigned to Po
rt 1, the second to Port 2, and so on.
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Like to have your windows arranged a certain way? You can create and save your
own custom screen layouts, and call them up any time you want.
\p
Choose View-Layouts to save your current screen layout or to load a layout you h
ave already saved.
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If you like to work with several standard screen layouts, you can assign each of
these layouts to a hot key on your computer or MIDI device.
\p
To do so, save the layout, and then assign a key binding to the View-Layouts com
mand.
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You can now easily record on multiple tracks simultaneously.
\p
To do so, simply assign a Source and press the Arm button for each track you wis
h to record on.
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You can add real-time effects to your audio tracks.
\p

To do so, open the Console view and right-click in the Track Inserts, Aux buses,
or Master section. You can also add real-time effects by right-clicking an Effe
cts cell in the Track view. Real-time MIDI effects can also be added as track in
serts.
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You can get more audio out of your computer by creating submixes of your audio t
racks.
\p
To do so, use the Tools-Mixdown Audio-Bounce to Track(s) command.
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You can quickly create a Marker during playback or recording, even if
you're not in the Markers view.
\p
To do so, press F11. This is a shortcut for the Insert-Marker command.
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You can tell Pro Audio where to look for certain types of files.
\p
To do so, go to Options-Global, and click the Folders tab. This file determine t
he default directory when inserting wave files, choosing File-Open, File-Save As
, etc.
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You can change the properties of any note in the Staff view or Piano Roll view.
\p
To do so, click on the note with the right mouse button.
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When recording audio, you can check the input level to ensure that you are recor
ding at an optimal level.
\p
To do so, open the Console View and click the (record) Arm button in the track y
ou want to record on. Make sure the Record Meters button is pressed.
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You can choose to enable or disable the display of vertical lines in the Clips p
ane of the Track view.
\p
To do so, click the right mouse button, and choose View Options. Then check or u
ncheck Display Vertical Rules as desired.
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You can quickly apply the From and Thru times of a selection as a loop.
\p
To do so, select the section and then press the Copy From/Thru button in the Loo
p toolbar. Make sure the Loop button is pressed.
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You can Scrub on multiple tracks of Audio at the same time.

\p
To do so, open the Audio view with the tracks you want to hear. Next, select the
Scrub tool, and drag the mouse cursor across the Time Ruler while holding the l
eft mouse button.
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You can quickly Zoom in and out to the minimum and maximum settings in any view.
\p
To do so, hold down SHIFT while clicking on the magnifying glass.
\p
In addition, if you keep one of the zoom buttons pressed for a short moment, the
view will continue to zoom in/out.
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You can free up your CPU by archiving muted tracks.
\p
To do so, select the track and then choose Track-Archive, or right-click the tra
ck and select Archive from the inspector menu.
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You can split a drum track out to many tracks.
\p
To do so, go to Edit-Run CAL, and choose the "Split Note to Tracks.cal" CAL rout
ine.
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You can change the number of Ticks Per Quarter Note.
\p
To do this, choose Options-Project, then select the Clock tab.
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You can move toolbars to different locations.
\p
To do this, click and drag the top left corner of the toolbar you wish to move.
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You can match the tempo of one audio file to another.
\p
To do so, select the Audio track(s) and then select Edit-Fit To Time.
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You can maximize your CPU performance when running DirectX plug-ins in real-time
. To improve playback performance, you can apply the effects as offline commands
instead.
\p
To do so, save the current effect settings as a preset. Delete the real-time eff
ect, then apply the same effect from the Audio view Plug-in inspector menu. By s
electing the preset you created, you can quickly apply the same effect settings.
The track will sound the same, but the CPU won't have to work as hard.
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You can change the Tempo of MIDI and Audio at the same time.

\p
To do so, go to Insert-Tempo Change. Then adjust the Tempo and enable Stretch Au
dio.
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In the console view, you can patch effects in any order you want; if the effects
are out of order, or you want to change the order.
\p
To do so, simply use drag and drop to move the effects.
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You can add new tracks in the Console view.
\p
To do so, simply right click in the Console view, and choose Add Track. You can
specify whether you want to add a MIDI or audio track.
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If you use real-time MIDI plug-ins and want to save as a Standard MIDI file, use
the "Apply MIDI Effects" button in the Console view to apply the MIDI effects t
o the tracks themselves.
\p
To do so, select the tracks (in the Track view) that contain real-time MIDI plug
-ins, then open the Console view and click the "Apply MIDI Effects" button. This
will ensure that the tracks sound the same as they do when using real-time MIDI
effects.
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You can specify the number of seconds that should be used when auditioning effec
ts.
\p
To do so, select Options-Global-General, and specify a number for 'Audition Comm
ands for [<integer>] Seconds'.
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In the File Open dialog, you can automatically jump to a specific directory that
you have specified in Options-Global-Folders.
\p
To do so, go to File-Open, and select a file type from the "Go to Folder" drop-d
own list.
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You can specify which editing view Pro Audio should open when double-clicking a
MIDI or audio clip in the Clips pane.
\p
To do so, right-click in the Clips pane, and select View Options.
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If there are multiple audio drivers installed in your computer, you can tell Pro
Audio to only use a specific driver(s).
\p
To do so, go to Options-Audio, and select the Drivers tab. You can then highligh
t the audio drivers that you want to use in Pro Audio.
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