Nearly everything we do in The ELT classroom has an aspect of performance, of theatricality and therefore of drama. The classroom game of pretending to interact in English is a rehearsal for future interactions in English. Students and teachers need to adopt the same attitude to their language classes.
Nearly everything we do in The ELT classroom has an aspect of performance, of theatricality and therefore of drama. The classroom game of pretending to interact in English is a rehearsal for future interactions in English. Students and teachers need to adopt the same attitude to their language classes.
Nearly everything we do in The ELT classroom has an aspect of performance, of theatricality and therefore of drama. The classroom game of pretending to interact in English is a rehearsal for future interactions in English. Students and teachers need to adopt the same attitude to their language classes.
r: Katie J ones. Pearson PHOTOCOPIABLE INTRODUCTION If we define drama in Shakespeares terms as holding a mirror up to nature, then nearly everything we, and the learners do in the ELT classroom is drama. Nearly every interaction and activity is pretend. We interact in English, although this may not be the natural language for interaction. Everything we do has an aspect of performance, of theatricality and therefore of drama. Suspension of disbelief When we watch a film or a play on television or in the theatre, we ignore the fact that the actors are not actually, detectives, doctors or murderers. We engage in the drama because we are able to suspend our disbelief, we are able to pretend that the actors are the characters they portray that the locations are not stage sets or studios and the words spoken by the actors are a prepared script, not the spontaneous thoughts of the characters.
Students in an ELT classroom also need to suspend disbelief, otherwise they would be endlessly frustrated by the fact that the teacher does not speak in the mother tongue she shares with her students. Drama and Games Pretend games are a central part of a childs education. When they dress up as a princess, they become a princess. Their toys are not painted pieces of metal, wood or plastic, they are cars, guns, space rockets. Their toys get sick, recover, get angry and feel emotions. The ELT classroom is a pretend game in exactly the same way. Preparation for real life Few of your students will become princesses or astronauts, but all of them will become English language users. The classroom game of pretending to interact in English is a rehearsal for future interactions in English.
Most actors would agree that rehearsals are a time for hard work, careful listening and intense performance but they are also an enjoyable experience. They are a time for experimenting and having fun before the real audience arrives.
Students and teachers need to adopt the same attitude to their language classes. DRAMA TECHNIQUES Mime and gesture All foreign language users would say that they have sometimes used mime to communicate an idea when they did not have the appropriate words. For language learning purposes, mime can be an entertaining way to learn and remember meanings. Can you mime the difference between self-confident and timid? Can you mime the difference between delicate and heavy? By miming these words, does it help you to remember them?
Drama in the ELT Classroom Author: Nick Dawson Page 2 of 33 r: Katie J ones. Pearson PHOTOCOPIABLE Voice skills Speaking English may use different muscles from those used in your mother tongue. Like a good athlete, you need to train and exercise these muscles to produce the correct sounds. Treat pronunciation activities in the same way as an athletic work out. Get those muscles working powerfully and precisely.
In many languages communication is made possible by using the first part of a word. In English, endings are very important. When you speak, can we hear those ending clearly? English is not a sing-song language, but intonation is still very important. When you speak, does the changing tone of your voice help to communicate meaning? Choral speaking Choral speaking is not a communicative activity because students will not need to do this in everyday life, but choral speaking is a valuable learning activity. It offers opportunities to focus on the pronunciation of single words, the slide between words and the intonation patterns of sentences. We frequently use rhymes and poems for choral speaking. Choral speaking is also useful because no single student is exposed. Therefore choral speaking is good for classes of shy students. Stress timing In English sentences we place the major stress on words which carry the most meaning. In a phrase like in the park, the major stress will be on the word park. During choral speaking, we can show how students can find the stressed words in each sentence and practice putting the major stress on those words. Singing Singing is an enjoyable and communal activity combining music with sung speech. In good songs, the utterances are correctly stressed and so they are a useful for practising language. Rapping is a newer form of song in which rhythm is more important than melody. Raps are a useful form of choral speech.
Poems, rhymes, songs and raps are easily memorised. In speech, learners are frequently hesitant because they are thinking about what to say not only thinking of what to say but thinking of how to phrase their ideas. Part speaking If students have studied a dialogue, we can sometimes use the dialogues for part choral speaking. The teachers divides the class into groups and assigns a part to teach group. Then the class re-enact the dialogue using choral speech.
Natural intonation is more evident in dialogues and re-enacting dialogues is a very good way to practise both intonation and stress timing within utterances. Pair or small group part speaking Since students can listen to recordings of dialogues, we can ask small groups of students
Drama in the ELT Classroom Author: Nick Dawson Page 3 of 33 r: Katie J ones. Pearson PHOTOCOPIABLE to divide up the parts and re-enact the dialogue copying the pronunciation, stress and intonation of the original recording. This is a valuable exercise because students can copy a recording, they have access to the written script and because they are pretending to be a different person. This is not a communicative activity, but students can develop confidence by re-enacting dialogues. Pretending to be a different person Your student, Maria Ferrari, cannot speak English, but when you ask her to re-enact the part of Susan Green in a dialogue, Maria can speak English. When learning a foreign language, we are all slightly inhibited from using that language by our own personal identity. Pretending to be a different person is a good way to overcome this inhibition.
With young children learning English, we overcome this inhibition by using glove puppets. Whilst the child may be too shy to speak in English, the puppet is not. The children learn fluency and confidence by giving their voices to the puppets. Play acting There are a few books which contain short plays in simple English which students can stage in the classroom. Students can also create plays by adapting fables and graded readers into plays. Many students have portable devices which can record video images and sounds. They will enjoy creating short horror, adventure or detective videos in English. These videos can be shared with other students or with other classes.
Students can have great fun creating these short videos. Groups of students will use a lot of English in creating the story out lines and scripts. The format of these short videos encourages extreme expressions of emotion which can be very liberating for less confident learners. Role play Most role plays are used to practice procedures in which the interaction is predictable. From the skeleton supplied by the role play students create a script. Role plays can be repeated, developed, and prepared for public performance. Students may also turn their role play into a recorded video. Improvisation Improvisation is the most challenging form of role play. Although the location and roles may be pre-planned, the actual interaction is not. Participants need to interact spontaneously, creating responses to the utterances of the other partner. Conclusions Learning a foreign language is not easy. Drama activities help students to treat their learning as a game. Rehearsal leads to great fluency and, perhaps, to public performance. Drama activities are not communicative but they are an enjoyable preparation for communication.