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doi:10.1093/litthe/frn029 Advance Access publication 31 July 2008
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Nietzsche portrays the philosopher as a luckless suitor who lusts after a woman
who has not allowed herself to be won. The dogmatic philosopher is portrayed as a sad bumbling gure whose gruesome seriousness, clumsy obtrusiveness and adolescent awkwardness leave him unsuccessful. This rather
pathetic gure is not only incompetent, but also impotent; his dogmatism
is left standing dispirited and discouraged. If it is left standing at all.3 Later
Nietzsche goes further, to speculate that even if the dogmatist were able to rise
to the task, probably he will be too short, for all fundamental problems of
life . . . incapable of attaining any depth.4 Nietzsches characterisation of the
traditional philosopher is far from complimentary.
Unfortunately, it seems that Nietzsches explicit instruction leads only to
bawdy phallic puns. If we wish to pay signicant respect to this topic, we must
strive to understand Nietzsches gendered anthropomorphised truth beyond
ridicule of orthodox philosophy. Further questions must be asked of the
myriad aphorisms dealing with woman, not just in Beyond Good and Evil
MATTHEW BENNETT
315
but throughout Nietzsches works. Why, for instance, does Nietzsche proclaim that life is a woman?5 How are we to read his suggestion that perhaps
truth is a woman who has reasons for not letting us see her reasons?6 Why is
Zarathustra asked to give his thoughts on woman?7 As we embark on
a broader examination of the appearance of woman in Nietzsche, we will
nd that she is not just an opportunistic rhetorical device used to mock the
impotence of traditional philosophy, but offers a more profound understanding of Nietzsches position.
The search for further signicance in Nietzsches allusions to woman takes
us deeper into his critique of the dogmatic philosopher. As noted above,
Nietzsches ridicule of the tradition implies that conventional philosophy has
set itself a task that it is unable to complete. More specically, Nietzsche attacks
what he calls a will to truth exhibited in philosophical orthodoxy.8
Traditional philosophy assumes for the more highly valued thing a miraculous
source in the very kernel and being of the thing-in-itself9; the tradition sets
itself the task of revealing this miraculous source or true nature of the world.
Nietzsches reference to the thing-in-itself echoes Kants Ding-an-sich and
invites an illuminating contextualisation of Nietzsches opponent. Kant is
a consistent target for Nietzsche; further allusions to Kant appear, among
others, in Beyond Good and Evil10 and again in Section 3 of the History of
an Error in The Twilight of the Idols.11 Kants answer to the problem of
metaphysics is in fact paradigmatic of the philosophy Nietzsche attacks.
Konigsbergian ontology differentiates the phenomenal world of our experience, composed of empirical objects, from a noumenal reality that transcends
experience and is by denition unknowable. This two-world opposition of
phenomena and noumena is symptomatic of the dogmatic philosophy that
Nietzsche objects to; it is an example of the tenacious insistence throughout
the history of philosophy to maintain an ontological distinction between a
real world and an apparent world. Even Kant, whose Copernican revolution was intended to end philosophys preoccupation with transcendent reality, posited a vacuous notion of Ding-an-sich, and perpetuated the two-world
philosophy of his predecessors.12
Thus the dogmatic philosopher is impotent in the face of his self-appointed
task: to reveal the thing-in-itself . His obsession with a two-world reality
has led him to pursue an end that, according to Nietzsche, he is unable to
reach. Why, then, does Nietzsche see traditional philosophy as a Sisyphean
endeavour? This question will prove to be crucial to our understanding of
Nietzsches attitude towards woman and truth. Before attempting an answer,
we must heed the concluding warning of the History of an Error: with the
real world we have also abolished the apparent world!13 Nietzsche does not achieve
his departure from traditional metaphysics through rejecting one ontological
category (the real world) and clinging to another (the apparent world).
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MATTHEW BENNETT
317
drive to expose what lies under their dress and nery and to peep under their
skin.19 Elsewhere he tells us that the most powerful magic of life is its veil of
beautiful possibilities, leading him to declare: Yes, life is a woman20; whilst
Zarathustra proclaims that Everything about woman is a riddle and that her
nature is surface, a changeable, stormy lm upon shallow waters.21 The
connotations, in light of what we have established regarding Kants exemplary
two-world philosophy, suggest that if truth is this particular kind of woman,
she is the veiled, hidden noumenal world that the dogmatic philosopher has
striven to seduce. The scientist works to expose not only what lies under the
literal dress and nery of woman, but wants to go further than a physical
uncovering to peep under the skin. This woman named truth is to be
dissected in order for her nature to be examined and her riddle to be solved.
The personication of truth should not return us to the simplied reading
of Nietzsche we discarded earlier; nor should it lead us to suggest that
Nietzsche intends to divert philosophy from its project of uncovering to a
discussion of mere appearance. As discussed, Nietzsches criticism of the
philosophical will to truth does not result in a rejection of the real world
in favour of the apparent world. We nd additional evidence for this in the
preface to The Gay Science:
. . . one will hardly nd us again on the paths of those Egyptian youths who . . .
want by all means to unveil, uncover, and put into a bright light whatever is kept
concealed for good reasons. No, this bad taste, this will to truth, to truth at any
price, this youthful madness in the love of truth, have lost their charm for us . . .
We no longer believe that truth remains truth when the veils are withdrawn: we
have lived too much to believe this. Today we consider it a matter of decency
not to wish to see everything naked, or to be present at everything, or to
understand and know everything.22
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yet his critique falls short of a complete denial of the concept of truth. Rather,
I suggest, Nietzsches complex relation to this woman named truth concedes
her value whilst rejecting the validity of a traditional philosophical project that
aims to unveil her. Nietzsche does not deny the possibility of truth; nor does
he deny its value and its important function. Ironically, Nietzsche criticises the
will to truth not for its strong belief in truth, but for its destructive impulse to
reveal truth. The goal of metaphysics is to investigate and expose the woman
behind the veil, or the truth behind the world of mere appearance. This goal
is self-defeating, Sisyphean, in virtue of the fact that truth [never] remains
truth when the veils are withdrawn.23 The philosophical will to truth, the
dogmatic philosophers desire to lift the veil of this woman named truth,
fails to appreciate that the truth will no longer remain true once it is disclosed.
This invites one further question: why would this woman named truth lose
her veracity when unveiled? Precisely because her nature is surface,24 her
action is at a distance25 and she is a woman who has reasons for not letting us
see her reasons.26 Truth is valuable, and remains true, so long as she remains
assumed, unexamined, veiled and distant. Once under the scrutiny of the
dogmatic philosopher, truths become untenable, unravelled, exposed and
are rendered false. Womans veil has an irreducible dual nature; the supercial
beautiful possibilities lie on the surface, along with the ever-present promise
of the truth beyond the veil. If the enticing promise of a beautiful shroud and
the value of its concealed truth are to persist, then we must mature into a
modest restriction to our inquisitive philosophical will to truth. We cannot
do away with the concept of truth, and expect the veil of mere appearance to
remain. Nor can we lift the veil, and expect truth to conform to the expectations we held of it. Rather, it is through refraining from examining truth that
her veil, and the woman who hides behind it, persist.
With a better understanding of Nietzsches relation to truth, we can turn our
attention to Nietzsches discussion of the truth about woman. As we have
established, Nietzsches woman named truth derives her value from her modesty. The adolescent over exuberance of the dogmatic philosopher drove him to
peep under her veil. Yet when we examine Nietzsches exploration of the truth
of woman, do we not witness his own hypocritical will to truth? If Nietzsche
offers proclamations about woman, would he not be vulnerable to the same
critique that he directed towards the dogmatic philosopher? Nietzsches
complex relation to the philosophical project of unveiling truth deeply problematises the way that the truth of woman can manifest itself in his work.
Let us remind ourselves, for instance, of Nietzsches criticism of the scientic investigation of woman:
Science offends the modesty of all real women. It makes them feel as if one
wanted to peep under their skin yet worse, under their dress and nery.27
MATTHEW BENNETT
319
This interrogation of woman goes beyond the physical; the scientist peeps
under their skin in order to expose an essence that is not just physical, but
metaphysical. Nietzsche is no less critical of this will to the-truth-of-woman
when it is perpetrated by woman herself:
Woman wants to become self-reliant and for that reason she is beginning to
enlighten men about woman-in-itself : this is one of the worst developments
of the general uglication of Europe.28
. . . the ascetic priest will hardly even be the most successful defender of his ideal
for the same reason that a woman tends to fail when she wishes to defend
woman-in-itself. . ..29
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intrusive gaze of the philosophical tradition. The will to truth displayed by the
dogmatic philosopher is criticised by Nietzsche for its nave attempts to unveil
this woman and destroy her value. Nietzsches elucidations on woman reect
this attitude to truth; his texts mock the very notions of a truth about woman
and woman-in-itself. Nietzsches variegated truths about woman, as well as
our struggle to nd a consistent female theme in his work, demonstrate the
futility of the philosophical endeavour to disclose such truths. The lack of a
simple and straight forward truth about woman (in all her forms) in
Nietzsches work evidences his critique of the proud over-enthusiasm of the
philosophical will to truth.
Department of Philosophy, University of Essex, Wivenhoe Park, Colchester.
CO SQ, UK
mbenneb@essex.ac.uk
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