D Bhattacharya is with Odissi Research Laboratory,
Bhubaneswar 751 002 and P C Naik is with the Rural Institute of Science and Education, Kendrapada 754 250. This paper was received on March 18, 2008. Written discussion on this paper will be entertained upto December 31, 2008. Archaeometry : A Glimpse into History of Ancient Indian Engineering Science D Bhattacharya, Non-member P C Naik, Non-member Elevation measurements of curvilinear spires require trigonometry or theodolite . The Orissan curvilinear spire have in-built elements that allow application of a combination of linear arithmetic and geometry for elevation measurement. They also offer surfaces for application of equations pertaining to smooth mobious curves of various pitches. Khapuri anla ( Ka ) and bhumi anla ( Ba ) are two such elements which are exclusive to the kalingiya school. Using this elements the height can be estimated in any units at day or night without physically measuring any elevation, without using any instrument. Curvilinear spire celebrates ancient science and may have been used as a model for instruction of computational subjects pertaining to elevation, altitude, etc. The study articulates theme specific archaeometry. Keywords : Elevation; Bakrakara; Cordant methodology; Inbuilt Elements; Archaeometry INTRODUCTION Elevation calculation has drawn the attention of human mind since ancient times. In India, ancient mathematician and astronomers have done pioneering work 1,2 . Mahamahopadhyya Samanta Chandrasekhar 3 (1835-1904) of Orissa used embryonic theodolite (proto theodolite) to measure heights of mountains and hills from very wide distances. He even measured elevation of astral bodies 4 . Samanta's exploits are house hold legend in Orissa 5 , who was the last great exponent of the school of naked eye astronomy. Orissa is also home to a tome of well preserved palm leaf manuscripts relating to mathematics and astronomy 6 . Kalinga is a historical entity with present Bhubaneswar (Ekamra), asits the then proven capital 7 . Adherence to curvilinear type of architecture having prominent vertical lines in such historical geography, makes it as the home grown school, herein after called as the kalingiya bakrakar rekha deula (KBRD) (Kalingan curvilinear line temples). Within earstwhile Kalinga, KBRDs are concentrated in and around Bhubaneswar within 100 km radius. In present day, Orissa KBRDs are noted from historical period when no other term other than Kalinga is encountered in local epigraphs 8-9 . Although KBRDs are noted in few other sites outside Orissa, they are either of Kalingan historical process or of later period. Hence the term Kalinga is adopted. The earliest cognate group of temples in Orissa are ancient structure and 90% temples belonging to this group are KBRDs. In Orissa, all high rise structures of all historical periods are KBRD. M M Ganguly 10 had opined that KBRD was a learned exercise in engineering. While discussing on architectural and engineering aspects of ancient hindu edifices, A K Coomarswami 11 has opined that they are well developed concepts, which encouraged to enquire into the so called erstwhile 'learned exercise' and 'well developed concepts', which all have remained unexplored and unexplained so far. Elevation measurement and architechtural outline (surface angulation) are an important and interesting exercise in modern engineering, that are synonymous with computation 12 . In the domain of Hindu mathematics, geometric progression was discussed by Mahavira 13 . Further, N K Basu 14 refered extensively to locally sourced palm leaf manuscripts and books etched in Nagari and Oriya script and has provided for the first time similar arithmetic fractals which concurrently allowed geometric progression as are employed by sthapatis of KBRDs. Citing other palm leaf manuscripts, V Dehejia 15 was the first to indicate schematically geometric fractals in the base plan of KBRDs. By applying pure mathematics, fractals have been studied in natural cycles, in pyramidal forms and in mechanical engineering 16 . K Trivedi 17 reported fractals from among major Hindu schools of temple architecture. Currently, elaborate use of instruments are noted in all elevation measurement and computational exercises. The KBRDs are denoted as steep structures sans stair case, which results negligible data about elevation and measures of KBRDs, that is encountered in published literature. Neither it has been tried to explain the applied meaning of various abstract inbuilt elements as are noted on a KBRD, nor any attempt has been made so far to explain as to why the treaties, the canons, the often quoted shilpasastras (the term Shilpasastras reveals tenets of industry, where editions of various dates from many regions of Orissa have been reported. At past, structural erection was considered as a 10 IE(I) Journal-AR shilpa, and the master craftsmen always refer to anguli (1.04166 cm) of the siddhanta system 18 as the unit of measure for all radian, horizontal, vertical fractions and in iconometry, Siddhanta implies ancient Hindu school of Astronomy and Mathematics 1,2,6,19 and 20 . As per this school. 1 angula is the breadth of middle finger at mid level. Therefore, possibility of a inbuilt scheme, scope of application of the in-built elements and inter-relation between in-built elements and angula or any unit of measure remained unrevealed. This study address all these aspects. Applying first time the interdisciplinary approach for this exploratory study, two methodologies are used, by which the ancient kalingiya sthapati (kalingan builder) could have accurately measured the height of a KBRD using any unit, without using any instrument, neither by climbing the spire nor by using any parallel structure or shadow projection methodology. Relevance of anguli as the unit of measure has also been dealt upon. Moreover few mobius surface related aspects have also been touched fleetingly. SHADOW PROJECTION METHODOLOGY It involves marking the length of any given measure (control) on ground, holding the control in vertical position to ground and observe the length of the shadow as cast by a rising or setting sun. When shadow length equals the measure of the control, at that very moment the length of the shadow as cast by the object of interest (spire) has to be marked on the ground. The measure of the shadow from its tip to the base of the object of interest (monument) along the line of inclination would also be equal to the elevation of the object of interest. This method was known to Indian astronomers and mathematicians since very ancient times 19, 20 . The principle involved in this method is that when the object is vertical to the base, the sun (light source from infinity) forms 45 o angle to the ground. At this moment all shadows measure equal of its object. Projection method has inherent short comings, as two teams would be needed for tall structures and readings can only be taken twice a day. Such window is only of few seconds duration. Clear sky condition is a must, that means no such exercise is possible during monsoon. This method does not open any new window into history of science. However, this method can be applied for any structure anywhere with any unit of measurement. CORDANT FORMULA It is necessary to acquaint with the terms, morphology, position of placement of the relevant in-built elements of a KBRD on which rests the formula herein enunciated. These include ayudha, khapuri anla, dikpal, sesa bhumi anla and raha paga. Ayudha means 'pinnacle signature \ insignia'. Ayudha (Ay) is noted on temple's top, Khapuri anal (Ka) which is just below Ayudha, means 'cranium rib', succeded by dikpala which means 'maintainer of direction', also known as jodisingha which means 'jointed lion', which are placed at four corners below the Ka, the lions look out into the horizon. Jodisingha (jointed lion) alias dikpala (maintainer of direction) have common head and a pair of body stretched at 90 o to each other. They look out at Aisanya, Nairitya, Agni & Vayu corners of the siddhanta school, which indeed are direction markers. A series of five bhumi anla are noted along the vertical plane on the koni paga which means elevation rib and corner arrangement respectively. Sesa bhumi anla means the last zone of elevation. Khapuri & bhumi (zone/elevation) refers to wholly abstract devices, haveing no religious , social or sovereign related connotation, consists of some art and aesthetic value, which relates wholly to engineering and computational sciences, not noted in other schools of built heritage. The ribbed pattern on Khapuri and bhumi is called anla as it is a look like of the medicinal fruit emblica merabolum. The raha paga projects out of the spire's side wall tapering at top, which means buttress arrangement, it is a engineering item that counters the horizontal component of the thrust. Figure 1 shows the front elevation of Sri Parasurameswar temple (650 AD), which also is the best KBRD example of the earliest cognate group on sub- Figure 1 Parasurameswar temple Figure 2 Siddheswara (Mukteswar) temple Vol 89, October 2008 11 continental basis. This study is limited to only the vimana, ie, the deula (spire). Figure 2 shows the view of the koni bhumi anla (corner elevation rose) in the neighbouring Siddheswara (Mukteswar) temple (9 th AD). The Parasurameswar, Siddheswar, Lingaraj and Jagannath are Raj dutta kirtis and also state sponsored structures. CF1a Field study reveals that KBRD in situ presents unique angular positions to the beholder when the pinnacle is visualised by naked eye from base. This allows plotting of four exclusive reference points on base off each corner when the line of vision runs from base to top along the central rib of any one of the sesa bhumi anla - the nose tip of dikpala - one rib of the Ka into the Ay, ie, A1, S1, D1, K1, Y and B1, S2, K2, Y are cordant as shown in Figure 3. In spires of post 9 th AD, only three of the four elements are apparent to the beholder. Since S and D series are available only at the corners of any KBRD, four corner positions are arrived and on base located diagonal to koni paga in KBRDs. The separation between any two such position is the measure of the deula's elevation. This methodology holds good for any KBRD of any historical period including Sri Lingaraj temple and Sri Jagannath Temple. It is termed as cordant formula CF1a. CF1b When viewers position is tangent and centrally located to any of the raha paga, a position C is obtained on base when Ay is visualized along the top curvature of the khapuri in line with the paired rib of the Ka. In any KBRD, the paired ribs on any side also marks the vertical mid line of the side wall, which is also the mid line of the raha paga. The position where such vertical mid line touches the base is marked as E. The measure between E and C equals deula's elevation and is identical to the measure obtained as per CF1a which is shown in Figure 3 and Figure 4. Since this scheme holds good for KBRDs during all the historical periods, it is termed as CF1b. The base of the KBRD is inscribed within the square of CF1a which is in turn inscribed within the planispheric outline of CF1b, having different geometric and spatial ratios. Furthermore, CF1a and CF1b are not noted in non KBRDs. THEMATIC ARCHAEOMETRY By using in-built elements of built archaeology to determine the elevation of the same archaeological member, geometric patterns are obtained as shown in Figures 3 and 4. If the theme is changed based on viewer's position based perspective, entirely different set of geometric patterns are generated, which precludes that alternative themes are possible. Since in-built elements of built archaeology are useable on thematic basis to generate a wide spectrum of metrical geometry, such new area is termed as archaeometry, ie, geometry fuzzed from archaeology. Figure 3 and Figure 4 are schematic presentation of such thematic archaeometry, when Y and H are Ya. K1 and K2 are two designate ribs of the Ka. D1 and D2 are the nose tips of the dikpala. S1 and S2 are the central ribs of the sesa bhumi. C-A-R-B denotes the base. A and B mark viewer's position off any corner as per CF1a. C marks viewer's position tangent to the mid point of the raha paga off base R as per CF1b, when C1, A1 and B1 are 376 mm which reveals average Indian height. As shown in Figure 3, CH is the gross elevation of 13.4 m and AB is also determined by pole and tape method as determined by pole and tape method from Figure 3 and Figure 4 are 13.4 m each. The Kalingiya cordant formula ( KCF ) then is CH = AB = CR . ELEVATION VALIDATION The elevation of Parasurameswar spire was physically measured using tape along a erect pole that is the central line as shown in Figure 5. Curvilinear outline was calculated using standard mathematical formula and also physically along the spire's curvature. The results conform findings as in CF1a and CF1b, as shown in Table 1. FRACTRAL ASPECT Ka being a circular device offers to the beholder 360 o front view. In case of Parasurameswar and Lingaraj temple, Ka have 88 and 64 ribs respectively. If each rib be taken as the point of reference for aligning the line of vision, a circle of Figure 3 Schematic representation of Parasurameswar temple Bhubaneswar c 650 AD H C C1 A B R E R A1 B1 S1 D1 K1 Y K1 D2 S2 H Figure 4 Geometric pattern of Parasurameswar temple H R E C 12 IE(I) Journal-AR 360 o radian is arrived at a radial distance where the hypotenuse (line of vision) meets the base (ground). Each such point on the radial outline marks the horizontal extension of the vertical line measured from spire's outer base 'R' forming a right angled triangle, the vertical projection of which coincides with the bindu (center point) of the enshrined lingam which is positioned at the centre of the garbha gruha (womb room) and the crowning ayudha (on temple top). This makes a imaginary vertical EY or EH. Infinite number of right angled triangles can be drawn with one common vertical coinciding with central EY\EH line. This is quiet well known that a pair of opposite triangles form a cone. Hence imaginary cones having differing grids can then be schematically drawn with the KBRD enmeshed at its centre. Similarly infinite number of triangles can be drawn enmeshed within each triangle that are aligned in a circular format. The enmeshed triangles individually and in groups describe elevations of various strata of the deula, apart generating fractals that are different from Sierpinski fractrals 21 . KBRD presents a unique concept of fractal hitherto unreported in built archaeology world wide. It also makes an imaginary wheel with innumerable spokes with the (KBRD) spire as its ornate axel. Since the structure is curvilinear, the measure along the curvature equals the measure of the hypotenuse. Therefore the hypotenuse, AY,BY and CY in Figure 3 and CH in Figure 4 is also the relative height/measure of the outline of the spire. Such methodology simultaneously allows application of any unit of measure. Figure 3 and Figure 4 schematically presents such thematic archaeometry which holds good for all KBRDs including Jagannath deula and in Kalingan rekha type temples that are else where outside Orissa. MOBIOUS SURFACE In the domain of pure mathematics, mobious surface studies are a mathematician's tool 22 . Mobious architecture is much sought after application of CAD in high speed surface, water, marine and aero vehicles. Interestingly, the candidate structures in the present study are also known as Vimana (aero vehicle). Architectural outlines of KBRDs and archaeometry generated from it jointly offer wide range of smooth curves of various pitches as shown in Figure 6. Curvilinear outline and Ay offer surfaces for non cyclic plain arcs of finite and infinitesimal type 23 . Ribs of the Ka and Ba offer repetitive arcs. KBRDs are therefore ideal ancient models for mobious surface related studies in which Ka, Ba and Ay once again exclusively come into full play. It is interesting to note that the east-west curvature of the earth at local latitude (20 o ) is approximately 15 o which is a natural selection. The curvilinear spire also have a identical angulation. The ribs of the bhumi anlas also have a separation of the order 15 o . This results in least resistance to wind and more importantly allows free play of breeze, which results better moisture transpiration from and into the stones, which thwarts erosion and instills longevity. ANGULI AS COMMON UNIT OF MEASURE Maharana and Maharana who are the hereditary head sthapatis of Sri Lingaraj temple and Sri Jagannath temple, apply the unit of measure called kathi, that is equal to 40.64 cm. Further, the chariots are constructed till date as per the model of Bhaskareswar (Bhubaneswar) using the same unit of measure called kathi. Ownership of the kathi marked them as sardar maharana (head master craftsman). Experimentally it is found that 1 kathi is equal to 24 angulas. 1 6 5 o 5 6 o 5 5 o 5 2 o 4 6 o 4 2 o 9 9 o Figure 5 Marked central line of the temple Table 1 Validation of elevation Name of Y height X distance tan , , , , , el ement f rom f rom = Y/X degrees ground, m centre, m Bada 51.2064 36.576 1.4 54.46 1 st Bhumi 71.3232 " 1.95 62.85 2 nd Bhumi 88.0872 " 2.4 67.45 3 rd Bhumi 103.9368 " 2.84 70.61 4 th Bhumi 117.9576 " 3.23 72.77 5 th Bhumi 130.7592 " 3.57 74.37 Elevation upto fifth bhumi [A] = 130.759 m; Fifth bhumi upto Ayudha [B] = 29.2608 m, so A + B = 130.759 m + 29.2608 m = 160.02 m. The gross angulation of the curvature is of the order 20 o , which is also the value of the local latitude. Vol 89, October 2008 13 Using CF1a and CF1b, the spire of Parasurameswar works out to 32 kathis (32 x 24 ) or 768 angulas. Lingaraj's spire measures 136 kathis (136 x 24) or 3264 angulas.Kalpa means 62 and radians are better calculable with angula as it is a non rigid frame with a error component of a fraction of 1 cm. DISCUSSION The in-built elements, ie, Ka and Ba are entirely abstract in nature. They do not have any religious or sovereign related connotation. Ka and Ba are exclusive elements of KBRD school. If the theme is altered, archaeometry accordingly produces corresponding set of valid results, which is not possible without inbuilt abstract elements, their special architecture and placement. This indeed is a marvelous and intelligent concept. The term Kalinga means 'intelligent \ clever' 24 . CONCLUSION Kalinga Cordant Formula is Ka and Ba dependent. Elevation of any KBRD can be calculated by using this formula. It allows readings at any time in day or dark, using any unit. This study indicates that use of applied mathematics and Figure 6 Schematic presentation of Lingaraja temple's Cranium geometry is possible with KBRDs as models. The deula as a whole can be expressed as a field model in durable plastic for large scale application of archaeometry. KBRDs celebrates computational and related field science as achieved in past. The KBRD is not a mere load structure. It celebrates science and is a almanac of history of Indian construction mathematics, geometry and engineering. Angula as the common unit of measure appears pragmatic as it would have allowed greater flexibility to workers of all strata on any plastic. Strong prevalence of use of angula in treaties and among practicing craftsmen is vindicated. Such findings are new and provides a window into the history of science in ancient India on the bed rock of dated archaeology. ACKNOWLEDGEMENT The authors are thankful to Late Shankar Maharana, Somnath Maharana, Deula sevaits (servitors) namely Shri T K Samantaray, Shri D Samantaray, M K Batu, B K Batu, B Samartha, et al, for preparing this study. Dr S Maiti, Superintendent, Mr P K Mahapatra, A.S.I. and their work men helped in validating the measure of vertical elevation at Parasurameswar and Mukteswar. The authors are also thankful to Shri S P Gantayat, Engineer-in-Chief cum Secretary, Govt. of Orissa and Prof S K Misra, Architecture dept, University College of Engineering and Technology- BPUT for technical review and field validation. The authors are also thankful to Shri T Sahu for generating the line graphs. Research grant received from Shri A B Goswamy (PE), Texas, USA is most gratefully acknowledged. The authors are also thankful to Ms M Bhattacharya. REFERENCE 1. K S Shukla. 'Aryabhatiya of Aryabhata'. Indian National Science Academy, (INSA) ND 1976. 2. D Arkasomayaji. 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