,:, i.::::i:.

r:'i : - l: ::i
IF YOU TALK TOO MUCH
..''^^""-.-
156
........:....,..,........
AMERICANWITCH
Words by ROB ZOMBIE
Music by ROB ZOMBIE, SCOTT HUMPHREY and JOHN 5
end Rhy. Fig.1
vn P.M.-------- I
*Recording
sounds one and one half steps lower than written.
All gtrs. in Drop D, down 1 L/2 steps:
@=B @=E
@=F$ @=Gil
@=B O=Cil
Moderately )=1:I4
"This is a
journey
IntrO:
backed with
fear,
guilt, anxiety."
D5
Rhy. Fig.1
28 sec.5
Elec. Gtr. 1
f
n.r.--------,
WRhy. Fig.l (Elec. Gtr. 1)
Elec. Gtr.2 (w/dist.)
Verse 1:
w/Rhy. Fig.L (Elec. Gtr. 1) 2 tintes
D5
Bod - y of a mon-key and the feet of a cock,- dragged from her home on the kill-ing rock.-
Black dog on the weath-er dev-il's in a cat and the ba - by's brain.-
O 2006 WB MUSIC CORP., DEMONOID DELUXE MUSIC, GIMME BACK MY PUBLISHING,
American Witch - 4 - 1
CHRYSALIS MUSIC and GTR HACK MUSIC
All Rights on behalf of itself and DEMONOID DELUXE MUSIC Administered by WB MUSIC CORP.
All Rights Reserved
18
Chorus:
D5
The end,-
Rhy. Fig.28
Elec. Gtr.3 (w/dist.)
the end,- of the
Rhy. Fig.2A
EIec. Gtr. 1
w/Rhy. Figs.2A &28 (Elec. Gtrs. I & 31
the end,- the end,-
w/Rhy. Fig.l (Elec. Gtr. 1)
witch.
Verse 2:
w/Rhy. Fig.l (Elec. Gtr. 1) 4 times
D5
mark
x
all pray for twen-ty
of the A-mer-i-can... the end,- the end,- of the A-mer-i-can
Yeah,-
read-y to die,- the can-cers of a dark-ness, a black-ened eye.-
sign of the calf,- the an - gels bleed down a bove the raft.-
the end,- the end,- of the A-mer-i-can...
end Rhy. Fig.28
end Rhy. Fig.2A
lone on the hill and
of the wolf and the
AmericanWitch-4-2
cents._ We all bow down, twen - ty cents.-
all hang high twen-ty
Chorus:
dRhy. Figs.2A &28 (Elec. Gtt I & 3) 2 times
46
D5
The end,-
ac - cused twen-ty
of the A-mer - i-can...
of the A-mer - i-can...
To Codafi
the end,-
the end,- of the A-mer-i-can
Rhy. Fig.3
Elec. Gtr. 1
Bridge:
dRhy. Fig.3 (Elec. Gtr. 1) 2 times
D5
Do
you
want to know where their dreams_ come
AmericanWitch-4-3
Some showed the faith and
dRhy. Fig.3.{ (Elec. Gtr.2)
some- showed none.- Do you want to know where their dreams_
Some showed the faith and some- showed none._
end Rhy. Fig.4
come
Interlude:
D5
Rhy. Fig.4
Elec. Gtr.4
66 @lean-tone)
from?
dRhy. Fig.4 (Elec. Gtr. 4)
D.S.
X aI Coda
Elec. Gtr.2
#Coda
dRhy. Figs.2A &28 (Elec. Gtrs. I & 3) 2 times
74
dRhy. Fig.3A (Elec. Gtr.2) 4 times
know where their Do you want to
-
showed none.- Do vou want
dreams- come from?- Some showed the faith and some-
to know where their dreams- come
N.C.
The end,-
AmericanWitch-4-4
the end,- the A-mer witch.
from?
BLOOD AND THUNDER
All gtrs. tuned down 1 whole step:
@=D @=F
@=G @=A
@=C O=D
Moderately )
=
96
Intro:
Elec.Gtr. 1
--
t cle,on-rnniI
E5 D5 E5
'
Rhy. Fig. I
D5 E5 D5 E5 D5 E5 D5 E5 F5
Words and Music by
MASTODON
E5 D5 F5
*Recording
sounds one whole step lower than written.
D5 E5 D5 E5 D5 E5
1.I
2. What re
D5 E5 F5
Drums enter
D5 E5
P.M.
try
or
de-stroy-ing
ern my
E5 D5 F5
end Rhy. 1
ing to
com -
E5 D5 F5
Band enters
Verse:
dRhy. Fig.l (Elec. Gtrs. 2 &
j,
w/dist.) 2 times
E5 D5 E5 D5E5 D5 E5 D5 E5
D5 E5 D5 E5 D5 E5 D5 E5
kill
mands
E5 D5 E5 D5 E5 D5 E5 D5 E5
think
- morse -
some
em
that
less
D5 E5
one
per
IS
me.
me?
my
er
In
I
er
in
flesh
plete - ly
No man of
Iam
- fect - ing
no long
blood
gov
F5
:'o
E5 D5 F5
mind.
soul.
BloodandThunder-7-l
the
com -
could ev
im - mersed
o 2004 RELEASE RELAPSE MUSrC (BMr)
All Rights Reserved
D5 E5
D5 E5 D5E5 D5 E5 D5 E5 D5 E5
stop me.
dark - ness.
Chorus:
E5 Bb5
to the
from the
The
AsI
fight for
turn
fish
bod
this
my
isa
ya
fight
way
G5
ly
Rhy. Fig.2
EIec. Gtr.2
end Rhy. Fig.2
/--)*
BloodandThunder-7-2
wiRhy. Fig.2 (both gtrs.)
E5 Bb5 G5 Cfi5 Bb5 E5
Interlude:
Elec. Gtr.5
/ /
tT.
--*---------ttT
G5 E5 Cfi5 N.C.
White
fterlu
E5
h+rfi
ffi
,=
5)
f
grail!
-
D5
m','
BloodandThunder-7-3
Elec. Gtr. 5 tacet
E5*
*Chords
are implied.
BloodandThunder-7-4
12
Elec. Gtrs.
2 &3
Rhy. Fig.3
Split your lungs blood and thun
=:=
:-=
=:=
=:: s:
S=
=
=-:
:::=
S
=
S
S
*=
s=
=
S
F:-,
s
R=
E=
F
F
S
=
==
S
S
=:-:
t::
:=
=:::
:s
:=
:--
:=:
=
1:
::
..;
:t
d
BloodandThunder-7--5
t3
ilRhy. Fig.3 (Elec. Gtrs.l &2) 3 times
E5
Break your backs
poons thrust-
rect ly
Chorus:
w/Rhy. Fig.2 (both gtrs.) 2 times, simile
E5 Bb5 G5 Cfl5 Bb5 E5
for
GH5
straight in-
Cfi5 G5 E5
G5 E5
oafs,
45 Gfl5
men,
Ffis G5 B5
B5 c5
pels
B5 C5
sky.
Eb5 D5
ffi9'
A5 GH5
brow,-
A5 Gfi5
G5 E5
F$5 G5 Fil5
Ff,5 G5 F$5
the
White
E5 Bb5
whale,
cfls
grail!
-
BloodandThunder-7-6
G5 Bb5
grail !-
c$5 G5 E5 Cfi5
t4
Outro:
w/Rhy. Fig.L (Elec. Gtrs. 2 & 3)
E5*
**Elec.
Gtr.4
Elec. Gtrs.2 & 3
h
P.N4.
*Chords
are implied.
**Elec.
Gtr.4
,2nd time only
1.
E5
E5 D5
E5 F5
P.M
D5
2.
E5
BloodandThunder-7-7
15
CRAZY BITCH
Music by KEITH NELSON
Lyrics by JOSH TODD
Moderately J
=
98
Elec. Gtr. 1
Elec. Gtr.2
Intro:
O 2005 wB MUSIC CORP., CASH AND CARRY MUSIC and LICK THE STAR MUSIC
All Rights Administered by WB MUSIC CORP.
All Rights Reserved
Crazy Bitch - 1l - 1
t6
1. Break me down,-
2.Take it off,-
Elec. Gtr.3
nlf
w/wah
*Chords
are implied.
B
you got a love - ly face,-
the pa-per is your game,-
we're go-in' to your place,_
you jump
in bed with fame,-
now vou
an-oth-er
/*
got to freak
one night paid
Scream srl
You're so
EIec. Gtr.4
get f***-ing
it won't be a
me to
in the
loud,
fine,
you want
cash - ing
stay,-
rocks,-
Crazy Bitch - 11 - 2
l2
L7
got to
get you
Elec. Gtr. 1
way._
I
face.-
J
make my
face to
but I
just
to
Chorus:
B
:,-
QILLtt /tr
ffi
13421 I
a cra - zy bitch, but you f*'r* so good I'm on top You're
Elec.Gtrs. 1&2
dream I'm do-ing you down mv back to keep me right on
Crazv Bitch - 11 - 3
You'rea cra - zy bitch. but you so good I'm on top
scratch-es all my back to keep me right on.
Crazy Bitch - 11 - 4
19
Guitar Solo:
Ffi
ffi
ffi
Elec. Gtr.3
*
Crazy Bitch - 11 - 5
20
B
ffizr.
ffi
2s
""#i
a
::
.i.
Getthe vid-e-o,
f*ti'! you so good!
++ +-
f'r** you so goodl
Ffi
lj.&t
ffi
Llrl]l
1142t1
Crazv Bitch - 11 - 6
21
Cra - zy bitch. Cra - zv bitch
Chorus:
You're a good I'm on top
Crazy Bitch - 11 - 7
22
dream
I'm do-ing you all night,_
scratch-es all down my back to keep me righton.
Crazy Bitch - 11 - 8
dream I'm do - ing you all night,- scratch-es all down mv back
Ba - by girl,- you want it
Bridge:
D
1rn-rf
str.
ffi
Elec.Gtrs. 1&2
Rhy.Fig.1 ---
w/Rhy. Fig.l (Elec. Gtrs. I & 2) 3 times
E
Mrrt
ffi
r333
Take it
B
ffIlll7fr
ffi
13421 I
star,- you'll
D
ffi'n
rlffn
Crazv Bitch - 11 - 9
no need to talk.- You're cra - zy but like the way you
Chorus:
24
53
You're a cra - zy bitch, but you I'm on top of
Elec. Gtr. 1
Elec. Gtr.2
dream
Elec. Gtrs. I & 2 cont. simile
do-ing you all nighr.- scratch-es all down my back to keep me right on.
Crazy Bitch - 11 - 10
You're a cra but you f*'r'r so good I'm on top When I
I'm do - ing you all night,_
25
scratch - es all down my back to keep me right on.
You're cra
You keep me right on.
Crazv Bitch - 11 -
'11
26
**Baritone
Gtrs. l. & 2 tune down to:
@=Gb @=Db
@=ob @=Ab
@=Ab O=ob
Moderately J
=
84
Intro:
N.C.
Drums
Baritone Gtr. 2
(w/dist.)
FALLING
*Elec.
Gtr. in Drop D, down 1.l2step:
@=Db @=Gb
@=Ab @=Bb
@=ob @=Eb
Words and Music by
MICHAEL MUSHOK, AARON LEWIS,
JOHN APRIL and JONATHAN WYSOCKI
pp
tretnpick. ----l
*Recording
sounds a minor 3rd lower than written.
**Abaritone
gtr. is a 6-string guitartuned down a4th.
Mike Mushok tunes down an additional minor third. similar to DADGAD.
Baritone
Interlude:
N.C.
Gfi.l(w/dist.)
>'r
t
Elec. Gh. fu/dist)
Rhy. Fig.1
@2005 WB MUSIC CORP.,I.M. NOBODYMUSIC, GREENFUND MUSIC,
MY BLUE CAR MUSIC and PIMPYUG MUZIK MUSIC
All Rights Administered by WB MUSIC CORP.
All Rights Reserved
Falling- l0- I
27
Verse:
D5
ffi
lz.
end Rhy. Fig.1
1. You,
2. You,
ln__your
all- a
Baritone GE, 3
(
clean-tone)
:alling-10-2
N
u\\r
N
\
$$
N
N
ftrl
J$
28
^o
Are- you
Are- you
wait
wait
lor---
lor-
some
some
from- your
Can't- you
one-
one_
=
l
e
res
make-
P.M. 5th string throughout
B,lec. Gtr.
Fallinq-l0-3
P.M. throughout
Cont. simi
29
when
this dys
Pre-chortts:
w/Rhy. Fig.l
(Elec.
Gtr.) simile
N.C.
Don't blame-
Baritone Gtr. 1
you did - n't get
you did-n't get it.
:,.:ng-10-4
30
read - y
you-_
fall - ing_ is
Baritone Gtr. 3
(w/dist.)
RiTTA
Baritone
Gtr. 1
Rhy. Fig.2
D5
ffi
Chorus:
Bb5
LQifl I 8fr
ffi
be - comes
prob - lem.
t,
u
3T
A5
ffiti.
t+tlu
u-tuJ
LLLLU
w/Rhy. Eig.2 Glec. Gtr.) simile
w/RiffA
(Baritone
Gtr.) simile
Bbs
x'^s--
laaal I Xtr
WR
rffH
313
don't- lieve you--
the- prob lem.-)
end Rhy. Fig.2
G5
ffisr.
+|+
ru
LLLLU
D5
i?ffifi
ffi
1.
A5
tfttlir'
ffi
Interlude:
D5
ffi
Baritone Gtr. I
FaiJing-l0-6
the- prob lem.-
]=---=-
--'---- -'-- /
32
Baritone Gtr. 1
w/slight P.M
Baritone Gtr. 2
(w/di
st. )
w/slight PM. throughout
i'
i,,
:i'
Baritone Gtr. 1
Falling-10-7
-t-1
Baritone Gtr.3
Baritone Gtr. L
wislight P.M. throughout
:..i1ing-l0-8
Baritone Gtr.3
t"
34
Chorus:
dRhy. Fig.2
(Baritone
Gt. 1) 2 times, simile
w/RiffA
(Baritone
Gtr. 2) 2 times, simile
Bbs
laaal I Xtr
mrrn
H#
333
D5
ffi
be - comes the- prob - lem.
be - comes the- prob - lem.
back up
back up
that-
that-
Bbs
ffi*
A5
m*
be - lieve
be - lieve
don't-
you-
If you
And if
lem.-
lem.-
the-
the-
comes
comes
Falling-l0-9
35
D5
ffi
G5
m*
(Be
you've
prob - lem.
prob - lem,
come
solved
you
then
way out,
way out
a-
a_
be
you've
I
r.
A5
ffi"'
llz
A5
ffi*
the- prob
Outro:
dRhy. Fig.l
(EIec.
Gtr.) simile
N.C.
lem.-) your_ prob
Elec. Gtr. 1
ri:ng-10-10
36
*All
gtrs. in Drop D, down 1/2 step:
@=lb @=Gb
@=Ab @=Bb
@=Db O=Eb
ModeratelyslowJ=84
Intro:
Cmaj7 Gsus
Acous. Gtr.l dbld.
Rhy. Fig.1
F3
FARAWAY
Am7
Am7
this
I'll
Am7
too- late.-
with - stand-
mls
last
Who
all
was I-
of hell-
used
chance- for one
Lyrics by CHAD KROEGER
Music by NICKELBACK
end Rhy. Fig.1
takes.-
dance.-
hold throughout
*Recording
sounds a half step lower than written
Verse:
dRhy. Fig.l(Acous
CmajT
Gtr.il3tintes,simile
Gsus
1. This
2. On my
Cmaj7
Too-
-
'Cause with-
time,-
knees
long,-
you_
place,-
ask-
mrs
last
I'd
to
to
left
up.
in
v
make- you- wait.
hold- your- hand.
Cmaj7
Am7
one- chance,-
just one- breath,-
just
give it all,- I'd give for us,- give an
case- there's
just- one-
thing- but I- won't give
Just
I'd
O 2OO5 WARNER-TAMERLANE PUBLISHING CORP., ARM YOUR DILLO PUBLISHING,INC.,
ZERO-G MUSIC INC., BLACK DIESEL MUSIC INC. aNd DANIEL ADAIR PUBLISHING DESIGNEE
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
FarAway-6-l
37
F3
_ \_)_
'Cause you
'Cause you
know,-
know,-
you
you
know
know
you
you
know.-
know.-
)
\h
{cous. Gtr. 1
tld throughout
Cltortts:
C
'-'f-
-i--
-----1
t: r
[n[:,U-i,
--_l
-
_L
.l
-
.:. ))
FmajT
ffi
HH
4 321
-
) )) )
G5
dffi:i.
H+IH
rrm
Am
ffi
I
[.loc. Gtr. I GLean-tone)
Riff A
love- you,- have loved- you all- a-long.-
end RiffA
t*f
Itold throughout
C
'rniEi
ffi
12 I
G5
dft&rr'
ffi
Am
ffi
Cont. simile
FmajT
far-
::rAway - 6 - 2
And I- miss- you,- been far a - way_
38
C
ffi
Am
ffi
FmajT
ffi
keep dream you'll be
I
r.
G5
Am
ffi""
ffi
,-tfl
t,,,
nl!_ru!.:
Gn.t) ) ) )
Stop breath - ing- if don't see_ you an-y-more.
and you'll nev - er go.-
D.C. I
C
ffi
FmajT
ffi
J-
lz.
Am
W
Acous.
FmajT
ffi
see_ an-y
Bridge:
ilRhy. Fig.l
(Acous.
Gtr. 1) 2 times, simile
CmajT Gsus Am7
been far
a - way._
FarAway - 6 - 3
So far a - way,
So far
a - way_ for far- too long.-
39
Cmaj7
Dsus2
a - way,
been far a - way_ for far- too long.
So far a-way.-
F3
know,-
Acous. Gtr. 1
FmajT
ffi
HflI
4 321
-
))) )
Am
H
HTH
w/Riff A
(Elec.
Gtr. 1) I 1/2 times, simiLe
G5
m'-
C
ffid
t'tatl1
fts
32r
us.
1 l--l
) ))
.{co
Gtr.
Am
ffi
o
C
hdd
Llruu
ffid
32t
-
) ))
I- want - ed,-
G5
m,'
I- want ted you- to stay,_
'cause I- need - ed-
:.:.{say-6-4
I- need- to hear- you say-
40
Outro Chorus:
D
{r!-
H{+t
H#
132
I t-t
//a
A
$---9
ffi
tt
'
,
) ))
Bm
ffi
G5
ffi,n
!#l
I
-
) ))
that i- love- you,_
That I-
that I- loved-
you.-
you all- a - long.*
Elec. Gtr. I
,f
cause I'm
end RiffB
be-ing a - way- lor far- too long.-
G5
;-\\
lng you an
G5
hold throughout
w/Riff B
(Elec.
Gtr. l) 7 times, simile
DA
And for -
-sive-
you-
And I
for
for - give- you.-
So keep breath
a-.
A
Cont. rhy. simile
Be - lieve-
lng_
Bm
me- and nev - er let me go._
D
D
FarAway - 6 - 6
41
Be - lieve-
Keep breath - ing.-
Hold on
D
ffi
ri
G5
Bm A
me- and nev-er let me go.
ing-..- 'cause I'm
mgyou an-y-more._
me- and nev - er let me go._
me- and nev - er let me go._
Acous.
Gtr. 1 e
42
FOXYFOXY
Words by ROB ZOMBIE
Music by ROB ZOMBIE and SCOTT HUMPHREY
Moderately J
=
108
Intro:
G5
Elec. Gtr. I (w/dist.)
Oh yeah! Can I make it hard - er? Oh yeah! Can I make it hard - er?
dRhy. Fig.l (Elec. Gtr. 1)
Oh yeah!
Verse:
dRhy. Fig.l (Elec. Gtr. 1) 4 times
F$s
Can I make it hard - er7 oh Can I make it hard - er?
He- who bru - tal - iz - es
She- in - ter - nal - iz - es
yeah!
1. He who
2. She
gets slapped and
looks back and
he- who gets
she- looks a
saved.-
way._
the time -
the mo -
less
tion
He-
She-
the mon-grel,
the butch - er,
IS
ts
he- wants
she- wants
it
the
all.-
air.-
O 2006 WB MUSIC CORP., DEMONOID DELUXE MUSIC and GIMME BACK MY PUBLISHING
All Rights on behalf of itself and DEMONOID DELUXE MUSIC Administered by WB MUSIC CORP.
All Rights Reserved
FoxyFoxy-4-I
43
lives
hides
X chorut'
for rel
the scars
ing on the wall._.,
der her hair.-
j
dRhy. Big.t (Elec. Gtr. 1) 4 times
Ffi5
dRhy. Fig.2 (Elec. Gtr.2) 3 times
Fox
want to
es._
es._
Don't you
Bridge:
E5
Fox - y, fox
Rhy. Fig.38
Elec. Gtr.3
na be?
Don't you want to ride_ it?_
Elec. Gtr" 2 (w/dist.)
what's it gon
Rhy. Fig.3A
Elec. Gtr. L
:.:ry Foxy - 4 - 2
44
27
gon - na be? Fox - y, what's it gon - na be?
To Coda&
11.
N.C.
end Rhy. Fig.38
end Rhy. Fig.3A
FoxyFoxy-4-3
45
o.-
w/Rhy. Fig.l (Elec. Gtr. 1) 3 times
Ffis
Oh yeah!
# Coda
er? Oh yeah! Can I ntake it hard er?
Chorus:
dRhy. Figs.3A &38 (Elec. Gtrs. 1 & 3)
w/Rhy. Fig.2 (Elec. Gtr.2) 4 times
Can I make it hard - er? Oh yeah!
Don't you want
Outro:
N.C.
Can I make it hard-er?
D.S.X aI Coda
ride- it?-
Repeat and
fade
what's it
Elec. Gtr.2
be?
:
rrFoxy-4-4
Elec. Gtr.2
,*,*
46
r
GOOD IS GOOT)
E/Gil
m*
Words and Music by
SHERYL CROW and JEFF TROTT
ModeratelyslowJ=76
Intro:
A
ffi
Acous.
"rr,
ffi
rnf
Elec. Gtr. 1
n
,-
mf
E/Gfi
m"'
F$m
m
ffi
A
H
Hil#
lll
Cont.
-
EiGfi
m-
Ffim
ffi
Verse 1:
A
ffi
Ff;m
ffi
rhy. simile
GoodIsGood-6- 1
@ 2005 WARNER-TAMERLANE PUBLISHING CORP., OLD CROW MUSIC and CYRILLIC SOUP
All Rights on behalf of itself and OLD CROW MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
47
A
ifur{
Lltrtll
H+H
lil
E/Gfi
m-
Ff;m
G
ffi
You don't know- which one- you had.
She put your books- out the side walk.
They won't help you when- you're down.
A
Hd
ffi
Bm
ffi
Now they're blow-ing 'round,-
E
ffi
Verses 2 & 3:
A
Hffi
I-H+H
E/G#
m*
2. Love's
3. And
your list-
don't hold-
things-
mys
do,-
Y,-
of
no
to
ter
A
ffi
E/Gfr
m*
Film
Film
Film
to bring your
but I can show
good- luck
you how to
back-
turn-
to
the
you._
key.-
-r"rodIsGood-6-2
7
48
D
ffi
And if you think
'Cause all I
that ev-
know
un
I
ry-
is
fair,-
start - ed,
would you care.-
so down heart - ed,-
Elec. Gtr.2
Film
trFT
ffi
l34t l I
E
ffi
you're
that's
last-
where-
the
not
one stand-ing
you want to
thun - der,
Elec. Gtr. 1
Chorus
D
?tftr
ffi
x
E
ffi
A
IgJ
LL!4il
ffi
lll
G
ffi
ro11
(3rdtime) by.
GoodlsGood-6-3
ev - 'ry-time you hear
49
G
dft
ttilu
!+tr
21 3
A
!2-r
LL!1J]
ffi
ilt
E
ffi
you turn a- round be - fore the
D
ffi
ffi
strikes
D
tu
HS
11.3.
And does it ev - er
L 2. And you could find a
make
rock
stop_
crawl-
won
un
and
right
you
to
der-
der-
D
L
ttrtr
ffi
2tl
all your good- times pass you
Ir
D
Hfu
ffi
by.
:,,:lIsGood-6-4
50
z.J.
D
ffi
ffi
132
E
ffi
Bridge:
G
ffi
Htf
day is done-
(2.) and
(3.) if
your
your
by. pass
pass
let
all
you
you
When the
E
a-ca
ffi
G
ffi
and the moon is on- sleep - ing,- rts wav- to shine.-
you thought were
E
td
taatI
ffi
231
G
ffi
When your friends
To Coda
#
are gone_
E
ffi
G
-09q.
ffi
GoodlsGood-6-5
You feel you don't be - long,- and you don't know why,-
51
E
ffi
Chor
D
ffi
LIIITU
LLLIIJ
mg thun -
And ev - 'ry-time you hear the roll
you turn a - round be - fore the light - 'ning
E
ffi
D
ffi
G
ffi
A
ffi
E
ffi
D
ffi
G
ffi
A
ffi
E
trtr
ffi
i
D.S. X al Coda
And does it ev - er make
all your
you stop- and
E
ffi
D
ffi
Film
LiH
ffi
:."
- der
s
Coda
G
ffi
ri
Acous. Gtr. o
G
ffi
nei - ther-
don't
GoodIsGood-6-6
52
*All
gtrs. in Drop D, down 712 step:
@=$ @=Gb
@=Ab @=Bb
@=Db O=Eb
ModeratelyfastJ=136
Intro:
D5
Rhy. Fig. 1
*Recording
sounds a half step lower than written.
Chorus:
ilRhy. Fig,l (Elec. Gtrs. I & 2) simile
D5
J-
-J-
Guard-ed your-self from the
Words and Music b1
DAVID DRAIMAb
DAN DONEGAN
ANd MIKE WENGRI
left you with noth-ing to - night.
Ab5
f-J :--\-
T-J-----
GUARDED
Bb5 Eb5 D5
-J-
an-oth-er,
Bb5 Eb5 D5
J t
_J_
it soundlike the dev - il is laugh-ing, leav-ing me haunt-ed to
O 2005 WB MUSIC CORP. and MOTHER CULTURE PUBLISHING
All Rights Admirristered by WB MUSIC CORP.
All Rights Reserved
Eb5 Bb5
Why does
Guarded-6-1
Elec. Gtrs. I &2 (w/dist.)
You did de
53
11.
dRhy. Fig,2 (ELec. Gtrs. I & 2)
-3
times, simile
D5 F5 D5 F5 Bb6
D5 F5
Rhy. Fig.2
Elec. Gtrs. 1" & 2
Ir
). )^.)
D5
tl\
lll
/-./
F5
)
D5 Bb6
end Rhy. Fig.2
r--r--n
)))/
Rhy. Fig.2A
Elec. Gtr. 3 (clean-tone)
end Rhy. Fig.2A.
Verse:
dRhy. Figs.2 (Elec. Gtrs. I & 2) & 2A (Elec. Gtr, 3) I times, simile
D5 F5 D5 F5 Bb6
l. Now
2.Ev
I- want-
er- haunt -
you when you're
ed by the
gone- and-
trap - pings-
now_
of-
like you're
life.-
hold - ing-
Sweet- re
fuarded-6-2
some
demp
I
ir
of
of
Weli, then-
Well. now-
To Next Strain (fo Versjl\.
F5 Bb6
can't al - low
seems once a -
Elec.Gtrs.L&2
G5 F5 Ab5 G5
this to be - come-
gain that I've lost-
one of those
one of the
an-oth-er
an-oth-er
G5 F5 Ab5 G5
timesthat I'm
ones that have
no
won't
end Rh1'.
know I
now the
ln
through
cold.-
wall.-
Rhy. Fig.3
*Elec.
Gtrs. 1& 2
Fate
dRhy. Fig.3 (Elec. Gt* 1 & 2) 2 2/3 times, simile
D5
Eb5 F5
Eb5
:-._--:
just
an - oth
I have sold
com - pro
com - pro
er_
my-
*Composite
arrangement.
Elec. Gtrs. 1& 2
Guarded-6-3
Interlude:
You did de
Elec. Gtrs. 1& 2
cide.
A-H=
-
r
--?-
Bridge:
ilRhy. Fig.4 (Elec. Gtrs. I & 2) 2 times, simile
D5 I
e
bold- and-
-=rded-6-4
Rhy. Fig.4
strong- and read-y to- be gin- your- life.
56
-58
D5
you wefe ficed.-
when- you- die.
C5
J-....-
mem - bered? You did de -
lone- and so it
Elec. Gtr. 1 Elec.Gtrs. 1&2
Guarded-6-5
57
Outro Chorus:
D5
76
-j-
Guard - ed your
_r_
Bb6 Bt6(b5) D5
-^-:
,-3'-----"-)--
Bb6 Bb6(r5) Ds
ieft you with
-J-
Bb6 Bb6(b5)
J--=-
know why the
You did de
laugh - ing, he
left you with noth - ing
:uarded-6-6
58
Intro:
Fm
{
^^-
tt_tl-L6tr.
LLLITU
Hflfl
Elec. Gtr. |
13421
Rhy. Fig. I
Moderately fast J = t42 (n= J'))
HOLIDAY
Ab Eb
ffi"" m*
Words by BILLIE JOE
Music by GREEN DAY
Ab Eb
Mrrrr. tffdort
ffiffi
I l3t tJ33
Eb
W*
f
3 3
P.NI.- - -
Et5
m"'
Db
ffi*'
Fm
ffi
8fr
Db
ffi*'
rrrm
dRhy. Big.| (Elec. Gt
Fm Db
ffisrr. M+r.
ffiffi
I) 2 times
Ab
m""
Fm
m-
Db
W*
Ab
m"u
Eb
W*
Elec. Gtr.2
Abs
m*'
11t)
W*
Ab5
m*'
O 2004 WB Music Corp. (ASCAP) and Green Daze Music (ASCAP)
All Rights Administered by WB Music Corp.
All fughts Reserved
end Rhy. Fig. 1
Holiday-8-l
59
Verse:
.t)
ffi*
I
Elec. Gtr. 2 I
/
Db5
W*
I
Ab5
m*
I
Eb5
m"'
Dbs
W*
n rrn
F5
ffi'"
rrff1
133
Cont. rhy. simile
1. Hear the sound
2. Hear the drum
C5
MT:r.
ItIm
ffi
of the
pound- ing
F5
ffiar,
IIHII
IaoI
rrTrn
r33
fall - ing rain
out of time,
Db5
ffi+r'
t-tftH
IIIITI
com - lng
an-oth-er
Ab5
srrlffrc,
ffi""
l-ltsrll
rrffn
down
pro
.bb5
m"'
133
like an
test
Ab5
m*'
ma
has
don
the
ged
crossed
flame. (Hey.) The shame,
line (Hey.) to find
F5
ffir.
H+il
the
the
Dbs
ffi+r.
its-H
rrrrn
ones
mon -
who died
ey's on
Ab5
fiJfr+r.
H*+.{l
rrrrfl
with
the
Ebs
ffior.
ffi
'iJ
out
oth
a
er
name.
Hear the dogs howl-ing
Can I get an
orlt of key
oth - er "A - men?" (A
side.
F5
m"'
t3
J
to
men.) There's
At5
ffi+r'
t-tH-H
rfrm
com - pa
plas
hymn called
flag wrapped a
Eb5
ffior'
ffi
lost
bag
"Faith and
- round a
C5
ffi:r.
H*H
rrrrn
a
a
mrs
score
ery,"- (Hey.) and bleed,
of men. (Hey.) A
BaE,
the
a
the
on
ny
tic
day.
i:lidav-8-2
ment
60
Chorus:
F5
-....4
H+H
HflI
"*.. ",.]'i
I
)
Dbs
ffi*n
HffI
'Jo*.,rr.
,,*un
Abs
m*'
D TT]-i^
dream and- dif
F5
ffi
rffrn
lt.
C5
W,'
Abs
m-
)
EIec. Gtr.2
the-
day.-
w/Rhy. Fig. L (Elec
Fm Db
m* m*
Gtr. l)
Ab Eb
w''*w-
Db Ab
ffi." ffi,"'
ffFFF N]-FN
Eb
l+l+l_lbfr.
ffftt1
FFrlI1
1313
Elec. Gtr.2
)
33
P.M.--------r
ll
2
Fm
m*
on
Elec. Gtr.3
Holiday-8-3
Elec. Gtr.2
61
F5
ffi
Db5 Bbs Et5 C5 F5
m*m'''m'"m'"
m
13 13 lt i3 t3
F5
rtffi
FI]+N
rfffi1
13
Interlude:
Elec. Gtr.4
Ab
ffi+i'.
ffi
Cont. rhy. simile
Db5 Bb5 Eb5 C5
m,."m"'ffi*ffi'*
il 13 13 13
Guitar Solo.
Db
Mon
HfiI
f fec. Ctr. Zrl
r) ,Tn
L
ffi,n
ffiffi
ll33
F5
ffisft
LI]J-LI
HfiI
133
Ebs
ffior'
ffi
Eb5 C5 F5
m"'m*m""
(Ooh.
:-.iiday-8-4
62
F5 C5
Eb5 C5 F5
The rep -re - sen-ta-tive
from
Cal - i -
for
- nia has thefloor.
*Chords
implied by bass gtr.
Holiday-8-5
C5 Eb5
I
63
Bridge:
Elec Gtrs. tacet
F5 Ab5 Db5 Bbs Ebs C5 F5
Zieg Heil to the Pres-i-dent gas-man,
Db5 Bbs Eb5 C5 F5 Ab5
bombs a-way is your
Eb5 C5 F5
Eb5 C5 F5 Abs
Pul-ver-ize the
Dbs Bb5 Ebs C5
Bang, bang goes the bro - ken glass and
is not a way that's
Elec. Gtr.3
Eif -
fel
Tow-ers, who crit - i - cize your gov-ern-ment.
F-5 C5 Eb5 Bb5 Db5
l,b5
trdflori
ffi
C5 F5
m*m*
don't a - gree. Tri-als by
fire-
set-ting
Jire-
C5
W,"
Just 'cause,..
(Hey, h"y,
Bts
ffi
ffiH
Bbs
ffi
h"y,
Elec. Gtr.3
kill all the
fags
that
:.:day-8-6
64
be
h"y,
Chorus:
F5
'......&
tH++-{
r6a'ff1
rFm
F5
J
H+H
[iH
134
ing-
Resume chorus
fig.
simile
Holiday-8-7
the dawn of- the-
65
F5
ffi
Hfl#
Dbs
W*
Ab5
m*
beg to dream and- dif from the hol - low- lies.-
Abs
tnlfi+r'
ffi
Ebs
m*
of our
w/Rhy. Fig. | (Elec. Gtr. 1)
lst 3 meas. only
Eb5 Fs Dbs
blfiot. ffist. tntfJ+r.
ffiffiffi
F5
ffi
n-ffn
134
This
C5
m"'
133
Outro:
w/Rhy. Fig.l (Elec. Gt. 1)
F5 Db5 Ats
m*m*' m*'
t3 13 13
Dbs
ffi*'
HffI
the dawn
Ebs
m"'
F5
W-
Dbs
m*
Abs
ffi*
Elec. Gtr. 2 resumes intro.
fig.
simile
Ab5
m*'
Eb5
m''
F5
m"'
Db5
ffiou
HflT
Eb5 C5 F5 F5
m"'m* m* ffi
13 13 13 i3
*Sustained
chord segues to
"Boulevard of Broken Dreams."
:--.iday-8-8
66
-
|-l-l-l r
xAcous.Gtr.
I >LI I I I I ) )
ntf
**Elec.
Gtr.
l-.--..--l
))))-,n)
mag
then
DmajT
ffi
(EbmajT)
Verse:
DmajT
Drums
l. Some
Em
ffi
(Fm)
Em
ffi
(Fm)
2. You
times
go,_
ine the
I can
Ii
and
world with - out-
fi - n'lly breath-
I'M FEELING
YOU
Moderately )
=I20
Intro:
DmajT
""oor--*ffi
(EbmajT)
Words and Music by
JOHN SHANKS, MICHELLE BRANCH
and KARA DIOGUARDI
Em
ffi
t+?+tl
fftfi]
d-r
*Acous.
Gtr. w/capo I (chords frames reflect capoed gtr.).
**Elec.
Gtr. w/o capo (chords in parenthesis reflect non-capoed elec. gtr.).
Em
cJ!9
silil
I IITT1
ri,"r
DmajT
ffi
EbmajT)
*Elec.
Gtr. simile on repeats.
I'M FEEIing You - 10 - t O 2OO4 WB MUSIC CORP., DYLAN JACKSON MUSIC, WARNER-TAMERLANE PUBLISHING CORP.,
I'M STILL WITH THE BAND MUSIC and K'STUFF PUBLISHING
All R-ig!-ts on behalf of itself and DYLAN JACKSON MUSIC Administered by WB MUSIC CORP.
All Rights on behalf of itself and I'M STILL WITH THE BAND MUSIC Administered bi WARNER-TAMERLANE PUBLISHING coRp.
All Rights Reserved
Em
ffi
(Fm)
But most
I'm
just
so
in the
'Cause, ba - by,
I ev - er found-
you're nev - er
leav
Em
ffi
(Fm)
I
hap - py that
end,
you.
ing.
Pre-chorus:
Bm
It's a com - pli-cat
We're rare - ly ev
-ed
-er
web-
sane,_
G
ffi
(Ab)
G
ffi
(Ab)
that you weave- in
I drive you cra - zy
side- my
and you do
head.-
the same.
So much plea -
But your fire-
67
Bm
l'm FeelingYou - I0 - 2
68
G
ffi
(Ab)
Asus
TH
ffi
ei.lo
A
W
Gb)
ways
like
Hope
and
sure
.. I
with- such
fills- my
we al - ways,
it warms- me
Em
ffi
(Fm)
Chorus:
D
flfrrt
F*n
mrm
(Br;
x
feel - ing the way-
Sub. EIec. Gtr. ilFill 7,r 3rd time only
the
_ one
I'm Feeling You - 10 - 3
Asus
69
G
dffi
ffi
iirj
A
ffi
@b)
the nick of
D
ffi
HIH
(Eri
save_ me ln
I'm dig - ging the lows,-
G
ffi
(Ab)
time.- I'm rid - ing the highs,_
z_\
Em
htr
ffi
13
trm)
Asus
r3-i
LL]{II
ffi
li2
(Bbsus)
A
tgJ
LLALJ
ffi
lll
@b)
Em
ffi
(Fm)
G
ffi
(Ab)
'cause at least- leel- a live.-
_4\__.
e-mo-tion - al
Em
ffi
(Fm)
and you
-3-
:. FeelingYou - l0 - 4
70
To Coda
#
G
ffi
(Ab)
DmajT/Ff,*
ffi
(EbrnajT/Q*)
G
ffi
(Ab)
3-
*Ff,
(G) played by bass gtr. only.
Em
ffi
(Fm)
I'm feel-ing
DmajT
ffi
(EbmajT)
Em
ffi
ffi
d.l
DmajT
ffi
(EbmajT)
I'm feel - ing
G
ffi
(Ab)
DmajT/Ff,
*
ffi
(EbmajT/G*)
*Ff,
(c) played by bass gtr. only.
71
DmajT
lt?H
ffi
fsU*"jzi
Em
ffi
H#
g.l
DmajT
Hh
ffi
feb."jzt
Em
ffi
ffi
d-r
I'm feel- ing
Guitar Solo:
DmajT
gL-
LLLI4J
I I taaa
ffi
lll
(EbmajT)
Em
tffi
Lttllt
HTH
23
(Fm)
DmajT
ffi
tsl*i:zl
DmajT
ffi
fel.i:zt
Em
ffi
H+H
til-)
Em
ffi
(Fm)
m Feeling You - 10 - 6
8va--
Dmaj7
72
Em
ffi
(Fm)
Ooh.
(Bva)
-
)_ ).
2 E_!,
'3'
t)
*
chorurt
Dmaj7
gq-
TLLI{
I I taaa
ffi
llt
Acous. (Ebmaj7)
Gtr.
o
59
Em
ffi
(Fm)
.-3-+
you cross my mind,- and you save-
G
ffi
(Ab)
o
I'm
(8va) - - 1
feel- ing the way-
A
ffi
(Bb)
J
D
ffi
(Bb)
Em
ffi
Gm)
fsb'J,10
I
J
me in the nick of I'm rid - ing the highs,- I'm
/-\*
dig gmg
*Band
tacet 7 meas., Acous. & Elec. Gtrs. only.
Asus
I'mFeelingYou- l0-7
the
IJ
G
ffi
ffi
iori
J
Asus
ffi
@bsrs)
n-
A
ffi
6b)
\
)L-
I
)\
lows,
Em
r$fl
ffi
frrnl
Acous. Gtr. resume chorus
fig.
simile
G
ffi
(Ab)
Em
q-c!t
ffi
e-l
'-J-
D.S. X al Coda
G
ffi
2t3
(Ab)
)---\)
grad. bend
*'n Feeling You - l0 - 8
74
s
Coda
Dmaj7/Ffi*
ffi
(EbmajT/G*)
DmajT
ffi
(EbmajT)
G
ffi
(Ab)
Em
ffi
(Fm)
8va--
good,-
*
I'm feel-ing
DmajT
ffi
HTH
febmaizl
Em
ffi
Gm)
I'm feel - ing
(8va)
-
I'm- feel ing-
DmajT
ffi
(EbmajT)
Em
ffi
Gm)
DmajT
ffi
(EbmajT)
Em
tffi
Lttltl
H+H
ti",i
I'm
(9va)
-
J-\
llt
)))
*Ffi
(G) played by bass gtr. only.
I'm Feeling You - l0 - 9
75
Em
ffi
trm)
ing the way-- that you cross_ my mind and the way-
DmajT
Em
Effi
ffi
fP.l
Begin
fade
DmajT
ffi
(Ebmaj /)
Em
ffi
(Fm)
Oh I'm feel ing the way- when you walk_
you save_ me in the nick of
DmajT Em
FSfr
ffi
rff*l
Fade
I feel so_
I feel light,- I feel loved,-
.'n FeelingYou - l0 - 10
to
IFI WERE YOU
All gtrs. in Drop D:
@=D @=G
@=A @=B
@=D O=E
Stowly )=76
Intro:
@
A C$m
m* m*
Keybd. (aru.
for
gtr.)
cf;m
m*
A
lffisr'
ffi
cf;m
m"'
A
m*
Words and Music by
DOUGLAS ROBB
and DANIEL ESTRIN
A C$m
m* m*
bright.
dreamed.
Verses I & 2:
A(e)
lffiter.
ffi
rffin
finr.
",r.
t
Elec. Gtr. | (clean-tone) w/chorus effect
l"
a
Amaj7
m*
l"
1. You
2.Look
to find
sur - rounds
the
you
that's wrong
ten
Just
dark,-
now
when ev
more than
'ry - thing is
you ev - er
seem
what
A(e)
W*
lo
Csus2
m*
rJ
G6
ffi*
il
You look
Have you
Does it feel good
So, what's it going
1n
how
for all
for - got
stead of all
hard it used
righ
be?.
end Rhy. Fig X[
rade?-
ize-
that's
to
dRhy. Fig.l (Elec. Gtr. 1) simile
A(9)
firffet"
t++t+.1
lltilt
AmajT
m"'
pa-
- al-
to you-
to take-
to rain on my
for you to re
O 2006 WB MUSIC CORP. and SPREAD YOUR CHEEKS AND PUSH OUT THE MUSIC
Ali Rights Administered by WB MUSIC CORP.
All Rights Reserved
IfIWereYou-6-1
77
You nev
it all
er say a word
can go a-way
less it's to com
one blink of an
1
Csus2
1aItaa-rfr
LII-LU
n-rrn
l34l I
ro Niilsiidz.
co
(To Chorus:)
aru",
G5
ffi""'
llttH
r]-ffF
333
Elec. Gtr. L tacet
{rrc'L Grr. 1l
lor
';
-.
W*
rJ
m*
Elec. Gtr.l I
Elec. Gtr. 4 (w/dist.)
Chorus:
Dsus2
Htd
trlul
uflfl
l3
Rhy. Fig.2A
Elec. Gtr. 3 (clean-tone)
Asus2
W
you,_
Rhy. Fig.2
Elec. Gtr. 2 (clean-tone)
hold - ing
mf noU throughout
Elec. Gtr. 4 on repeat
.;iWereYou-6-2
G
m"'
rT TTN
end Rhy. Fig.2A
rT
end Rhy. Fig.2
end Rhy. Fig.28
Cont. simile
w/Rhy.
Dsus2
W
Figs.2 (Elec. Gt. 2) & 2A (Elec. Gtr. 3) simile
the firsl thing
G
ffi:r,
ffi
3421 1
for all- that
D
ffi
Dsus
ffi
D
ffi
Dsus
ffi
fflfl
i- were have.
A(e)
W-
Elec. Gtr. I
24 l"
you.
IfIWereYou-6-3
AmajT
W*
l"
Csus2
m,"
rJ
G6
ffi*
il
G5
m*
Erec.Gtr.4)l rT rffi,
C5
ffi:r"
LLH-U
Hftil
t33
G5
m'"
D5
W
)
79
,r)-tTt
Bridge:
F5
ffi
)
G5
HtH5rr
utl
3t3
-TTT)
I- were
A5
H#il
ffi
')
A5
W
)
Cfl5
m*"
Cfi5
trnfi+r'.
ffi
you._
If
r
IfIWereYou-6-4
F5
ffi
A5
tffii
L!tL!
Htfl
ll
A5
H#
ffi
A5
ffi
ffi
Er"". ct..4
]
A5
ffi
JI
c$5
m*'
c$5
ffi*
J
-
*
tl
Verse 3:
A5
IIJI
|!il
Hiifl
llllH
II
o-
3. So, what's it going
IfIWereYou-6-5
Keybd. simile intro
fig.
cfm
fi6sr.
ffi
cflm A
m*
for you to re all can go a-way
C
: i ia6tr.
___!t!
:TH
321 1
G
m"'
one blink of an eye?
Chorus:
dRhy. Fig.28 (Elec. Gtr.4) 7
I were you,-
C
?ffiar'
ffi
G5
m"'
81
meas.
A5
tH{
ffi
il
, simile
hap-pens all the time.
C5
ffiri.
rrrn
hold-ing the world right_ in my_ hands,
G5
QiQlll 5tf,
ffi
333
B5
ffi
B5
ffi
A5
ffi
Hilfl
Ab5
ffi
is thank the
B'5
ffi"'
FitH
,r)-tTt
tr) fTT) fTT
and en the view,-
Bb5
m*
C5
Gilfiror,
ffi
333
C5
ffi:r'
ffi
133
Elec. Gtr.4
Ab5
ffi
T'IIU
"to,
you,
IfIWereYou-6-6
that I- want - ed to.- If I- were you,-
if I- were
rit.
stars
C5
frfil r nr.
ffi
if I- were
Take a breath
vou.__
82
Elec. Gtr. L tuned to:
@=E @=Ffi
@=A @=A
@=D O=E
ModeratelyfastJ=120
Intro: Half-time feel
Em7
ffi
IFYOUTALKTOO MUCH
(My Head Will Explode)
Words and Music by
GARETH JONES
Piano (arr.
for
gtr.)
much, my head will CX
head will ex
If you
plode.-
'If
you talk too much, my
*On
repeat.
talk too much, my head will -
olode.- If you
Piano 3
la, la,
O 2006 WICKED BROTH and VIOVODES MUSIC PUBLISHING, LLC
All Ri ghts Administered
?,Iilr|f R::rvnr
slc PU B LISHING, LLC
If You Talk Too Much - 9 - 1
83
end Half-time feel
Em
W
Acous. Gtr. (6-sting)
- I
r
))
c"^
ffi
342 t
end Rhy. Fig. 18
l-l-l-l
))))
end Rhy. Fig.
G
ffi
rTT-
Rhy. Fig.lB
))
Rhy. Fig.1
ri
J
Elec. Gtr. | (clean-tone)
ri
Elec. Gtr. 2 (clean+one)
/i
Rhy. Fig.lA
ilRhy. Figs.l (Elec. Gt. 1),\!t (Elec. Gtr. 2), &lR (Acous. Gtr.) 3 times, simile
Elec. Gtr. 3 (semi-clean tone)
Em
ffi
end Rhy. Fig.lA
rnf
C
ffi
G
ffi
C
ffi
EflI
G
ffi
Em
ffi
ilRhy. Figs.l (Elec. Gt. 1),lA (Elec. Gtr.2), & lB (Acous. Gt.)
4 times, simile
C
ffi
G
ffi
Em
ffi
c
ffi
G
ffi
Em
ffi
If You Talk Too Much - 9 - 2
C
ffi
G
ffi
Em
ffi
c
ffi
Eflil
G
dffi
ffi
84
Em
ffi
HH
Em
tffi
ffi
G
ffi
G
ffi
1. I don't- want you-
-
no time-
RiTTA
Verse:
dRhy. Figs.1
8 times, simile
Em
?#
ffi
(Elec. Gtr. I),1.A, (EIec. Gt. 2), & tB (Acous. Gtr.1
C
ffi
to
to
try and save-
re-con-cile-
end RifIA
rv/RiffA (Elec. Gtr.3)
Em
H9f
ffi
llti+i
23
c
ffi
ftfffl
7 times,
G
ffi
simile
Em
ffi
G
ffi
C
udd
H+u
rffin
342 I
me._
me._
Em
W
No, I don't-
There's no-
If- ws're
take- my
at
to
you
lcft
want
time
aln-
^^
I
c
ffi
G
ffi
Em
ffi
G
ffi
C
ffi
you don't
then I'll
through, then
and
If You Talk Too Much - 9 - 3
share
85
G
ffi
C
+9
H+{+1
ffi
342 |
Em
ffi
G
ffi
'Cause that-
I want-
won't
my
Em
ffi
G
ffi
C
ffi
head will plode.
If you
CmajT(f 11)
W
talk too much, my head will
too much, my head will
talk too much, my plode. If you
ex - plode.- If you talk
o8t+l
m,','
talk too much, my ex - plode and if you
plode.-
C
ffi
all.- r
dr._ j
Chorus: Half-time feel
Em o|<q)
'Tn'
tffiar.
#ffi
'Lt"".
ctr. z dbld.
32
n ) ) n^f
"T)
rTn
con,rhvsimite
talk too
ryruch,
my
2. See additional lyrics
Elec. Gtr. 4 (w/dist.)
Cont. simile
If You Talk Too Much - 9 - 4
talk too much, my will
86
t1.
CmajT(fi11)
W
I
Etec. Gtr.2 J.
ofr+l
EfH""
n-).
"nrTn
talk too much, my head will plode.-
Elec. Glr.4
Interlude:
dRhy. Figs.l (Elec. Gtr. 1) &lA, (Elec. Gtr.2) 2 times, simile
Em G
t2.
CmajT($11)
ffi
If You Talk Too Much - 9 - 5
87
Interlude:
w/vocal ad lib. on repeat
Em
hdffsr"
ffi
n11.. Ctr. 4 on repeat ad.lib. last time
tr.z.
Elec. Gtr.4
If You Talk Too Much - 9 - 6
88
tJ.
Bridge:
xxE
qJ
ffi
"iI
t)
CmajT
ffi
Htil
"rTn
dim.
)nrn1
*Composite
arrangement.
**Chord
Frame for Elec. Gtr. 2 only.
rTT TTT
Cont. rhv. simile
like.
Efec. Gtr. 4 (w/dist.)
hold throughout
E
ffi
If You Talk Too Much - 9 - 7
89
Cmaj7
W
Elec. Gtrs. t &z ). )_J ).----
and go.
))
CmajT
W
)
D(4)
tdd+r.
ffi
)_J J.-j )
D(4)
trftl+r.
H+H
tlrm
rTT
Elec. Gtr. 2 cont. in notation
-
want you_
Elec. Gtr.2 dbld.
_ want
and save- me.-
P.M. throughout
If you
If You Talk Too Much - 9 - 8
90
c
ffi
G
ffi
Em
ffi
plode.-
head
c
ffi
rTn
Outro Chorus:
Emc
ffiffi
*Elec.
Gtrs. l" & 2
) ) rTTl._)
)rrr
Cont. rhy. simile
ex - plode.
ex
my
Gtrs.1& 2
head will
much,
t1.
Em
c
ffi
Talk too
*Composite
arrangement.
Em
W
)
G
ffi
c
ffi
G
ffi
you
you
talk too much, my head will ex - plode.-
talk too much, my head
If
If ex - plode.
Em
ffiti
ffi
'-------
c
ffi
Elec.
G
ffi
ex - plode,-
will ex - plode.
tz.
Em
W
Chorus:
Can you see the man is down
And all he had has crashed to the ground.
(To Interlude:)
talk too much, my
plode.-
If You Talk Too Much - 9 - 9
PHOTOGRAPH
*Tune
down 112 step:
@=Eb @=Gb
@=Ab @ =Bb
@=Db O=Eb
ModeratelyslowJ
=78
Intro:
E5
?rrr?? rr.
rfftfl
""
ffi
Look at this
*Recording
sound a half step lower then written.
D8
ffiror.
ffi
9l
mf
l. And this is where
2. Re - mem-ber the
I- grew up,-
old- ar - cade?-
I think the pres-ent own-er fixed
Blew ev - 'ry dol - lar that we ev -
Lyrics by CHAD KROEGER
Music by NICKELBACK
up._
made-
B(4)
ffirr'
taotu
II IIN
tto'ronr.
rhy. simile
pho - to - graph,_
A(e)
m'"
B(4)
ffi-
ev-'ry time I do it makes me laugh._
and what the hell is on Jo - ey's head?-
Verse:
E5
ffirr..
LLLI!
HffN
t34
it
er
D8
ffi'"
A(e)
ffi''"
I nev- er knew we ev - er went with - out,_
The cops hat - ed us hang - in' out,_
the sec-ond floor is hard for sneak-in' out._
they say some-bod - y went and burned it down._
O 2OO5 WARNER-TAMERLANE
PUBLISHING CORP., ARM YOUR DILLO PUBLISHING, INC.,
ZERO-G MUSIC INC., BLACK DIESEL MUSIC INC. and DANIEL ADAIR
pUSLISHINC
DESIGNEE
AII Rights Administered by WARNER.TAMERLANE
PUBLISHING CoRP.
All Rights Reserved
How did our eyes
Photograph-5-I
92
E5
ffi*
r8
aFTrff lofr
ffi
1342
A(e)
ffi*
E5
ffif rr'
ffi
134
o8
ffi'*'
G6
m*
Az\
B(4)
ffi'"
And this is where
We used to lis - ten to
I went to school,-
the ra - di -o-
most of thetime, had bet-ter things to do.-
and sing a-long with ev-'ry song we'dknow.-
Crim
We
I
said
ord
we'd
says
find
half
just
I
out
a
the
broke
how
should I go back and try
I was so ner-vous that
trmes.-
wheel.-
tograd-u-ate?-
I near - ly missed,-
I won - der if it's-
Kim's the first girl-
Life's bet-ter now then it was- back
She's had a cou - ple of kids- since
musl have done
sing to more
it
than
doz
steer
B(4)
m""
too
I
late,
-
kissed,-
A(e)
ffi-
then,-
then,-
A(e)
lrffist
ffi
if
I
I was them I would-n't let me
have-n't seen her since God knows
God
)
Photograph-5-2
oh,_ whoa- whoa, oh, I,- Ev-'n
93
fi
Chorus:
E5
W-
Elec.
I
Gt.t ).
mf
)_J
B(4)
ffi-
).
)-J
of look-ing out the back door,_ I pho-to al-bum spread out on my bed-room floor. It's
)-J
have a
A(e)
ffi*
)
mem-o -
ry
D8
ffi'*"
).
hard to
E5
w''.
).
mem-o - ry
D3
ffi'*"
).
time to say it,
)_,1
good - bye. Ev-
)_J
of walk-ing out the front door.- I foundthe pho-to of a friend that I was look-ing for. It's
A_
To Codo
ffl
r.
)-J
A(e)
ffi'"
). )-j
hard to say time to
good bye.-
Acous. Gtr. cont. rhy. simile
)-J
good - bye,-
B(4)
ffi^
).
B(4)
ffi*
)
Elec. Gtr.2
E5
ffiui"
LILU
HfiI
"').
)-J
)-J
94
G6
ffi*
). )-j
A0)
ffi*
o
lz.
A(e)
ffi-
). )-J
Good bye,-
Bridge:
E5
ffirr"
ffi
")rour.
Gtr. & Elec. Gtr. I cont. simile
I miss that town,-
A(e)
ffi-
CmajT
ffirr"
ffi
D3
lrnff ror'
ffi
good by".
B(4)
ffi*
G6
ffi*
E5
ffi"'
B(4)
ffi^
I miss their fac
it
You can't
Photograph-5-4
you can't place- I miss now,_ I can't be - lie
95
G6
ffi-
B(4)
ffi-
A(e)
ffi-
E5
W*
So hard to stay,_ too hard to leave- it.
know the one thing that would nev - er
I could re - live- those days,_
D.S. X al Coda
D8
Acous. rrrff ror"
Gtr. ffi
-
LILI-U
fC t342
Elec.
Gtr. I o
s
Coda
J)-J
good - bye,- good - bye.-
D3
ffi*.
Ev-'ry
Look at this pho to - graph.-
A(e)
m*
Elec.
Gtr.1
A(e)
ffi*
).
E5
W*
o
Acous. Gtr. cont. rhy. simile
B(4)
ffi-
o
n!uu!.
i-
=i-i
-:r-
FF ar
Gtr. ). )^)))-)) ) )))). o
Ev-'ry time I do, it
Photograph-5-5
makes me laugh.- Ev-'ry time I do it makes me...
96
All gtrs. in Drop D:
@=D @=G
@=A @=B
@=D O=E
Moderately )=102
Intro:
Dm
Hffi
Hlffi
f{lrou. (arr.
for
gtr.)
INSIDE OFYOU
Bbsus2
ffi
A
TgJ
HH
HiH
1il
Dm
ffi
Bbsus2
ffi
Words and Music by
DOUGLAS ROBB
ANd DANIEL ESTRIN
xAm
rrf&f sr"
ffi
ina nr,y. rsl
F
ffi
*Substitute
C5 when Rhy. Fig. 1 re;
Verse:
Dm
Bbs Am
,<--,
O 2006 WB MUSIC CORP. and SPREAD YOUR CHEEKS AND PUSH OLIT THE MUSIC
All Righrs Administered by WB MUSTC CORp.
All Rights Reserved
C5 G5
m"'m'"
Elec. Gtr. I (w/dist
f'
Dm
fusr.
LLIIU
Hfiil
321
Rhy. Fig.1
Elec. Gtr. 1(w/dist.)
1. It seems
2. Just ask
Rhy. Fig.2
Elec. Gtr. L
ob - vi-ous--
I will do-
there's some
y - thing
thing up with us.-
you want me to._
InsideofYou-4-1
97
n/Rhy. Fig,2 (Elec. Gt. 1) 21/2 times, simile
Dm Bb5
I swear I feel it from a
There is no lim - it to how
Am
So,
I'm
my
be
to
be
cross
far
the
I
room._
will go.- And
can
sure
ask
can
you this?-
pre - tend-
1r.
Br5 Dm
Not
to
be
your
a for- ward miss.*
gen-tle - man.-
But I think I'd kill
But be - fore I
- self
- gin,
1.
Bb5
To Next Strainll2'
(To Chorus:)
C5 G5 Bb5
m"" m"
I33 331
knew just got know.
Dm IE G5
m"'
ffiChorus:
dRhy. Fig.L (Elec. Gtr. 1) 2 times, simile
Dm
ffiru
trfl
Am
m""
do to get in
Dm
ffir'
LLILU
LLLLII
JO
a
do I-
C5
ffffirr..
FISH
rrrrn
have- to-
Dm
ffisr'
ffi
side of
F
you, to
Am
rdftlsr.
ffi
33 I1
ln get
Bb
m"'
side of
.:sideofYou-4-2
you?- 'Cause I- love- the way- you- move- when I'm
To Coda0fl.
ll2.
Bb
m*
Am
m""
side of you.
Interlude:
Dm
Elec. Gtr. 1
When I'm in - side of
C5 Dm
m'*'
you.- side of you._
C5 Bb
m'*"
t1.
|2.
C5
m'''
Bridge:
C5 c5 Dm
w*m*
/G E
IE
For now, I'll play the
a
5;
and I'm wait-ing for- your move.- But I've got to say that I nev - er lose
Elec. Gtr. 1
Cont. in
lnsideofYou-4-3
99
D.S.X aI Coda
D5
ffi
n r J-Jt
D5
ffi
n
A5
ffi
n
F5
ffi
n
Bb5
ffi
n
to get in - side of you, to get in - side of
Outro Chorus:
C5
m""
133
n J_.
.-}
you?...--
simile
Am
Effilsr.'
&t-tH
rffifl
you._
What do I-
& Coda
Bb
rdrflor.
ffi
UIII]
have- to do-
When I'm in you._
G5
m"'
D5
ffi
side of
Elec. Gtr. 1
Out
Dm
ffi
A
W
Bbsus2
ffi
A
ffi
ffi
dRhy. Fig,l (Elec. Gtr. t) 1 3/4 times,
DmF
fusr'
ffi
ffiffi
:r ztt
InsideofYou-4-4
100
JESUS OF SUBURBIA
Moderately J = 144
I. Jesus of Suburbia (0:00)
Verse:
Db
frrrrfurr
tttttl ""
rf-atl
rl.rrn
*Elec.
Gtr. I
. Fig.1
and love,-
- sion fix,-
Words by BILLIE JOE
Music by GREEN DAY
Bbm
:,-
HffiO'.
HiH
bove,"- on a
womb.- while the
of rage
e-vi
the
my
son
tel -
Gb5
ffi
Je - sus
sit - ting
Sub-ur-bi-a,
my cru-ci-fix.
bi - ble
liv - ing
of- "none of
room- in my
of
on
from the
The
the a
pri - vate
(Ooh.
@ 2004 WB Music Corp. (ASCAP) and Green Daze Music (ASCAP)
All Rights Administered by WB Music Corp.
All Riohtc Ppcerued
*Elec.
Gtr. 1 is dbld.
Jesus of Suburbia - 18 - 1
101
Abs
m"
ilRhy. Fig.l (Elec. Gtr. 1)
D'
M+rt
ffi
stead
moms
v
and
di
Brads are
of-
way._
et
a
end Rhy. Fig. I
Bhn
m"'
so-da
fall in
Gbs
ffi
slns_
Mar-y
lin.-
debt-
No
al-
pop and Rit - a -
love and fall in
one eY - er
co - hol and
Ats
ffi*
died from my
cig-a*rettes and
hell- as
Jane-
far as
to keep
I can
me in
tell,- at least the
sane and do - ing
oneslgota-way-
some - one else - 's co - caine.-
(Ooh.
Pre-cho
(
rD)
..JIIT
Hilfl
ffiff1
But there's noth wrong with
Ab5
m*
-) Elec. Gtr. 1
Jesus of Suburbia - 18 - 2
Abs
m"
Gt5
ffi
l3
Gb5
ffi
land of make be
Db
m*'
be - lieve me._
I
Db
W*
Abs
m*'
l3
103
Interlude:
w/Rhy. Fig.l (Elec. Gtr. 1)
Db
M+rt.
rlti_j
I t6al
rrm
I 333
Bhn
m"'
Db
trd+t'
LLliJ_j
Hfffl
Gtr. 1
1333
Bhn
m*
Ab5
ffi*
(Ooh.
F5
rt+tl
ttttfl
!t!IU
Moderately slow J = 72 (half time)
II. City of the Damned (151_)
Ab
m*
,lffin rnDffirn
1. At the
l:2
Verse:
Db
W-
AbIC
m"'
Bbm
m"'
Sev-en E - lev - en
Ho - ly Scrip - tures
Elec. Gtr. 1
Ab
m*'
r342lt
where- I was taught-
of the shop-ping mall.-
cen - ter of the
read the graf-fi
the
the
earth in
-ti in
Gb
ffi
l-E
Acous. Gtr.J
) )
the park - ing lot- of
the bath - room stall-like
Jesus of Suburbia - 18 - 4
104
Gb
ElEr!
aTlT-l
ffi
13421t
Ab
ffi+t.
ffi
the mot
And so
was_
seemed-
-to
it
a
con fess
just
to
It says-
It
Db
W*
AbIC
m"'
2 t34
Bbm
filtri6fr
ffi
134111
Ab
ffi+r.
ffi
"Home is where your heart is." But what a shame-
did - n't say much but it on - ly con - firmed
'cause- ev - 'ry - one's-heart does-n't beat the same.-
that the cen - ter of theearth is the end of the world.
Gb
u#4J
H
t342lt
Ab
ffi4fr
ffi
We're beat-ing
And I could
Jesus of Suburbia - 18 - 5
105
Cit-y
(Hey.
of the
at the end of an - oth
Hey.
high - way.
Hey.)
to - day.
Hev.)
Cit-y of the
(Hey.
chil - dren with dirt
Hey.
- y fac-es
Jesus of Suburbia - 18 - 6
Hey.
106
Gb
ffi
No one real-ly seems- to- no one real-ly seems-to- care.-
Ac.us,,fTD
rTT) ,TU ffn ffD ffT) ,TD D )
III.I Don't Care (3:42)
Interlude:
Ab
m*
hr [r
Etec.Gtr.2)-
/ ) /
mf
Elec. Gtr.3
-
Ab
fiID4fr.
l+t+ll
ffrlH
r342tt
Cont. rhy. simile
Db
ffi*
Db
M+r.
ffi
1333
I
I lt
Moderately t= 144(dbl. time
)
r07
ry
Db
ffi+r.
ffrm
trr:__
Chorus:
Ab
ffi+t
ffi
"&'i,.
,t y. ,i*it,
Db
ffi*'
1333
Ab
ffioo
ffiH
1342t1
Db
m*
14.
Ab
m*
t342tt
Erec.Gtr.r)
)
Moderately )= M21,r:=i")
I
))
Ab5 Db
m* m*
13 1333
3
))n n)
I
A5 Ab5 Db
ffi'"ffi* w-
Gbs
ffi
)
3
n
3
n)
A5 Ab5
m"'m*
13 t3
)))
A5 Ab5
ffi"'ffi*'
13 13
Verse:
Db*
A5 Ab5 Db
m'"m*
''
,
''
,
Cont. rhy. simile
))
A.5 Ab5
ffi*ffi*
Ev - 'ry - one's so full of
*Chord
implied by bass gtr.
Jesus of Suburbia - 18 - 8
q** *
born and raised by hy-po - crites.-
108
Db
re - cy - cled but nev - er saved-
A5 A'5 Db
ffisi.ffi+rr.
ffiffi
A5 Ab5
m*m*
13 13
grave.-
A5 Ab5
ffisr.ffi+t
ffiffi
A,5 Ats
Db
m*m*
13 t3
Hearts
D'
to the from the cra - dle
Db
We are thekids of war and peace- fromAn - a-heim
A5 Ab5 Db
ffisr'.ffi+r,.
EHil EIil
13 13
to the
the Je-sus of Sub
Mid- dle East.-
A5 Ab5
m*m."
13 13
We are
Bridge:
Gb
the and dis ci-ples of-
Ab
m*'
13421 I
- ur-bi
Ab
m*'
t342rl
be - lieve in
Ab
ffion'
HflI
t342tt
a,_
Db Ab
m*m
1333 r342r,.
me._
Gb AI
m ffi-a'
ffiffi
lil2ll 13421't
Ab Gb
m*m
t342tt l342ll
I
/
Cont. rhy. simile
Db
m"'
1333
Db Ab Gb
m*m*m
1333 1342n t342||
and it don't
I don't
Db
ffi+r.
ffi
1333
Cont. rhy. simile
)
be lieve, and I
GL5
of make be - lieve,
)
J
and
Gb5 Abs
ffiffi*
don't
At'
ffiF-
)
J
J
n
I
/
J
E'ecG'r
'fTIl
nn ffn )
of make be - lieve,
Ab
m*"
ffi
Land
Gb
lflT-l
ffi
Land
Db
m*
3
Elec. Gtr.
(Whoo.
Jesus of Suburbia - 18 - 9
3
n
Whoo.)
I don't
109
Abs
ffi*
Gb5
ffi
Gh5
ffi
G5
m''.
Moderately ) - 142(t=J-)
)
IV. Dearly Beloved (5:25)
Verse:
Ab5
ffi+i'.
t-!t-tH
rrrrn
l3
Jesus of Suburbia - 18 - 10
G5 Ab5
m*ffi*
D5 Eh5
m''" m*
Acous. Gtr.
I
Cm
m''.
Ab
frr6+r.
ffi
32tt
lt
II
)l/
, i [n
I
/ 1 ) ) x
Acous.Gtr.conr.rhy.simile
- ber a word that you were say - ing.-
I7
w/slight P.M. throughout
Jesus ofSuburbia - 18 - 11
111
Db
Hon'
I t aaal
rrrm
Ab
m*
Ab
W*
Eb
W*
The space that's in- be
Cm
m'"
tween- ln sane and ln-se - cure._
end Rhy. Fig.2
dRhy. Big.2 (Elec. Gtr.2) 4 times
Db
m*
1333
A'
m*
Eb
ffi*
Cm
. _
Oh, ther - a - py,- can you_ please fill_ the void?_
(Ooh.
-
;
Db
W*
Ab
m*'
Eb
W*
*ft c
(Ooh.
re - tard just
o-ver joyed?-
Ab
m*
Cm
m*
{>
No
(Ooh.
Jesus of Suburbia - 1.8 - 12
bod-y's per and- stand-
tt2
for lack of a bet word- and best- ex cuse._
(Ooh.
Moderatety slow J
:72(n=J1)
V. Tales of Another Broken Home (6:31)
Interlude:
Ab5 Gbs Db5 Ab5
ffi* ffi w*ffi*
(Ooh.
VRhy. Fig.3 (Elec. Gtr. I
)
7 times
trt)
rntil
ffi
cb5 Dbs Ats
ffi m*m*'
134 133 134
Gbs
ffi
Dbs
m*
133
Verse:
Ab5
ffi+rt.
LLLIII
Hftfl
Db5 Abs
w* ffi*
and not to breathe
my faith to this,
Gb5 Db5 Ab5
mm*m*
134 133 134
cbs Dbs
ffiffi"
l-jtlll rlrFr
134 131
Gb5
ffi
ffi
in trag
that don't
live
lost
is to die
this town
Db5 Ab5
m*m*
133 t34
Jesus of Suburbia - i8 - 13
Abs
ffi*
Ab5
ffi*
find
light
Gbs Dts Abs
mm*m*
134 r13 134
Abs Gb5 Dbs
ll3
Gbs Dbs
nff ffi+r'.
EII|LI LITLU
Hil HfiI
114 133
dy.
ist.
To
SoI
what
of
run,
ill'
you be- lieve.
mas - o-chists.
lr.
Gbs Dbs
ffi m*
134 133
to
the to
way
way,
Gb5 Dbs Ab5
ffi m*m''
134 t33 134
Abs Dbs Ab5 Db5 Abs
ffi*w* ffi*w-'w*
-./l
And I-
leave be
And (Ooh.
Rhv. Fis.4
Elec. Gtr. 1 l-r
ffi m*m*
r34 133 t14
to run
Irun
a-
a-
E'Ab*
tffisr..
ffi
333
Db5 At5
m-"m*
133 134
Ab5 Eb/Ab Ab5 E'Ab
m"'m*m*ffi"'
134 333 134 333
Ebt1rb Abs Eb/Ab
m*m"ffi"'
333 r34 333
Abs
m"'
G
this hur - ri cane_ of f{<*x
(Ooh.
2.1
end Rhy. Fig.4
n
*
Bass plays Ab.
12.
I
dRhy. Fig.4 (Etec. Gtr. t)
Dbs Abs Db5 Abs Db5 Abs E lAb Ab5 Ebt\b Ab5 EbtAb
m*.m* ffi
*'
m*' m*m-"m* m"'m'u mJ*
ffi
"'
133 ty 133 r34 133 134 33t lu 333 134
r
33
Dbs Ab5 Db5 Ab5 Dbs Abs
m*m* m*m*m*m*
133 134 133 134 133 t34
I-
-./
hur -
(Ooh.
(Ooh.
Dt5 Abs nbs Abs EVAb
w*ffi*w*ffi''W*
Jesus of Suburbia - 18 - i4
leave be hind this cane- of fxxx-ing
174
EbIAb
ffi*'
HffI
Ab5 E'IA' Ab5 EbIAb
m*m*m""m"'
t34 333 t34 333
dRhy. Fig.4 (Elec. Gtr. 1) lst 3 meas. only
Db5 Ats Db5 Abs Dbs Abs Ebl/'b
m*m* m*'m"'m*m*ffi*
Abs EblAb Abs EblAb
m*m"'m*m*
JJJ
-/
And I- walked this line-
(Ooh.
)
Ab5
W*
EbIAb
m*
)
Ab5
4rr.
m*'
Dbs
m-"
Elec. Gtr. I
a
Dbs
ffi+rt
t-t-!t-H
rrrF
m.-
Abs Gb5
m*ffi
134 13
EbIAb
m*
and- this But ing tlmes.-
)
Abs
m*'
Gb5
ffi
Gbs Db5
ffi ffi+r'.
ffiffi
13 13
Ab5
m*'
time.
Elec. Gtr.2
Jesus of Suburbia - 18 - 15
115
Guitar Solo:
ilRhy. Fig.3 (Etec. Gtr.1) 8 times
Abs
cb5 Dh5 At5 cbs
Db5 Ab5
--=..4---
Gb5
ffi
Gbs
ffi
Dbs
ffi"'
#Rhy. Fig.4 (Elec. Gtr.l)
Abs Dbs
ffi* w*
Abs Eb/Ab Ab5 Eb/Ab
W* W* W* W*
Ah5
m*'
Dh5 Ab5
ffi*ffi*
Jesus of Suburbia - 18 - 16
116
Dt5 Abs Dts
m* m* m*
At5 Db5 Ab5
m* ffi*m*'
134 133 134
Abs Ebtl.b
m* ffi'"
Abs
m"'
EbIAb
m*
EbIAb
ffi"'
333
Bridge:
All Gtrs. tacet
piano & vocal only
Fm
don't feel
E'
shame,-
Ab
won'l
Db
o - gize
Eb
you can Run - ning a way- from pain- when
Eb Db
you've been vic -
Outro:
w/Rhy. Fig.3 (Elec.
Abs
ffi+r.
ffi
uo-
tim - ized.
Gtr. 1) 4 times
Tales from an - oth - er bro ken.
ffi
Gb5 Dbs
m"'
r33
Ab5
ffi+r'
ffi
t:
Gbs
ffi
Dbs
ffi.i
ffi
133
(Home.
when there ain't no - where
Jesus of Suburbia - 18 - 17
You're leav ing, you're leav lng.
tt7
Dbs Ab5
m*m*
13 134
Gbs
ffi
trt5
ffi
ffi
Gb5
ffi
you leav - ing
Db5
W*
Ab5
ffi0.
Hflfl
oo-
you're leav
cr5 Dbs Abs
ffi ffi*m''
13 13 13
home?
Elec. Gtr.2
Elec. Gtr. 1
Jesus of Suburbia - 18 - 18
118
NEXT?YOU
Bright J
=
Intro:
A
ffi
L92
Music by KEITH NELSON, JIMMY ASHHURST
and MARTI FREDERIKSEN
Lyrics by JOSH TODD, KEITH NELSON
and MARTI FREDERIKSEN
N.C.
c
W*
run - nin', and
but - ter cup,.
A
ffi
G
ffi
Verse:
A
ffi
)
Gtrs.1& 2
))) ) n))
A
FEsf
ffi
;1"".
)
CG
w* m*
1. Com-in' to you, hon - ey, on the east side,
2.Bet - ter than Kool - Aid, sweet, my
O 2OO5 WB MUSIC CORP., CASH AND CARRY MUSIC, DAGO RED MUSIC,
LICKTHE srAR MUSIC, CHIVA MUsIc, NUMBSIE MUsIc and SIENNA SIENNA soNcs
All Rights for CASH AND CARRY MUSIC, DAGO RED MUSIC, LICK THE STAR MUSIC,
CHIVA MUSIC and NUMBSIE MUSIC Administered by WB MUSIC CORP.
All Rights Reserved
Next2You-12-1
L1.9
A
ffi
)
D
ffi
\
)L-
ain't
ba - by's
got
got a
seat, lov - in', but you're
bad hab - it, and I
Jump in
I
f
*Elec.
Gtr. 3,2nd time only.
-J.
I put up with- your
trme
pret
to waste._
ty face._
to the car,
got to have it,
G
in the
it's an
*
u
back
oth - er
keep - ing me on the chase._ -,
hope I'm not here too late._
J
*Elec.
Gtr.3
@!tt!!ttr!rr!!rrrElec'
Gtr' 1
G
ffi
\
)\
D
ffi
Pre-chorus:
D
Elec. Gtr.2
1
o*z'
G
ffi
I
)L
I've been
Elec. Gtr.3
v'rite songs- all night.-
try - ing all- night long,-
Elec. Gtr. 1
Next2You-12-2
G
ffi
,\- ).
D
?firrl
ffi
ffi
t32
o*
).
E
U
$fifl
HiH
231
o*
crys my you come_ sure - ly like- the
G
ffi
l\
)L
A
IH
ffi
u1
o*
Tempt - ed love,-
Next2You-12-3
G
ry
ball, what can
G
ffi
ffi
''J'
D
ffi
J
Chorus:
A
ffi
))
Lzt
you won't
,ry
end Rhy. Fig.1
D
ffi
,n)
what they say,-
don't know
Cont. rhy. simile
Rhy. Fig. 2- - - -
Elec. Gtr.4
w/Rhy. Fig.2 (Elec. Gtr.4) 7 times
C
ffirrr
rrrh
way?-
Next2You-12-4
to you,-
next
Ev
r22
. Fig. t (Elec. Gtr. l) w/Rhy
A
ffi
you just
way.-
what
A
ffi
to you,-
D
ffi
['ve been try - ing
Elec. Gtr.2
Elec. Gtr. 1
all- night long-
t;jt1")t
want to get next to you.-
A
ffi
G
QIL!!ior
LLLI-
ftri-
ll4::
night,
G
m"'
should I
wrote a-bout you, ba-by, in-this song-
{'.uusdt
want to get next to you.-
tandJ
Next2You-12-5
t1.
A
fird
H+H
ftfth
lll
Elec.Gtrs. 1&2
)))) )
-_lD.
-
CGA
m""m"'ffi
r3i3 n42i I
-fii
Elec. Gtrs. 1& 2
n)) )))) )
c
u--
Itl.l-j.] JtL
ttHt
I taaat
Lt[u
ltrr1333
))) )n^)
123
C
.trrrrf:t
ffi
t^,
Guitar Solo:
Bm
i-I-Lrttt / tn
i]#H
irn-n
311 I
Elec. Gtr.2
l,,l l
63
r-l-Il^J
Elec. Gtr. I
Am
m',"
}J r.]TJ^J
Next2You-12-6
L24
Bm
m^
IJ
J-l-l-:^J J-t-r-:^,t
Next2You-12-7
L25
Bridge:
A5
ffi
Spend- my mon-ey,
teas - ing me, hon - ey,
t olE\-
-
(o--J
Elec. Gtr.4
G5
ffi*
D5
m"'
ofro
ll
Elec. Gtr. 1
o*o
what should I do?_
(8*)- -
L!!!t llL!!!!tl !!!tlYt !t !!!!t!!l!!!!! t !!!!! !!!tt!!!t!!!! tL!!!r!!l!!!t!tt ut!!l!!t!ti!!!!!
Next2You-12-8
126
A5
ffi
C5
lrnitrr',
ffi
Gtrs. 1 & 2
)
through.-
8w---
E
td
ffi
Elec.
I
{}
Ah,
ofro
When you gon - na show me?
- by,
Elec. Gtr.5
G
m*
I
come on,
Next2You-12-9
next
127
Chorus:
dRhy. Fig.l (Elec. Gtr. 1) 3 times
dRhy. Fig.2 (Elec. Gtr. 1) 16 times
A
th{
FIIIIJ
ffi
"ii".
.,'.,
) ),la)
gwthroughout
Elec. Gtr.5
Next to you.-
C
ffi*
Cont. rhy. simile
Next to
\1?-
D
ffi
A
ffi
what they
lta way?-
Next2You-12-10
I28
don't know what to do- to get xt
qj
ev - 'ry
day, you
Just
to
1r
ne
1r
you,_
)^-
+
A
rffi
ffi
brush mea wav._ Tell me
u/t^ ),
D
ffi
what should I do,- what should I do,- what should I do- to get next to
).sr
Next2You -12-11
129
A
ffi
next to you,-
I've been try - ing all- night
EIec. Gtr.2
you.
long- 'cause I got-to get next toyou.
next to
Elec. Gtr. 1
Outro:
A
r9--!
Hffi
LLLLII
LLLL!
Next2You-12-12
130
Gtr. tuned down l/2 step:
@=Eb @=Gb
@=Ab @=Bl
@=Db O=Eb
Stowly J
=
80
Intro:
Em
.ffi
Not Ready to Make Nice - 4 - 1
o 2005 wooLLY
NOTREADYTO MAKE NICE
C
ffi
D
ffi
Em
ffi
Words and Music by
EMILY ROBISON, MARTIE MAGUIRE.
NATALIE MAINES and DAN WILSON
c
ffi
Dsus
ffi
D
ffi
Verse
Em
ffi
1:
*Recording
sounds a half step lower than written.
PUDDIN'MUSlC, SCRAPIN'TOAST MUSIC, CHRYSALIS MUSIC and SUGAR LAKE MUSIC
All Rights for SUGAR LAKE MUSIC Administered by CHRYSALIS MUSIC
All Rights Reserved
G
ffi
ffi
c
ffi
Etil
Em
tffi
ffi
D
ffi
C
ffi
For- give,- I'm not sure- I could.-
131
I've paid-
I'm still
It's too
'Cause I'm
C
ffi
to fig ure out._
G
ffi
D
ffi
Em
ffi
Em
ffi
G
ffi
Acous. Gtr. cont" simile
IJ
tF
There's noth-in' left_ for me
c
ffi
32 t4
with- doubt.-
D
th
ffi
Em
ffi
]7
23
price,-
and I'll keep pay
Cont. rhy. simile
read - y
read - y back- down.
mad as hell- and I don't- have time- to go-
'round and 'round_and 'round.-
late to make- it right.-
I prob-'bly would-n't, if_ could.-
D
ffi
Chorus:
G
ffi
",,,,7 21
c
ffi
D
ffi
2.I know-
Acous. err.ffi
)
mad as hell,-can't bring- my - sell- to do- what it is- you think- I should._
c
ffi
C
ffi
G
ffi
D
ffi
Verse 2:
Em
ffi
Hilfl
fr.ru^,
turned_
ver it?"-
"Can't you just- get o
Not Ready to Make Nice - 4 - 2
r32
Em
W
D
ffi
C
ffi
D
ffi
Em
r8ffi
my whole- world- a - round.- and I- kind - a like it.
made my bed,- and I sleep- like a ba by with no- re grets,- and I don't* mind say it's a
sad, sad sto-ry when a mother will teach- her daugh - ter that she ought-a hate a per-fect strang - er. And hoq-
-
in the world can the words that I said send some - bod o - ver the edge- that they'd
write me a let-ter, say in' that l'd bet-ter shut- up and sing, or my life will be o ver?
Strings (arr.
for
gtr.)
G
ffi
(-
ffi
H#
32 I
D
ffi
G
ffi
G
ffi
C
g
Hdfl
H#
32 1
D
ffi
G
ffi
c
ffi
D
ffi
c
ffi
Not Ready to Make Nice - 4 - 3
I'm ni':
Chor
G
....!!g
*1+u
fil-itl
n-nn
'us:
133
D
ffi
read - y
Em
-iJ
ffi
read - y to back- down.
don't- have time-
'round and 'round_and
'round._ It',s
:-\
to make-
I prob-'bly would-n't,
could.-
hell,- can't bring_ my self- do- whar it is _ you think-
Acous. Gtr. o
uld.
C
ffi
mad
G
.-!a&
$fffl
rlrrF
324
late
Em
ffi
ffi
23
go_
D
ffi
'Cause I'm
1.
C
14
llltfl
llrFn
32 t4
I-
For - give,-
They say-
what
Em
What it is-
D
m
HtH
you
you think-
c
ffi
t-!+Hl
rrrn
Em
ffi
-
should.
Outro:
Em
?#99
Hfifi
tLLUI
uf
,, Xr!r*,
verse 1
fig.
simile
Em
ffi
ffi
23
G
g
HfiI
BlH
C
ffi
For - give,-
D
I+tT
ffi
I'm not sure- I could.-
c(e)
time heals- ev
hell- and I
right.-
;-\
sho
C
hdd
ffi
32t
think-
D
Hh
ffi
D
ffi
sounds good.
/:\
Acous. Gtr.o
Not Ready to Make Nice - 4 - 4
'ry - thing,- but I'm still wait - ing.-
734
Moderately J
=
Intro:
Keybd. only
N.C.
OURTRUTH
100
Words and Music by
CRISTIANO MIGLIORE, ANDREA FERRO,
CRISTINA SCABBIA, MARCO BTAZZT,
MARCO COTI ZF,LATIand CRISTIANO MOZZAT1
Elec. Gtr. 1(7-string) w/dist.
Elec. Gtr. 2 (7-sting)
w/dist.
*85
C5 B5 C5 B5 C5
@ 2006 MAGrC ARTS PUBLTSHTNG (ASCAP)
All Rights Reserved
e
7
OurTruth-8-l
*Implied
harmony.
Ah.
Ah.
end Rhy. Fig.1
*
end Rhy. Fig.1A
/*
OurTruth-8-2
136
Verses I & 2:
Elec. Gtrs. 1, &2 tacet
B5
l.Clock is- tick - ing while
2. Clock is- tick - ing while
Efec. Gtr. 3 (7-string) clean-tone
nW
holdthroughout
C5
ki[
steal -
nlng-
you-
all- a - round,
turn- it back?
Elec. Gtr. 3 cont. simile
ing else- that you can do
the cy - cle, set it free
to turn- it back.
and run- a-way.
Elec. Gtrs. 1& 2
off- the
road- but
scend - ing sm:e
To Next Str
(To Chor^slil
OurTruth-8-3
it_ like- we're fly'n',
Gtrs.
C5
ffi
G5
ffi
F5
ffi
B5
?Tlffff
ffi
tt
r
)
C5 D5
ffiffi
--l-r-
XX/-//l)-
Ly - ing
feel
X chorut'
Elec. Gtr.3 tacet
E5
ffi
Elec. Gtrs. I
L&2
)
il-'r
-
X X )n) ) I ).
8,5
ffi
fall - ing-
1&2cont.simile
D5
rrrtttl
ftffffl
ftEHl
HtH-H
through.-
]5
G5
ffi
lng_
D5
ntr
ffi
laallli
134
to- for -
rffiffi Effi
we're
my
B5
ffi
time.
F5
ffi
ffi
get-
Tell lng_
we're
more_
To Coda#E.
wiRhy. Figs.l (EIec. Gtr. I)
&lA (Elec. Gtr.2)
B5 C5
C5
B5
t2.
ffi
OurTruth-8-4
C5 B5 C5 B5
l-
.-i
-a^a
Elec. Gtrs.l &2
'
\
138
Interlude:
N.C.
Elec. Gtr. 1
J::
J
EIec. Gtr.2
(-)
*F
D.S.X al Caas
OurTruth-8-5
*
t39
SF5
coda
ffi
E1"". Gt.r.
t'o
Ah.
Ah.
Elec. Gtr.2
t40
Half-time feel
N.C.
P.M. P.M. P.M. P.M P.M. P.M. P.M. P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Music begins to fade out at this point
while static white noise fades in.
OurTruth-8-7
t4L
P.M. P.M.
P.M. P.M. P.M. P.M.
P.M. P.M.
Music is completely out
at this point.
Music begins to fade in while
white noise fades out.
P.M.
Music is back to full volume
at this point.
P,M. P.M. P.M. P.M.
t42
REMEDY
*All
gtrs. in Drop D, down ll2step:
@=Dt @=Gb
@=Ab @=Bb
@=Db @=Eb
Moderately )
=tZt
Intro:
N.C.
Elec. Gtr.2
Elec. Gtr. 1
Lyrics by SHAUN MORGAN
Music by SEETHER
E5
ffi
)
f
,n rTT
ffiffi
D5
ffi
n
E5 D5 G5 E5 D5 E5
ffi mm'"m
rTT )
E5 D5 G5 E5
ffi mm-m
lll 333 lll
fTT) )
E5
ffi
"r"".
Rhy. Fig.
)
Gtrs.
I
"z&l/
D5 E5
Elec. Gtr. 1
ttt.
n)
ffiffi
l5ma- ----r
D5 E5 D5 E5
ffiffi
D5 G5
?i?++{ #
LLLLII _;
l-lFlH
--
ln
end Rhy.
nrTn )
O 2005 SEETHER PUBLISHING and DWIGHT FRYE MUSIC, INC. (BMI)
All Rights Administered by DWIGHT FRYE M{-ISIC, INC. (BMI)
All Rights Reserved
D5 G5
mffi m5r
H+H H!!
*Recording
sounds a half step lower then written.
E5 D5 G:
ffiffiffi
lll 33,i
rTT
D5
ffi
I
.rl
ffiffi
D5
ffi
,n
E5
ffi
)
ffiffi
E5
ffi
D5 E5 D5 G5 E5
ffim-m
nrTn )
D5 G5 E5
ffim'"ffi
Remedy-7-1
ffi
aa/aat
E
(!
t:
:r
5
trj
o
a
Ur
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oa
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rd
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=ffis
ta
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U
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o
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U
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o
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o.
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r44
ilRhy
E5
ffi
E5
ffi
ffi
. Fig.2 (Elec. Gtr. 5) 7 times
D5
ffi
wiFill
E5
ffi
D5
q99sr
ffi
but don't pre - tend,-
sit by the fire,-
L (Elec. Gtrs. 1 & 6) 2 times only
G5
aaal I I ttr
ffi
all
SO
And speak
So come
here with
far a way._
E5
F+il
aaa! I I
ffi
bone,-
bone,-
E5
ffi
an-y
you can't
G5
fttflsr'
LLIIU
HlH
G5
,ftffT:r'
t-t Lltl
HIIH
w/Fill
E5
ffi
ffi
E5
ffi
I
and
de-
a
know
by
My
I
D5
ffi
won't
play
D5
ffi
you
too
you
but
II
It
for
for
'ry
'ry
1n
in
I'll
I'll
a-
a-
but
but
die
die
D5
ffi
need
heart
E5
s
H+N
HiH
ill
lone,-
lone,-
E5
ffi
not
not
G5
j^*_-
aatt I I )tr
LLLLU
H+H
you.-
Plea-s
-
ug
been
eyes
see
don't
my
to see-
ex - plode,-
ly
e - ure.
E5
Ertt{
ffi
rffit
lll
ed
it's
the
me_
weath
you
er
| (Elec. Gtrs. I & 6) 2nd time only
G5
aaal I I 5tr
Fflfl
rrrF
D5
ffi
ev
ev
G5
x-
l.t.l-Lll 5lr.
ffi
333
Elec. Gtr.6
Fin l
8va harm.
Elec. Gtr.2 (w/fdbk.)
----\
Remedy-7-3
ffiec,Gtr.t,f'T)
fT'T
Elec.
Gtrs.
2&3
I
r45
A5
ffi""
F5
ffi
Chorus:
E5
ffi
Rhy. Fig.3
)
D5 G5
??flft ffisr,
L[lL.l LL[u
HfiI HtH
D5
ffi
E5
ffi
ffi
E5
ffi
ffi
I
D5
ffi
E5
m,i+{
ffi
ill
D5
9!9&r
ffi
G5
.m-
ffi
D5
ffi
l-:
And so
dRhy. Fig.3 (Elec. Gtrs.2 & 3)
E5 D5 E5 D5 G5
the wings that get you high, just
leave them where they
skin is
E5
Ertt{
$itttl
ffi
ilt
dry and
D5 G5
cgcs} .Ae-^
HS] Eflfl)Ii
H# HlI
33f
pale,
A5
m-
)
parn will nev - er
G5 D5
ffisr" ???ffi
ffiffi
333
end Rhy. Fig.3
D5 E5 D5 G5
And tell your- self,-
ilRhy. Fig.3 (Elec. Gtrs.2 & 3) 2 times
E5 D5 E5 D5 G5
go_ back
D5 E5
to
D5 G5
dy.
E5
EIec. Gtr.2
Frail,
E5
ffi
)
of me." "You'll the death of the skin is dry and
t46
the pain
D5
D5 G5
nev er
wings that
E5
And so we
E5
dy.
G5 G5 D5
will
E5
go- back to the
D5 E5
rem-e
D5
them where
G5
D5
ffi
Rhy.Fig.4----
the
D5
get you
D5 G5
high,
A5
they
D5
lie.
Bridge:
C5
ffi'*'
self,- "You'll of me."
A5
ffirr"
t++++l
FFIIH
Dr
FEIry
i*-J
3
take me
E5
Er+t{
ffi
"')
Hold take me
E5
#t{
st-H
ffi
D5
ffi
,J_J
E5
ffi
D5
ffi
D5
ffi
J-
D5
ffi
Elec. Gtr.5
Erec.Grr.tfTT
fTT)
Hold your eyes closed,-
EIec. Gtr.2
Rhy. Fig. 4A - -
dRhy. Figs.4 (Elec. Gtr. 3) & 4A, (Elec. Gt. 2) both 3 times
C5
ffitoi'.
t-t-H-H
lrffn
A5
ffi"'
C5
ffiror'.
t-l+.H.]
your
G5
m'"
A5
M__
.rlr
I
l /tr
l#lll
ffffH
eyes
E5
ffi
)
C5
ffi'"
A5
ffiri'
ffi
D5
ffi
D5
ffi
closed,-
Remedy-7-5
1.47
E5
ffi
G5
m*
E5
ffi
)
D5
ffi
D5
ffi
J-l
Solo:
Fig.3 (Elec.
Guitar
ilRhy.
E5
ffi
G5
ffi"'
G5
ffi""
D5
ffi
E5
ffi
D5 G5 E5
mm-
ffi
D5
ffi
G5
ffi*
3) 2 times
E5
ffi
^\
Gts.2 &
D5
ffi
Elec.Gtr,4
)
D5
ffi
A5
ffi
D5
ffi
E5
ffi
--
D5
ffi
E5
ffi
D5
ffi
E5
ffi
J.
D5 G5 E5 D5
ffim-ffi ffi
____.
Remedy-7-6
148
D5 E5
ffiffi
D5 G5 A'5 G5
lftH5rr'
H+H
_7
-----1
D5
ffi
E5
ffi
eetlt I
Hfif
D5
ffi
D5
ffi
Chorus:
dRhy. Fig.
E5
ffi
D5
ffi
3)2
E5
ffi
3 (Elec. Gtrs.2 &
D5
ffi
times
nev - er
E5
ffi
E5
ffi
D5
ffi
E5
ffi
D5
ffi
G5
ffi"'
E5
ffi
D5
ffi
we go_
D5 G5
?tfff{ ffisr,
ffiffi
E5
ffi
D5
ffi
E5
ffi
D5
ffi
just
leave them where thel high, wings that
G5
ffi
n
E5
ffi
I
r.
llz.
G5 D5 A5
m*
ffi
m-
Elec.Gtrs. Z*S
)
D5 E5 D5 G5 A5
ffiffi mm-m*
ill 333 tll
mm-ffi*
--\
G5
m'''
pale,
A5
ffir*.
H]JII
rtiffl
D5
ffi
Remedy-7-7
And tell your - self,- be the death of me." be the death of me.''
**Baritone
Gtrs. tune to:
@=Ab @=Db
@=Bb @=Pb
@=Rb @=Ab
Moderately J
Intro:
B sus
htr
tatfn
UH
Asus 2
ffi
G6
ffi
Acous. Gtr. 1
:F
cnf,
hold throughout
**Baritone
Gfr . I
(clean-tone)
ry
hold throughout
harm. -
*Recording
sounds a half step lower than written.
**A,baritone
gtr. is a 6-string guitar tuned down a 4th.
Mike Mushok tunes down an additional half step, similar to DADGAD.
FfTsus
ffi
Asus 2
ffi
Bsus
W
RIGHTHERE
Acous. Gtrs. tune down 1/2 step:
@=Eb @=Gb
@=Ab @=nb
@=Db O=Eb
=
110
Words and Music by
MICHAEL MUSHOK, AARON LEWIS,
JOHN APRIL and JONATHAN WYSOCKI
149
O2OO5 WBMUSIC CORP,I.M. NOBODYMUSIC,
GREENFUND MUSIC,
MY BLUE CAR MUSICand PIMPYUG MUZIKMUsIc
All Rights Administered by WB MUSIC CORp.
All Rights Reserved
RightHere-7- I
150
Verse:
w/Rhy. Fig.l
(Acous.
Gtr. 1) I 3/4 times, simile on repeat
Bsus
ffi
hllJl
Asus
ffi
1.I
2.r
-tak-en
- tend - ing
know
hope
I've
you're
Baritone Gtr. 1
G6
ffi
Bsus
ffi
Asus2
fid
ffi
Ffr7sus
ffi
- es- that- I've made.-
as- I- can take.-
RightHere-7-2
151
I've got some
And you're so
my
I
im - per
in-de
fec
pen
tions
dent,
all-
I-
and
keep
G6
ffi
how can
just
re
FfTsus
ffi
Asus
ffi
ft
Chorus:
RJII A
(Baritone
Gtr. I 4 times, simile on D.S.
Dsus 2
But you
*
Composite arrangement.
Asus 2
*Barirone
Gfi.Z 6/dist) dbld.
Riff A
Baritone Gtr. 3 fu/dist.)
end RiffA
,nf
trem.pick
______l
t t, t , ,
I t .
RightHere-7-3
r52
Film7
G8
here wait
B Tsus
way-
dRhy. Fig.Z
(Baritone
Gt. D 2 3/4 times, simile
Ffim7
You al-ways find
keep me
the words- ing.
end Rhy. Fig.2
Ffim7
walk-
walk-
Dsus2
a - way,-
a - way,_
F$m7
BTsus
ing. wait And
(3.) And
G3
cho.e-
chooe-
if you
ifI
here wait
here wait
be
be
to
to
I'd still
would you
right-
right-
- rng\
- ing? I
To Cod; M
RightHere-7-4
the things-
BTsus
here wait
Baritone Gtr.2
mg.
w/slight P.M. throughout
lo
lL,
G5
here
I've made a- com-mit - ment,_
for-
B5
I'm will - ing-
G5 B5
B5
to bleed
G5
need - ed- ful - fill
RightHere-7-5
t54
Verse
w/Rhy
B sus
ffi
3:
,Fig. l
(Acous.
Gt. 1) simile
whv
don't want to-
just- for can't you
G6
ffi
B sus
ffi
Asus 2
W
live- all-
Baritone Gtr. 1
B sus
ffi
F$7sus
ffi
- ways
D6sus 2
ffisr.
fffftl
rrrn
Chorus:
D6sus 2
w'"
Acous. I
ctr.1 ) t1-tT,
G6
ffi
way- to keep you
F$7sus
rnfif
tftttl
ffi
right- here
al
Asus
ffi
give- me?
Fff7sus
lrffizi.
ffi
the- mis takes- I've made-
ry
hold throughout
harm. -
RightHere-7-6
find-
ways words-
walt - mg.
155
D.S. X al Coda
to keep you
right
s
Cod.a
G5
here
Baritone Gtr.2
Baritone Gtr. 1
w/slight P.M. throughout
156
bath
F
king
Rockstar-7-I
ROCKSTAR
Lyrics by CHAD KROEGER
Music by NICKELBACK
Moderately tlotn J
=
76
Verse
G
ffi
Acous.
I
Gtr. /
onf
1:
c
ffi
Cont.
ninth
n't turned out
(Tell me what you want.)
I-
srze
ri-ir
/rt^.t/a
brand new house
nough
in, it's like the
an ep i - sode of Cribs, and a
ten-
plus
I'm
life
G
ffi
c
ffi
tub big
O 2OO5 WARNER-TAMERLANE PUBLISHING CORP., ARM YOUR DILLO PUBLISHING,INC.,
ZERO-G MUSIC INC,, BLACK DIESEL MUSIC INC. and DANIEL ADAIR PUBLISHING DESIGNEE
All Rights Administered Ot *flH]11;TAMER,{LANE PUBLISHING coRP.
I'm through with stand-ing in line- to clubs I'll nev - er get
quite-
me.-
L57
G
ffi
(Go
for
what you need.) 2. I'll need a,
2&3:
a cred-it card that's got_ no
3. See additiornl lyrics
Verses
G
ffi
it and a
C
ffi
G
ffi
a bath room in- it. Gon-na
join
the mile- high club at thir-ty-sev-en thou-sand feet._
C
ffi
star on
Rockstar-7-2
F
ffi
big black
jet
with
(Been there,
Elec. Gtr. 1
Hol-ly-wood Bou - le vard.- Some-where- be-tween Cher and James_ Dean is fine for me._
158
G
ffi
name.-'Cause ne for for - tuneand fame,- I'd e-ven cut my- hair
C
ffi
Acous.
Gtr. .
Bb
ffi
Chorus:
G
rr+9n
t&ttH
aftt-a
rrrrn
"
,iiour. Gtr. resume rhy.
fig.
simile
x
all just wan-na be big rock-stars and live in hill - top hous-es driv-ing fif - teen cars.- ThE
*Elec.
Gtr.2
Rhy. Fig.1
xElec.
Gtr.3
Rhy. Fig. 1A
*Elec.
Gtrs. 2 &3 tacet lst 4 meas., 3rd time only.
Rockstar-7-3
I
C
ffi
Eb
ffi*
girls come eas - y and the drugs come cheap. We'll all stay skin-ny 'cause we just
won't
F
ffi
1.59
eat.- And we'll
end Rhy. Fig. I
dRhy.
G
ffi
c
ffi
Figs.l (Elec.
Gtr. 2) & lA (Elec.
Gtr. 3)*
hang out in
*Re-enter
here at D.S.
I. with the mov - ie stars._ Ev-'ry
Eb
ffi*
good gold dig-ger's gon-na wind up there, ev-'ry Play - boy bun-ny with her bleach-blonde hair.
And we'11...
F
ffi
Bb
ffi
the cool - est bars,- in the V.
G
ffi
C
ffi
Bb
ffi
Elec. Gtr.3
Rockstar-7-4
I wan - na be a rock
160
G
ffi
C
ffii
ffi
,:t
l
r.r
ilRhy. Figs. | (Elec. Gtr. 2) & 1.A, (Elec. Gtr. 3)
G
.-98*
H+++1
-ttT5a
rrrrn
- est dic tron
Bb
w
Iat
c
W
who.-
get you
Eb
Mot"
H*S]
rrrm
r333
Ev-'ry
To Coda ffi F
ffi
1.61
Bb
ffi
c
ffi
HeY,- hey- I wan-na a rock
G
ffi
e.
0ec. Gtr.3
I'm gon - na
I don't
Bridge:
Eb
m*
Bb
ffi
sing those songs that of-fend the cen - sors.Gon-na pop my pills from a Pez dis - pen - ser. Get
C
ffi
Acous.
I
Gtr. d
Lip sync 'em eY -
Rockstar-7-6
1.62
D.S. X aI Coda
Bb
ffi
o
Coda
c
ffi
G
ffi
Elec. Gtrs. tacet
Bbsus 2 G
ffi
ri
o
heY,-
Verse 3:
I wanna be great like Elvis, without the tassels,
Hire eight bodyguards who love to beat up assholes.
Sign a couple autographs so I can eat my meals for free. (I'll have the quesadilla, ha, ha.)
I'm gonna dress my ass with the latest fashion,
Get a front door key to the Playboy mansion.
Gonna date a centerfold that loves to blow my money for me. (So how ya gonna do it?)
I'm gonna trade this life for fortune and fame,
I'd even cut my hair and change my name.
(To Chorus:)
C
W
J
L63
by
I
Moderately.h
=
|J2
Intro:
Bm(b5)
EIec. Gtr. 1
--
(clean-tone)
"ly'ttg-_---
- --
--*-"r
All gtrs. tuned down 1. whole step:
@=D @=F
@=G @=A
@=C O=D
SEABEAST
D6(b5)
BrnG5)
Words and Music
MASTODON
D6G5)
*f
nota throughout
dRhy. Fig.l (Elec. Gtr. 1) 4 times
Bm(b5) D6(b5)
Iff;"". ii ;?
tRhv'
Fi g' 1A
*Recording
sounds one whole step lower than written.
*.*
D6(b5)
@ 2004 RELEASE RELAPSE MUSrC (BMD
All Rights Reserved
Seabeast-7-1.
r64
FflS A5
stand a - round and I watch them drown in pool of gray.
2.Dear Miss Quee
- queg, you have been in - formed your life's been saved
3. There's an o - pen wound placed up - on my heart in an - ger's rage.
Elec. Gtrs. I &2 (w/dist.)
Rhy. Fig.2
G5 Bb5 Ff;s A'5 G5 Bb5 F$S A5 G5
When we dive
You are not
Ifweo
I can sure - ly
black-heart - ed vi - cious
up a spir-it,
in,
a
pen
Bb5 G5 G5 Bb5 Ffi5 A5 G5 Bb5
say there's feud with force.-
mess, so it's been claimed.-
it's a spir - it that can bleed.
Seabeast-7-2
165
dRhy. Fig.2 (Elec. Gtr.1)
G5 Bb5
Am I in your way?
If this is the beast
hab, the lead - ing lad,
Elec. Gtr.2
Please knock me
pull - ing us towards the
we can trust his ob
Fil5 G5
down, can I help you
east with might - y
- ses - sion car - ries
in?
G5 Bb5 F$s As G5 Bb5 Ffis Bb5 G5
waves
them.-
FH5 ,A5
When I'm not
let us look
Meet us at
a - round let us all be
in - side and pull out all our
the tem - ple heal - ing all the
t1.
G5 Bb5 G5 F[5
Fil5 A5 G5 Bb5
found in cer - tain ways.-
pride, it's up to us.-
crip - pled, don't for - get the maimed.
Seabeast-7-3
166
ilRhy. Fig.! (Elec. Gtr. 1) 4 times
wlRhy. Fig. 1A (Elec. Gt.2)
12.
G5 Bb5
EIec. Gtr.2
F[5 A5 G5 Bb5 Ffl5 A5 G5 Bb5 Fils
To Next Strainll3'
(To Chorus:)
F$5 A5 Gs Bbs
F5
36
cs Bb5 Ffl5 A5 Gs Bbs Fil5
Chorus:
E5
Hold
Low
Elec. Gtr. 1
G5 Bbs Ff;5 A5 G5 Bbs
Elec.Gtrs. 1&2
E5 D5 E5 F5 E5 D5
ln - tng
-er
pasts
soul
Etec. Grr.2
Rhy. Fig.3
Seabeast-7-4
167
black
of - fer
end Rhy. Fig.3
w/Rhy. Fig.3 (Elec. Gtr.2)
E5
E5 D5 E5 F5
the
to
sand,
child
in-to
el with
grow towards
laid next
p.5.y|2.
E5 D5 E5 F5 E5 D5
Seabeast-7-5
168
Elec. Gtr. 1
Elec. Gtr.2
Elec.Gtrs. 1&2
D5 F5 E5 D5 A5
Elec. Gtr. 1-
- -
Seabeast-7-6
1.69
G$5
-------'l
Elec.Gtrs.L&2
F5 E5
F5 E5
D5 45
EIec. GJr. 1- - -
] U"". Gtrs.1& 2 Elec. Gtrs. 1& 2
Seabeast-7-7
t70
SAVIN'ME
*All
gtrs. in Drop D, down one whole step:
@=C @=F
@=G @=A
@=C O =D
Moderately )
=82
Intro:
Bbmajf Fsus2
Acous. Gtr. 1
Rhy. Fig.1
Verse:
w/Rhy. Fig.l
(Acous.
Gt. il I 3/4 times, simile
Bbmajf Fsus 2
Gsus 2 Dm(4) Bbmajf Fsus2
Gsus 2
on these hands and knees
with these bro - ken wings
Fsus 2
- fied- of these four
walls- ain't got no
Lyrics by CHAD KROEGER
Music by NICKELBACK
Gsus 2
end Rhy. Fig.1
Dm(4)
['m crawl - in'.
I'm fall - in'. Aru
these
me.
*Recording
sounds a whole step lower than written.
l. Pris - on gates-
2. Heav-en's gates-
won't o -
won't o -
pen up_
pen up-
for me,
for me
Bbmajf
oh,
all
reach-
see-
you.-
you.-
for
is
Bbmajf
Well, I'm ter- ri
These cit - y
walls,
love for
Gsus 2
i - ron bars-
['m on- the ledge
Dm(4)
Bhmajf
can't hold my soul in. All
of the eigh - teenth sto -
ry.
And all
O 2OO5 WARNER.TAMERLANE PUBLISHING CORP., ARM YOUR DILLO PUBLISHING, INC.,
ZERO-G MUSIC INC., BLACK DIESEL MUSIC INC. ANd DANIEL ADAIR PUBLISHING DESIGNEE
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP'
Savin'Me-8-1
-
-
_
_
_
Ft:; ) ) ) J1 ) ) r,n [-,rTn
rT
171
Bbmajf
Come,
Dm
ffi""
i-,
Chorus:
Dm
|5TTT1 5fr
l"o,rr. ffi
Gtr. I
t342t
And
please,- I'm call - in'.
oh,
all
scream_
need-
for you.-
from you.-
Hur -
ry,-
I'm fall-in',
C
m*
Gm
m*
I'm fall - in'.
and
last one stand-ing
be the
F
ffi
l-E=t
) ))
C
ffir'
Hfifl
Gm
m-
teach-
Bb
ffi
f)
from
And I'll show you what
Dm
m*
)
wrong_
F
right.-
Gm
ttffisr'
&}}FH
rrffH
Acous. Gtr. 1
can
F
,-r- )- )-
say it
Elec. Gtr. I
(w/dist.)
hind
Savin'Me-8-2
for DE, say to and leave this be
172
F
ffi
Gm
m*
end Rhy. Fig.2
2.
Bb
ffi
F
ffi
Gm
m*
n fTn
7
;\-"
Say it me.- it Say worth
F
ffi
Guitar SoIo:
Bb
trrrrl
ffi
Elec. Gtr. 2 fu/dist.)
EIec. Gtr. I
(w/dist.) Elec. Gtr. 1
173
F
ffi
Bb
ffi
n
Dm
m*
)
F
ffi
)
Gm
m*
n
--
-
) ))) ) ) ,r-
F
ffi
Bb
ffi
-
r,n
Savin'Me-8-4
L74
F
ffi
-
Bb
ffi
-
F
ffi
)
Gm
rtflrr"
ffi
Dm
'ljllTB5fr
l.]-m
ffi
Gm
m*
J)-"
9-o
Bbmajf Fsus 2 Gsus 2 Dm(4) Bbmajf
Acous. Gtr. I
hold throughout
Savin'Me-8-5
Gm
1
teach-
Bbmajf
Chorus:
w/Rhy. Fig.2
(Acous.
Gtr, 1) simile
Dm
ffi*
175
ry,-
and
be the last one stand-ing
Gm
1
all
I'm
I'm fall-in',
a-.
Show- me
Elec. Gtr. 1
what-
F
ffi
C
ffi
wrong_
And,
what I can be. show you
Gm
m'n
6|t
mtm
234tl1
Savin'Me-8-6
F
ffi
F
ffi
ffi
Bb
W
Gm
ffi*
Bb
ffi
Savin'Me-8-7
L77
Bb
ffi
Acous.
I-1
Gft.\ /t )
\
/r---o
F
ffi
f)
Gm
m'
BbmajT
it's worth sav - ing me.-
Piano
(arr.
for
gtr.)
4\
Savin'Me-8-8
t78
STRICKEN
*All
gtrs. in Drop D, down one whole step:
@=C @=F
@=G @=A
@=C O=D
Moderately J
=
88
Intro:
D5 F5 D5
*Recording
sounds a whole step lower than written.
Words and Music by
DAVID DRAIMAN,
DAN DONEGAN
ANd MIKE WENGRE\
D5 Ab5 F5 A.5 Bb.5
Elec. Gtrs. I &2 (w/dist.)
Bb5 A'5 F5 F5 D5 Bb5
O 2005 WB MUSIC CORP. and MOTHER CULTURE PUBLISHING
All Rights Administered by WB MUSIC CORP.
All Rights Reserved
Stricken-10-1
Elec. Gtr. 1
Elec. Gtr.2
11.
Eles Gtr. I
Elec. Gtr.2
ft
verse:
D5
1.3. You walk on like a wom-an
2. You don't knowwhat your pow-er
Elec. Gtr. l on D.S.
suf - fer-ing,
done to me,
won't e - ven both-ernow to
I wan-na know if I
tell-
heal-
whv.
side.
Elec. Gtrs. 1& 2
Rhy. Fig.1
Stricken-10-2
w/slight P.M: - -
180
I
D5
ilFill1 (Elec. Gt. 1) simile
- ment,
- pen,
leav-ing me bro - ken an-oth-ertime.
see-ing you laugh - ing an-oth-er time.
end Rhy. Fig.1
You come a-lone, let-ting all of us
I can't go on with the hol - o-caust
mo
hap
sa-vor the
a-bout to
dRhy. Big.l (Elec. Gtrs. I & 2) simile
D.5
You come on
You'Il ne-verknow
blood-stained hur - ri-cane.
face has haunt-ed me.
Leaveme a-lone,
My ver-y soul
let me be
has to bleed
like a
why your
re - demp -
de - fens
this-
this-
You car - rv
An-oth- e'r
on
hole
like a ho.- ly man, pushing
in the wall of my ln - ner
F5
dFill2 (Elec. Gtr. 1) simile
tion. I don'twan-na
es,- leav-ing me
Chorus:
D5 Bb5 F5 Bb(bs)
men - tion the rea-son I I
breath-less, the rea-son I
J
/-\
---r
/'
-r,_)
know-
Elec. Gtrs.1& 2
Elec. Gtrs. I &2 on D.S.
hold throughout
strick en_ and can't you_
Stricken-10-3
181
16
qs Bb5 F5
B(b5)
go._
When the heart cold- there's- no hope
ry
D$s Bbs B(bs) D5 G5 Bb5
crip pled- by- all that* you ve_
know-
Stricken - 10 - 4
To Coda#
B(b5) F5
dFill2 (Elec. Gt.1) simile
A5
Stricken-10-5
183
12.
26 D5
Guitar Solo:
Bb5
<>
run.
Elec. Gtr.3 (w/dist.)
Elec.Gtrs.L&2
B(bs)
)
onf
Stricken-10-6
184
i2
*
Stricken-10-7
Bb5
Bb(b5)
>--
38 ?
-
tr)
>-- >--
Stricken-10-8
D.S.X al Coda
186
A5
40
& coda
42 G5 c(bs)
Stricken-10-9
r87
Bb5A5
Bb5A5
Ab5 D5
Ab5 D5
Bb5A5
Bb5 A5 F5 D5
and can't let-
B'5A5 F5 D5
F5 D5
Bb5 A'5
Bb5 A5
Stricken-10-10
188
Verse l:
G5
Hdfr:r'.
I-IHfl
ffrm
3 ll
G5/D
ffi
G5/E
ffi
WAKE ME UP WHEN SEPTEMBER EI{DS
Moderately J: 104
Intro:
G5
ffi:r.
ffi
Sum - mer- has come and passed,-
Rhy. Fig.1.
rnf
noU throughout
Words by BILLIE JOE
Music by GREEN DAY
Gs/Fil
ffi'n
H-HN
wake Me up when september Ends - 10 - ta
rooo wB Music corp. (ASCAp) and Green Daze Music (ASCAP)
All Rights Administered by WB Music Corp.
189
G5
m"'
3 ll
G5/Ffl
m"'
G5/E
ffi
my fa - ther's
sev to
en years- has gone_
Elec. Gtr. L
$w
throughout
Rhy. Fig.2
G5/D
ffi
Sep - tem
Wake Me Up When September Ends - 10 - 2
190
Gs/F$
ffi
G5
dfr
ffi
Chorus:
Em
?#94
l+?.t i-l
Bm
ffi
Here comes*
end Rhy. Fig.2 Rhy. Fig.3
Em
c-9!9
ffi
G5
ffi
Wake Me Up When September Ends - 10 - 3
191.
are._
end Rhy. Fig.3
Verse 2:
dRhy. Figs.l (Acous. Gtr.) &2 (Elec. Gtr. I)
G5
m"'
3 1l
my_ mem - o
C
ffi,*
Hffi
ry_ rests,_
Cm
fft:r..
l.ll]n
ttaail
IIIITI
G5/E
ffi
G5/D
ffi
nev
G5
ffi
I lost.-
Interlude:
G5
ffi:r,.
ffi
Wake me up- when Sep-tem - ber ends
I
Wake Me Up When September Ends - 10 - 4
192
Verse 3:
dRhy. Ftg.2 (Elec. Gtr. 1) 2 times
G5
ffi:r.
ffftt1
rrrn
Sum
Elec. Gtr.2
Rhy. Fig.4
G5/E
ffi
GsiF$
ffi,n
sHl
and nev -
the no - cent- can
G5ID
ffi
Wake Me Up When September Ends - 10 - 5
193
Ring
end Rhy. Fig.4 Rhy. Fig.5
out- the
G5/Ffl
ffi*
G5/D
ffi
G5/E
ffi
bells like
when Sep - tem ber
did- when spring- be gan._
Wake me
DiFfi
m"'
end Rhy. Fig.5
Wake Me Up When September Ends - 10 - 6
Cont. in slashes
194
C
W*
Bm
h:Eltt
ffi
,)), ,0, ,,^,,,
Chorus:
w/Rhy. Fig.3 (Elec. Gtr. 1)
E5
ffi
E'ec.Gtr'rn
rTTl
stars.
-
the
comes- the
Drenched in- my pa
Verse 4:
dRhy. Fig.5 (Elec. Gtr.2)
G5
lt L--
|It I aajlr
H++11
rrm
3 11
C
ffi''.
be - com - ing who we- al; "-
up_
Bm
ffi
G5 DIFfi E5
m* m* ffi
134 14 1l
Gs/Fil
m*
G5iD
ffi
Wake
ends.-
Wake Me Up When September Ends - 10 - 7
195
Guitar Solo:
E5
h{+{
l.E.U
t+t+.I-l
IHfli
Bm
ffi
1342t
Cont. rhy. simile
C
m"'
t333
Eec.Grr.'rTn
rTn
Elec. Gtr.3
D/Fil
m"'
t4
E5
ffi
Wake Me Up When September Ends - 10 - 8
196
Interlude:
U5
ffi,fr'u
HTH
flw
throughout
Elec. Gtr.1nny.
fig. O
end Rhy. Fig.6
Acous. Gtr.
Elec. Gtr.3
Verse 5:
w/Rhy. Fig.6 (Elec. Gtr. 1)
U)
ffi'n
HiH
Gs/Fil
m"'
G5/E
ffi
Sum - mer- has
Acous. Gtr.
come and passed,- the no - cent- can
Wake Me Up When September Ends - 10 - 9
r97
G5/D
ffi
C
m"'
Wakeme up-
Elec. Gtr.2
Cm
m*
tr)
flfffi:r'
ffi
w/Rhy. Fig.4 (Elec. Gt.2)
G5
ffit'
HflN
3 11
Like
G5/D
ffi
G5/Ffi
frd6:t'.
ffi
when Sep-tem - ber ends.-
twen
G5iE
ffi
my fa ther's
C
m"'
come ty years- has
U5
ffi:r'.
H+I-H
LILU
134
pass,_
Cm
ffi:r'.
ffi
-
so fast.-
C
l++Nl'n
ffi
Wake me up_
Cm
ffi:r'.
Fffi
Cont. rhy. simile
ends.-
G5
ffisft
F}H+I
Frmn
when Sep - tem - ber
E'ec.Gtr.rDl1
'Tn
Wake
C
m'"
me up_ when Sep tem ber
U5
ffi:t
ffi
ends.-
Cm
ffi"'
ri
Elec.Gtr. z
o*o
Wake me up- when Sep - tem
Wake Me Up When September Ends - 10 - 10
Wake me up- ber
YOUANDME
Moderately slow J.
=
52
Intro:
G5
dfr
ffi
198
C2
ffi
lrtLltt
TILLU
D(4yFfr
ffi
Words and Music by
JUDE COLE and JASON WADE
G/B
ffi
c2
ffi
G/B
ffi
Em7
ffi
Dsus
ffi
c(e)
ffi
Verse:
G5
ffi
ffttr
, \,liu, ct,
C2
ffi
cont. rhy. simile
1. What
2. Atl
*Elec.
Gtr.
it,
-
things- that
and
I
in what
want to
\\-.-.-//
O 2OO5 WARNER.TAMERLANE PUBLISHING CORP., JUDE COLE MUSIC'
G. CHILLS MUSIC and DIMENSIONAL SONGS OF THE KNOLL
All Rights on behalf of itself and JUDE COLE MUSIC
Administered by WARNER-TAMERLANE PUBLISHING CORP.
*Elec.
Gtr. 2nd time only.
YouandMe-6-l
199
C2
ffi
c(e)
ffi
er
n't
where to
seemed-
com
a - live.-
out right._
nev
are
G/B
ffi
D(4yF
ffi
C2
ffi
G5
ffi
234
t7
been
I
and I can't back
you got my head
cln't keep
pmg on
c(e)
ffi
Dsus
ffi
Hilf
Em7
ffi
down. I've
spin - ning.
up,_
words,-
much- time.
\
from here.- t
los - ing
don't know
YouandMe-6-2
2AO
Am7
W
Chorus:
G
-i9-
l+]+-{l
rrrn
C2
ffi
G
ffi
ffi
Em7
ffi
Am7
ffi
G
ffi
Em7
?rfn
ffi
G
ffi
Elec
D
ffi
ffi
*
{l?l?"- }
And
Em7
ftft
ffi
. Gtr. Cont. simile
and I--
c(e)
ffi
Em'7
ffi
you._
2
D
ffi
can't
Bridge:
Bm
hEn
ffi
D
Hh
rffi-l
LLILU
G
ffi
f
YouandMe-6-4
202
Em7
ffi
D
tJ!-
Hl+ll
ffi
Chorus:
G
ffi'r
r3Tm
JtfT-a
lrtm
'L,1,1,.
"o.
you
Gtr. resume Chorus Fig. simile,2nd time
me_
203
D
ffi
to
{1,?l?"- }
And it's
G
ffi
noth
c(e)
hto
ffi
noth - ing
G
rfr
H+l+t
rrrn
I
r.
D
ffi
Em7
?ffi
ffi
G
ffi
. Gtr. tacet
don't know why-
Elec
G5
ffi
2.
D
ffi
GIB
ffi
c2
hft
ffi
D(4yFf
ffi
c2
ffi
G/B
ffi
c(e)
ffi
D(4)/F#
ffi
C2
ffi
month?-
c(e)
ffi
ri
What day is
Em7
9{*r
t-t-!tN
ffi
seemed-
I
204
STAND UP
All gtrs. are 7-string gtrs. tuned:
@=a @=c
@:n @=e
@:E O:B
@:o
Moderately J - 80
Intro:
D5
Words by CHRIS BROWN
Musicby TRAPT
C5
Elec. Gtr. L (w/dist.) dbld.
Elec. Gtr. 2 (clean-tone)
O 2OO5 W.B.M. MUSIC CORP., TRAPTISM, EMI MUSIC PUBLISHING ANd DELIBERATE INK
All Rights on behalf of itself and TRAPTISM Administered by w.B.M. MUSIC CORP.
All Rights Reserved
StandUp-9-1
205
Verse:
Gm
1.why don't youlet me be?- Leave me a - lone.-you start a
2.You've plant-edthe seed._Howmyan-gerhas grown._ I,ve got a
fire in-side- that I could nev - er con-
feel-ing in-side- that I can't seem to con-
Bb
Gm
Bb
trol.-
trol.-
You want to see
You want to see
a te-ac
a re-ac
tion?
tion?
(See a
(See
a
re-ac - tion.)
re-ac - tion.)
Gm
Come on and cut me
Come on and cut me
down.-You've gone as far as I'11
down.-You've gone as far as I'11
Bb
go.- Now you're cross-ing the line_ and I am let-tingyou
go.- Now you're cross-ing the line_ and I am let-tin[ you
'tandUp-9-2
f
206
Gmr Bb
- Well, here's your re - ac
So here's your re - ac
- tion.-\
- tlon.-J
Stand
Elec. Gtr. 1
Elec. Gtr. lon D.S.
I- have
StandUp-9-3
Moderately fast J= 160
Chorus:
D5
fffitzrt
il tlm
lltffn
IIIIITl
333
Bbsus2
m* m"'
1314
C5
Face
fore I
to-
ish-
what-
I- will
face-
-t
208
you your place. this- game-
F5
ffi'.
111:.__
fore I what- vou- start - ed.
To Coda#
will change.
StandUp-9-5
EIec. Gtr.3 (w/dist.)
af-ter in af-ter in
D.S.
X
al Coda
sult, af - ter in sult, af - ter in sult, af - ter - sult, af- ter in - sult.
1n
trem,pick-
____r
tandUp-9-6
210
s
Coda
C5
m"'
1,314
ev
Elec. Gtr. I
thing-
"--l
change.-
Chorus:
D5
ffitzr.
ffi
Elec. Gtr.3
w/wah effect
Elec. Gtr. 1
a-way
, *
'ry Ev
StandUp-9-7
Gsus2
change.-
End
,*
this- game.
* *
c5
Moderately J: 80
Outro:
D5 Bbsus2
ffi'"' m"'
Youwant to see a re - ac
Bkgd. vcls.:You want to see a re - ac -
*
itandUp-9-8
212
You want to see a re - ac Well, stand
D5
ffi
StandUp-9-9
.e-
_=Qs
>-=-