Professional Documents
Culture Documents
2-12
13-14
15-16
Brand Essence
5 Guiding Principles
Logo Usage and Logo significance
Type Usage
17-18
19
20
21-23
24
27
28
Type in Action
Communication Hierarchy
Type Dos and Donts
Color Palette and Color Palette in Action
Photography Guidelines
Materials Palette
Process Statement
CONTENTS
Brand Essence
Wine drinkers have yet to find a wine thats sexy,
delicious AND sophisticated... Until now. Santa Maria
is more than just a wine. Santa Maria is confident,
professional, sexy, bold and assertive. Our brand
personifies the word wine and takes the concept of
alcohol to a whole new level. We provide our patrons
with the utmost quality, making every glass poured a
different experience every time.
1|
5
Guiding
Principles
2|
Inviting
Sexy
Its not an accident, its a habit.
Simple
Maria
| 5| Guiding
Principles
] ]
[ Santa
Maria
5 Guiding
Principles
97[ Santa
108
Rooted
LOGO SIGNIFICANCE
LOGO USAGE
13 |
15 |
Type
Usage
Times
Classic serif, Times font. Easily readable
And familiar.
Used for majority of letters in headlines.
ABCDEFGHIJKLMNOPRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890
!@#$%^&*()_+
Zapfino
Script, san serif font. Very elegant and beautiful.
Used for no more than one letter per headline. Unless the
entire word is written in zapfino. If using zapfino font for
first letter, said letter must be larger than the rest of text.
A B C D E F G H I J K L M N O P R S T UVWXY Z
abcdefghijklmnopqrstuvwxyz
1234567890
!@#$%^&*()_+
Type
Action
in
17 |
Magazine Ad
Headline
Communication
Hierarchy
19 |
TYPE DOS
It is okay to have the initial zapfino letter of the word the same size as the
rest of the letters. It is also okay to create the entire title in zapfino. Type can
be colored as specified colors in the color palette. If placing emphasis on a
particular word, it must be either increased in size, changed a different color, or all caps, nothing more.
Image
TYPE DONTS
Brand
DO not increase the leading in type. Type cannot contain any special affects. Headlines cannot contain only times font, must have at least one
zapfino letter. Type is not to be italicized, bolded, or anything not specified
in the above for emphasis. Type cannot be similar to logo.
20 |
Color
Palette
Our colors were taken from this iconic image. The colors are not to be changed under any
circumstance. If there is not a large enough contrast between the background and text, then
certain colors may not over lap. The two main colors you will see expressed are the champagne
color and the whine color in order to symbolize both our white and red wine selection. White
is used for simplicity reasons as is black. Grey serves as an extra background color so as to
break up any monotonous color scheme and keep things fresh.
21 |
Color palette in
Action
Photography
Guidelines
24 |
Type of
Photography
Photos generally consist of angled photos of the bottle,
Photos of packaging, wine glasses, people drinking wine
glasses set in nature scenes, mainly the ocean. Photos
also can be set in black and white with the wine itself
dramatized in a bright color.
Quality of
Photography
Photos must be of adequate resolution. Photos
may be altered if necessary i.e: opacity, contrast,
etc. Photos are not to be overly colorful. Photos
also cannot contain other wine products or portray
negative, suggestive messages, for example, young
teenagers drinking.
Materials
Palette
27 |
Theres a reoccurring transitional design element between the wine and champagne
color changing. This creates a pace for the
viewers as well as they add a little familiarity and create almost an expectation for th
reader. It also, in some instances, serves as a
marker.
Process Statement
This, I have to say, was one of the hardest things Ive had to design thus far. I really wanted to pour my soul into this
book. The goal was to represent emotion, so thats what I wanted to depict. I spent the first few weeks of this project
working solely on the photography. I began to become drained and frustrated with that part. I had to walk away
from that part, then later, approach it with a different perspective. Another problem I ran into was one that was
haunting my entire project. MISSING EMOTION. I finished the entire book and realized that it wasnt making me
feel anything. I decided that I wasnt going to finish this project until it screamed emotion. I spent many hours on
this book. Some nights I decided that sleep was not an option, neither was eating. If I was going to produce a book
as great as my vision for it, I was going to have to really sacrifice. I can honestly say that this project has broken the
shell that Ive been stuck in. I used to doubt my abilities as a graphic designer, but I enjoy looking at this book, and
just the sight of it has brought me back into the reality that I AM a good designer and that I AM capable of creating
something beautiful, something that is not just pleasing to look at. Im very grateful to have such a project like this.
This was more than just a process....At the rate of sounding corny, I must say, this was a journey.
28 |