Professional Documents
Culture Documents
In the diagram, if the string is stopped at the exact middle of the monochord, the note
that will sound will be one octave higher than the note sounding with an open string. In addition,
if the string is stopped about a third inward, there will be an interval of a fifth between that and
the open string. The story of Pythagorass discovery led to an entire system of modes that later
musical theorists, such as Cleonides and Aristoxenus, refined into what would ultimately
become the seven Greek modes, paving the way for all Western music that was to follow.
These seven modes form the basis of all Greek melodies. Later, in the Middle Ages, the
modes would serve as the bedrock for the Church modes, used in Chant and liturgical services.
Each mode was said to illicit a different reaction or feeling, such as the Mixolydian mode, which
Aristotle believed made people depressed, or the Phrygian mode, which was said to inspire
feelings of exuberance. Though there is much ambiguity surrounding the Greek theory system, we
are fortunate to have several fragments of Greek melodies so that we can understand what Greek
music really sounded like.
Songs in the ancient Greek modes were influential in the early 20th Century Impressionism
movement. Composers such as Claude Debussy, Arthur Honegger, and Maurice Ravel used modal
rhythms in many of their compositions. In addition, modal scales have been extensively used in
jazz and rock music. One of the most famous uses of modal jazz is Miles Davis on the album
Kind of Blue.
Suggested Listening:
Epitaph of Seikilos
Euripides, Stasimon Chorus from Orestes
First Delphic Hymn to Apollo
For Further Reading:
Ovid: Metamorphosis
Edith Hamilton: Mythology
Sources:
Grout, Donald & Palisca, Claude. A History of Western Music, Fifth Edition. W.W. Norton and
Company: New York, 1996.
Palisca, Claude, ed. Norton Anthology of Western Music, Volume 1, Third Edition. W.W. Norton
and Company: New York, 1996.
Sezer, Christine. A Journey Into Ancient Music. NJMEA State Conference: New Brunswick, 2010.
Treitler, Leo, ed. Source Readings in Music History. W.W. Norton and Company: New York, 1998.