The walls forming the revetemciit of tlie great esplanade are wonderfully ])erfect ; and a)ear still capaldc of resting the attacks of time and barbarism. No one can look at the style of composition and details of Peisepolis without a convkntion of some intimate connection between the architects of Persia and those of ICgypt. The princi))les of both
The walls forming the revetemciit of tlie great esplanade are wonderfully ])erfect ; and a)ear still capaldc of resting the attacks of time and barbarism. No one can look at the style of composition and details of Peisepolis without a convkntion of some intimate connection between the architects of Persia and those of ICgypt. The princi))les of both
The walls forming the revetemciit of tlie great esplanade are wonderfully ])erfect ; and a)ear still capaldc of resting the attacks of time and barbarism. No one can look at the style of composition and details of Peisepolis without a convkntion of some intimate connection between the architects of Persia and those of ICgypt. The princi))les of both
1. nexfl (Ii i^rim (^fg 26 ) \m11 ^i\e tlie iciki some Tiotion of the st\ k oftlit iicliittctuic of Peisepolis. Tlie diagram (f;/. 27.) exhibits a specimen of a column and cajjital. Fi(/. 28. is a capital from one of the tombs. The walls forming the revetemciit of tlie great esplanade are wonderfully ])erfect ; and a))|)ear still capaldc of re- sisting e(|ually the attacks of time and barbarism. 'I'he surface of the platform, generally, is une(|ual, and was of different levels : the whole seems to liave been hewn from the mountain, from whence the marble has been extracted for con- structing the ediKces : hence the pave- ments ap])ear masses of marble, than which nothing more durable or beautiful can be conceived. No cement appears to have been used, but the stones seem to have lieen coimected l)y cramps, whose removal, however, has neither deranged the courses from which they have been removed, nor affected tlieir nice fitting to each other ; I'w. 27!~coI.lJM.^ they are, indeed, so well wrought that the AND cAniAi,. jyii^fg (,.j scarcely be i)erceived. 50. No ])erson can look at the style of composition and details of Perscjiolis williout a convk-tion of some intimate connection between the architects of Persia and those of ICgypt. The princi))les of both are identical ; and without incpiiring into the exact date of the monument, whose descrijjtion we have Just left, there is sufficient to convince us that the theory started in respect of the Cyclopean architectute, of the arts travelling in every direction from some central Asiatic jioint, is fully borne out ; and that the Egv])- -T t liK. '^8. turn style had its origin in Asia. A\ l are (]uite aware th it conjectures, bearing a semblance of pio- baliiiity, have as- signed the erection of this stu])en(lous palace to Kgy])tian captives, at a com- paratively late j)L- riod, after the con- ijuest of Egypt by t'K- "H- ^AK^u k.s.a.v. ABKi)iN A,.i.i. ciiAiiALihUi,. Cauibyses; but we think they are answered bv the similarity of arrow-headed characters used therein to those of ancient Babylon, whereof an exainpk is here given (/?9. 29. ) from one of the jiortals of I'ersepolis. A few miles to the south of Persepolls, tl e hill of Nakshi Rusian {ffj. 30.) presents a number of scui|iiured tomb..