far this may be carried, in some cases, in shown by fig. 14, in which the evolute- spiral line is nothing more than the skeleton of the orna- ment. The Middle Ages did not use this form at all. Anglos, and centres are arranged as shown on figs. 4 7. This band is excellently adapted for the framing round circular panels. Plate 97. The Evolute -Spiral. 1 4. Paintings, antique vessels. 5 6. Angles. 7. Central junction. 8. Pattern round a circular panel. 9. Painting of a stove tile, German Renascence, Germanisches !Museum, Nuremberg. 10. Modern borders. 11. Border, by Sebastian Serlio, 16th century. 12. Frieze, Otto-Heinrich building of Heidelberg castle. 13. Wrought-iron trellis, temple of Apollo in the garden of the castle at Schwetzingen. 14. Paintinsr, Palazzo ducale, Mantua, Italian Renascence. The Enrichment of the Bead Moulding. (Plate 98.) Bead, or Astragal, is the name given to those small half-round Mouldings, which are often enriched by ornaments like Pearls, strung- together, &c., or as turned bands a'zid cords. Generally they are only used in plastic art, and as a rule not alone; but below the Egg- and-leaf ornaments, and similar cornice profiles (Plate 100). They also occur as intermediate members between the shaft and the capital of columns. Beads are enriched with balls, discs, or ovals, in rather more than half relief. The simplest bead-enrichment is formed of round pearls, either close together or permitting the representation of the thread to show between them. Disc and oval enrichments are seldom used alone, but arranged alternately, as shown in figs. 1 to 7. In addition to the simple examples of the Antique, the Renas- cence uses richer forms, the single members being again ornamented, profiled and more arbitrarily fashioned (Plate 98. 8 and 12), or finished-off with small leaf calices (Plate 98. 9 and 10). Wood carving avails itself of strung discs seen in perpective (Plate 98. 11). The enrichments may also suggest torsion. After the moulding is made, it is set-out like a screw, as indicated by the auxiliary constructions in figs. 13 17. Leaves or pearls sometimes lie in the hollows and follow the thread of the screw (Plate 98. 17).