Q: As an actor, which character are you most drawn towards playing?
A: Feste the Jester. Why? Feste was the character which stood out to me; from Ben Kingsleys portrayal he seemed to know everything that was going on without giving anything away. His character is both mysterious and ironically clever, something you would not expect from a fool. His presence not only fills the stage with comedy, but with songs which would suit my more musical character. The character often plays in and out of the play such as Ben Kingsleys version where he was also the narrator for the beginning of the film. As an actor, I feel he would not only suit me, but challenge me to try and understand the character from a deeper level. As a character that is also underestimated by the others, I would want to portray him similar to that of Ben Kingsley by making him one of the most powerful characters without the others knowing. As a fool, the idea many audiences would expect was a happy, supporting character with little understanding and knowledge of the plot. However, from Shakespeares idea he sees Feste as a dark character with more value and understanding than all the others combined. Through his melancholy songs his character was never intended to be happy, but sad. His character, although a servant to Lady Olivia, moves about much more freely than Malvolio or Maria creating a more mischievous character than first thought.
Q: How would you approach the development rehearsal and performance of this character? What problems or difficulties do you foresee and how would you resolve them? A: Similarly to Ben Kingsleys performance, I would take Feste through his serious and mysterious persona. The character becomes a powerful presence on stage even in his position in the play. However there were some parts such as when Feste teases Malvolio when locked up which did not suit the character. In terms of appearance, I would want to take the idea of the jester as a literal image and dress as a jester with bright colours. This gives a jolly look to Feste while presenting the irony of his mannerism. I would also want to give Feste a lively character when singing to give a variation of performance to the film we watched. The biggest difficulty I foresee with this character as well as any character is keeping the rhythm and pace of my lines. As I have never properly done Shakespeare so I will have to try hard to work on the iambic pentameter. I also tend to rush in my lines which will make my speech lose clarity. To resolve this I would need to practice on some extracts from Shakespearean plays with the iambic pentameter and taking time with my speeches. I will also try to make sure that words are being articulated properly and try to understand as much of the text, to have an idea of the characters behaviour and how that affects the voice.