Fort Edmonton Park John Kubicek Historical Radio Broadcasting Project Description
The Fort Edmonton Park Interpretation Unit Director, John Kubicek (known herein as the Project Sponsor) and the Arts and Cultural Management integrated project group from MacEwan University will be collaborating to produce a minimum of three 1920s era radio broadcast clips to use as a part of the Fort Edmonton Park interpretive program. The purpose of the project is to contribute to and enhance the living history experience for park visitors as the broadcasts will emulate early Edmonton radio from this time period. The goal is to explore the beginnings of Edmonton radio, how it was used and key news stories of the time to allow park visitors to have a better understanding of what radio was like for Edmontonians during this era. The group will contribute skills such as: historical research, developing short scripts, theatrical presentation, technical production and podcast recording. The project sponsor will provide available resources, however additional research will be required to complete the project with historical accuracy. The final product will be in the form of a high quality digital audio file to be played on an MP3 player (disguise behind an old 1920s radio) and used during the Parks 2014 summer season as a supplement to the Interpretation Coordinators.
Strategic Alignment
The Fort Edmonton Foundation is fully dedicated to the successful development of Fort Edmonton Park as an acclaimed experience that is as historically accurate as possible. They strive to make the accumulation about Edmontons past both informative as well as entertaining and memorable for the Parks visitors.
The 1920s is an era that Fort Edmonton does not have a lot of hands-on, demonstrative-oriented activities to engage patrons; this is what sparked a need for this particular project. By creating a number of realistic and amusing radio broadcasts (to be played through an antique radio), visitors will be engaged and introduced to the information, without necessarily using the interpreters, while keeping with the Parks overall goal of authenticity.
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3 Timeframe
January 9, 2014 Project start date: - Groups appointed and norms created February 6, 2014 Project Charter Completed: - Detailed document defining scope, objectives and participants - Research begins for broadcast stories, clips and segments February 27, 2014 Project Plan Completed: - Project scope is outlined and methods for completion are determined - Possible work breakdown structure is made if needed March 6, 2014 Group Progress Report / Quality Assurance & Control Meeting / Milestones Review / Contact John Kubicek: - Broadcast framework ideas are formed and script is ready to be recorded - Arrangements have been made for recording - Voice performers are chosen and ready to record March 13, 2014 Group Progress Report / Quality Assurance & Control Meeting / Milestones Review / Contact John Kubucek: - Recording is underway - Technical crew reviews recordings March 27, 2014 Final Group Progress Report / Closing Production Tasks: - Overall group evaluation of broadcasts April 1, 2014 Completion Date
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4 Goals and Objectives / Deliverables
Goal: To increase patron engagement and contribute to a more authentic experience at Fort Edmonton Park.
Objectives: 1. Record 3 high quality radio-style broadcast clips with content from the time period of 1927-1929. 2. Present 6 well-researched, creative ideas to pitch to Project Sponsor. 3. Write 3 creative scripts based upon the Project Sponsors choices. Scope
The project scope can be defined by four phases: 1) Research- gathering information about relevant news stories and broadcasts from the late 1920s 2) Pre-production- script writing, booking recording sessions, planning recording sessions, choosing talent 3) Production- recording the chosen scripts 4) Post-production- editing, mixing and mastering tracks for final delivery Approach
Our team structure will be organized horizontally with equal responsibility and contribution to all parts of the project. All major decisions and changes will first be approved by Project Sponsor. The areas of expertise required to complete the project include audio production knowledge, research and writing skills, voice talent, script writing, and time management.
Stakeholder Engagement
John Kubicek / Fort Edmonton Park
Will consistently be involved throughout the project to give final authority on chosen topics, scripts and styles of radio programming.
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Julian Mayne
Will be given progress reports so it can be observed what stage the project is at and how effectively it is being completed.
Project Team
Will be in control of the projects planning and execution From start to finish.
Fort Edmonton Users/Patrons
Will be shown the end product in an effort to make Fort Edmonton Park more engaging.
CKUA
Will be contacted and possibly used as a location for recording radio broadcast clips.
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6 Budget
Expenses CDs (final delivery format) $10.00 Recording venue/equipment rental ($50/hr) $300.00 Editing software $300.00 Labour ($50/hr) $500.00 TOTAL $1110.00
Revenue Recording venue/equipment rental (in-kind) $300.00 Editing software (in-kind) $300.00 Labour $500.00 TOTAL $1100.00
NET= (-$10.00)
Other Resources
MacEwan recording studios Voice / dramatization crew MacEwan students Technical crew CKUA or CJSR recording studio Private advertisement companies John Kubicek Julian Mayne Edmonton Public Library City of Edmonton Archives MacEwan Library Fort Edmonton Park materials Story / script segments for broadcast
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7 Risk/Impact Analysis
The risk of doing this project is relatively low besides the possibility that the recordings may not turn out. If the project is successful, the visitors of Fort Edmonton Park will be able to enjoy an enhanced experience of 1920s Edmonton during their summer season. The project will also be a helpful tool for the interpreters that are employed by Fort Edmonton Park. If the project is unsuccessful, there will be zero loss to Fort Edmonton Park, however a great opportunity to create an authentic experience would be missed. Evaluation Methods
The final quality of the project will be assessed by the project sponsor. The project team is not responsible for any follow up evaluation on the projects success once it is implemented.
Project Teams Authority
The project team will: - Work freely and correspond with John Kubicek regarding all project matters that require approval. - Coordinate project activities and manage budget. - Meet weekly on Thursdays from 2pm-5pm to ensure the project is on track. - Keep Julian Mayne and John Kubicek updated on project through progress reports.
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8 Team Signatures:
Rebekah Andrews ______________________________________ Date _____________________
Stephanie Duckett ______________________________________ Date _____________________
Keshia Bundred ______________________________________ Date _____________________
Josh Post ______________________________________ Date _____________________
Nathaneal Orleski ______________________________________ Date _____________________
Project Sponsor Signature:
John Kubicek ______________________________________ Date ____________________