Bibliografa para Diseo de Tipografas

Alejandro Lo Celso
A post-1985 type design
B pre-1985 type design
C lettering & calligraphy
D history of typeforms & typemaking
E description & classifcation
F using type
G legibility & theory
A post-1985 type design
Adams, Debra A, abcdefg (A Better Constraint driven Environment for Font
Generation). In Jacques Andr & Roger D Hersch (eds) Raster Imaging
and Digital Typography. Cambridge, Cambridge University Press, 1989, pp
5470
Adams, Debra & Richard Southall, Problems of font quality assessment.
In Jacques Andr & Roger D Hersch (eds) Raster Imaging and Digital
Typography. Cambridge, Cambridge University Press, 1989, pp 213222
Adobe Systems Inc, Adobe Type 1 Font Format. Reading: MA, Addison-Wesley
Publishing Company, Inc., 1990
Andr, Jacques, Font Metrics. In Roger D Hersch (ed) Visual and technical
aspects of type. Cambridge, Cambridge University Press, 1993, pp 6477
Andr, Jacques & Bruno Borghi, Dynamic fonts. In Jacques Andr & Roger
D Hersch (eds) Raster Imaging and Digital Typography. Cambridge,
Cambridge University Press, 1989, pp 198203
Anonymous & Carol Twombly, Becoming a type designer. Designer Graphics,
no 4, 1994, pp 927
Benedek, Andy, The typeface as chameleon. Eye, vol 2, no 7, 1992, p 86
Bigelow, Charles, Philosophies of form in seriffed typefaces of Adrian
Frutiger. In Charles Bigelow; Paul Hayden Duensing & Linnea Gentry
(eds) Fine Print On Type. Lund Humphries, London, 1989, p 140143
Bigelow, Charles & Kris Holmes, The design of a Unicode font. Electronic
Publishing, vol 6, no 3, September 1993, pp 289305
Black, Alison, Typefaces for desktop publishing: a user guide. London,
Architecture Design and Technology Press, 1990
Carter, K A & N E Wiseman, Designing in fves. IDJ, vol 5, no 2, 1987, pp
159165
Carter, Matthew, Galliard: a modern revival of the types of Robert Granjon.
Visible Language, vol XIX, no 1, 1985, pp 7797
Connare, Vincent, Designing and using scalable type for display as graphic
elements on digital devices. In Roger D Hersch et al (eds) Electronic
publishing, artistic imaging, and digital typography. Springer, Berlin, 1998,
pp 181192
Dyson, Mary C, Improving discrimination of Symbols for Display at Low
Resolution. Electronic Publishing, vol 6 (3), 1993, pp 2319
Haralambous, Yannis, Parametrization of PostScript fonts through
METAFONT an alternative to Adobe Multiple Master fonts. Electronic
PublishingOrigination, Dissemination and Design, vol 6, no 3, 1993, pp
145157
Hersch Roger D, (ed) Visual and technical aspects of type. Cambridge,
Cambridge University Press, 1993
Karow, Peter, Digital formats for typefaces. Hamburg, URW Verlag, 1987
Kinross, Robin, The digital wave. Eye, vol 2, no 7, 1992, pp 2639
Lommen Mathieu and John A. Lane, Bram de Does, Typographer & Type
Designer, De Buitenkant, 2004
Maag, Bruno, Shape investigation with bitmapped characters. In Jacques
Andr & Roger D Hersch (eds) Raster Imaging and Digital Typography.
Cambridge, Cambridge University Press, 1989, pp 180187
Maag, Bruno, Dont U turn New problems demand better solutions.
Baseline, no 21, 1996, pp 1720
McQueen, Clyde D III & Raymond G Beausoleil Infnifont: a parametric font
generation system. Electronic PublishingOrigination, Dissemination and
Design, vol 6, no 3, 1993, pp 117132
Merz, Thomas, PostScript fonts. Chapter 4 of: PostScript & Acrobat/PDF:
applications, troubleshooting, and cross-platform publishing. Berlin, Springer
Verlag, 1996 (also available as PDF)
Miller, J Abbott, Dimensional typography: case studies on the shape of letters in
virtual environments. Kiosk: Princeton Architectural Press, 1996
Morris, R A & J Andr, Raster Imaging and Digital Typography II. Cambridge,
Cambridge University Press, 1991
Moye, Stephen, Fontographer: type by design. New York, MIS Press, 1995
Sassoon, Rosemary, Through the eyes of a child perception and type
design. In Rosemary Sassoon (ed), Computers and typography. Oxford,
Intellect, 1993
Schneider, Uwe, An object-oriented model for the hierarchical composition
of letterforms in computer-aided typeface design. In Roger D Hersch
et al (eds) Electronic publishing, artistic imaging, and digital typography.
Springer, Berlin, 1998, pp 109125
Scripsit (magazine): The Calligraphic Tradition in Blackletter Type. Summer
1999: vol. 22, no1. 1 & 2.
Shamir, Ariel & Ari Rappoport, Feature-based design of fonts using
constraints. In Roger D Hersch et al (eds) Electronic publishing, artistic
imaging, and digital typography. Springer, Berlin, 1998, pp 93108
Smeijers, Fred, Counterpunch: making type in the sixteenth century; designing
typefaces now. London, Hyphen Press, 1996
Smeijers, Fred, Type now. London, Hyphen Press, 2003
Southall, Richard, Metafont in the Rockies: the Colorado typemaking project.
In Roger D Hersch et al (eds) Electronic publishing, artistic imaging, and
digital typography. Springer, Berlin, 1998, pp 167180
Southall, Richard, Printers type in the twentieth century, The British Library,
London, 2005
Stamm, Beat, Visual TrueType: A graphical method for authoring font
intelligence. In Roger D Hersch et al (eds) Electronic publishing, artistic
imaging, and digital typography. Springer, Berlin, 1998, pp 7792
Stone, Sumner, On stone: the art and use of typography on the personal computer.
San Francisco, Bedford Arts, Publishers, 1991
Unger, Gerard, A type design for Rome and the year 2000. Typography Papers,
no 3, 1998, pp 6173
Unger, Gerard, Letters. Amsterdam, Uitgeverij de Buitenkant, 1994
Unicode Consortium, The Unicode Standard: worldwide character encoding,
version 2.0. Addison-Wesley, Reading, MA
Wallis, Lawrence W, Technology determining aesthetics. Professional Printer,
vol 38, no 1, 1994?, pp 1718
Zapf, Hermann, Hermann Zapf & his design philosophy. Chicago, Society of
Typographic Arts, 1987
Zapf, Hermann & John Dreyfus, Classical typography in the computer age.
Los Angeles, William Andrews Clark Memorial Library, University of
California, 1991
B pre-1985 type design
Anonymous , Ikarus. Baseline, no 3, 1981, pp 611
Bigelow, Charles , The principles of digital type: quality type for low, medium
and high resolution printers. The Seybold Report on Publishing Systems, vol
11, no 11, 8 February 1982, pp 323
Bigelow, Charles, Font design for personal workstations. BYTE, January
1985, pp 255270
Bigelow, Charles &Donald Day, Digital typography. Scientifc American,
August 1983, pp 94105
Bigelow, Charles &Jonathan Seybold, Technology and the aesthetics of type:
maintaining the tradition in the age of electronics. The Seybold Report,
vol 10, no 24, 24 October 1981, pp 316
Crouwel, Wim, Type design for the computer age. In John Dreyfus &Ren
Murat (eds.), Typographic opportunities in the computer age: papers of the
11th Congress of the Association Typographique Internationale, Prague, June
1969. Typografa Prague, 1970, pp 5659
? Dreyfus, John, A turning point in type design. Visible Language, vol XIX, no
1, 1985, pp 1122
Dwiggins, William Addison, WADto RR: a letter about designing type.
Cambridge, Mass., Harvard College Library, 1940
Flowers, Jim, Digital type manufacture: an interactive approach. IEEE
Computer, May 1984, pp 4048
Frutiger, Adrian (Collaborators: Nicole Delamarre &Andr Grtler), OCR-B:
A standardized character for optical recognition. Journal of Typographic
Research (Visible Language), vol I, no 2, 1967, pp 137146
Ghosh, Pijush K &Charles A Bigelow, A formal approach to lettershape
description for type design: Report STANCS83966. Stanford: CA,
Department of Computer Science, Stanford University, 1983
Goudy, Frederic W, The alphabet and elements of lettering. Dover Publications,
Inc., NewYork, n.d.
Goudy, Frederic W, Typologia: studies in type design and type making. Berkeley,
University of California Press, 1977
Grtler, Andr &Christian Mengelt, Fundamental research methods and
form innovation in type design compared to technological developments
in type production. Visible Language, vol 19, no 1, 1985, pp 123147
Hartz, Sem, L, An approach to type designing. Penrose Annual, vol 52, 1958,
pp 3942 [reprinted in: Sem L Hartz, Essays. Amsterdam, Serifpers,
1992]
Hess, Stanley, The modifcation of letterforms. Art Direction Book Co, NewYork,
1972
Hofstadter, Douglas R, Metafont, metamathematics, and metaphysics. Visible
Language, vol XVI, no 4, 1982, pp 309338
Hofstadter, Douglas R, A reply from Douglas Hostadter. Visible Language, vol
XVII, no 4, 1983, pp 413416
Holmes, Kris, Lucida: the frst original typeface designed for laser printers.
Baseline, no 6, 1985, pp 1213
Knuth, Donald E, The concept of a Meta-Font. Visible Language, vol XVI, no 1,
1982, pp 327
Knuth, Donald E, Lessons learned from Metafont. Visible Language, vol XIX,
no 1, 1985, pp 3553
Knuth, Donald E &Hermann Zapf, AMS Euler a newtypeface for
mathematics. Scholarly Publishing, vol 20, no 3, 1989, pp 131157
Knuth, Donald E, Digital typography. Stanford: CA, CSLI Publications, 1999
Kolers, Paul A, Clues to a letters recognition: implications for the design of
characters. Journal of Typographic Research (Visible Language), vol II, no 3,
1968, pp 145168
Krimpen, Jan van, On designing and devising type. NewYork, The Typophiles, &
London, Sylvan Press, 1957
Krimpen, Jan van, A letter to Philip Hofer on certain problems connected with the
mechanical cutting of punches. Boston, David R Godine, 1972
Latham, John Tailoring type to technology. Penrose Annual, vol 70, 197778,
pp 189198
Mathews, M V, Carol Lochbaum, &Judith A Moss, Three Fonts of Computer-
drawn Letters. Journal of Typographic Research (Visible Language), vol I, no
1, 1967, pp 345356
Ruggles, Lynn, Letterform design systems: Report STANCS83971.
Stanford: CA, Department of Computer Science, Stanford University,
1983
Sampson, Geoffrey, Is Roman type an open-ended system? A response to
Douglas Hofstadter. Visible Language, vol XVII, no 4, 1983, pp 410412
Schulz-Anker, Erich, Syntax Antiqua, a sans-serif on a newbasis.
Gebrauchsgraphik, August 1970, pp 4956
Seybold, John W, The world of digital typesetting. Seybold Publications, Inc.,
1984
Southall, Richard, A survey of type design techniques before 1978.
Typography Papers, no 2 1997, pp 3159
Stauffacher, Jack, The Transylvanian Phoenix: the Kis-Janson types in the
digital era. Visible Language, vol XIX, no 1, 1985, pp 6176
Stone, Sumner, Hans Eduard Meiers Syntax-Antiqua. In Charles Bigelow;
Paul Hayden Duensing &Linnea Gentry (eds) Fine Print On Type.
London, Lund Humphries, 1989, pp 2225
Tracy, Walter, Letters of credit: a view of type design. London, Gordon Fraser,
1986
Unger, Gerard, The design of a typeface. Visible Language, vol XIII, no 2, 1979,
pp 134149
Unger Gerard, Experimental No 223, a newspaper typeface, designed by WA
Dwiggins. Quarendo, vol XI, no 4, 1981, pp 302324
various, Other replies to Donald E Knuths article, The concept of a
MetaFont. Visible Language, vol XVI, no 4, Autumn 1982, pp 339359
Wallis, Lawrence W, Electronic typesetting: a quarter century of technological
upheaval. Gateshead: Tyne &Wear, The Paradigm Press, 1984
Wallis, Lawrence W, A concise chronology of typesetting developments 18861986.
London, The Wynkyn de Worde Society &Lund Humphries, 1988
Zapf, Hermann, The changes in letterforms due to technical developments..
Journal of Typographic Research (Visible Language), vol II, no 4, 1968, pp
351368
Zapf, Hermann, Future tendencies in type design: the scientifc approach to
letterforms. Visible Language, vol XIX, no 1, 1985, pp 2333
C lettering &calligraphy
Anderson, Donald M, Calligraphy: the art of written forms. NewYork, Dover
Publications, Inc., 1992
Gaur, Albertine, A History of writing. (Revised ed) London, The British Library,
1992
Gray, Nicolete, A history of lettering: creative experiment and letter identity.
Oxford, Phaidon, 1986
Harvey, Michael, Letters into words. London, William Clowes &Sons Ltd, 1973
Harvey, Michael, Creative lettering: drawing & design. London, The Bodley
Head, 1985
Kaech, Walter, Rhythmand proportion in lettering/Rhythmus und Proportion in
der Schrift. Oltren &Freiburg in Breisgau, Walter Verlag, 1956
Kim, Scott, Inversions: a catalog of calligraphic cartwheels. Peterborough: New
Hampshire, BYTE Books, 1981
Kindersley, David, An essay in optical letter spacing and its mechanical application.
Wynkyn de Worde Society, London, 1963
Nesbitt, Alexander, Lettering: the history and technique of lettering as design. New
York, Prentice-Hall, Inc., 1950. (reprinted: NewYork, Dover Publications,
Inc.)
D history of typeforms &typemaking
Axel-Nilsson, Christian, Type Studies. The Norstedt Collection of Matrices in the
Typefoundry of the Royal Printing Offce, Norstedts Tryckeri, Stockholm,
1983
Barker, Nicolas, The Aldine Roman in Paris, 15301534. The Library, 5th
series, vol XXIX, 1974, pp 520
Baudin, Fernand, Handwriting and type-design from Pierre Hamon to Emery
Walker. Quarendo, vol XV, no 2, 1985, pp 103114
Baudin, Fernand &Netty Hoefake, The type specimen of Jacques-Franois Rosart,
Brussels, 1768 (facsimile), Amsterdam, Van Gendt, 1973
Charles Bigelow; Paul Hayden Duensing &Linnea Gentry (eds) Fine Print
On Type. The best of Fine Print magazine on type and typography. Lund
Humphries, London, 1989
Burke Chris, Paul Renner, maestro tipgrafo. Valncia, Campgrphic, 2000.
Carter, Harry G, Letter design and typecutting. Journal of the Royal Society of
the Arts, no 4935, 1.10.1954, pp 878895
Carter, Harry G, Optical scale in typefounding. Bulletin of the Printing
Historical Society, no 13, Autumn 1984, pp 144148
Carter, Sebastian, Twentieth century type designers. London, Lund Humphries
Publishers, 1995
Chappell, Warren &Robert Bringhurst, A short history of the printed word.
Point Roberts / Vancouver, Hartley &Marks, 1999 (corrected, expanded /
frst edition 1970)
Cinamon, Gerald, Rudolf Koch. Letterer, type designer, teacher. Oak Knoll Press +
The British Library, 2000
Dowding, Geoffrey, An introduction to the history of printing types, London, The
British Library, 1998 (frst edition 1969)
Dreyfus, John, Into Print. Selected writings on printing history, typography and
book production, Boston, David R. Godine, 1994
Fournier, Pierre-Simon, Manuel typographique; Together with Fournier on
typefounding. An english translation of the text by Harry Carter. In facsimile,
with an introduction and notes by James Mosley. Darmstadt, Technische
Hochschule, 1995
Frutiger, Adrian, Schriften des Abendlandes in Holztafeln geschnitten/Bois
originaux illustrant levolution de lecriture en Occident/The development of
Western Type carved in wood plates. Cham: Switzerland, Syndor Press, 1996
Jammes, Andr, Acadmisme et Typographie: the Making of the Romain du
Roi. Journal of the Printing Historical Society, no 1, 1965, pp 7195
Johnson, Alfred Forbes, The Got Hollandois. The Library, 4th series, vol XX,
1939, pp 18096
Johnson, Alfred Forbes, Type designs: their history and development. 3rd ed.
London, Andre Deutsch, 1966
Kindersley, David, Mr. Eric Gill. Further thoughts by an apprentice. Cambridge,
Cardozo Kindersley editions, 1990
Lane, John, Early Type Specimen in the Plantin-Moretus Museum, Oak Knoll
Press + The British Library, 2004
Lane, John, The Ensched type specimens of 1768 and 1773, Stichting museum
Ensched, De Buitenkant, 1993 (2 vols.)
Lawson, Alexander, Printing types: an introduction, Boston, Beacon Press, 1971.
Lawson, Alexander, Anatomy of a typeface. London, Hamish Hamilton, 1990
Lawson, Alexander &Archie Provan, 100 Type Histories, Arlington: VA,
National Composition Assoc., 1983.
McLean Ruari, Jan Tschichold, a life in typography. NY, Princeton Architectural
Press, 1997
Meggs, Philip &Roy McKelvey (eds), Revival of the fttest, digital versions of
classic typefaces, NY, RC Publications, 2000
Meier, Hans Eduard, Die Schriftentwicklung/The development of script and type/
Le dveloppement des caractres. Cham: Switzerland, Syntax Press, 1994
Middendorp, Jan, Dutch type, 010, Rotterdam, 2004
Morison, Stanley, Paciolis classic roman alphabet. Dover ny, 1994 (frst edition
1933 by Grolier Club of NewYork)
Morison, Stanley, Politics & Script. Oxford University Press, Oxford, 1972
Morison, Stanley, Type designs of the past and present. London, The Fleuron
Ltd., 1926
Morison, Stanley, Typographic design in relation to pantographic composition.
Book Club of California, 1959
Mosley, James M, French academicians and modern typography: designing
newtypes in the 1690s. Typography Papers, no 2, 1997, pp 529
Mosley, James M, Le Romain du Roi, la typographie au service de ltat. Lyon,
Muse de limprimerie, 2003
Mosley, James M, The nymph and the grot: the revival of the sanserif letter.
London, Friends of the St Bride Printing Library, 1999
Moxon, Joseph, Mechanick exercises on the whole art of printing, 1683-4
(original edition), Dover, 1962 (second edition: ed. Herbert Davis and
Harry Carter), Mark Batty, 2005 (3rd edition, enlarged, ed. John Lane)
Randle, John &John Berry, Type & Typography. Highlights fromMatrix, the
review for printers and bibliophiles, Mark Batty, NewJersey, 2003
Spencer, Herbert, Pioneros de la tipografa moderna. Barcelona, Gustavo Gili,
1990 (edicin original 1969)
Thibaut, Philippe, La lettre Art nouveau en France (Les Dossiers du Muse
dOrsay), Runion des Muses Nationaux, Paris 1995
Tory, Geofroy, Champ Fleury, Art et Science de la vraie proportion des lettres,
Bibliothque de limage, Tours, 1998
Tracy, Walter, The typographic scene, Gordon Fraser, London, 1988
Twyman, Michael, Printing 1770-1970, The British Library, Oak Knoll Press,
Reading University Press, 1998 (frst edition 1970)
Updike, Daniel Berkeley, Printing types, their history, forms, and use. London,
The British Library, 2001 (forth edition, expanded / frst edition 1922)
E description &classifcation
Atkins, Gordon, The classifcation of printing types. Oadby: Leicester, Apple
Barrell Press, 1975
Bastien, Alfred, The 1953 classifcation of type design. West Drayton, Bastien
Brothers Ltd, 1958
Bauermeister, Benjamin, A manual of comparative typography: the PANOSE
system. NewYork, Van Nostrand Reinhold, 1988
Boag, Andrew, Typographic measurement: a chronology. Typography Papers,
no 1, 1996, pp 105121
Boggan, Scott &Michael de Laurentis, The Panose typeface-matching
system: a system for matching static or distortable fonts. BYTE, May
1994, pp 187192
Carter, Matthew, Theories of letterform construction: Part 1. Printing History,
vol XIII, no 2, 1991, pp 316
Catich, Edward M, The origin of the serif. 2nd ed. Catich Gallery, St Ambrose
University, Davenport, Iowa, 1991
Dixon, Catherine, Why We Need to Reclassify Type. Eye, vol 5, no 19, 1995,
pp 856
Elliott, R C, The development of the point unit of type measurement.
Monotype Recorder, vol XXX, no 241, 1931, pp 1317
Gaskell, Philip, A nomenclature for the letterforms of roman type. Visible
Language, vol X, no 1, 1976, pp 4251
Heller, Steven &Anne Fink, Faces on the edge. NewYork, Van Nostrand
Reinhold, 1997
Hoch, Ernest, Typographic metrication. Penrose Annual 70, 1978, pp 246
Hoch, Ernest, Typographic measurement for photocomposition. Professional
Printer, vol 24, no 3, 1980, pp 56
Hochuli, Jost, Reviewof Edward M Catich, The Origin of the Serif. Visible
Language, vol VII, no 1, 1973, pp 7391
Hoefer, Jonathan, On classifying type. Emigre, no 42, 1998, pp 5570
Kinross, Robin, Universal faces, ideal characters. Baseline, no 6, 1985, pp
1821
Morison, Stanley, Letter forms: typographic and scriptorial. Two essays on their
classifcation, history and bibliography. Nattali &Maurice, London, 1968
Morison, Stanley, A tally of types. Boston, David R. Godine, 1999 (frst edition
1973)
Mosley, James M, Newapproaches to the classifcation of typefaces. British
Printer, no 3, 1960, pp 906
Mountford, John, A functional classifcation. In Peter T Daniels &William
Bright, The worlds writing systems. Oxford, Oxford University Press, 1996,
pp 627632
Noordzij, Gerrit, Broken scripts and the classifcation of typefaces. Journal of
Typographic Research (Visible Language), vol IV, no 3, 1970, pp 213240
Paris, Muriel, Petit manuel de compostition typographique, Paris (dition prive),
1999
Southall, Richard, Character description techniques in type manufacture. In
Rosemary Sassoon (ed) Computers and typography. Oxford, Intellect, 1993,
pp 85100
Thorp, Joseph, Towards a nomenclature for letter forms. Monotype Recorder,
vol XXX, no 240, 45.1931, pp 719
Thorp, Joseph, Experimental application of a nomenclature for letter forms I.
Monotype Recorder, vol XXXI, no 246, 78.1932, pp 36
Thorp, Joseph, Experimental application of a nomenclature for letter forms
II. Monotype Recorder, vol XXXII, no 294/newseries no 1, 1933, pp 1520
Tracy, Walter, Type design classifcation. Visible Language, vol V, no 1, 1971,
pp 5966
Wilkinson, Timothy, A practical approach to typeface classifcation. British
Printer, November 1965, pp 8689
F using type
Bringhurst, Robert, The elements of typographic style. (2nd ed), Point Roberts:
WA, Hartley &Marks, 1996
Craig, James. Designing with type. The essential guide to typography, Watson-
Guptill ny, 2006 (primera edicin 1971)
de Buen Unna, Jorge. Manual de diseo editorial, Mxico, Santillana, 2003
(primera edicin 2000)

Dowding, Geoffrey, Finer points in the spacing & arrangement of type. London,
Wace &Co, 1954
Frutiger, Adrian, Type, sign, symbol. Zrich, ABC Verlag, 1980
Frutiger, Adrian, Sign & Symbols. Dreieich, Weiss Verlag, 1989
Glvez Pizarro, Francisco. Educacin tipogrfca, una introduccin a la tipografa,
Santiago de Chile, Universidad Diego Portales, 2004
Jury, David. About Face. Reviving the rules of typography, Mies, RotoVision,
2004
Luna, Paul. Understanding type for desktop publishing. London, Blueprint, 1992
Mandel, Ladislas, Developing an awareness of typographic letterforms.
Electronic Publishing, vol 6, no 1, 1993, pp 322
Marshall, Alan, A typographer by any other name. In Rosemary Sassoon (ed)
Computers and typography. Oxford, Intellect, 1993, pp 130148
Marshall, Alan Decay and renewal in typeface markets: variations on a
typographical theme. Emigre, no 42, 1998, pp 1853
Spiekermann, Erik &E M Ginger, Stop stealing sheep & fnd out how type works.
Mountain View: CA, Adobe Press, 1993
Tschichold, Jan, El abec de la buena tipografa, Valencia, Campgrfc, 2002
Tschichold, Jan, The New Typography, Berkeley, University of California Press,
1998 (edicin original 1928)
G legibility &theory
Bain, Peter &Paul Shaw, Blackletter: Type and National Identity, Princeton
Architectural Press &The Cooper Union, ny 1998
Kinross, Robin, Modern typography, an essay in critical history, London,
Hyphen-Press, 2004 (frst edition 1994)
Kinross, Robin, Type as critique. Typography Papers, no 2, 1997, pp 7787
Kinross, Robin, Unjustifed texts, perspectives on typography, London, Hyphen-
Press, 2002
Lund, Ole, Why serifs are (still) important. Typography Papers, no 2, 1997, pp
91104
Mandel, Ladislas, critures: mirroir des hommes et des socits, Atelier
Perrousseaux, Reillanne, , 1998
Mattejart, Armand, The Invention of Communication. U of Minessota 0 8166
2697 9
Noordzij, Gerrit, A program for teaching letterforms. In Ferdinand Baudin &
John Dreyfus (eds), Dossier AZ: ATypI 1973, Andenne, Rmy Magermans,
1973
Noordzij, Gerrit, Reply to Robin Kinross. Typography Papers, no 2, 1997, pp
8990
Noordzij, Gerrit, The art of quibbling. LetterLetter, no 1, ATypI Committee on
Education and Research, Winter 198485
Noordzij, Gerrit, The stroke of the pen, The Hague, Koninklijke Akademie, 1982
Rainer, Keith &Alexander Pollatsek, The Psychology of Reading, Lawrence
Erlbaum, 1994
Ryder, John, The case for legibility. London, The Bodley Head, 1979
Smith, F., Understanding Reading, Hillsdale, 1994
Southall, Richard, Shape and appearance in typeface design. In J HMiller
(ed) Protext III: Proceedings of the Third International Conference on Text
Processing Systems. Boole, 1986, pp 7586
Spencer, Herbert, The visible word. Lund Humphries, London, 1969
Tschichold, Jan, Of what value is tradition in type design? In John Dreyfus
&Ren Murat (eds.), Typographic opportunities in the computer age: papers
of the 11th Congress of the Association Typographique Internationale, Prague,
June 1969. Typografa Prague, 1970, pp 5255
Walker, Peter; Sylvia Smith &Alan Livingston, Predicting the
appropriateness of a typeface on the basis of its multi-modal features.
IDJ, vol 5, no 1, 1986, pp 2942