Professional Documents
Culture Documents
Course Description
Traditional creative writing workshops focus their attention on revising poems. But how do we learn to
enrich and improve our writing practice? This course will shift emphasis away from product toward
process, away from polishing drafts and toward the cultivation of one’s attention to the world and to
experience. We will explore notebook strategies and learn to practice making quick sketches of our
thoughts and external observations as well as to respond to assigned readings. We will also practice
sifting through our notes to find the earliest drafts of poems-to-be. To aide us in this process we will read
from the notebooks, diaries, and poetry collections of poets such as Gerard Manley Hopkins, Forrest
Gander, and James Schuyler. Students will bring drafts of sections from their poetic journals to workshop
that we will critique in light of the strategies and techniques we have learned from the poets we’ve read.
This class will combine exercises in close reading, techniques of observation as well as the study of poetic
tools and strategies for revisions.
Additional Requirements
Access to a computer and a printer
An e-mail account
A journal: one notebook that you will consistently use for sketches and poetic journal.
Folders for class handouts, daily pages, and final portfolios.
Aug 31-Sept 2
Making Music: Line, Meter, Rhythm, and Stanza.
Assignment: Chapter 2 “Music” (13-49). Also read the poems by Petrarch (158-159), Shakespeare (173),
Hopkins (212), Rilke (220-221), Whitman (204-205) and O’Hara (295). All readings in Koch.
Sept 9
Writing with the Senses
What is essential to learn from haiku?
Concrete vs Abstract Language (No ideas but in things!)
Assignment: All readings from Hass. Please read the “Introduction” by Robert Hass (ix-xvi). I encourage
you to read the introduction to each writer as well as a hearty selection of their haiku. In addition, please
pay special attention to: Basho’s “Saga Diary” (59-70), Buson’s “Spring Wind” and “New Flower
Picking” (131-141), as well as Issa’ “From Journal of My Father’s…” and “A Year in My Life” (197-
217).
Sept 14-16
Writing, Crafting and Revision: Modeling workshop, the importance of revision
The process of the poetic journal
Assignment: Basho’s “Learn from the Pine” (233-250).
Sept 21-23
Hopkins Poems and Prose
Workshop Begins: Group 1
Craft Analysis Assignment
Assignment: Hopkins Poems and Prose
Group 1: Posts group of poems.
Class: reads and responds to poems from Group 1
Sept 30
Workshop: Group 2
Assignment: Group 2: Posts group of poems on Web CT.
Class: reads and responds to poems from Group 2 and works on craft analysis.
Oct 5-7
Workshop: Group 3
Oct 7 CRAFT ANALYSIS DUE
Hopkins Poems and Prose
Assignment: Group 3: Posts group of poems.
Class: reads and responds to poems from Group 3.
Oct 12-14
Workshop: Group 4
Schuyler: List poems and the New York School
Assignment: Schuyler, Selected Poems
Group 4: Posts group of poems.
Class: reads and responds to poems from Group 4
Oct 19-21
Workshop: Group 5
Schuyler: Long Poems and the New York School
Assignment: Group 5: Posts group of poems.
Class: reads and responds to poems from Group 5.
Oct 26-29
Workshop: Group 1
Gander: A Travelogue from Home
Assignment: Gander’s Deeds of Utmost Kindness
Group 1: Posts group of poems.
Class: reads and responds to poems from Group 1.
Nov 2-4
Workshop: Group 2
Gander: A Travelogue from Home
Assignment: Group 2: Posts group of poems.
Class: reads and responds to poems from Group 2.
Nov 9-11
Workshop: Group 3
Kate Greenstreet’s The Last 4 Things
Assignment: Group 3: Posts group of poems.
Class: reads and responds to poems from Group 3.
Nov 11 Poet Kate Greenstreet Reads @ UTD, 7:30 in the Performance Hall
Attendance will be expected unless there is a class, childcare or employment conflict
Nov 16-18
Workshop: Group 4
April 11: FIRST DRAFT OF PORTFOLIO DUE
Assignment: Group 4: Posts group of poems.
Class: reads and responds to poems from Group 4.
Nov 23
Workshop: Group 5
Peer Review Conferences
FIRST DRAFT OF PORTFOLIO DUE
Assignment: Group 5: Posts group of poems.
Class: reads and responds to poems from Group 5.
Prepare first draft of your final portfolio.
Nov 30-December 2
Getting Your Work into Print (Some tips on Publishing)
Nov 30: PEER ANALYSIS OF CLASSMATE’S PORTFOLIO DUE
(BRING TWO COPIES)
Assignment: Peer Analysis of Classmate’s Portfolio
One 3-4 page craft analysis essays of a series of poems by a single author read in this
class (30%).
One 4-5 page peer analysis of another student’s final portfolio of poems (20%).
Final Portfolio of 7-10 pages of revised poems or excerpts from your poetic journal
(30%).
To pass the course, you must turn in on time the first draft of each group of poems (poetic journal
entries) or out-of-class assignment. The completion of these drafts is a course requirement, and
your peers and I will look at your drafts. To complete each final draft of the poems for your
portfolio, you need to act upon the comments you received on your first drafts.
Your final semester grade will be calculated according to the above percentages. Do not discard any
drafts, notes, papers or research materials you produce during the semester until you receive a final grade
COURSE POLICIES
Attendance
You are expected to be punctual, to attend class daily, and to participate in all in-class editing,
revising, and discussion sessions. Excessive absenteeism (6 absences) will result in failure of the
course. There is no difference between excused or unexcused absences. Save any absences to
use when you are sick or when you have an emergency. If you find that an unavoidable problem
prevents you from attending class, please discuss the problem with me before you have reached
your absence limit.
Late Assignments and Drafts
Poems, papers, and other out-of-class assignments will be turned in at the time they are due. If
you cannot attend class on the date an assignment is due, arrange to have a classmate or friend
drop it off during scheduled class time. There is no makeup of in-class work. I do not accept late
drafts or late papers. I do not accept poems or papers via e-mail.
The University of Texas at Dallas administers student discipline within the procedures of
recognized and established due process. Procedures are defined and described in the Rules and
Regulations, Board of Regents, The University of Texas System, Part 1, Chapter VI, Section 3,
and in Title V, Rules on Student Services and Activities of the university’s Handbook of
Operating Procedures. Copies of these rules and regulations are available to students in the
Office of the Dean of Students, where staff members are available to assist students in
interpreting the rules and regulations (SU 1.602, 972/883-6391).
A student at the university neither loses the rights nor escapes the responsibilities of citizenship.
He or she is expected to obey federal, state, and local laws as well as the Regents’ Rules,
university regulations, and administrative rules. Students are subject to discipline for violating
the standards of conduct whether such conduct takes place on or off campus, or whether civil or
criminal penalties are also imposed for such conduct.
Academic Integrity
The faculty expects from its students a high level of responsibility and academic honesty.
Because the value of an academic degree depends upon the absolute integrity of the work done by
the student for that degree, it is imperative that a student demonstrate a high standard of
individual honor in his or her scholastic work.
Scholastic dishonesty includes, but is not limited to, statements, acts or omissions related to
applications for enrollment or the award of a degree, and/or the submission as one’s own work or
material that is not one’s own. As a general rule, scholastic dishonesty involves one of the
following acts: cheating, plagiarism, collusion and/or falsifying academic records. Students
suspected of academic dishonesty are subject to disciplinary proceedings.
Plagiarism, especially from the web, from portions of papers for other classes, and from any other
source is unacceptable and will be dealt with under the university’s policy on plagiarism (see
general catalog for details). This course will use the resources of turnitin.com, which searches the
web for possible plagiarism and is over 90% effective.
Email Use
The University of Texas at Dallas recognizes the value and efficiency of communication between
faculty/staff and students through electronic mail. At the same time, email raises some issues
concerning security and the identity of each individual in an email exchange. The university
encourages all official student email correspondence be sent only to a student’s U.T. Dallas email
address and that faculty and staff consider email from students official only if it originates from a
UTD student account. This allows the university to maintain a high degree of confidence in the
identity of all individual corresponding and the security of the transmitted information. UTD
furnishes each student with a free email account that is to be used in all communication with
university personnel. The Department of Information Resources at U.T. Dallas provides a method
for students to have their U.T. Dallas mail forwarded to other accounts.
In attempting to resolve any student grievance regarding grades, evaluations, or other fulfillments
of academic responsibility, it is the obligation of the student first to make a serious effort to
resolve the matter with the instructor, supervisor, administrator, or committee with whom the
grievance originates (hereafter called “the respondent”). Individual faculty members retain
primary responsibility for assigning grades and evaluations. If the matter cannot be resolved at
that level, the grievance must be submitted in writing to the respondent with a copy of the
respondent’s School Dean. If the matter is not resolved by the written response provided by the
respondent, the student may submit a written appeal to the School Dean. If the grievance is not
resolved by the School Dean’s decision, the student may make a written appeal to the Dean of
Graduate or Undergraduate Education, and the deal will appoint and convene an Academic
Appeals Panel. The decision of the Academic Appeals Panel is final. The results of the academic
appeals process will be distributed to all involved parties.
Copies of these rules and regulations are available to students in the Office of the Dean of
Students, where staff members are available to assist students in interpreting the rules and
regulations.
Disability Services
The goal of Disability Services is to provide students with disabilities educational opportunities
equal to those of their non-disabled peers. Disability Services is located in room 1.610 in the
Student Union. Office hours are Monday and Thursday, 8:30 a.m. to 6:30 p.m.; Tuesday and
Wednesday, 8:30 a.m. to 7:30 p.m.; and Friday, 8:30 a.m. to 5:30 p.m.
It is the student’s responsibility to notify his or her professors of the need for such an
accommodation. Disability Services provides students with letters to present to faculty members
to verify that the student has a disability and needs accommodations. Individuals requiring
special accommodation should contact the professor after class or during office hours.
These descriptions and timelines are subject to change at the discretion of the Professor.