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Tbe Marcus Aurelius equestrian monument bas been analyzed by tbe finite element metbod. Tbe
stress and strain fields, relevant to tbe rider load and tbermal effects bave been calculated. Tbe finite
element modcl bas been used to evaluate tbe best constraint conditions between tbe monument
and its pedestal and to design an internai stiffening frame. Tbe numerica! results bave been
validated by experimentally evaluating strains and displacements in tbe borse occurring due to
loading by tbe rider.
t
i RESULTS OF CALCULA TION AND
EXPERIMENTAL MEASUREMENTS
l
t
left leg and the horse body. view; (b) upwards from bottom view
MAX.
1.4 , ---EqU!V.
- - -STRESS
_.:_ (•laN/rnm-2]
_ _ ___c__ _ _ _ _ _ _ _ _ _----,
y z
Displacemenl direclion
~ Dlrt.Tnn:~(. ~ Photo~ram. D Cdkul.Siid. C8J Calcul.Pin
STRAIN ( m/m]
!OO.--~-~-----------------,
REFERENCES
Ackerman, J. S. M Aurelius on the Capitoline Hill, Renaissance
News, 1957, 2, 69-75
2 Gregorovius, F. Storia della Citta di Roma nel Medio Evo,
Einaudi editore, Torino, Italy, 1973
3 Marabelli, M. La struttura e le tecniche di fabbricazione, Marco
Aurelio - Mostra di cantiere (Catalogue), ICR, Rome, Italy,
1984, 39--41
4 Cesareo, R., Ferretti, M., Guida, G. and Marabelli, M. Le leghe:
il metodo e i risultati, Marco Aurelio - Mostra di cantiere
(Catalogue), ICR, Rome, Italy, 1984, 42--44
5 Sena, C. Rilievo mediante metodi della 'Fotogrammetria del
Fig. 9. Thejìnite element mode/ with internai frame aml Vicino' della statua equestre di Marco Aurelio in Roma,
its deformed shape Proceedinys 1!( the l st /nternational Coi!/Ì!rence on Non-
destructive Testing in Conservation of Works of Art. Rome, Italy,
1983
the stainless steel frame weight nearly eliminates the 6 Cam~lla, G., Marabelli, M., Marano, A. and Micheli, M. Esame
benefits the frame itself introduces, so that a lighter weight ultrasonoro della statua equestre del Marco Aurelio, Proceedings
of the 1st Intemational Conference on Non-destructive Testiny in
frame such as an aluminium alloy frame may be Conservation of Works of Art. Rome, Italy, 1983
recommended. 7 Micheli, M.lndagine radiografica della statua equestre di Marco
Aurelio, Proceedings of the I st lnternational Conference o n
Non-destructive Testiny in Conservatimi of J.t'!Jrks ()(Art, Rome,
CONCLUSIONS ltaly, 1983
8 Tabak, G. Nota sul restauro del Marco Aurelio al tempo dì
The decision on what type of restoration work to Gregorio XVI, Rassegna Archivi di Stato, XLII, I, Rome, ltaly,
undertake for the case of composite large dimension 1982
monuments such as the equestrian cast of Marcus 9 Accardo, G. et al. Il sistema ambiente-monumento, Marco
Aurelius demands careful analysis of the mechanical Aurelio - Mostra di cantiere (Catalogne), ICR, Rome, Italy,
1984, 65-70
behaviour of the: statue structure. The uniqueness of such 10 Accardo, G., Caneva, C. and Massa, S. Stress monìtorìng by
a monument and its immense cultura! value requires one temperature mappìng and acoustìc emìssion analysis: a case
to use as Iittle rnodification as possible. When stiffening study of Marcus Aurelius, Studies in Conservation, 1983, 28,
structures are designed it is necessary to analyze their 67-74
effect on the monument without actually having to build 11 Accardo, G., De Santis, P., Gorì, F., Guattari, G. and Webster,
J. M. The use of Speckle Interferometry in the study of large
and rnount such structures. The finite element method works of art, Journal of Photographic Science, 1985, 33(5),
provides a valid help to choose the more effective 174--176
restoration work on the monument structure. In this 12 Accardo, G. and Santucci, G. Metodo di calcolo agli elementi
paper we are shown how to use this method and its finiti e misure estensimetriche per l'analisis strutturale di
manufatti storico-artistici, 2nd lnternational Conference an
integration with experimental techniques. The procedure Non-destructive Testing, Microanalytical Methods and
adopted in this case can be easily generalized to find a Environmental Evaluation for Study and Conservation of Works of
systematic methodology to be followed in the future. To Art, Perugia, ltaly, 1988