Professional Documents
Culture Documents
NISSIM AMZALLAG
nissamz@bgu.ac.il
Abstract
A comparison of Aegean and biblical sources reveals striking similarities between
Dionysus and Yahweh: both are characterized by the same symbols, the same mode of
action and the same theophany; both provoked a comparable doubt concerning their
divine nature and/or their actual powers; and both had the same subversive effects with
regard to the ofcial pantheon. The homology between Yahweh and Dionysus is
conrmed by their common vestigial link to copper metallurgy. From Greek literary
sources and reections about the continuous metallurgical inuence of Canaan on the
Aegean world, it is concluded that during the Bronze Age Dionysus was probably the
Aegean counterpart of Yahweh, the mysterious Canaanite god of furnace metallurgy.
Further examination suggests that the popularization of the cult of Dionysus in Greece,
from the ninth century BCE, underwent a similar process leading in Canaan to the
emergence of the Israelite alliance. These ndings open new horizons of investigation,
both of the ancient Aegean civilization and of the nature of the popular cult of Yahweh in
Canaan prior to the monotheistic reform.
Keywords: Dionysus, Yahweh, copper metallurgy, human theophany, Orientalizing
Revolution, pre-monotheistic Yahwism.
Introduction
Until now, the Bible has constituted the only source of information about
the cult of Yahweh. Yet the Bible is also a corpus promoting the monotheistic faith. It remains, therefore, impossible to determine to what
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extent the biblical writings reect the actual cult of Yahweh in Canaan
from its inception, or whether this testimony is inuenced by the need
to justify a monotheistic reform of an earlier cult. For this reason, all
attempts to identify the former cult of Yahweh are no more than an
interpretation/exegesis of the biblical text.
A new horizon of investigation opens in the event that a cult of
Yahweh may be identied outside of the biblical context. This possibility
should be considered seriously, since Amos evokes peoples other than
Israel upon whom the name of Yahweh is called.1 In the Bible, a cult of
Yahweh is hinted at in Egypt, Elam, Tubal, Meshekh and the country of
Kush.2 Probably the best indication of such an extra-Israelite worship of
Yahweh comes from the book of Isaiah: Therefore in lights (beurim)
glorify Yahweh, in isles of the sea, the name of Yahweh, God of Israel
(Isa. 24.15). Later, inhabitants of these islands are even considered as
ardent devotees of Yahweh: They ascribe to Yahweh glory, and his
praise in the isles they declare (Isa. 42.12). The verse the isles shall
wait for me, and on mine arm shall they trust (Isa. 51.5) suggests that
Yahweh is not regarded there as a secondary deity.3 Unfortunately, the
location of these islands is not revealed in the book of Isaiah. This term
may evoke the Phoenician colonies scattered in the Mediterranean (an
interpretation tting the Phoenician linguistic inuence identied in the
book of Isaiah),4 but this term may also refer to the Aegean area, as is the
case in the book of Daniel (Dan. 11.18).
During the rst millennium BCE, the presence of a cult of Yahweh is
attested to neither in Greece nor in the Phoenician colonies. For this
reason, Yahwehs worship in the islands may appear as no more than a
1. In that day will I raise up the tabernacle of David that is fallen, and close up the
breaches thereof, and I will raise up his ruins, and I will build it as in the days of old; that
they may possess the remnant of Edom, and all the peoples, upon whom my name is
called, says Yahweh that does this (Amos 9.11-12)
2. See Ezek. 32.17-32; Isa. 18.7; 19.18-22; Jer. 9.24-25, 49.38-39; Zeph. 3.10.
3. Such a fervent worship of Yahweh overseas is also evoked in Ps. 97.1: Yahweh
reigns; let the earth rejoice; let the multitude of isles be glad.
4. M. Dahood, Phoenician Elements in Isaiah 52:1353:12, in H. Goedicke (ed.),
Near Eastern Studies in Honor of W.F. Albright (Baltimore: The Johns Hopkins University Press, 1971), pp. 62-73. This interpretation of island (i !im) as Phoenician colonies
is suggested by the description of the sons of Japheth as living in islands among the
other nations (Gen. 10.5) and by their diffusion. See Y. Tsirkin, Japheths Progeny and
the Phoenicians, in E. Lipiski (ed.), The Phoenicians and the Bible (Leuven: Peeters,
1991), pp. 117-34.
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literary device for extending the dominion of Yahweh far and wide. But
another explanation may be proposed: it is possible that Yahweh was
well known and even worshipped under another name in the islands, a
reality obliterated by the monotheistic reform and ignored today. This
hypothesis is tested here through the search for Yahweh worship in the
Aegean.
1. The Search for an Aegean Counterpart
The search for a Greek homolog to Yahweh immediately brings to mind
Zeus, the god introduced by Antiochus in the Jerusalem Temple.
Apparently, Antiochus did not intend to substitute the chief-god of the
Greek pantheon for the god of the Israelites, but wished simply to
worship the mysterious great god of Jerusalem in a Greek fashion.5
Also in Rome, Yahweh was called Theos hypsitos (the high god) and he
was subsumed in Jupiter, the chief-god of the pantheon.6 Although the
homology between Zeus-Jupiter and Yahweh was also accepted by many
ancient Jewish authors,7 it does not necessarily reect a common nature
and identity. Rather, this equivalence may only express their common
status of supreme god and master of the universe. To avoid the problem
of this statutory analogy with Yahweh, it may be interesting to refer to
sources comparing the Greek deities to Yahweh, beyond the bounds of
the monotheistic context. This is possible since Yahweh was also known
during late Antiquity as the god of magicians and sorcerers, who was
invoked as Iao, Io, or Aeio.8
In a Greek magic oracle mentioned by Macrobius, Iao (Yahweh) is
considered homologous to four Greek deities: Hades in winter, Zeus in
spring, Helios in summer and Iao in autumn (Saturnalia 1.18.20).
5. See M. Simon, JupiterYahv, Numen 23 (1976), pp. 40-66. The author concludes (p. 51) that Josephus Flavius did not criticize Antiochus for this homology, but
only for his intention to reactualize the cult of Yahweh in regard to the cult of Zeus.
6. Simon, Jupiter-Yahv.
7. Josephus Flavius (Ant. 12.2.2) stresses the similar worship of the Greeks and Jews
for the great god creator of the universe. In Against Apion (2.250), he criticizes the
extravagant stories related to the popular cult of Zeus that arose from the ignorance of the
actual nature of the god (Yahweh), known in Greece only by the philosophers. Also,
Philo (Spec. Leg. 2.165) stresses the community of faith of the Greeks and the Israelites
in the supreme God.
8. See M. Martin, Magie et magicien dans le monde grco-romain (Paris: Errance,
2005), pp. 169-86.
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Perhaps the most interesting point here is the identity presumed between
Dionysus, the god reigning in autumn (the season of the vintage) and
Yahweh. Both are called here by the same name, Iao, suggesting that
Dionysus is none other than the Greek version of Yahweh. This singular
claim is corroborated by Plutarch, whose search for the deepest secrets
and mysteries of Dionysus brought him to the god of the Hebrews.9
The link between Yahweh and Dionysus is also supported by the
emergence, in Thrace, of a syncretism between the cult of Yahweh and
Sabazius (the Thracian Dionysus), in which Jews and pagans belonged to
the same community. During Antiquity, such an achieved stage of
syncretism with the exclusivist cult of Yahweh cannot be demonstrated
for Zeus-Jupiter or for any other god.10 Also in Canaan, the wave of
Hellenism stimulated an impressive profusion of the cult of Dionysus, a
phenomenon not observed for any other Greek god.11
These elements, when considered together, invite us to reconsider
seriously the premise that Dionysus is the Greek counterpart of
Yahweh-the God of Israel evoked in the book of Isaiah.
9. Plutarch (Quaestiones conviviales 4.6.1-2). This opinion of Plutarch is discussed
by C. Escarmant, Dionysos dieu des juifs : la mesure du mlange, in I. Zinguer (ed.),
Dionysos, Origines et rsurgences (Paris: Vrin, 2001), pp. 149-60. Plutarch apparently
had a deep knowledge of the genuine cult of Dionysus and of its ancient traditions and
mysteries. In Consolations to His Wife (611d), he wrote: the cult of Dionysus that we,
the initiates, keep the secret knowledge (cited G. Freyburger et al., Sectes religieuses en
Grce et Rome dans lAntiquit paenne [Paris: Les Belles Lettres, 2006], p. 71).
10. See J.B. McMinn, Fusion of the Gods: A Religio-astrological Study of the
Interpenetration of the East and the West in Asia Minor, JNES 15 (1956), pp. 201-13. As
shown by Simon (Jupiter Yahv, pp. 52-55), Sabazianism was probably not considered
as a marginal sect by the Jews, but rather as the result of the identity established between
Yahweh and Sabazius. During the second century BCE, Sabazius was so identied with
the god of Israel that the Jews spread his cult in Rome, a feature known through the
interdiction of the worship of Sabazius-Liber (Dionysus) handed down in 133 BCE by the
Roman Senate, because of his subversive nature. See M.D. Herr, The Hatred of Israel in
the Roman Empire in Light of the Jewish Exegetic Literature, in M. Stern (ed.),
Hellenistic Views on Judaism (Jerusalem: Zalman Shazar Press, 1974), pp. 33-43, and
Freyburger et al., Sectes religieuses, p. 234.
11. This latter evidence has been considered by modern scholars as the source of the
parallel between Dionysus and Yahweh: if the cult of Dionysus inltrated the Israelites
exactly as it did in many other countries, the assumed link between Yahweh and Dionysus may be no more than an attempt to justify this foreign worship in a monotheistic
context. Yet this explanation remains unsatisfying: before the spread of Hellenism,
Herodotus (2.49) already specied that Dionysus was introduced into Greece by the
Phoenicians who settled with Cadmus in Boeotia.
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hindrance in the performance of their duties.14 Another religious ceremony involving the abundant consumption of wine, marzea, is also
mentioned in the Bible.15 This practice is not condemned per se by Amos
and Jeremiah, but only for the abuses it may engender.16 This suggests
that, in Israel, this practice was associated with the cult of Yahweh.
From these considerations, it seems that the similarity of popular
Israelite festivities with Dionysian banquets, as stressed by Plutarch,17 is
probably not the result of Hellenic inuence. Rather, the Dionysian
banquet appears to be very close to an ancient Canaanite tradition
inextricably entwined with the popular cult of Yahweh.
b. Common Symbols
Snakes. Dionysus is surrounded by snakes: the god is born in a nest of
serpents. As a boy, he is generally shown holding serpents, and later, he
is symbolized as a mythical snake.18 The cult of Dionysus also involved
the handling of snakes by Maenads, conrming his intimate association
with this animal.19 Sabazius, the Thracian homolog of Dionysus, was also
symbolized as a snake and this reptile played a central role in his cult.20
Yahweh is also described as surrounded by burning snakes (seraphim)
by Isaiah (6.1-3), and ying snakes are sent by Yahweh against the
14. The prohibition, for the priests, of wine consumption before the rituals is formulated only after the incident. The admonition of the priest Eli to Hannah (1 Sam. 1.13-14)
conrms that many Israelites went inebriated to consult Yahweh.
15. See Jer. 16.5 and Amos 6.7. Similar festivities are also evoked in Judg. 9.27; Hos.
4.10-11, and Hab. 2.16. From Ugaritic sources, this festivity was a religious banquet
occurring in the meeting house of the congregation. This near-identical relationship to the
Dionysian banquet may explain why the term marzea has sometimes been translated as
thiasos. See F. Briquel-Chatonnet, Les relations entre les cits de la cte phnicienne et
les royaumes dIsral et de Juda (Leuven: Peeters, 1992), p. 329.
16. See Briquel-Chatonnet, Les relations, pp. 325-32.
17. In Quaestiones Conviviales (4.6.2), Plutarch concluded that the god of Israel is
none other than Dionysus, and that his festivals (especially Shabbat and Sukkoth) are
none other than bacchanalia.
18. C. Kerenyi, Dionysos: Archetypal Image of Indestructible Life (Princeton, NJ:
Princeton University Press, English edn, 1976), p. 60. This symbolism of Dionysus is
conrmed by Sabazius, the Thracian Dionysus symbolized by a horned snake (see
Freyburger et al., Sectes religieuses, pp. 80-81).
19. Kerenyi, Dionysos, p. 61; Freyburger et al., Sectes religieuses, p. 60; R.S.
Kraemer, Ecstasy and Possession: The Attraction of Women to the Cult of Dionysus,
HTR 72 (1979), pp. 55-80.
20. H. Jeanmaire, DionysosHistoire du culte de Bacchus (Paris: Payot, 1951),
p. 16. See also Freyburger et al., Sectes religieuses, p. 78.
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c. Choral Worship
In Greece, choral singing was so intimately associated with the cult of
Dionysus that it was called Dionysia.26 During the performance of a
dithyrambos (choral singing and dancing), the choir master (choregos)
was held to be a prophet of Dionysus or even his incarnation.27 In
mystery cults of Dionysus (where the original identity of the god was
better preserved than in the popular cult), participation in a choir singing
for the deity was considered as the rst stage leading to his knowledge.28
These elements suggest that choral performance was not a simple
adornment of the cult of Dionysus, but rather a central component.
Also in Israel, the cult of Yahweh is expressly associated with choral
singing. This point is most obviously evident in the works of the psalmists who composed and performed choral songs in the Jerusalem Temple.29 But the central importance of choral performance is also attested to
during the ceremony of transferring the holy ark to Jerusalem (2 Sam.
6.5; 1 Chron. 15.27) and after its placement in the city of David
(1 Chron. 16.4-7).
The centrality of choral singing is conrmed both by its prevalence
in all the ceremonies (including sacrices30) and by the numerical
importance of the singers and musicians (288 executants and poets, see
1 Chron. 25.7) among the staff of the Jerusalem Temple. These singers
were organized in groups of twelve singers (mimarot) continuously
replacing one another so that the choral singing was never interrupted
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(1 Chron. 25). Apparently, choral singing was not a simple embellishment, but rather a fundamental element in the worship of Yahweh.31
All these considerations reveal parallels between the worship of Dionysus and of Yahweh. Nevertheless, one cannot claim that this represents
clear-cut evidence of their homology. In Greece, wine is also associated
with the god Apollo32 and snakes appear in other, non-Dionysian contexts (Python and Typhon, for example). More generally, the perpetual
ame may be considered as a general symbol of holiness, and choral
singing is a form of collective praising so widely known that it cannot
serve as a determining factor. More specic characteristics common to
Yahweh and Dionysus are required to ensure their homology.
3. The God of Ethereal Nature
In the rst book of Kings it is reported that Yahweh appeared to Elijah
neither as a strong wind, nor as an earthquake or as re, but as the ne
voice of silence.33 For Elijah, this revelation follows a long preparatory
period (40 days), so that we may consider the ethereal nature symbolized
as the ne voice of silence as reecting the genuine identity of Yahweh, probably ignored by popular worship.
Dionysus is also a god of ethereal nature. His name Bromius (the
rustling) evokes a minute breeze/wind quite similar to the ne voice of
silence revealing Yahweh. In the Bacchae, this ethereal nature of
Dionysus leads to a mysterious denition of the god. To the question of
Pentheus (Are you saying that you saw clearly what the god was like?),
the hero replies: He was as he chose; I did not order this (v. 478).
Euripides species that this answer is not a joke.34 It relates the essence
of the deity in a way strikingly similar to the self-denition of Yahweh:
I am that which I am (ehieh aer ehieh, Exod. 3.14).
31. Choral singing remained of central importance for a long time in the worship of
Yahweh. After the rst exile, the reconstruction of the temple and the fortications of
Jerusalem were celebrated by choral singing (Ezra 3.11; Neh. 12.27-42).
32. Jeanmaire, Dionysos, pp. 23-25
33. 1 Kgs 19.11-12. According to R. Luyster (Wind and Water: Cosmogonic Symbolism in the Old Testament, ZAW 93 [1981], pp. 1-10), the small wind (breeze) remains
the best representation of Yahweh in the Bible.
34. Then, the prophet of Dionysus answers Pentheus, who was convinced that such a
denition of the god was a joke (v. 480): One will seem to be foolish if he speaks
wisely to an ignorant man.
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The ethereal nature may be, here again, considered as a general character of holiness, so that it cannot serve as a decisive factor in the
homology between Yahweh and Dionysus. But their ethereal nature
generates common singularities distinguishing them from all the other
Greek and Canaanite gods.
a. Mode of Action
A singular mode of action of Yahweh is evoked in the book of Samuel:
You [Saul] shall meet a band of prophets coming down from the high
place with a psaltery, and a timbrel, and a pipe, and a harp, before them;
and they will be prophesying. And the spirit of Yahweh will come mightily upon you, and you shall prophesy with them, and shall be turned into
another man (1 Sam. 10.5-6). From this testimony, it seems that the
spirit of Yahweh may stimulate uncontrolled behaviors. Promoted by
music and dance, this mode of action is apparently spread in an epidemic
manner.35
Also in Greece, Dionysus is unique among the gods for his propensity
to provoke enthusiasm. This phenomenon was understood as the
entrance of the spirit of Dionysus into a person, thus transforming him
into a bacchant.36 As such, he would be close to a trance-state whose
contagious nature was intimately linked to music, choral performance,
and dance.37 This mode of action of Dionysus appears so nearly identical
to the one described in the book of Samuel that Jeanmaire considered the
Greek expression to become a bacchant (baccheo) as precisely corresponding to the Hebrew term to become a prophet (mitnabe).38
In both cases, the uncontrolled behavior stimulated by the deity may
be dangerous. The tragic issue of the Bacchae (the killing of Pentheus by
his mother and the Maenads during their trance) is an act of vengeance of
the god consecutive to collective madness of his worshippers. A similar
vengeance is evoked by Jeremiah, where the collective madness is issued
from the wine worship of Yahweh:
35. See 1 Sam 19.20-24. This singular combination of worship/mode of action of the
deity is attested to until the end of the rst temple period (see Ezek. 13.17).
36. See Euripides, Bacchae 300. See also Jeanmaire, Dionysos, pp. 59-61.
37. See Dtienne, Dionysos en ses parousies.
38. Jeanmaire establishes the parallel as follows (Dionysos, p. 102): The Hebrew
language has a word signifying to do the nabi, that, in fact, seems to correspond quite
exactly to the Greek term that we translate as to do the bacchant.
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Thus said Yahweh: Behold, I will ll all the inhabitants of this land, even the
kings that sit upon Davids throne, and the priests, and the prophets, and all
the inhabitants of Jerusalem, with drunkenness. And I will dash them one
against another, even the fathers and the sons together, afrmation of Yahweh;
I will not pity, nor spare, nor have compassion, so as not to destroy them. (Jer.
13.13-14)
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41. When escaping the persecution of Pentheus, the hero of the Bacchae (629-31)
only suspects that Dionysus is involved in this salutary outcome: Then Bromius, so it
seems to meI speak my opinion, created a phantom in the courtyard Pentheus at it
headlong stabbing at the shining air, as though slaughtering me.
42. For the Homeric hymns 1, 7 and 26, see L. Grech, Which of the Gods is This?
Dionysus in the Homeric Hymns, Iris 20 (2007), pp. 30-36. This point is clearly
expressed from the beginning of the Bacchae (39-48): For this city must learn, even if it
is unwilling, that it is not initiated into my Bacchic rites, and that I plead the case of my
mother, Semele, in appearing manifest to mortals as a divinity whom she bore to Zeus.
Now Kadmos has given his honor and power to Pentheus, his daughters son, who ghts
against the gods as far as I am concerned and drives me away from sacrices, and in his
prayers makes no mention of me, for which I will show him and all the Thebans that I
was born a god. Hence, the hero of the Bacchae resembles the prophets of Yahweh in
early Israel ghting against the degradation of the popular cult and announcing the
vengeance of the god.
43. Indeed, Dionysus was worshipped in Greece both by men and women, Greeks
and foreigners, citizen and slaves, a feature also stressed in the Bacchae (vv. 206-209):
No, for the god has made no distinction as to whether it is right for men young or old to
dance, but wishes to have common honors from all and to be extolled, setting no one
apart.
44. This is raising in the Bacchae (vv. 1030-1039) as follows:
Messenger: Pentheus, the child of Echion, is dead.
Chorus Leader (singing): Lord Bacchus, truly you appear to be a great god.
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simply eradicated by a Senate order (139 BCE) that forbade the cult of
Dionysus/Liber, and authorized cruel repression against his devotees.49
The parallels mentioned in this section enable us to distinguish
Yahweh and Dionysus from all the other Canaanite and Greek deities.
However, a fundamental feature still prevents their homology: representations of Yahweh are strictly forbidden in Israel, while Dionysus is
generally symbolized as a man. The origin of this difference is investigated in the next section.
4. The Human Theophany
a. The Dual Nature of Dionysus
As an ethereal god, Dionysus was abstractly symbolized by the air
moved by bellows or by a simple piece of wood encased in copper.
Later, in Orphic hymns, he was praised as an omnipresent principle.50
Yet, at the same time, Dionysus was also regarded as a demi-god, who
issued from the union of Zeus with the mortal Semele. From the seventh
Homeric hymn, we learn that this human dimension of Dionysus
rendered him indistinguishable from simple mortals as long as he hid his
fabulous powers. A similar feature can be found in the Bacchae. The
hero of the tragedy, called Dionysus, looks like a young man. To
Pentheus, he obviously does not appear as a god, but simply as a convincing charlatan perverting the city of Thebes by introducing oriental
cults (vv. 233-37). Truly, this hero does not really behave as a god in the
Bacchae. He mentions that his hair is consecrated to the deity (v. 498), a
detail suggesting that he is no more than a servant of Dionysus. He also
defends Dionysus as a fervent devotee might: Bromius will not allow
you [Pentheus] to remove the Bacchae from the joyful mountains
(v. 791), and he speaks about Dionysus as the divine authority intervening against Pentheus: Then Bromius, so it seems to meI speak my
opinioncreated a phantom in the courtyard (vv. 629-30). To Pentheus,
he related that the god is accompanying them (v. 923).
But surprisingly, the hero does not only invoke Dionysushe also
assumes a total identication with him: But Dionysus, who you
[Penheus] claim does not exist, will pursue you for these insults. For in
injuring us, you put him in bonds (vv. 516-18). He also feels fully
49. See Freyburger et al., Sectes religieuses, pp. 171-207.
50. Euripides, Bacchae 500-502; see also Freyburger et al., Sectes religieuses, p. 127.
Jeanmaire, Dionysos, pp. 17 and 340.
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404
405
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2. Dionysus was called Pyrigenes or Pyrisporos, two terms meaning respectively born/conceived from re.65 He was believed
to have been born in a nest of serpents, animals traditionally
symbolizing copper melting/smelting in the ancient Near East,
including Greece.66
3. Dionysus was subsumed by the Ancient Greeks into the great
god of Crete.67 As Dionysus in Greece, this Cretan Zeus was
worshipped as a giant snake. From his mythology (especially his
relationship to Couretes, a congregation of metalworkers) and
one of his names, Welkhanos (a term related to Vulcain, the
Roman patron of the smelters),68 it is likely that this Cretan Zeus
was deeply involved in copper metallurgy.
4. In Thebes, a special worship of Dionysus was reserved for the
Technitai, the guild of artisans. On votive vases found at Kabirion, near Thebes, Dionysus is shown conducting the initiation
of the Kabiroi, originally a congregation of smelters. On others,
he is depicted as the father of the Kabiroi, conrming his status
as patron of the smelters.69
5. The Dionysian procession is mainly composed of Silenes, Satyrs
and Corybants.70 In Greek mythology, these gures are considered to be the sons of Hephaestus, laboring occasionally in
his workshop at Lemnos. All of them are limping, a trait typically related to the initiation into metallurgy.71
When taken together, all these elements suggest that Dionysus was
formerly the Aegean god of copper metallurgy. As in the case of
Yahweh, this identity remained only vestigial during the Iron Age, but it
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is clear enough to conclude that these two deities have the same initial
nature, so that they may be truly considered homologs.
It now remains to clarify one last point: Does this homology derive
from a parallel but independent evolution from a common reality (the
smelting of copper ore in a furnace), or is it the result of the diffusion of
a single deity from one area to the other? In the latter case, popularization of the cult, both in Canaan and in Greece, increases the number of
possibilities: Dionysus and Yahweh may have an independent origin (as
god of metallurgy) and a common evolution towards popularization
during the early Iron Age. Inversely, their common origin may have been
followed by an independent evolution towards popularization. The high
level of similarities identied above suggests yet another thesis:
Dionysus and Yahweh have a common origin and a common evolution
towards popularization of their cult. These eventualities are examined in
the next section.
6. The Canaanite Roots of Dionysus
During Antiquity, copper metallurgy was a very complex activity.
Supplying the required ores and uxes involved expertise in a wide range
of domains (geology, mineralogy, mining processes, geography) and an
extended network of relationships and alliances. The smelting,
purication and production of well-dened alloys required a sound
knowledge of pyrotechnology and proto-chemistry, both acquired through
generations of experience. For these reasons, the spread of furnace
metallurgy cannot be considered as a simple diffusion of technology.
Rather, it was occasioned by the migration of smelters who introduced
their way of life and their cult of the god of metallurgy.72 This is why, in
such a proximate area as the Aegean and the Levant, a similarity between
gods of metallurgy is probably an indication of their common origin.
a. The God from Seir
The origin of Dionysus is reported in Homeric hymns 1 and 7, both
devoted to the deity. In hymn 7, Dionysus is depicted rst as a young
man captured by pirates. To obtain a ransom for his release, the pirates
72. K. Kristiansen and T.B. Larsson, The Rise of Bronze Age Society: Travels, Transmissions and Transformations (Cambridge: Cambridge University Press, 2005), pp. 62107. See also P.L. Kohl, The Making of the Bronze Age Eurasia (Cambridge: Cambridge
University Press, 2007), pp. 244-60, and Amzallag, The Copper Revolution, pp. 156-97.
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From the last sentence mentioned here, we may conclude that Dionysus
actually originated in the South of Canaan (Negev, Arabah or Sinai). In
this arid region, the single area covered by an evergreen forest (until the
beginning of the last century) was the mountains of Seir/Edom. This
localization seems to be conrmed by the rst verses of the seventh
Homeric hymn:
I will tell of Dionysus, the son of glorious Semele, how he appeared on a
jutting headland by the shore of the fruitless sea, seeming like a stripling in the
rst ush of manhood: his rich, dark hair was waving about him, and on his
strong shoulders he wore a purple robe.
The unique fruitless sea (halos atrugetoio, literally: the sea where
nothing may be shed), well known from Egypt to Phoenicia, is the
Dead Sea. Accordingly, the jutting headland (para thin) where Dionysus appeared for the rst time may be a poetical evocation of the copper
mining area south the Dead Sea or the Seir mountains surrounding it.
These statements about the origin of Dionysus have not been taken
seriously by modern scholars. However, the present ndings t perfectly
with this material: the region of Seir is considered both as the birthplace
of Yahweh (Judg. 5.4) and the historical homeland of furnace metallurgy.74
The introduction of furnace metallurgy in the Aegean occurred at the
end of the fourth millennium BCE,75 so at rst glance, it seems unlikely
73. I reckon he is bound for Egypt or for Cyprus or to the Hyperboreans or farther
still. But in the end he will speak out and tell us his friends and all his wealth and his
brothers, now that providence has thrown him in our way (Homeric hymn 7.29-31).
74. Nissim Amzallag, From Metallurgy to Bronze Age Civilizations: The Synthetic
Theory, AJA 113 (2009), pp. 497-513.
75. Though a minor process of copper smelting in crucibles has been identied in
Greece, prior to the rise of furnace metallurgy, it does not seem to have made any
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that mythology from the Iron Age would preserve the memory of events
occurring about two thousand years before. Nevertheless, the metallurgical inuence of Canaan in the Mediterranean was continuously renewed
throughout the Bronze Age, via the network of mining, trade of ingots,
and the spread of metallurgical innovations (such as sulde ore smelting
and bronze alloying).76 In this way, the constant reference to the Canaanite origin of the Aegean god of metallurgy may have been transmitted
until the early Iron Age.
b. The Popular Cult
If Dionysus, in his original identity, is the Aegean counterpart of
Yahweh, it remains to be determined whether or not the emergence of
their popular cults is interrelated.
Aegean Inuence in Canaan. From Jer. 47.4 we learn that Crete was
the homeland of many of the Philistines. Their migration in the early Iron
Age may have introduced the Cretan mode of worship of Welkhanos into
Canaan. Such an eventuality of Philistine inuence on the process of
popularization of the cult of Yahweh should be taken seriously in light of
closeness of the Philistines to the Israelite tribe of Dan.77 It is also supported by the striking parallel indicated by Amos between the exodus
of the Israelites from Egypt and the exodus of the Philistines from
Crete, both considered as motivated by Yahweh: Have not I [Yahweh] brought up Israel out of the land of Egypt, and the Philistines from
Caphtor, and Aram from Kir? (Amos 9.7).78 Though such an inuence
probably exists, the denial by the Philistines of Yahweh as a national
deity (see above) suggests that the popularization of his cult in Canaan is
not of Philistine origin.
signicant cultural impact. See Amzallag, From Metallurgy to Bronze Age Civilizations.
76. Amzallag, From Metallurgy to Bronze Age Civilizations.
77. An association between the tribe of Dan and the Philistines is suggested by the
name Denyen, which was borne by one of the groups constituting the Sea Peoples. The
Denyen were mentioned in the correspondence between the king of Ugarit and Ramesses
III found at Medinet Habu. See F.C. Woudhuizen, The Ethnicity of the Sea Peoples
(Rotterdam: Erasmus Universitat Press, 2006), p. 33.
78. As for the Philistines, the worship of Yahweh is also suggested in northern Syria
during the early Iron Age. See S. Dalley, Yahweh in Hamath in the 8th Century BC:
Cuneiform Material and Historical Deductions, VT 60 (1990), pp. 21-32.
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