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CWRT 4307.001 TEL. 972-883-6352
ADVANCED CREATIVE WRITING: SHORT STORIES EMAIL: Bet@utdallas.edu
SPRING 2006 OFFICE HOURS: Tues.
TUESDAY 12:30 to 3:15 3:30 to 4:30
Meets in CBW 1.206
And as imagination bodies forth
The forms of things unknown, the poet’s pen
Turns them to shapes, and gives to aery nothing
A local habitation and a name.
William Shakespeare
A Midsummer Night’s Dream
COURSE DESCRIPTION: Students who sign up for this advanced creative writing course
should have already acquired some basic storytelling skills. In this course they will refine and
develop those skills. Members of this class will analyze stories by well-known short story writers
and will participate in weekly writing exercises. Students will write three original short stories,
and rewrite 2 of the 3. Each student will also produce written critiques of a classmate’s story on
three occasions and will participate in workshop sessions that focus upon student stories.
COURSE REQUIREMENTS:
During the course of the semester, each student will produce 3 original pieces of fiction, will
rewrite two of the three stories, and will choose one of these stories to submit to a literary journal
for publication. At least once during the course, each student will give a brief report on the work
of a well-known short story writer to be selected from a list supplied by the professor.
PLEASE NOTE: Students will be asked to provide photocopies of at least one original piece of
work to all members of the class on at least one occasion for workshop. This means that students
should be prepared to incur some photocopying expense during the semester. Duplicates of
critiques—one for the student and one for the professor—will also be required. All written
assignments, including weekly exercises, must be typed, double spaced, and legible. No
handwritten work will be accepted, and no assignments will be accepted by email. Stories written
prior to this class and stories written to satisfy the requirements of previous classes may not be
submitted to fulfill the requirements of this class.
REQUIRED BOOKS:
Janet Burroway: WRITING FICTION (6th edition only)
Mark Mills: CRAFTING THE VERY SHORT STORY
Jerome Stern: MAKING SHAPELY FICTION
Strunk and White: THE ELEMENTS OF STYLE
NOTE #2: Class attendance and participation in discussions and workshop sessions are
mandatory, and students who cannot attend class regularly are strongly discouraged from signing
up for this course. Attendance will be taken each week and absences as well as tardiness and
leaving class early will negatively affect a student’s grade. Any student who misses more than 3
classes should not expect to receive a passing grade in the course.
NOTE #3: Please be aware that university policies regarding academic dishonesty are quite
specific. A student who plagiarizes all or part of another person’s work, commits an act that the
professor considers to be cheating, or participates in an act of collusion must be reported to the
proper university authorities and may expect to receive a failing grade in the course. See: UTD
website--“Scholastic Dishonesty” for more specific details.
NOTE #4: University policy regarding physically disabled students is outlined in the university
catalogue and on the UTD website. Special assistance is available to students with special needs
who are so identified by the university. If you qualify for and wish to request special assistance,
please make your needs known to the professor and the Office of Disability (Tel. 972-883-6104)
as soon as possible.
NOTE #5: University policies governing incomplete grades state that a student must have
completed 70% of coursework with a passing grade and must have a reasonable expectation of
completing the course in the specified time period. Both the instructor and the student must sign
a form to that effect for a grade of incomplete to be granted. A student who receives an
incomplete grade for the semester must complete all course requirements within 8 weeks. Failure
to complete the course in the specified time period will result in the automatic conversion of an I
to an F.
NOTE #6: As of August 1, 2004, all e-mail correspondence from the professor will be sent
ONLY to the student's U.T. Dallas email address. U.T.D. provides each student with a free email
account that is to be used in all communication with university personnel. This allows the
university to maintain a high degree of confidence in the identity of all individuals corresponding
and the security of the transmitted information. The Department of Information Resources at
U.T. Dallas provides a method for students to forward email from other accounts to their U.T.
Dallas address and have their U.T. Dallas mail sent on to other accounts. Students may go to the
following URL to establish or maintain their official U.T. Dallas computer account:
http://netid.utdallas.edu/.
NOTE #7: The following schedule of topics and assignments for this course is subject to change
at the discretion of the professor.
FEBRUARY 7: REVISION
DISCUSS: What part does revision play in the creative process? How should we go about the
task of revising our stories? How do we know if we have written a complete story? What
techniques should we apply when we critique someone else’s creative work?
READ: Burroway, Ch.11; Stern, 113-120, 127-128, 204-206; Talent, “No One’s a Mystery”
ASSIGNMENT DUE: 1st draft of Story #1. Also, check your schedule and be prepared to sign
up for a conference with the professor.
A large portion of this class will be devoted to personal conferences with the professor
ASSIGNMENT DUE: Critique of a student’s story #1.
APRIL 4: THEME
IN-CLASS: Workshop of student stories, Student reports
READ: Burroway, Ch. 10
ASSIGNMENT: 1st draft of Story #3