Mcaa Bib 2011

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MODERN AND CONTEMPORARY ASIAN ART:

A Working Bibliography
2011 Version

By John Clark

With the help of Thomas Berghuis, Edan Corkill, Ann Proctor, Phoebe Scott, Gabrielle Ewington,
Michael Fitzhenry, Katharine Grube, Lai Meilin , Rhiannon Paget, Martin Polkinghorne, Helena
Poropat, Clare Veal, Kedar Vishwanathan.

Contributions from Sarena Abdullah, Ajioka Chiaki, Nataline Colonnello, Yashodhara Dalmia, David Elliott,
Britta Erickson, Kikuchi Yko, Kim Youngna, Olivier Krischer, Yvonne Low, Ahmad Mashadi, Saloni Mathur,
Shen Kuiyi, Simon Soon, Helena Spanjaard, Nora Taylor, Alicia Volk, Gennifer Weisenfeld, Bert Winther-Tamaki,
Tezuka Miwako, Tomii Reiko, Melanie Trede, Woo Jungah, Wu Hung.

Taninaka Yasunori, Ehon Fou, 1936, University of Sydney, UA1995.28.

Department of Art History & Film Studies, R.C. Mills A26, University of Sydney, NSW 2006, Australia
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INTRODUCTORY NOTES:
Any bibliography of Modern and Contemporary Asian Art clearly needs an extensive awareness of the increasing
literature in the vernacular languages necessary for research. Only a small proportion of this is ever likely to be
translated into European languages. However, many undergraduate and postgraduate students, and curatorial
researchers, who come to this field with no or little knowledge of the vernacular languages, at the outset require an
introductory guide to the material already available in English, French and German to begin.

The bibliography originated as a teaching bibliography for different courses in Australia. It has in practice usually
been updated every other year, depending on particular interests and available resources. It and is freely available
as a PDF file via the website of the Department of Art History and Film at:
http://www.arts.usyd.edu.au/departs/arthistory/index.php?page=staff&id=johclark

If you wish to indicate notable additions please contact the author at slam.arthistoryenquiries@sydney.edu.au or at
john.clark@sydney.edu.au

It is desirable for speed and accuracy of updating if you could do so with a country-specific file of additions only
saved in the existing categories of the bibliography and in .doc format for PC, and only if the text mentioned is
available via reasonable international circulation. Thematic or artist titles should be preceded by the name in
square brackets eg [Xu Bing], [Noumea] to facilitate A-Z sorting. At the minimum a title should be held in a
national library which can be accessed by international document request facilities. Some countries have valuable
material in English or French or German but in obscure academic journals. Some have extensive writings on
modern art which are nonetheless difficult to access abroad because of small-volume and / or selective coterie
circulation at home. If a text is both important and can be found by international document search, it should be
included.

Entry is by Country, Topic, and Artist. In some sections which give works on specific artists, authors follow the
name of the work or artist. Artists who cross cultural boundaries are generally given under contemporary art
sections by their culture of origination, although there are no hard-and-fast rules for such affiliation, and some
categories of overseas artists have been generated where there is sufficient material. There has been no attempt to
restrict the bibliography to books alone, but obviously it is not possible to include too many journal articles, book
reviews, or notes on particular exhibitions. Catalogues are usually included if little other material is available on a
given artist or if they contain useful general essays. Since some works not dealing specifically with modern art also
refer to its important proto-history in the 19th and early 20th centuries, they are also included here. In general, the
art works referred to are after 1850.

This bibliography seeks a balance between art historical quality, availability, and relevance. Thus some texts of
inadequate analytical or art historical reference have also been brought in since for a number of art cultures there
is little other written work available in English. Many areas like modern history or writings on modern culture
including literature are included on an ad hoc basis where these are available and seem useful, especially in areas
where I have worked. Further suggestions for inclusion of minimum materials in political and cultural history
adjacent to the field are welcome.

For users of this bibliography in Australia:
Works given are mostly those available in Australia and chiefly at the Australian National University Library,
National Library of Australia, The Canberra School of Art Library, University of Sydney Fisher Research and
Schaeffer Fine Arts Libraries and private sources in Canberra and Sydney. Australia has a very efficient and rapid
inter-library loan service and there are significant holdings at other universities, state libraries, and state art gallery
libraries. National holdings should be checked through the Libraries Australia website.

In the Sydney area, after holdings of the University of Sydney Fisher Research and Schaeffer Fine Arts Libraries,
the best source is the Art Gallery of New South Wales library which may be used for reference during weekdays.
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Fisher Research Library East Asian Collection is the fortunate recipient of an important ongoing donation of
usually bilingual Japanese art catalogues via the National Art Center in Tokyo. It also benefits from purchases of
materials on art in chiefly Chinese and Japanese under the Morrissey Bequest and some archaeological materials
under the gift of Dr S. T. Lee. Details of these holdings may be accessed off-campus by the librarys English on-
line catalogue, as well as by CJK terminals if one is available in your library for full details. The catalogues are
almost all in Japanese but frequently include many plate titles and essays in English or other European languages.

There are also quite extensive holdings of books on Asian Art at the State Library of New South Wales, and
especially of pre-Second World War books on India, including important runs of early Indian art journals.

Acknowledgements
For their assistance in updating this bibliography at various times I am grateful to present and former Sydney
students and others who have served as research assistants and collators shown on the title page.

We are also grateful to many other international collaborators for sending us their recent publications and details
of work for inclusion.

In Future
This is probably the last year the bibliography can be updated by my research collaborators and myself in Sydney
and I remain grateful for all their help. I welcome suggestions for how the bibliography may continue to be
updated in future.

John Clark, August-September 2011
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CONTENTS
Please note that pagination given below may slightly vary with printer settings

CONTENTS............................................................................................................................................................................... 4
GENERAL WORKS ON ASIAPACIFIC AS A REGION........................................................................................... 12
ASIAN-WIDE SURVEYS............................................................................................................................................................. 12
MUSEUMS, ART CENTERS AND OTHER ART INSTITUTIONS 1990S.................................................................................... 13
ASIA-WIDE NEW ART PRACTICES AND NEW MEDIA......................................................................................................... 15
NORTHEAST ASIA.............................................................................................................................................................. 17
CHINA-GENERAL............................................................................................................................................................... 17
BIBLIOGRAPHICAL NOTE........................................................................................................................................................ 17
GENERAL PROBLEMS OF MODERNITY AND ART ................................................................................................................ 17
TEXTS AND SOME TERMS IN CHINESE:................................................................................................................................. 20
CHINESE ART BEFORE THE TWENTIETH CENTURY (SELECTED TEXTS).......................................................................... 21
EARLY CONTACTS WITH EUROPEAN ART ............................................................................................................................ 21
CHINACOAST AND TRADE PAINTINGS.................................................................................................................................. 23
PHOTOGRAPHY IN CHINA....................................................................................................................................................... 24
PERFORMANCE IN CHINA 1980S-1990S AND AFTER ........................................................................................................... 25
MAILAND CHINA, 1911-PRESENT................................................................................................................................ 26
INDIVIDUAL ARTISTS ............................................................................................................................................................... 26
COLLECTED ARTIST INTERVIEWS.......................................................................................................................................... 51
NEO-TRADITIONAL PAINTING [GUOHUA]............................................................................................................................ 51
LATE QING TO REPUBLICAN CHINA BEFORE 1949............................................................................................................. 52
CULTURE CONTACT IN NORTHEAST CHINA AND MANCHURIA ....................................................................................... 53
WARTIME PERIOD AND YANAN BASE AREAS..................................................................................................................... 54
1949-1966 .................................................................................................................................................................................. 54
SELECTED COMPARATIVE TEXTS ON SOCIALIST REALISM................................................................................................ 54
1966-1976 .................................................................................................................................................................................. 55
1976-1989 .................................................................................................................................................................................. 56
1989-2000 .................................................................................................................................................................................. 58
2000+......................................................................................................................................................................................... 62
RECENT INK PAINTING [SEE ALSO BY ARTIST NAME] ......................................................................................................... 68
NEW ART PRACTICES AND NEW MEDIA [SEE ALSO UNDER PHOTOGRAPHY, PERFORMANCE]................................... 69
SELECTED EXHIBITIONS IN CHINA - 1990S-PRESENT........................................................................................................ 69
SELECTED EXHIBITIONS OUTSIDE CHINA............................................................................................................................ 72
ART INSTITUTIONS CHINA (ENTRIES AFTER 2005) .......................................................................................................... 75
CHINESE GRAPHIC ART SINCE THE LATE 19TH CENTURY TO 1949 ................................................................................ 76
CHINESE GRAPHIC ART AFTER 1949..................................................................................................................................... 77
SELECTED WORKS ON MODERN CHINESE INTELLECTUAL AND POLITICAL HISTORY AFTER 1949 ........................... 80
WOMEN, GENDER AND ART .................................................................................................................................................. 83
SHANGHAI: CITY, ART, ARCHITECTURE AND VISUAL CULTURE ...................................................................................... 84
WEB RESOURCES ...................................................................................................................................................................... 85
CHINA-HONG KONG AND MACAO........................................................................................................................... 86
GENERAL................................................................................................................................................................................... 86
HONG KONG INK PAINTING................................................................................................................................................. 90
OIL PAINTING, PRINTS AND RELATED MIXED MEDIA...................................................................................................... 91
SCULPTURE AND CERAMICS .................................................................................................................................................... 91
ART IN HONG KONG IN THE 1990S ...................................................................................................................................... 91
CONTEMPORARY ART SINCE 2000......................................................................................................................................... 91
HONG KONG PHOTOGRAPHY................................................................................................................................................ 93
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CHINA-TIBET........................................................................................................................................................................ 93
GENERAL WORKS..................................................................................................................................................................... 93
CHINA-TAIWAN/REPUBLIC OF CHINA.................................................................................................................... 93
JAPANESE COLONIAL PERIOD................................................................................................................................................ 97
GENERAL WORKS, 1950S-1970S............................................................................................................................................. 97
1970S-1980S............................................................................................................................................................................... 98
1990S 98
2000+......................................................................................................................................................................................... 99
TAIWAN PHOTOGRAPHY....................................................................................................................................................... 101
POLITICS, IDENTITY AND NATIONALISM ........................................................................................................................... 101
POLITICAL AND INTELLECTUAL HISTORY OF TAIWAN.................................................................................................... 101
ECONOMY AND POLITICS OF TAIWAN................................................................................................................................ 102
FILM TAIWAN [ENTRIES FROM 2005] .................................................................................................................................. 102
CHINA-OVERSEAS............................................................................................................................................................ 102
GENERAL WORKS................................................................................................................................................................... 102
JAPAN..................................................................................................................................................................................... 104
GENERAL WORKS................................................................................................................................................................... 104
INDIVIDUAL ARTISTS ............................................................................................................................................................. 106
EUROPEANS IN MEIJI JAPAN................................................................................................................................................. 115
JAPONISME AND CROSS-CULTURAL DIALOGUE................................................................................................................ 117
PHOTOGRAPHY....................................................................................................................................................................... 119
MEIJI ART AND INTERACTION WITH THE WEST................................................................................................................ 122
NIHONGA: PAINTING IN TRADITIONAL JAPANESE STYLE SINCE MEIJI ...................................................................... 124
PRINTS SINCE MEIJI................................................................................................................................................................ 126
ART 1910S TO 1930S............................................................................................................................................................... 127
WAR: 1930S-1940S .................................................................................................................................................................. 129
ART SINCE 1945, IN GENERAL ............................................................................................................................................. 130
1945 TO MID-1960S................................................................................................................................................................. 131
LATE 1960S TO 1980S............................................................................................................................................................. 132
1990S ........................................................................................................................................................................................ 133
2000+....................................................................................................................................................................................... 134
NEW MEDIA............................................................................................................................................................................ 136
CRAFTS AND MODERN DESIGN........................................................................................................................................... 136
POPULAR CULTURE INCLUDING ADVERTISING AND CINEMA........................................................................................ 138
POPULAR VISUAL CULTURE - INCLUDING COMICS........................................................................................................... 140
DOMESTIC ARCHITECTURE AND LANDSCAPE DESIGN.................................................................................................... 142
JAPANESE CITIES [ALL PERIODS] ......................................................................................................................................... 144
GENERAL TEXTS ON MODERN ARCHITECTURE ............................................................................................................... 145
MEIJI ARCHITECTURE............................................................................................................................................................ 146
1920S-1940S ARCHITECTURE................................................................................................................................................ 146
ARCHITECTURE SINCE 1945 [A LARGE FIELD, WORTHY OF A SEPARATE BIBLIOGRAPHY, MANY JAPANESE TEXTS ARE
BILINGUAL ] .................................................................................................................................................................. 146
ARCHITECTURE AND DESIGN............................................................................................................................................... 152
ARCHITECTURAL BIBLIOGRAPHIES...................................................................................................................................... 152
SCIENCE, TECHNOLOGY, & THEIR REPRESENTATION.................................................................................................... 154
SELECTED TEXTS ON MODERN JAPANESE CULTURAL AND INTELLECTUAL HISTORY............................................... 154
MODERN JAPANESE THOUGHT............................................................................................................................................ 156
GENERAL TEXTS ON AESTHETICS....................................................................................................................................... 156
OKAKURA KAKUZ [TENSHIN] ........................................................................................................................................... 157
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KUKI SHZ ........................................................................................................................................................................... 157
KUKI AND HIS TIMES............................................................................................................................................................. 157
NISHIDA KITAR.................................................................................................................................................................... 157
WATSUJI TETSUR.................................................................................................................................................................. 157
MODERN JAPANESE HISTORY .............................................................................................................................................. 158
SOCIETY ................................................................................................................................................................................... 159
LITERARY REPRESENTATIONS [SELECTED] ........................................................................................................................ 159
WEB RESOURCES .................................................................................................................................................................... 160
MODERN AESTHETICS ............................................................................................... ERROR! BOOKMARK NOT DEFINED.
KOREA-REPUBLIC OF KOREA.................................................................................................................................... 161
GENERAL WORKS................................................................................................................................................................... 161
COLONIAL PERIOD................................................................................................................................................................. 165
1950S-1960S............................................................................................................................................................................. 165
1970S-1980S............................................................................................................................................................................. 166
1980S AND 1990S .................................................................................................................................................................... 166
CONTEMPORARY KOREAN ART SINCE 2000...................................................................................................................... 167
PHOTOGRAPHY....................................................................................................................................................................... 167
VIDEO AND NEW MEDIA....................................................................................................................................................... 168
MINJUNG MISUL ..................................................................................................................................................................... 168
KOREA-DEMOCRATIC PEOPLES REPUBLIC OF KOREA............................................................................... 168
SOUTHEAST ASIA............................................................................................................................................................. 168
SOUTHEAST ASIAN MODERN ART IN GENERAL ............................................................................................................... 168
SOUTHEAST ASIAN HISTORY: SELECTED............................................................................................................................ 171
MYANMAR [BURMA] ........................................................................................................................................................ 171
GENERAL WORKS................................................................................................................................................................... 171
LAOS ....................................................................................................................................................................................... 173
GENERAL WORKS................................................................................................................................................................... 173
THAILAND........................................................................................................................................................................... 173
GENERAL WORKS....................................................................................................... ERROR! BOOKMARK NOT DEFINED.
HISTORICAL CONTEXT .......................................................................................................................................................... 173
BEFORE 1780S......................................................................................................................................................................... 174
1780S TO 1910S [RAMA I TO RAMA V] ................................................................................................................................. 174
ACTIVITIES AND REPORTS OF CONTEMPORARY DIPLOMATS AND MISSIONARIES...................................................... 175
1910S TO 1940S [RAMA VI TO RAMA VIII] ......................................................................................................................... 176
1950S TO PRESENT [RAMA IX] (SEE ALSO THAI MENTALITIES INCLUDING RELIGION LATER) .............................. 176
POLITICS AND SOCIETY......................................................................................................................................................... 184
PRE-MODERN THAI ART- SELECTED.................................................................................................................................. 185
PRE-MODERN THAI PAINTING- SELECTED....................................................................................................................... 185
THONBURI & RATANAKOSIN (RAMA I-IV)......................................................................................................................... 185
RATANAKOSIN (RAMA V-VIII)............................................................................................................................................. 186
AFTER 1947 (RAMA IX) ......................................................................................................................................................... 187
GENERAL WORKS ON NEO-TRADITIONAL ART- INCLUDING GROUP CATALOGUES ................................................. 187
GENERAL WORKS ON MODERN THAI ART........................................................................................................................ 187
ARCHITECTURE AND ENVIRONMENT ................................................................................................................................. 188
CRAFT....................................................................................................................................................................................... 188
REFERENCE............................................................................................................................................................................. 189
ART COLLECTION & GALLERIES ......................................................................................................................................... 189
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SELECTED MAJOR EXHIBITIONS IN THAILAND (BY YEAR- MATERIAL IN SOME AUSTRALIAN PUBLIC LIBRARIES).. 189
MODERN THAI ART ............................................................................................................................................................... 192
PHOTOGRAPHY IN THAILAND.............................................................................................................................................. 193
1980S 193
1990S 193
CONTEMPORARY THAI ART SINCE 2000............................................................................................................................. 194
CONTEMPORARY CINEMA, TELEVISION AND VIDEO....................................................................................................... 195
WORKS ON MODERN THAI LITERATURE IN ENGLISH..................................................................................................... 195
THAI MUSIC............................................................................................................................................................................. 196
THAI MENTALITIES INCLUDING RELIGIONS...................................................................................................................... 196
THAI SOCIETY......................................................................................................................................................................... 197
THAI ECONOMY...................................................................................................................................................................... 197
CAMBODIA .......................................................................................................................................................................... 198
GENERAL WORKS................................................................................................................................................................... 198
VIETNAM.............................................................................................................................................................................. 199
PRE-MODERN ART AND GENERAL SURVEYS OF VIETNAMESE ART .............................................................................. 199
ART IN THE FRENCH COLONIAL PERIOD (UNTIL 1945) ................................................................................................... 199
ART IN THE WARTIME PERIOD (C.1945-75) ....................................................................................................................... 201
CULTURAL POLICY ................................................................................................................................................................. 201
MODERN ART GENERAL.................................................................................................................................................... 202
DOI MOI PERIOD (FROM 1986) AND 1990S ........................................................................................................................ 204
CONTEMPORARY ART 2000+................................................................................................................................................ 205
WOMEN IN VIETNAMESE ART AND SOCIETY .................................................................................................................... 207
ART OF VIETNAMESE DIASPORA/OVERSEAS VIETNAMESE ARTISTS ............................................................................ 208
ART CONSERVATION ............................................................................................................................................................. 212
VIETNAMESE MODERN HISTORY GENERAL .................................................................................................................. 212
VIETNAMESE LITERATURE - GENERAL............................................................................................................................... 213
INDONESIA......................................................................................................................................................................... 214
GENERAL WORKS................................................................................................................................................................... 214
INDIVIDUAL ARTISTS [INCLUDING BALI]............................................................................................................................ 215
RADEN SALEH, LIFE AND WORKS......................................................................................................................................... 218
PAINTING IN INDONESIA IN THE 19TH CENTURY............................................................................................................. 219
ART FROM LATE 19TH CENTURY TO 1945.......................................................................................................................... 220
ART FROM 1945-1965............................................................................................................................................................. 221
ART SINCE 1965 ...................................................................................................................................................................... 221
ART IN THE 1990S................................................................................................................................................................... 222
ART 2000+............................................................................................................................................................................... 223
CONTEMPORARY CINEMA AND NEW MEDIA .................................................................................................................... 224
SELECTED EXHIBITIONS ....................................................................................................................................................... 224
INDONESIA BIENNALES [FROM 2005] .............................................................................................................................. 225
BALI 225
EUROPEAN IMAGES OF S.E. ASIA AND INDONESIA.......................................................................................................... 227
PHOTOGRAPHY....................................................................................................................................................................... 227
CRAFT PRACTICES................................................................................................................................................................... 228
EAST TIMOR........................................................................................................................................................................ 228
BRUNEI.................................................................................................................................................................................. 229
GENERAL WORKS................................................................................................................................................................... 229
MALAYSIA............................................................................................................................................................................ 229
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GENERAL WORKS................................................................................................................................................................... 229
PHOTOGRAPHY....................................................................................................................................................................... 235
CONTEMPORARY CINEMA AND VIDEO............................................................................................................................... 235
CONTEMPORARY MALAYSIAN ART...................................................................................................................................... 236
SINGAPORE......................................................................................................................................................................... 237
GENERAL WORKS ................................................................................................................................................................... 237
GENERAL WORKS ON NANYANG ART AND THE MALAYAN PERIOD ............................................................................. 239
CONTEMPORARY SINGAPOREAN ART................................................................................................................................. 244
WORKS ON HISTORY AND CULTURE IN MALAYSIA AND SINGAPORE............................................................................ 248
CONTEMPORARY CINEMA AND VIDEO............................................................................................................................... 250
PHILIPPINES ....................................................................................................................................................................... 250
GENERAL HISTORY................................................................................................................................................................ 250
SOCIETY, THOUGHT AND CULTURE.................................................................................................................................... 256
PRE-HISPANIC PHILIPPINE MYTHS AND SOCIETY ............................................................................................................ 256
RIZAL, JOS (1861-1896) ....................................................................................................................................................... 256
GENERAL ART......................................................................................................................................................................... 257
ART OF THE SPANISH PERIOD GENERAL ........................................................................................................................ 257
ART OF THE SPANISH PERIOD ACADEMIC ART AND ITS TRANSITIONS ..................................................................... 258
ART OF THE AMERICAN PERIOD.......................................................................................................................................... 259
ART SINCE 1945 IN GENERAL ............................................................................................................................................... 259
1970S-1980S, INCLUDING ART WITH POLITICAL COMMITMENT..................................................................................... 259
CONTEMPORARY ART SINCE 1990....................................................................................................................................... 260
CONTEMPORARY CINEMA..................................................................................................................................................... 262
PRINTS...................................................................................................................................................................................... 262
PHOTOGRAPHY....................................................................................................................................................................... 262
NEW MEDIA................................................................................................................ ERROR! BOOKMARK NOT DEFINED.
CRAFTS (INCLUDING TEXTILES, BASKETWORK, CARVING, AND CERAMICS) .................................................................. 262
WOMEN AND ART, WOMENS ART ...................................................................................................................................... 263
PACIFIC, OCEANIA, NEW ZEALAND....................................................................................................................... 263
GENERAL WORKS................................................................................................................................................................... 263
FIJI 264
NEW ZEALAND....................................................................................................................................................................... 264
NOUMEA.................................................................................................................................................................................. 264
PAPUA NEW GUINEA ..................................................................................................................................................... 265
SOUTH ASIA ........................................................................................................................................................................ 266
GENERAL WORKS................................................................................................................................................................... 266
INDIA ..................................................................................................................................................................................... 266
GENERAL WORKS................................................................................................................................................................... 266
ART FOR THE BRITISH............................................................................................................................................................ 277
URBAN POPULAR GRAPHIC ART IN THE 19TH AND 20
TH
CENTURIES ............................................................................ 278
THE BRITISH ART SCHOOL SYSTEM..................................................................................................................................... 279
ART FOR THE ESTABLISHMENT ............................................................................................................................................ 280
FINE ART SOCIETIES.............................................................................................................................................................. 280
MUSEUMS, EXHIBITION, AND COLLECTION ...................................................................................................................... 280
NEO-TRADITIONAL PAINTING............................................................................................................................................. 281
NASCENT COUNTER-ESTABLISHMENT................................................................................................................................ 281
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IDENTITY................................................................................................................................................................................. 282
THE NEW ESTABLISHMENTS ................................................................................................................................................ 283
THE FOLK AND THE MODERN............................................................................................................................................. 283
STYLE, CRITICISM, AND IDENTITY....................................................................................................................................... 284
1990S 285
CONTEMPORARY ART SINCE 2000....................................................................................................................................... 287
INDIAN PHOTOGRAPHY ........................................................................................................................................................ 289
INDIAN CINEMA, FILM AND NEW MEDIA.......................................................................................................................... 290
INDIAN ARTISTS ABROAD..................................................................................................................................................... 291
INDIAN CITIES: ARCHITECTURE AND URBANISM.............................................................................................................. 291
WEB RESOURCES: .................................................................................................................................................................... 291
NEPAL.................................................................................................................................................................................... 291
GENERAL WORKS................................................................................................................................................................... 291
HIMALAYAN BORDERLANDS; KASHMIR, BHUTAN, SIKKHIM.................................................................... 292
GENERAL WORKS................................................................................................................................................................... 292
PAKISTAN............................................................................................................................................................................. 292
GENERAL WORKS................................................................................................................................................................... 292
BANGLADESH.................................................................................................................................................................... 293
GENERAL WORKS................................................................................................................................................................... 293
SRI LANKA/CEYLON...................................................................................................................................................... 294
GENERAL WORKS................................................................................................................................................................... 294
MONGOLIA.......................................................................................................................................................................... 294
GENERAL WORKS................................................................................................................................................................... 294
CIS AND OTHER................................................................................................................................................................ 295
ASIAN ARTIST TRANSNATIONAL ACTIVITY....................................................................................................... 295
ASIAN ARTIST TRANSNATIONAL ACTIVITY: AUSTRALIA.................................................................................................. 295
AUSTRALIA AND ASIA [SELECTED]....................................................................................................................................... 296
CRITICAL AND HISTORICAL STUDIES .................................................................................................................................. 299
EXHIBITIONS AND REVIEWS [SELECTED] ........................................................................................................................... 301
ASIAN ART AND EURAMERICAN PRACTICE....................................................................................................... 302
ASIAN ARTISTS TRANSNATIONAL ACTIVITY- USA.......................................................................................... 303
GENERAL WORKS................................................................................................................................................................... 303
ASIAN ARTISTS TRANSNATIONAL ACTIVITY- UNITED KINGDOM......................................................... 309
GENERAL WORKS................................................................................................................................................................... 309
ASIAN ARTISTS TRANSNATIONAL ACTIVITY- FRANCE................................................................................. 310
GENERAL WORKS................................................................................................................................................................... 310
ASIAN ARTISTS TRANSNATIONAL ACTIVITY- ELSEWHERE IN EUROPE.............................................. 312
GENERAL WORKS................................................................................................................................................................... 312
PRE-HISTORIES OF EURAMERICAN ART.............................................................................................................. 312
EURAMERICAN THEORIES OF MODERNITY (Selected).................................................................................... 313
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THEORIES, LOGICS & IDEOLOGIES ..................................................................................................................................... 313
TAXONOMY AND EVOLUTIONARY SPECIATION................................................................................................................ 313
LITERARY AND LINGUISTIC THEORIES............................................................................................................................... 313
CULTURAL HYBRIDITY AND CULTURAL COMPARISON..................................................................................................... 314
CULTURAL GLOBALIZATION ................................................................................................................................................ 315
THEORIES OF ART [SELECTED]............................................................................................................................................. 317
ART MOVEMENTS................................................................................................................................................................... 319
CORPOREAL THEORIES (SELECTED).................................................................................................................................... 320
ASIA, AFRICA AND ISLAM IN PRE-MODERN EURAMERICAN ART........................................................... 320
NON-EURAMERICAN THEORIES AND POSITIONS ON MODERNITY..................................................... 321
GENERAL................................................................................................................................................................................. 321
AFRICA ..................................................................................................................................................................................... 322
AUSTRALIA............................................................................................................................................................................... 323
THE ISLAMIC WORLD............................................................................................................................................................. 323
MESO- AND SOUTH AMERICA............................................................................................................................................... 323
POST-COLONIALISM AND THIRD CRITIQUES.................................................................................................. 324
BIENNALES AND CONTEMPORARY ASIAN ART............................................................................................... 328
MUSEUM & EXHIBITION PRACTICE..................................................................................................................................... 328
AUSTRALIA, ART AND ASIA [DUPLICATES SOME SECTIONS ABOVE] ............................................................................... 331
MODERN & CONTEMPORARY EXHIBITION SYSTEMS....................................................................................................... 332
CURATORIAL PRACTICE......................................................................................................................................................... 336
BIENNALES IN ART EXHIBITION SYSTEMS ......................................................................................................................... 337
ART, MARKETS, AND THE ECONOMY.................................................................................................................................. 338
ART DEALERS.......................................................................................................................................................................... 340
CULTURES AND COMMODITIES ............................................................................................................................................ 341
HYBRIDITY, POST-COLONIALITY AND GLOBALIZATION [DUPLICATES SOME SECTIONS ABOVE].............................. 341
OTHER THEORIES AND HISTORIES [DUPLICATES SOME SECTIONS ABOVE].................................................................. 343
BIENNALES AND TRIENNALES BY SITE............................................................................................................... 344
AUCKLAND.............................................................................................................................................................................. 344
BEIJING .................................................................................................................................................................................... 344
BERLIN..................................................................................................................................................................................... 344
BRISBANE: ASIA-PACIFIC TRIENNIAL OF CONTEMPORARY ART [APT] ........................................................................ 344
BUSAN....................................................................................................................................................................................... 347
CHENGDU................................................................................................................................................................................ 347
CHRISTCHURCH: SCAPE.......................................................................................................................................................... 348
GUANGZHOU: GUANGZHOU TRIENNALE.......................................................................................................................... 349
GWANGJU/KWANGJU............................................................................................................................................................ 350
HAVANA................................................................................................................................................................................... 352
ISTANBUL: INTERNATIONAL: ISTANBUL BIENNIAL........................................................................................................... 352
KASSEL: DOCUMENTA........................................................................................................................................................... 353
JOGJAKARATA.......................................................................................................................................................................... 354
JOHANNESBURG...................................................................................................................................................................... 354
KITAKYUSHU BIENNALE....................................................................................................................................................... 355
LIVERPOOL BIENNIAL ........................................................................................................................................................... 355
LYON BIENNIAL ..................................................................................................................................................................... 355
MANIFESTA: [SITE VARIES] .................................................................................................................................................... 355
MOSCOW.................................................................................................................................................................................. 356
NANJING TRIENNIAL............................................................................................................................................................. 356
NEW DELHI: INDIA TRIENNALE.......................................................................................................................................... 356
NEW ORLEANS: PROSPECT 1 ................................................................................................................................................ 356
NEW YORK: PERFORMA ........................................................................................................................................................ 356
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OSAKA TRIENNALE................................................................................................................................................................ 356
SO PAULO: SO PAULO BIENAL......................................................................................................................................... 356
SINGAPORE.............................................................................................................................................................................. 356
SHANGHAI ............................................................................................................................................................................... 357
SHARJAH................................................................................................................................................................................... 359
SYDNEY: BIENNALE OF SYDNEY.......................................................................................................................................... 359
TAIPEI: TAIPEI BIENNIAL...................................................................................................................................................... 361
VENICE: LA BIENNALE DI VENEZIA................................................................................................................................... 362
YOKOHAMA: YOKOHAMA TRIENNALE: .............................................................................................................................. 364
NATIONAL EXHIBITIONS AT BIENNALES ........................................................................................................................... 365
CHINA....................................................................................................................................................................................... 365
CHINA- HONG KONG:........................................................................................................................................................... 366
CHINA-TAWAIN...................................................................................................................................................................... 367
INDONESIA.............................................................................................................................................................................. 367
KOREA...................................................................................................................................................................................... 368
MALAYSIA ................................................................................................................................................................................ 368
PHILIPPINES............................................................................................................................................................................. 368
SINGAPORE.............................................................................................................................................................................. 368
CHINA-TAIWAN...................................................................................................................................................................... 369
THAILAND ............................................................................................................................................................................... 369
UNITED KINGDOM................................................................................................................................................................ 369
BIENNALES FROM AN ASIAN PERSPECTIVE ........................................................................................................................ 369
OTHER CATALOGUES CONSULTED BY YEAR OF PUBLICATION [DUPLICATES SOME SECTIONS ABOVE]................... 370

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GENERAL WORKS ON ASIAPACIFIC AS A REGION
Asian-Wide Surveys
ArtAsiaPacific Almanac, annually from 2005
Blazwick, Iwona, ed., Century City: Art and Culture in the Modern Metropolis, exhibition catalogue, Tate Trustees, 2001.
Clark, John, Inter-Asian Criteria of Institutional Modernity in Art, 28th International Congress of the History of
Art, Berlin, Kunstlerische Austausch/Artistic Exchange, Akademie Verlag, Berlin, 1993, p. 655-668.
Clark, John, ed., Modernity in Asian Art, Sydney, Wild Peony Press, 1993.
Clark, John; Peleggi, Maurizio & Sabapathy, T.K. eds., Eye of the Beholder, Sydney, Wild Peony Press, 2006.
Clark, John, Ajia! Ajia!, in Art Monthly Australia, April 1991.
Clark, John, Art Goes Non-Aligned [Four Exhibitions in Jakarta including the Art of the Non-Aligned Movement,
April 1995], in Art & Asia Pacific, Vol. 2, No.4, 1995.
Clark, John, Asian Modernisms [reprinted from Humanities Research, No.2, 1999] in Marg, Spring, Vol. 53, No.2,
2002.
Clark, John, Contemporary Arts: Asia, review of Asia Society New York Roundtable, in Journal of the Asian Arts
Society of Australia, Vol. 2, No. 1, January 1993.
Clark, John, Kindai Ajia no bijutsu gensetsu ni okeru taka (tr. Morino Yutaka, Fujiwara Sadao) in Shimamoto
Kan, Kasuya Makoto, hen, Bijutsushi to Tasha, Kyto, Ky Shuppan, 2000; English original published as
Art History and Alterity: Othering as Process in Modern Asian Art Discourses in Flores, Patrick D. ed.,
Commemorative Anthology on the retirement of Professor Alice G. Guillermo, Manila, University of the Philippines,
2003
Clark, John, Inter-Asian Criteria of Institutional Modernity in Art, in Kunstlerische Austausch/Artistic Exchange,
Akademie Verlag, Berlin, 1993.
Clark, John, Modern Asian Art, Sydney, Craftsman House & Honolulu, University of Hawaii Press, 1998.
Clark, John, Once Again the East, [The New Asian Gallery, Art Gallery of New South Wales], in Art Monthly
Australia, No. 30, May, 1990.
Clark, John, Problems of Modern Painting beyond Byzantium, in Papers in Far Eastern History, Australian National
University, Department of Far Eastern History, No. 41, March 1990, pages 109-123.
Clarke, David, Contemporary Asian Art and Its Western Reception in Third Text, Vol. 16, Issue 3 September
2000, p. 237-242
Contemporary Arts of the Region: Australia and South East Asia, Special Issue Artlink, Vol. 13, No.3&4,
November-March 1993/94.
Count 10 Before You Say Asia. Asian Art after Postmodernism. International Symposium 2008 Report. Tokyo: Japan
Foundation, 2009.
Dysart, Dinah & Fink, Hannah, eds, Asian Women Artists, Sydney, Craftsman House, 1996.
Huangfu Binghui, ed., Text and Subtext: Contemporary Art and Asian Women, Singapore, Earl Lu Gallery, Lasalle-SIA
College of the Arts, 2000.
Inaga Shigemi, ed., 38
th
International Research Symposium: Conflicitng Visions of Asia under the Colonial Empires, Kyoto:
International Research Center for Japanese Studies, 2010.
Japan Cultural Forum, ed, Modern Art of Asia, Toto Shuppan, Tokyo, 1961.
Joubert, Lindy, ed., Educating in the Arts, The Asian Experience: Twenty-Four Essays, Dordrecht, Springer, 2008.
Kee, Joan, What is Feminist about Contemporary Asian Womens Art? in Reilly, Maura & Nochlin, Linda, eds.,
Global Feminisms: New Directions in Contemporary Art, London, Merrell Publishers Ltd., 2007, p. 107-122.
Kirker, Anne, Focus on Asian Women Artists, in Artlink, Vol. 20, No. 2, July 2000.
Labrador, Ana P. The Necessity of Craft: Women and Craft in the Asia-Pacific Region in ArtAsiaPacific, Vol. 3,
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Lent, John A., Asian Comic Art. in Art AsiaPacific, Issue 21, 1999.
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13
Morris, Rosalind, ed., Photographies East: The Camera and its Histories in East and Southeast Asia, Durham, N.C., Duke
University Press, 2009.
Newton, G., Picture Paradise. Asia-Pacific Photography 1840s-1940s. Canberra: National Gallery of Australia, 2008.
ScContemporary 08: Best of Discovery, in Art Asia Pacific, No. 59, July/ August 2008.
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2013.
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Twenty-First Century, Vishakha N. Desai (ed.), New Have and London: Yale University Press, 2007.
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March/ April 2010.
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2005.
Turner, Caroline, There is Also the West Heavens: A Chinese-Indian Conversation, in Art Monthly Australia,
Issue 238, April 2011.
Watson Andaya, Barbara, Oceans Unbounded: Transversing Asia Across Area Studies, in Journal of Asian Studies,
Vol. 65, No. 4, November 2006.
Weisenfeld, Gennifer, Reinscribing Tradition in a Transnational Art World., in Desai, Vishakha ed. Asian Art
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2010, p. 78-99, online: http://archiVol.ub.uni-heidelberg.de/ojs/index.php/transcultural/article/view/6175
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Critical Reader, Cambridge, MIT Press, 2011, p. 371-390.
Winther-Tamaki, Bert, "Asian Possessions of the Cubist Body: 'Home from Home'" Cubism in Asia; Unbounded
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Museums, Art Centers and other Art Institutions 1990s
A New Cure for Asian Art Curators, in Asian Art News, Vol. 9, No. 4 1999.
Asia and Modernity, Special Issue of Humanities Research, Issue 2, 1999 with articles by Clark, Lilley, Low,
Labrador, Sang.
Asian Art: Prospects for the Future. in International Symposium 1999 with articles by Elliott, Davenport, Mashadi,
Nakamura, Poshyananda, Rajah, Tatehata, Tokyo, Japan Foundation, 1999.
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Desai, Vishakha. Re-visioning Asian Arts in the 1990s: Reflections on a Museum Professional in Art Bulletin
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Art, Anthropology and the Modes of Re-presentation. Museums and Contemporary Non-Western Art, Amsterdam, Royal
Tropical Institute, 1992, pp.31-36.
Elliott, David. Art, Power and Curatorial Practice in Stopping the Process? Contemporary Views on Art and Exhibitions,
Helsinki, The Nordic Institute for Contemporary Art, 1998, pp. 205-214.
Elliott, David. Asia: Black Hole or Enduring Stereotype?, Tokyo, The Japan Foundation Asia Center, 1999 [in
English and Japanese]. Republished in Japanese in Intriguing Asia, Tokyo, Bensey Publishing Inc., 2000, pp.
47-56
Hong Kong Art Archive, http://web.hku.hk:8400/~hkaa/hkaa/
Hou Hanru; Obrist, Hans-Ulrich, Cities on the Move, Ostfildren-Ruit, Verlag Gerg Hatje, 1997.
14
Manton, Neil, The Arts of Diplomacy, in Artlink, Vol. 20, No. 2, July 2000; Art Asia Pacific, Vol. 3, No. 4, 1996.
McEvilley, Thomas, Arrivederci Venice: On the Third World Biennials, in Artforum International, Vol. 32, Issue
3, November 1993.
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Sydney, The Fine Arts Press, 1996. [Reports: Art Asia Pacific, Vol. 3, No. 4, 1996; Mehta in Eyeline:
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Text, No. 41, Winter 1997-98.
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32, No. 1, Spring 1994.

Museums, Art Centers and other Art Institutions 2000+
Akira, Tatehatata, A Trojan Horse?: Multiculturalism in International Art Exhibitions, in Yasuko, Furuichi, Asia
in Transition: Representation and Identity, Japan Foundation Asia Center, 2002.
Art AsiaPacific, Special Issue Asian Art Now: 21 Curators and Critics Profile 63 Contemporary Asian Artists, Issue
37, 2003.
Asai, Toshihiro; et. al., ed, Promenade in Asia: Cute, Tokyo, Shiseid/Mito: Art Tower Mito, 2001.
Asia Art Society, http://www.aaa.org.hk/links.html, Links to Online: Resources; Art Organisations.
Atsuo, Yamamoto, From Dualism to Oneness, in Mami, Kataoka, Under Construction: New Dimensions of Asian Art,
Tokyo, The Japan Foundation Asia Center, 2002.
Bharucha, Rustom., The New Asian Museum Beyond the Box: Problematising the New Asian Museum, in
FOCAS: Forum on Contemporary Art & Society, No. 2, July 2001, p. 223-237.
Benett, Tony, The Rules of Culture: Exhibition and the Politics of Knowledge, in Yasuko, Furuichi, Asia in
Transition: Representation and Identity, Japan Foundation Asia Center, 2002.
Berger, T., Museums of the Future: Content Beats Size C-Arts Asian Contemporary Art and Culture, Vol 04, July-
August 2008.
Carroll, Alison, A Floating World, in Art AsiaPacific, No. 28, 2001.
Chang, Alexandra, The Control of Fear: Art and the Epidemic as Excess, in Art Asia Pacific, No. 38, Fall 2003, p.
54-57.
Clark, John. The Possibility of a World Art History in Australian and New Zealand Journal of Art, Vol. 9, No. 1/2,
2008/9.
Clarke, David, Contemporary Asian Art and Its Western Reception, in Huangfu, Binghui, ed., Site+Sight:
Translating Cultures, Singapore, Lasalle-SIA, 2002.
Colonialism or Collaboration?: Intercultural Arts Practice and International Arts Organisations, Forum
Transcript, Focas (Forum on Contemporary Art & Society), No. 2, July 2001.
Dodd, P. Shifting Sites: Cultural Desire and the Museum, C-Arts Asian Contemporary Art and Culture, Vol 04, July-
August 2008.
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2002.
Enwezor, Okwui. and Apinan Poshyananda, Looking Ahead: Dialogues in Asian Contemporary Art, November
8-9, 2002 (Asia Society and Museum, New York), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2,
June 2003, p.112-121.
Findlay, Ian, Looking For A New Vision, in Asian Art News, Vol. 13, No. 1, January/February 2003.
Furuichi Yasuko, ed., Asia in Transition: Representation and Identity, Tokyo, The Japan Foundation Asia Center, 2002.
15
Gao, Shiming., Symposium: Edges of the Earth, Hangzhou; The Syndrome of Asia: Experience and
Representation, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.83-88.
Gaweewong, Gridthiya, On Under Construction and Localization, in Mami, Kataoka, Under Construction: New
Dimensions of Asian Art, Tokyo, The Japan Foundation Asia Center, 2002.
Goldfine, Gil, A Cultural Assembly on Mount Carmel, in Asian Art News, Vol. 17, No. 5, September/October,
2007, pp. 76 81.
Hoskote, Ranjit, India Ink, Manila Evelope: Three Meditations on Art and the Global Media, in Mami, Kataoka,
Under Construction: New Dimensions of Asian Art, Tokyo, The Japan Foundation Asia Center, 2002.
Hou Hanru & Obrist, Hans-Ulrich, Cities On the Move, in Art AsiaPacific, No. 25, 2000.
Kataoka Mami, Beyond a Progressive Asia: Under Construction Collective Exhibition, Mami, Kataoka, Under
Construction: New Dimensions of Asian Art, Tokyo, The Japan Foundation Asia Center, 2002
Kember, Pamela, A Report on the Asian Art Archive, in FOCAS: Forum on Contemporary Art & Society, No. 5,
January 2003, p.372-377.
Lacayo, Richard, The Rise and Rise of Asian Art, in Time Magazine, 31.3.2003.
Lee Weng Choy, Tomorrows Local Library: The Asia Art Archive in Context, in Yishu: Journal of Contemporary
Chinese Art, Vol. 4, No. 4, December 2005.
Mania, Astrid, Curation on the Move, in ArtAsiaPacific, No. 47, 2006.
McNeill, David, Planet Art: Aesthetics and Labour in the Era of Globalisation, in Huangfu, Binghui, ed.,
Site+Sight: Translating Cultures, Singapore, Lasalle-SIA, 2002.
Munroe, Alexandra, Contemporary Art in Asia, in Artforum International, Vol. 35, Issue 8, April 1997.
Pi Li, Fantasia: an Imagination Towards the Daily Life, in Mami, Kataoka, Under Construction: New Dimensions of
Asian Art, Tokyo, The Japan Foundation Asia Center, 2002.
Robinson, Joel D., The Construction Sites of Asian Art (The Exhibition of Under Construction: New Dimensions of
Asian Art, the Japan Foundation Forum and the Opera City Art Gallery, Tokyo, 2003), in Asian Art News,
Vol. 14, No. 1, January/February 2004, p.52-57.
Shinkawa, Takashi, Promenade in Asia, A Collaborative Exhibition, in Art Asia Pacific, No. 34, 2002.
Tavassoli, Babak A., A Fresh Figure of Paradise, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March
2004, p. 95-103.
Thompson, Jonathan, Without Borders (Sovereign Art Prize for Asia), in Asian Art News, Vol. 16, No. 4, 2006.
Wang Hui, The Geneology of Asian Imaginaries, in Yasuko, Furuichi, Asia in Transition: Representation and Identity,
Japan Foundation Asia Center, 2002.
Woo, Lee Yong, Globalism and the Vanity of Its System, in Yasuko, Furuichi, Asia in Transition: Representation and
Identity, Japan Foundation Asia Center, 2002.
Yasuko, Furuichi, ed., International Symposium 2002, Asia in Transition: Representation and Identity, Report, Japan:
Japan Foundation Asia Center, 2002
Xu Jiang., Earth Link and Cosmic Time, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.
89-94.
Asia-Wide New Art Practices and New Media
[Another Asia] Melis, Wim, cur., Another Asia, Groningen, Sichting Aurora Borealis, 2006.
[Cities on the Move] Fogle, Douglas, Cities on the Move, in Flash Art, No. 199, 1998.
[Everyday Miracles (Extended)] Li, Jennifer S., The Future Looks Feminine, in Art Asia Pacific, Issue 65,
September/ October 2009.
[Global Conceptualism] Global Conceptualism: Points of origin, 1950s1980s, New York, Queens Museum of Art,
1999; Meyer, James, Global Conceptualism: Points of Origin, 1950s-1980s, in Artforum International, Vol.
38, Issue 1, September 1999.
[Long March Project] Butt, Zoe, Collapsing the Bilateral: Creating Consciousness, in Artlink, Vol. 29, No. 2,
2009; McDonald Crowley, Amanda, Crossing Open-Source Frontiers: Rountable on New-Media Art in
South and Southeast Asia, in Art Asia Pacific, Issue 64, July/ September 2009; Special Issue: Long March
Project Ho Chi Minh Trail, Yishu: Journal of Contemporary Art, Vol. 10, No. 2, March/ April 2011
[MAAP in Beijing 2002] Machan, Kim, MAAP in Beijing 2002, Beijing, Hebei Education Publishing House.
[NIPAF] 1998 Nipaf Asian Performance Art, in Art AsiaPacific, No. 22, 1999.
16
[Polypolis] Chang Tsong-zung, Outer Landscapes and Inner Dreams, in Asian Art News, Vol. 12, No. 1, 2002;
Seyfarth, Ludwig, Asia in Color and in Black and White, in Asian Art News, Vol. 12, No. 1, 2002; Seyfarth,
Ludwig, Asia in Color And in Black And White, Polypolis Exhibition Review, in Asian Art News, Vol. 12,
No. 1, January/February 2002; Chang, Tsongzung, Outer Landscapes And Inner Dreams, Polypolis
Exhibition Review, in Asian Art News, Vol. 12, No. 1, January/February 2002.
[Translated Acts] Berghuis, Thomas J., ''Translated Acts': Body, Self and Performance', in IIAS Newsletter, No. 24,
February 2001; Kerr, Merrily, Translated Acts: Asian Performance Art, in Art AsiaPacific, No. 35, 2002.
[Under Construction] Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo, The Japan
Foundation Asia Center, 2002; Purvis, Jennifer, Under Construction; New Dimensions of Asian Art, in
Flash Art, Vol. XXXVI, No. 229, March/April 2003; Heartney, Under Construction: New Dimensions of
Asian Art , in Art Asia Pacific, No. 38, Fall 2003, p. 74.
[Video] Kuraishi, Shino, Serendipity, in Art AsiaPacific, No. 28, 2001.
Akiko, Miyake, ed., Lets Talk About ART #0002: Transexperiences, Kitakyushu: Center For Contemporary Art,
2002 [The conference was with Marina Abramovic, Chen Zhen, Simryn Gill, Hou Hanru, Huang Yongping,
Ken Lum, Hans Ulrich Obrist on March 20, 2000].
Birnbaum, Daniel, How Latitudes Become Forms, Exhibition Review at Walker Art Center, Featuring Various
Asian Artists, in Artforum International, Vol. 41, Issue 5, January 2003.
Clark, John, Art In The Present Tense, in Asian Art News, Vol. 17, No. 6, November/December, 2007, p. 110
117.
Flores, Patrick D., Renewing the Contemporary, in Mami, Kataoka, Under Construction: New Dimensions of Asian
Art, Tokyo, The Japan Foundation Asia Center, 2002.
Furuichi Yasuko, ed., Out of the Window: Spaces of Distraction, Tokyo, The Japan Foundation Asia Center, 2004.
[recent conceptualism in China, Japan, Korea]
Furuichi, Yasuko, Asia: The Possibility of a Collaborative Space Under Construction Project, Mami, Kataoka,
in Under Construction: New Dimensions of Asian Art, Tokyo, The Japan Foundation Asia Center, 2002.
Gakoumi, Dionissia, Beyond Language, in Artlink, Vol. 20, No. 2, July 2000.
Kamiya Yukie, Communicative Approach, from Asia, in Mami, Kataoka, Under Construction: New Dimensions of
Asian Art, Tokyo, The Japan Foundation Asia Center, 2002.
Kim, Sunjung, In Search of an Oasis, in Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo,
The Japan Foundation Asia Center, 2002.
Levin, Kim Gesture, Performance, Behaviour, Attitude: Asian Influences on Contemporary Western Art, in Art
Asia Pacific, Vol. 3, No. 4, 1996.
Machan, Kim, Digital Luggage and Meaningful Relationships, Asian Art News, Vol. 21, No. 3, September 2001.
Machan, Kim, Vis.arts.online: Asian Art on the Internet, in Artlink, Vol. 20, No. 2, July 2000.
Maerkle, Andrew, Focal Point: Asian Video and Media Artists Take New York, in ArtAsiaPacific, No. 48, 2006.
Maxwell, Simeran, Paradise from Within: Asian-Born Modernist Photography in TAASA Review. The Journal of the
Asian Art Society of Australia, Vol. 17, No. 3, September 2008, p. 13-15.
Sivanesan, Haema, Mirror Worlds: Contemporary Video Art from Asia in Sydney (review), in Art Monthly
Australia, No. 185, November 2005.
Soon, Simon, Notes on Art and Web 2.0, in SentAp!, vol. 8, no. 2, 2010
Teh, David, Mirror Worlds, Contemporary Video from Asia (review), in Art and Australia, Vol. 43, No. 1, 2005.
Van Assche, Christine; Levasseur de la Motte, Patricia; cur., Video, an Art, a History, 1965-2010, Singapore:
Singapore Art Museum, 2011.
Yap, Chin-Chin, The Art-Science Incubtor, in Art Asia Pacific, Issue 64, July/ September 2009.
Web Resources
www.aaa.org.hk/links.html has the best set of Contemporary Asian Art links to date.
http://universes-in-universe.de/asia/english.htm art resources listed by country and useful Biennale links
elsewhere on the same site.
http://faam.city.fukuoka.jp/cgi-bin/eng/link/link.cgi has a number of links to Asian art museums and in to other
cultural organizations.
http://www.modernartasia.com : online journal of modern Asian art
17
http://qag.qld.goVol.au/research/acapa includes a menu with access to Asian-art related activities of the
Queensland Art Gallery, including the Asia-Pacific Triennale and also to the searchable Research Library
catalogue.
Relevant Serials in English
[Journal articles on Asian art and artists are listed in the relevant sections and largely updated to March 2007]
Art Asia Pacific, since 1993.
Art & Culture, since 1996.
ArtForum International
Art in America, has Asia related matters in most issues.
Art Monthly Australia, some issues.
Artlink, some issues.
Art & Text, articles in some issues, especially after 1994. Discontinued.
Asian Art News, since 1991, some feature issues, cumulative index Vol.4, No.6, 1994. Discontinued.
Contemporary Visual Art
Critical Inquiry
Eyeline (Done to 2010)
Flash Art, some issues.
Parkett
positions: east asian cultures critique
Public Culture
Orientations, some features on modern art.
Res, material culture and anthropology journal. (The Journal of Material Culture)
South Atlantic Quarterly (discontinued)
Third Text, largely theory-oriented.
World Art, some contemporary artists (discontinued)
Visual Art & Culture (discontinued)
Yishu: Journal of Chinese Contemporary Art (done)

NORTHEAST ASIA

CHINA-GENERAL
Bibliographical Note
There is good but selective bibliography up to 1999 by Britta Erickson Twentieth Century Chinese Art Bibliography &
Individual Artists Bibliographies available online at http://www.stanford.edu/dept/art/china. There is critical
bibliography in Clark, John, Art and Modernism in China, 1900-97: A Review and Documentation, in Journal of
the Oriental Society of Australia, Vol. 29, 1997, p. 50-73, and Clark, John, Modernity in Chinese Art, 1850s-1990s:
Some Chronological Materials, in Journal of the Oriental Society of Australia, Vol. 29, 1997, p. 74-169. Some texts cited
in the latter are included here.
General Problems of Modernity and Art
[Asian Art market] Move Over Van Gogh, in Far Eastern Economic Review, No. 22, July 1993.
Andrews, Julia, and Shen Kuiyi, eds, A Century in Crisis: Modernity and Tradition in the Art of Twentieth Century China,
New York, Guggenheim Museum, 1998.
Barnhart, Richard. Three Thousand Years of Chinese Painting. New Haven: Yale University Press, 1997.
Barnhart, Richard. Survivals, revivals, and the classical tradition of Chinese figure painting. Proceedings of the
International Symposium on Chinese Painting. Taipei: National Palace Museum, 1972. Pp. 143-205.
Birnie Danzker, Jo-Anne; Ken Lum, & Zheng Shengtian, eds., Shanghai Modern: 1919-1945, Ostfildern, Hatje
Cantz, 2005.
18
Bush, Susan, and Murck, Christian (eds). Theories of the Arts in China. Princeton: Princeton University Press, 1983.
China Modernity and Art, and a Discussion of Modern Art in Japan and Korea, Taibei, Council for Cultural Planning and
Development, 1990.
Clark, John, Modernities of Chinese Art, Leiden: Brill, 2010.
Clark, John, Asian Modernities Compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications,
2010.
Clark, John, Art and Modernism in China, 1900-97: A Review and Documentation, in Journal of the Oriental Society
of Australia, Vol. 29, 1997, p. 50-73.
Clark, John, Histories in the Modern, in Murray, Graeme; Syme, Meg; Knight, June; eds, Reckoning with the Past:
Contemporary Chinese Painting, Edinburgh, Fruitmarket Gallery, 1996, 17-20.
Clark, John, Modernity in Chinese Art, 1850s-1990s: Some Chronological Materials, in Journal of the Oriental Society
of Australia, Vol. 29, 1997.
Clark, John, Problems of Modernity in Chinese Painting, in Oriental Art, New Series, XXXII, No. 3, 1986, p.
270-283.
Clark, John, Problems of Modern Painting beyond Byzantium, inPapers in Far Eastern History, Australian National
University, Department of Far Eastern History, No. 41, March 1990, p. 109-123.
Clarke, David, Tradition and Innovation [British Museum exhibition], in Art AsiaPacific, No. 15, 1997.
Clunas, Craig. Art in China. Oxford: Oxford University Press, 1997 [2009].
Croizier, R., Art and Society in Modern China - A Review Article, in The Journal of Asian Studies, Vol. 49, No. 3,
August 1990.
de Baan, Christine & Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture, Rotterdam, NAI
Publishers, 2006. (Bilingual)
Diktter, Frank, Things Modern: Material Culture and Everyday Life in China, London, C.Hurst & Co. Ltd., 2007.
Fang Xiaofeng, et al, The Modern Chinese Landscape in New media Arts: A Conversation Among Fang
Xiaofeng, Chen Anying, Zhao Wenbing, and Jin Jianbo, in Yishu Journal of Contemporary Chinese Art, Vol 8,
Number 2, March/April 2009, pp 65-71.
Fogel, Joshua A., Crossing the Yellow Sea: Sino-Japanese Cultural Contacts, 1600-1950, Conneticut: EastBridge, 2007
Fogel, Joshua A., ed., The role of Japan in Modern Chinese Art, Berkeley: University of California Press, forthcoming.
Fong, Wen C., The Modern Chinese Art Debate, in Artibus Asiae, Vol. 53, No. 1/2, 1993.
Gao Minglu, Inside Out: New Chinese Art, Berkeley, University of California Press, 1998.
Gao Minglu, Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art, Cambridge, Mass., MIT Press,
2011.
Gao, Minglu, Bao Dong, Sheng Wei, Wang Chuchen, Jason Chia & Chi Wang, Critical Art Writing from a Local
Perspective: A Panel Discussion, in Yishu: Journal of Contemporary Chinese Art, Vol. 10, No. 3, May/June 2011.
Guo Jian, Resisting Modernity in Contemporary China: The Cultural Revolution and Postmodernism, in Modern
China, Vol. 25, No. 3, July 1999, p. 343-376.
Gladston, Paul, (More Writing on) The Wall: Reshaping (Gao Minglus Vision of) Contemporary Chinese Art, in
Yishu. Journal of Contemporary Chinese Art, Vol. 6, No. 3, September, 2007, p. 103 110.
Gladston, Paul, Writing on the Wall (and Entry Gate): A Critical Response to Recent Curatorial Meditations on
the Chineseness of Contemporary Chinese Visual Art, in Yishu. Journal of Contemporary Chinese Art, Vol. 6,
No. 1, March, 2007, pp. 26 33.
Hearn, Maxwell and Smith, Judith G., eds., Chinese Art: Modern Expressions, New York, Metropolitan Museum of
Art, 2001.
Jullien, Franois, The Impossible Nude: Chinese Art and Western Aesthetics [tr. De la Guardia, Maev], Chicago,
University of Chicago Press, 2007.
Kao, Mayching, ed., Twentieth Century Chinese Painting, Hong Kong, Oxford University Press, 1988. [Proceedings of
a 1984 Hong Kong Conference, this covers most areas of modern Chinese painting in a general manner.]
Kuo, Jason, C., Reviews of Recent Books on Modern Chinese Painting, in Arts Orientalis, Vol. 20, 1991.
Kuo, Jason C., Discovering Chinese Painting: Dialogues with Art Historians, Dubuque, Kendall/Hunt Publishing
Company, 2000, 2006.
19
Lai, Ming-Yan. Nativism and Modernity: Cultural Contestations in China and Taiwan under Global Capitalism, New York:
Stae University of New York Press, 2008.
Laing, E.J., An Index to Reproductions by Twentieth Century Artists, Portland, Oregon, 1984
Lang Shaojun, The Precursors of Modern Chinese Art in Noth, Jochen, ed., China Avant-Garde: Counter-Currents in
Art and Culture, Berlin, Haus de Kulturen der Welt, 1994, p. 46-48.
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20
Sullivan, Michael, Art and Artists of Twentieth Century China, Berkeley, California University Press, 1996. [Reviews:
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Tsuruta, T., Kinhyakunenrai Chgoku Gajin Shiry, Bijutsu Kenky, nos 293-294, 303, 307; Minkokuki ni okeru
zenkoku kibo no bijutsu tenrankai: kinhyakunenrai chgoku kaigashi kenky 1, Bijutsu Kenky, no.349;
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Texts and Some Terms in Chinese:
MS: Meishu, Art, the only national art monthly, published by the Artists Association. Generally the issue number
equals the month, thus 1979-3, means the issue puiblished for March 1979. But for a brief period from 1960
until about 1964 it was published bi-monthly. Publication was suspended during the Cultural Revolution
and restarted in 1977.
21
MSJTX: Meishujia Tongxun, Information Bulletin of the Artists Association, this is not usually available to non-
members and foreigners and has only occasionally been available to this author. MSJY: Meishu Yanjiu, Art
Research, quarterly, published by CAFA.
MY: Meishuyanjiu, Art Research, published by the Central Academy of Fine Arts, Beijing.
RMRB: Renmin Ribao, Peoples Daily, the official CCP newspaper.
Shijie Meishu, World Art.
Xinmeishu: New Art, irregular journal of Zhejiang Academy of Fine Art.
youhua: oil painting.
zhongguohua: Chinese painting, sometimes used as a full form for guohua.
ZMB: Zhongguo Meishubao, Fine Arts in China, published 1985-1989.
ZYC: Zhongguo Yishujia Cidian, 5 Volumes, Dictionary of Chinese Artists, Changsha, Hunan Renmin Chubanshe,
1981-1985
[some more recent Chinese bibliography may be found in the notes to John Clark, Modernities of Chinese Art,
Leiden: Brill, 2010, and in Wu Hung editor, with the assistance of Peggy Wang, Contemporary Chinese art : primary
Documents, Durham, N.C.: Duke University Press 2010.
Chinese Art before the Twentieth Century (selected texts)
Barnhart, Richard M., Three Thousand Years of Chinese Painting, New Haven, Yale University Press & Beijing Foreign
Languages Press, 1997.
Chiu, Shihhwa, Landscape Reunited: The Story of Dwelling in the Fuchun Mountains, in Orientations, Vol. 42, No. 5,
June 2011.
Clunas, Craig, Superfluous Things: Material Culture and Social Status in Early Modern China, Urbana & Chicago,
University of Illinois Press, 1991.
Clunas, Craig, Pictures and Visuality in Early Modern China, London, Reaktion Books, & Princteon, Princeton
Clunas, Craig, Fruitful Sites: Garden Culture in Ming Dynasty China, London: Reaktion Books, 1996.
Chou, Ju-hsi (ed). Art at the Close of Chinas Empire. Phebus: Occasional Papers in Art History, vol. 8, 1998.
Eccles, Jeremy, The Lost Buddhas of Qingzhou, in Art Monthly Australia, Issue 215, November 2008.
Fu, Shen and Marilyn, Studies in Chinese Connoisseurship, Princeton, Princeton University Press, 1973.
Hay, John, ed., Boundaries in China, London: Realtion Books, 1994.
Hay, Jonathan, Shitao: Painting and Modernity in Early Qing China, Cambridge & New York, Cambridge University
Press, 2001.
Shen & Fu, Marilyn, Studies in Chinese Connoisseurship, Princeton, Princeton University Press, 1973.
Siren, O., Chinese Painting, Ronald Press, New York, 1958.
Sullivan, M. The Birth of Landscape Painting in China, University of California Press, 1962.
Wen C. Fong, Between Two Cultures: Late Nineteenth and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth
Collection in the Metropolitan Museum of Art, New Haven and London, 2001.
Whitfield, R., Landscape Painting in the Late Ching Period, in W. Watson, ed., Landscape Style in Asia, Percival
David Foundation of Chinese Art, London, 1979.
Wu Hung, The Double Screen: Meaning and Representation in Chinese Painting, London, 1996; Monumentality in Early
Chinese Art, Stanford University Press, 1995;
Wu Hung, Art in its ritual context: essays on ancient Chinese art, Beijing shi, 2005.
Wu Hung, Making History: Wu Hung on Contemporary Chinese Art, Hong Kong: Timezone 8, 2008 & 2009.
Wu Hung, Body and Face in Contemporary Chinese Culture, Cambridge, MA: Harvard University Press, 2005.
Early Contacts with European Art
Arnold, Lauren, Princely Gifts and Papal Treasures: The Franciscan Mission to China and its Influence on the Art of the West,
San Francisco, Desiderata Press, 1999.
Bailey, Gauvin. The Art of the Jesuit Missions in Asia and Latin America, 1542 1773. Toronto: Toronto University
Press, 1999.
22
Barm, Geremie, The Garden of Perfect Brightness: A Manchu Vision of China, Paroissien, Leon, ed., Visual
Arts and Culture, Vol. 1, Part 1, 1998, available online, http://www.chinaheritagequarterly.org/ No. 8,
December 2006:Yuanming Yuan, the Garden of Perfect Brightness
Beurdeley, M. &. C, Giuseppe Castiglione, Rutland, Tuttle, 1971.
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Op Nova Zembla Gevonded Zestiende-Eeuwse Prenten, in Bullet van het Rijksmuseum, Vol. 28, 1980.
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Book, 1982.
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eds., LEurope en Chine, Interactions Scientifiques, Religieuses et Culturelles aux XVII
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et XVIII
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Collge de France, 1993.
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voor Taal, Land en Volkenkunde van N.I., 1926.
Ishida Mikinosuke, A Biographical Study of Giuseppe Castiglione (Lang Shih-ning), a Jesuit Painter in the Court
of Peking Under the Ching Dynasty, in Memoirs of the Ty Bunko, 1960, p. 79-121.
Jeyns, Soame, George Chinnery (1774-1852) with Emphasis on the Chinese period (1825-1852) and the So-
Called Chinnery School of Chinese Trade Painting, in Watson, W., The Westward Influence of the Chinese Arts,
from the 14th to the 18
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Century, London, Percival David Foundation of Chinese Art, 1973.
Jullien, F. The Impossible Nude: Chinese Art and Western Aesthetics. [tr. De la Guardia, Maev], Chicago: University of
Chicago Press, 2007.
Kno Minoru, ed., Chgoku Yf? Hygen no Dny? Meimatsu Kara Shin Jidai no Kaiga, Banga, Sashie-Bon, Machida,
Machida Shirtisu Kokusai Hanga Bijutsukan, 1995.
Kraus, Werner, Einige Bermerkungen zur chinesischen Trade Art , unpublished finger exercises, n.d. [source
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Loehr, George, Missionary Artists at the Manchu Court, in Journal of the Oriental Ceramic Society, No. 34, 1962-63.
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Le Comte, L., Das Heutige Sina, Nrnberg 1699.
Pelliot, Paul, La Peinture et la Gravure Europennes en Chine au Temps de Mathieu Ricci, in Toung Pao, 1922, p.
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Pirazzoli, T. & Serstevens, M., Gravures des Conqutes de lEmpereur de Chine Kien-Long au Muse Guimet, Paris, Muse
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Ricci, Matteo [Nicola Trigault ed. Latin, 1615, tr. Louis J. Gallagher] China in the 16th Century: The Journals of Matteo
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Proceedings of the International Symposium on Chinese Painting, Taipei, National Palace Museum, 1972.
23
Swiderski, Richard M., The Dragon and the Straightedge, Part 1: A Semiotics of the Chinese Response to
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Ink Stones - The Ends of Acceptance, ibid, Vol. 82, No. 3/4, 1990.
Topsfield Andrew, Ketelaars Embassy and the Farangi theme in the Art of Udaipur, in Oriental Art, New Series,
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Vinograd, Richard, Boundaries of the Self, Chinese Portraits, 1600-1900, Cambridge, Cambridge University Press, 1992.
Chinacoast and Trade Paintings
Berry-Hill, H. and S., Chinnery and China Coast Paintings, Leigh-on-Sea, 1970.
Broadbent, J., China, Australia: Trade and Society 1788-1850, Sydney, Historic Houses of New South Wales, 2003.
Chen Yuhuan, Zhubian, Zhongshandaxue Lishixi, Guangdong bowuguan, bian, Xifangrenyanli de Zhongguo qingdiao
Views from the West, Beijing, Zhonghua shuju, 2001.
Cheng Cunjie, zhubian, Haiyi yizhen, 1820, Gems Left by Overseas Trade: Cantonese Export Arts ad Crafts from the 18
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Conner, Patrick, Chinese Views Western Perspectives, 1770-1870, the Sze Yuen Tang Collection of China Coast Paintings
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Conner, Patrick, George Chinnery 1774-1852, artist of India and the China Coast, Woodbridge: Antique Collectors
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the 19
th
century Tokyo: Tokyo Metropolitan Teien Museum, 1996
Conner, P., The China Trade 1600-1860, Brighton, Royal Pavilion, 1986.
Conner, P., Leglouix, S., William Alexander, Brighton, Royal Pavilion,1981.
Crossman,C.L., The China Trade: Paintings, Furniture, Silver, and other Objects, Princeton, 1972
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Gregory, Martyn, The Perry Landing Set of China trade paintings, London: Martyn Gregory, n.d.
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Ho Kam-chuen et al, Historical Pictures, Hong Kong Museum of Art, 1999 [3
rd
ed].
Hutcheon, R., Chinnery, The Man and the Legend, Hong Kong, 1975.
Lee, J.G., Philadelphians and the China Trade 1784-1844, Philadelphia Museum of Art/ University of Pennsylvania
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Leglouix, S., Image of China: William Alexander, London, Jupiter Books, 1980.
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Tam, L.C.S.,et al, Hong Kong: The Changing Scene, Hong Kong Museum of Art, 1980.
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Ting J.S.P., Hung VOL.W.Y., Gateways to China, Hong Kong Museum of Art, 1987.
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Meishuguan, 2003.
24
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25
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June 2006, p. 24-38.
Cheng Meiling, Violent Capital: Zhu Yu on File, in TDR: The Journal of Performance Studies 49.3 (Fall 2005): 58-77.
Clapham, Rachel Lois, A Chinese Frquency: Vital 07 The Essence of Performance, in Yishu. Journal of
Contemporary Chinese Art, Vol. 7, No. 2, March 2008, p. 84 89.
Clarke, David, Iconicity and Indexicality: The Body in Chinese Art, in Semiotica, Vol. 155, No. 1/ 4, 2005, p. 229-
248.
Daozi, The Wisdom of the Body, in Chinese Type Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001,
available online, http://www.chinese-art.com
Gao Minglu, Private Experience and Public Happenings: The Performance Art of Zhang Huan, translated by
Alexa Olga, in Pilgramage to Santiago, Barcelona and Brussels, Cotthem Gallery, 2001.
Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art Gallery,
University at Buffalo Art Galleries & Millennium Art Museum, 2006.
Kidd, Sophia Conceptual Archaeology: Performance Art in Southwest China, in Yishu: Journal of Contemporary
Chinese Art, Vol. 10, No. 3, May/June 2011.
Ling, Gao, Art is Action, , Chinese Type Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001, available
online, http://www.chinese-art.com
Merewether, Charles, The Spectre of Being Human, in Yishu: Journal of Contemporary Chinese Art, Vol. 2, June 2003.
Sanderson, Lesley, Male Body Fatigue, in Yishu. Journal of Contemporary Chinese Art, Vol. 7, No. 3, May, 2008, p. 78
85.
Smith, Karen, Contagious desire, the other in contemporary Chinese art, Art AsiaPacific, 31, 2001
26
Song Dong, Guo Shirui, Yesheng, 1997 Nian Jing zheshi, Beijing, Xiandai YishuZhongxin, 1997 [includes a
chronology for chiefly avant-garde and performance art since 1986]
Vajakka, Minna, Performance Art at Tiananmen, in Kontur: Culture, History, Politics, Tidsskrift for Kulturestudier, No.
20, rgang 2010.
Xing Danwen, Danwen Xing, Wo-men: A Personal Diary of Chinese Avant Garde in the 1990s: Photographs, 1993-1998,
Zurich, Scalo Publishers, 2007 (Forthcoming)

MAILAND CHINA, 1911-PRESENT
Albums
Between the Thunder and the Rain: Chinese Paintings from the Opium War to the Cultural Revolution, 1840-1979, San
Francisco, Asian Art Museum, 2000.
Bobot, M.-T., Collection des Peintures et Calligraphies Chinoises Contemporaines, Paris, Muse Cernuschi, 1985.
Bowles, ed., China Onward: The Estalla Collection, Chinese Contemporary Art, 1966-2006, (Exhibition Catalogue),
Humlebk, Louisiana Museum of Modern Art, 2007.
Brown, Claudia; Chou Ju-hsi; Transcending Turmoil: Painting at the Close of Chinas Empire, 1796-1911, Phoenix,
Phoenix Art Museum, 1992.
Elisef, VOL., Exposition de la Peinture Moderne Chinoise, Paris, Muse Cernuschi, 1946.
Elisef, VOL., Quatre Artistes Chinoises Contemporaines, [Pan Yu-lin, Lam Oi, Ou Seu-tan, Shing Wai], Paris, Muse
Cernuschi, 1977.
Elisef, VOL., Peintures Chinoises Traditionelles, 1975-80, Paris, Muse Cernuschi, 1981.
Ellsworth, R.H., et al, Later Chinese Painting and Calligraphy, 1800-1950, 3 volumes, New York, Random House,
1987.
Hajek, L., Hofmeister, A., Chinesische Malerei der Gegenwart,Prague, Artia, 1959.
Hua Junwu,ed., Contemporary Chinese Painting, Beijing, New World Press, 1981.
Moss.H., ed.,The Experience of Art, Hong Kong, Umbrella, 1983.
Strassberg, R.E., Nielsen, W.A., Beyond the Open Door, Pasadena, Pacific Asia Museum, 1987.
Strassberg, R.E., Beyond the Open Door II, Pasadena, Pacific Asia Museum, 1991.
Sun Jie, ed., A Selection of Contemporary Chinese Painting, Beijing, Zhao Hua Publishing House, 1981.
Tam, L.S., ed., Twentieth Century Chinese Painting, Hong Kong, Hong Kong Museum of Art, 1984.
Tao Yongbai, ed., Oil Painting in China 1700-1985, Jiangsu Meishu Chubanshe, 1988.
Whitfield, R., Chinese Traditional Painting, 1886-1966, London, Royal Academy of Arts, 1982.
Individual Artists
For lists of albums see the bibliography in Kao, Mayching,ed, Twentieth Century Chinese Painting, Hong Kong,
Oxford University Press, 1988 for a list of artists albums, and for other lists of reproductions see Laing, E.J., An
Index to Reproductions by Twentieth Century Artists, Portland, Oregon, 1984. The publishing industry in both the
Peoples Republic and Taiwan has also produced many single-artist multi-volume series in the 1990s.

A number of artists names become homonyms in English although written with different characters in Chinese.
To obviate lengthy explanation in these cases I have simply identified the artist the medium or type of work e.g.
Liu Wei, painter and Liu Wei, video installation, are two different artists working in those media whose personal
names are actually written with different characters even though their surnames are identical. Sometimes the same
artists also appears in later sections by country under Asian Artists Transnational Activity.

Ai Wei Wei: Ai Weiwei, My Eight, in Art Asia Pacific, Issue 65, September/ October 2009; Adjaye, David, Ai Wei
Wei: House and Studio, Beijing, in Artforum, Vol. 44, Issue 3, 2005; Bartlett, Voon Pow, The
Harmonization of Ai Wei Wei, in Yishu: Journal of Contemporary Chinese Art, Vol. 10, No. 1, January/
February 2011; Chen Weiqing, ed., Ai Weiwei Fragments: Beijing, 2006, Hong Kong, Timezone 8, 2007;
review, in Artforum, Vol. 45, Issue 1, 2006; Ai Wei Wei Urs Meile Gallery (review) Flash Art, Vol. XXXIX,
No. 249, July-September, 2006; Chiou, Lionel Te-Chen, Editorial, Including Ai Weiwei, An Activist
Against the Eternal 1984, in Art Monthly Australia, No. 241, July 2011; Cohen, Andrew, Ai Weiwei, in Art
27
Asia Pacific, Issue 74, July/ August 2011; Coggins, David, Ai Weiweis Human Conceptualism, in Art in
America, September 2007, p. 126 131; Colonello, Nataline, Ai Weiwei: Beyond the Checkmate in Art Asia
Pacific, No. 40, Spring 2004, p. 52-58; Colonnello, Nataline, Ai Weiwei, in, Shanshui Poetry Without Sound?
Landscape in Contemporary Chinese Art (Shanshui Poesie onhe Worte? Landschaft in der Chinesichen Gegenwartkunst);
Eccles, Jeremy, Ai Weiwei: Under Construction, in Art Monthly Australia, Issue 211, July 2008, p. 21 24;
Enwezor, Okwui, Spring Rain, in Artforum International, Vol. 49, No. 10, Summer 2011; Frazier, David, Ai
Weiweis Year of Living Dangerously, in Art in America, September 2009; Grosenick, Uta, Interview with
Ai Weiwei in Grosenick, Uta & Schbe, Caspart H., eds., China ArtBook, Germany, Kln, DuMont
Buchverlag, 2007; Heartney, Eleanor, Ai Weiwei, The Making of a Rebel, in Art in America, June/ July
2011; ;Kelly, Jeff, Look Back, in Artforum International, Vol. 47, No. 1, September 2008; King, Natalie,
There is No Future: An Interview With Ai Weiwei, in Art & Australia, Vol. 45, No. 4, Winter 2008, p. 546
549; Merewether, Charles, ed., Ai Weiwei Works: Beijing, 1993-2003, Hong Kong, Timezone 8, 2004;
Merewether, Charles, Ai Weiwei. The Freedom of Irreverence, in ArtAsiaPacific, No. 53, May/June, 2007,
p. 108 111; Ostfildern & Luzern, Hatje Cantz Verlag & Kunstmuseum Luzern, 2011, p. 63-64 (In German
and English); Yong, Michael, All Dogs Go to Heaven, in Art Asia Pacific, Issue 64, July/ August 2009;
Bai Yi Luo: Ling Ling Braude, Bai Yi Luo. Contemporary Photographer Artist of China, in C Arts. Asian
Contemporary Art and Culture, November/December, 2007, p. 88 91.
Big Tail Elephant: Chiu, Melissa, Static Interference: The Big Tail Elephant Group of Guangzhou, in Art Asia
Pacific Issue 24, 1999; Lin, Yilin, Chen Shaoxiong, Xu Tan & Liang Juhui, Big Tail Elephants in the 1990s,
in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p. 22-32.
Bingyi Huang: Ikegami, Hiroko, Emotions Are Beautiful: Bingyis Unfashionable Faith in Painting, in Yishu. Journal
of Contemporary Chinese Art, Vol. 6, No. 3, September, 2007, p. 92 96.
Bomu: Eichenbaum Karetzky, Patricia, Bomu: Dont Fence Me In, in Yishu: Journal of Contemporary Chinese Art,
Vol. 10, No. 4, July/ August 2011.
Cai Guoqiang: Bartelik, Marek, Cai Guo-Qiang, Artforum International, Vol.40, Issue 10, Summer 2002; Borysevicz,
Mathieu, Peasant Da Vincis: A Conversation with Cai Guo-Qiang, in Yishu: Journal of Contemporary Chinese
Art, Vol. 9, No. 6, November/December 2010; Cai Guoqiang, Day Dreaming, Taipei, Cherng Pin Gallery
1998; Cai, Guo-Qiang, Bunker Museum of Contemporary Art, Kinmen Island: A Permanent Sanctuary for Art in a De-
Militarised Zone; Cai Guo-Qiang: Head On, Hatje Cantz, Ostfildern, 2005; Cai Guo Qiang, Painting with
Gunpowder, in Leonardo, Vol. 21 (3), 1988, pp. 251 254; Cai Guo Qiang, Cai Guo Qiang + P3, in Cai
Guo Qiang: The Project for Projects, Tokyo, P3 Art and Environment, 1991; Cai Guo-Qiang: Traveller (review),
ArtAsiaPacific, No. 45, 2005; Cai, Guoqiang. Cai Guo-Qiang : Life Beneath the Shadow. Edinburgh; London: The
Fruitmarket Gallery, Distributed by Art Data, 2005; Cai Guo Qiang, Cai Guo Qiang and Andrei Ujica: A
Conversation, in Cai Guo Qiang, Paris, Foundation Cartier Pour lart Contemporain, 2000, pp. 81 88; Cai
Guo-Qiang at Deutsche Guggenheim (review) World Sculpture News, Vol. 12, No. 3, 2006; Cai Guo-Qiang
Inopportune, Mass. MOCA, Parachute, 119, 2005; review, Artforum, vol 43, iss. 6, February 2005; Cai Guo-
Quiang, Statement from Cai Guo-Qiang: I want to believe, in C Arts. Asian Contemporary Art and Culture,
Vol. 2, March/April, 2008, p. 28 29; Cai Guo-Qiang Galleria Continua, (review) Flash Art, Vol. XXXIX,
No. 249, July-September, 2006; Charta, Milan, 2006; Hirano Akihiko & Takeuchi Hiroko eds., Cai Guoqiang
From the Pan-Pacific [translated by Dutz, Margaret E.], Iwaki, Iwaki City Art Museum, 1994; Cai Guoqiang
in Ajia Shich no Potensharu, Hkokusho, Tky, Kokusai Krykikin ASEAN Bunka Sentaa, 1994, p.84-89;
Cohn, Don J., Cai Guo-Qiang. The Art of War, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 98 - 105;
Cultural Meeting Bath: Projects for the 20th Century, New York, Queens Museum of Art, 1997 [review:
Goodman, Art AsiaPacific, No.18, 1998]; Heartney, Elanor, Cai Guoqiang: Illuminating the New China, in
Art in America, May 2002; Fei, D. To Dare to Accomplish Nothing: Fei Dawei Interview Cai Guo-Qiang,
in Cai Guo-Qaing, 2000, p. 117 135; Goodbody, Bridget, No Introductions Necessary, ArtAsiaPacific, No.
45, 2005; Goodman, Jonathon, Cai Guo-Qiang: I Want to Believe, in Yishu. Journal of Contemporary Chinese
Art, Vol. 7, No. 3, May, 2008, p. 99 105; Grande, John K., Shock and Awe: An Interview with Cai Guo-
Quiang, in Yishu. Journal of Contemporary Chinese Art, Vol. 6, No. 1, March, 2007, p. 39 44; Huang Du. Cai
Guoqiang: From Mystery and Philosophy to Reality. Art AsiaPacific Issue 20 1998; Masatoshi, T., Time and
Space are Powerful and Eternal, in Day Dreaming: Cai Guo Qiang, Taipei: Cherng Piin Gallery, 1998;
28
Naoshima no commishon waaku: Cai Guoqiang Bunkadaikonyoku, Naoshima no tame no projekuto, in
Naoshima Tsshin, Vol. 1, No. 2, 1988; Naylor, Stephen, A Gondola In Suburbia, in Art Monthly Australia
August 1999: 122; Ng, Elaine W., Where I Work: Cai Guo-Qiang, in ArtAsiaPacific, No. 47, 2006; Raspali,
Thierry, Cai Guo-Qiang: Une histoire arbitraire/ An Arbitrary History, Paris, 5 Continents Editions, 2003;
Soetriyono, Eddy, Cai Guo-Qiang. The Big Bang, in C Arts. Asian Contemporary Art and Culture, Vol. 2,
March/April, 2008, pp. 14 26; Stringa, Nico (ed), Terrecotte Cinesi dalla 48
a
Biennale di Venezia (Chinese
Terracota at the 48
th
Venice Biennial); Winchester, Rupert, Zhang Lin Hai, Wang Yidong and Cai Guo-Qiang:
Light and Shadow (review), ArtAsiaPacific, No. 47, 2006; Wedell-Wedellsborg, Anne, Contextualizing Cai
Guoqiang, in Konture: Culture, History, Politics, Tidsskrift for Kulturstudier, No. 20, rgang 2010; Wu Hung,
Once Again, Painting as Model: Reflections on Cai Guo-Qiangs Gunpowder Painting, in Cai Guo-Qiang:
Fuegos Artificiales Negros on Black Fireworks, Institut Valencia dArt Modern, 2005, p. 52-73; Xu Bing, ed.,
Where Heaven and Earth Meet: The Art of Xu Bing and Cai Guo-qiang, Hong Kong, Timezone 8, 2006; Zaya, O.,
Interview: Octavio Zaya in Conversation with Cai Guo Qiang, in Cai Guo Qiang, London, Phaidon, 2002;
Zaya, Octavio et al, Venices Rent Collection Courtyard, Hong Kong & Vancouver, Annie Wong Art
Foundation, 1999; Zhang Zhaohui, Cultural Metamorphosis: The Art of Xu Bing and Cai Guoqiang, unpublished
MA in Curatorial Studies Thesis, Bard College, 1998; Zhang Qing, History Challenges Reality: The Life and
Art of Cai Guoqiang, in Yishu, Vol.1, No.1, 2002; Zhang Zhaohui, Tiandi zhi ji: Cai Guoqiang Yu Xu Bing
Suoshi Biye Zhanlan Jihua Shuomingshu, in Jiangsu Huakan, No. 2, 1999;
Cai Heng: review Asian Art News, Vol.12, No.3, 2002
Cai Jin, oil painter, Tianjin and New York: Dal Lago, Francesca, Cai Jin: Embroidering with Paint, in Wu Hung,
ed., Chinese Art at the Crossroads: Between Past and Future, Between East and West, Hong Kong, New Art Media
Ltd., 2001, p. 301-304; Yang En, ed. Cai Jin, Beijing, Renmin Meishu Chubanshe, 1995; review, Art
AsiaPacific 28, 2001
Cang Xin, Huang Du, et.al., ed., Existence in Translation Cang Xin, Hong Kong, Timezone 8 Ltd, 2002; Zhang
Zhaohui, The Alchemy of Art, in Asian Art News, Vol. 18, No. 1, January/February, 2008, p. 80 84.
Cao Fei: Hou Hanru, Cao Fei: A Mini-Manifesto of New Human Beings, in Flash Art, Vol. XXXVIII, No. 242,
May/June, 2005; Ko, Hanae, Where the Grass is Greener, in Art Asia Pacific, Issue 72, March/ April 2010;
Kovskaya, Maya, Heroes of the Mundane: The Syncretic Imagination of Cao Fei, Yishu: Journal of
Contemporary Chinese Art, Vol. 5, No. 4, Dec 2006; Low, Joni, Realities and Other Absurdities: A
Conversation with Cao Fei, in Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 4, Dec 2006; Obrist,
Hans-Ulrich, Hans-Ulrich Obrist on Cao Fei, in Artforum, Vol. 44, Issue 5, 2006; Quadrio, Davide, A
Dramatic Second Life For Cao Fei, in Flash Art, Vol. XLIII, No. 270, January/ February 2010; Thea,
Carolee, Cao Fei: Global Player, in ArtAsiaPacific, No. 50, 2006; Thea, Carolee, Cao Fei: Global Player,
ArtAsiaPacific, no. 50, 2006; A Specific Voice: A Conversation Between Cao Fei and Doryun Chong, with
Contributions from Hu Fang, Zhange Wei, and Keith Wallace, in Yishu Journal of Contemporary Chinese Art,
Vol. 7, No. 4, July 2008, pp. 52-61; Heartney, Eleanor, Like life. (Cao Fei: Whose Utopia)(i.Mirror) in Art
in America Vol. 96, No. 5, May 2008.
Chang Yungho: Obrist, Hans U. Hans Ulrich Obrist Camera Interviews, in Yishu: Journal of Contemporary Chinese Art,
Vol. 2 No. 3, September 2003, p.64-67; Rehberg, Vivian., Three Men and A Camera: Chang Yung Ho,
Wang Jianwei, and Yang Fudong, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003,
p.62-63.
Chao Chung Hsiang/ Zhao Chunxiang Findlay, Ian, A Master at Work, in Asian Art News, Vol.10, No.2, 2000.
Chao Ge: review, in Asian Art News, Vol. 15, No. 1, 2005.
Chen Beixin: review, in Asian Art News, Vol. 16, No. 5, 2006.
Chen Danqingi Wu Hung, Once More, Painting from Photos, in Abbas, Ackbar, Chen Danqing: Painting After Tiananmen,
Hong Kong, Hong Kong University, 1995.
Chen Fei Findlay, Ian, In the Throes of Youthful Exuberance, in Asian Art News Vol. 20, No. 6, November/
December 2010.
Chen Fengxu: review, in Asian Art News, Vol. 16, No. 6, Nov-Dec 2006.
Chen Haiyan, Roberts, Claire, Chen Haiyan: Dream work, in ART AsiaPacific, Issue 36, 2002.
Chen Li: Pettifor, Steven, Faces, Dreams, Fictions, in Asian Art News, Vol. 16, No. 5, 2006.
29
Chen Lingyang: Berghuis, Thomas, 'Close Encounters Performance Art Practices in China During the 1990s and
the Role of the Mediated Subject of the Acting Body in Art', in Lewis, Peter and Al-Qasimi, Hoor ed.,
Sharjah International Biennial 6 (Catalogue), United Arab Emirates: Sharjah International Biennial, 2003, p. 34-
38; Jordan, Francesca & Marella, Primo, China Art Now: Out of the Red, Milano, Marella Arte Contemporanea,
2003; Wu, Hung, Chen Lingyang in Art Asia Pacific, Issue 37, 2003, p. 92; Pai, Maggie, The romantic
Realist Asian Art News, vol. 7, no. 3, May/June 1997.
Chen Shaoxiong: Anti-C.S.X.: A Discussion of Chen Shaoxiongs Solo Exhibition (Vitamin Creative Space,
Guangzhou, December 14, 2003), in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.
32-46; Holmes, Rosalind, Cityscapes, Crazy Consumption, and Collective Memory: Chen Shaoxiongs
Mimetic Reality, in Yishu. Journal of Contemporary Chinese Art, Vol. 6, No. 1, March, 2007, p. 128-131; Mami,
Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo, The Japan Foundation Asia Center,
2002; Xin Wang, Ink, Video and Urban Realism: Exploring Chen Sharoxiongs Ink Animation Films, in
Modern Art Asia, Issue 3, 2010 http://www.modernartasia.com/issue_3.html; Wang, Xin. Ink, Video and
Urban Realism: Exploring Chen Shaoxiongs Ink Animation Films in Modern Art Asia, Issue 3, 2010; Rush,
Michael. Video Art. London: Thames and Hudson, 2003, available online, http://www.modernartasia.com
Chen Yifei: Maerkle, Andrew, Chen Yifei 1946-2005, in ArtAsiaPacific, No. 46, 2005; Pai, Maggie, The Romantic
Realist, in Asian Art News, Vol. 7, No. 3, May/June 1997.
Chen Yu: Pettifor, Steven, Faces, Dreams, Fictions, in Asian Art News, Vol. 16, No. 5, 2006.
Chen Weimin: review, Asian Art News, Vol. 15, No. 6, 2005.
Chen Zhen: Chen Zhen: Shanghai Art Museum (exhibition review), ArtAsiaPacific, No. 49, 2006; Chen Zhen:
Transexperiences (review), ArtAsiaPacific, No. 47, 2006; Chen Zhen, An Interview with Jrme Sans, in
Chen Zhen: Between Therapy and Meditation, Perigueux: Espace Culturel Franois Mitterand, 1999; Chen Zhen
in Akiko Miyake, ed., Lets Talk About Art #0002, Transexperiences, Kitakyushu, Center For
Contemporary Art, 2002; review, tribute by Hou Hanru, Art AsiaPacific, 33, 2002; Heartney, Eleanor, Chen
Zhen's legacy, in Art in America, Vol. 91, Issue 2; Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artists
Book Series, Chen Zhen in Conversation with Xian Zhu, Kitakyushu: Center For Contemporary Art, 1998;
Rosenberg, David; Xu Min; Daniel Buren, Chen Zhen : invocation of washing fire, Prato: Ori, 2003; Sans, Jerome,
Paris: Chen Zhen, in Artforum International, Vol.34, Issue 5, January 1996; Uslip, Jeffrey Zur, Rachael, eds,
Chen Zhen [a tribute], Long Island City, NY : P.S.1 Contemporary Art Center, 2003.
Cheng Tsai-Tung: Shen Kuiyi, Playing with the WorldThoughts on Cheng Tsai-Tungs Recent Works, in
Pursuing Pleasures while Catching Spring, Shanghai, Shanghai Gallery of Art, 2006, (In English and Chinese); also
in Chinese Contemporary Art News, No. 19, August, 2006, p. 56-57 (In Chinese).
Cheng Yajie: Findlay, Ian, Making the Familiar Unfamiliar, in Asian Art News, Vol. 15, No. 5, 2005.
Chengdu artists: Pettifor, Steven, Individual Views, in Asian Art News, Vol. 16, No. 5, September/October 2006;
Pettifor, Steven, Seeing Beyond the Surface, in Asian Art News, Vol. 16, No. 5, September/October 2006.
Ching Ho Cheng: Goodman, Jonathan, Ching Ho Cheng: A Reintroduction, in Yishu. Journal of Contemporary Chinese
Art, Vol. 7, No. 1, January, 2008, p. 18 24.
Chi Peng: review, Art in America, Vol. 94, Issie 1, Jan 2006; Vine, Richard, In the Studio: Chi Peng with Richard
Vine, in Art in America, November 2009.
Chu Yun: Visiting Reality in the Anonymous and weak Light: A Conversation between Chu Yun and Hu Fang,
trans. Dong Manhong, in Yishu. Journal of Contemporary Chinese Art, Vol. 7, No. 1, January, 2008, pp. 80 85;
Abbas, Nadim, Chu Yun: Lost Beofre the Object, in ArtAsiaPacific, No. 56, November/December 2007, p.
179; Tinari, Philip, Chu Yun, in Artforum International, Vol. 47, No. 7, March 2009;
Corruptionists: review, Art AsiaPacific, 25, 2000.
Cui Fei Goodman, Jonathan, Cui Fei at the Warehouse Gallery, Syracuse University, in Yishu: Journal of
Contemporary Chinese Art, Vol. 10, No. 1, January/ February 2011.
Cui Xianji, abstract oil painter: Dao Zi, Cui Xianji: Zuowei Jingshengwaihua de Ziranchouxiang, in Yishujie, No.
11/12, 1998.
Cui Xiuwen: Smith, Karen, Cui Xiuwen, Hong Kong, Timezone 8, 2006; review, Asian Art News, Vol. 15, No. 3,
2005; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation
Asia Center, 2002; Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
30
Contemporanea, 2003; Huang Du & Cui Xiuwen, A Conversation between Huang Du and Cui Xiuwen, in
Yishu: Journal of Contemporary Chinese Art, Vol. 10, No. 3, May/ June 2011
Dai Guangyu: Kvskaya, Maya, Neatly Arranged Freedom, Present Absences, Dislocated Contexts, and Signs of
Our Times: Readings of Dai Guangyus Art, in Yishu. Journal of Contemporary Chinese Art, Vol. 7, No. 3, May,
2008, p. 90 98.
Dai Jinhua: Dai Jinhua, Postcolonialism and the Chinese Cinema of the Nineties, in Jing Wang and Bralow, Tani
E., eds., Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua, London and New
York, 2002, p. 50 57.
Deng Guo Yuan: Goodman, Jonathan, Deng Guo Yuan: In the Garden, in Yishu: Journal of Contemporary Chinese Art,
Ding Fang: review, Asian Art News, Vol. 15, No. 1, 2005.
Ding Yi, Shanghai, painter: Xiao Kayu, Shanghai, ShanghART, 1997; Cao Weijun, Ding Yi: The Magician of
Crosses, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 5, September 2008, pp. 49-61.
Dong Xiwen, deceased, oil painter: Chen Yingde, Shiping Dong Xiwen Youhua, in Mingbao Yuekan, No.241, 1986.
Ed Pien: Low, Joni, The Poetics of Engagement: Ed Pien and the Three-Dimenisional World, in Yishu. Journal of
Contemporary Chinese Art, Vol. 6, No. 1, March, 2007, pp. 50 56.
Fang Cheng: Fang Cheng, Fang Chengs Theories on Humor and Cartooning, translated by Xu Pingsheng and
Wetherhold, John, in International Journal of Comic Art, Vol. 9, No. 2, Fall, 2007.
Fang Junbi: Fan Tchun-pi, A Retrospective Exhibition of the Works of Fan Tchun-pi, Hong Kong, Arts Centre,1978; Fan
Tchun-pi, Bobot,M-T., Fan Tchun-pi, Paris, Muse Cernuschi, 1984.
Fang Lijun: Furuichi, Y., Nakamoto, K. eds. Fang Lijun: Human Images in an Uncertain Age, Tokyo, Japan Foundation
Asia Center, 1996; Jose, N. in ART AsiaPacific, No.15, 1997; Chou, Yuting, The Floating Body in the Art of
Fang Lijun: An Artist's Comment on the Human Condition in Post-Cultural Revolution China, in China
Information, Vol. XII, No.s 1&2, Summer/Autumn, 1997; Li Luming, Fang Lijun, Hunan, Hunan Fine Arts
Publications, 2001; Huang Zhuan and Pi Li ed., Image is Power, Hunan: Hunan Fine Arts Publishing House,
2002; Li Xianting, et.al., Chinese Artists of Today: Fang Lijun, Beijing, Today art museum, 2006; Yasuko,
Furuichi, & Kazumi Nakamoto, Fang Lijun: Human Images in an Uncertain Age. Tokyo, The Japan Foundation
Asia Centre, 1996; Yuting Chou, The Floating Body in the Art of Fang Lijun: An Artists Comment on the
Human Condition in Post-Cultural Revolution China, in China Information, Vol. XIII, Nos. 2/3,
Autumn/Winter, 1998 1999, p. 85 114; Ng, Elaine W., The Natural Order (Interview), in Art Asia
Pacific, No. 69, July/ August 2010; Li Luming, Fang Lijun, Hunan: Hunan Fine Arts Publications, 2001; Pi Li,
'A Dialogue with Fang Lijun', Hunan Fine Art Press , ed., Fang Lijun, Hunan, 2001; Huang Zhuan and Pi Li
ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002. ; Li Xianting, et.al., Chinese Artists of
Today: Fang Lijun, Beijing, Today art museum, 2006.; Yasuko, Furuichi, and Kazumi Nakamoto, Fang Lijun:
Human Images in an Uncertain Age. Tokyo, The Japan Foundation Asia Centre, 1996; Yuting Chou, The
Floating Body in the Art of Fang Lijun: An Artists Comment on the Human Condition in Post-Cultural
Revolution China, in China Information, vol. xiii, nos. 2/3, Autumn/Winter, 1998 1999, pp. 85 114;
Galligan, Gregory, Fang Lijun: Arario. in Art in America, Vol. 97, No. 4, April 2009, 146(2)
Fang Xiang: Findlay, Ian Living Tradition, in Asian Art News, Vol. 20, No. 1, January/ February 2010.
Fang Zhaolin: neo-traditionalist painter, Wong,Wucius,Fang Zhaolin, in Orientations, November 1982.
Feng Zhengjie: Damiani, Bologna, 2006; Bianpoen, Carla, Feng Zengjies Chinese Portraits: Kitsch or Art?, in C
Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 106 108.
Feng Mengbo, Kent, Rachel, Open Market: The Art of Feng Mengbo, in Artlink, Vol. 16, No.2/3, Winter 1996;
Barm, Geremie, A Beijing Screensaver, in ART AsiaPacific, No.15, 1997; Kuroda, Raiji, The First Fukuoka
Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Eisman, April A., Playing with the
Political: Feng Mengbos Street Fighter IV, in Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 1, 2006;
Chang, Tsong-zung., A Theater of Happiness, in Asain Art News, Vol. 13, No. 4, July/August 2003, p.40-
45; Krischer, Olivier, Multiplayer Online Cultural Revolution, in Art Asia Pacific, Issue 64, July/ August
2009.
Feng Zhengjie: Bianpoen, Carla, Feng Zengjies Chinese Portraits: Kitsch or Art?, in C Arts. Asian Contemporary Art
and Culture, Vol. 2, March/April, 2008, pp. 106-108.
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Barm, G., Feng Zikai: A Biographical and Critical Study, 1898-1975, Ph.D. thesis, Australian National
University, 1989.
Fu Baoshi 1904-1965, Clarke, David, Raining, Drowning and Swimming: Fu Baoshi and Water, in Art History, Vol.
29, No. 1, February, 2006; Maeda, Tamaki, Rediscovering China in Japan: Fu Baoshis Ink Painting, in Yiu,
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Tamaki & Wong, Aida Yuen, Kindred Spirits:Fu Baoshi and the Japanese Art World, in Anita Chung ed.,
Chinese art in the Age of revolution: Fu Baoshi(1904-1965), Cleveland: Cleveland Art Museum and New York:
Metropolitan Museum of Art, 2011.
Gao Brothers: Karetzky, Patricia Eichenbaum, The Gao Brothers: All The Worlds a Stage, in Yishu. Journal of
Contemporary Chinese Art, Vol. 6, No. 3, September, 2007, pp. 61-66; Kvskaya, Maya, High Places,
Simulated Species, Brave New Worlds, and the Power of Love: Thoughts on the Gao Brothers Recent
Works, in Yishu. Journal of Contemporary Chinese Art, Vol. 6, No. 3, September, 2007, p. 67-74.
Gao Jianfu: Wong Shiu Hon, Kao Chien-fus Theory of Painting, Hong Kong, Centre of Asian Studies, University of
Hong Kong, 1972; Wang Jiaohan, Gao Jianfu hualun shuping, Xianggang daxue, 1972.
Gao Minglu: Yu, Christina, Curating Chinese Art in the Twenty-First Century: An Interview with Gao Minglu, in
Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 1, 2006.
Gao Xingjian: Dagen, Phillippe, Within the Gaze, Asian Art News, Vol. 15, No. 3, 2005; Gao Xingjian: Dagen,
Phillippe, Within the Gaze, Asian Art News, vol. 15, no. 3, 2005; Ink Paintings by Gao Xingjian (Taipei Fine
Arts Museum, 1995); LEncre et la lumire de Gao Xingjian (Paris: Voix Richard Meier, 1998); Darkness and Light:
An Exhibition of Recent Works by Gao Xingjian (Taipei: Lianjing, 2001); Gao Xingjian, Return to Painting (New
York: HarperCollins, 2002); Michel Draguet, Gao Xingjian: Le Got de lencre (Paris: ditions Hazan, 2002); Gao
Xingjian: Ink Paintings, 1983-1993 (Milwaaukee: Haggerty Museum of Art, 2003); Gao Xingjian, Ni mots ni
signes: Encres de Chine sur papier (Ville dAix-en-Provence: Muse des Tapisseries, 2003); Gao Xingjian, LErrance
de loiseau (Paris: ditions du Seuil, 2003); Gao Xingjian (Paris: Galerie Claude Bernard, 2004); Gao Xingjian
Experience (Singapore: Singapore Art Museum, 2005); Gao Xingjian, La Fin du monde (Bielefeld: Kerber Verlag,
2007); Gao Xingjian, Depois do dilvio (Barcelona: El Cobra Ediciones, 2009; Gao Xingjian (iPreciation:
Singapore, 2010); Gao Xingjian, Between Figurative and Abstract, in Between Figurative and Abstract: Paintings
by Gao Xingjian (Notre Dame, Indiana: Snite Museum of Art, 2007), 1 page; Gao Xingjian, Concerning
Silhouette/Shadow, in Fiona Sze-Lorrain ed., Silhouette/Shadow: The Cinematic Art of Gao Xingjian (Paris:
Contours, 2007), pp. 19-34.; Mabel Lee, Aesthetics Dimensions of Gao Xingjians Painting, in Between
Figurative and Abstract: Paintings by Gao Xingjian (Notre Dame, Indiana: Snite Museum of Art, 2007), pp. 127-
145; Mabel Lee, Contextualizing Gao Xingjians Film Silhouette/Shadow, MCLC Resource Center Newsletter,
January 2008. http://mclc.osu.edu/rc/pubs/lee.htm; Mabel Lee, Gao Xingjian: An Ongoing Quest for
Aesthetic Fulfilment, in Gao Xingjian, published for the Recent Works of Gao Xingjian exhibition at
iPreciation Gallery in Singapore (iPreciation: Singapore, 2010): 6-13.
Geng Jianyi, Hangzhou, various media: Karen Smith, Baifen zhi wushi, Shanghai, ShanghART, 1999; Gladston, Paul,
Vague and Elusive, As it Is, in Eyeline, No. 70, 2009.
Gu Dexin: Ho Yeung Chan, David, Curatorial Notes: Gu Dexins 2005.03.05 at the Shanghai Gallery of Art, in
Yishu: Journal of Contemporary Chinese Art, Vol. 4, No. 3, Sep. 2005.
Gu Wenda, calligraphy and installations, New York: Gu Wenda, Yishu Biji, in Xinmeishu, No. 20, 1985; Zhongguo
Meishubao, No. 129, 1988; Gu Wenda, Women Shidai de Shenqu, translated by Jia Chunxian, in Xinmeishu,
No.4, 1996; Jaivin, Linda, Gu Wenda, in Art & Asia Pacific, Vol.1, No.2, 1994; Erickson, Britta, Gu
Wendas Silent Selves and Pseudo Characters, in Art AsiaPacific, Issue 26, 2000; Xu Gan, Why Hair?, in
Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.10-12; Yang, Xianeng., New and
Old: Gu Wendas Art and Chinese Traditions, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4,
December 2003, p.13-17; Cateforis, David., Gu Wendas United Nations: A Consideration of Two
Monuments, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.18-24; Bessire,
Mark H. C., Beyond the Body, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003,
p.25-26; Gu Wenda: From Middle Kingdom to Biological Millennium, Symposium Discussion, in Yishu:
Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.27-32; Wu Hung, Monumentality and
32
Anti-Monumentality in Gu Wendas Forest of Stone Steles A Re-translation and Re-Writing of Tang Poetry, in
Yishu: Journal of Contemporary Chinese Art, Vol. 4, No. 4, Dec. 2005; Kuo, J. C., Gu Wenda, in Art in America,
Vol. 77, No. 7, July ,1989, p. 133; Catching, Rebecca, Gu Wenda: Mutations & Permutations, in
ArtAsiaPacific, No. 56, November/December, 2007, p. 100 - 101; Selz, P., Mice, Temples, Audience: An
Interview with Gu Wenda, in Arts Magazine, Vol. 64, No. 1, September, 1989, p. 36 40; Huot, Claire, An
Interview with Gu Wenda, in Yishu: Journal of Contemporary Chinese Art, Vol. 9, No. 4, July/ August 2010; Gu
Wenda, China Park, in Yishu: Journal of Contemporary Chinese Art, Vol. 9, No. 4, July/ August 2010; Leung,
Simon & Kaplan, Janet A., Pseudo-Languages: A Conversation with Wenda Gu, Xu Bing and Jonathan
Hay, in Art Journal, Fall 1999, Vol. 58, No. 3, p. 86-99; Shen Kuiyi, From The United Nations to the Biological
Millennium Gu Wenda and His Art, in Art China, No.2, 2002, p.66-79 (In Chinese); Catching, Rebecca,
Gu Wenda: Mutations & Permutations, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 100 - 101.; Selz, P.,
Mice, Temples, Audience: An Interview with Gu Wenda, in Arts Magazine, v. 64(1), September, 1989, pp.
36 40.
Gu Xiong, review, Yishu, Vol.1, No.1, 2002; Liu, April, Karaoke Hyperspace: Gu Xiongs Red River as a Study of
Place-making, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 6, November 2008, pp. 78-87.
Gu Zhengguo: Taylor, Roger; Lasschuyt, Helga, Fire Works, in World Art, No.2 1995.
Guan Shanyue, deceased, neo-tradtionalist painter: Guan Shanyue+Li Xiongcai: Two Chinese Modern Masters / AGNSW,
May 1985.
Guan Wei: Eastburn, Melanie, Guan Weis Perilous Journeys, in ArtAsiaPacific, No. 50, 2006; Jose, Nicholas,
Fantastic Cosmographies, in Broadsheet, Vol. 35, No. 3, 2006; Kelly, Philippa., Thinking about Guan Wei,
in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.48-49; Cramer, S., Guan Wei: Storyteller, in Guan
Wei: Nesting, or the Art of Idleness, Sydney, Museum of Contemporary Art, 1999, pp. 4 12; Other Histories:
Guan Weis Fable for a Contemporary World, Sydney, Wild Peony, 2008.
Guo Hairen, neo-traditionalist painter, New York & Beijing: Lin Xiaoping, Guo Hairens Painting: In Search of
Old Beijing, in Orientations, No. 2, 1992.
Guo Jin: Guo Jin: Kiddy Scheme and the Image of Man (review), in ArtAsiaPacific, No. 48, 2006.
Guo Wei, Guo Jin, Sichuan, painter and sculptor: Zhong Ming, Rang huihua anding jiushininadai, Guo Wei, Guo
Jin Chuangzaozhong de Qiji, in Yishujie, September/ October 1998; Goodman, Jonathan, 'Guo Brothers at
Michael Goedhuis', in Yishu: Journal of Chinese Contemporary Art, March 2003.
Han Bing Kvskaya, Maya, A Cry from the Narrow Between: Eros and Thanatos in the Works of Tejal Shah and
Han Bing, in Yishu: Journal of Contemporary Chinese Art, Vol. 9, No. 6, November/ December 2010.
Han Lei: Huang Liaoyuan, et.al., Han Lei: Where is China Now?, Beijing, Beijing Art Now Gallery, 2006.
He Chengyao: Life the Cover from Your Head, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September
2003, p.20-24.
He Duoling: Nakayama, K. He Duoling, Fukuoka, Fukuoka Kindai Bijutsukan, 1988.
He Huaishuo: Stanley-Baker, Joan, The Art of Ho Huai-shuo, Hong Kong, Hibiya Ltd., 1981.
He Sen: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea,
2003.
He Seng: review, in Asian Art News, Vol. 15, No. 2, 2005.
He Yunchang: Bingyi Huang, Go with the Flow: He Yunchangs Performance Art at Niagra Falls, in ArtAsiaPacific,
No. 48, 2006; Clapham, Rachel Lois, Mahjong 2007 at PERFORMA07, in Yishu. Journal of Contemporary
Chinese Art, Vol. 7, No. 3, May, 2008, p. 86-89;
Hong Hao: Li Xianting, et.al., Chinese Artists of Today: Hong Hao, Beijing, Today Art Museum, 2006; Yu, Christina,
Knowledge and Illusion: On Hong Haos Recent Works, in Yishu: Journal of Contemporary Chinese Art, Vol. 5,
No. 2, Jun 2006.
Hong Lei: Goodman, Jonathan, Hong Lei at Chambers Fine Art, in Yishu: Journal of Contemporary Chinese Art, Vol.
5, No. 4, Dec 2006; Gu Zhenqing, et.al., Hong Lei: Aint Here, Hong Kong, Timezone 8, 2006.
Hou Hanru: Jim, Alice Ming Wah, Interview with Hou Hanru, in Yishu: Journal of Contemporary Chinese Art, Vol. 5,
No. 1, 2006; Hou Hanru and the Istanbul Biennial, in Flash Art, Vol. XXXIX, No. 250, Oct 2006.
Hu Jieming: Hu Jieming in chinese-art.com, Vol. 3 Issue 1, 2000 (http://www.chinese-art.com/artists/hujieming.htm, last
accessed 23 June 2010); Living in Time [exhibition catalogue]
33
Hu Xiangqian: Ciric, Biljana; Li Mu & Tang Dixin A Conversation with Hu Xiangqian, in Yishu: Journal of
Contemporary Chinese Art, Vol. 9, No. 4, July/ August 2010.
Hu Yang: Hu Yang: Shanghai Living (review), in ArtAsiaPacific, No. 48, 2006.
Hu Yongkai: Binks, Hilary, Refining Nostalgia, in Asian Art News, Vol.9, No.1, 1999
Hu Youben, Baoding, Neo-Traditionalist Painter: Liu Xiaojun, Hu Youben Huaji, Nanning, Guangxi Meishu Chubanshe,
1997.
Huang Binhong, deceased, neotradtional painter: Lai,T.C., Huang Binhong, Hong Kong, Swindon Book Company,
1980; Shen Fu, Huang Binhongs Shanghai Period landscape paintings and his late floral works, Orientations,
September 1987
Huang Hankang: review, Artforum, Vol. 45, iss. 4, 2006.
Huang Liaoyuan: Zeng Fazhi, Huang Liaoyuan, Lu Hong, Beijing, Beijing Art Now Gallery, 2006
Huang Rui: Huang Rui, saka, Gallery Kaze & Chinese Modern Art Center, April 13th to 25th, 1992; Huang Rui,
Tky, Gallery Ueda, March 8th to 22nd, 1991; Huang Rui, Tky, Gallery Ueda: Warehouse, December 5th
to 20th, 1986; Huang Rui, Tky, Monte Gallery, September, 1990; Huang Rui in Abeno Soho, Gallery O,
saka, broadsheet, November 1995; Shu Yang, ed., Huang Rui, London, Chinese Contemporary, 2006;
Kovskaya, M., review, The Cryptographic Imagination of Huang Rui: Chinese History in Animal Time,
Yishu: Journal of Contemporary Chinese Art, Vol 8, No. 3, May/June 2009.; Huang Rui: The Stars Times 1977-1984
(Beijing: Thinking Hands and Guanyi Contemporary Art Archive, 2007).
Huang Yan: review, Art AsiaPacific 28, 2001; Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red,
Milano, Marella Arte Contemporanea, 2003; Acret, Susan, Huang Yan in Art Asia Pacific, Issue 37, 2003, p.
30
Huang Yongping: Sans, Jerome, Marseille: Huang Yongping, in Artforum International, Vol.34, Issue 9, May 1996;
Views on Contemporary Chinese Art, in Yishu, Vol.1, No.1, 2002; review, inYishu, Vol.1, No.1, 2002;
Zacharopoulos, Denys &Hou, Hanru, Huang Yongping and Jean Pierre Bertrand, Catalogue for the French
Pavilion, 4
th
Venice Biennale, AFAA, 1999; Nakamura, Nobuo & Miyake, Akiko, ed., CCA Artists Book
Series, Huang Yongping: Travel Guide for 2000-2046, Kitakyushu, Center For Contemporary Art, 1999; Huang
Yongping in Akiko Miyake, ed., Lets Talk About Art #0002, Transexperiences, Kitakyushu, Center For
Contemporary Art, 2002; Wei, Lilly, Huang Yong Ping at Barbara Gladstone, in Art in America, Vol. 90,
Issue 5, May 2002; Kppel-Yang, Martina, 'A Bat's Life, or Big Brother is Watching You', in Yishu: Journal of
Chinese Contemporary Art, March 2003; Kppel-Yang, Martina, A Bats Life, or Big Brother Is Watching You:
A Case Study, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.101-109; Heartney,
Eleanor, House of Huang, in Art in America, Vol. 94, No. 3, March 2006; Hsu, Stephanie, Huang
Yongpings Retrospective goes on a Sordid World Tour, in ArtAsiaPacific, No. 46, 2005; Lee, Marion S.,
House of Oracles: A Huang Yongping Retrospective, in Yishu: Journal of Contemporary Chinese Art, Vol. 5,
No. 1, 2006; McCoy, Michelle, Tracking the Bat Project, in Yishu: Journal of Contemporary Chinese Art, Vol. 5,
No. 1, 2006; Yao, Pauline J. with Doryun Chong, Huang Yongping and Philippe Vergne, Roundtable
Discussion, in Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 1, 2006; review, Artforum, Vol. 44, No. 1,
Sep 2005; Jounna, E., According to the Potential of the Situation, in Huang Yong Ping, van Duyn, E., ed.,
Amsterdam, De Appel, 1998,pp. 36 45; Kppel-Yang, Martina., A Bats Life, or Big Brother Is Watching
You: A Case Study, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.101-109.
Huang Yongyu: Maggio, Meg, The House that Huang Yongyu Built, in Orientations, Vol. 33, No. 1, January 2002.
Huang Yuanqing: Li Xu, Exquisite Graffiti, in Asian Art News, Vol. 13, No. 3, May/June 2003, p.50-53.
Huang Zhou, deceased,neo-traditionalist painter: Huang Zhous Paintings/ Hong Kong, Wen Wei Po, 1986; Huang
Zhou, Roma, Accademia Nazionale di San Luca, 1988.
Huang Zhou: Huang Zhou, Roma, Accademia Nazionale di San Luca, 1988; Huang Zhous Paintings, Hong Kong, Wen
Wei Po, 1986.
Hung Liu: Hung Liu: Lament (Catalogue), Shanghai: Artscene China, 2004; Goodman, Jonathan, Hung Liu in
Yishu: Journal of Contemporary Chinese Art, Vol. 9, No. 1, January/ February 2010.
Inside Out: Goodman, Jonathan, From the outside in, Art AsiaPacific, 24, 1999; Yee, Lydia, A third space, Art
AsiaPacific, 24, 1999; Schwabsky, Barry, Inside Out: New Chinese Art, Artforum International, Vol.37, Issue
4, December 1998
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Ji Dachun: Fibicher, Bernhard et. Al., eds., Ji Dachun, Hong Kong, Timezone 8, 2006.
Ji Yun-Fei: Lew, Christopher Y., Yun-Fei Ji: Dead and Alive, in ArtAsiaPacific, No.51, 2007.
Jia Aili: Smith, Karen, A Walk in the World of Jia Aili, in Yishu: Journal of Contemporary Chinese Art, Vol. 7, No.6,
November 2008, p.61-77
Jia Zhang-Ke: Quandt, James, Imitation of Life, in Artforum International, Vol. 47, No. 9, May 2009.
Jiang Bolin, Hangzhou, neo-tradtionalist painter: Chen Ruilin, Yibian Qiusheng, in Guohuajia, Issue 3, 1999.
Jiang Dahai: Clark, John, For Jiang Dahai, [and Chinese translation] in Jiang Dahai: Xuanchang / StringField, [intro.
Fan Dian], Beijing: Jinri Meishuguan, 2009, 110-111; Zhi Jiang Dahai [For Jiang Dahai, Chinese
translation], World Art /Shijie Yishu 10/11, vol.86, 66-67.
Jiang Jie, Beijing, mixed media:Wang Nanming, Dui cuiruo de zuzhou, Jiangjie de yishu biaoda, Yishujie, 1/2-1998.
Jiang Shuo: Findlay, Ian, In The Realm Of The Past in World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 45-
47.
Jiang Zhaohe: deceased, illustrator and neo-traditionalist painter Renmin Meishu Chubanshe, bian, Liumintu, Jiang
Zhaohe, Beijin, Renmin Meishu Chubanshe, 1994; Shen Peng, Cong Liumintu Kan Yige Huajia de Xuji
(Looking at Refugees to Understand Jiang Zhaohes Art Journey), in Jiang Zhaohe Artworks Selection, Bejing,
Renmin Meishy Publisher, 1984. (In Chinese)
Jin Feng, Ciric, Biljana, Jin Feng: Art is a Way of Life: A Case Study from 2003 to Today, in Yishu: Journal of
Contemporary Chinese Art, Vol.8, No.2, March/April 2009, p.97-105
Jin Weihong, Nanjing, neo-tradtionalist painter: Jin Weihong [text, Bridget Goodbody]Shanghai, ShanghART, 1998.
Jin Wenyu, Shanghai, oil painter: Jin Wenyu, [interview, Lorenz Helbling], Shanghai, ShanghART, 1997.
Kan Xuan: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia
Center, 2002
Lai Ziren, Beijing, neo-traditionalist painter: Ku Li, Zai Pingjing de Beihou, Ping Lai Ziren de Hua, in Yishujie,
1998.
Lei Xue: review, in Artforum, Vol. 44, Issue 9, 2006.
Lesley Sanderson, Sanderson, Lesley., Change and Fabrication: the Body as Site for the Feminine and Inter-cultural,
in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.25-29; Karetzky, P.E.,
Conroy/Sanderson: Two Heads Are Better Than One, The Modern Chinese
in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 2, March/April 2009, pp 72-85.
Li Gang: Colonnello, Nataline, Li Gang A Tranquil Order, 2010, available online,
http://www.galerieursmeile.com/en/exhibitions/past-exhibitions/exhibitions-single/article/li-gang.html
(In English and German).
Li Huasheng: Silbergeld J., Gong Jisui, Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng,
Seattle and London, University of Washington, 1993.
Li Huayi Shen Kuiyi & Andrews, Julia, The Shock of the New: Reordering the Landscape Li Huayi, Zhang
Hong, and Twentieth-Century Chinese Painting, in Kaikodo Journal, Vol.16 November 1999, p.11-25; Shen
Kuiyi & Wen Ling, eds., Li Huayi, Beijing, Beijing Center for the Arts, 2011;Scheier-Dolberg, Joseph, Li
Huayi, in Orientations, Vol. 41, No. 7, October 2010.
Li Jin: Maggio, Meg, A World of Food and Family, in Asian Art News, Vol.12, No.3, 2002; Scheier-Dolberg, Li
Jin, in Orientations, Vol. 41, No. 7, October 2010.
Li Keran, deceased, oil and neo-traditionalist painter: Li Keran Huayu, Shanghai, Shanghai Renmin Meishu
Chubanshe, 1997; Wan Qingli, Li Keran and his Exhibition Paintings, in Chinese Art Modern Expressions,
Hern, Maxwell k., and Smith, Judith G., eds., New York, 2001, p. 183 209.
Li Meishu, deceased, oil painter, Li Meishu Huayu, Shanghai, Shanghai Renmin Meishu Chubanshe, 1997.
Li Qing: review, in Asian Art News, Vol. 16, No. 6, Nov-Dec 2006.
Li Songsong: Hsu, Stephanie Projects in the Making: Li Songsong Not Your Fathers Historical Painting, in
ArtAsiaPacific, No. 48, 2006; review, in Artforum, Vol. 43, No. 8, April 2005.
Li Tiefu, deceased oil painter: Chi Ge, Woguo Youhua Yishu de Xianqu - Li Tiefu, in Meishu, No.3, 1979.
Li Wei: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea,
2003; Chiu, Caroline, Li Wei: A Pause for Humanity (exhibition review), in ArtAsiaPacific, No. 50, 2006; Li
35
Wei, Li Wei, Damiani, Bologna, 2006; Zhang Zhaohui, Transcendental Experiences, in Asian Art News,
Vol. 15, No. 6, 2005.
Li Xianting: Chiu, M., Contemporary Art in China: An Interview with Li Xianting and Liao Weng, in TAASA
Review, Vol. 7, No. 3, September,1998, p. 14 15.
Li Xiaoxuan Tianjin, neo-traditionalist painter: Lang Shaojun, Cong Xieshi dao Huangdan, Changsha, Hunan Meishu
Chubanshe, 1997; Li Xiaoxuan, Zhongguo Dangdai Minghuajia Shougao: Li Xiaoxuan, Changsha, Hubei Meishu
Chubanshe, 1998.
Li Xinping: Thomson, Jonathan, A Synthesis of Style And Content, in Asian Art News, Vol. 17(4), July/August,
2007, pp. 52 59.
Li Xiongcai, deceased, neo-tradtionalist painter: Guan Shanyue+Li Xiongcai: Two Chinese Modern Masters, Sydney, Art
Gallery of New South Wales, May 1985.
Li Yifan Wu Hung & Feng Boyi, eds., Microscopi Narration: Social Images by Zhang Xiaotao and Li Yifan, Beijing, Iberia
Center for Contemporary Art, 2008; Bao Dong, Li Yifan: From Social Archives to Social Project in Yishu:
Journal of Contemporary Chinese Art, Vol.8, No.1, January/February 2009, p.78-83.
Li Zhanyang: Gao Minglu, et. Al., eds, Li Zhanyang: Scenes, Hong Kong, Timezone 8 and Galerie Urs Meile, 2006;
review, Asian Art News, Vol. 15, No. 6, 2005.
Liang Shaoji: Brouwer, Marianne, Cloud (on Lian Shaojis work), in Yishu. Journal of Contemporary Chinese Art, Vol.
6, No. 3, September, 2007, pp. 75 79.
Liao Bingxiong: Lengyel, Alfonz, Liao Bingxiong (1915 2006), in International Journal of Comic Art, Vol. 9, No. 1,
Spring, 2007, pp. 640 643; Fang Cheng, Long Live, Brother Bing!, in International Journal of Comic Art, Vol.
9, No. 1, Spring, 2007, pp. 644 646; Liao Bingxiong, Speaking Out on Going to Make a Will, trans. by Xu
Ying, in International Journal of Comic Art, Vol. 9, No. 1, Spring, 2007, pp. 647 649; Lent, John A. and Xu
Yang, Liao Bingxiong: A Chinese Style Man with Universal Values, in International Journal of Comic Art, Vol.
9, No. 1, Spring, 2007, pp. 650 667.
Liao Weng: Chiu, M., Contemporary Art in China: An Interview with Li Xianting and Liao Weng, in TAASA
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Lin Chunhua: Chairman Mao Goes to Anyuan: A Conversation with the Artist Liu Chunhua in Chiu, Melissa and
Zheng Shentian, Art and Chinas Revolution, Asia Society, New York in association with Yale University Press,
New Haven and London, 2008: 119-132.
Lin Fengmian, deceased, oil painter; Lin Fengmian huayu, Shanghai, Shanghai Renmin Meishu Chubanshe, 1997;
Sandy Ng, Modernism and Hybridity in the Works of Lin Fengmian (1900 1991), in Yishu. Journal of
Contemporary Chinese Art, Vol. 7, No. 1, January, 2008, pp. 25 30; Clarke, David, Lin Fengmian and
European Art, in The Art of Lin Fengmian, Hong Kong, Arts Centre, 1992; Clarke, David, Exile from
Tradition: Chinese and Western Traits in the art of Lin Fengmian, in Oriental Art XXXIX, No.4, Winter
1993-4; Xi Dejin, Lin Fengmian Huaji, Xiongshi Tushi, Taibei, 1979; Tianyue Jiang, Cubism Revisited: The
Late Work of Lin Fengmian, in Yishu: Journal of Contemporary Chinese Art, Vol. 9, No. 4, July/ August 2010
Lin Tianmiao: Cohn, Don L., Lin Tianmiao: All Sewn Up, ArtAsiaPacific, No. 51, 2007; Phillips, Christopher, 'Lin
Tianmiao at Courtyard', Art in America, Vol. 90, Issue 12, December 2002; Lu Jie, All Good Things Are
Frail, conversation with Lin Tianmiao, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 6, November
2008, pp. 8-20.
Lin Yilin: Vine, Richard, Beyond the Wall, in Art in America, May 2011.
Ling Bingchuan, Barcelona, mixed media: Ling Bingchuan, Chuangzuo Zhaji, in Yishujie, 9/10-1998.
Liu Dahong: Liu Dahong Paintings 1886-1992, Hong Kong, Schoeni Art Gallery, 1993; Liu Dahong: Red Calender
24 Solar Terms, in ArtAsiaPacific, No. 48, 2006; review, Asian Art News, Vol. 16, No. 1, 2006.
Liu Dan: Mowry, Robert D, A Compelling Art, in Asian Art News, Vol. 15, No. 5, 2005; review, Asian Art News,
Vol. 15, No. 3, 2005; Hao Sheng, Liu Dan, in Orientations, Vol. 41, No. 7, October 2010.
Liu Ding: Spalding, David, Eager Paintings, Empathetic Products: Liu Dings Critical Complicity, in Yishu: Journal
of Contemporary Chinese Art, Vol. 5, No. 4, Dec 2006; Lu, Carol, Liu Ding: Long March Space (review), in
Flash Art, Vol. XXXVIII, No. 244, October, 2005; Spalding, David, Liu Ding: Frameworks Framed, in
Yishu: Journal of Contemporary Chinese Art, Vol. 9, No. 1, January/ February 2010.
Liu Hongwei: Binks, Hilary, A Solitary World of Dreams, in Asian Art News, Vol. 10, No. 3, 2000.
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Liu Jianhua: Borysevicz, Mathieu, Export: Cargo Transit, in Yishu. Journal of Contemporary Chinese Art, Vol. 6, No. 4,
December, 2007, pp. 84 89; Chan Ho Yeung David, About Export-Cargo Transit: An Interview with Lui
Jianhua, in Yishu. Journal of Contemporary Chinese Art, Vol. 6, No. 4, December, 2007, pp. 90 92; Dematt,
Monica, Projecting Dreams: Liu Jianhuas Spiritual Things, in Yishu: Journal of Contemporary Chinese Art, Vol.
9, No. 1, January/ February 2010.
Liu Jianping Shanghai, sculptor: Tian Shaokai, Zai houxiandai hundunzhong suzao shenghun, in Yishujie,
November/ December 1998.
Liu Jin: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano, Marella Arte Contemporanea,
2003; Zhu Qi, et. al., Liu Jin, Hong Kong: Timezone 8, 2006.
Liu Kuo-Sung Shen Kuiyi & Andrews, Julia, Echoes of His Laugh: The Art of Liu Kuo-sung, in The Universe in the
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Ren Bonian, 1840-1896, precursor neo-traditionalist painter: Gong Chanxing, ed., Ren Bonian Yanjiu, Tianjin,
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17.
Sui Jianguo, Beijing, CAFA, sculptor: Ma Qinzhong, Kaituo zhungguo dangdai diaosu de bunhua yujing, guanyu
Sui Jianguo zuopin de fenxibaogao, Yishujie, 7-1997; Sui Jianguo, Indu dangdai yishu zhong de
Xianshizhuyizhe, in Dongfang, No.3, 1995; Sui Jianguo, Fuzhuang de fuhao yu fuhao de fuzhuang,
Meishubao [Hangzhou], 8-3-1999; Dewar, Susan, Sui Jianguo and the Sculptural Dilemma, in Asia-Pacific
Sculpture News, Vol.1, No.1, Winter, 1995; Chang Tsong-zung, A Secret Anti-Modernist: Sui Jianguo and
His Retirement Project, in Yishu. Journal of Contemporary Chinese Art, Vol. 7, No. 3, May, 2008, pp. 10 21;
Chang Tsong-zaung, A Secret Anti-modernist: Sui Jianguo and His Retirement Project, in Yishu Journal of
Contemporary Chinese Art, Vol. 7, No.3, May 2008, pp. 10-21.
Sun Guojuan: [Kunming artist], Naked Truths, in Asian Art News, v. 18(5), Sept/Oct, 2008, p. 84.
Sun Jianping, Tianjin, oil painter: Sun Jianping Youhua Zuopinxuan, Tianjin, Tianjin Renmin Meishu Chubanshe,
1995.
Sun Yuan: Krischer, Olivier,The Confinement of Freedom, in Art Asia Pacific, No. 68, May/ June 2010.
Sze Tsung Leong: review, Artforum, Vol. 45, Issue 1, 2006.
Tan Bo: Brown, Glen R., Modern Vanitas Asian Art News, Vol.7, No.4, July/August 1997.
Tang Maohong: Ciric, Biljana, Im a Lazy Person: Interview with Tang Maohong, in Yishu: Journal of Contemporary
Chinese Art, Vol. 5, No. 2, Jun 2006.
Tang Zhigang, Kunming / PLA, oil painter: Xie Junqin, Tang Zhigang: Yansu de youmo, Yishujie, 9-10-1998; Han,
Stephenie, Tang Zhigang at Hanart TZ Gallery, in Asian Art News, Vol. 12, No. 4, July/August, 2002.
Tian Liming Beijing CAFA, neo-traditionalist painter: Tian Liming, Tian Liming Kegao, Wuhan, Hubei Meishu
Chubansha, 1998; Yin Jinan, preface, Tian Liming Huaji, Nanning, Guangxi Meishu Chubanshe, 1991.
Tian Yibin: Cohn, Don L., Tian Yibin: In a Sea of Revolutionary Pixels, in ArtAsiaPacific, No. 50, 2006.
Tseng Yuho/Ceng Yuhe: review, Asian Art News, Vol.10, No.4, 2000.
42
Wan Qingli Shen Kuiyi & Andrews, Julia, Recluse of the Concrete Jungle, in The Writings of My Mind: Painting and
Calligraphy by Wan Qingli. New York, E & J Frankel, 2002, p. 8-10; Shen Kuiyi & Andrews, Julia, Recluse of
the Concrete Jungle, in The Writings of My Mind: Painting and Calligraphy by Wan Qingli. New York, E & J
Frankel, 2002, p. 8-10
Wang Chao: Lin Xiaoping, Behind Chinese Walls: The Uncanny Power of Matriarchy in Wang Chaos The Orphan
of Anyang, in Third Text, Vol. 23, Issue 2, March 2009; Lin Xiaoping, Behind Chinese Walls: The Uncanny
Power of Matriarchy in Wang Chaos The Orphan of Anyang, in Third Text, Vol. 23, Issue 2, March 2009.
Wang Du, Paris, installation: Wang Du Magazine: Je Veux tre un Mdia, No.1, t, 2001, Paris, Design Metal; Huang
Liaoyuan, et.al., Wang Du, Beijing, Beijing Art Now Gallery, 2006; Gill, Rajdeep Singh, Media Ecologies and
Landscapes: An Interview with Wang Du, in Yishu: Journal of Contemporary Chinese Art, Vol. 4, No. 3, Sep.
2005; review, Artforum, Vol. 44, Iss. 3, 2005; Sans, Jrme, Ready to Launch. Wang Du, in ArtAsiaPacific,
No. 55, September/October, 2007, pp. 144 - 149.
Wang Fuyang: Zheng Huagai, He Was Such a Kind Person-Eulogistic Comments on Chinese Cartoonist Wang
Fuyang, 1935 2003, translated by Xu Ying, in International Journal of Comic Art, Vol. 10, No. 1, Spring,
2003, p. 543 552; Lent, John and Xu Ying, Editors Remembrances of Wang Fuyang, in International
Journal of Comic Art, Vol. 10, No. 1, Spring, 2003, p 553.
Wang Gongxin: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo, The Japan Foundation
Asia Center, 2002; Pijnappel, Johan, Intuitive Reflections, in Asian Art News, Vol. 13, Number 2,
March/April 2003; Pijnappel, Johan., Intuitive Reflections, in Asian Art News, Vol. 14, No. 1,
January/February 2004, p.74-77; Ambrozy, Lee, Wang Gongxin, in Artforum. Vol. 47, Iss. 9, May 2009, p.
258.; Wang Gong Xin and He hao eds., Wang Gong Xin Works: 1993 2008. Beijing: Timezone 8, 2008.
Wang Guangyi, oil painter: Zhongguo Meishubao, No.39, of 28.9.1987, review Art AsiaPacific, Issue 33, 2002;
Merewether, Charles, Smith, Karen, and Yan Shanchen, ed. Wang Guangyi, Hong Kong, Timezone 8, 2002 ;
Smith, Karen, 'From Mao to Now', Huang Zhuan and Pi Li ed., Image is Power, Hunan: Hunan Fine Arts
Publishing House, 2002; Merewether, C., On the Socialist Visual Experience: Interview with Wang
Guangyi in Wang Guangyi, Beijing: Timezone8 Books, 2002; Huang Zhuan, Visual Political Science:
Another Wang Guangyi, in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 2, March/April 2009,
pp. 6-24.
Wang Huaiqing: Zhang Zhaohui, In Search of the Unknown, Asian Art News, Vol. 15, No. 5, 2005; Jia Fangzhou,
A World of Contrasts: On Wang Hauiqings Modern Structure, in Yishu. Journal of Contemporary Chinese Art,
Vol. 7, No. 1, January, 2008, pp. 31 34; Sullivan, Michael, Some Thoughts About Wang Huaiqing, in
Yishu. Journal of Contemporary Chinese Art, Vol. 7, No. 1, January, 2008, pp. 35 37.
Wang Jiaxun, Jiangsu, painter, neo-tradtionalist painter: Chen Yanyi, Xianhua Wang Jiaxun de gusi cihua, Yishujie,
9/10-1998.
Wang Jianwei: Views on Contemporary Chinese Art, in Yishu, Vol.1, No.1, 2002; Huangfu Binghui., Wang
Jianwei, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p. 58-62; Rehberg, Vivian, Three Men and
A Camera: Chang Yung Ho, Wang Jianwei, and Yang Fudong, in Yishu: Journal of Contemporary Chinese Art,
Vol. 2 No. 3, September 2003, p.62-63; David Ho Yeung Chan, Starting from Zero: Wang Jainwei, in
Yishu. Journal of Contemporary Chinese Art, Vol. 6, No.1, March, 2007, pp. 34 38; Havilah, L. ed. Edge of
Elsewhere. Campbelltown: Campbelltown Arts Centre, 2010.
Wang Jiqian, New York, neo-traditionalist painter: Chang, A., The Landscape painting of Wang Jiqian, in
Orientations, Janaury 1983.
Wang Jin: Wu Hong, A Chinese dream by Wang Jin, in Public Culture, Vol. 12, No. 1, Winter 2000.
Wang Jin, Feng Jiali: Dewar, Susan, In the Eye of the Beholder, in ART AsiaPacific, No.15, 1997.
Wang Keping, Paris, sculptor: Wang Keping, London, de Tilly-Blaru, 2001, Les Voies de la Sculpture, Wang Keping,
Paris, Jacques Barrre, 1999; Works by Wang Keping, Hong Kong, Hong Kong University of Science and
Technology Center for the Arts, 1997.
Wang Lang and Liu Xin Hua: Borysevicz, Mathieu, Wang Lang and Liu Xin Hua: Mission Accomplished, in Yishu.
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Wang Mai: Tung, David, Situating the Inaugural Beijing Dashanzi Art Festival: The Gateway of Infinite Wonders
in Wang Mais Work (Review) in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 104-106
43
Wang Peng: Carol Lu, et.al., Wang Peng, Beijing, 2006; review, Asian Art News, Vol. 15, No. 6, 2005; Erikson, Britta,
A Spontaneous Release: Wang Peng Talks about His 84 Performance, in Yishu. Journal of Contemporary Chinese
Art, Vol. 6, No. 3, September, 2007, pp. 80 87.
Wang Qinsong, Beijing, Photographer: Wang Qinsong, Wang Qinsong de sheying shijiao, Yishujie, 9/10-1998;
Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea,
2003. ; Wang Qingsong, Salon 94, New York (review), Parachute, No. 117, 2005; Butt, Zoe and Albion
Gallery, London, Wang Qingsong, Hatje Cantz, bilingual edition, 2006; Maggio, Meg, Stop-Motion China
(Interview), in Art Asia Pacific, No. 68, May/ June 2010; Wang Qingsong, Salon 94, New York (review),
Parachute, 117, 2005; Butt, Zoe and Albion Gallery, London, Wang Qingsong, Hatje Cantz, bilingual edition,
2006; Sanguine Splendour [Exhibition Catalogue], Beijing: Chinablue Gallery, 2007; Big China, Strong China:
Alice Schmatzberger in Conversation with Wang Qingsong, in Yishu: Journal of Contemporary Chinese Art, Vol
8, No. 3, May/June 2009.
Wang Tiande: review, Art in America, Vol. 93, Issue 4, Apr 2005;
Wang Tianliang, Fuzhou, Head Arts and Crafts Academy: Huan Gen, Wang Tianliang, Gulao Gongyi de Shenmei
Zhuanhuan, Yishujie, 11/12-1998
Wang Wei, Tinari, Philip., If It Isnt Built, It Cant Be Torn Down: Notes on Wang Weis Temporary Space, in Yishu:
Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.72-73.
Wang Xingwei: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003; Colonnello, Nataline, Wang Xingwei Side Park Football Field, in 5x5 Castell,
(Exibition Catalogue), Spain, EACC, Espai dArt Contemporani de Castell, Castell, 2011.
Wang Yin: Xie Wenxue, et.al., Wang Yin, Hong Kong, Timezone 8, 2006.
Wang Yiting: Shen Kuiyi, Wang Yiting in the Social Network of 1910s-1930s Shanghai, in Dillon, Nara & Oi, Jean
C., eds., At the Crossroads of Empires: Middlemen, Social Networks and State-Building in Republican Shanghai,
Stanford, Stanford University Press, 2008, p. 45-64; 229-234.
Wang Youshen: Chiu, Melissa, Everyday Sightings: An Interview with Wang Youshen, Art & Asia Pacific, Vol.3,
No.2; Wu, Hung, Wang Youshen in Art Asia Pacific, Issue 37 (2003), p. 93
Wei Dong: Players in the Landscape, Asian Art News, Vol. 8, No.2, March/April 1998.
Wei-Li Yeh: Low, Joni, Buried Treasures: An Afternoon with Wei-Li Yeh at the Cit Internationale des Art, Paris,
in Yishu. Journal of Contemporary Chinese Art, Vol. 7(2), March, 2008, pp. 64 76.
Wei Qingji: Fan Dian, et.al, Wei Qingji, Hong Kong, Timezone 8, 2006 (Distributor)
Wen Lipeng, deceased, oil painter: Wen Lipeng, Wogu Zhixin: Xinzhongguo Youhua Sanshiwunian duan xiang,
Meishu, April, 1984.
Wen Fang: Schmatzberger, Alice, Wen Fang: The Path of Art From Observing to Getting Involved, in Yishu:
Journal of Contemporary Chinese Art, Vol. 10, No. 3, May/June 2011.
Weng Fen: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003
Wong, Wuxie/Wucius: Binks, Hilary, A Voyage Between Cultures, Asian Art News, Vol.9, No.3, 1999.
Wu Changshuo: Shen Kuiyi, Wu Changshuo: The Last Scholar-Official Painter, in Yang Xiaoneng, ed., Tracing the
Past, Drawing the Future Master Ink Painters in Twentieth-Century China, Stanford, Cantor Centre For Visual
Arts, Stanford University, 2010 p. 72-83.
Wu Gaozhong: Koskaya, Maya, Wu Gaozhong: Sites of Intimate Remembrance that Get Under the Skin in Yishu:
Journal of Contemporary Chinese Art, vol. 8, no. 2, 2009.
Wu Guanzhong: Lim Lucy, ed., Wu Guanzhong, a contemporary Chinese artist., San Francisco: Chinese Culture
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Wu Shanzhuan, Hamburg, installation artist: Zhongguo meishubao No.115, of 5.10.1987, Meishu 8.1986.
Wu Weihe, Weihe, Wu., Casting the Mold of Female Body and Identity: Reinterpreting Guang Lien Zhuan
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44
Wu Wenguang: Berghuis, Performance Art in China, 2006; Berry, Chris. Wu Wenguang: An Introduction in Cinema
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Wu Zuoren, deceased,oil painter and neo-tradtionalist painter: Gigliesi, P., Wu Zuoren, Orientations, Vol.12, No.4,
April 1981; Wu Zuoren, Wu Zuoren huaji, Renmin Meishu Chubanshe, Peking, 1962.
Xia Xiaowani: Wu Hung, Xia Xiaowan, Beijing, Aye Gallery, 2007
Xia Xing: Colonnello, Nataline, 2007 / 2008 / 2009 / 2010, 2010, available online,
http://www.galerieursmeile.com/artists/artists/xia-xing//the_texts.html (In English),
http://www.galerieursmeile.com/cn/artists/artists/-e8a9ddc5be//the_texts.html (In Chinese).
Xiao Guofu: Findlay, Ian Flirting with strangers, Asian Art News, Vol.10, No.4, 2000.
Xiao Lu: Xiao Lu: The Confluence of Life and Art, in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 2,
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Xie Nanxing: Colonello, Nataline, et.al., Xie Nanxing: Paintings, 1992-2004, Beijing, China Art Archives and
Warehouse, 2006; Colonnello, Nataline, Stepfather has an Idea! Xie Nanxing, 2010, available online
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http://www.galerieursmeile.com/cn/artists/artists/-a255bd0cb5//the_texts.html (In Chinese).
Xin Haizhou: Liao Wen, et.al., Xin Haizhou, Beijing, Beijing Art Now Gallery, 2006
Xing Danwen: Gu Zhen, Projecting the Reality of China through the Lens: On the Artistic Practice of Xing
Danwen, Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 1, 2006; Maerkle, Andrew, Xing Danwens
Chinese Fantasy, ArtAsiaPacific, No. 49, 2006; Vine, Richard, Beijing Confidential: Xing Danwen, in Art In
America, February 2010; Eswchenburg, M., Xing Danwen: Revealing the Masquerade of Modernity, in
Yishu Journal of Contemporary Chinese Art, Vol 8, Number 4, July/August 2009, p.51-66.
Xing Junqin: Forsyth, Graham, Hide and Seek, Asian Art News, Vol. 15, No. 2, 2005.
Xing Yin: Qin Yufen Xing Yin/ Walking Sound, exhibition catalogue, Saarbrucken, Stadtgallerie, 1998.
Xiong Lijun: Zhang Zhaohui, A Look at Youth Culture in Asian Art News, Vol. 14, Number 5
(September/October 2004), pp. 72-75
Xu Beihong, deceased oil painter: Ai Zhongxin, Xu Beihong yangjiu, Shanghai Renmin Meishu Chubanshe, 1981;
Jiang Bihui, Huiyilu, Taibei, Huangkuan zazhishe, 1966, 1980; Liao Jingwen, Xu Beihong, Foreign Languages
Press, Beijing, 1987 [and earlier Chinese editions]; Ma Fasi, Wode laoshi Xu Beihong, Meishu Yanjiu, 1980,
No.4; Xie Lifa, Xu Beihong, Taibei, Xiongshi Meishu, 1977; Wang, Eugene Yuejing, Xu Beihong and Chang
Yu: Sketch Conceptualism as Modernist Contigency, in Hearn, Maxwell; Smith, Judith G., eds, Chinese Art,
Modern Expressions, New York, Metropolitan Museum of Art, 2001; Yang, Shu-hwang, Xu Bei-hong, Liu Hai-
su, Lin Feng-mian, Thse de Doctorat, Universit de Paris IV, 1986; Li Song, A Collection of Xu Beihong (Xu
Beihong Nian Pu), Beijing, Renmin Publisher, 1985; Tan Hwee Koon, A Modern Voice In The Wake Of
Nationalism, , in Asian Art News, v. 18(4), July/August, 2008, pp. 98-101.
Xu Bing, New York, installations, prints, peformances: Taylor, J.S., Non-Sense in Context: Xu Bings art and its
Publics, in Public Culture, Vol.5, No.2, 1993; Wu Hong, A Ghost Rebellion: Notes on Xu Bings
Nonsense Writing and Other Works, in Public Culture, Vol.6, No.2, 1994; Feng Boyi, Dangdai xitong chule
shenme wenti, xishujia Xu Bing fangtanlu, in Dongfang, No.5, 1996; Feng Boyi, Xu Bing, Dangdai Yishu
Xitong de Kunjing, in Meishu Yanjiu, 1, 1997; Lee, Benjamin, Going public, in Public Culture, No.5, 1993;
Smith, Karen, Xu Bing de Xinzuo, Wenhua Dongwu, Xiongshi Meishu No.285, 1994 [and interview]; Stone,
Charles, Xu Bing and the Printed Word, in Public Culture, Vol.13, No.6, 1994; Yao Soucho, Books from
Heaven: Literaryu Pleasure, Chinese Cultural text and the Struggle Against Forgetting, in Australian Journal
of Anthropology, Vol.8, No.2, 1997; Zhang Zhaohui, Cultural Metamorphosis: The Art of Xu Bing and Cai
Guoqiang, unpublished MA in Curatorial Studies Thesis, Bard College, 1998; Zhang Zhaohui, Tiandi zhi ji:
Cai Guoqiang yu Xu Bing Suoshi biye zhanlan jihua shuomingshu, Jiangsu Huakan, 2, 1999; Davidson,
Christina., Words from Heaven, in Art & Asia Pacific, Vol.1, No.2, 1994; Xu Bing, Yangzhuwenda,
Hongqi. No.1, 1994, p.87, text dated 1994.5; Chen Yide, My Opinion to the Book from Heaven, in Meishu,
December 1990; Zhongguo Meishubao, No.173, 14.11.1986; Xu Bing, Zhongguo Meishubao, No.201, of
29.5.1989; Xu Bing, Gu Yuan de Yiyi, in Tianya, 1, 1997; Yao Souchou, Xu Bing and Cultural
Nationalism, TAASA Review, Vol. 7, No. 3 1998; Erickson, Britta, The Art of Xu Bing : Words Without
Meaning, Meaning Without Words Washington, D.C., Arthur M. Sackler Gallery, Smithsonian Institution; Babel
45
: Contemporary Art and the Journeys of Communication, Birmingham, Ikon Gallery, 1999; Wu Hong, Transience :
Chinese Experimental Art at the End of the Twentieth Century, Chicago, The David and Alfred Smart Museum of
Art The University of Chicago, 1999; Yang, Alice, Why Asia? : Contemporary Asian and Asian American Art,
New York University Press, 1998; review, Art AsiaPacific, Issue 22, 1999; Jin, Matsuura and Masae, Kamachi,
The 1
st
Fukuoka Asian Art Triennale 1999 [The 5
th
Asian Art Show]: Document of Art Exchange Programme,
Fukuoka: Fukuoka Asian Art Museum, 1999; Goodman, Jonathan, Xu Bing: Cultural Translator, Art
AsiaPacific, No.35, 2002; Views on Contemporary Chinese Art, Yishu, Vol.1, No.1, 2002; Borysevicz,
Mathieu, Xu Bing at the Sackler, Art in America, Vol. 90, Issue 9, September 2002; Zhang Zhaohui, et.al.,
Xu Bing & Cai Guoqiang: Where Heaven and Earth Meet, Beijing, Hong Kong Timezone 8, 2006; Liu, April, An
Interview with Xu Bing: Nonsensical Spaces and Cultural Tattoos, Yishu: Journal of Contemporary Chinese Art,
Vol. 4, No. 4, Dec. 2005; Monks, Christina, A Visual Koan: Xu Bings Dynamic Desktop, Yishu: Journal of
Contemporary Chinese Art, Vol. 4, No. 4, Dec. 2005; Goodman, Jonathan, The Cage of Words, Art
AsiaPacific, 26, 2000; review, Asian Art News, Vol.11, No.5, 2001; Erickson, B., Process and Meaning in the
Art of Xu Bing, in Three Installations by Xu Bing, Madison, Elvehjem Museum of Art, University of
Wisconsin, 1991, pp. 2 32; Erickson, B., A Case Study of Transference: Xu Bing and the Process of
Interpreting Art, in Communications with/in Asia, Melbourne, Asian Studies Association of Australia, 2000;
Sherman, M., Xu Bing and a Prayer, in ARTnews, Vol. 94, No. 10, December, 1995, pp: 55 56; Silbergeld,
Jerome, Ching, Dora C.Y., eds., Persistence-Transformation: Text as Image in the Art of Xu Bing, Princeton,
Princeton University Press, 2006; Leung, Simon & Kaplan, Janet A., Pseudo-Languages: A Conversation
with Wenda Gu, Xu Bing and Jonathan Hay, in Art Journal, Fall 1999, Vol. 58, No. 3, p. 86-99; Hao Sheng,
Xu Bing, in Orientations, Vol. 41, No. 7, 2010; Shen Kuiyi, Challenging in All Directions Word Play and
Xu Bings Art, in Art China, Vol.1, No.1, NoVol. 2001, p. 23-33 (In Chinese); Wu Hung, Xu Bing: Dui
Meiti He Shijue Jishu De Shiyan (Xu Bing: Experimenting Art Medium and Visual Technique), in Diancang:
Jin Meishu (Art & Collection: Contemporary Art), Issue 105, June 2001, p. 38-46; Wu Hung, ed., Xu Bing:
Yancao jihua (Xu Bing: Tobacco project), Beijing, Renmin daxue Chubanshe, 2006; Wu Hung, Yancao Jihua
(Tobacco project), in Yishu shijie (Art world), Issue 172, September 2004, p. 66; Tomii, Reiko, The Slow
Formation of Ice in 14 Phases, in Xu Bing, London, Albion Edition, 2011; Xu Bing, My Eight, in Art Asia
Pacific, Issue 64, July/ August 2009; Chiu, Melissa, Xu Bing: Artist Notes in Chiu, Melissa and Zheng
Shentian, Art and Chinas Revolution, Asia Society, New York in association with Yale University Press, New
Haven and London, 2008: 107-118; Erickson, Britta, The Art of Xu Bing: Words Without Meaning, Meaning
Without Words, Washington D.C., Freer Gallery of Art and Arthur M. Sackler Gallery, 2001.; Erickson, B.,
Process and Meaning in the Art of Xu Bing, in Three Installations by Xu Bing, Madison, Elvehjem Museum of
Art, University of Wisconsin, 1991, pp. 2 32.; Erickson, B., A Case Study of Transference: Xu Bing and
the Process of Interpreting Art, in Communications with/in Asia, Melbourne, Asian Studies Association of
Australia, 2000; Sherman, M., Xu Bing and a Prayer, in ARTnews, vol. 94(10), December, 1995, pp: 55 56.
Xu Jiang: Views on Contemporary Chinese Art, Yishu, Vol.1, No.1, 2002; Gao Xindan and Gao Shiming, From
Historical Landscape to Historicized Landscape, Asian Art News, Vol. 16, No. 6, Nov-Dec 2006; Lucie-
Smith, Edward, Crossing the East West Divide: On the Art of Xu Jiang, Yishu: Journal of Contemporary
Chinese Art, Vol. 5, No. 4, Dec 2006; Wu Hung, Beyond Porlarities: The Art of Xu Jiang and Shi Hui, in Xu
Jiang and Shi Hui, Chicago, Columbia Collage, 2001.
Xu Shaoyan, Hebei, oil painter; Ma Qinzhong, Zhongmozhe tudide jinmai, Yishujie, 11/12-1998
Xu Tan: Regarding the Dictionary of Keywords, Xu Tan in Conversation with Hu Fang, in Yishu: Journal of
Contemporary Chinese Art, Vol.7, No.6, November 2009, p.27-32
Xu Wentao: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte
Contemporanea, 2003
Xu Yong: Daozi and Shu Yang, eds., Xu Yong: Backdrops and Backdrops, Hong Kong, Timezone 8, 2006; Karetzky,
P. E., Xu Yong: Photographer of the Vanishing Past and the Emerging Future of China, in Yishu Journal of
Contemporary Chinese Art, Vol. 7 No. 6, November 2008, pp. 88-96.
Xu Zhen: Obrist, Hans-Ulrich, Hans-Ulrich Obrist on Xu Zhen, Artforum, Vol. 45, iss. 5, 2007; review, Eyeline,
No. 59, 2006; Catching, Rebecca, Sex, Lies and Videotape, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, pp. 86
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46
3, May/June 2009; Don, Katherine, Xu Zhen: Long March Space in Art in America Vol. 97, No.5, May
2009, p. 167(2).
Xuan, Kan: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia
Center, 2002
Xue Mo: Hutchings, Patrick, Xue Mo: The Clarity of Dreams in in East West Arts, No. 1, September/ November
2004, pp. 36-39
Xue Song, Shanghai, painter & mixed media artist: Zhu Qi, Xue Song: yichie zhi shi yingxiang he inshuapin, in
Yishujie, 9/10-1998.
Yan Lei: Leanza, Beatrice, Yan Lei: Colours, Flash Art, Vol. XXXIX, No. 249, July-September, 2006; Maerkle,
Andrew, Yan Lei: Breathe Deep, Super Light and Sparkling, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp.
96 - 97.
Yan Peiming, Dijon, oil painter and sculptor: Besson, Christian, Yan Peiming, Paris, ditions Hazan, 1999; Hou
Hanru, In a Dream. Yan Pei-Ming, in ArtAsiaPacific, No. 55, September/October, 2007, pp. 126 - 133.
Yan Ping: Liu Xilin, Private Moments, in Asian Art News, Vol.10, No.5, 2000.
Yan Wenliao, deceased, oil painter: Fei Yifu, Yan Wenliang de youhua jifa, Xinmeishu, No.2, 1981: Jin Ye, Yanlao
Fuzi, Xinmeishu, No.2, 1981
Yang Chunlin, Beijing, sculptor: Yin Ying, 98 Yang Chunlin:Shengcun yu Liebian, Beijing, Zhongyang meishu
Xuanyuan Hualang, 1998.
Yang Feiyun, Beijing, academic oil painter: Deng Pingxiang et al, Yang Feiyun, Macao, Century Publishing, 1996
Yang Fudong: Beccaria, Marcella, ed., Yang Fudong, JRP/Ringier, Zurich, 2006; Tan, Adele, No Snow on the
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Bertheux, Maarten, Yang Fudong Recent Films and Videos, in Stedelijk Museum Bulletin, 2004/2005, p. 81;
Merewether, Charles, Yang Fudong: Doubt and Hope, in Art Press, Issue 290, 2003, pp. 30-34; Bailey,
Stephanie, Recontextualizing Revolution: Yang Fudong and Kostis Velonis at the National Museum of
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1, 2006.
Kppel-Yang, Martina, From Glittering Stars to Shining El Dorado, or, the Adequate Attitude of Art would be
that with Closed Eyes and Clenched Teeth, Yishu: Journal of Contemporary Chinese Art, Vol. 4, No. 4, Dec.
2005.
Kppel-Yang, Martina, The Ping-Pong Policy of Contemporary Chinese Art in Yishu: Journal of Contemporary
Chinese Art, June 2004, pp. 60-66
Kppel-Yang, Martina., From the Heart of Canton, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1,
March 2004, p.7-13.
Lai, Sally, Through Popular Expression, International Project Space, Birmingham, United Kingdom (exhibition
review), Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 2, Jun 2006.
Landsberger, S.R. Harmony, Olympic Manners and Morals - Chinese Television and the 'New Propaganda'.
European Jounal of East Asian Studies, 8 (2), pp. 331-355
Leanza, Beatrice, Fancy Dreaming (review), Flash Art, Vol. XXXIX, No. 250, Oct, 2006.
Li Hsiao-ti Making a name and a culture for the masses in modern China, positions: east asia cultures critique,Vol. 9,
No.1 Spring 2001.
Lin Xiaoping, Discourse and Displacement: Contemplating Beijings Urban Landscape, in Art AsiaPacific, Issue
25, 2000, p. 76-81.
Low, Joni, A Critique of Criticism: Deconstructing Reviews of Between Past and Future, Yishu: Journal of
Contemporary Chinese Art, Vol. 4, No. 3, Sep. 2005.
Low, Joni, Symphony of Riddles: Wu Shanzhuan; Red Humour International (book review), Yishu: Journal of
Contemporary Chinese Art, Vol. 5, No. 4, Dec 2006.
Low, Joni, The Unreality of Trade (review), Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 1, 2006.
Lu, Carol (Yinghua), Fragmented Memory and Energy: Chinese Contemporary Art and its Multiple Layers of
Ideology, Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 2, Jun 2006.
Lu, Carol, China Update, Flash Art, Vol. XXXVIII, No. 243, July-September, 2005.
Lu, Carol, Fancy Dream (exhibition review), ArtAsiaPacific, No. 50, 2006.
Lu, Sheldon, Beautiful Violence: War, Peace, Globalization in positions: east asian cultures critique, Vol. 12, No. 3
(winter 2004)
Lu, Victoria, The New Century of Neo-Aesthetics in Animamix Art, in TAASA Review. The Journal of the Asian
Art Society of Australia, Vol. 17 (1) March, 2008, pp. 12 13.
Lum, Ken, Interview with Hou Hanru, Lin Yilin Big Tail Elephant in the 1990s, Yishu: Journal of Contemporary
Chinese Art, Vol.2, No., June 2003.
Ma Jun, Documenta 12 Magazines Special Feature: Dispute over the dumped graduation theses of twelve
students in the oil painting class of the art institute of Shanghai Normal University, Yishu: Journal of
Maerkle, Andrew, The Long March Project: Backward Progress, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p.
150 - 155.
Maggio Meg, From action to image, Art AsiaPacific, 31, 2001
Mars, Neville/ Dynamic City Foundation, The Chinese Dream: A Society Under Construction, Hong Kong, Timezone 8,
2007 (Forthcoming)
Merewether, Charles., The Spectre of Being Human, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2,
June 2003, p.58-81.
Merewether, Charles, Everyday Life and the Imaginaries of the Modern, in eds. Clark, John, Peleggi, Maurizio &
Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, Sydney, Wild Peony,
2006.
Meyer, James, The Wall: Reshaping Chinese Contemporary Art (review), Artforum, Vol. 44, Iss. 8, 2006.
66
Moon, Iris, Arario Gallery: Beijing or Bust, ArtAsiaPacific, No. 47, 2006.
Morgan, Robert C., The New Chinese landscape and the Avante-Garde, in AsianArtNews, Vol. 19 No. 3
May/June 2009, pp. 48-55.
Movius, Lisa, A Shanghai Spring in Art in America (June/July 2004), pp. 146-149
Movius, Lisa, Report from Shanghai II. Museum Roulette, in Art in America, May 2007, pp. 82 85.Napack,
Jonathan, Young Beijing in Art in America (June/July 2004), pp. 142-143
Ng, Elaine W., Continental Drift: The Ullens Center for the Arts, ArtAsiaPacific, No. 50, 2006.
Ni Tsai-chin, Globalization and contemporary Chinese art, Yishu: Journal of Contemporary Chinese Art, Vol.2, No.,
June 2003.
Niridsany, Michel, China: Art Now, Paris, Flammarion, 2004
Ozawa, Kai, Follow Me (exhibition review), ArtAsiaPacific, No. 47, 2006.
Park, J.P, The Cult of Origin: Identity Politics and Cultural Capital in Contemporary Chinese Art, in Yishu: Journal
of Contemporary Chinese Art, Vol. 9, No, 4, July/ August 2010.
Peckham, Robin Big, Small and Potential: Chinese Art in Spaces and Places in Yishu: Journal of Contemporary
Chinese Art, Vol. 10, No. 1, January/ February 2011.
Pi Li, et.al., Art Beijing 2006, Hong Kong, Timezone 8, 2006
Pollack, Barbara, Origins of the Chinese Avant-Garde, in ArtAsiaPacific, No. 58, May/Jun, 2008, p. 99.
Quadrio, Davide, The necessary instability of hybrid cultures in Asia Art Archive,
http://www.aaa.org.hk/newsletter accessed 6/05/2009
Salmenkari, Taru, Impelementing and avoiding control: contemporary art and the Chinese state, China: an
international journal, Vol. 2, No. 2, September 2004.
Sassoli, Lorenzo, China: Contemporary Painting, Bologna, Damiani, 2005
Scarlett, Ken, Sculpture, and Yet More Sculpture, at Changchun, China in Art Monthly Australia, No. 169, May,
2004, pp. 34-37
Scarlett, Ken., A Feast of Sculpture (The World Sculpture Park and the International Sculpture Conference at
Changchun), in World Sculpture News, Vol.9, No.4, Autumn 2003, p.36-40.
Serfaty, Paul, New Generations in Chinese Photography, Asian Art News, Vol. 16, No. 3, 2006.
[Shanghai, Parachute Special Issue] Parachute 114 (2004): Wright, Stephen, Shanghai/Shanghai: Spaces without
Qualities/ Spaces of Promise in Parachute 114 (2004), pp. 8-35; Ken Lum, I Dont Know (Visual Essay) in
Parachute 114 (2004), pp. 36-39; Merewether, Charles, The Long Striptease: Desiring Emancipation in
Parachute 114 (2004), pp. 40-57; Tang Maohong, Song Tao and Yang Zhengzhong, 2004.1.1 SHANGHAI
in Parachute 114 (2004), pp. 58-61; Wright, Stephen, A City Without Leftovers (Conversation with Ma
Qingyun) in Parachute 114 (2004), pp.62-80; Jim, Alice Ming Wai, Tourism, Art and Shanghais Urban
Skyline in Parachute 114 (2004), pp.81-101; de Vito, Natalie, Pranks and Prohibitions: On the Art of Xu
Zhen in Parachute 114 (2004), pp. 102-115, Zhang, Zhen, Suzhou River (Urban Memory and Tacticle
Cinema) in Parachute 114 (2004), pp. 116-129; Chu, Ingrid, Shanghai and Beyond (A Roundtable with Ken
Lum, Davide Quadrio, Xu Tan and Zhang Weiwei) in Parachute 114 (2004), pp. 130-136
Shen, Kuiyi., Landscape as Cultural Consciousness in Contemporary Chinese Art, in Yishu: Journal of Contemporary
Chinese Art, Vol. 2 No. 4, December 2003, p.33-40.
Shen Kuiyi, Shanshui: Reinterpreting and Reconstructing a Cultural Consciousness in Contemporary Chinese Art,
in Shanshui in Twentieth Century Chinese Art, Shanghai, Shanghai Calligraphy and Painting Publishing House,
2006, p. 281-291.
Shen Kuiyi, Reinterpretation and Reconstruction: Shanshui in Contemporary Chinese Art in Gaoshan Liushui-
Contemporary Landscape Exhibition, Shanghai, Shanghai Calligraphy and Painting Publishing House, 2002. p.3-
5 (In Chinese)
Shu Yang, ed., The Roadmap to Painting, Hong Kong, Timezone 8, 2006
Shu Yang, Out of the Red: The New Emerging Generation of Chinese Photographers (Catalogue), Bologna, Damiani, 2004
Shu Yang, Purity A Dip Interview with 103, Hong Kong: Culture of China Publications Co., Ltd.
Silbergeld, Jerome, Waltzing with the Censor: Private Conventions of Protest in Contemporaery Chinese Art,
Seattle Art Museum, Fourth Annual Colloquium, April 2000
Smith, Karen, The Future: In Whose Hands in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 53-59
67
Smith, Karen., The Cost of Creativity, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.20-25.
Sullivan, Michael, Modern Chinese Artists: A Bibliographical Dictionary, Berkeley, California, University of California
Press, 2006
Tan, Adele, A Tale of Two Performance Art Festivals: Transborder Language and the Dadao Live Art festival,
Tang, Lin-yun, Mao, Money and Censorship after the Domestic Turn in Beijings Art World, Yishu: Journal of
Tetmajer von Przerwa, Xenia Mahjong: Contemporary Chinese Art from the Sigg Collection (review),
ArtAsiaPacific, No. 47, 2006.
Tetmajer von Przerwa, Xenia, Zooming into Focus: Chinese Contemporary Photography and Video from the
Haudenschild Collection at the National Museum of Art, China, Beijing (review), Yishu: Journal of
Contemporary Chinese Art, Vol. 5, No. 1, 2006.
Tinari, Philip, Beijing, Artforum, Vol. 45, iss. 4, 2006.
Tinari, Philip, The Complete Art Experience Project (Shi Qing, Wang Wei, rania Ho, Liu Ding, Qiu Zhijie, Liu
Wei, Li Zhenhua, Wu Ershan, Zhang Hui, Colin Chinnery) (review), ArtAsiaPacific, No. 48, 2006.
Tinari, Philip, Original Copies: on the Dafen painting village, ArtForum, October, 2007.Tsao Hsingyuan, A
Dialogue on Contemporary Chinese Art: The One Day Workshop Meaning, Image and Word, Yishu:
Journal of Contemporary Chinese Art, Vol. 4, No. 4, Dec. 2005.
Tsao, Hsingyuan, Fun, Pleasure-Seeking, but Thoughtful: On Urban Popular Culture in China in Yishu: Journal of
Contemporary Chinese Art, June 2004, pp. 89-102
Ulrich Obrist,Hans, The Museum of the Future: Art, Architecture, Science, and Technology in Yishu: Journal of
Contemporary Chinese Art, June 2004, pp. 67-72
Vine, Richard, Report from Shanghai, Art in America, July 2001
Vine, Richard, The Academy Strikes Back in Pollock, Barbara, Mainland Dreams on Tape in Art in America
(June/July 2004), pp. 135-141
Vine, Richard, 'Picturing China, Old and New', Art in America, Vol. 91, Issue 4, April 2003
Vine, Richards, Shanghai Accelerates, Art in America, Vol. 93, iss. 2, Feb 2005.
Wang, D. D., In the Name of the Real, in Chinese Art: Modern Expressions, Hearn, M. and Smith, J. G., eds., New
York, The Metropolitan Museum of Art, 2001, pp. 28 59.
Wang, Jessica, Soft Power Asian Perspectives, in Contemporary Visual Arts + Culture Broadsheet, Vol. 37, No. 1,
March, 2008, pp. 64 67.
Wei, Lilly., On Chinese Artists and the Marketplace: Xu Bing and Zhang Huan in America, in Art AsiaPacific,
Issue 38, Fall 2003, p.28-30.
Welland, Sasha K., Travelling artists, travelling art, ethnographic luggage, Yishu, Vol.1, No.2, 2002
Winchester, Rupert, Zhang Lin Hai, Wang Yidong and Cai Guo-Qiang: Light and Shadow (review),
Winchester, Simon Painting Against the Grain, ArtAsiaPacific, No. 45, 2005.
Wu Hung, Chinese Art at the Crossroads: Between Past and Present, Between East and West, New Art Media, London,
c2001.
Wu Hung, ed., The First Guangzhou Triennial, Reinterpretation: A Decade of Experimental Chinese Art, Guangdong:
Guangdong Museum of Art, 2002
Wu Hung, Making History: Wu Hung on Contemporary Chinese Art and Art Exhibition, Hong Kong, Timezone 8, 2009
Wu Hung, Remaking Beijing. Tiananmen Square and the Creation of a Political Space. Chicago: University of Chicago
Press, 2005.
Wu Hung, A Case of Being Contemporary Conditions, Spheres, and Narratives of Contemporary Chinese
Art, in Smith, Terry; Enwezor, Okwui; & Condee, Nancy, eds., Antinomies of Art and Culture: Modernity,
Postmodernity, Contemporaneity, Duke University Press, 2008, p. 290-308
Wu Hung ed., Contemporary Chinese Art: Primary Texts, New York, MoMA, 2010.
Wu Hung, Kongjian de Xushi: Sange Shijianxing Zhanlan de Cehua (Narration Through Space: Curating
Three Temporal Exhibitions), in Dangdai Yishujia Zhi Yan, Museum of Contemporary Art, Taipei,
December 2004, p. 47-69.
68
Wu Hung, Shijing Houxiandai (Vernacular Post-Modern), in Dushu, Issue 288, March 2003, p. 85-90
Wu Hung, Television in Contemporary Chinese Art, in October, Issue 126, Summer 2008, p. 65-90
Wu Hung, Three Persistent Individualists, in Art AsiaPacific, Issue 37, 2003, p. 91-93.
Wu Hung, Peggy Wang, ed. and tr., Contemporary Chinese Art: primary documents, New York: MoMA, 2010
Yanan Forum on Art Education, 2006] Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 3, Sep 2006, special
issue on Yanan Forum on Art Education/ Long March Project, Yanan.
Yang Yingshi, The Tongzhou artists communtiy, Art AsiaPacific, 31, 2001.
Yao, Souchou, Two Faces of Contemporary Art in China, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003,
p.16-19.
Yap Chin Chin., New Art Spaces in Beijing, in Art AsiaPacific, Issue 38, Fall 2003, p.34-36.
Ye, Sang, Dragon seeds and flea circuses: moments in new Chinese art, Artlink, Vol. 20, No. 2, July 2000
Yishu: Journal of Contemporary Chinese Art, Vol. 4, No. 2, Jun 2005, Special Issue on the conference Displacements:
Transcultural Encounters in Contemporary Chinese Art in conjunction with the exhibition On the Edge:
Contemporary Chinese Artists Encounter the West.
Yixiangju Art Group Long March Space B, (review), Flash Art, Vol. XXXIX, No. 248, May-June, 2006.
Yuan Feng. and Yang Xiaoyan, The Ostentatious Pearl River Delia, Michael Fei (tran.), in Yishu: Journal of
Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.22-31.
Zhang Qing, Architectural Junctions: Where Contemporary Artists Play up the Imagination of Architectural
Space, Yishu: Journal of Contemporary Chinese Art, Vol.2, No., June 2003.
Zhang Qing, The Gelatin Age: Contemporary Chinese Arts New Power, in Yishu. Journal of Contemporary Chinese
Art, Vol. 7(3), May, 2008, pp. 56 69.
Zhang Zhaohui, Globalisation, Urbanisation, and New Chinese Art, Huangfu, Binghui, Site+Sight: Translating
Cultures, Huangfu, Binghui, Site+Sight: Translating Cultures, Singapore, LaSalle-SIA, 2002.
Zhang Zhaohui, N12 at the Central Academy of Art Gallery (review), Asian Art News, Vol. 15, No. 2, 2005.
Zhou Yan, Chinese Brand and Chinese Method: On the Exhibition The Wall: Reshaping Contemporary Chinese Art,
Recent Ink Painting [see also by artist name]
Deng Chaoyuan, Silver Chrysanthemum High Aspiration: Illuminating Ink Painting in Art Circle (Yingjuhao
Jiezhi, Caimo Ying Huayun), in Selected Essays in Anhui Provincial Museum 40
th
Anniversary (1956-1996), 1996, p.
231-238.
Doran, Valerie C. Behind the Scene of Fresh Ink, in Orientations, Vol. 41, No. 7, October 2010.
Erickson, Britta, The Contemporary Artistic Deconstruction and Reconstruction of Brush and Ink Painting,
Yishu: Journal of Contemporary Chinese Art, Vol.2, No., June 2003.
Findlay, Ian, The Power of Ink, AsianArtNews, Vol. 19 No. 1 January/February 2009, pp. 84-91.
Hao Sheng, Keeping Company With the Past: Fresh Ink at the Museum of Fine Arts, Boston, in Orientations,
Vol. 41, No.7, October 2010.
Joiner, Dorothy A Gracious Respect, in Asian Art News, Vol 21, No. 1, January/ February 2011
Pi Daojian The History of Black and White: 50 years of Evolution in Ink and Wash, in Contemporary Chinese Art
Bulletin, Vol. 2, No. 5, 1999.
Responses to Fresh Ink: Ten Takes on Chinese Tradition at The Museum of Fine Arts, Boston, in Orientations,
Vol. 42, No. 3, April 2011.
Shen Kuiyi, Landscape in the New Millennium, in the conference volume, A New Millennium of Ink Painting,
Taipei, National Taiwan Normal University, 2002, p.215-227 (In Chinese)
Shen Kuiyi, Ink Painting in the Contemporary Chinese Art World, in Yishu: Journal of Contemporary Chinese Art,
June 2005, p.25-29
Shen Kuiyi & Andrews, Julia F., Fresh Ideas, Fresh Ink, in Yishu: Journal of Contemporary Chinese Art, Vol. 10, No.
4, July/ August 2011.
Wear, Eric, Square Worlds, Round Paradigms: Contemporary Calligraphy in China, , in ArtAsiaPacific, No. 58,
May/Jun, 2008, pp. 114 - 121.
Wu Hung, Refashioning Water and Ink: On Materiality in Contemporary Chinese Art, in Rethinking of
Orientalness in Visual Art, East-West Interculture Comparative Studies III. Seoul, Korean National
69
Commission for UNESCO, Gwangju Biennale Foundation, Seoul National University, & Society of
Contemporary Art Science, 2004, p. 141-56.
Yang Zhiguang, Basic Knowledge: Discuss the Technique of Figure Painting in Chinese Ink Painting, in Meishu,
Issue 4, 1977, p. 43-46.
Yao, Pauline J., Contemporary Ink: In Service of the Everyday, in Yishu. Journal of Contemporary Chinese Art, Vol. 7,
No. 1, January 2008, pp. 70 79.
New Art Practices and New Media [see also under Photography, Performance]
Ang Song Ming, Cutting through the Noise, in Art Asia Pacific, Issue 71, November/ December 2010.
Berghuis, Thomas J., Transcending Media and the Role of Contemporary Art Practices in China in Mesh: New
Media Art in Australia and Asia, No. 17, www.experiemta.org/mesh/mesh 17/berghuis
Berghuis, Thomas J., Video-REAL: Video Art from China in Videozone: 3 The 3
rd
International Video Art Biennial
in Israel (Bilingual), Tel Aviv, Center for Contemporary Art, 2006
Berghuis, Thomas, Performance Art and its Constraints, in eds. Clark, John, Peleggi, Maurizio and Sabapathy,
T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University of Sydney East Asian
Series No. 15, Wild Peony, Sydney, 2006, pp. 186-214.
Huang Du, Outside the Real: A New Form of Video Art in China, Sydney, Gallery 4A, 1998 (review, Art AsiaPacific, 25,
2000
Lu, Carol, Clothes and Capsules: New Installation Art From China in Flash Art, Vol. XXXVI, No. 231 July-
September 2003, pp.94-96.
Lu Pei Yi, What is Off-site Art?, in Yishu: Journal of Contemporary Chinese Art, Vol. 9, No. 5, September/ October
2010.
Maerkle, Andrew, Furong Jiejies 15 Minutes, ArtAsiaPacific, No. 48, 2006.
Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005
Ou Ning, Revealing Keys to the Riddle of Reality: Moving Images of the Pearl River Delta From 1999 to 2003 in
Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 15-21
Ou Ning., Shadows of Time, Simon Young (tran.), in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1,
March 2004, p.63-69.
Pi Li, Chinese Contemporary Video Art, in Third Text, Vol. 23, Issue 3, May 2009.
Zheng Bo, Creating Publicness: From the Stars Event to Recent Socially Engaged Art, in Yishu: Journal of
Contemporary Chinese Art, Vol. 9, No. 5, September/ October 2010
Selected Exhibitions in China - 1990s-Present
1993
Gilbert & George, Nieuwenhuizen van, Martijn, Les Infos du Paradis Gilbert & George in China Parkett, No.
38, 1993

1994
Shui Tianzhong, Shao Dazhen et al, Meishu pipingjia niandu timingzhan, (1994 Youhua),Chengdu, Sichuan
Meishuchubanshe, 1994.

1995
Liao Wen, Zhongguo dangdai yishuzhong de nuxing fangshi / Womens approach toChinese Contemporary Art, Beijing,
Zhongguo Yishu Bowuguan, 1995, May.

1996
Huang Zhan et al, Shouceng Dangdai Yishu Xueshu Yaoqingzhan, 1996/1997,Guangzhou, Guangdong Lingnan
Meishu chubanshe, 1996. [see reports in Hualangnos 5&6, 1996].
Qiu Zhijie, Wu Meichun, Xianxiang/Yingxiang luxiang yishuzhan: Yishu yu lishi yizhi& Lu Xiang Yishu Wenxian,
Hangzhou, The Authors, 1996.

1997
70
Leng Lin, Feng Boyi, Qian Zhijian, Zhang Xu, Zhongguo zhi Meng, 97 ZhongguoDangdai Yishu, Beijing, Sungari
International Auctions, 1997.
Song Dong, Guo Shirui, Yesheng, 1997 Nian Jing zheshi, Beijing, Xiandai YishuZhongxin, 1997 [includes a
chronology for chiefly avant-garde and performance artsince 1986]
Wu Meichun, 97 Zhongguo Luxiang Yishu Guanmo, Beijing, Zhongyang MeishuXueyuan Hualang, 1997.
Zhu Qi, Xinyazhou, Xinchengshi, Xinyishu: 97 Zhonghan dangdai yishuzhan, Shanghai,Shanghai Dangdai Meishuguan,
1997.

1998
Feng Boyi, Cai Qing, Shengcun Hengji: 98 Zhongguo Dangdai Yishu NeibuGuanmozhan / Trace of Existence: A Private
Showing of China Contemporary Art 98,Beijing, Art Now Studio, January 1998.
0431.1998 Luxiang, Diannao yishuzhan, Changchun, Jilinsheng Gongyeshiji Xuexiao, see Huang Yan in Yishujie,
11/12-1998.
Huang Du, Kongjian yu Shijue/Space and Vision: The impression of transmuting dailylives in Beijing, 1998, Beijing, Dangdai
Meishuguan, July
Leng Lin, Shi Wo/Its Me [unrealized], Beijing, Xiandai Yishu Zhongxin, November.
Liao Wen, Liang Xing Pingdai Yishu zhan (Personal Touch) Tianjin, Taida DangdaiYishu Bowuyuan, 1998.
Fan Dian et al, 98 [Fuzhou] Yataidiqu Dangdai Yishu Yaoqingzhan Zuopinji, Fuzhou, 1998.
98 Shanghai Meishu Shuang Nianzhan [review by Gu Zhengfeng, Tayue biangu deyichang sheng, Jiangsu Huakan,
No.1, 1999].
Jia Fangzhou, Lin Lin et al, Fanshi Zishen yu Huangjing zhan, Beijing, BeijingshiJianshe Daxue, November 1998.
Pi Daojian et al, 90 Niandai Zhongguo Shiyan Suimo / Experimental Wash Painting ofChina in the 90s, Hong Kong, Shijie
Huaren Meishu Chubanshe, 1998.
Schneider, Eckhard R., et al, Chuantong / Fansi: Zhonguo dangdai Yishuzhan; ImSpiegel der Eigenen Tradition, Austellung
Zeitgenssischer Chinesischer Kunst, Beijing, Botschaft der Bundesrepublik Deutschland, November 1998.
[report by FengHuanian in Jiangsu Huakan, 2, 1999]
Yin Shuangxi, Beijing Qingnian Diaosujia Zuopin Lianzhan, Beijing Qingnian Diaosujia Chuangzuo Yanjiuzu, 1998.
Zhang Zhaohui, Shu Hewen, Pianzhi/The Corruptionists, Beijing, The Curators,November 1998.

1999
Chang, Tsong-zung, Fast>>Forward: New Chinese Video Art, Macao, Centro de ArteContempornea de Macau &
Hong Kong, TZ Hanart, 1999.
Li Xianting, Fenbenyixi / Poly Phenolrene, Beijing, Bow Gallery [May 8
th
].
Xu Zhen, Yang Zhenzhong, Alexander Brandt, curators, Chaoshi / Art for Sale, [held inShanghai], Beijing, Xiandai
Yishu Zhongxin.
Wu Meichun, Qiu Zhijie et al, Houganxing: Yixing yu Wangxiang / Post sensibility:Alien Bodies and Delusion, Beijing,
1999.
Wu Shixiong, Kong Ying, A Tour of Chinese Arts at the End of the the 20
th
Century, Beijing Xinshikong Club, Asian
Games Village.
Zhang Xiaogang, ed., Shanghe Meishuguan 99 Xueshu Yaoqing zhan, Chengdu,Shanghe Meishuguan, [16
th
April to
15th May].
Zhang Zhaohui, Cong Zhongguochufa xin yishu zhan / Departure from China; A NewChinese Art Exhibition, Beijing, Shiji
Bowuguan, 1999 [unrealized, catalogue includesa chronology for 1995-1999]

2000
Ai Weiwei, Feng Boyi, Buhezuo Fangshi /Fuck Off, catalogue, 2000
Gu Zhenqing, Yichang yu Richang / Unusual & Usual, Shanghai, Yuangong Xiandai Meishu Zhanlanguan, 2000

2001
Weng Lin, Towards a New Image: Twenty Years of Contemporary Chinese Painting, [bilingual] Beijing, Beijing Visual Art
Development Co., Ltd., 2001 [Cai Jin, Ding Yi, Fang Lijun, Liu Wei, Liu Xiaodong, Luo Zhongli, Mao Yan,
71
Sun Liang, Wang Guangyi, Xu Jiang, Ye Yoingqing, Yu Hong, Yue Minjun, Yan Peiming, Yang Jiecang,
Zeng Fanzhi, Zeng Hao, Zhang Xiaogang, Zheng Zaidong, Zhou Chunya].
Navarra, Enrico, et al, Made by Chinese, Paris, Galerie Enrico Navarra & Hong Kong, Hanart TX.
Pijnapppel, Johan, Wang Jianwei, Material for Thinking, Art Asia Pacific, No.34, 2002.

2002
[Beijing Afloat], Feng Boyi curator, BTAP, Pijnappel, Johan, Beijing Afloat at Beijing Tokyo Art Projects, Asian
Art News, Vol. 13, No. 1, January/February 2003
Wu Hung, Beijing Afloat: Beijing-Tokyo Art Projects Opening Exhibition, (Exhibition Catalogue), Beijing, Beijing-Tokyo
Art Projects, 2002
Huang Zhuan and Pi Li, ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002
Gao Minglu, ed., Chinese Maximalism, Beijing: Chongqing Publishing House
Lim, Michelle., History from Wood (The Exhibition of Half a Century of Chinese Woodblock Prints: From the
Communist Revolution to the Open Door Policy and Beyond, 1945-1998), in Asian Art News, Vol. 14, No. 1,
January/February 2004, p.60-65.
Machan, Kim, MAAP in Beijing 2002, Beijing: Hebei Education Publishing House
Stringa, Nico, Terrecotte Cinesi dalla 48
a
Biennale di Venezia, Cornuda, Grafiche Antiga, 2003 [English essays by Dal
Largo, Erickson, Stringa]

2003
[Chinese Maximalism] Yap, Chin Chin, Chinese Maximalism in Art Asia Pacific, No. 38 (Fall 2003), p. 37
[Left Wing (Cao Fei, Fang Lijun, Gu Dexin, Song Dong, Sui Jiangguo, Zhuang Hui, Du Zhenjun, Huang
Yongping, Shen Shaomin)], Zhang, Zhaohui., Left Wing at Left Bank Gallery, in Asian Art News, Vol. 14,
No. 1, January/February 2004, p.76-77; Left Wing: An Exhibition of Contemporary Chinese Art (Review)
in Art Asia Pacific, No. 40 (Spring 2004), pp. 80-81
[Twenty Year Anniversary of Hanart T.Z. Gallery] Thomson, Jonathan, Themes and Variations, in History in
Asian Art News , Vol. 14, Number 4 (July/August 2004), pp.46-53
Gao Minglu, Chinese Maximalism, Chongqing, Chongqing Publishing House, 2003
Li Xianting, Curators Notes on Prayer Beads and Brush Strokes, Beijing, Beijing Tokyo Art Projects, 2003
Scarlett, Ken., Changchun, China: to Confront or Confirm in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003,
p.72.
Shao Dazhen, et.al., eds., Symposium Papers for the First Beijing International Art Biennale, China, 2004 (Bilingual),
Beijing, Renmin meishu chubanshe, 2003.
Tetmajer, Xenia., The Power of the Public Realm at the 2500 Cultural Transmission Space (review), in Asian Art
News, Vol. 14, No. 2, March/April 2004, p.85.

2004
Coleman, Julia, ed. Critical Mass, London, Chinese Contemporary, 2004
Zhang Zhaohui, Concrete Horizons, Wellington, Adam Art Gallery, 2004

2005
Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005

2006
Absolute Images: Chinese Contemporary Art [Fang Lijun, Zhang Xiaogang, Yue Minjun, et.al.], Beijing, Arario Gallery,
2006
Beautiful Cynicism [Anselm Kiefer, Wang Guangyi, et.al.], Beijing, Arario Gallery, 2006
Chen Chieh-Jen, Hong Hao, et. al., Double Kick Cracker: An Exhibition of Chinese Contemporary Art, Beijing, Tang
Contemporary Art, 2006
Fan Fang, et.al., Naughty Kids: The Chinese New Generation Born After 1970, Beijing, 2006
72
Gu Zhenqing, et.al., Two Asias, Two Europes: An International Exhibition of Contemporary Arts, Hong Kong, Timezone
8 (Distributor)
Gu Zhenqing, To Each His Own, Hong Kong, Timezone 8, 2006 (Distributor)
Gu Zhenqing, Visual Production, Hong Kong, Timezone 8, 2006
Kppel-Yang, Martina, et.al, Surplus Value, Beijing, Tang Contemporary Art Gallery, 2006
Kung, Samuel, ed., Entry Gate: Chinese Aethetics of Hetrogeneity: 2006 MoCA Envisage, Shanghai, Museum of
Ng, Joseph, The Naked Truth: Six Chengdu-based Chinese Artists, Beijing, Tang Contemporary Art, 2006
Pi Li, Art Unforbidden: The Theme Exhibition of Art Beijing, Beijing, Tang Contemporary Art, 2006
Pi Li, et.al., In the View, Beijing, Tang Contemporary Art, 2006
Zhang Yonglin, ed., Second Shanghai Duolun Exhibition of Young Artists, Duolun Art Museum 2006
Zhu Qi, Woman in a Society of Dual Sexuality, Beijing, Tang Contemporary Art Gallery, 2006

2010
Leanza, Beatrice, Of Jungle In Praise of Distance: Reflections on Anonymity and Contemporaneity in Chinese
Art, in Yishu: Journal of Contemporary Chinese Art, Vol. 9, No. 4, July/ August 2010
Selected Exhibitions outside China

1977
Elisseeff, Vadime, La Peinture Chinoise Contemporaine, in Exposition De Peintures Chinoises Contemporaines,
exhibition catalogue, Ville de Paris, Muse Cernuschi, 1977.

1989
Jean-Hubert Martin Les Magiciens de la Terre, Centre Pompidou, 1989 [exhibited Huang Yongping, Gu Dexin,
Yang Jiechang]

1990
Fei Dawei, ed, Art Chinois: Chine Demain pour Hier, [Cai Guoqiang, Yang Jiechang, Yan Peiming, Gu Wenda,
Huang Yongping, Chen Zhen], Aix en Provence, Les Domaines de lart & Editions Carte Segrete, 1990

1992
Chinese Mainland Artists Exhibition(?), at California Institute of Art, September [report by Wang Shouzhi in
Mingbao Yuekan, September 1993.

1993
Andrews, Julia, F; Gao Minglu, Fragmented Memory: The Chinese Avant Garde in Exile Columbus, Ohio State
University, Wexner Center for the Arts, 1993.
Clark, John, Pop goes the Maosell, [Review of Mao Goes Pop], in Art Monthly Australia, No. 61, July [see also
letters by Nicholas Jose & Huangfu Binghui in No. 62 and Clark in No. 63]
Jose, N., ed., Mao Goes Pop, China post 1989, Sydney, Museum of Contemporary Art, 1993.

1995
Ballegeer, Jan Pieter, Ink and Light: Collision Dialogue Blending, Gent, Lineart, 1995.
Wang Luyan, Chen Shaoping, Gu Dexin, Arbeit der Gruppe Neuer Mastab (4), Berlin, New Gallery Association
Wang Luyan, Chen Shaoping, Gu Dexin, Grup Xin Kedu (Nova Mida), Obra V

1996
Zhu Zhu, Zhongguo Banhua Jiezuo / Meisterwerke Chinesischer Grafik, Aachen, Ludwigforum fr Internationale Kunst
& Beijing, Zhongyang Meishuxeueyuan, n.d. [1996].
1997
Another Long March: Chinese Conceptual and Installation Art in the Nineties, Breda, Fundament Foundation.
73
Hou Hanru, Parisien(ne)s, London, Camden Arts Centre & INIVA, 1997.

1998
Colman, Julia; Bois, Ludovic, Chinese Contemporary, 96-98, London, Chinese Contemporary Limited, 1998.
Fibicher, Bernard, Groschwanzelefan / Big Tail Elephant, Bern, Kunsthalle, 1998
Gao Minglu, ed., Inside Out, San Francisco, Musem of Modern Art & New York, Asia Society.
Keusen, Elle; Schmidt, Inge; Weihs, Helge, Per Video, Kln, Museum Ludwig, 1998.
Solomon, Andrew, China: 5,000 Years, Artforum International, Vol.36, Issue 9, May1998.
Werner, Chris; Qiu Ping; Pitzen, Marianne, Die Hlfte des Himmels, Bonn, Frauenmuseum, 1998.

1999
Asian Art Triennale, Fukuoka, 1999.
Biennale di Venezia, 1999.
Smith, Karen & Pi Li, Representing the People, Beijing, The Courtyard Gallery & Newcastle, Tyne and Weir
Museums, 1999.
Tang Xin & Urle U, 1999 Cologne-Beijing, Beijing-Cologne Exchange Exhibition, Kln, Gothaer Kunstforum, 1999.
Wu Hong, Transience: Chinese Art at the End of the 20th Century, The Smart Museum of Art, University of Chicago,
1999.
Logan Collection, San Francisco, Limn Gallery, 1999.
China 1999, San Francisco, Limn Gallery, 1999.
Wu Meichun, Zheng Shengtian, Truths from the Open Door: Chinese Conceptual Photography, (Supported by the Annie
Wong Foundation), Bangkok, Art Gallery of Chulalongkorn University, 1999.
Fu Shen, Nouveau reflets de la terre natale six peintres de Taiwan, Paris, Centre Culturel et dinformation de Tapei
Paris, 1999.

2000
Jouanno, Evelyine; Hou Hanru, Paris pour escale, [incl. Chen Zhen, Huang Yongping, Shen Yuan, Wang Du, Yang
Jiechang] Paris, ARC- Muse dArt Moderne de la Ville de Paris, 2000.
Shen Kuiyi, Word and Meaning: Six Chinese Contemporary Artists, (Exhibition Catalogue), Buffalo, University, Buffalo
Art Gallery, 2000.

2001
Nuridstany, Michel, Next Generation / Art Contemporain dAsie, Paris, [Galerie] Passage de Retz, 2001
Storer, Russell, Shanghai Star, Art Asia Pacific, No.34, 2002.

2002
[Paris-Pekin] Chang Tsong-zung and Decrop, Marc, ed., Paris-Pekin, Paris: Chinese Century, 2002; Ullens, Baronn
Guy F and Binks, Hillary, The Collecting Instinct, Asian Art News, Vol. 12, No. 4, July/August, 2002;
Cros, Marcel, An Interview with Guy Ullens [Paris-Pekin exhibition focus], Orientations, Volume 33,
Number 8, October 2002

2003
[Alors la Chine?] Berghuis, Thomas J., Alors la Chine? Paris (Review) in Art Asia Pacific, No. 38 (Fall 2003), pp.
79-80
[Between Past and Future] Wu Hung, About Between Past and Future: New Photography and Video from China in Yishu:
Journal of Contemporary Chinese Art, June 2004, pp. 5-14; Vine, Richard, Sixty Ways of Looking at China
(Review) in Art in America (June/July 2004), pp. 124-129
[Chinese Maximalism] Yap, Chin Chin, Chinese Maximalism in Art Asia Pacific, No. 38 (Fall 2003), p. 37
[Public Space and Personal Eyes A New Vision in China] Vnuk, Gordana, Public Space and Personal Eyes A New
Vision in China (Catalogue) Hamburg: Kampnagel, 2003
74
[Rong Rong], Goodman, Johathan., Rong Rongs East Village at Chambers Fine Art, in Yishu: Journal of
Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.106-108.
[Wang Wei], Tinari, Philip., If It Isnt Built, It Cant Be Torn Down: Notes on Wang Weis Temporary Space, in
Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.72-73.
Chang, Tsongzung., A Strange Heaven: Contemporary Chinese Photography (A Strange Heaven: Contemporary
Chinese Photography), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.59-67.
Chiu, Melissa., China Reinvented: The Art of Overseas Chinese Artists in the United States, in Clark, John.,
Alors, la Chine?, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.68-71
Geczy, Adam., Yang Jiechang (review), in Art AsiaPacific, Issue 38, Fall 2003, p.77-78.
Goodman, Jonathan, Chen Zhen At P.S.1 (review), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3,
September 2003, p.105-106.
Goodman, Jonahan., Chopsticks: Song Dong and Yin Xiuzhen at Chambers Fine Art (review), in Yishu: Journal of
Contemporary Chinese Art, Vol.2, No.1, March 2003, p.93-94.
Goodman, Jonahan., Guo Brothers at Michael Goedhuis, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1,
March 2003, p.98-100.
Goodman, Jonathan., Tseng Kwong Chi at Chambers Fine Art, in Yishu: Journal of Contemporary Chinese Art, Vol. 2
No. 4, December 2003, p.91-93.
Heartney, Eleanor, One to One: Visions Recent Photographs From China at Chambers (Review) in Art in
America (June/July 2004), pp. 172-173
Kppel-Yang, Martina, The Ping-Pong Policy of Contemporary Chinese Art in Yishu: Journal of Contemporary
Chinese Art, June 2004, pp. 60-66
Lemonnier, A., ed. Alors, la Chine?, Paris, Centre Pompidou, 2003.
Lu, Carol, Chinese Pavilion Abolished in Flash Art, Vol. XXXVI, No. 231 (July-September 2003), p. 51
Przerwa, Xenia Tetmajer Von., Too Much Flavor at Chambers Fine Art, New York (review), in Yishu: Journal of
Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.122-123.
Pollock, Barbara, Mainland Dreams on Tape in Art in America (June/July 2004), pp. 130-134.
Shen Kuiyi & Feng Bin, Chongqing ChilisThe American Tour Chongqing, Sichuan Fine Arts Institute, 2003 (in
English and Chinese).
Ulrich Obrist, Hans, Madacity (Review) in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 103

2004
Fei Dawei, et.al., The Monk and the Demon, Lyon and Guangzhou, Guy & Myriam Ullens Foundation, 2004
Kppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery of Art, 2004
Wu Hung and Crisopher Phillips, Between Past and Future: New Photography and Video from China, Chicago, Smart
Museum of Art and The University of Chicago, 2004
2006
Cohen, Joan Lebold, Chinese Art on Edge (exhibition review), ArtAsiaPacific, No. 51, 2007.
de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual), Rotterdam,
NAI Publishers, 2006
Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art Gallery,
University at Buffalo Art Galleries, and Millennium Art Museum, 2006
van Broekhuizen, Dick, Xianfeng: Chinese Avant Garde Sculpture (Bilingual), The Hague, Waanders, 2006.
Wu Hung, ed., Shu-Reinventing Books in Contemporary Chinese Art, (Exhibition Catalogue), New York, China Institute
Gallery, 2006.

2007
Goodman, Jonathon, Breakout: Chinese Art Outside China, in Yishu. Journal of Contemporary Chinese Art, Vol. 7(2),
March, 2008, pp. 91 97.
Haq, Nav, China Power Station: Part 1 Serpentine Gallery Offsite Project at the Battersea Power Station, in
Yishu. Journal of Contemporary Chinese Art, Vol. 6(1), March, 2007, pp. 119 121.
75
Mitchelson, Andrew, VITAL: International Chinese Live Art Festival Reflecting on Contemporary Practices, in
Yishu. Journal of Contemporary Chinese Art, Vol. 6(1), March, 2007, pp. 111 118.
Tinari, Philip, The Real Thing: Contemporary Art from China, in ArtForum, Vol. 46, No. 1, September, 2007, pp.
454 456.
2008
Art and Chinas Revolution. [Exhibition Catalogue. Chiu, M. and Zheng Shengtian]. New York: Asia Society and
Museum, 2008.
Silbergeld, Jerome, Double Vision: Art Out Of Joint [Reasons Clue], in Asian Art News, v. 18(5), Sept/Oct, 2008,
pp. 64-72.
Wu Hung, Portraying Food (and the Absence of It, (Exhibition Catalogue), Chicago, Walsh Gallery, 2008.
Wu Hung; McGrath, J. and Smith, S., Displacement: The Three Gorges Dam and Contemporary Chinese Art, (Exhibition
Catalogue), Chicago, Smart Museum of Art, 2008.
Yao, Pauline J., 85 New Wave: The Birth of Chinese Contemporary Art, Exhibition, Ullens Center for
Contemporary Art, Feb. 2008, in Flash Art, Vol. XLI, No. 258, Jan-Feb 2008, p. 145

2009
Hatch, Michael, Outside In: Chinese x American x Contemporary Art, Review in Yishu. Journal of Contemporary Chinese
Art, vol 8, no. 4, July/August 2009, pp. 74-87.
Hatch, Michael, The Third Mind: American Artists Contemplate Asia, 1860-1989, Review in Yishu. Journal of
Contemporary Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87.
Lee, Sohl, Outside In: Chinese x American x Contemporary Art, in Yishu. Journal of Contemporary Chinese Art, vol 8, no. 4,
July/August 2009, pp. 74-87.
Spears, Dorothy, Chinas Immortal Warriors, in Art in America, March 2009.
The China Project. [Exhibition Catalogue comprising three exhibitions: Three Decades, The Contemporary Chinese
Collection; Zhang Xioagang Shadows in the Soul, William Yang, Life Lines], Brisbane: Queensland Art Gallery,
2009.
Wu Hung, The Three Gorges Dam and Contemporary Chinese Art, in Orientations, Vol. 40, No. 1,
January/Febrary 2009, pp. 67-73.
Art Institutions China (entries after 2005)
Ai Weiwei, June 4, 2009: Censors Cant Keep Up With the Web, in Art Asia Pacific, Issue 64, July, August 2009.
Baecker, Angie and Webster, Graham, Beijing Before the Olympics: Business as Usual?, in Art Asia Pacific, No.
59, July/ August, 2008.
Cohn, Don J., China: A New Home for World Culture, in Art Asia Pacific, No. 59, July/ August 2008.
Erickson, Britta, The Role of Private Funding and Other Forms of Philanthropy in Supporting Contemporary
Chinese Art, in Jose, Nicholas, ed., Contemporary Art + Philanthropy; Private Foundations: Asia-Pacific Focus,
Sydney, Power Publications, 2009, pp. 70-79.
Fouraux, Alain, Guangdong Museum of Art, Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 1, 2006.
Gladstone, Paul State of the Art: Davide Quadrio in Conversation with Paul Gladstone, in Yishu: Journal of
Hoffie, Pat, Designing for Public Space: Public Art and the Transnational Appeal of Localism, in Artlink, Vol.
30, No. 3, 2010.
Max, T.K., Shall We Shake on it? Censure the Back-Out Artists, Not the Avant-Garde, in Art Asia Pacific, No. 70,
Movius, Lisa, Censorship: Chinese Roulette, in Art in America, January 2011.
Movius, Lisa, Middle East Controversy- Made in China, in Art in America, November 2009.
Movius, Lisa, Shanghai gets Contemporary Art in America, Vol. 93, iss. 10, Nov 2005.
Movius, Lisa, Art Centre Opens in Shanghai, Art in America, Vol. 93, iss. 6, Jun-Jul 2005.
Norton, Lisa, Documenta 12 Magazines Feature on Education. A Response to the Yanan Forum on Education
in China in Yishu. Journal of Contemporary Chinese Art, Vol. 6, No. 1, March, 2007, pp. 57 - 61.
ORiordan, Maurice, Shanghai Higher & Higher, in Art Monthly Australia, Issue 215, November 2008.
Pasternack, Alex, Jrme Sans: Open Doors, Open Arms, in Art Asia Pacific, No. 59, July/ August 2008.
76
Pi Li, Pu Li, Artforum International, Vol. 48, No. 10, Summer 2010.
Robinson, Abby, Coming to Light: Three Shadows Photography Art Center, Beijing, in Trans-Asia Photography
Review, Vol. 1, No.1, Fall 2010, available online, http://hdl.handle.net/2027/spo.7977573.0001.106
Sigg, Uli, Collectors: Do Not Boycott Chinese Contemporary Art, in Art Asia Pacific, No. 59, July/ August 2008.
Wallace, Brian, et.al., eds., To the Watchtower: Red Gate Gallery and Contemporary Art in China, Hong Kong, Timezone
8, 2007.
Yung Tsz Kin, Anthony On Observation Society, in Yishu: Journal of Contemporary Chinese Art, Vol. 9, No. 4, July/
August 2010.
Yu, Christina Contemporary Art Academy of China: An Introduction, in Yishu: Journal of Contemporary Chinese Art,
Vol. 9, No. 4, July/ August 2010
Zheng Shengtian, Interview with Samuel Kung, Chairman and Director, Museum of Contemporary Art,
Shanghai, Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 4, Dec 2006.

Chinese Graphic Art since the Late 19th Century to 1949
Barbizet-Lemmonnier, Laure. La colletion de gravures sur bois chinoises du Musee de Deux Guerres Mondiales, 1937 1948.
Paris, Universit de Paris, Bibliothque de documentation internationale contemporaine, 1981.
Bo Songian, and Johnson, David. Domesticated Deities and Auspicious Emblems: The Iconography of Everyday Life in
Village China. Berkeley: University of California at Berkely Chinese Popular Culture Project, 1992.
Buck, P.S., China in Black and White, New York, Asia Press/John Day, 1944
Cathcart, Adam, Atrocities, Insults, and Jeep Girls: Depections of the U.S. Military in China 1945 1949, in
International Journal of Comic Art, Vol. 10, No. 1, Spring, 2003, pp. 140 154.
Clark, John, Progress in Prints Asian Art News, Vol.7, No.1, Jan/Feb 1997
Dal Lago, Francesca, Between High and Low: Modernism, Continuity, and Moral Mission in Chinese
Printmaking Practices, 1930 1945, Unpublished PhD Thesis, Institute of Fine Arts, New York University,
2005.
Dixon, Christine, Peter Townsend in China and Canberra: The Peter Townsend Collection of Chinese Woodcuts
in the National Gallery of Australia, Art Monthly Australia, No. 193, September 2006.
Dixon, C., Chinese Woodcuts of the Thirties and Forties, [checklist], Canberra, Australian National Gallery, 1987
Duo Duo, Looking at the Propaganda Posters, in Landsberger, Stefan, Chinese Propaganda Posters: From Revolution to
Modernization, Amsterdam, Pepin Press, 1995, p. 10- 11.
Epstein, I., I visit Yenan, Bombay, Peoples Publishing House, April 1945, [reproductions of woodblocks and New
York Times reports of 1944].
Holm, D., Art and Ideology in Revolutionary China, Oxford, Clarendon Press, 1991 [also see The woodcut movement,
1930-1943, Chapter Four in his Oxford University Ph.D. thesis which was not included in this published
version].
Flath, James A., Printing Culture in Rural North China, PhD diss., University of British Columbia, 2000
Flath, James, The Cult of Happiness: Nianhua, Art, and History in Rural North China. Vancouver, University of British
Columbia, 2004.
Flath, James. Its a Wonderful Life: Nianhua and Yuefenpai at the Dawn of the Peoples Republic, in Modern
Chinese Literature and Culture, Vol. 6(2), Fall 2004, pp. 123 159.
Goodrich, Anne Swann, Peking Paper Gods: A Look at Home Worship. Monumenta Serica Monograph Series No. 23.
Nettetal, Steyler Verlag, 1991.
Holm, D., Art and Ideology in Revolutionary China, Oxford, Clarendon Press, 1991 [also see The woodcut movement,
1930-1943, Chapter Four in his Oxford University Ph.D. thesis which was not included in this published
version].
Hung, Chang-Tai, Repainting China: New Year Prints (Nianhua) and Peasant Resistance in the Early Years of the
Peoples Republic, in Comparative Studies in Society and History 42(4), October 2000, pp. 770 812.
Hung, Chang-Tai, Two Images of Socialism: Woodcuts in Chinese Communist Politics, in Society for Comparative
Studies of Society and History 1997, pp. 34 60.
Johnston Laing, Ellen, Chinese Popular Prints of Deities from the British Museum, in Orientations, Vol. 41, No. 4,
May 2010.
77
Kotzenberg,H., Der Revolutionre Holzschnitt Chinas, Kln, Museum frOstasiatische Kunst, 1987
Laing, Ellen Johnston, Art & Aesthetics in Chinese Popular Prints: Selections from teh Muban Foudnation Collection, Ann
Arbor, Center for Chinese Studies The University of Michigan, 2002
Laing, Ellen Johnston,Reform, Revolutionary, Political and Resistance Themes in Chinese Popular Prints, 1900-
1940, Modern Chinese Literature and Culture, 12.2 Fall 2000.
Laing, Ellen Johnston, Art and Aesthetics in Chinese Popular Prints. Selections from the Muban Foundation Collection.
Michigan Monographs in Chinese Studies, v. 94, Ann Arbor, University of Michigan Press, 2002.
Lent, John A. and Xu Ling, Cartooning and Wartime China: Part One 1931 1945, in International Journal of
Comic Art, Vol. 10, No. 1, Spring, 2003, pp. 76 139.
Lent, John A. and Xu Ying, Chinese Women Cartoonists: Historical and Contemporary Perspectives, in
International Journal of Comic Art, Vol. 5, No. 2, Fall 2003, pp. 351-366.
Lufkin, Felicity. Folk Art in Modern China, 1930 1945, Unpublished PhD Thesis, Berkeley, University of
California, 2001.
Lust, John, Chinese Popular prints, Leiden, E.J.Brill, 1996.
Machida Shiritsu Kokusai Hanga Bijutsukan, Yamanshi Kenritsu Bijutsukan hen, 1930nendai, Shanghai, Rojin,
Machida, Machida Shiritsu Kokusai Hanga Bijutsukan, 1994
Tanya McIntyre, Chinese New Year Pictures: The Process of Modernization, 1842-1942, PhD thesis, University of
Melbourne, 1998.
Maison de la Culture Grenoble. 50 ans de gravures sur bois chinoises 1930 1980, Grenoble, Maison de la Culture,
1981.
McIntyre, Tania, Chinese Nianhua: The Process of Modernization 1842 1942. Unpublished PhD Thesis,
Department of Fine Arts, University of Melbourne, 1997.
Minick, S., Jiao, P., Chinese Graphic Design in the Twentieth Century, London, Thames & Hudson, 1990
Pedersen, Bent L., Popular pantheons in old, China, Jounral of Oriental Studies, 26.1, 1988.
Rudova, Maria, Chinese Popular Prints, Leningrad, Aurora Art Publishers, 1988.
Shen Kuiyi, Lianhuanhua and Manhua: Picture Books and Comics in Old Shanghai, in Lent, John, ed., Illustrating
Asia: Comic and Picture Books, Humor and Fan Magazines, Honolulu, University of Hawaii Press, 2001, p.100-
120
Sun, Shirley Hsiao-ling, Lu Xun and the Woodcut Movement:1929-1936, Ph.D. diss., Stanford University, 1974
Sun , Shirely. Lu Hsun and the Chinese Woodblock Movement: 1929 1936. Unpublished PhD Thesis, Stanford
University, 1974.
Uchiyama Kakitsu, Nara Kazuo, Rojin to Mokkoku, Tky, Kenbun Shuppan, 1981.
Uchiyama Shoten to Uchiyama Kanz, Uchiyama, Vol.3, No.9, Autumn, 1985. [A special issue of the house
journal of Uchiyama Shoten with reminiscences and a chronology of Uchiyama Kanz].
Van Briessen, F., Shanghai-Bildzeitung, 1884-1898, Zrich, Atlantis Verlag, 1977.
von Spee, Clarissa, The Printed Image in China from the 8
th
to the 21
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Centuries, in Orientations, Vol. 41, No. 4,
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Woodcuts of Wartime China, Hong Kong, Tiandi Tushu, 1978
Xiaobing Tang, Echoes of Roar, China! On Vision and Voice in Modern Chinese Art, positions, Vol. 14, No. 2,
2006.
Chinese Graphic Art after 1949
[Ying Tianqi] Liu Xiaochun,Out of Xidi and regeneration, Asian Art News, Vol.11, No.5, 2001
[Zhao Yannian] Zhang Zongren, In the eye of the storm, Asian Art News, Vol.9, No.6, 1999.
Andrews, Julia, The New Chinese Woman and Lifestyle Magazine in the Late 1990s, in Link, Perry ed., Popular
China: Unofficial Culture in a Globalizing Society, Lanham, Rowman & Littlefield Publishers, 2002, p. 137-162.
Cathcart, Adam, Cruel Resurrection: Chinese Comics and the Korean War, in International Journal of Comic Art,
Vol. 6, No. 1, Spring 2004, pp. 37-55.
Chiu, Melissa & Zheng Shengtian, eds., Art and Chinas Revolution, New York & New Heaven, Asia Society & Yale
University Press, 2008, p. 148-162
Fraser, S.E., 100 Great Chinese Posters, London, Studio Vista, 1977.
Grace, Helen., Xiandai Shufa, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.38-41.
78
Jiang, Joshua J. H., The Extermination or the Prosperity of Artists?, in The Third Text, Vol. 18, Issue 2, 2004,
p.169-182.
Jiang Weipu, intr., Chinese Comics, Beijing, China Exhibition Agency, 1986.
Landsberger, Stefan, Chinese Propaganda Poster: From Revolution to Modernization, Amsterdam, Pepin Press, 1995.
Lin Hong Ying and Tang Min, Finance Cartoons: A Way of Reviving Chinese Press Cartoons, in International
Journal of Comic Art, Vol. 10, No. 1, Spring, 2003, pp. 513 521.
Meissner,W., Holzschnitt im Neuen China, Berlin, Gesellschaft fr Verstndigung und Freundschaft mit China, 1976
Minick, S., Jiao, P., Chinese Graphic Design in the Twentieth Century, London, Thames & Hudson, 1990
Mui Chong-ki, Contemporary Chinese Woodcut Prints Exhibition, Hong Kong, Hong Kong ArtsCentre, 1986
Pettifor, Steven, Contemporary Chinese Prints at Tang Gallery (review) Asian Art News, Vol. 15, No. 5, 2005.
Riley, R., Modern Chinese Prints from the Central Academy of Fine Arts, Peking, Preston, Harris Museum and Art
Gallery, 1987.
Shen Kuiyi & Andrews, Julia, The Ideology of Consumption: Chinese Lifestyle Magazines in the 1990s, in Link,
Perry; Pickowitz, Paul; & Madsen, Richard, eds., Popular China, Lanham; Boulder; New York & Oxford,
Rowman & Littlefield Publishers Inc., 2002, p.137-162.
Soetriyono, Eddy, The Evolution of China Realism at the Akili Museum of Art, in C Arts. Asian Contemporary Art
and Culture, Vol. 00, November/December, 2007, pp. 34 38.
Sun Meilan, Duoduo Wei Ertong Chiangzhuo Ba: Jieshao Lianhuanhua Dashaochi He Tongxue (Lets Make
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Issue 11, 1955. (In Chinese)
Sun, S., Modern Chinese Woodcuts, San Francisco, Chinese Culture Foundation, 1979.
Wachs, Iris & Chang Tsong-zung, Half a Century of Chinese Woodblock Prints, Ein Harod, The Museum of Art, 1999.
Selected works on Modern Chinese Intellectual and Political History before 1949
Barm, Geremie, The Garden of Perfect Brightness, a life in ruins East Asian History, 11, July 1996.
Barm, Geremie, The Garden of Perfect Brightness: A Manchu Vision of China, Visual Arts + Culture, Vol.1,
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Birch, Cyril, ed., Anthology of Chinese Literature: From Early Times to the Fourteenth Century, New York, Grove Press
Inc., 1965.
Cahill, J., Style as idea in Ming-Ching painting, in Meissner, M., Murphy R., eds, The Mozartian Historian,
Berkeley, University of California Press, 1976.
Chen, Theodore H.E., Thought Reform of the Chinese Intellectuals, Hong Kong, Hong Kong University Press, 1960.
Chen, Jerome, China and the West, London, Hutchinson, 1979.
Chang, Parris. Power and Policy in China. University Park, Pennsylvania State University Press, 1978.Chen, Jerome,
Mao and the Chinese Revolution, London, Oxford University Press, 1965.
Chow, Tse-tsung, The May Fourth Movement, Cambridge, Harvard University Press, 1960.
Dai, Jinhua, Behind Global Spectacle and National Image Making in positions: east asia cultures critique, volume 9,
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Elvin, M., Mandarins and Millenarians: Reflections on the Boxer Uprising 1899-1900, in Baker, H.D.R;
Feuchtwang, S., eds. An Old State in New Settings, Oxford, JASO Occasional Papers, No.8, 1991.
Elvin, M., The Inner World of 1830, Daedalus, Proceedings of the American Academy of Arts and Sciences, 120,
2, Spring 1991
Elvin, M. How did the cracks open? The origins of the subversion of Chinas late-traditional culture by the West,
Thesis Eleven, No.57, May 1999.
Fairbank, J.K. ed., The Cambridge History of China, 12, Republican China 1912-1949, Part I, Cambridge, Cambridge
University Press, 1983, see chapters by Furth and Scwartz.
Fairbank, John King, ed., The Chinese World Order: Traditional Chinese Foreign Relations, Cambridge & Massachusetts,
Harvard University Press, 1968.
Farquhar, Judith, For Your Reading Pleasure: Self-Health (Ziwo Baojian) Information in 1990s Beijing in positions:
east asia cultures critique, volume 9, number 1 (spring 2001), pp. 105-130
Feuerwerker, A., Murphy,R., Wright, M.C., eds., Approaches to Modern Chinese History, Berkeley, University of
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Friedman, Edward, A Failed Chinese Modernity, Daedalus, Vol.122, No.2, 1993
Fitzgerald, C.P., The Birth of Communist China, Harmondsworth, Penguin, 1964.
Goldman, M., ed., Modern Chinese Literature in the May Fourth Era, Cambridge, Harvard University Press, 1977.
Goodman, David S.G., Contesting the Popular: Party-State and Culture in positions: east asia cultures critique, Vol. 9,
No. 1 Spring 2001, pp. 245-266
Hamrin, Carol L., Conclusion, in Chinas Intellectuals and the State: In search of a New Relationship, Goldman M.,
Cheek T., Hamrin Carol L., eds., Cambridge, Council on East Asian Studies, Harvard University, 1987.
Han, Suyin, The Crippled Tree, London, Jonathan Cape, 1965.
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[Shanghai, Parachute Special Issue] Parachute 114 (2004): Wright, Stephen, Shanghai/Shanghai: Spaces without
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85
Qingyun) in Parachute 114 (2004), pp.62-80; Jim, Alice Ming Wai, Tourism, Art and Shanghais Urban
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20101
Von Herausgegeben & Danzker, Jo-Anne, eds., Shanghai Modern 1919-1945, Munich, Museum Villa Stuck &
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Contemporary Chinese Art, Vol. 9, No. 6, November/ December 2010
[Yuefenpai posters] Dal Largo, Francesca, Crossed legs in 1930s Shanghai: How Modern the Modern Woman?,
East Asian History, no.19, June 2000
Zhao Chuan Off-site Art in Shanghai, in Yishu: Journal of Contemporary Chinese Art, Vol. 9, No. 5, September/
October 2010
Zheng, Jane. The Shanghai Fine Arts College and Modern Artists in the Public Sphere (1913-1937) in East
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Web Resources
There are a large and as of 2011 still increasing number of web sites dealing with contemporary Chinese art. For
updates links see in particular the Asian Art Archives links page given under the Web Resources section.

Websites: [some of these sites close down after a period]
http://www.artbeatus.com
Published by Artbeatus Gallery, Vancouver and Hong Kong.
http://art.great-china.com/gallery.html
Japan site, mostly in Chinese, titled Chinese Art Gallery.
http://www2.artnet.com/ecohen.html
Ethan Cohen Fine Art -Contemporary & Emerging Asian Artists gallery.
http://www.asianartnow.de
Leading continental European gallery focusing on Chinese contemporary art.
http://www.asiasociety.org/arts/insideout/
Asia Society online section on the groundbreaking Inside Out exhibition.
http://www.CCAA-association.org
86
Chinese ContemporaryArt Association (Switzerland).
http://www.chinaheritagequarterly.org/
Quarterly on heritage and history issues from ANU, Canberra
http://www.chinese-art.com
Chinese Contemporary Art Bulletin
http://www.connect-arte.com/archive/china/chinac.htm
Image archive of top name artists.
http://egg.tokyoweb.or.jp/comdex/newcc/new/guide.htm
Japan since early 1997, New China Cybertown.
http://www.hanart.com
TZ Hanart Gallery (Hong Kong), contemporary art from the mainland.
http://kaladarshan.arts.ohio-state.edu/exhib/gug/intr/china.html
Ohio State University works of Guggenheim exhibition, China: 5000 Years.
http://www.redgategallery.com
Red Gate Gallery, Beijing.
http://www.shanghart.com
Shanghart Gallery in Shanghai.
http://www.stanford.edu/dept/art/china/
Britta Erickson bibliography.
http://www.the-people.org
Chinese Arts Centre London.
http://www.nd.edu/~enisly/ogrady/index.htm
Online photography gallery of early Asian portraiture
http://www.artspeakchina.org/
Wikipedia-based resource

CHINA-HONG KONG AND MACAO
General
Web site of Hong Kong Art Archive which includes bibliography: http://web.hku.hk/~hkaa/
Supplement: Hong Kong, Macau, China, Asian Art News, Vol.3, No.3, May-June 1993.
Abbas, M. A., Hong Kong: culture and the politics of disappearance, Minneapolis: University of Minnesota Press, 1997.
Acret, Susan., An Archive of Visions, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.68-69.
Art78, Hong Kong, Fung Ping Shan Museum, 1978
Art81, Hong Kong, Fung Ping Shan Museum, 1981
Benson and Hedges, Selection of Hong Kong Art, Hong Kong, Arts Centre, 1981.
Chang, Tsong-zung, A pact of separate peace, Art & Asia Pacific, No.1, supplement to Art & Australia, March
1993.
Chang, Tsong-zung, Art and art dealing in Hong Kong and Taipei, Art Monthly , 40, May 1991.
Chang, Tsong-zung, Visionaries and Icon Painters: One Aspect of Hong Kong Contemporary Art, Renditions,
1988.
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Phenomenon, Vol. 23, No. 4, 2003, p.73.
Chen, M., Ten Years of Hong Kong Painting, Hong Kong, Arts Centre, 1987
Cheng, Scarlett, At the cutting edge,[on women artists], Asian Art News, July/August 1994.
Clarke, David, Aspects of Art and Public Space in Hong Kong during the Handover Period. TAASA Review 8:1
March 1999
Clarke, David, Between East and West; Negotiations with Tradition and Modernity in Hong Kong Art, Third
Text [to appear 1995]
87
Clarke, David, Hong Kong Art and the transfer of sovereignty, Journal of the Oriental Society of Australia, Vol. 29,
1997.
Clarke, David, Insular Expressions: Art in Hong Kong, Art Monthly Australia, No.17, December 1988.
Clarke, David, Art & Place: Essays on art from a Hong Kong perspective, Hong Kong, Hong Kong University Press,
1996 [review: Clark, Art AsiaPacific, No.18, 1998.
Clarke, David, Hong Kong Art; Culture and Decolonization, London, Reaktion Books, 2001.
Contemporary Hong Kong Art Biennial Exhibition, Hong Kong, Urban Council, 1989
Contemporary Hong Kong Art Biennial Exhibition, Hong Kong, Urban Council, 1979, 1981, 1989
Fung, Anthony,Hong Kong as the Asian and Chinese Distributor of Pokemon, in International Journal of Comic
Art, Vol. 7, No. 1, Spring 2005, pp. 432-448.
Ho, Oscar, Off-site Art: A Battle for Space, in Yishu: Journal of Contemporary Chinese Art, Vol. 9, No. 5, September/
October 2010.
Ho, H-K., Turn of a Decade: A new generation of artists in the 80s, Hong Kong, Arts Centre, 1989
Joliffee, H., Macau Marvels, Asian Art News, Vol.4, No.6, Nov-Dec 1994.
Jnior, Antonio Conceico., Contemporary Art in Macao, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No.
1, March 2004, p.70-73.
Kee, Joan, Art, Hong Kong, and Hybridity: A Task of Reconsideration, in Yishu: Journal of Contemporary Chinese
Art, Vol. 2 No. 2, June 2003, p.90-98.
Lamain, Kitty, Art at the handover [London exhibition reviews], Art AsiaPacific, No.17, 1998.
Lau, Jaspar K. W., Documenta 12 Magazines Feature on Education. Potentially Wise ? The Boom in Hong Kong
Contemporary Arts Education, in Yishu. Journal of Contemporary Chinese Art, Vol. 6(1), March, 2007, pp. 103
110.
Lau, Jaspar K. W., HistoriCITY A Roundtable on Art Historical Writing in and on Hong Kong, in Yishu.
Journal of Contemporary Chinese Art, Vol. 7(1), January, 2008, pp. 38 51.
Lee, Quentin, Delineating Hong Kong Intellectuals: speculations on intellectual problematics and Post /
Coloniality, Third Text, 28/29, Autumn/Winter 1994.
Leung, Po Shan, In Anticipation of Mens Art: Re-reading Womens Art in Hong Kong, Sasha S. Welland (tran.),
in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.8-14.
Ma, Eric Kit-Wai, Re-Advertising Hong Kong: Nostalgia Industry and Popular History in positions: east asia cultures
critique, volume 9, number 1 (spring 2001), pp. 131-159
Ma Lin et al, Contemporary Chinese Painting, Hong Kong, Chinese University of Hong Kong, 1986
Man Fung-yi and Mok Yat-san, Space Constraints and Re-creation: Interchangeability between Outdoor
Sculpture and Public Art in Hong Kong, in Hong Kong Visual Arts Yearbook, Harold Mok ed., Vol. 1, 2008,
pp. 167 179.
Mok, Patrick, The Invisible City, in Hong Kong Visual Arts Yearbook, Harold Mok ed., Vol. 1, 2008, pp. 135 153.
Pai, Maggie, Perspectives on 20th century Chinese Painting, [Xubaizhui International Symposium], Asian Art
News, Vol.6, No.1, Jan/Feb 1996.
Tam, L.S., Hong Kong Artists: The Early Generation, Hong Kong, Urban Council, 1978
Tam, L.S., Urban Council Art Award Winners, Hong Kong, Urban Council, 1978
Tan Zhicheng, Dangdai Xiangang Yishujia Shuangnianzhan Xiangang Shizhengju 1979
Tan Zhicheng, Xiangang Qianbei Yishujia, Xiangang Shizhengju, 1978
Turn of a Decade: A New Generation of artists of the Eighties, Hong Kong, Arts Centre, 1989.
Visual Arts Society, Annual Exhibition, Hong Kong, Arts Centre, 1979.
Vine, Richard, Starship Hong Kong, in Art in America, Septemer 2009.
Wong, A., Hong Kong Arts Centre Inaugural Exhibition, 1977
Wong, Wendy Siuyi, and Cuklanz, Lisa M., The Emerging Image of the Modern Woman in Hong Kong Comics
of the 1960s & 1970s, in International Journal of Comic Art, Vol. 2, No. 2, Fall, 2000, pp. 33 53.
Wu Hung, The Hong Kong Clock Public Time-Telling and Political Time/Space, in Public Culture, Vol. 9, 1997,
p. 329-354.
88
Individual Artists
Chan, Chris: Thomson, Jonathan, Sculpture Non-Sculpture at Cattle Depot Artists Village (Review), in World Sculpture
News, Vol. 10, No. 2 (Spring 2004), pp. 48-49
Chan Gaylord: review, Asian Art News, Vol.9, No.6, 1999
Chan Kouchiang: Oliva, Achille Bonito. Between East and West. Asian Art News 8:6 November/December 1998
Chan, David T.W.: Findlay, Ian, the breath of the dragon, Asian Art News, Vol.10, No.1, 2000
Chan, Gaylord: Thompson, Jonathan, The Romantic Raconteur, Asian Art News, Vol. 15, No. 6, 2005.
Chen Fushan/Luis Chan: Lai, Mei-Lin, A Short Review of From Reality to Fantasy: The Art of Luis Chan, Yishu: Journal
of Contemporary Chinese Art, Vol. 5, No. 4, Dec 2006; Chen Fushan de shijie, Taibei, Xiongshi Meishu, 1973/4
Chen Fushan / Luis Chan, The World of Luis Chan, Singapore, National Museum, 1987; Chen Fushan/ Luis
Chan, Luis Chan: Fifty Years of Artistic Career, Hong Kong, Urban Council, 1984
Clarke, David, Psychic Decolonization Art Asia Pacific, Vol.3, No.4, 1996; Wear, Eric The Unexpected
Spectacle, in Asian Art News, Vol. 21, No. 3, May/ June 2011.
Chan, Paul: review, Asian Art News, Vol. 16, No. 5, 2006; review, Artforum, vol 46, iss. 5, Jan 2005; Bellini, Andrea,
Paul Chan: Where Form Ends and Content Begins, Flash Art, Vol. XXXVIII, No. 241, Mar-Apr, 2005;
review, Flash Art, Vol. XXXVIII, No. 240, Jan-Feb, 2005.
Chen Yusheng: Gaylord Chan Hong Kong, Han Art 2, 1989
Chen, Michael: Michael Chen, Hong Kong, Arts Centre, 1980
Chiu, Caroline: Caroline Chiu: A Chinese Wunderkammer (review), ArtAsiaPacific, No. 47, 2006; review, Asian Art
News, Vol. 15, No. 1, 2005.
Choi Tsang Tsou: Clarke, David, Suspended in Ambivalence, Art AsiaPacific 29, 2001; Thomson, Jonathan, A
Vision From the Margins, Asian Art News, Vol. 13, Number 2, March/April 2003
Choi Yan-chi: Choi Yan Chis Painting , 1976-1986, and works of art in dialogue with poetry and dance, Hong Kong,
Department of Fine Arts, University of Hong Kong, 1987; Senn, Rolf, Th., Turner, Mathew, Choi Yan-Chi,
Knstler der Welt Series from Haus der Kulturen der Welt, Stuttgart, Edition Cantz, 1993.
Chris Chan: Thomson, Jonathan, Sculpture Non-Sculpture at Cattle Depot Artists Village (Review), in World Sculpture
News, Vol. 10, No. 2 (Spring 2004), pp. 48-49
Chu Hing-wah: Binks, Hilary, Poignant Interactions, Asian Art News, Vol.9, No.1, 1999
Chu Honsun: Chu Honsun, Hong Kong, Arts Centre, 1983
Chui Tze-hung, Kan Tai-keung, Ng Yiu-chung: Chui Tze-hung, Kan Tai-keung, Ng Yiu-chung Hong Kong, Arts
Centre, 1981
Ding Yanyong; Only a Lifework would a triumph score, Hong Kong Plum Blossoms Gallery , 1988; Wang Runsheng,
Ding Yanyong zuopin huiguzhan, Xiangang, Yishuzhongxin, 1979.
Fang Zhaoling, Hong Kong, Fang Zhaoling, 1981; Clarke, David, The insufficiency of tradition; paintings by Fang
Zhaolin and Chu hing-Wah, Art & Asia Pacific, Vol.2, No.3, 1995
Fung Ming Chip: Fung Ming Chip (exhibition review), ArtAsiaPacific, No. 49, 2006; Serfaty, Paul Chinese tradition
in the Modern World, ArtAsiaPacific, No. 43, 2005; Doran, Valerie C., Scripting Time, in Asian Art News,
Vol. 21, No. 3, May/ June 2011.
Fung Ming-Chip: Fung Ming Chip (exhibition review), ArtAsiaPacific, no. 49, 2006; Serfaty, Paul Chinese tradition
in the Modern World, ArtAsiaPacific, no. 43, 2005; Binks, Hilary, Reordering tradition, Asian Art News,
Vol.11, No.6, 2001
Ha Bikchuen: Findlay, Ian., A Singular Life, in Asian Art News, Vol.13, No.1, January/February 2003, p.68-69.
Ha Bik-chuen: Pong, Melanie, Sculptor at WorkAsia-Pacific Sculpture News, Vol.1, No.1, Winter, 1995; Findlay, Ian,
Ha Bik-chuen at Grotto Fine Art, Exhibition Reviews, Asian Art News, Vol. 12, No. 2, March/April 2002;
Findlay, Ian, A Singular Life, On Ha Bik-Chuen, Asian Art News, Vol. 13, No. 1, January/February 2003
Henderson, Gerald: Binks, Hilary, Art and Alchemy Asian Art News, Vol.7, No.4, July/August 1997.
Ho, Oscar: Millichap, John, The Problem with Politics: An Interview with Oscar Ho, Yishu: Journal of Contemporary
Chinese Art, Vol. 4, No. 4, Dec. 2005.
Hon, Chi-fun: Thompson, Jonathan, Cycles of Time Asian Art News, Vol. 16, No. 1, 2006.
Hu Yongkai: Binks, Hilary, Refinine Nostalgia, Asian Art News 9:1 1999
Kan Taikeung, Kan Taiqiang huaji, Xinshiyushe, Xianggang, 1979
89
Kong Ho: Brown, Glen R., Toward Complexity, in Asian Art News , Vol. 14, Number 4 (July/August 2004), pp.
54-57
Koo Mei: Koo Mei, Hong Kong, City Hall, 1980; Koo Mei, Hong Kong, Arts Centre, 1981.
Koon Wai Bong Bryan, Kate, Reworking the Classics, in Asian Art News, Vol. 20, No. 2, March/ April 2010
Korkos, Adriana Thomson, Jonathan, Adriana Korkos: At Ocean Park, in World Sculpture News, Vol. 17, No. 1,
Winter 2011.
Kwong Yeu ting: Kwong Yeu Ting, Hong Kong, Arts Centre, 1983
Lai, Victor: Binks, Hilary, The pursuit of emotion, Asian Art News, Vol.10, No.2, 2000
Lam, Dominic Man-Kit: Binks, Hilary, Towards simplicity and spirituality, Asian Art News, Vol.11, No.1, 2001;
Thompson, Jonathan, Opening Doors of Perception, Asian Art News, vol. 16, no. 1, 2006.
Lau Pee-yee: Lau Pui-Yee, Asian Art News, 2, No.1, Jan/Feb 1992.
Lau Tin-yum: Lau tin-yum, Hong Kong, Arts Centre, 1983.
Law, Jamsen, Ng, Elaine W., Home of Our Youth- To Thee Will We Sing, in Art Asia Pacific, Issue 65,
September/ October, 2009
Lee, Aries: Aries Lee, Hong Kong, The artist, 1984
Leung Chi-wo, Tsang Tak-ping, Sara Wong Chi-hang, Young Hay: Kember, Pamela, et al, Moving Violations, Hong Kong,
Asian Art Archives, 2002; Thomson, Jonathan, The Negative Horizon, in Asian Art News, Vol. 14, No. 1,
Leung Mee Ping: Huangfu, Binghui, Leung Mee Ping in Art Asia Pacific, Issue 37 (2003), p. 59
Liu Jian: Millichap, John, Climbing the mountain Asian Art News, Vol. 7, No. 3,
L Shoukun: Findlay, Ian., Lui Shou-kwan, Landscape Paintings by Lui Shou-kwan, Hong Kong, Fung Ping Shan
Museum, 1985. ; Wucius Wong, Lui Shou-kwan, 1919-1975, Hong Kong, Lui Mui Sin-ping, 1979; L
Shoukun at the Hong Kong Museum of Art (review), in Asian Art News, Vol. 13, No. 3, May/June 2003,
p.71-72; Lai Mei-lin, The Early Life and Art of L Shoukun, in Hong Kong Visual Arts Yearbook, Harold
Mok ed., Vol. 1, 2008, pp. 89 - 116. Lai Meilin, Lui Shou-kwan and Modern Ink Painting, unpublished PhD
thesis, University of Sydney, 2011.
Lui Chun Kwong: Thomons, Jonathan, Stripes of Contemplation, in Asian Art News, Vol. 13, No. 6,
November/December 2003, p.68-71.
Ma Jir Bo Findlay, Ian, A Mirror to the Past, in Asian Art News, Vol. 20, No. 6, November / December 2010
Mak Yuhin: Hong Kong, Arts Centre, 1983
Mak, Antonio, Hin-yeung:, Asian Art News, 2, No.4, Jul/Aug 1992.
Mak, Antonio: Clarke, David, An invitation to words; The sculpture of Antonio Mak, Art & Asia Pacific, Vol.2.,
No.3, October 1994; Thomson, Jonathan, New Encounters, in World Sculpture News, vol 15, no 1, Winter
2009, pp.34-37.
Mark Yee Fun: Recent Pottery of Mark Yee Fun, Hong Kong, Arts Centre, 1983
Nancy Chu Woo: Asian Art News, 2, No.3, May June 1992.
Ong, Jimmy: review, Art AsiaPacific 28, 2001.
Pak Sheung Chuen: Krischer, Olivier, The Art of Covert Intervention, in Art Asia Pacific, No. 63, May/ June 2009.
Pan Xing Lei: Chen, Shieh-Wen, When Art Clashes in the Public Sphere Pan Xing Leis Strike of Freedom
Knocking on the Door of Democracy in Hong Kong.
Pau, Ellen: Ng, Elaine W., Microwave to Megawave, in Art Asia Pacific, Issue 64, July/ August 2009
Po Chung: review, Asian Art News, Vol. 15, No. 1, 2005.
Ren Rong: Binks, Hilary, Shifting the limits Asian Art News, Vol. 7, No. 3, May/June 1997.
Sah, Cynthia: Asian Art News, 2, No.4, Jul/Aug 1992.
Shieh, Wilson: Chiu, Caroline, Where I Work Wilson Shieh, ArtAsiaPacific, No. 49, 2006; Goodbody, Bridget,
Wilson Shieh: Perhaps, Perhaps, Perhaps, ArtAsiaPacific, No. 46, 2005; review, Asian Art News, Vol. 15,
No. 4, 2005; Findlay, Ian, The magic of fine line, Asian Art News, Vol.11, No.6, 2001
Shircore, Pat Elliott: Hacker, Arthur, The past in process Asian Art News, Vol.7, No.5, 1997.
Su Angela Sai Kee: Kember, Pamela., From Science to Art, in Asian Art News, Vol.13, No.1, January/February
2003, p.64-67.
90
Tat and Vi Baily, Stephanie, Start From Zero: The Street Revolution in Hong Kong, in Yishu Journal of
Contemporary Chinese Art, Vol. 10, No. 1, January/ February 2011
The Para/Site Collective: Para/Site Art Space, Navigating the dot, Yishu: Journal of Contemporary Chinese Art, Vol.2,
No., June 2003; Thomson, Jonathan., The Collective Mind, in Asian Art News, Vol. 13, No. 3, May/June
2003, p.40-43; Chan, Kaiyin., Kan Liang Yee-Woo Evelyna, Lau Kin-Wah Jaspar, Leung Wan-Yee Janice,
Leung Chin-Fung Jeff, Li Man-Wai Tim, Man Ching-Ying, Phoebe, Tamshui, Tsang Tak-Ping, Wong Chi-
Hang Sara, Yeung Yang, Para/Site Collective, Lin, Shumin, Limbo Zone, in Yishu: Journal of Contemporary
Chinese Art, Vol. 2 No. 2, June 2003, p19-20.
Ting Yen-yung [Ding Yanyong], Hong Kong, Arts Centre, 1979
Ting, Walasse: Millichap, John, Against the Tide, Asian Art News, 9:1 1999
Toh Kee-cheung: Lee, Jack, Toh Kee-cheungs Biography in Brief, in Hong Kong Visual Arts Yearbook, Harold Mok
ed., Vol. 1, 2008, pp. 63 70.
Tsang Kin Wah: Tsang Kin Wah (review), ArtAsiaPacific, No. 46, 2005; review, Asian Art News, Vol. 15, No. 4,
2005; Thomson, Jonathan, Language as Art, in Asian Art News, Vol. 20, No. 2, March/ April 2010;
Maerkle, Andrew. Stream of Consciousness. ArtAsiaPacific Issue 58 May/June 2008.
Tsang Tsou Choi: Thomson, Jonathan., A Vision from the Margins, in Asian Art News, Vol. 14, No. 1,
Tse Kui Ying: Hong Kong, Arts Centre, 1979
Tung Hing Yee: review, Asian Art News, Vol.9, No.5, 1999
Van Lau: Sculpture of Hong Kong Space Museum, 1978?
Wong Alan: Alan L. Wong, Hong Kong, City Hall, April 1962; Alan L. Wong, Hong Kong, City Hall, October 1963
Wong Hung-fei: Lee, Patrick: Binks, Hilary, Visions dark, dreams fantastic, Asian Art News, Vol.9, No.1, 1999
Wong Wai Yin: Thomson, Jonathan, Sculpture Non-Sculpture at Cattle Depot Artists Village (Review), in World
Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 48-49
Wong Yan Kwai / Yank Wong: review, Asian Art News, Vol.9, No.5, 1999
Wong, Alan: Binks, Hilary, A poet among painters, Asian Art News, Vol.9, No.3, 1999
Wong, Yank: Victor Lai, Yank Wong, Asian Art News,Vol.5, no2., March/April 1995.
Woo, Nancy Chu: Watson, Robert C., The dynamics of nature, Asian Art News, Vol.11, No.2, 2001
Wu Francis: Francis Wu, Hong Kong, Arts Centre, 1980
Wu, Annie: review, Asian Art News, Vol.9, No.5, 1999
Wucius Wong [Wang Wuxie]: Janus of the Chinese Vision, Orientations, September 1976; The Inscapes of Wucius
Wong, Orientations, May 1980 ;Wucius Wong, Hong Kong, Museum of Art, 1979; Wucius Wong, New York,
Hanart, 1989, Binks, Hilary, A Voyage Between Cultures, Asian Art News 9:3 1999; Chang, Arnold, Ring of
Fire: The Art of Wucius Wong, New York, Kaikodo, 1998; Findlay, Ian, The Need for Change (interview with
Wucius Wong), AsianArtNews, Vol. 19 No. 1 January/February 2009, p. 88.
Yeung Yick-Chung, Hong Kong, Arts Centre, 1983
Young Hay: Ming Wai Jim, Alice, Interview with Young Hay in Yishu: Journal of Contemporary Chinese Art, June
2004, pp. 73-82
Yu, Francis: Kember, Pamela, Body language, Asian Art News, Vol.12, No.3, 2002
Yu, Francis: review, Asian Art News, Vol.12, No.2, 2002
Yuen Manhua: Eva Yuen, All In the Silence, Australia, St.Peters, S.A., Experimental Art Foundation, 1979; Eva
Yuen, Two Faces: Nanking-Hong Kong Project 1979/80, Hong Kong, the artist, 1980.
Zhang Hongtu Wu Hung, Hong Kong . 1997 T-shirt Designs by Zhang Hongtu, in Public Culture, Vol. 9, 1997,
p. 417-421.
Zhu Xinghua: Chu Hing-wah, Hong Kong, Institute for the Promotion of Chinese Culture, 1988
Hong Kong Ink Painting
Cheung, Lucia in Asian Art News, 2, No.5 Sept/Oct 1992.
Artists and Art - Contemporary Chinese Paintings, Hong Kong, Urban Council, 1989
Calligraphy by Contemporary Chinese Masters, Hong Kong, Arts Centre, 1981
Chou, Irene, Boccaccios Decameron: Paintings on Silk by Irene Chou, Hong Kong, Faramir Ltd., 1976; Kirker, Anne,
catalogue entry in Turner, C. ed. The First Asia-Pacific Triennial of Contemporary Art, Brisbane, Queensland Art
91
Gallery, 1993; Collectors Choice: The Cosmic Vision of Zhou Lyun, Hong Kong, Cat Street Galleries, 1995;
Kirker, Anne, Poised in Equilibrium, Art & Asia Pacific, Vol.1, No.2, 1994; Irene Chou, [pamphlet], the
artist, n.d.1970s
Ink painting of Hong Kong, Hong Kong, Urban Council, 1987
Oil Painting, Prints and Related Mixed Media
Syllabus for Art and Design, Hong Kong, Curriculum Development Committee, Forms I-III, 1975, Forms IV-V,
1978,
Sculpture and Ceramics
Clarke, David, Censorship in Hong Kong, Art & Asia-Pacific, Vol.3, No.1, 1996.
Hong Kong Pottery Today, Hong Kong, Urban Council, 1984
Findlay, Ian, Patterns of Time (Fiona Wong), World Sculpture News, Vol. 11, No. 3, 2005.
Millichap, John, Para/Site: installation finds a home in Hong Kong. Asia-Pacific Sculpture News 2:2 Spring 1996
Tam, L.S., Contemporary Open Air Sculpture, Urban Council, 1984
Thompson, Jonathan, The Tao of Two (Man Fung Yi and Mok Yat San), World Sculpture News, Vol. 11, No. 4,
2005.
Ten Years of Hong Kong Sculpture, Hong Kong, Arts Centre, 1988
Van Laus Sculptures, Hong Kong, Arts Centre, 1979
Art in Hong Kong in the 1990s
The shifting ground, [gallery survey], Asian Art News, Vol.7, No.4, July/August 1997.
Binks, Hilary, In the footsteps of the masters, Asian Art News, Vol.9, No.4, 1999.
Clarke, David, Hong Kong Art; Culture and Decolonization, London, Reaktion Books, 2001.
Curnow, Wynstan, Transfusion/Fusion, A Hong Kong-New Zealand Exchange, Art AsiaPacific, No.16, 1997.
Findlay, Ian, Fresh beginnings in a new millennium, Asian Art News, Vol.11, No.6, 2001
Goodbody, Bridget, Hong Kong: Mao and New China: Art from the Era of Mao and the 90s , Artforum
International, Vol.35, Issue 9, May1997
Ho, Oscar, Chinese whispers, ART AsiaPacific, No.13, 1997.
Ho, Oscar, The long road back home, ART AsiaPacific, No.13, 1997.
Hong Kong Pottery Today, Hong Kong, Urban Council, 1984
Lally, Janice, Notes from Hong Kong, Asian Art News, Vol.10, No.5, 2000
Lilly, Roxanna, The absolute stage - Hong Kongs Revolutionary Opera, Social Analysis, No.38, 1995. [ Special
Issue edited by Weiner, James: Too many meanings: A critique of the Anthropology of Aesthetics].
Lilly, Roxanna, The double bind: performing arts in Hong Kong, The Australian Journal of Anthropology, Vol.2,
No.3, 1991.
Millichap, John, Beyond Barriers. [Cha Guojun] Asian Art News, Vol. 8, No. 6 November/December 1998
Tam, L.S., Contemporary Open Air Sculpture, Urban Council, 1984.
Thompson, Jonathan, The Tao of Two (Man Fung Yi and Mok Yat San), World Sculpture News, vol. 11, no. 4,
2005.
Ten Years of Hong Kong Sculpture, Hong Kong, Arts Centre, 1988.
Van Laus Sculptures, Hong Kong, Arts Centre, 1979.
Contemporary Art Since 2000
[Curators Trip to China] Yishu, Vol.1, No.1, 2002
[Hong Kong Art Biennial 2003], Thomson, Jonathan, The Ordinary and the Extraordinary, in Asian Art News,
Vol. 14, No. 2, March/April 2004, p.64-70; Wah, Jaspar Lau Kin., Review of the 2003 Hong Kong
Biennale, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.74-76.
[Hong Kong Arts Centre] Watson, R.C. Coming of Age, Asian Art News, Vol.11, No.6, 2001.
[Trigram Gallery] Findlay, Ian, A sanctuary for Hong Kong art, Asian Art News, Vol.10, No.1, 2000
[Twenty Year Anniversary of Hanart T.Z. Gallery] Thomson, Jonathan, Themes and Variations, in History in
Asian Art News , Vol. 14, Number 4 (July/August 2004), pp.46-53
92
Antoinette, Michelle, Inside Looking In: Impressions of Hong Kongs Contemporary Art Scene, in Eyeline.
Contemporary Visual Arts, No. 64, 2007, pp. 47 51.
Baily, Stephanie, Four Discussions with Hong Kong Artists: Leung Chi Wo, Lam Tung Pang, Morgan Wong, and
Lee Kit, in Yishu: Journal of Contemporary Chinese Art, Vol. 10, No. 3, May/ June 2011.
Berger, Tobias, Hong Kong SAR: Special Art Region, Yishu: Journal of Contemporary Chinese Art, Vol. 4, No. 4,
Dec. 2005.
Fan, Anthea, There is This Cattle Depot Artist Village in Hong Kong in Mok, Harold and Chan, Yuk-keung, ed.,
Hong Kong Visual Arts Yearbook 2003, Hong Arts Development Agency, 2003, pp. 102-125.
Ford, Norman, Do (Hong Kong) Chinese Artists Dream of Electric Sheep?, Yishu: Journal of Contemporary Chinese
Art, Vol. 4, No. 4, Dec. 2005.
Gao Yuzhen [Kao Y-chen], et al, Aesthetic Images of Ding Yanyongs paintings, (bilingual catalogue) Taipei, National
History Museum, 2003
Ho Hing-hay, Oscar, City of Make Believe, Art AsiaPacific, Issue 25, 2000.
Ho Hing-Kay, Oscar, The Export of Chinese Avant-Garde Art, Artlink, Vol. 20, No. 2, July 2000
Ho Hing-kay, Oscar, Quiet but not Speechless, in Orientations, Vol. 35, No. 5, June, 2007.
Hou Hanru, The City and the Artists, Flash Art, XXXIV, 223, 2002.
Hwang Yin, From Small Spaces, Great Ideas Grow: Voices From Hong Kong Art, in Orientations, Vol. 35, No. 5,
June, 2007.
Jim, Alice Ming Wai, Urban Meditations in Hong Kong Contemporary Art: Notes on A Very Good City and
Local Orientation in positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004).
Jim, Alice Ming Wei, Notes from Hong Kong, Flash Art, XXXIV, 223, 2002.
Jim, Alice Ming-Wai, Screen Structures: Overview of Media Art Development in Hong Kong Kong in Mok,
Harold and Chan, Yuk-keung, ed., Hong Kong Visual Arts Yearbook 2003, Hong Arts Development Agency,
2003, pp. 150-169.
Kee, Joan, Art, Hong Kong, and Hybridity: a task of reconciliation, Yishu: Journal of Contemporary Chinese Art,
Vol.2, No., June 2003.
Lau, Jasper K. W., No Local is an Island, Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 2, Jun 2006.
Leung, Po-shan, Reatreating From the Forefront of Officialization Kong in Mok, Harold and Chan, Yuk-keung,
ed., Hong Kong Visual Arts Yearbook 2003, Hong Arts Development Agency, 2003, pp. 126-149.
Maerkle, Andrew, Tsang Kin-Wah. Stream of Consciousness, in ArtAsiaPacific, No. 58, May/Jun, 2008, pp. 150 -
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CHINA-TIBET
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Alexander, A., Tibetan Contemporary Art, Asian Art News, 2, No.3, May/June 1992.
The Art of Tibet, Special Issue, Orientations, Volume 32, Number 10, December 2001
Alsop, Ian, Contemporary Art in Lhasa, in Orientations, Vol. 35, No. 5, June, 2007.
Findlay, Ian, Art From the Roof of the World, in Asian Art News, Vol. 18(3), May/June, 2008, pp. 86 95.
Harris, Clare, In The Image of Tibet: Tibetan painting after 1959, London, Reaktion Books, 1999
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Rimac, Melissa, Tibetan Religious Art, Art AsiaPacific, 22, 1999
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Tenzing Rigdol, Moral Anorexia, in Art Asia Pacific, Issue 74, July/ August 2011.
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Yeshi K., Gongkar Gyatso: creation of a painter in contemporary Tibet, Chyang, VII, 1996.
Individual Artists
Benba: Findlay, Ian, An Accomplished Observer, in Asian Art News, Vol. 18(3), May/June, 2008, p. 94.
Gade: Findlay, Ian, Traditions With A Contemporary Face, in Asian Art News, Vol. 18(3), May/June, 2008, p. 90
Gonkar Gyatso: Dinwiddie, Donald, Contours of Identity, in Art Asia Pacific, Issue 63, May/ June 2009;Harris,
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Han Shuli: Findlay, Ian, In The Spirit of Tibet, in Asian Art News, Vol. 18, No. 3, May/June, 2008, p. 92.

CHINA-TAIWAN/REPUBLIC OF CHINA
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Chen Chieh-jen: Cheng, Amy Hueihua., On Lingchi: Echoes of a Historical Photograph, in Yishu: Journal of
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Taiwan Vigil, in Art in America, January 2008, pp. 88 91;Hoegsberg, Milena A Time of Critical
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Chen Chin: Centennial Celebration of Chen Chin. A preview of the Touring Exhibition in Japan. Taipei: Taipei Fine Arts
Museum, 2006.
Chen Hsien-Tung: Findlay, Ian, Natures Witness, Asian Art News, Vol. 16, No. 1, 2006.
Chen Shunchu: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999; Jin, Matsuura and Masae, Kamachi, The 1
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Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999
Chen Shun-chu: Macintyre, Sophie, Duplicating memory, Art AsiaPacific 28, 2001; McIntyre. Face to Face:
Contemporary Art from Taiwan, 1999
Chen Tingshi: Li Chu-tsing, Chen Tingshih, Taibei, National Taiwan Arts Center, 1967
Chen Tsing-fang: Pai, Maggie, Fusing Five Continents Asian Art News, Vol.6, No.6, November/December 1996.
Cheng Chengbo: Wang Feiyun, Free China Review, March 1996.
Chiang, Paul: Pai, Maggie, Achieving Harmony, Asian Art News, Vol.10, No.5, 2000
Chien-Chi Chang: Frazier, David, Chien-Chi Chang: No Flahs Needed, in ArtAsiaPacific, No. 54, Jul/Aug, 2007,
pp. 64 65
Chiu Hsiente: Findlay, Ian, Landscapes of the Imagination, Asian Art News, Vol. 17, No. 1, Jan-Feb 2007; Hsu,
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Chiu Tze-Yan: Findlay, I., The magic of darkness, Asian Art News, Vol.4, No.6, Nov-Dec 1994.
Chiu Ya-tsai: Pai, Maggie, The Inner eye, Asian Art News, Vol.7, No.1, Jan/Feb 1997
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Deane Mei: Chen, Elsa Hsiang-chun, Interview with Deane Mei in Deane Mei (Catalogue), Taipei: Museum of
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Lin Pei-chwen: Chen, Elsa Hsiang-chun, Back to Nature by Lin Pei-chwen, Taoyuan Country Cultural Centre, 2000
Lin Shouyu: Clark, John, The Exiles Return, Far Eastern Economic Review, 18-6-1984
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Yoshimoto, Mitsuhiro, 1961-, The University, Disciplines, National Identity: Why is There No Film Studies in
Japan?, The South Atlantic Quarterly, 99.4, Fall 2000
Zwicker, Jonathan, Playbills, Ephemera, and the Historical Imagination in Nineteenth Century Japan, in Journal of
Japanese Studies, Vol. 35, No. 1, Winter 2009.
Modern Japanese Thought
Harootunian, Harry, Overcome by Modernity: Historical Surplus and the Search for Cultural Authenticity in Interwar Japan,
Sakai, Naoki, Subject and Substratum: On Japanese Imperial Nationalism, in Cultural Studies, Vol. 14, No. 3 & 4,
2000, p. 462-530.
Sakai, Naoki, On Romantic Love and Military Violence: Transpacific Imperialism and U.S. Japan Complicity, in
Shigematsu, Setsu & Camacho, Keith L., eds., Militarized Currents: Towards a Decolonized Future in Asia and the
Pacific, Minneapolis, University of Minnesota Press, 2010, p. 205-221.
Tansman, Alan, Catastrophe, Memory and Narrative: Teaching Japanese and Jewish Responses to Twentieth-
Century Artocity, in Discourse, Vol. 25, No. 1 & 2, Winter & Spring 2004, p. 248-271.
Vincent, J. Keith & Cornyetz, Nina, eds., Perversion and Modern Japan: Psychoanalysis, Literature, Culture, London,
Routledge, 2009.
Weisenfeld, Gennifer, Touring Japan as Museum: NIPPON and Other Japanese Imperialist Travelogues., in
Weisenfeld, Gennifer ed. Visual Cultures of Japanese Imperialism., Positions: East Asia Cultures Critique, Vol.
8, No. 3, Winter 2000, p. 747-793.
General Texts on Aesthetics
Cox, R. The Zen Arts: An Anthropological Study of the Culture of Aesthetic Form in Japan. London: Royal Asiatic Society
Books and Routledge Curzon, 2003.
Hirasawa, Caroline, The Inflatable, Collapsible Kingdom of Retribution: A Primer on Japanese Hell Imagery and
Imagination, in Monumenta Nipponica, Vol. 63, No. 1, Spring 2008.
Hume. Nancy G. Japanese Aesthetics and Culture: A Reader. Albany: State University of New York Press: 1995.
Ishimaru, H. The Aesthetic Principle of Shibumi. Chanoyu, Spring 1971.
Izutsu, T. & T. The Theory of Beauty in the Classical Aesthetics of Japan. The Hague: Martinus Nijhoff, 1981.
Iwaki, Kenichi. A Proposal for Contemporary Aesthetics Beyond Traditional Metaphysics.: Research Group
CANONE (ed.), Image and Interpretation. Kyoto: Kyoto University Press, 1993.
Marra, Michele, Modern Japanese Aresthetics: A Reader, Honolulu, University of Hawaii Press, 1999.
Marra, Michael F., A History of modern Japanese Aesthetics, Honolulu, University of Hawaii Press, 2001.
Marra, Michael F., Japanese Hermeneutics: Current Debates on Aesthetics and Interpretation, Honolulu, University of
Hawaii Press, 2002.
McCormick, J. P. Japan: The Mask and the Mask-Like Face in The Journal of Aesthetic ad Art Criticism, vol. 15, no.
2, 1956.
Odin, Steve, Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics, Honolulu, University of
Hawaii Press, 2001.
Sakai, Naoki. On Romantic Love and Military Violence: Transpacific Imperialism and U.S.Japan Complicity.
Militarized Currents: Toward a Decolonized Future in Asia and the Pacific. Ed Setsu Shigematsu and Keith L.
Camacho. Minneapolis: U of Minnesota P, 2010, 205-221.
Sakai, Naoki. Subject and Substratum: On Japanese Imperial Nationalism. Cultural Studies 14:3/4 (2000): 462-
530.
Sakai, Naoki. On Romantic Love and Military Violence: Transpacific Imperialism and U.S.Japan Complicity.
Militarized Currents: Toward a Decolonized Future in Asia and the Pacific. Ed Setsu Shigematsu and Keith L.
Camacho. Minneapolis: U of Minnesota P, 2010, 205-221.
Tansman, Alan. The Aesthetics of Japanese Fascism Berkeley: University of California Press, 2009.
157
Tansman, Alan. Catastrophe, Memory, and Narrative: Teaching Japanese and Jewish Responses to Twentieth-
Century Atrocity. Discourse 25.1&2 (Winter & Spring 2004): 248-271.
Okakura Kakuz [Tenshin]
See under Nihonga
Kuki Shz
Kuki Shz, Le problme de la contingence, [tr. Omodaka Hisayuki], Tky, University of Tokyo Press, 1963.
Kuki Shz [tr. Maeno Toshiyuki], Structure de lIki, Tky, Maison Franco-Japonaise, 1984.
Kuki Shz, An essay on Japanese Taste: The Structure of Iki [tr. Clark, J; ed. Matsui Sakuko & Clark, J.], Sydney,
Power Publications, 1996.
Kuki Shz, The structure of detachment : the aesthetic vision of Kuki Shz, (translated by Nara Hiroshi; with essays by J.
Thomas Rimer and Jon Mark Mikkelsen), Honolulu, University of Hawaii Press, 2004.
Kuki and His Times
Clark, J., The Structure of Iki by Kuki Shz, Asian Culture Quarterly, Vol. XII, No.1, Spring 1984.
Clark, J., Sovereign Domains: The Structure of Iki, Japan Forum, Vol.10, No.2, 1998.
Dale, Peter N., The Myth of Japanese Uniqueness, London, Croom Helm, 1986 & London, Routledge, 1990.
Heidegger, Martin, A Dialogue on Language in his On the Way to Language, [translated by Peter D. Hertz], New
York, Harper and Row, 1971.
Hosoi Atsuko & Pigeot, Jacqueline, La structure diki, Critique, 29, No.308, January, 1973.
Kuno Akira, Lesthtique de Shz Kuki in Tamba Akira, ed., LEsthtique contemporaine du Japon, Paris, CNRS
Editons, 1997.
Light, Stephen, Shz Kuki and Jean-Paul Sartre: Influence and Counter-Influence in the Early History of Existential
Phenomenology, Carbondale, South Illinois University Press, 1987.
Marra, Michael, Kuki Shuzo: a philosphers poetry and poetics, Honolulu, University of Hawaii Press, 2004.
Nakano Hajimu, Kuki Shz and The Structure of Iki in Rimer, J. Thomas, ed., Culture and Identity: Japanese
Intellectuals during the Interwar Years, Princeton, Princeton University Press, 1990.
Nomura Masaichi, Sulla struttura dell iki di Kuki Shz e il sistema del gusto estetico giapponese in
Gururajamanjarika: Studi in Onore di Giuseppe Tucci, Napoli, 1974.
Pincus, Leslie, In a Labyrinth of Western Desire: Kuki Shuzo and the discovery of Japanese being, in Miyoshi
Masao & Harootunian, H.D. eds., Japan in the World, Durham, Duke University Press, 1993.
Pincus, Leslie, Authenticating Culture in Imperial Japan: Kuki Shz and the Rise of National Aesthetics, Berkeley,
University of California Press, 1996 [review by Clark, J. Australian Journal of Art, 1997].
Piovesana, G., Recent Japanese Phliosophical Thought, reVol. ed., Tky, Enderle, 1973.
Nishida Kitar
Adams, Robert, The Feasibility of the Philosophical in Early Taish Japan, PhD dissertation, University of Chicago,
1991.
Feenberg, A., Arisaka Yoko, Experiential ontology: The originsof the Nishida philosophy in the doctrine of pure
experience, International Philosophical Quarterly, Vol.30, No.2, (June 1990), 173- 204.
Nishida Kitar, An Inquiry into the good, [tr. Abe Masao, Ives, C.], New Haven, Yale University Press, 1990.
Nishida Kitar, ber das Gute, [tr. Prtner, Peter] Hamburg, Gesellschaft fr Natur und Vlkerkunde Ostasiens,
1990.
Reinhard, May. Heideggers Hidden Sources. London: Routledge, 1996.
Watsuji Tetsur
Befu Harumi, Watsuji Tetsurs Ecological Approach : its philosophical foundation, in Kalland, A. & Asquith,
Pamela J., Japanese Images of nature: Cultural Perspectives, London, Curzon Press, 1997.
Bellah, Robert N., Japans cultural identity: some reflections on the work of Watsuji Tetsur, Journal of Asian
Studies, Vol.24, No.4, (August 1965), 573-94.
158
La Fleur, William A., A turning in Taish: Asia and Europe in the early writings of Watsuji Tetsur, in Rimer, J.
Thomas, ed., Culture and Identity: Japanese Intellectuals during the Interwar Years, Princeton, Princeton University
Press, 1990.
Sakai Naoki, Return to the West / Return to the West: Watsuji Tetsurs anthropology and discussions of
authenticity, in Miyoshi Masao & Harootunian, H.D. eds., Japan in the World, Durham, Duke University
Press, 1993
Watsuji Tetsur, A Climate, [tr.Bownas, G.], Tky, Japanese Government Printing Bureau, about 1961.
Watsuji Tetsur, The significance of ethics as the study of man, [tr. Dilworth David, A.], Monumenta Nipponica,
Vol. 24, No.4, (1971) 395-413.

Modern Japanese History
Austin, L., Japan: The Paradox of Progress, New Haven, Yale University Press, 1976
Barshay, Andrew, State and Intellectual in Imperial Japan: The public man in crisis, Berkeley, University of California
Press, 1988.
Berger, Gordon Mark, Parties Out of Power in Japan, 1931-1941, Princeton, Princeton University Press, 1977.
Burks, A.W., ed. The Modernizers, Boulder, Westview, 1985
Crowley, James B., ed., Dilemmas of growth in pre-war Japan, Princeton, Princeton University Press, 1971
Duus, Peter, Party Rivalry and Political Change in Taish Japan, Cambridge, Harvard University Press, 1968.
Duus, Peter, Scheiner, Irwin, Socialism, Liberalism, and Marxism, 1901-1931, in Duus, Peter, ed., The Cambridge
History of Japan, Vol.6, Cambridge, Cambridge University Press, 1988.
Duus, Peter, The Rise of Modern Japan, Boston, Houghton Mifflin, 1976.
Garon, S., Molding Japanese Minds: The State of Everyday Life, Princeton: Princeton University Press, 1997.
Gordon, Andrew, Labor and Imperial Democracy in Prewar Japan, Berkeley, University of California Press, 1991.
Halliday, Jon, A Political History of Japanese Capitalism, New York, Pantheon, 1975.
Hane, M., Peasants, Rebels and Outcasts: The Underside of Modern Japan, Pantheon, 1982.
Hoston, G., Marxism and the crisis of development in prewar Japan, Princeton, Princeton University Press, 1986.
Jones, H.J., Live Machines, Vancouver, University of British Columbia / Croydon, Paul Norbury, 1980
Koschmann, J.VOL. ed. Authority and the Individual in Japan, Tky, University of Tky Press, 1978.
Mackie, Vera, Liberation and light: the language of opposition in Imperial Japan, East Asian History, No.9, June
1995.
Mitchell, R.H., Thought Control in Prewar Japan, Itahca, Cornell University Press, 1976.
Myers, R.H. & Peattie, M.R., The Japanese Colonial Empire, 1895-1945, Princeton, Princeton University Press, 1984.
Najita Tetsuo, Hara Kei in the Politics of Compromise, 1905-1915, Cambridge, Harvard University Press, 1967.
Najita Tetsuo, Japans Industrial Revolution in Historical Perspective, in Miyoshi Masao & Harootunian, H.D.
eds., Japan in the World, Durham, Duke University Press, 1993.
Nolte, Sharon H., Liberalism in Modern Japan: Ishibashi Tanzan and His Teachers, 1905-1960, Berkeley, University of
Notehelfer, F.G., Kotoku Shusui: Portrait of a Japanese Radical, Cambridge UP, 1971.
Pyle, Kenneth B., Profound Forces in the Making of Modern Japan, in Journal of Japanese Studies, Vol. 32, No. 2,
Summer 2006.
Silberman, Bernard S. & Harootunian, Harry D., eds, Japan in Crisis: Essays in Taish Democracy, Princeton,
Princeton University Press, 1974.
Smethurst, Richard J., A Social Basis of Japanese Militarism: The Army and the Rural Community, Berkeley, University of
Tanaka, Stefan, Japans Orient: Rendering Pasts into History, Berkeley, University of California Press, 1993.
Umetani, N., The Role of Foreign Employees in the Meiji Era in Japan, Tokyo, Institute for the Developing Economies,
1971.
Yoshioka Hiroshi, Samurai and self-colonization in Japan, in Pieterse, J.N. & Parekh, B. Eds., The decolonization of
the imagination, London: Zed Books, 1995.
159
Society
DeVos, G.A., Socialization for Achievement, Berkeley, University of California Press, 1973
Fuse, A., Japanese Family in Transition, Japan Foundation Newsletter, XIII, 3, 4, 1984.
Hardacre, Helen, Marketing the Menace Fetus in Japan, University of California Press, Berkeley, 1997
Hendry, J., Webber, J., eds., Interpreting Japanese Society, Anthropological Approaches, Journal of the Anthropological
Society of Oxford, Occasional Papers, No.5, 1986 (especially Part III. The Significance of Leisure)
Ishida, T., Japanese Society, University Press of America, 1972
Kumakura, I., The Iemoto System in Japanese Society, Japan Foundation Newsletter, IX, 4, 1981
Mackie, Vera, Creating Socialist Women in Japan: Gender, Labour and Activism, 1900-1937, Cambridge University Press,
Cambridge, 1997.
Mackie, Vera, Feminism in Modern Japan: Citizenship, Embodiment and Sexuality, Cambridge University Press,
Cambridge, 2003
Morse, R., Sugimoto, S., Images of Japanese Society, Kegan Paul International, 1986 (reVol.: Silverberg, M.,
Monumenta Nipponica, 42, 3, Summer 1987).
Nakane, C., Japanese Society, Berkeley, University of California Press, 1970
Partner, Simon, Peasants into Citizens?: The Meiji Village in the Russo-Japanese War, in Monumenta Nipponica,
Vol. 62, No. 2, Summer 2007.
Powers, R.G. The Study of Japanese Society: Figments of whose imagination?, Japan Foundation Newsletter, X, 5,
1983
Smith, R., Japanese Society: Tradition, Self and the Social Order, Cambridge UP, 1985
Symposium on IE Society, Journal of Japanese Studies, 11, 1, Winter 1985.
Takahashi, Yuichiro, Kabuki Goes Official: The 1878 Opening of the Shintomi-za, in Leiter, S.L. (ed), The
Kabuki Reader, M.E. Sharpe, New York, 2002, pp. 123-151
Tamanoi, Mariko Asano, Songs as Weapons: The Culture and History of Komori (Nursemaids), in Modern
Japan, The Journal of Asian Studies, 50(4), 1991, pp. 793-817.
Tanaka, Stefan, Childhood: Naturalization of Development into a Japanese Space, in Humphreys, S.C.(ed),
Cultures of Scholarship, University of Michigan Press, Ann Arbor, 1997, pp. 21-56.
Uno, Kathleen S., Passages to Modernity: Motherhood, Childhood and Social Reform in Early Twentieth
Century Japan, University of Hawaii Press, Honolulu, 1999.
Wasserman, Michel, Le Sacre de lhiver - La Neuvime Symphonie de Beethoven, un mythe de la modernit japonaise, Paris, Les
Indes savantes, 2006, 129 p.
Waswo, A., Japanese Society, 1868-1994, New York, Oxford University Press, 1996.
Yoshino, Kosaku, Cultural Nationalism in Contemporary Japan: a sociological enquiry, London, New York: Routledge,
1992
Literary Representations [selected]
Two overall surveys are:
Keene Donald, Dawn to the West: Japanese Literature in the Modern Era, I Fiction, II Poetry and Drama, New York,
Henry Holt and Company, 1984.
Lewell John, Modern Japanese Novelists: A Biographical Dictionary,Tky, Kdansha International, 1993.
Araki, Nobuyoshi, Love Hotel, trad. du japonais par Karine Chesneau, Denol, 2004, 240 p.
Bundy, Roselee, Solo Poetry Contest as Poetic Self-Portrait: The One-Hundred-Round Contest of Lord Teikas
Own Poems, in Monumenta Nipponica, Vol. 61, No. 1 & 2, Spring & Summer 2006.
Copeland, Rebecca L., Lost Leaves: Women writers of Meiji Japan, University of Hawaii Press,
Honolulu,2000
Doak, K.M., Dreams of Difference: The Japanese Romantic School and the crisis of Modernity, Berkeley, University of
Dodd, Stephen, Fantasies, Fairies, and Electric Dreams: Sat Haruos critique of Taish, Monumenta Nipponica,
Vol.49, No.3, 1994.
Fowler, E., The Rhetroic of Confession: Shishsetsu in Early Twentieth century Japanese Fiction, Berkeley, University of
160
Hill, Christopher, How to Write a Second Restoration: The Political Novel and Meiji Historiography, in Journal of
Japanese Studies, Vol. 33, No. 2, Summer 2007.
Ivy, Marilyn, The Discourse of Vanishing: Modernity, Phantasm, Japan, Chicago, University of Chicago Press, 1995.
Jameson, Frederic, Sseki and Western Modernism, in Miyoshi Masao & Harootunian, H.D. eds., Japan in the
World, Durham, Duke University Press, 1993.
Karatani Kjin, Origins of Modern Japanese Literature, Durham, Duke University Press, 1993
Karatani, Kjin, Architecture as Metaphor, Cambridge, MIT Press, 1995.
Kono, Kimberly Tae, Writing Colonial Lineage in Sakaguchi Reikos Tokeiso, in Journal of Japanese Studies, Vol.
32, No. 1, Winter 2006.
Kornicki, Peter F. (Peter Francis), Unsuitable Books for Women?: Genji Monogatari and Ise Monogatari in Late
Seventeenth-Century Japan, in Monumenta Nipponica, Vol. 60, No. 2, Summer 2005.
Lippet, Noriko Misuta, Reality and Fiction in Modern Japanese Literature, New York, M.E.Sharpe, 1980.
Minear, Richard H., Review Symposium: Orientalism and the Study of Japan, Journal of Asian Studies, XXXIX,
No.3, May 1980
Miyoshi Masao, Accomplices of Silence, Berkeley, University of California Press, 1974.
Monnet, Lisa, Gender and Performance of Culture: Reading Contempoirary Japanese Fiction, Stanford, Stanford University
Press, 1997.
Monnet, Lisa, Violence, gender, and sexuality, Japan Forum, Vol.8., No.1, 1996.
Monnet, Lisa, Montage, cinematic subjectivity and feminism in Ozaki Midoris Drifting in the World of the
Seventh Sense, Japan Forum 11:1 1999
Moretti, Laura, Kanazoshi Revisited: The Beginnings of Japanese Popular Literature in Print, in Monumenta
Nipponica, Vol. 65, No. 2, Autumn 2010.
Moritmer, Maya. Meting the Sensei: The Role of Master in Shirakaba Writers. Leiden: Brill, 2000.
Morris, Mark, Barthes/Japan: The texture of Utopia, in Rix, Alan & Mouer, Ross, ed., Japans Impact on the World,
Japanese Studies Association of Australia, 1984.
Murphey, Joseph Economies of culture: the Taish bundan dallies with the Movies. Japan Forum 11:1 1999
Murayama Masao, Thought and Behaviour in Modern Japanese Politics, London, Oxford University Press, 1963
Napier, Susan, The Logic of Inversion: Twentieth Century Japanese Utopias, Oxford, Nissan Occasional Papers, No.15,
1991.
Napier, Susan, The fantastic in modern Japanese literature : the subversion of modernity, London : Routledge, 1996.
Ortabasi, Melek, Narrative Realism and the Modern Storyteller: Rereding Yanagita Kunios Tono Monogatari, in
Monumenta Nipponica, Vol. 64, No. 1, Spring 2009.
Reichert, Jim, In the Company of Men: Representations of Male-Male Sexuality in Meiji Literature, Stanford
University Press, Stanford, 2006.
Reyns-Chikuma, Chris, Images du Japon en France et ailleurs : Entre japonisme et multiculturalisme, Paris, LHarmattan,
2005, 250 p.
Roquet, Paul, Ambient Literature and the Aesthetics of Calm: Mood Regulation in Contemporary Japanese
Fiction, in Journal of Japanese Studies, Vol. 35, No. 1, Winter 2009.
Suzuki Tomi, Narrating the Self: Fictions of Japanese Modernity, Palo Alto, Stanford University Press, 1996
Tanizaki Junichiro, Childhood Years: a Memoir, trans. by McCarthy, P., Kodansha, Tokyo, 1988
Ueda, Atsuko, The Production of Literature and the Effaced Realm of the Political, in Journal of Japanese Studies,
Vol. 31, No. 1, Winter 2005.
Vincent, J. Keith, Hamaosociality: Narrative and Fascism in Hamao Shiros The Devils Discipline, in Tansman,
Alan, ed., The Culture of Japanese Fascism, Durham, Duke University Press, p. 381-408.
Web Resources
General sites:
http://www.aaa.org.hk
http://www.universes-in-universe.de/asia/jpn/english.htm
Specific sites:
http://www.dnp.co.jp/artscape/ mostly about contemporary art, has Japanese and English interface and sections
on art words
161
http://www.dnp.co.jp/artscape/reference/artwords/index.html
http://www.dnp.co.jp/museum/nmp/nmp_j/people/people_frame.htmlhttp://www.hi-
ho.ne.jp/gallery/index.htm people lists
http://rarebook.ndl.go.jp/ National Diet Library, Rare books database
http://www.mfa.org/ Boston Museum of Fine Arts
http://www.musabi.co.jp/list.html Musashino Bijutsu list of contributors http://www.momat.go.jp/search/
National Museum of Modern Art collection database
http://plaza.bunka.go.jp/index.html new media, need to register (for free)
http://www.mecenat.or.jp/doko/doko.html Association for Corporate Support of the Arts (Mecenat) list of
newspaper articles about art but no links directly to the articles.
http://www.asiasociety.org/arts/japan_guide/ The Asia Societys introduction to Japanese art page.
http://www.art-museum.city.yokohama.jp/bizyutu/bizy03.html gallery& museum information.

KOREA-REPUBLIC OF KOREA
General Works
Ahn, En_Young, Translatability and 20th century Korean art (1930s to 1990s), Unpublished PhD thesis, Australian
National University, 2003.
Ahn [En], Young-An, South Korea, democracy and art, in Art Monthly Australia, Issue No.: 207, March 2008, pp.
29 33.
Chung Hyung-min, Modern Korean Ink Painting (ed. Robert W. Furse), Soeul & Elizabeth N.J.,: Hollym, 2006
En Young An, South Korea, democracy and art, in Art Monthly Australia, Issu No.: 207, March 2008, pp. 29 33.
Geczy, Adam, Korean Dreams, in Art Monthly Australia, Issue 222, August 2009.
Hoffmann, Frank, Review of 20
th
century Korean Art & Modern Korean Ink Painting, Journal of Korean Studies, 13, no.1,
Fall 2008.
Introduction to the Modern Oriental Painting of Korea, Han'guk Kundae Tongyanghwa, Seoul, Hwarang
Namkyong, 1976
Kim, Youngna, Modern Korean Painting and Sculpture in Clark, John, ed. Modernity in Asian Art, Sydney: Wild
Peony Press, 1993, pp. 155-168;
Kim, Youngna, The Nude in Modern Korean Painting in Hitono Katachi, Hitono Karada (Human Figure in the Visual
Arts in Asia), Tokyo: Heibonsham 1994, pp. 305-319 (in Japanese);
Kim, Youngna, Modern, after 1910 in Korea: Sculpture, The Dictionary of Art, Vol. 18, London: Macmillam, 1996,
300-310;
Kim, Youngna,Modern Development in Korea: Painting, The Dictionary of Art, Vol. 18, London: Macmillam,
1996, pp. 325-327;
Kim, Youngna, Korean Art Today: Contemporary Art and Social Change in Visual Arts and Culture, 1998;
Kim, Youngna, Recent Contemporary Art and Social Change in Korea in Lee, Sang-oak and Park, Duk-soo, ed.,
Perspectives on Korea, Sydney: Wild Peony Press, 1998, pp. 137-143;
Kim, Youngna, Korean Art and Culture at the End of the Century in Oh, Kyong-dan, ed., Korean Briefing 1997-
1999, The Asia Society, New York: M.E. Sharp, 2000;
Kim, Youngna, Artistic Trends in Korean Painting During the 1930s in Mayo, Marlene and Rimer, Thomas, ed.,
Japan and East Asia: War, Occupation, and Creativity, Hawaii: University of Hawaii Press, 2001, 121-146;
Kim, Youngna, Millets Peasant Image: The Receptive Phenomenon in Asia in Seoul Journal of Korean Studies, Vol.
14, 2001, pp. 233-262;
Kim, Youngna, Korean Students in Tokyo in the 1930s: Their Activities with Avant Garde Art (Japanese
Language) in Gendai Geijutsu Genkyu, Tsukuba University, Vol. 4, 2001, pp. 3-22;
Kim, Youngna, Lets Pause and Talk, Lets Pause and Drik in IIAS Newsletter, Leiden: International Institute for
Asian Studies, August 2000, p. 40;
Kim, Youngna, Tradition, Modernity and Identity: Mod/Modern and Contemporary Korean Art, Seoul: Hollym Publisher
with Korea Foundation, 2004 (Forthcoming);
162
Kim Hyunjin, Politics of Antagonism: Korean Conservatives Embark on a Ruinous Voyage, in Art Asia Pacific,
Issue 65, September/ October 2009.
Kim Youngna, Twentieth Century Korean Art, London, Laurence King, 2005.
Kim Youngna, The Achivements and Limitations of Ko Yu-seop, A Luminary in Korean Art History, in Archives
of Asian Art, Vol. 60, 2010, p. 79-87.
Lee, Jiyoon, Beyond Korea: Post 1989 Korean Contemporary Art, in TAASA Review. The Journal of the Asian Art
Society of Australia, Vol. 17 (1) March, 2008, pp. 9 11.
Modern Korea Art Exhibition for the Past 60 years, Seoul, Ministry of Information, 1973 [bilingual catalogue]
National Museum of Contemporary Art, ed., 100 Masterpieces of Modern Korean paintings (1900-1960), Seoul, National
Museum of Contemporary Art, 2002.
National Museum of Contemporary Art, ed., A glimpse into Korean Modern Painting,[1920s-1960s] Seoul, National
Museum of Contemporary Art, 1998
Pak, Syeung-Gil, ed., Modern Korean Painting, Seoul, Korean National Commission for UNESCO, 1971
Roe, Jae-Ryung, The representation of national identity in Korean Art Exhibitions, 1951-1994, Ph D thesis, New York
University, 1995.
Roe, Jae-ryung, Contemporary Korean Art, Sydney, Australian Humanities Research Foundation, 2001
Selected Works of 100 Modern Korean Sculptors and Painters, Seoul, 1965, [series of one volume per artist in Korean
with some details in English]
Selz, P.ed., Contemporary Korean Painting, Berkeley, Asian Humanities Press, 1979.
So Chong-Ae, Public Funding for the Arts in the Republic of Korea, unpublished MA Thesis,
Teachers College, Columbia University, 2000
Woo, Hyesoo, Postwar Abstract Art in Korea and the West: Passion and Expression, Seoul: Samsung Museum of Modern
Art, 2000
Yi Kyong-song, Sixty years of Modern Korean Art, and accompanying chronology by Yi Ku-yol, English texts in
the Korean catalogue Han'guk Kundae Misul, Seoul, National Museum of Modern Art, 1973.
Yi Kyong-song, Modern Korean Painting, Seoul, Korean National Commission for UNESCO, 1971.
Yoon Jin-sup, A study on Korean modernism: with emphasis on avant-garde movement since 1956, Unpublished PhD Thesis,
University of Western Sydney, 2000
Individual Artists
Bae Bien-U: Chung, Shinyoung, Where I Work Bae Bien-U, ArtAsiaPacific, No. 48, 2006.
Bahc Yiso: Moon, Iris, Divine Comedy: A Retrospective of Bahc Yiso (exhibition review), ArtAsiaPacific, No. 50,
2006.
Blupers (Rhie Joongjae): Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Bong Joon-Jo: Taubin, Amy, Maternal Bondage, in Artforum International, Vol. 48, No. 7, March 2010.
Cho Duck-hyun: Fouser, Robert J., Duck-Hyun Cho and the art of Memories, Third Text, No.33, Winter 1995-
1996. ; Fouser, Robert J., Therapy and Psyche, Asian Art News, Vol.6, No.2, Mar/Apr 1996.
Cho Seihon: Fusco, Cassandra, A Dialogue Of People And Place, in Asian Art News, Vol. 17(3), May/June, 2007,
pp. 50 56.
Choi Hyunsoo: Seo Sounjpu, Choi Hyunsoo, a Korean artist in Paris, Art AsiaPacific, Vol.3, No.3, 1996.
Choi Jeong-hwa: Lee, James B., Flim-flam and fabrication: an interview with Korean artist Choi Jeong-hwa, Art
AsiaPacific, Vol.3, No.3, 1996 Asia Pacific, Vol.3, No.4, 1996.
Choi Jian: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Choi, Sunah: review, Flash Art, Vol. XXXVIII, No. 244, October, 2005.
Chung Suejin: review, Flash Art, Vol. XXXIX, No. 250, Oct, 2006.
Do-Ho Shu: Kee, Joan, The Singular Pluralities of Do-Ho Shu, Art AsiaPacific, No.34, 2002. ; Stockman, Christine,
Do-ho Suh. Infinite points of Contact, in ArtAsiaPacific, No. 59, July/August, 2008, pp. 118 125;
Starkman, Christine. Infinite Points of Contact. ArtAsiaPacific Issue59 Jul/Aug 2008.
Gimhongsok: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation
Asia Center, 2002 ; Shinyoung Chung, Wild Korea, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, pp. 78 85.
163
Ha Bik-chuen: Thomson, Jonathan, Ha Bik-chuen at City Hall Exhibition Gallery (Review) in World Sculpture News,
Vol. 10, No. 2 (Spring 2004), pp. 49-50
Ham Jin: Kee, Joan, Ham Jin: Pretty Little Things in Art Asia Pacific, No. 40 (Spring 2004), pp. 66-68. ; Nanjo,
Fumio, Ham Jin in Art Asia Pacific, Issue 37 (2003), p. 7
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Clark, J, Modern Art in S.E.Asia, Special Issue of Art & Asia Pacific, 1993.
Clark, John, The Transfer: Art in Colonial Southeast Asia, in Mashadi, Ahmad, ed., Visions and Enchantment:
Southeast Asian paintings, Singapore, Singapore Art Museum, 2000.
Clark, John Asian Modernism: Diverse Developments in Indonesia, the Philippines, and Thailand, Asian Art
News, Vol.6, No.1, January/February, 1996.
Contemporary Arts of the Region: South East Asia and Australia, ARTLINK, Vol.13, nos 3 & 4, Nov/Mar,
1993/1994. [Thailand, Indonesia, Vietnam, the Philippines, Malaysia, Singapore, Australia].
Cooke, Anna Zeitlin, The weavings of war: textiles from Vietnam, Laos, and Thailand, Art AsiaPacific, No.18,
1998.
Dissanayake, Wimal.Cinema, Nation, and Culture in Southeast Asia: Enframing a Relationship, East-West Film
Journal 6.2 (July, 1992): 1-22.
Eagle, M., Shadows cast by others [Adelaide Festival Installations], Art Monthly Australia, No.68, April 1994.
Ewington, Julie, Between the Cracks: Art and method in South East Asia, in Art AsiaPacific, Vol. 3, No. 4, 1996.
Ewington, Julie, 'Five Elements: Is Installation the Medium of Southeast Asia?', in Art Asia Pacific, Vol. 2, No. 1,
1995.
Fairley, G. Recharted Waters: The Mekong Project in Asian Art News, Vol. 20 No. 1 (Jan/Feb 2010).
Fenema, Joyce, ed., Southeast Asian Art Today, Roeder Publications, 1996.
Findlay, Ian., Understanding Contemporary Southeast Asian Art by Marjorie Chu (book review), in Asian Art
News, Vol. 14, No. 2, March/April 2004, p.99-100.
Flores, Patrick, The Curatorial Turn in Southeast Asia and the Afterlife of the Modern in Count 10 Before you Say
Asia: Asian Art After Postmodernism, The Japan Foundation, 2008.
Flores, Patrick, Turns in Tropics: Artist-Curator, in Enwezor, Okwui, ed., Annual Report: A Year in Exhibitions,
Gwangju, Gwangju Biennale, 2008.
Flores, Patrick and Joan Kee, Gues Ediotors, Third Text, Vol. 111 (July 2011) Special Issue on Contemporary Art
in Southeast Asia
Furuichi, Y., Ushiroshoji, M., Sakonaka, Y., New Art from South-East Asia 1992, [bilingual], Tokyo, The Japan
Foundation, 1992.
Gaweewong, Jeab Gridthiya., Towards a New Paradigm: Contemporary Art from Thailand and Nan Yang, in
Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.104-107.
170
Gaweewong, Gridthiya and David Teh, excerpts from Unreal Asia catalogue essay and programme introductions,
especially Unreal Asia and Present Tense: State Fictions, Fictional States, pp81-85, in Festivalkatalog 55.
Internationale Kurzfilmtage Oberhausen (catalogue of the 55
th
International Short Film Festival
Oberhausen, 2009).
Gwak, June Y., ed., Beacons of Archipelago: Contemporary Art from Southeast Asia, Seoul, Korea, (Exhibition Catalogue),
Arario Gallery, 2010.
Hajdu, Sue. Missing the Mekong in Broadsheet Vol. 38.4, December 2009.
Japan-ASEAN Year, Under Construction: New Dimensions of Asian Art, (Exhibition Catalogue), Japan Foundation/
Tokyo Opera City Art Gallery, 2003.
Jay, Sean E., In search of the future, other [Nokia awards], Asian Art News, Vol.10, No.2, 2000
Jay, Sian E, Other Voices, Other Views, Asian Art News, 9:1 1999.
Jay, Sian E, A Winning Way, Asian Art News, 9:1 1999.
Jones, Jason, Could Installation Art be the New Mdium for Southeast Asia in Explorations in Southeast Asian
Studies (A Journal of the Southeast Asian Studies Student Association), Vol. 4, Fall 2000,
Kalpagam, U. Counterfeit Consciousness and the Joy of Abandonment in SARAI Reader 07: Frontiers (Delhi:
Centre for the Study of Developing Societies, 2007). Available online via:
http://www.sarai.net/publications/readersJay, Sean E., In search of the future, other [Nokia awards],
Asian Art News, vol.10, no.2, 2000
Little, Andrews, Mekong Art & Culture Project: Bridging the Regional Divide, in ArtAsiaPacific, No. 59,
July/August, 2008, pp. 86 - 87.
Lschmann, Jrg, curaor, Identities versus Globalization?, Chiang Mai, Heinrich Bll Foundation, 2003
Marella, Primo, Southeast B(l)ooming, in Flash Art, Vol. XLII, No. 265, March/ April 2009.
Merali, Shaheen, ed., Spaces and Shadows: Contemporary Art from Southeast Asia, House of World Cultures, Berlin,
2005.
Moss, Ceci, Possibilities of the Unreal: Southeast Asian Film, in Art Asia Pacific, Issue 64, July/ August 2009.
Newman, Thelma R., Contemporary Southeast Art, New York, Crown Publishers Inc., 1977.
Paras-Perez, Rod, South-East Asian Sense and Sensibility: The Well-Filled Space, The Well-Cut Silence, in Art &
Asia Pacific, Vol. 1, No. 4, 1994.
Poshyananda, Apinan, Con Art Seen From the Edge: the Meaning of Conceptual Art in South and Southeast
Asia, in Global Conceptualism: Points of origin, 1950s 1980s, New York, Queens Museum of Art, 1999.
Rajah, Niranjan , Regionalism in an Era of Global Art in Constructing Cultural Identities in the Context of Globalisation, 1st
ASEAN Symposium of Aesthetics, Workshop and Exhibition 9
th
Oct 27
th
Oct. 1989, Kuala Lumpur,
ASEAN Committee on Culture and Information, 1990.
Sabapathy, T.K., et al, Modernity and Beyond: Themes in South East Asian Art, Singapore, Singapore Art Museum,
1995.
Sabapathy, T.K., ed., Past, Present, Beyond: Re-nascence of an Art Collection, Singapore: South and Souteast Asian Asian
Gallery/ NUS Museums, 2002
Sabapathy, T.K., Road to Nowhere, in The Quick Rise and Long Fall of Art History in Singapore, Singapore, The Art
Gallery at the National Institute of Education, 2010.
1964.
Suryadinata, Leo ed. Peranakan Chinese In A Globalizing Southeast Asia. Singapore, Chinese Heritage Centre & Baba
House, NUS Museum, NUS, 2010.
Tan, Eugene, ed., Coffee, Cigarettes, and Pad Thai: Contemporary Art in Southeast Asia, Taipei, Eslite Gallery, 2008
Tatehata Akira, Crossroads of Culture: A Survey of Recent Southeast Asian Art in Tokyo, in Art AsiaPacific, No.
17, 1998.
Taylor, Nora A., Networks of Performance Art in Southeast Asia, in Lenzi, Iola, ed., Negotiating Home, History and
Nation, Singapore, Singapore Art Museum, 2011.
The Aesthetics of ASEAN Expressions: A Documentation of the Second ASEAN Workshop, Exhibition and Symposium on
Aesthetics, Manila, Philippines, 8-21 October 1993. Proceedings published by ASEAN Committee on Culture
and Information, 1994.
171
Terbit, Telah, (Out Now): Southeast Asia Contemporary Art Practice During the 70s, Singapore Art Museum, 2006.
Torres, Emmanuel, The Coupling of Word and Image, Asian Art News, 9:1 1999.
Toshio, Shimizu, Visions of Happiness: Ten Asian Contemporary Artists, (Exhibition Catalogue)The Japan Foundation
ASEAN Culture Center, 1995. (Artists from SEA included: Heri Dono, Wong Hoy Cheong, Alwin
Reamillo and Juliet Lea, Suzann Victor, Araya Rasdjarmrearnsook, Chatchai Puipia)
Turner, Caroline, Asian Modernisms: The Birth of the modern in Southeast Asia, in Art AsiaPacific, No. 17, 1998.
Ushiroshji Masahiro et al, The Birth of Modern Art in Southeast Asia: Artists and Movements, Fukuoka, Fukuoka Art
Museum, 1997.
Van Niel, ed., Art and Politics in Southeast Asian History: Six Perspectives, Manoa, Centre for Southeast Asian Studies,
University of Hawaii, n.d.
Visual Arts in ASEAN Continuity and Change, Kuala Lumpur, ASEAN Committee on Culture and Information,
2001.
Waterson, Roxana, The Architecture of South-East Asia through Travellers Eyes, Kuala Lumpur, Oxford University
Press, 1998.
Waterson, Roxana, The Living House, An Anthropology of Architecture in South-East Asia, Singapore, Thames and
Hudson, 1997.
Zhuang Wubin, Spotlight on Another Asia (review), Asian Art News, Vol. 17, No. 1, Jan-Feb 2007
Zhuang Wubin and Wim Melis, Between Art and Documentary, Asian Art News, Vol. 17, No. 1, Jan-Feb 2007
Southeast Asian History: Selected
Anderson, Benedict, The Spectre of Comparisons: Nationalism, Southeast Asia and the World, London, Verso, 1998.
Carter Bentley G., Indigenous States of Southeast Asia, in Annual Review of Anthropology, No. 15, 1986.
Coeds, George, The Indianized States of Southeast Asia, Honolulu, East West Centre Press, 1968.
Hall, G.G.E., A History of South-East Asia, London, Macmillan, 1955, 1994
Heine-Geldern, R., Concepts of State and Kingship in Southeast Asia, Ithaca, Data Paper No.18, South East Asia
Program, Cornell University, 1956.
Ileto, Reynaldo, Religion and Anti-Colonial Movements, in Tarling, Nicholas, ed., The Cambridge History of
Southeast Asia Vol. 2, Part 1, Cambridge University Press, 1999.
Lagirarde F. and Paritta Chalermpow Koanantakool eds. Buddhist Legacies in Mainland Southeast Asia: Mentalities,
Interpretations and Practices. Paris: cole Franaise dExtrme-Orient tudes Thmatiques, 2006.
McGee, T.G., The Southeast Asian City: A Social Geograhy of the Primate Cities of Southeast Asia, London, G. Bell &
Sons Ltd., 1967.
Tarling, Nicholas, ed., The Cambridge History of Southeast Asia, Cambridge, Cambridge University Press, 1992.
Tarling, Nicholas, Nations and States in Southeast Asia, Cambridge, Cambridge University Press, 1998.
Trankell, Ing-Britt and Summers, ed., Laura, Facets of Power and Its Limitations: Political Culture in Southeast Asia,
Uppsala Press, 1998
Yao, Souchou, House of Glass: Culture, Modernity, and the State in Southeast Asia, Singapore: The Insitute of Southeast
Asian Studies, 2001

MYANMAR [BURMA]
General Works
Ahrens, H. and Kunlabutr, P. Burmese Court Textiles. Bankok: Hans Peter Ahrens, 2004.
Baily, J. T., Some Burmese Paintings of the 17
th
Century and Later Part 3: Nineteenth Century Murals at Taung
Thaman Kyang tawgyi, in Artibus Asiae, 1979.
Dal, Ton, Pressure Points, in Art Asia Pacific, Issue 72, March/ April 2010.
Dautremer, J. Burma under British Rule, London: T. Fisher Unwin, 1913.
Daw Ohn Kyi, Mandalay Under the British, 1886 1895, in Myanmar Historical Research Jounral, No. 4, December,
1999.
Falconer, J. et al. Myanmar Style. London: Thames and Hudson, 1963.
172
Findlay, Ian, Notes From Yangon, Asian Art News, Vol. 12, No. 2, March/April 2002
Furnivall, J. Colonial Policy and Practice. New York: New York University Press, 1948.
Jay, Sian E., Changing times, Asian Art News, vo.11, No.4, 2001
Jill Sheng Mei In a World of Their Own, Asian Art News, July/Aug 1998 [Aung Myint, M.P.P. Yei Myint,
Myanmar]
Ikeya, Chie, The Modern Burmese Woman and the Politics of Fashion in Colonial Burma, in Journal of Asian
Kelty, Russell, The Art of Resistance: Burmese Contemporary Art, in Art Monthly Australia, Issue 236, December
2010- February 2011.
Koh, Jay, Art Activism and Cross-cultural Projects in Thailand and Myanmar: The Need to Open up Structures
for Engagement, Focas (Forum on Contemporary Art & Society), No.2, July 2001
Lee, Terry & Win, Min Chan, Contemporary Art Scene of Myanmar, Kuroda, Raiji, ed., The First Fukuoka Asian
Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Lefferts, L. The Bun Phra Wet, Painted Scrolls of Northeastern Thailand in the Walters Art Museum in The
Journal of the Walters Art Museum No. 64/65. [also online at www.buddha-images.com/bunphrawet.pdf; last
checked 4 June 2010]
Lowry, John, Burmese Art, London, Her Majestys Stationery Office, 1971.
Ma, Thanegi ed. Myanmar Painting. Vietnam: Education Publishing House, 2006.
Min Naing U, U Ba Nyan i bawa, Rangoon [?], 1974.
Moilanen, Irene and Ozhegov, Sergey S., Mirrored in Wood: Burmese Art and Architecture, Thailand, White Lotus,
1999.
OConnor, V.C. Scott. The Silken East. London: Hutchinson & Co., 1904.
OConnor, V.C. Scott Mandalay and Other Cities of the Past in Burma. London: Hutchinson & Co., 1907.
Pearn, B. A History of Rangoon. Rangoon: American Baptist Mission Press, 1939.
Pettifor, Steven, Contemporary Art from Myanmar at Dhara Dhevi Gallery (review), Asian Art News, Vol. 16,
No. 4, 2006.
Ranard, A. Burmese Painting. Silkworm Books, 2009.
Scott, J. The Burman. New York: W.W. Norton, 1963.
Sengpan Pannywamsa. Recital of the Tham Vesssantara-jataka: A Social Phenomenon in Kengtung, Eastern Shan
State, Myanmar in Contemporary Buddhism 10:1.
Singer, Noel F., Old Rangoon, Scotland, Paul Strachan-Kiscadale Publications, 1995.
Smith, J. Ten Years in Burma. Cincinnati: Jennings & Pye, 1902.
Stadner, Donald M. ed. The Art Of Burma: New Studies. Mumbai: Marg Publications and National Centre for the
Performing Arts, 1999.
Tay Swee Lin, Myanmar Visions: The Security of the Past, in Southeast Asian Art: A New Spirit, Singapore, Art and
Artist Speak, 1997.
Wong, Hong Suen. Picturing Burma: Felice Beatos Photographs of Burma 1886 1905 in History of Photography
Vol. 32 No. 1.
Individual Artists
Aung Myint: Ma Thanegi, A bridge to the future, Asian Art News, Vol.12, No.4, 2002
Aye Ko: Ma, Thenegi,Breaking Free, On Aye Ko, Asian Art News, Vol. 12, No. 5, September/October, 2002
Khin Zaw Latt: Rush, Elizabeth, A Burmese View, in Asian Art News, Vol. 21, No. 3, May/ June 2011.
M.P.P. Yei Myint: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999
Moe, Soe: review, Asian Art News, Vol. 15, No. 4, 2005.
M.P.P. Yei Myint: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999
Muang Di: review, Ma, Thanegi, Muang Di at New Treasure Gallery, Exhibition Reviews, Asian Art News, Vol.
12, No. 2, March/April 2002
Nay Nyo Say: Ma, Thanegi, On Nay Nyo Say, Asian Art News, Vol. 12, No. 5, September/October, 2002
173
Nyein Chan Su: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999
Po Po: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin,
Matsuura and Masae, Kamachi, The 1
st
th
Asian Art Show]: Document of
Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999
Satt, Moe: Satt, Moe, My Eight, in Art Asia Pacific, Issue 66, November/ December 2009.
Say, Nay Myo: review, Asian Art News, Vol. 15, No. 3, 2005.
Soe Moe: Ma Thanegi, A narrative of light, Asian Art News, Vol.12, No.4, 2002
U Lun Gwye: Jay, Sian E., In the footsteps of the masters, Asian Art News, vo.11, No.4, 2001

LAOS
General Works
Campbell, Bronwyn, Dreams and Reality in Laos, TAASA Review, Vol.11, No.3, 2002
Hyles, C., Revolutionary street pictures of Laos, The Journal of the Asian Arts Society of Australia, 2, 3, August 1993.
Phoummachanh, Nousay Modern art in Laos, Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as an
Attitude, Fukuoka, Fukuoka Art Museum, 1994.
Sikounnavong, Kanha, Loa Art: A Continuation from Tradition to Modern Life, Kuroda, Raiji, ed., The
Stuart-Fox, Martin, A History of Laos, Cambridge, Cambridge University Press, 1997.
First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Tanabe, Shigeharu and Keyes, Charles F., ed., Cultural Crisis and Social Memory: Modernity and Identity in Thailand and
Laos, Hawaii: University of Hawaii Press, 2002
Individual Artists
Douangdy Khanthavilay: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1
st
th
Asian
Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999.
Kham Tanh Saliankham: Kham Tanh Saliankham: Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art
Museum, 2001
Phouvanh Thammavong: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Tcheu Siong: Bernard, Yves, Stitching Dreamscapes, in Art Asia Pacific, Issue 75, July/ August 2011.

THAILAND

All personal names are given as habitually romanized by the artist or writer in question in Thai with the sequence
of first or personal name first. Romanization is frequently, but not always, a transcription into roman letters of
Thai orthography whose pronunciation rules in Thai are unfamiliar in English. For example, Kamol is actually
pronounced Gamon in Thai, Poshyananda is pronounced as Posyanorn et cetera. That is, final l in
transcription is usually pronounced n, and final consonants are often unpronounced, only semi-voiced, or
otherwise varied. Thai romanizations thus vary considerably and usually transliterate Thai orthography without
directly transposing Thai sounds. For convenience, romanization here largely follows Haas, Mary, Thai-English
Students Dictionary, Stanford, Stanford University Press, 1964.
Historical Context
Brereton, Bonnie Pacala, Images of heaven and Hell in Thai literature and painting, in Bickner R.J.; Hudak T.J.;
Patcharin Peyasantiwong, Papers from a conference on Thai Studies in Honor of William J. Gedney, Ann Arbor,
University of Michigan Centre of South and Southeast Asian Studies, 1986.
174
Brown Robert, Narrative as Icon: the Jataka Stories in Ancient Indian and Southeast Asian architecture, in
Schober, J., Sacred Biography in the Buddhist Traditions of South and Southeast Asia, Honolulu, University of
Hawaii Press, 1997
Cohen, Paul, A Bodhisattva on Horseback: Buddhist Ethics and Pragmatism in Northern Thailand, Mankind, 14,
2, 1983
Dehejia, V., On modes of visual narration in early Buddhist art, Art Bulletin, 72, 1991, 374-392.
Dehejia, V., Aniconism and the multivalence of emblems, Ars Orientalis, 21, 1992, 45-64
Gray, Christine E., Hegemonic Images: language and silence in the Royal Thai Polity, Man26, 1991, 43-65.
Gray, Christine E., Royal words and their unroyal consequences, Cultural Anthropology, 7, 4, 1992, 448-463.
Gray, Christine E., Thailand: the Soterological State in the 1970s, unpublished PhD dissertation, Department of
Anthropology, University of Chicago, 1986.
Grey, L., A concordance of Buddhist birth stories,Oxfrod, The Pali Text Society, 1990.
Huntington, Susan E., Early Buddhist art and the theory of Aniconism, College Art Journal, 49, 4, 1990, 401-408
Huntington, Susan E., Aniconism and the multivalence of emblems: another look, Ars Orientalis, 22, 1992, 111-
156.
Kasian Tejapira, The Postmodernization of Thainess in Proceedings of the International Conference on Thai Studies,
Theme II,: Cultural crisis and the Thai capitalist transformation, Chiangmai, October 1996.
Lefferts, L. The Bun Phra Wet, Painted Scrolls of Northeastern Thailand in the Walters Art Museum in The
Journal of the Walters Art Museum No. 64/65. [also online at www.buddha-images.com/bunphrawet.pdf; last
checked 4 June 2010]
McGill, Forrest, Chirapravati, M.L. Pattaratorn and Kazuhiro Tsuruta. Emerald Cities: Arts of Siam and Burma 1775
1950. San Francisco: Asian Art Museum, 2009.
Marcus George E.; Myers, Fred R., eds., Traffic in Art and Culture: refiguring art and anthropology, Berkeley, University
of California Press, 1995.
Schober, J., The Theravada Buddhist engagement with modernity in Southeast Asia; whither the social paradigm
of the galactic polity? Journal of Sutheastasian Studies,2, 1995, 307-325.
Before 1780s
Facts and Fantasies [written records and book illustrations from the Zoomers and Kramers collections], Bangkok,
National Library of Thailand, 2006.
Skilling, P.For merit and Nirvana: The production of art in the Bangkok Period. Arts Asiatiques 62: 7694.

1780s to 1910s [Rama I to Rama V]
Abeel, David, Journal of a residence in China and the neighbouring countries from 1830 to 1833, London: Nisbet, 1835.
Akin Rabibhadana, M.R., The organization of Thai Society in the early Bangkok Period, 1782-1873, [1969], republished
Bangkok: Wisdom of the Land Foundation & Thai Association of Qualitative Researchers1996.
Bowring, J., The Kingdom and People of Siam [1857], reprint with foreword by Wyatt, D., Kuala Lumpur, Oxford
Chomchai, Prachoom, Chulalongkorn the Great, Tokyo, Centre for East Asian Cultural Studies, 1965.
Griswold, Alexander B., King Mongkut of Siam, New York: Asia Society, 1961
Landon, K.P., Siam In Transition, London, Oxford University Press, 1939.
Leonowens, Anna, The English Governess at the Siamese Court (1870) Singapore, Oxford University Press, 1989.
Lingat, R., History of Wat Pavaranivea, [Wat Bowonniwet], Journal of the Siam Society, vol.26, 1933.
Lysa, Hong, Thailand in the Nineteenth Century, Singapore, Institute South East Asian Studies, 1984.
Moffat, Abbot Low, Mongkut, the King of Siam, Ithaca, Cornell U. P. 1961
Pallegoix, Abb, Description du Royaume Thai ou Siam, 1854, reprint, Farnborough, Gregg Interntional Publishers,
1969.
Quaritch Wales, H.G., Ancient Siamese Government and Administration, New York, Paragon Reprint, 1965.
Rabibhadana, Akin, The Organization of Thai Society in the early Bangkok Period, 1782-1873, Ithaca, Cornell University
Southeast Asia Program, Data Paper, No.74, 1969.
175
Rabibhadana, Akin, Citizenship and Class Structure in the Early Bangkok Period, in Skinner, G.W., Kirsch, A.T.,
eds., Change and Persistence in Thai Society, Ithaca, Cornell University Press, 1975.
Reynolds, A challenge to royal historical writing in late nineteenth century Thailand: the case of K.S.R. Kulab,
Journal of the Siam Society Vol.61, part 2, July 1973.
Reynolds, C., Sedition in Thai History: A nineteenth century poem and its critics, in Manas Chitakasem, Turton,
A., eds., Thai Constructions of Knowledge, London. School of African and Oriental Studies, 1991.
Reynolds, Craig J., Seditious Histories: Contesting Thai and Southeast Asian Pasts, Seattle: University of Washington
Press, 2006.
Reynolds, Craig J., and Lysa, Hong, Marxism in Thai Historical Studies, Journal of Asian Studies, vol. XLIII, no.1,
November 1983.
Reynolds, Craig J., Buddhist Cosmography in Thai History, with special reference to 19
th
century culture change,
Journal of Asian Studies, vol. XXXV, no.2, February 1976, 203-220; also included in his Seditious Histories,
above.
Smithies, M. ed., Early Accounts of Petchburi, Bangkok, The Siam Society, 1987.
Smithies, M., Descriptions of Old Siam, Kuala Lumpur, Oxford University Press, 1995.
Terwiel, B.J., A History of Modern Thailand 1767-1942, Brisbane: University of Queensland Press, 1983.
Vella, W.F., Siam Under Rama III, Locust Valley, J.J.Augustin Ltd, 1957.
Wilson., C.M., State and Society in the Reign of Mongkut, 1851-1968: Thailand on the Eve of Modernization, Ann Arbor,
University Microfilms, 1971.
Woodward Hiram W., Monastery, Palace, and City plans: Ayutthaya and Bangkok, Crossroads, vol.2, no.2,
1985.[on Wat Bowonniwet, p.48-55]
Wyatt, David C., Siam in Mind, Chiangmai, Silkworm Books, 2002
Wyatt, David C., Studies in Thai History: Chiangmai: Silkworm Books, 1994
Wyatt David C., Thailand: A short history, New Haven, Yale University Press & Chiangmai, Trasvin Publications,
1982, 1984.
Activities and Reports of Contemporary Diplomats and Missionaries
Abeel, David, Journal of a residence in China and the neighbouring countries from 1830 to 1833, London: Nisbet, 1835.
Bowring, John, The Kingdom and people of Siam, 2 vols, London: Parker and Sons, 1857, reprint with introduction by
David K. Wyatt, Kuala Lumpur: Oxford University Press, 1969.
Bradley, William L., Prince Mongkut and Jesse Caswell, Journal of the Siam Society, Vol. 54, Pt.1, January 1966
Bradley, William, L., The Accession of King Mongkut, Journal of the Siam Society, Vol. 57, pt.1, January 1969.
Bradley, William L., Siam Then, the foreign colony in Bangkok before and after Anna, Pasadena, William Carey Library,
1981.
Crawfurd, John, Journal of an embassy to the courts of Siam and Cochin China, London: Henry Colburn, 1828, 2
nd
edition,
London: Henry Colburn & Richard Bentley, 1830, and reprint Kuala Lumpur, London, New York: Oxford
U.P., 1968.
Finlayson, George, The Mission to Siam and Hu 1821-22, London: John Murray, 1826, reprinted Singapore: Oxford
Gutzlaff, Karl Friedrich August, Journal of three voyages along the coast of China in 1831, 1832 & 1833 with notices of
Siam, Corea and the Loo-Choo islands [to which is prefixed an introductory essay on the policy, religion, etc. of
China, by the Rev. W. Ellis], London: Frederick Westley and A.H. Davis, 1834 [2
nd
ed.]
Harris, Townsend, The Complete Journal of Townsend Harris, First American Consul and Minister to Japan, Tokyo: Tuttle,
2
nd
ed. 1959
Lingat, R., Les trois Bangkok Recorders, Journal of the Siam Society, Vol. 28 no.2, December 1935.
Lord, Donald C.; Mo Bradley and Thailand, Grand Rapids, MI, William B. Erdmans Publishing Co., 1969.
McFarland, G. Bradley, Historical Sketch of the Protestant Missions in Siam, 1828-1928, Bangkok, Bangkok Times Press,
1928.
McGilvary, Daniel, A half century among the Siamese and the Lao, New York, Fleming H. Revell, 1912.
Pallegoix, Jean-Baptiste, Description of the Thai Kingdom or Siam [tr. Tips, Walter E. J. from Description du Royaume Thai
ou Siam, 2 vols, Paris: Mission de Siam, 1854] Bangkok: White Lotus, 2000
176
Roberts, Edmund, Embassy to the Eastern Courts of Cochin-China, Siam, and Muscat, on the U.S. Sloop-of-War Peacock,
David Geisinger, Commander during the years 1832-3-4, New York, Harper, 1837, reprinted Wilmington:
Scholarly Resources Inc., 1972.
Smythies, M. ed., Early Accounts of Petchburi, Bangkok, The Siam Society, 1987.
Smythies, Michael, Descriptions of Old Siam, Kuala Lumpur, Oxford University Press, 1995.
1910s to 1940s [Rama VI to Rama VIII]
Chaiyan Rajchagool, The Rise and Fall of the Absolutist Monarchy: Foundations of the Modern Thai State from Feudalism to
Peripheral Capitalism, Bangkok, White Lotus, 1994.
Mokarapong, Thawatt, History of the Thai Revolution, Bangkok, Chalermnit, 1972.
Vella, W.F., Chaiyo!: King Vajravudh and the development of Thai Nationalism, Honolulu, University of Hawaii Press,
1978.
1950s to Present [Rama IX] (See also Thai Mentalities including Religion later)
Anderson, Benedict, Withdrawal Symptoms: Social and Cultural Aspects of the October 6 Coup, Bulletin of
Concerned Asian Scholars, 9, 3, July-September 1977.
Anderson, Benedict, Studies of the Thai State: The State of Thai studies, in Ayal, Eliezer B., ed. The Study of
Thailand: Analyses of Knowledge, Approaches, and Prospects in Anthropology, Art History,Economics, History and Political
Science, Athens, Ohio, Center for International Studies, 1978.
Anderson, Benedict, Imagined Communities, [rev. ed.], London, Verso, 1991.
Anderson, Benedict, The Spectre of Comparisons, Nationalism, Southeast Asia and the World, London, Verso, 1998.
Chula Chakrabongse, Prince, Lords of Life: The Paternal Monarchy of Bangkok 1782-1932, London, Alvin Redman,
1960.
Clark, John, Asian Modernities: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications, 2010.
Dhiravat na Pombejra, Court, Company, and Campong, Essays on the VOC presence in Ayutthaya. Ayutthaya Historical
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Individual Artists
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Angkrit Achariyasophon Pettifor, Steven Toward Egalitarianism, in Asian Art News, Vol 20, No. 1, January/
February 2010
Anurak Chatanan: Anurak Chatanan & Toi Ungkavatanapong, Fact VS Fiction, Tadu Contemporary Art, Bangkok,
March 25 - April 19, 1998.
Apichatpong, Weerasethakul: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002; Gaweewong, Gridthiya, Apichatpong Weerasethakul in Art Asia Pacific,
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in Film Comment, Vol. 46, Issue 5, September 2009; Cancela, Lorena, The Films of Apichatpong
Weerasethakul, in Metro: Media & Education Magazine, Issue 138, December 2003; Castets, Simon,
Apichatpong Weerasethakul, in Flash Art, Vol. XLI, No. 262, October 2008; Holger, Rmers, Creating
His Own Cinematic Language: An Interview with Apichatpong Weerasethakul, in Cineaste, Vol. 30, Issue 4,
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World, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 4, December 2010; Lee, Nathan, Back to
Basics: Primitive, Apitchatpong Weerasethakuls Ongoing Project Reveals the Shortfall in Post-Cinematic
Consciousness, in Film Comment, Vol. 47, Issue 4, July 2011; Masters, H.G., Agrarian Reincarnations of
Cinema, in Art Asia Pacific, No. 70, September/ October 2010; Quandt, James, Living Memory, in
Artforum International, Vol. 49, No. 7, March 2011; Quandt, James, ed., Apichatpong Weerasethakul,
sterreichisches Filmmuseum : SYNEMA, Gesellschaft fr Film und Medien & New York, Columbia
University Press, 2009; Sicinski, Michael, Dreaming in Cinema: Capturing the Imagination of Apichatpong
Weerasethakul, in Cineaste, Vol. 36, Issue 2, May 2011; Kremeier, Ulrike. Apichatpong Weerasethakul. .
Montreuil: les dtions de l'oeil, carnets de la creation, 2002.
Araya Rasdjarmeearnsook: Apinan Poshyananda, Arya Rasdjarmrearnsook, Art & Asia Pacific, Vol.2, No.3, 1995;
Araya Rasdjarmrearnsook, Araya Rasdjarmrearnsook, Solo Exhibition, the National Gallery, Bangkok,
December 7-30, 1995; Araya Rasdjarmrearnsook, Araya Rasdjarmrearnsook, Solo Exhibition, the National
Gallery, Bangkok, 6-30.12.1994; Poshyananda, Apinan, Araya Rasdjarmreansook in Art Asia Pacific, Issue
37 (2003), p. 77. ; Curtin, Brian, Araya Rasdjarmrearnsook: Matters of Life and Death, in ArtAsiaPacific,
No. 53, May/June, 2007, pp. 78 79; Curtin, Brian, Dialogues with Difference, in Art Asia Pacific, Issue 66,
November/ December 2009; Naismith, Amber, The Quick and the Dead, in Art Monthly Australia, Issue
229, May 2010; : Pettifor, Steven, Embracing Taboos, Asian Art News, Vol. 16, No. 4, 2006.
Arin Rungjang Teh, David, Art of Domestication, in Contemporary Visual Art+ Culture Broadsheet, Vol. 40, No. 1,
March 2011
Bhusit Poodsongkram: Bhusit Poodsongkram & Boonkwang Noncharoen, Impressionist Painting Exhibition,
Voyage to London, June,1991 - April,1992.
Boonkwang Noncharoen: Boonkwang Noncharoen & Bhusit Poodsongkram, Impressionist Painting Exhibition, Voyage to
London, June, 1991 - April, 1992.
Boonyavanishkul, Rearngsak: Watson, Robert C., A Sculpted Surrealism, World Sculpture News, Vol. 12, No. 1, 2006.
Cang Saee Tang [Tang Zhang]: Cang Saee Tang, Thadsanasin Kawiiniphon Cang Saee Tang, Published in Cang Sae Tangs
funeral at Meeru Wadsuthaaraam, December 2, 2533 (1990); Cang Saee Tang, Visual Art-Poems by Tang
Chang, 2nd ed. Bangkok, Samnakphim Sawaeng Haa, 2533 (1990); Cang Saee Tang, Chiiwid Khwaamkhid
Lae Khwaam Ngaam, Art World, Vol.4 No.2, February - April, 2533 (1990); Cang Saee Tang, Jaam Chaw,
Baang Bod Khong Bodkawii Phoor Kab Maee Phor Sor 2503-2514, Poets in Tang Changs Institute of Modern Art,
Bangkok, Saaj Song Syk Sid Borrisad Khled Thai Camkad, .2528 (1985); review, Asian Art News, Vol.11,
No.5, 2001.
178
Chakraphan Posyakrit: Tira Intravutr, Chakrabhand Posayakrit:Thailands Renaissance Man, Bangkok, Nuang-Nuang
Books, 1985.
Chalermchai Khosidphipat: Anaakhod Cidtrakam Thai Naj Mum Morng, Chalermchai Khosidphipat, Phu Cadkaan
Raj Wan, no date.
Chalermchai Khositpipat: Hoskin, John, A Question of attitude, Chalermchai Kositpipat, Panya Vijinthanasarn, Art
& Asia Pacific, Vol.2, No.3, 1995.
Chalood Nimsamer: Silpakorn University, Khyy Kab Aachaan Chalood, Sinlapin Haeng Chaad Saa Khaa
Thudsanasin Pracampii 2541 Wang Tha Phra Art Forum, n.d; Krom Sinlapaakorn ed. Rabiandphab, Ngaan
Sinlapa Khong Chalood Nimsamer, Sinlapaakorn, Vol 29 No.4, pp.1-27 September 2528 (1985); Krom
Sinlapaakorn ed. Kiaw Kab Ngaan Sinlapa Khong Chalood Nimsamer, Sinlapaakorn, Vol 29 No.4, pp.28-
42, September 2528 (1985).
Chatchai Puipia: Chatchai Puipia, Siamese Smile, The Lotus Hasnt Bloomed Yet, the Japan Cultural Center, Bangkok,
December, 2-23, 1995; Chatchai Puipia, Paradise Perhaps, A Painting Exhibition, Bangkok University Art
Gallery, Bangkok, December 8-20, 1997; Chatchai Puipia, Sa-Loke Fai, Silom Art Space, Bangkok, August
21 - September 26, 1993; Chatchai Puipia & Pinaree Sanpitak, Recent Works, the National Gallery, Bangkok,
March 3-20, 1991; Preece, Robert and Gaweewong, Gridthiya. An Interview with Chatchai Puipia. Art
AsiaPacific issue 22 1999; Gampell, Jennifer, Desperately seeking Chatchai, Art & Asia Pacific, Vol.2, No.3,
1995; Pettifor, Steven Arts soldier, Asian Art News, Vol.9, No.6, 1999; Preece, Robert; Gaweewong,
Gridthiya, Cracking beneath the surface, Art AsiaPacific, 22, 1999; review, Art AsiaPacific, 34, 2002; review,
Asian Art News, Vol.11, No.5, 2001; Lind, Ingela. Chatchai Puipia. Montreuil: les dtions de l'oeil, carnets de
la creation, 2002.
Chavalit Soemprunsuk: Chavalit Soemprunsuk, Exhibition with Rity Jansen Heijtmajer, Bangkkok, Bhirasri Institute of
Modern Art, 1986. ; Karnjariya Sukrung, Chavalits exhibitions display freedom and fear, Bangkok Post,
January 16, 1994.
Chumporn Apisuk: Apisuk, Chumpon, At Concrete House.., Art & Asia Pacific, Vol.2, No.3, 1995.
Damrong Wong-Uparaj; Clark, John, The Art of Damrong Wong-Upparaj, Art & Asia Pacific, vol.2, no.3, June
1995, p.50-57; Damrong Wong-Uparaj, Damrong Wong-Uparaj, 30 Years of Printmaking, British Council,
Bangkok, October 8-31, 1991; Damrong Wong Uparaj, exhibition of paintings of the Japan period, Bangkok,
German Cultural Institute, December 1987.
Den Warnjing: Den Warnjing, Chiiwid Thai Chonnabod Naj Cidthrakam Thai, Marsi Gallery, Bangkok, April 30 - May
31, 1999.
Fua Haribhitak: Fua Haribhitak, Exhibition of Art by Dr.Fua Haribhitak, the National Gallery, Bangkok, March 2-31,
1981.
Hem Vejakorn: Cakkaphan Posayakrid, Nithadsakaan Phabwaadwicid, Khru Hem Vejakorn,the Art Center,
Chulalongkorn University, March 21 - April 26, 1996
His Majesty the King Rama IX: Paintings fit for Royalty, The Nation, January 30, 1995.
Huangtanpan, Somneuk: review, Asian Art News, Vol. 16, No. 5, 2006.
Ithipol Thangchalok: Ithipol Thangchalok, Recent Paintings, the National Gallery, Bangkok, December 12, 1991-
January 5, 1992.
Jakapan Vilasineekul: Mountain and Sea, Bangkok, Chulaongkorn University Art Centre, 1997 Review: Pettifor,
Art AsiaPacific,No.18, 1998. ; Pettifor, Steven., Jakapan Vilasineekul at Numthong Gallery (review), in Asian
Art News, Vol. 14, No. 1, January/February 2004, p.82.
Jakkai Sributr: Pettifor, Steven, In the realm of textiles, Asian Art News, Vol.9, No.6, 1999. ; review, Asian Art
News, Vol.11, No.4, 2001
Jianpinidnan, Kornkrit: review, Asian Art News, Vol. 16, No. 5, 2006.
Jiradaj Meemalai, Pornpilai Jongsoontornturakij: As big as its small, Bangkok, Tadu, 2002
Jirapat Tatsanasomboon: Pettifor, Steven, Cultural Confrontation, in Asian Art News, v. 18(5), Sept/Oct, 2008, pp.
114-117.
Jitpratuk, Pomm: review, Asian Art News, Vol. 16, No. 5, 2006.
Kachacheewa, Anupong: review, Asian Art News, Vol. 15, No. 4, 2005.
179
Kamin Lertchaiprasert: Kamin Lertchaiprasert, Bangkok, Visual Dhamma Gallery & Dialogue Gallery, 1991; Kamin
Lertchaiprasert, Normal & Nature, Tadu Contemporary Art, Bangkok, August 9 - September 31, 1997;
Kamin Lertchaiprasert, Kamin Lertchaiprasert, Problem - Wisdom,Queensland Art Gallery 1993 1995\; Kamin
Lertchaiprasert, Nirad Thailand in Drawing (to spirit), the Art Gallery of Faculty of Painting, Sculpture &
Graphic Arts, Silpakorn University, November, 2-21, 1992; Kamin Lertchaiprasert, Gaw Ery Gaw Gai, Visual
Dhamma Gallery, Bangkok August 14, - September 11, 1991; Pettifor, Steven, The Process of Being, On
Kamin Lertchaiprasert, Thailand Feature, Asian Art News, Vol. 12, No. 1, January/February 2002. ; Ng,
Josef, curator, Kamin Lertchprasert, Bangkok, Tang Gallery 2007; Thomson, Jonathan Symbolic of All
Human Kind, in World Sculpture News, Vol.16, No. 1, Winter 2010
Kamol Phaosavasdi: Kamol Phaosavasdi & Montien Boonma, Content Sense,the National Gallery, Bangkok, January
14 - February 3, 1995; Khetsirin Knithichan, A Sensible Approach to Nature, The Nation, November 23,
1995; Kamol Phaosavasdi & Vichoke Mukdamanee, Kamol & Vichoke Contemporary Art Exhibition, the
Faculty of Painting Sculpture and Printmaking, Silpakorn University Bangkok, November 25- December 12,
1992; Pettifor, Steven, Kamol Phaosavasdi at Bangkok University, Asian Art News, Vol. 13, No. 1,
January/February 2003. ; review, Asian Art News, Vol.11, No.4, 2001; Pettifor, Steven.,
Kamol Tassananchalee: Sriwanichapoom, Manit Kamol Tassananchalee, dhek di heng wonkkaan silbhakaam Thay,
Syaam Rath, Sabhdaawicaan, June 3-20, 2532 (1999); Kamol Tassananchalee & others, Kamol and His Artist
Friends (An Art Exhibition, Kamol Tassananchalee and the Thai Art Council Participated Artists), the National
Gallery, Bangkok, February 2-25, 2538 (1995). ; Brecelic, Thomas, The Master of Connections, Asian Art
News, Vol.9, No.3, 1999
Kanya Chareonsupkul: Brown, Glen, R., Practical Spirutalism Asian Art News, Vol.5, No.6, Nov/Dec 1995.
Khien Yimsiri: Fine Arts Department, A Retrospective Art Exhibition of Khien Yimsiri, the National Gallery, Bangkok
September 7 - November 7, 2522 (1979); Somporn Rodboon, The Life and Works of Khien Yimsiri, Bangkok,
SITCA Investment & Securities Public Company Limited, 1994
Kosit Juntaratip: Kosit Juntaratip & Navin Rawanchaikul, Substanceaboutnonsubstance, Goethe Institut, Bangkok,
January 11 - February 9, 1995.
Kritsana Chaikitiwattana: Pettifor, Steven., Grim Reality, in Asian Art News, Vol. 13, No. 3, May/June 2003, p.44-
46.
Limthamrong, Peerapong: review, Asian Art News, Vol. 15, No. 4, 2005.
Manit Poo-Aree: Manit Poo-Aree, Contemporary Art Exhibition by Manit Poo-Aree,The Gallery of Faculty of Painting
Sculpture and Printmaking, Silpakorn University, Bangkok, April 8-30, 1999.
Manit Sriwanichpoom: Knithichan, Khetsirin, City of Hell ART AsiaPacific, No.13, 1997. ; Pettifor, Steven, Looking
glass reality, Asian Art News, Vol.12, No.2, 2002. ; Manit Sriwanichpoom, paradise@the.mall, July - August,
1998 no place of exhibition; Manit Sriwanichpoom, This Bloodless War, Greed, Globalization, and the End of
Independence, the Roadside Photo Exhibition, November, 1997. Cit no place of exhibition; Kuroda, Raiji, ed.,
The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Pettifor, Steven,
Looking Glass Reality, On Manit Sriwanichpoon, Asian Art News, Vol. 12, No. 2, March/April 2002;
Pontzen, Rutger. Manit Sriwanichpoom. Montreuil: les dtions de l'oeil, carnets de la creation, 2002.
Mareeya Dumrongphol: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002
Michael Shaowanasai: Chua, Ferreolus., Interview with Michael Shaowanasai, in Vehicle: Contemporary Visual Arts,
No.10, 2003, p.18-21.
Michael Shaowanasai: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002; Teh, David, Michael Shaowanasai: Good: New Paintings 2549 (exhibition
review), ArtAsiaPacific, No. 50, 2006.
Mitree Parahom: Pettifor, Steven Defender of Tradition. Asian Art News 9:5 September/October 1999
Montien Boonma: Montien Boonma, Anusorn Naj Ngaan Phraradchathaan Phlerng Sob Naj Montien Boonma, Published in
Montien Boonmas funeral at Meru Wad Chonlaprathaan Rangsarid, Nonthaburi, August 24, 2543 (2000);
Montien Boonma, Works, 1990-1993, the National Gallery, Bangkok, February 25, - March 22, 1993. 2
books; Montien Boonma, Arte Amazonas, Goethe Institut, Bangkok, June 4 - 27, 1992; Montien Boonma &
Kamol Phaosavasdi, Content Sense,the National Gallery, Bangkok, January 14 - February 3, 1995; Montien
180
Boonma, ThaiiahT, the National Gallery, Bangkok, September 7 - October 3, 1990; Richard, Frances,
Montien Boonma, Artforum International, Vol.36, Issue 6, February 1998; Kuroda, Raiji, ed., The First
Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Montien Boonma, Report at The
First Fukuoka Asian Art Trienale [The 5
th
Asian Art Show], Seminar: Asian Art Towards the 21
st
Century,
Fukuoka: Fukuoka Asian Art Museum, 1999; Poshyananda, Apinan, Montien Boonma: Temple of the mind, New
York & Asia Society & London, Artis, 2003; Desai, Vishakha N., Montien Boonma in Art Asia Pacific,
Issue 37 (2003), p. 34; Heartney, Eleanor, Parallel Lives (Montien Boonma at Asia Society and Chen Zhen
at P.S. 1) in Art Asia Pacific, No. 38 (Fall 2003), pp. 50-52; Koplos, Janet, Mindfull Living in Art in America
(May 2004), pp. 90-95; Poshyananda, Apinan, Montien Boonma: Temple of the mind, New York & Asia Society &
London, Artis, 2003; Kunavichavanont, Sutee and Apinan Poshyananda eds., Death Before Dying: The Return of
Montien Booma, Thailand Office of Contemporary Art and Culture, 2006; Pettifor, Steven, An uncommon
spirit, Asian Art News, Vol.11, No.1, 2001; Wongchirachai, Albert Paravi, Montien Boonma, Art & Asia
Pacific, Vol.2, No.3, 1995; Poshyananda, Apinan, a tribute, Art AsiaPacific, 31, 2001; Koh, Jay, Art Activism
and Cross-cultural Projects in Thailand and Myanmar: The Need to Open up Structures for Engagement,
Focas (Forum on Contemporary Art & Society), No.2, July 2001.
Montri Toesombat: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999
Narin Ruttanachun: Narin Ruttanachun, Serenity 1987-1990, Goethe Institute, Bangkok, December 20 - March 15,
st
th
Asian Art Show]:
Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999; Mami, Kataoka, ed., Under
Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Pettifor, Steven.,
Dressing Up Nature, in Asian Art News, Vol. 13, No. 1, January/February 2003, p.48-51.
Naraphong Charassri: Mietinen, Juuka O. Naraphong Charassri. Montreuil: les dtions de l'oeil, carnets de la creation,
2002
Natee Utarit: review, Art AsiaPacific, 27, 2000 ; Lenzie, Iola, A Versatile Stylist, in Asian Art News, Vol. 17(6),
November/December, 2007, pp. 73 77. ; review, Asian Art News, Vol.9, No.4, 1999; Pettifor, Steven, Out
Of His Own, On Natee Utarit, Asian Art News, Vol. 12, No. 6, November/December, 2002; Suraya
Warden, Kathleen, Arriving and Belonging, in Asian Art News, Vol. 21, No. 3, May/ June 2011.
Navin Production Co., Ltd. / Navin Rawanchaikul: Navin Rawanchaikul & Kosit Juntaratip, Substanceaboutnonsubstance,
Goethe Institut, Bangkok, January 11 - February 9, 1995; Khetsirin Knithichan, Substance is intended to
shock The Nation, January 16, 1995 ; Navin Production Co.,Ltd., Another day in Sydney, Published for the
11th Biennale of Sydney, Navin Production Co., Ltd., 1998.
Nawin Rawanchaikul: Pettifor, Steven, An art world in a taxi, Asian Art News, Vol.11, No.6, 2001; Farquharson,
Alex. Navin Rawanchaikul. . Montreuil: les dtions de l'oeil, carnets de la creation, 2002
Nim Kruasaeng: review, Asian Art News, Vol.11, No.5, 2001; Pettifor, Steven, In search harmony, Asian Art News,
Vol.10, No.2, 2000
Nimmalaikaew, Uttaporn: Thompson, Jonathan, Inevitable Cycles, Asian Art News, Vol. 16, No. 4, 2006.
Nipan Oranniwesa: Pettifor, S. Searching for Balance in Asian Art News, Vol. 19 No. 6 (Nov/Dec 2009).
Niti Wattaya: Niti Wattaya, Return of the Goldern Era, Dialogue 1991, Bangkok, May 21 - June 11, 1992; Pettifor,
Steven., Tracing Changes, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.44-47.
Nittaya Ueareeworakul: review, Pettifor, Steven, Nittaya Ueareeworakul at Si-am Art Space, Exhibition Reviews,
Asian Art News, Vol. 12, No. 2, March/April 2002; Pettifor, Steven, A mantra of unity, Asian Art News,
Vol.10, No.6, 2000
Paitun Muangsomboon: Fine Arts Department, Paitun Muangsomboon National Artist Retrospective,the National Gallery,
Dec. 25, 1989 Feb. 15, 1990.
Panya Vijinthanasarn: Panya Vijinthanasarn, Subversion of Truth, Tadu Contemporary Art, January 30 - March 8,
1998. ; review: Clark, Asian Art News, Vol. 8, No.2, March/April 1998
Paretas Hutangura: Paretas Hutangura, Facing the Alien, Solo Exhibition, January 3-22, 2538 (1995); Manid
Sriiwanidchapuum, Mahadsacan Wan Samniak, Syaam Rath Sabhdaawicaan, p.58, April 11-17, 2542 (1999).
(2articles); Paretas Hutangura, The Miracle Days of Awakening, Tadu Contemporary Art, Bangkok, February 12
- March 14, 1999.
181
Phaiboon Suwannakuud: Anusorn Ngaanphraraadchathaan Phlerngsob Phajboon Suwannakuud, March 21, 2526 (1983):
Praajta, Samphad Siriwanna Suwannakuud, Raw Maj Daj Tung Caj Ca Con, Ploy Kaem Phed, no date;
Phajboon Suwannakuud, Som Porj Dork Lyang, Laeng Khen Ruam Ryang San, 2nd Bangkok, Samnakphim
Duangkamon, 2518 (1975).
Phaosavasdi, Kamol: Pettifor, Steven, Media Man with a Conscience, Asian Art News, Vol. 15, No. 6, 2005.
Phaptawan Suwannakudt [daughter of Phaiboon] Carter, Michael & Gezcy, Framing Art, Sydney, University of New
South Wales Press, 2005; Pettifor, Steven, Between Tradition and Modernity: Phaptawan Suwannakudt,
Asian Art News, September/October, 2004; Ewington, Julie, Thai Vision, Australian Painter, in Recent
Painting, Numthong Gallery, Bangkok, 2004; Power, Kevin; Flores, Patrick, in El Poder de Narrar / The Power
of Narration, Espai dArt Contemporani de Castello, Valenciana, Spain, 2000; Datuin, Flaudette May, The
Queen, the Goddess, and the mural painter, Art Asiapacific, No.14, April 1997; Gampell, Jennifer, Profile,
Far Eastern Economic Review, December 21, 1995.
Phunsombatlert, Bundith: Pettifor, Steven, Searching Out Obsessions, Asian Art News, Vol. 17, No. 1, Jan-Feb 2007.
Pichit Tangcharoen, Sumet Pongchinrit, Kongsak Gulgalngdon: Different Angles, Bangkok, Tadu, 2002
Pinaree Sanpitak: Pinaree Sanpitak, Mother & Child, A Dialogue, Silom Art Space, Bangkok October 2-31, 1993;
Pinaree Sanpitak & Chatchai Puipia, Recent Works, the National Gallery, Bangkok, March 3-20, 1991: Pinaree
Sanpitak, The Cross, the Egg, the Cow& the Squash, An Exhibition of Eclectic Works,Silom Art Space, Bangkok,
November 9 - December 7, 2534 (1991): Pinaree Sanpitak, Womanly Abstract, About Studio/ About Caf/ A
Reading Room, Bangkok, February 13, - April 17, 1999. Body and Soul: Pinaree Sanpitak and the art of
life, Art AsiaPacific, No.21, 1999; review Art AsiaPacific, 33, 2002. ; Mertens, Brian, Pinaree Sanpitak
Where I Work, ArtAsiaPacific, No. 51, 2007. ; Lenzi, Iola, Pinaree Sanpitak: Art through The Breast, in C
Arts. Asian Contemporary Art and Culture, Vol. 02, March/April, 2008, pp. 62 67. ; Pettifor, Steve, Making
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l'oeil, carnets de la creation, 2002
Piwat Nophiran: Jay, Sian, E., All in a Smile, Asian Art News, Vol.10, No.1, 2000
Plastic (& other) waste: review, Art AsiaPacific, 22, 1999
Prajad Phongdam: Silpakorn University, Chiiwid Lae Phonngaan Sinlapin Haeng Chaad Saa Khaa Thudsanasin
Pracampii 2541 Wang Tha Phra Art Forum, n.d.
Prasong Luemuang:Prasong Luemuang, Diary of a Village, Bangkok, British Council, 1991; Prasong Luemuang, Naam
Thip - Pla Thong, Bangkok, Silom Art Space, 1991; Prasong Luemuang, Likhid Cak Muubaan, British Council
Bangkok, December 9, 1991 - January 9, 1992: Prasong Luemuang, Water Moon,, Goethe Institut, Bangkok,
November 23 - December 15, 1990.
Prasong Padmanuja: Prasong Padmanuja, PRASONG PADMANUJA Retrospective, the National Gallery, Bangkok,
July 14 - August 7, 1986.
Pratuang Emchareon: Phatarawadee Phataranwik, Pratuang & Bunying, The Nation, February 14, 1995.
Prawat Laucharoen: review, Asian Art News, Vol.11, No.5, 2001
Rawid Terdwong: Pinanong Paanchyyn, Duaj Huachaj Khong Cidtrakorn, Krungthep Wanaathid, May 30, 2542
(1999).
Rirkrit Tiravanija: Rirkrit Tiravanija, Museum Studies 4, Rirkrit Tiravanija, Philadephia Museum of Art, April 1 - May
31, 1998; Yang, Alice, The artist as chef - Rirkit Tiravanija, Art & Asia Pacific, Vol.3, No.2, 1996; Rirkrit
Tiravanija, Hyde-Antwi, Frank, Supermarket, Zrich, migros museum fr gegenwartskunst, 1998; Kuroda,
Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Galligan,
Gregory, Follow the Screenplay, in Art Asia Pacific, No. 63, May/ June 2009; Hirsch, Faye, Passport
Please, in Art in America, June/July 2011; Pym, William, Making Conversation, in Art Asia Pacific, Issue 72,
March/ April 2010; Rirkrit Tiravanija and Yoko Ono, In Another Country, in Artforum International, Vol.
47, No. 10, Summer 2009; Rirkrit Tiravanija, R. Stange & F. Waldvogel, Soccer Half Time Cookery Book, Verlag
fur Moderne Kunst, Nurnberg, 2006; Birnbaum, Daniel, The Lay of the Land Artforum, vol 43, No. 10,
2005; Cornwell-Smith, Philip, Ramakien Unplugged, ArtAsiaPacific, No. 51, 2007; Griffin, Tim, Remote
Possibilities, Artforum, vol 43, No. 10, 2005; Leffingwell, Edward, Rikrit Tirivanija at the Guggenheim
(review), Art in America, Vol. 93, iss. 10, Nov 2005; Mertens, Brian, Rikrit Tiravani Launches New Bangkok
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182
2005; Rikrit Tiravanija ARC/Musee dArt Moderne, (review), Flash Art, Vol. XXXVIII, No. 242, May-
Jun, 2005.
Sabai, Soi: Teh, David, Soi Sabais Temporary Art Connections, ArtAsiaPacific, No. 50, 2006.
Sakarin Khrue-on: review, Asian Art News, Vol.10, No.6, 2000 ; Pettifor, Steven, Harvesting Art, in Asian Art News,
Vol. 18(2), March/April, 2008, pp. 96 99; Pettifor, Steven, Something Old, Something new, World
Sculpture News, Vol. 12, No. 2, 2006; review, Asian Art News, Vol. 15, No. 1, 2005; review, Flash Art, Vol.
XXXIX, No. 249, July-September, 2006; Salus, Carol, Recent art of Sakarin Krue-On: an interview in Art
Journal, 67.2 (Summer 2008): p. 92.
Sansern Milindasuta: Sansern Milindasuta, The Gardener, Bangkok, National Gallery 1993.
Santi Thongsook: Yvan Cohen, Artistic Witness to a Helter Skelter Urban Nightmare, The Nation, January 5, 1995.
Saravudth Duangjumpa: West, Andrew. Saravudth Duangjumpa: A Contemporary Thai Artist. TAASA Review, 7:3
1998
Sermsuk Thiensoonthorn: Sermsuk Thiensoonthorn, Outbound Conversation Between 1993-1998, Bangkok, the National
Gallery, 6-28 February.
Silpa Phirasri [Corrado Feroci]: Silpa Bhirasri, Articles from the Catalogues of the Annual National Art Exhibition. Published
in Silpa Bhirasris funeral at Meero Naa Phlabphla Idsariyaaporn, Wat Thebsirintharaawaad, January 17,
2506 (1963): Silpa Bhirasri, Comments and Articles on Art, Bangkok, The National Association of Plastic Arts of
Thailand, 1963; Silpa Bhirasri, Contemporary Art in Thailand, Bangkok, the Promotion and Public Relations
Sub-division, the Fine Arts Department, 2532 (1989); Chabap phiset 100 bi sastracaan silpa phirasri,
Warasaan Mahawithayalaay Slipakorn, No.12, 2535 (1992); Damrong Wonguparad, Nithadsakaan Cidthrakam
Phabthaj Lae Khormuun Kiawkab Chiiwid Lae Phonngaan Khong Professor Silpa Bhirasri, Suun Thadsanasin
Damrong Wonguparad, May 14 - June 30, 2541 (1998); Leesuan, Viboon, The Life and Works of Silpa Bhirasri,
Bangkok: Sitca Group of Companies, 1996.
Siriput Pullarp: Siriput Pullarp, The Elements of Humankind, Ceramic Art Exhibition,Queen Sirikit Naitonal Convention
Center, Bangkok, November 25 - December 15, 1992
Sittichai Pratchayaratikun: Sittichai Pratchayaraticun, Art Exhibition by Sittichai Pratchayaraticun, Design Line Gallery,
Bangkok, January 6 - February 6, 1992.
Somboon Hormienthong: review, Asian Art News, Vol.12, No.3, 2002; review, Asian Art News, Vol.11, No.6, 2001.
Somboon Hormthienthong: Khetsirin Knithichan, When is a stone not just a stone, The Nation, January 30, 1995:
Somboon Hormthienthong Work 1968-1989, Bangkok, National Gallery, 1989; Somboon Hormthienthong,
Paper Work 1990-1992, Bangkok, Contempus Gallery 1993.
Somchai Hattakitakosol: Somchai Hattakitakosol, Paintings, Bangkok, Monthien Hotel, 1993
Sompop Budtarad: Sompop Budtarad, The Art Exhibition by Sompop Budtarad, Phonngaan 2535-2539, October, 4-31,
1996; Sompop Budtarad, Contemporary Art 2528-2535, December 21, 1992- January 30, 1993.
Somporn Rodboon: interview, Asian Art News, Vol.9, No.5, 1999
Srithongdee, Thaweesak: review, Asian Art News, Vol. 16, No. 5, 2006.
Srivilasa, Vipoo: Pettifor, Steven, Ceramic Narratives, World Sculpture News, Vol. 11, No. 3, 2005.
Sriwan Janehuttakarnkit: Sriwan Janehuttakarnkit, Sriwan Janehuttakarnkit 1993, Dialogue 1991, Bangkok, n.d.
Supoj Sirirajanikorn Supoj Sirirajanikorn, The Lost Soul, Studio Xang, February 24 - March 31, 1996.
Surasi Kusolwon, Gaweewong, Gridthiya, Surasi Kusolwong in Art Asia Pacific, Issue 37 (2003), p. 48Surasit
Saowakong: John Hoskin, Surasit Saouakong, Recapturing the old Chiang Saen style of Buddhist art,
Sawsdee, n.d; Rooseum, Malm, Surasi Kosolwon (Review) in Frieze, Issue 83 (May 2004), pp. 91-92; Sans,
Jerome. Surasi Kusolwong.. Montreuil: les dtions de l'oeil, carnets de la creation, 2002
Surojana Sethabutr: Pettfior, Steven, Cracking potted traditions, Asian Art News, Vol.12, No.1, 2002
Sutee Kunavichayanont: Sutee Kunavichayanont, Works 1995 - 1998, Tadu Contemporary Art, Bangkok, 1995 1998;
Sutee Kunavichayanont, Flowing Tide, Silom Art Space, Bangkok, May 7 - June 18, 1994. 2 books; Sutee
Kunavichayanont, Flowing Tide, Allen Street Gallery, Sydney, Australia, no date; Sutee Kunavichayanont,
Time and Mind, Drawing Installation by Sutee Kunavichayanont, Tin Sheds Gallery, Sydney, Australia, 1993; Sutee
Kunavichayanont, Flowing Tide, unpublished MVA Research Paper, Sydney College of the Arts, 1993;
Somrak Bunlung, Phawa Un Naaryynrom Pherm Chiiwid Chiiwaa Phaan Hun Silikhon, **** no data;
Pettifor, Steven, For All Times, On Sutee Kunavichayanont, Thailand Feature, Asian Art News, Vol. 12,
183
No. 1, January/February 2002; Rodriguez, Hilda Maria, Sutee Kunavichayanont in Art Asia Pacific, Issue
37 (2003), p. 81. ; review Art AsiaPacific, 22, 1999. ; in Kee, Joan, Transience and Time, Art AsiaPacific 28,
2001; Pettifor, Steven, For all times Asian Art News, Vol.12, No.1, 2002. ; Manit Sriwanichpoom, Ing
Kaanchanawich: History & Memory, Bangkok, Tadu, 2002; Sutee Kunavichayanont: Stereotyped Thailand
review, ArtAsiaPacific, No. 48, 2006; review, Asian Art News, Vol. 15, No. 6, 2005.
Tawan Wattuya, Pettifor, Steven Parlor Tales, in Asian Art News, Vol. 20, No. 2, March/ April 2010
Taweesak Srithongdee: review, Asian Art News, Vol.11, No.6, 2001; Lena., Inflated Nostalgia: Solo Exhibition by
Sutee Kunavichayonont, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.6-8.
Teerawat Kanama: Findlay, Ian, Teerawat Kanama at Surapon Gallery, Asiaweek, Exhibition Reviews, Thailand
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Thaiwijit Puangkasemsomboon: Thaiwijit Puangkasemsomboon, Recent Paintings, Bangkok, Visual Dhamma Gallery,
1991.
Thammasak Boomcherd: Thammasak Boomcherd, Three Dimension Work, the National Gallery, Bangkok, January 8 -
31, 1999.
Thanom Chakpadee: critic Pettifor, Steven, Studios exposed, Asian Art News, Vol.12, No.1, 2002
Thasnai, Sethaseree: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Thavorn Ko-Udomvit: Phatarawadee Phataranawik, In search of new horizons, The Nation, January 9, 1995; Thavorn
Ko-Udomvit, Art Exhibition by Thavorn Ko-Udomvit1989-1990, Seven Seas Gallery. The National Gallery,
Fukuda Gallery, 1990; Thavorn Ko-Udomvit, Prints 1990-1992, Gallery APA, Japan; Silom Art Space,
Bangkok, 1992; Thavorn Ko-Udomvit, Thavorn Ko-Udomvit1990-1991, Bangkok, NOB Gallery, n.d.
Thawan Duchanee: Thawan Duchanee, Fukuoka, Fukuoka Art Museum, 1990; The Buddhist Art of Thawan Ducahnee/
Wenk, K/ Zurich 1981 [ NLA ef741.9593 T368W]; Thawan Duchanee, Thailand -- In Quest of the Ultimate
Sacredness, Fukuoka Art Museum, the Japan Foundation ASEAN Culture Center Gallery, Japan, 1990;
Ciraaporn Carernded & Pinanong Paanchyyn, Man of GM, Thawan Duchanee, GM Magazine, Pak Lung,
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Thawii Nanthakhwuang: Thawii Nanthakhwuang, Retrsopective 1949-1990, Bangkok, National Gallery, 1990.
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Titapol Suwankusolsong: Phatarawadee Phataranawik, A Structural Approach to Space, The Nation, February 20,
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Toi Ungkavatanapong: Toi Ungkavatanapong & Anurak Chatanan, Fact VS Fiction, Tadu Contemporary Art,
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Udomsak Krisanamis: Udomsak Krisanamis, An Exhibition of Work by Udomsak Krisanamis, Goethe-Institut, Bangkok,
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Vane Group: Namtaa Rungaruun, Rorj Jab Tii Khorbfaa Lae Bangsuan Caak Bantyk Khong Kanghan, no date
and publications name
Vasan Sitthiket: Wasan Sitthiket, Farmers Are Farmers, Tadu Contemporary Art, Bangkok, October 22 - November
29, 1998; Wasan Sitthiket, No Future, Sunday Gallery, December - January, 1996; Khetsirin Knithichan,
Vasan falls foul of the censors, The Nation, pp.c7-c8, February 13, 1995; I Love Thai Culture, the National
Gallery, February 7 - March 3, 2538 (1995). The Nation January 14, 1995 ; Wasan Sitthiket, Inferno, the
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Viboon Leesuwan: Viboon Leesuwan, Poetic Colours on Sa-Paper, the Art Forum Gallery, Bangkok, March 4-25, 1992;
Viboon Leesuwan, Poetic Colours on Sa-Paper, Pacific Asia Museum & Department of Art, CA, USA, March -
April , 1990.
Vichoke Mukdamanee: Vichoke Mukdamanee, The Worldview of Vichoke Mukdamanee, the National Gallery, Bangkok,
October 5-31, 1998; Thomas Brecelic, An Expanding Universe of Earthly Junk, Bangkok Post, May 25,
184
1996; Vichoke Mukdamanee, Modern Existence 1992, Solo Art Exhibition by Vichoke Mukdamanee, the National
Gallery, Bangkok, February 6-28, 1992: Vichoke Mukdamanee & Kamol Phaosavasdi, Kamol & Vichoke
Contemporary Art Exhibition, the Faculty of Painting Sculpture and Printmaking, Silpakorn University
Bangkok, November 25- December 12. ; 1992. review, Asian Art News, Vol.11, No.3, 2001
Vijinthansarn, Panya: Pettifor, Steven, A Painterly Pairing, Asian Art News, Vol. 16, No. 3, 2006.
Wannaa Juukhong: Pinanong Paanchyyn, Duaj Huachaj Khong Cidtrakorn, Krungthep Wanaathid, May 30, 2542
(1999).
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Wipawee Boriboon: Wipawee Boriboon, Solo Exhibition of Art by Wipavee Boriboon, Dialogue Gallery, Bangkok,
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Wiroon Thangjaroen: Wiroon Thangjaroen, A New Essence, Bangkok, Tadu Contemporary Art, May-June.
Womanifesto: Nair, Varsha, Womanifesto, Art AsiaPacific, 26, 2000; Pettifor, Steven, A communion of
understanding, Asian Art News, Vol.12, No.1, 2002
Yuree Kensaku Pettifor, Steven, Polished Darkness in Asian Art News, Vol. 14, Number 3 (May/June, 2004), pp.
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Politics and Society
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Committee for the Rattanakosin Bicentennial Celebration, Rattanakosin Painting, Bangkok, 1982.
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Meechai Thongthiep, comp., Ramakien: The Thai Raamayana, Bangkok, Naga Books, 1993.
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No Na Pak Nam, Farang Naj Sinlapa Thai, Bangkok, Muang Boran Publishing House 2529 (1986).
No Na Pak Nam, Sinlapa Ciin Lae Khon Ciin Naj Thai, Bangkok, Muang Boran Publishing House 2530 (1987).
No Na Pak Nam, Wat Bangkae Yai, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House,
June 2534 (1991).
No Na Pak Nam, Wat chong Nonsi, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House,
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No Na Pak Nam, Wat Maithepnimit,, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing
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186
No Na Pak Nam, Wat Matchimawat, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House,
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No Na Pak Nam, Wat Pathumwanaram, Mural Paintings of Thailand Series Bangkok, Muang Boran Publishing
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No Na Pak Nam, Wat Phra Sing, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House,
March 2526 (1983).
No Na Pak Nam, Wat Phrachetuphon, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing
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No Na Pak Nam, Wat Phumin and Wat Nong Bua, Mural Paintings of Thailand Series No. 2, Bangkok, Muang
Boran Publishing House, October 2529 (1986).
No Na Pak Nam, Wat Pradu Song Tham, Mural Paintings of Thailand Series No. 2, Bangkok, Muang Boran
Publishing House, July 2528 (1985).
No Na Pak Nam, Wat Ratchasittharam,Mural Paintings of Thailand Series No. 2, Bangkok, Muang Boran
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No Na Pak Nam, Wat Somanat Wihan, Mural Paintings of Thailand Series Bangkok, Muang Boran Publishing
House, July 2538 (1996).
No Na Pak Nam, Wat Suthat Dhepwararam, Mural Paintings of Thailand Series Bangkok, Muang Boran Publishing
House, March 2539 (1996).
No Na Pak Nam, Wat Suwannaram, Mural Paintings of Thailand Series, 2nd eds., Bangkok, Muang Boran
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No Na Pak Nam, Wat Thong Thammachat, [R3] Paintings of Thailand Series No. 2, Bangkok, Muang Boran
Publishing House, May 2525 (1982).
No Na Pak Nam, Wat Yai Intharam, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing
House, October 2525 (1982).
No Na Pak Nam, Wiwadthanaakaan Laj Thaj, Bangkok, Muang Boran Publishing House, February 2534 (1991).
Paritta Chalermpow Koanantakool, Dance and Painting in 19th century Siam, Bangkok, Faculty of Sociology and
Anthropology, Thammasat University, Country Report Part 2, Traditional Performing Art in Southeast
Asia, USM, Penang, Malaysia, 10-13 August, 1999.
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Relations Sub-Division, the Fine Arts Department, 2533 (1990).
Poshyananda, A., Western-Style Painting and Sculpture in the Royal Thai Court, 2 vols., Bangkok, Amarin Printing
Group, 1993 [review by Clark, J., Art & Asia Pacific, Vol.1, No.3, 1994].
Subhadradis Diskul, M.C., History of the Temple of the Emerald Buddha, Bangkok, the Bureau of the Royal Household,
n.d.
Subhadradis Diskul, M.C., Rice, C.S., The Ramakian [Ramayana] Mural Paintings alongthe Galleries of the Temple of the
Emerald Buddha, Bangkok, Government Lottery Office, 1981.[bilingual]
Wiyada Thongmitr, Khrua In Khongs Westernized School of Thai Painting, Thai Painting Series No.1, Bangkok, Muang
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Ratanakosin (Rama V-VIII)
Chulathat Phayakharanon, Patterns and Evolution of Mural Paintings in Rattanakosin Period, from Technical Seminar on the
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Italians at the Court of Siam, The 50th Anniversary Celebration of His Majestys Accession to the Throne, Bangkok,
Amarin Printing and Publishing Public Compary Limited
Kana Kammakaan Cadngaan Somphod Krung Radtanakoosin 200 Pii, Sculptures of Rattanakosin, Bangkok, A
Publication of the Committee for the Rattanakosin Bicantennial Celebration to Commemorate the
Rattanakosin Bicentennial, 2525 (1983).
National Committee for Organizing the Celebrations for the 50th Anniversary of His Majestys Accession to the
Throne, Rattanakosin Art, the Reign of King Rama I-VIII, 2nd eds. Published in Commemoration of the 50th
187
Anniversary of His Majestys Accession to the Thorne, Bangkok, Amarin Printing and Publishing Public
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KITVL & Singapore: ISEAS, 2005
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After 1947 (Rama IX)
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General Works on Neo-traditional Art- including Group Catalogues
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Art Exhibition by the members of the Faculty of Painting, Sculpture and Graphic Arts, Bangkok, Silpakorn University [6th],
1989, [7th] 1990, [8th] 1991.
Change and Modernism in Thai Art, Canberra, Contemporary Art Space, 1991.
Eight Visions in Thai Contemporary Drawing, Bangkok, Dialogue Gallery, 1991.
Hoskin, J., Ten Contemporary Thai Artists, Bangkok, Graphis, 1984
Leesuwan, VOL., An Exhibition of Thai Art in the Peoples Republic of China Beijing, Centre of Fine Arts, 1985 [some
modern works illustrated]
Pawlin, A., Dhamma Vision, Bangkok, Visual Dhamma Gallery, 1984.
Thai-Australian Cultural Space, Sydney, Art Gallery of New South Wales, 1994.
The New Path, Bangkok, Con-tempus 1992.
Third Thai Art 80, Bangkok, Bhirarsi Institute of Modern Art, 1980.
White Group 4th Contemporary Water Colour Exhibition/ Bangkok, National Gallery, March 1985.
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Apinan Poshyananda, Thai MODERNism to (post?) modernISM, 1970s and 1980s (Seeing Yellow from a Thai
perspective), in Clark, J., ed., Modernity in Asian Art, Sydney, Wild Peony, 1993.
Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford University Press, 1992. (Review Clark, John, Art
Monthly Australia, April, 1993.
Bhirasri, S. [Thai name of Ferroci, Corrado], Contemporary Art in Thailand, Bangkok, Fine Arts Department, B.E.
2532 [1989].
Cate, Sandra, Making Merit, Making Art: A Thai Temple in Wimbledon, Honolulu, University of Hawaii Press, 2003
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Michaelsen, H., State Building and Thai Painting and Sculpture in the 1930s and 1940s, in Modernity in Asian Art,
1993.
Michaelsen, H., Thailand in the 1980s, Art Monthly Australia, No.41, June 1991.
Michaelsen, H., Die Entwicklung und die Konsequenzen der westlichen Einflsse auf die zeitgenssische thailndische Malerie,
Magisterarbeit, Ruhr Universitt-Bochum, 1987.
Pawlin, A., Reaching beyond Tradition, Asian Art News, 1, No.3, Nov/Dec 1991.
188
Pettifor, Steven, Flavours: Thai Contemporary Art, Bangkok, Thavibu Gallery, 2003
Phillips, H., The Integrative Art of Modern Thailand, Berkeley, Lowie Museum of Anthropology and California
University Press, 1992. [Review by Murray, S.E., Asian Art News, 2, No.2 Mar/ Apr 1992].
Piriya Krairiksh & Thongchua, P., Art in Thailand since 1932, Bangkok, Thamasat University, Thai Khadi Research
Institute, 1982.
Piriya Krairiksh, Thai Reflections on American Experiences, Bangkok, Bhirasri Institute of Modern Art, 1986
Poshyananda, Apinan, Portraits of Modernity in the Royal Thai Court, in Asian Art & Culture V(VIII, 1), Winter,
1995.
Rodboon, Somporn, Contemporary Art Scene in Thailand, Kuroda, Raiji, ed., The First Fukuoka Asian Art
Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Smithies, M., The Bangkok Art Scene in the Early 1960s: A personal souvenir, Journal of the Siam Society, Vol.66,
July 1978.
Wong-Uparaj, Damrong, Professor Silpa Bhirasri, 1978.
Architecture and Environment
Aasen, Clarence, Architecture of Siam, A Cultural History Interpretation, Kuala Lumpur, Oxford University Press, 1996.
Askew, Marc, Interpreting Bangkok, The Urban Question in Thai Studies, Bangkok, Chulalongkorn University Printing
House, 1994.
Askew, Marc, Bangkok: Place, Practice and Representation, London, Routledge, 2002.
Dumaray, Jacques, The House in South-East Asia, (Tr.& Ed. Smithies, M.), Singapore, Oxford University Press,
1990.
Dumaray, Jacques, The Palaces of Southeast Asia, Architecture and Customs [tr., ed. Michael Smythies], Singapore,
Oxford University Press, 1991.
Fox, James J., ed. Inside Austronesian Houses, Canberra, Australian National University, 1993.
Kana Kammakaan Cadngaan Somphod Krung Radtanakoosin 200 Pii, Architectures of Rattanakosin, Bangkok, A
Publication of the Committee for the Rattanakosin Bicantennial Celebration to Commemorate the
Rattanakosin Bicentennial, 2525 (1983).
Sumet Jumsai, Naga, Cultural, Origins in Siam and the West Pacific, Singapore, Oxford University Press, 1989.
Moore, Elizabeth, et.al, Ancient Capitals of Thailand, Bangkok, Asia Books Co.,Ltd., 1996.
Smithies, Michael, Old Bangkok, Singapore, Oxford University Press, 1993.
Waterson, Roxana, The Architecture of South-East Asia through Travellers Eyes, Kuala Lumpur, Oxford University
Press, 1998.
Waterson, Roxana, The Living House, An Anthropology of Architecture in South-East Asia, Singapore, Thames and
Hudson, 1997.
Craft
Bhirasri, Silpa, Thai Lacquer Works, Bangkok, The Promotion and Public Relations Sub-Division, the Fine Arts
Department, 2532 (1989).
Cohen, E., The Commercialized Crafts of Thailand: Hill tribes and lowland villages, Richmond, Curzon & Honolulu,
Connors, Mary F., Lao Textiles and Traditions, Kuala Lumpur, Oxford University Press, 1996.
Conway, Susan, Thai Textiles, London, British Museum Press, 1992.
Fraser-Lu, Sylvia, Handwoven Textiles of South-East Asia,2nd Impression, Singapore, Oxford University Press, 1990.
Songsak Prangwatthanakun & Patricia Naenna, Lan Na Textiles, Yuan Lue Lao, Chiang Mai, the Center for the
Promotion of Arts and Culture, Chiang Mai University, 2533 (1990).
Subhadradis Diskul, M.C. ,The Lacquer Pavilion at Suan Pakkad Palace, Bangkok Princess Chumbhot of Nagara
Svarga.
Thai Textiles, Threads of a Cultural Heritages, Chiang Mai, Center for the Promotion of Arts and Culture, Chiang Mai
University, 1996.
Wiboon Liisuwan, Directory of ThaiFolk Handicrafts, Bangkok ,The Industrial Finance Corporation of Thailand, 2532
(1989).
189
Reference
Joti Kalyanamitra, Six Hundred Years of Work by Thai Artists & Architecture, Bangkok, The Fine Arts Commission of
the Association of Siamese Architects Under Royal Patronage, 1977.
Art Collection & Galleries
Curtin, Brian, Conference of Birds, in Flash Art, Vol. XLI, No. 262, October 2008.
Moonlanithi Thanaakaan Krongtheb, Bua Luang Paintings, A Collection of Prize Winning Paintings from the 1st to 19th
Bua Luang Painting Competitions To Mark the 50th Anniversary (Golden Jubilee) Celebrations of His Majesty the Kings
Accession to the Throne, Bangkok, Amarin Printing and Publishing Co., ltd. (plc), 2539 (1996).
Pettifor, Steven, A New Art Center For A New Era [Bangkok Art and Culture Centre], in AsianArtNews, vol. 18,
no. 6, Nov/Dec 2008, p. 96-99
Pettifor, Steven, A Fresh Face For Thai Art [Apinan Poshyananda on Bangkok Art and Culture Centre], in
AsianArtNews, vol. 18, no. 6, Nov/Dec 2008, p. 100-101
Thavibu Gallery, Numthong Gallery, Bangkok, Art AsiaPacific, No.34, 2002.
The Thai Farmers Bank Art Collection, Award from Contemporary Art Competition in the Year 1979-1995 and Realistic
Paintings in the Year 1994
TISCO 25 Anniversary,TISCO Contemporary Art Collection, Bangkok, Thai Investment and Securities Public Company
Limited.
Sombat Permpoon Gallery, Amazingly fine, Amazingly Thai, Bangkok, Sombat Permpoon Gallery.
Subhadradis Diskul M.C. et al.,The Suan Pakkad Palace Collection, 2nd printing, Bangkok, Princess Chombhot of
Nagara Svarga, 1991.
Selected Major Exhibitions in Thailand (by year- material in some Australian public libraries)

1951
National Exhibition of Art, Bangkok, Silpakorn University, 10 November - 10 December.

1958
National Exhibition of Art, Bangkok, Hor Sin Trong Khaam Anudsaawarii Thahaanaasaa, 15 March - 15 April.

1979
Kaan Sadaeng Sinlapakam Haeng Chaad Khrang Thii 1, Bangkok, 15-30 November. Circulated Exhibition

1982
Vane Group, 3rd Exhibition of Paintings by Vane Group, Bangkok, the Bhirasri Institute of Modern Art, 12-31
January.

1984
20 Artists, Paperwork,Bangkok, the Silpakorn University Art Gallery, 25 February - 12 March.
Dhamma Vision, Bangkok, Visual Dhamma Gallery.

1987
Thai Farmers Bank, Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion of His Majesty
the Kings Sixtieth Birthday Anniversary, Bangkok, Thai Cultural Center, no date.

1988
5 Young Artists of the Year88, Bangkok, the Art Gallery Silpakorn University, 2-14 June.

1989
5 Young Artists of the Year89, Bangkok, the Art Gallery Silpakorn University, 1-19 June.

1990
190
Asian International Art Exhibition, Kuala Lumpur, National Art Gallery, 17 December,1990-6 January 1991.

1991
Art and Environment, Bangkok, the Gallery of the Faculty of Painting Sculpture and Graphic arts, Silpakorn
University, 6-28 February.
Bangkok Bank Ltd. Biographies of Thai Artists, Printed for IBRD/IMF Meeting, Bangkok, Thailand, 1991.
Change and Modernism in Thai Art, Canberra, Australia, Galleries 1 and 2, Gorman House, 14 March - 6 April.
Kaan Prakuad Sinlapakam Por Tor Thor Khrang Thii 6, Bangkok, the Art Gallery Silpakorn University, 2-19
December.
Parallel Views, An Exhibition of Contemporary Thai Art, Victoria, Australia, Luba Bilu Gallery, 4-28 September.
Somporn Rodboon, Thai Contemporary, Works on Paper, no date.
The 8th Exhibition of Contemporary Art by Young Artists, On the Occasion of Silpa Bhirasri Day, Bangkok, the Silpakorn
University Art Gallery, 15 September - 8 October.
8th Art Exhibition by the Members of the Faculty of Painting Sculpture and Graphic Arts Silpakorn University, The Centennial
Celebration of Professor Silpa Bhirasri, Bangkok, Faculty of Painting Sculpture and Graphic Arts Silpakorn
University, 15 September - 5 October.
3th Toshiba Brings Good Things to Life Art Competition 1991, no date
Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion of the Thirty Sixth Birthday Anniversary
of Her Royal Highness Princess Maha Chakri Sirindhorn in the Year 1991, Bangkok, Thai Cultural Center,
sponsored by Thai Farmers Bank, no date.
8 Actual Visions in Thai Contemporary Drawing, Bangkok, Dialogue Gallery, 10-24 November.

1992
Bangkok artists, Bangkok Matters, Bangkok, Silom Art Space, 28 March - 23 May.
Bangkok-Nagoya, Bangkok, the Art Gallery Silpakorn University, 7-28 October.
Charity Auction for Special Olympics of Thailand, Bangkok, Dialogue 1991, 14-16 November
Creative Feminity, Bagnkok, Queen Sirikit National Convention Center, 3 May - 3 June.
Cries from theHills, Childrens Art Exhibition from 6 tribes(Karen, Hmong, Mien, Lisu, Lahu, Akha), 17-24 October 2535
(1992) Circulated Exhibition in Thailand.
Exhibition of Art Instructors 1992 Faculty of Fine Arts Chiangmai University,Bangkok, the National Gallery, 18
September - 10 October.
Isan Group, The Sky Without Birds, The Earth Without Animals Bangkok, River City Department Store, 13-23
November.
Krom Sinlapakorn, 73 Sinlapin Thaj Sid Silp Bhirasri, Bangkok, Phiphidtaphansathaan Haeng Caad, August -
September.
Melancholic Trance, Bangkok, Visual Dhamma Gallery, 23 May - 30 June.
Modern Thai Prints & Works on Paper, An Exhibition to Mark Thailand Update 1992, Sydney, Australia, University of
Sydney Staff Club, 8-15 October.
Multiple Drawing, Bangkok, the Gallery of the Faculty of Painting Sculpture and Graphic Arts Silpakorn University,
24 August - 9 September.
4th Toshiba Brings Good Things to Life Art Competition 1994, no date.
9th Art Exhibition by the Members of the Faculty of Painting Sculpture and Graphic Arts Silpakorn University, The Centennial
Celebration of Professor Silpa Bhirasri, Bangkok, Faculty of Painting Sculpture and Graphic Arts Silpakorn
University, 15 September - 5 October.
Painting and Sculptures Exhibitions on the Occasion of the Bank of Thailands 50th Anniversary, Bangkok, Bangkhunprom
Palace 2-4 December 1992, Thailand Cultural Center 15-31 January 1993. (book)
Painting and Sculptures Exhibitions on the Occasion of the Bank of Thailands 50th Anniversary, Bangkok, Bangkhunprom
Palace 2-4 December 1992, Thailand Cultural Center 15-31 January 1993. (pamphlet)
The Decade of Printmaking, Bangkok, Queen Sirikit National Convention Center, 21 July - 10 August.
The New Path, Bangkok, Queen Sirikit National Convention Center, 5-31 January.
191
The 9th Exhibition of Contemporary Art by Young Artists, In Commemoration of The Centennial Celebration of Professor Silpa
Bhirasri, Bangkok, the Silpakorn University Art Gallery, 21 August - 8 September.
Thai Farmers Bank, Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion of Her Majesty
the Queens Sixtieth Birthday Anniversary, Bangkok, Thai Cultural Center, no date.
Thai Farmers Bank, Contemporary Art Exhibition 1992,Bangkok, the National Gallery, 8 June - 8 July.
White Group, A Decade of White Group , Individual Project 1992.Bangkok, Silom Art Space Gallery 15 October - 15
November, National Art Gallery 4 - 29 November

1993
Contemporary Thai/Japanese Art Exhibition, Beyond the Border, Tokyo, P3 art and environment, 9-23 December;
Bangkok, Silpakorn University Art Gallery, 14-27 February.
Four Painters, Bangkok, the National Gallery, 9-28 December.
Sai-Nam-Tai Contemporary Art Exhibition, Bangkok, Tridhos Gallery, 11 November - 31 December.
Thailand -- Land of Thousands Ideas, Bangkok, the National Gallery, 9-30 January.
The 38th National Exhibition of Art, the Centennial Celebration of Professor Silpa Bhirasri, Bangkok, the Silpakorn
University art Gallery, 15 September - 5 October.
The 10th Exhibition of Contemporary Art by Young Artists, Commemorating Silpakorn Universitys 50th Anniversary,
Bangkok, the Silpakorn University Art Gallery, 25 August - 10 September.
White Group, People, Bangkok, the Silapkorn University Art Gallery, 1-25 December.

1994
Cobalt Blue Group, The 2nd Contemporary Art Exhibition by Cobalt Blue Group, Bangkok, the Imperial Queens Park
Hotel, 6-23 January.
1st Art Exhibition by the Members of the College of Fine Arts, Bangkok, the National Gallery, 10-31 August.
6th Toshiba Brings Good Things to Life Art Competition 1994, no date.
Saang Saan Tamnaan Sin, 20 Pii Naew Ruam Sinlapin Haeng Prathed Thai 2517-2537, Bangkok, Queen Sirikit National
Convention Center, October.
Tadsawat Group, 1st Art Exhibition, Bangkok, Place of Art, 30 October - 20 November.
2537 Art Exhibition, Bangkok, the Changing Exhibition Hall, Thailand Cultural Center, 21 November - 18
December, sponsored by Bangkok University. cit
Water Group, Art Exhibition by Water Group, Bangkok, Art Forum Gallery, 4-25 February.

1995
Exhibition of Contemporary Art, Toshiba Bring Good Things to Life, Bangkok, no date, no place of exhibition
Nithadsakaan Cidtrakam Thai, 10 Pii Klum Thaan Kuud, Bangkok, Place of Art, 19 March - 9 April. 2 books
Thai Farmers Bank, Contemporary Art Exhibition 1995, Bangkok, the National Gallery, 9-30 June.
Thai Tensions, Bangkok, the Art Center, Center of Academic Resources, Chulalongkorn University, 1-30
September.
The Members of the Department of Graphic Arts, Faculty of Painting Sculpture and Graphic Arts, Graphic Arts
Exhibition, Bangkok, Faculty of Painting Sculpture and Graphic Arts, 5-31 July.

1996
Cobalt Blue Group, The 3rd Art Exhibition by Cobalt Blue Group, Bangkok, the National Gallery, 8-30 March.
Into the Next Decade, Tadu Contemporary Art, November 28, 1996.
Into the Next Decade, Tadu Contemporary Art, 29 November 1996 - 25 January 1997.
Liveart, Thailand First Performance Art Event, Bangkok, Concrete House, 6 July.
Symbolist, 1996 Art Exhibition, Bangkok, Place of Art, 5-24 January 1997.
Third Art and Cultural Festival, Temples, Cemeteries, Private-Residences, Public Buildings, Streets, Bridges, Walls, rivers and
Canals, Open Spaces, Chiang Mai, Thailand, Chiangmai Social Installation, Faculty of Fine Arts, Chiang Mai
University, 19 November - 19 February.
W O M A N?, Bangkok, the Art Center, Center of Academic Resources, Chulalongkorn University, 8-31 August.
192

1997
Absolute Abstract, Bangkok, Tadu Contemporary Art, 28 March - 25 May.
Golden Jubilee Art Exhibition, 50 Years of Thai Art on the Occasion of the 50th Anniversary of HM King Bhumibol Adulyadejs
Accession to the Throne,Bangkok, Queen Sirikit National Convention Center. December 1996 - January 1997
Hanoi Fine Arts Institute, Silpakorn University, Hue College of Arts, and Chiang Mai University, Contemporary Fine
Arts Exhibition, no date.
Painters Pursuit, Bangkok, Tadu Contemporary Art, 7 June - 31 July.
14th Art Exhibition by the Members of the Faculty of Painting Sculpture and Graphic Arts, In Commemoration of 55th
Aniiversary of the Faculty of Painting Sculpture and Graphic Arts, Silpakorn University, Bangkok, the Gallery of the
Faculty of Painting Sculpture and Graphic Arts, 15 September - 15 October.

1998
Bangkok Art Project 1998, January Events 2542 (1999) cit
5 Decades of the National Exhibition of Art 1949-1998, Bangkok, the Art Gallery Silpakorn University, 1-30 June.
Hers Group, Woman Opportunity, Bangkok, Tadu Contemporary Art, 18 December-18 January. 2 posters
Master Thai Artists in Japan, Bangkok, the Art Gallery, the Faculty of Painting Sculpture and Graphic Arts,
Silpakorn University, 27 June - 15 July.
Plastic (&other) Waste, Bangkok, the Art Center, Center of Academic Resources, Chulalongkorn University, 7 April
- 1 May.
73 Thai artists & 7 Asian artists, Bangkok Art Project 1998, Bangkok, Public Art in Community Lives Across the
Ratanakosin Island, 8 December 1998 - 31 January 1999. 2 books
The Pink, the Bad & the Ugly, the Art Center, Centers of Academic Resources, Chulalongkorn University, 13-30
October 1998.

1999
New Essence, Bangkok, Tadu Contemporary Art, 13 May - 13 June.
Plastic (&other) Waste, Bangkok, the Art Center, Center of Academic Resources, Chulalongkorn University, 7 April
- 1 May.
The members of Thai Art Department, Faculty of Painting Sculpture & Graphic Arts, Silpakorn University, Thai
Art Exhibition, Bangkok the Art Gallery Silpakorn University, 24 May -11 June.
The members of Thai Art Department, Faculty of Painting Sculpture & Graphic Arts, Silpakorn University, Thai
Art Exhibition, Bangkok the Art Gallery Silpakorn University, 24 May -11 June, price list.
Womanifesto-II, Second International Womens Art Exchange, Bangkok, Saranrom Park, 13 March - 4 April.
Vasha Nair, Womanifesto II-- jogging ahead, n.paradoxa, Vol. 4., 1999.

2004
Lschmann, Jrg, ed. Identities, versus Globalisation (Catalogue), Chiangmai, Heinrich Bll Foundation, 2004

2007
Pettifor, Steven, In Praise of the Spirit, in Asian Art News, Vol. 18(1), January/February, 2008, pp. 74 - 79.

Modern Thai Art
Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford University Press, 1992.
Apisuk, Chumpon, Art of Dissent, Artlink, Vol. 13, No.3&4, November-March 1993/94
First International Conference on Modern Art in Thailand Modern Art in Thailand 1932-1992, Changing Perspectives,
organised by the Faculty of Fine and Applied Arts, Chulalongkorn University, 31 July - 2 August, 1992
National Committee for Organizing the Celebrations for the 50th Anniversary of His Majestys Accession to the
Throne, Rattanakosin Art, the Reign of King Rama IX 2nd eds. Published in Commemoration of the 50th
Anniversary of His Majestys Accession to the Thorne, Bangkok, Amarin, 1997
193
Pettifor, Steven, The Drama of Animals, [Peter Woytuk in Bangkok], in World Sculpture News, vol 14, no 4,
Autumn 2008, pp.52-56
Phillips, Herbert P.The Integrative Art of Modern Thailand, Berkeley, University of California at Berkeley, 1992.
Piriya Krairiksh & Pishnu Supanimit, Art since 1932, Research Document No. 17 Bangkok, Thai Khadi Research
Institute, Thammasart University (1982).
Poshyananda, Apinan, Introduction to Thai Modernism, Artlink, Vol. 13, No.3&4, November-March 1993/94
Thomson, Jonathon, A Confident Vision, in Asian Art News, Vol. 17(6), November/December, 2007, pp. 78
82.
Photography in Thailand
Anake, Nawigamune. Taay rup muang Thay samayreek [The Early History of Photography in Thailand], Bangkok,
Catpim Khrangreek Thay, 1987.
Cary, Caverlee, In the image of the King: Two Photographs from Nineteenth Century Thailand, in Taylor Nora
E. ed, Studies in Southeast Asian Art: Essays in Honor of Stanley J.OConnor, Ithaca, SEAP Cotrnell University,
2000.
Klima, Alan, The Funeral Casino: Meditation, Massacre, and Exchange with the Dead in Thailand, Princeton & Oxford,
Princeton University Press, 2002.
Morris, Rosalind C., In the Place of Origins: Modernity and its Mediums in Northern Thailand, Durham, N.C.: Duke
Morris, Rosalind, ed., Photographies East: The Camera and its Histories in East and Southeast Asia, Durham & London,
Duke University Press, 2009.
Morris, Rosalind, Suriving Pleasure at the Periphery: Chiang Mai and the Photographies of Political Trauma in
Thailand, 1976-1992, in Public Culture, Vol. 10, No. 2, pg. 341-70
Peleggi, Maurizio, Lords of Things: Fashioning thw Siamese Monarchys Modern Image, Honolulu, University of Hawaii
Press, 2002
Sakda Siripant, King and Camera, Evolution of Photography in Thailand 1845-1992, Bangkok, Prof. Sakda Siriopant, 2535
(1992).
White, Stephen. John Thomson, life and photographs: the Orient, Street life in London, Through Cyprus with the camera.
London: Thames & Hudson, 1985. [includes 1865 photographs of Siam and Cambodia]
Wubin, Zhuang, Politics and Identity: Contemporary Photography in Thailand, in Trans-Asia Photography Review,
Vol. 1, No. 2, Spring 2011, available online, http://quod.lib.umich.edu/cgi/t/text/text-
1980s
Sandra Cate, Long-Distance Merit-Making, Art at a Thai Buddhist Temple in Wimbledon, unpublished PhD Thesis,
University of California, Berkeley, 1998.
Virginia Henderson, The Social Production of Art in Thailand, Patronage and Commoditisation, 1980-1998, unpublished
MA in Thai Studies Thesis, Chulalongkorn University, 1998.
Sodchuen Chaiprasathna, Surrealistic Trends in Painting and Literature in Thailand 1964-1984, Bangkok, The Siam
Society, 1996.
1990s
Apinan Poshyananda, Behind Thai Smiles: Three Contemporary Thai Artists, Art & Asia Pacific, No.1,
supplement to Art & Australia, March 1993.
Apinan Poshyananda, Smile-a-while campaigns for cultural correctness, Art & Asia Pacific, Vol.2, No.3, 1995.
Chanjaraen, Chanyaporn, Chiang Mai Art Festival, Art & Asia Pacific, Vol.1, No.4, 1994.
Chanjaroen, Chanyaporn, Testing the Audience, Artlink, Vol. 13, No.3&4, November-March 1993/94
Clark, John, Fifty years of National Art Exhibitions, Asian Art News, Vol.9, No.6, 1999
Clark, John, Decoration and distance: The work of Damrong Wong-Upparaj, Art & Asia Pacific, Vol.2, No.3,
1995.
Datuin, Flaudette May VOL., The Goddess and the Mural Painter: Phaptawan Suwannakudts murals, ART
AsiaPacific, No.14, 1997
194
Fink, Hannah. Rythmic Air: The Fine Art of Savanhdary Vongpoothorn. Art Asia Pacific 24:1999
Gampell, Jennifer, Sale Time, Spaceless Art in Bangkok, Art & Asia-Pacific, Vol.3, No.1, 1996.
Grounds, John, Learning About Difference, Artlink, Vol. 13, No.3&4, November-March 1993/94
Hoskin, John, Looking Ahead, Artlink, Vol. 13, No.3&4, November-March 1993/94
Johnson, David. Chiang Mai Changes: Thailands celebrated installation Festival. Asia-Pacific Sculpture News 2:2
Spring 1996
Kirker, Anne, Daring to Confront, Artlink, Vol. 13, No.3&4, November-March 1993/94
Kirker, Anne. The Performance of Printmaking: Three Thai Artists. Art Asia Pacific 24:1999
Lucas, Noelene, Metaphor for a Delicate Balance, Artlink, Vol. 13, No.3&4, November-March 1993/94
Pettifor, Steven, In search of fresh direction, Asian Art News, Vol.9, No.6, 1999
Pongrapeeporn, Pipat, The Role of a Gallery Owner in Bangkok, Artlink, Vol. 13, No.3&4, November-March
1993/94
Poshyananda, Apinan, A Guide to the Art Scene in Thailand, Artlink, Vol. 13, No.3&4, November-March
1993/94
Preece, Robert, Doin it for themselves Asian Art News, Vol.7, No.6, November- December 1997.
Rasdjarmrearnsook, Araya, Problems of Women Artists, Artlink, Vol. 13, No.3&4, November-March 1993/94
Rasjarmrearnsook, Araya, The end of the Chiang Mai Social Installation, Artlink, Vol. 20, No. 2, July 2000
Rodboon, Somporn, Thai Contemporary Installation, Art Monthly Australia, No.72, August 1994.
Wongchirachai, Albert, Art as Pseudo Religion, Artlink, Vol. 13, No.3&4, November-March 1993/94
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Curtin, Brian, Phuket a Year Later (Art for Andaman series), Flash Art, Vol. XXXVIII, No. 245, November-
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Galligan, Gregory, In the New Siam, in Art in America, June/ July 2010.
Gaweewong, Gridthiya., Project 304: A Secret Code of Cultural Operation from Bangkok Art World, in Vehicle:
Contemporary Visual Arts, No.2, 2001, p.48-51.
Mertens, Brian. Death in Venice: Montien and Araya, ArtAsiaPacific, No. 45, 2005.
Mertens, Brian, The Art of Corruption: Thai Artists take on politics, in ArtAsiaPacific, No. 57, Mar/Apr, 2008,
pp. 92 - 93.
Nair, Varsha, All About the Future: Bangkoks About Caf, ArtAsiaPacific, No. 46, 2005.
Ng, Josef., History & Memory: The Hook, the Line and the Sinker of Thai History 101, Group Exhibition by
Sutee Kunavichayanont, Ing K, Manit Sriwanichpoom(Art Center, Chulalongkorn University, Bangkok), in
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Ng, Josef, curator, Thai Contemporary: Charm and Chasm, Bangkok, Tang Gallery, 2007
Pettifor, Steven FT3D at the Japan Foundation (review), Asian Art News, Vol. 17, No. 1, Jan-Feb 2007;
Mechanical Imagination, World Sculpture News, Vol. 12, No. 4, 2006; Neo Nationalism at Chulalongkorn
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Tutton, Sarah, Parking Lots, Shopping Malls and Contemporary Art in Bangkok, ART AsiaPacific, Issue 36
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Contemporary Cinema, Television and Video
Chaiworaporn, Anchalee., Nostalgia in Post-Crisis Thai Cinema, in FOCAS: Forum on Contemporary Art & Society,
No. 4, June 2002, p.298-311.
Cusripituck, Setaphorn et al., Communication Policies in Thailand: A Study Project, Bangkok, UNESCO, 1985.
Hamilton, A., The Unforgotten Kings: Icons and Modernity in Thailand, unpublished, 1992.
Hamilton, A., Family Dramas: Film and Modernity in Thailand, Screen, Vol.33, No.2, Autumn 1992
Ingawanij, May Adadol. Transistor and Temporality: The Rural as Modern Thai Cinema's Pastoral, in Catherine
Fowler and Gillian Helfield (eds.), Representing the Rural: Space, Place and identity in Films about the Land
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___________________________________________________________________________

CAMBODIA
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________________________________________________________________________________

VIETNAM
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Hooykaas, C., Introduction la Litterature Balinaise, Paris, Archipel, 1979.
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Kats, J., Modern Art in Bali, in Indian Arts and Letters, Vol. 13, No. 1, 1939.
Lim, C.K., Peasant Painters from Bali: An Exhibition of Recent Painting by the Yong Artists of Penestanan, Ubud, Bali,
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OBrien K. Sutasoma: The ancient tale of a Buddha- Prince from 14
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Ostrom, Richard, Bali's Transition from a Traditional to a Modern Society: Some Op-Art Warnings About the
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Paulides, H., Oude en Nieuwe Kunst op Bali: Tegen de Achtergrond van het Western, in Cultureel Indi
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Ramseyer, U., LArt Populaire Bali, Fribourg, Office du Livre, 1983.
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Suteja Neka, The Development of Painting in Bali: Selections from the Neka Art Museum, Ubud: Yayasan Dharma Seni
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Vickers, A., The King of Bali, in Terra Australis, The Furthest Shore, Sydney, Art Gallery New South Wales, 1988.
Vickers, A., Bali: A Paradise Created, Harmondsworth, Penguin, 1989.
Vickers, A., Balinese Art: Paintings and Drawings from Bali, 1800-2010, Singapore: Tuttle/Periplus, to appear early
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Vickers, A., Gusti Made Deblog: Artistic Manifestations of Change in Bali; in RIMA, Vol. 40, No. 2, 1980.
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Vickers, A., Kitsch and Craft on Bali, Art & Asia Pacific, vol.1, no.3, 1994.
Wright, A., Bali: Showcase of Indonesian Art, Asian Art News, Vol. 1, No. 3, November/Deccember 1991.
Wright, A., The Senewati Gallery of Womens Art, in Art & Asia Pacific, Vol. 2, No. 2, 1995.
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Bastin, J. & Brommer, B., Nineteenth Century Prints and Illustrated Books of Indonesia, Utrecht & Antwerpen, Het
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1979.
Bateson, G. & Mead, M., Balinese Character: A Photographic Analysis, in Academy of Sciences Vol. 2, New York,
1992.
Carpenter, B., W.O.F. Nieuwenmamp: First European Artist in Bali, Singapore, 1997.
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Jessup, H.I., Dutch Colonial Visions of the Indonesian Tradition, in Muguarnas, 1985.
Krause, G., Bali, Volk-Land-Tnze-Feste, Tempel, Hagen, Folkwang Verlag, 1920.
Loos-Haxman, J.de, Verlaat Rapport Indi, Den Haag, Mouton & Co., 1968.
Loos-Haxman, J.de, Dagwerk in Indi, Uitgeverij, T. Wever Framekern, 1972.
India Office Library, The Raffles Drawings in the India Office Library, Kuala Lumpur, Oxford University Press, 1978.
Nieuwenhuys, Rob, Met Vreemde Ogen, Baren en Oudgasten Komen en Blijven, Fotografische Documenten uit het oude Indi
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Nieuwenkamp, W.O.J. Bali en Lombok, Edam, Zwever Edition, 1906-1910.
Roever-Bonnet, Rodolf Bonnet, Een Zondagskind, Wijk & Aalburg, Pictures Publishers, 1993.
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Taylor, Jean Gelman, The Social World of Batavia: European and Eurasian in Dutch Asia, Madison, University of
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Gerda Theuns-de Boer & Saskia Asser, Isodore van Kinsbergen (1821-1905), Leiden, KITLV, 2005.
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Groneman, wajang orang pregiwa in den Kraten te Jogjakarta, Semerang, C.Y van Derp & Co; 1899.
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EAST TIMOR
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BRUNEI
General Works
Wilson, Catherine, The Future Landscape of Art in Brunei Darussalam, in Art Asia Pacific, Issue 74, July/ August
2011.
Individual Artists
bin Omar, Zakaria: Zakaria bin Omar in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum,
2001
Mahaddi B. Hj. Matzain: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
st
th
Asian
Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999
Pg. Zainin B. Pg. Mansor: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999

MALAYSIA
General Works
Alam, Seni dan Perjalanan (Nature, Art and the Journey), (Exhibition Catalogue),Yayasan Kesenian Perak, 1997.
Anugerah Seni Lukis Art Awards Asia Pacific 2000: Playground of our Imagination. Kuala Lampur, Balai Seni Lukis
Negara, 2000.
Art and Nationalism (Seni dan Nasionalisme), (Exhibition Catalogue), Kuala Lumpur, Balai Seni Lukis Negara, 1998.
The Arts in Malaysia, Supplement, Arts & The Islamic World, vol.5, no.1, Spring-Summer, 1988.
Asia-Pacific Sculpture News Vol. 2, No. 3 Summer 1996 Malaysia Feature with articles by Laura Fan and Ian Findlay.
Asian Watercolours 88, Petaling Jaya, Malaysian Water Colour Society, 1988.
Buku Panduan Pelukis Retrospekif, (Pulau Pinang/ Retrospective Artists Directory), Pulau Pinang, Lembaga Muzim
Negeri, 1986.
Cat Air Malaysia 90: MWSs 6
th
Annual Exhibition, (Exhibition Catalogue), The Malaysian Watercolour Society,
1990.
Chong, Weng-ho, Submission and recalcitrance: looking for art and the other thing in Kuala Lumpur, Art
Monthly Australia, No.68, April 1994.
Common Wealth of Art: Traditions, Imagination & Independent Nations, Kuala Lampur: National Art Gallery, 1998.
Contemporary Paintings of Malaysia, (Exhibition Catalogue), Kuala Lumpur, National Art Gallery.
Continuities: Contemporary Art of Malaysia at the turn of the 21
st
Century, Kuala Lampur: Balai Seni Lukis Negara, 2003.
Dawa, Mohammed Najib Ahmad, ed., Susurmasa, Timelines, Malaysian Art with 50 years National Gallery, Kuala
Lumpur, Balai Seni Lukis Negara / National Art Gallery, 2008.
Esa, Sulaiman, Time to take a hard look at our artists, The Malay Mail, 1971.
Exhibition of Painting, Sculpture, Graphic and Handicraft from Private Collection, Kuala Lumpur, Muzium Seni Negara
Malaysia, 1982.
Fairley, Gina, The Uneven Face of the Malaysian Art World, in AsianArtNews, Vol. 19 No. 1 January/February
2009, pp. 66-71.
Identities: Who We Are, Kuala Lampur: Balai Seni Lukis Negara, 2002.
Imabasen Bakat Muda Sezaman 1974-1997 (Young Contemporaries in Review 1974-1997), (Exhibition Catalogue), Kuala
Lumpur, Balai Seni Lukis Negara, 1999.
Jamal, Syed Ahmad, ed., Crafts and the Visual Arts, [The Encylopedia of Malaysia, vol.14], Singapore, Archipelago
Press, 2007.
Jamal, S.A., ed., Malaysian Art 1965-1978, London, The Commonwealth Institute, 1978.
Jamal, S.A., Seni Lukis Malaysia 57-87 , Kuala Lumpur, Balai Seni Lukis Nagara, 1987. [bilingual]
230
Lai Chee Kien, Building Merdeka. Independence Architecture in Kuala Lumpur, 1957-1966. Kuala Lumpur: Petronas,
2007
Langenbach, R., The Third Salon Malaysia, Asian Art News, 2, 6, Nov/Dec 1992.
Landscapes of Malaysia, (Exhibition Catalogue), The Malysian Watercolour Organization, 1997.
Mahamood, Muliyadi, An Overview of malaysian Contemporary Cartoons, in International Journal of Comic Art,
Vol. 5, No. 1, Spring 2003, pp. 292-304.
Malaysian Drawings, (Exhibition Catalogue), Kuala Lumpur, Balai Seni Lukis Negara, 1997.
Malaysian Experience, (Exhibition Catalogue), Kuala Lumpur, Balai Seni Lukis Negara, 1994.
Malaysian Watercolour 91, (Exhibition Catalogue), The Malaysian Watercolour Society, 1991.
Mashadi, Ahmad; Mustafa, Shabbir Hussain ed., Li jen, Tan and Shabbir Hussain Mustafa. Camping And Tramping
Through the Colonial Archive: The Museum in Malaya. Singapore, NUS Museum, NUS, 2011.
Masterpieces from the National Art Gallery of Malaysia, (Exhibition Catalogue), Balai Seni Lukis Negara, 2002.
Nasir, Abdul Halim, Traditional Malay Wood Carving, Dewan Bahasa dan Pustaka, 1987.
Naziree, Shireen. Revival: Evoking the Batik Tradition. Kuala Lampur: National Art Gallery, 2004.
Ngayulu-Latju Palyantja (We Made these Things), (Exhibition Catalogue), Warbuton Arts Project, 1998.
Noor, Farish A. & Khoo, Eddin, Spirit of the Wood: The Art of Malay Woodcarving, Singapore, National Museum
Singapore, 2003.
Nur Hanim Mohamed Khairuddin, Contemporary Visual Arts Discourse, Yayasan Ksenian Perak, 2003.
Pameran Pelukis-Pelukis Catan Pulau Generasi Yang Kedua (The Second Generation Penang Painters Exhibition), (Exhibition
Catalogue), Galeri Mar Vista Resort, 1993.
Pameran Seni Lukis Kontemporari Pulau Pinang (Contemporary Penang Art Exhibition), Muzium Negeri Pulau Pinang,
1989.
Pameran Terbuka 1987, Kuala Lumpur, Balai Seni Lukis Nagara, Feb/March, 1987.
Pameran Terbuka 1988, Kuala Lumpur, Balai Seni Lukis Nagara, Jan/Feb, 1988.
Pameran Terbuka, 1990, Kuala Lumpur, Balai Seni Lukis Negara, 9-28 Januari, 1990.
Periphery, (Exhibition Catalogue), Galeriwan, 1996.
Piyadasa, R., Pengolahan lanskap tempatan dalam Seni Moden Malaysia, 1930-1981, (The Treatment of the Local
Landscape in Modern Malaysian Art, 1930-1981) Kuala Lumpur, Muzium Seni Negara, 1981.
Piyadasa, R., An assessment of the Malaysian Expressionist and Abstract Expressionist Commitment of the
Sixties, Catalogue, Kuala Lumpur, National Art Gallery, 1973.
Piyadasa, R., The MARA School of Art and Design, Malaysian Panorama, vol.3, no.4.
Piyadasa, R., Esa, Sulaiman, Towards a Mystical Reality, Kual Lumpur, 1974.
Power of Drawings & Sketches Through the Years, Ching Lotus Humanist Space, 2002.
Provencher, Ron, Remembering The Chief, Rejab Had: Cartoonist, Story Teller, Teacher, and Philosopher, in
Puspaseni: A Selection of Paintings in the Collection of Bank Negara, Malaysia, Bank Negara Malaysia, 1989.
Rajah, Niranjan Sacred Pictures, Secular Frames, Art AsiaPacific, No.17, 1998.
Rajah, Niranjan, Report at The First Fukuoka Asian Art Trienale [The 5
th
Towards the 21
st
Raslan, K., Looking for a New Direction, Asian Art News, Vol.4, No. 1, Jan-Feb 1994.
Resonance of Three Voices, (Exhibition Catalogue), Artfolio, 1996.
Rupa Malaysia: A Decade of Art 1987-1997, Kuala Lampur: National Art Gallery, 1998.
Rupa Malaysia: Meninjau Seni Lukis Modern Malaysia, (Exhibition Catalogue), Kuala Lumpur, Belai Seni Lukis
Negara, 2001.
Sabapathy, T.K., Piyadasa,R., Modern Artists of Malaysia, Kuala Lumpur, Dewan Bahasa dan Pustaka, 1983.
Sabapathy, T.K., Piyadasa, Archipelago Publishers, 1978.
Sabapathy, T.K., ed. Vision and Idea: Relooking Modern Malaysian Art, Kuala Lumpur, National Gallery, 1994.
Saidon, Hasnul J. &Yong , Beverly, Between Generations: 50 years across modern art in Malaysia, Kuala Lumpur &
Pinang, University of Malaysia, Valentine Willie Fine Art & Universiti Sains Malaysia, 2007.
Salon Malaysia 1991/ 1992, (Exhibition Catalogue), Kuala Lumpur, Balai Seni Lukis Negara, 1991.
Sellato, Bernard, Horbill and Dragon: Arts and Culture of Borneo, Sun Tree, 1989.
231
Semangat Pelopor Seni: 1950- 1960an: The Pioneering Spirit, (Exhibition Catalog), Kuala Lumpur, Balai Seni Lukis
Negara, 1997.
Seni Lukis Malaysia- 25 tahun, penyusunan dan teks Kuala Lumpur, 1982.
Side by Side: Contemporary British and Malaysian Art 1986, (Exhibition Catalogue), Kuala Lumpur, Belai Seni Lukis
Negara, 1986.
Supplment Singapore & Malaysia, Asian Art News, Vol.2, No.6, Nov-Dec 1992.
Tan Chee Khuan, Pelukis-pelukis Perintis Malaysia: Pioneer Arts of Malaysia, Lembaga Muzium Negeri, 1992.
Tan Chee Khuan, Pelukis-perintis Seni Lukis Malaysia: Pioneers of Malaysian Art, Kuala Lumpur, 1994
Tan Chee Khuan, Penang Artists 1920 1990, Penang, The Art Gallery, 1992
Tan Chee Kuan, Pioneer Artists of Malaysia, Lembaga Muzium Negeri, 1992.
Tan Chee Kuan, Treasury of Malaysian and International Art, Penang, The Art Gallery, 1999.
The Arts in Malaysia, Supplement, Arts & The Islamic World, Vol.5, No.1, Spring-Summer, 1988.
The Wednesday Art Group: Then and Now, (Exhibition Catalogue), Galeriwan, 1996.
Valentine, Willia and Karim Raslan. Malaysian Art Now. Kuala Lampur: National Art Gallery, 2004.
Wharton, Dolores, Contemporary Artists of Malaysia, New York, Asia Society, 1971 [collection now at Cornell
University].
What About Converging Extremes?, (Exhibition Catalogue), Galeriwan, 1993.
Yeoh Jinleng [curator], Semangat Pelopor Seni / Pioneer Art groups of the 1950s and 1960s, Kuala Lumpur, Balai Seni
Lukis Negara, 1997.
Young Contemporaries in Review 1974-1997, Kuala Lampur: National Art Gallery, 1998.
Zain, Ismail, & Piyadasa, Redza, Modern Malaysian Art 1930-1973, ASEAN Mobile Exhibition Catalogue, Kuala
Lumpur, National Art Gallery, 1974.
Individual Artists
Ali, Zakaria: Retrospective 1971-1999, (Exhibition Catalogue), Penang, The Art Gallery, 1999.
Aljeffri, Sarifah Zuriah: Experiences: J. Anurendra, Sharifah Zuriah Aljeffri, Renee Kraal, (Exhibition Catalogue), Kuala
Lumpur, Malaysian Airlines and Balai Seni Lukis Negara, 1999.
Anurendra, J.: Experiences: J. Anurendra, Sharifah Zuriah Aljeffri, Renee Kraal, (Exhibition Catalogue), Malaysian Airlines
and Balai Seni Lukis Negara, 1999.
Anwar, Ahmad Zakii: Findlay, Ian, Waiting in the shadows, Asian Art News, Vol.11, No.6, 2001. ; Wang Zineng,
Ahmad Zakii Anwar: Seeking the Divine, in C Arts. Asian Contemporary Art and Culture, Vol. 02,
March/April, 2008, pp. 68 72; Anwar, Ahmad Zaki, Ahmad Zaki Anwar, Arang Bali, (Exhibition
Catalogue) Jakarta, Taksu, 2004; Anwar, Ahmad Zaki, Interpreter of Desires, (Exhibition Catalogue), Kuala
Lumpur, Taksu, 2003; Anwar, Ahmad Zaki, Ahmad Zaki Anwar: Stills, (Exhibition Catalogue), Gallerie
Taksu, 2000; Anwar, Ahmad Zaki, Ahmad Zaki Anwar: Shadowland, (Exhibition Catalogue), Plum Blossoms,
2000.
Bamadhaj, Nadia: review Art AsiaPacific, 33, 2002; Rebuilding Its Monuments: An Installation of Drawings by Nadiah
Bamadhaj, (Exhibition Catalogue), Galeri Petronas, 2001.
Chan, Eric: Paintings By Eric Chan, (Exhibition Catalogue), Jakarta, Taksu, 2004.
Chan, Chris Chong: Fuller, Daniel, Serious Staring, in Art Asia Pacific, No. 69, July/ August 2010.
Chang Fee Ming: Kam, Garrett, Surp[rises of an ephemeral life, Asian Art News, vo.11, No.4, 2001. ; Pettifor,
Steven, A Rivers Story, in Asian Art News, Vol. 14, Number 4 (July/August 2004), pp. 62-63; Chang Fee
Ming, The World of Chang Fee Ming, Chang Fee Ming, 1995.
Charles Cham: Munroe, B., Behind the mask [Charles Cham], Asian Art News, Vol.7, No.6, November-December
1997.
Cheong Laitong: Cheong Laitong, Cheong Laitong, (Exhibition Catalogue), NN Gallery, 1998.
Cheong, Wong Hoy: Warbox Lalang Killing Tools: Bayu Utomo Radjikin, Wong Hoy Cheong, Raja Shahriman, (Exhibition
Catalogue), Five Arts Centre, 1994.
Chew Beng Teng: Chew Beng Teng, Chew Beng Teng: Works on Paper: Innovative Processes and Images, (Exhibition
Catalogue), Galericitra, 1990.
Chik, Fatimah: The Batik Art of Fatimah Chik, (Exhibition Catalogue), Redspot Design Centre, n.d.
232
Choh Kiat Siong: Choh Kiat Siong, Choh Kiat Siong: Street to Sreet, Kampung to Kampung, (Exhibition Catalogue), Art
Salon, 1996.
Chong Kam Kow: Asian Art News, 2, No.5, Sep/Oct 1992; Chong Kam Kow, Frederikshavn, Frederikshavn Art
Museum, 1988.
Chow, Jansen: Jansen Chow: Touching the Light, (Exhibition Catalogue), Art Salon Malaysia, 1997; Jansen Chow,
(Exhibition Catalogue), Art Salon Malaysia, 2001.
Chuah Thean Teng: Chuah Tean Teng: Retrospective 1994, (Exhibition Catalogue), Penang Museum and Art Gallery,
1994.
Damit, Awang Ahmad: Damit, Awang Ahmad, Alun Alun Ke Marista (Path to Marista), (Exhibition Catalogue), Kuala
Lumpur, National Art Gallery, 2002; Damit, Awang Ahmad, Intipati Budaya: Satu Sintesis (Essence of Culture: A
Synthesis), (Exhibition Catalogue) Iqbal Art Studio, 1995.
Esa, Sulaiman: Insyirah: The Art of Sulaiman Esa From 1998-2000 (Exhibition Catalogue), Galeri Petronas, 2001.
Faizal Mohd Zulkifli: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Foo Hong Tatt: Foo Hong Tatt: Paradise Regained, (Exhibition Catalogue), Penang, The Art Gallery, 2000.
Ghani, Yusof: Elephantoidea, (Exhibition Catalogue), Tinta, 2000; Topeng II, (Exhibition Catalogue), Galeri Citra,
1995; Hijau-Rhythm of Nature, Art Case Galleries, 2000; Siri Tari: Topeng, Rusli Hashim Fine Art, 1996; Hijau
1998-2002, Galeri Petronas, 2002; Drawings, Rusli Hashim Fine Art, 1997.
Gill, Simryn: Pastor-Roces, Marian, Simryn Gill: Slow Release, Art & Text 56, Feb.-Apr. 1997; Nakamura, Nobuo
and Miyake, Akiko, ed., CCA Artists Book Series, Simryn Gill: A Small Town at the Turn of the Century,
Kitakyushu: Center For Contemporary Art, 1998; Simryn Gill in Akiko Miyake, ed., Lets Talk About Art
#0002, Transexperiences, Kitakyushu: Center For Contemporary Art, 2002; Eastburn, Melanie, Simryn
Gill at the Art Gallery of New South Wales, Asian Art News, Vol. 12, No. 6, November/December, 2002;
Bush, Kate, Portfolio: Simryn Gill, Artforum International, Vol.41, Issue 6, February 2003: review,
Kitakyushu, Contemporary Visual Art, 29, 2000; Selected Work, Sydney, Art Gallery of New South Wales, 2002;
A small town at the end of the century, Kitakyushu, CCA, 2000; Lee Weng Choy, Local Cocunuts: Simryn Gill
and the politics of identity, Art AsiaPacific, No.16, 1997; Carruthers, Asley, Simryn Gill, Dalam, Focas
(Forum on Contemporary Art & Society), No.3, January 2002. ; Tang, Jeannine, Throwback and Pearls, in
Contemporary Visual Arts + Culture Broadsheet, Vol. 36, No. 3, September, 2007, pp. 157 159; Scrimgeour,
Alexander, Simryn Gill, in Artforum, Vol 47, Iss. 10, Summer 2009, p. 339.; Alexander, George. Simryn
Gill: Gathering. ArtAsiaPacific Issue 64 Jul/Aug 2009.
Goh, Sylvia Lee: A Malaysian Artist: Two Decades of Art From the Heart 1978-1998, Xavier Goh Khen Wah, 1998.
Han, Anna Chin Chui: Han, Anna Chin Chui, Anna Chin Chui HanL Painting 1995-2002, (Exhibition Catalogue),
Anna Chin Chui Han, 2002.
Harris, Peter: Peter Harris: Founder of the Wednesday Art Group, (Exhibition Catalogue), Penang, The Art Gallery, 2001.
Hussan, Jalaini Abu: Linear Narratives, (Exhibition Catalogue), Kuala Lumpur, Taksu, 2002; Jai: Drawing With the
Minds Eye, (Exhibition Catalogue), Australian Art Forms & Rusli Hashim Fine Arts, 1999; Jai: Solo
Exhibition, (Exhibition Catalogue), Comtech, Johor Bahru, 2001; Work in Progress, (Exhibition Catalogue),
Jakarta, Taksu, 2003.
Hussein, Ibrahim: Ibrahim Hussein: A Retrospective, (Exhibition Catalogue), Kuala Lumpur, National Art Gallery, 1986;
Willetts, William, Ibrahim Hussain, Kuala Lumpur 1975.
Ibrahim, Kahlil: Kalil Ibrahim: A Continued Dialogue, Petronas, 2004.
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Koh, Jolly: A View of the Mountains: An Exhibition of Paintings by Jolly Koh, (Exhibition Catalogue), NN Gallery, 1997;
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Kraal, Renee: Experiences: J. Anurendra, Sharifah Zuriah Aljeffri, Renee Kraal, (Exhibition Catalogue), Malaysian Arlines
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Lee Cheng Yong: Lee Cheng Yong: Retrospective, (Exhibition Catalogue), Penang State Art Gallery, 1996.
Lee Kah Yeow: Pameran Seni Lukis: Memorial Art Exhibition, (Exhibition Catalogue), Penang, The Art Gallery, 1997;
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Lee Joo For: Lee Joo For Retrospective 1957-1995, (Exhibition Catalogue), Penang, The Art Gallery 1995.
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Lee, Shoko: My Diary: An Exhibition of Watercolour & Bamboo/ Ink Paintings, (Exhibition Catalogue), Galieri Kian
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Yong Mun Sen: Retrospective 1999, Penang Museum and Art Gallery, 1999.
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Photography
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Pameran Koleksi Seni Foto DatoLoke Wan Tho (An Exhibition of DatoLoke Wan Thos Photographic Collection),
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Compendium of 30 Malaysian Artists, Penang, The Art Gallery, 1999.
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Dialog of Cultures (Dialog Budaya), (Exhibition Catalogue), Islamic Arts Museum Malaysia, 2000.
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Fan, Laura, Rupa Malaysia, A decade of Malaysian art in London, Art AsiaPacific, No.21, 1999.
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Lee Weng Choy, Artis pro active, Art AsiaPacific, 24, 1999
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Oasis in a Storm: Islam and the Balacing Forces of Materialism, (Exhibition Catalogue), Galeri Petronas, 1997.
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Rajah, Niranjan; Saidon, Hasnul Jamal, The evolution of electronic art in Malaysia, Art AsiaPacific, 27, 2000.
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Rupa Malaysia: A Decade of Art 1987-1997, (Exhibition Catalogue), Kuala Lumpur, National Art Gallery, 1998.
The Art of Painting, (Exhibition Catalogue), NN Gallery, 2000.
The Malaysian Young Contemporaries: An Invitational Art Exhibition, (Exhibition Catalogue), Lot 10, 1992.
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Zhang Wubin, Setting New Goals, (interview regarding First Kuala Lumpur International Photography
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SINGAPORE
General works
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Chai Yik Chin, Singapore Artists, Singapore Cultural Foundation, 1982
Cheng Lim Tju, Chop Suey -- Cartoons about the Japanese Occupation and National Education in Singapore, in
Cheng Lim Tju, Chop Suey -- Cartoons about the Japanese Occupation and National Education in Singapore, in
Chia, J., Trouble at Hand, Art & AsiaPacific, vol.2, no.2, 1995
Chin, Edmond, 1991, Guilding the Phoenix: The Straits Chinese of their Jewellery. Singapore: National Museum.
Chow Kwok Kian, Channels a & Confluences: A History of Singapore Art, Singapore, Singapore Art Museum, 1995.
Chua, Beng Huat. Young artists make a break: installation at Arbour, Man, Aug/Sept 1987, 18-20.
Chua, Kevin, Painting the Nanyangs Public: Notes Towards a Reassessment, in eds. Clark, John, Peleggi,
Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University
of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 72-93.
Chua, Kevin, In Venetian Waters: Singapore at the 49
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Venice Bienale, Focas (Forum on Contemporary Art &
Society), No.3, January 2002
Crossroads: The making of new identities, Singapore: NUS Museums, 2004.
Dolven, Ben, Artistic dilemma: Singapore hopes to establish itself as an international art center, but local artists
still find the going tough, Far Eastern Economic Review, April 22, 1999.
Fifth Asian Youth Painting 1987, Singapore, Ministry of Community Development and National Museum, June
1987
Findlay, Ian, Building Bridges, On ARTSingapore 2002, Asian Art News, Vol. 12, No. 5, September/October,
2002
Findlay, Ian., An Odyssey in Art in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.64-67.
[Feature Issue], Asian Art News, Vol. 6, No.3, May / June 1996.
[Fukuoka Asian Art Museum], Modern Artists-II, Nanyang 1950-65: Passage to Singaporean Art, Fukuoka: Fukuoka
Hsu, Marco, A Brief History of Malayan Art, Translated Lai Chee Kien, Singapore Millenium Books, 1999.
Jeyaretnam, Philip, Sex, Art, and Singapore, Commentary, Vol.11, No.1, 1993.
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Kitsch & The Singapore Modern, Forum Transcript , Focas (Forum on Contemporary Art & Society), No.3, January
2002
Koay, Susie. Singapore: Multi-cultural crossroads in Visual Arts in ASEAN Continuity and Change, Kuala Lumpur:
ASEAN Committee on Culture and Information, 2001, 169-174.
Langenbach, Ray, Garlands of Love: Socialist Realist Aesthetics in Singapore, in eds. Clark, John, Peleggi,
Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University
of Sydney East Asian Series No. 15, Wild Peony, Sydney, 2006, pp. 129-149.
Langenbach, Ray, Annotated Singapore Diary, Art & Asia Pacific, Vol.1, No.4, 1994.
Langenbach, William Ray. Performing the Singapore State: 1988-1995. PhD diss.[unpublished], Centre for
Cultural Research, University of Western Sydney, 2003.
Lee Weng Choy, All Washed up, Art & Asia-Pacific, Vol.3, No.1, 1996.
Lee Weng Choy, Alternative spaces, Art AsiaPacific, 22, 1999;
Lee Weng Choy, Contemporary Art Criticism in Singapore. TASSA Review, 7:3 1998.
Lee Weng Choy, Department Store Art, Art & Asia Pacific, Vol.3, No.2, 1996.
Lee Weng Choy, Distinctions, Paintings by Vincent Leow and Ian Woo, Art Asia Pacific, No.34, 2002.
Lee Weng Choy, Misunderstanding art, Art AsiaPacific, 23, 1999, (also see rejoinder in Art AsiaPacific, 25, 2000);
Lee Weng Choy, Monumental statements, Art AsiaPacific, 31, 2001;
Lee Weng Choy, Representation as detour, Art AsiaPacific, 25, 2000;
Lee, Weng Choy, Authenticity, Reflexivity & Spectacle: or the Rise of New Asia is not the End of the World in
positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004);
Lee, Weng Choy, Just what is it that makes the term global-local so widely cited yet so annoying?, Artlink, Vol.
20, No. 2, July 2000;
Lee, Weng Choy, Modernism Without Modernity: New Public Art in Singapore in Art Asia Pacific, No. 39
(Winter 2004), pp. 26-27;
Lee, Weng Choy, Three Entries (On New Media) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp.
16-17
Lee, Weng Choy., Art, Writing and Politics, in FOCAS: Forum on Contemporary Art & Society, No. 4, June 2002,
p.102-112.
Legaspi-Ramirez, Eileen C., Traversing Centre and Fringe: Problems of Engagement in Unstable Democratic
Spaces, in FOCAS: Forum on Contemporary Art & Society, No. 4, June 2002, p.27-37.
Lent, John A., Cartooning in malaysia and Singapore: The Same, but Different, in International Journal of Comic Art,
Vol. 5, No. 1, Spring 2003, pp. 256-289.
Lingham, Lucy., Art Interpreting Heritage (Of Effacements, Pilgrimages, Exhumantions & Effigies), in FOCAS:
Forum on Contemporary Art & Society, No. 1, January 2001, p.109-122.
Lingham, Susie., Navel: The Mark of a Vampire, in FOCAS: Forum on Contemporary Art & Society, No. 2, July
2001, p.49-83.
Lim, Karen, et al, Constructed Landscapes: Singapore in Southeast Asia, Singapore: National University of Singapore
Museum, 2009
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Lim, Irene. Sketches in the Straits, Nineteenth-Century Watercolors and Manuscript of Singapore, Malacca, Penang and Batavia
by Charles Dyce. Singapore: NUS Museums, NUS, 2003.
Lim, Irene, Sketching The Straits, A Compilation of the Lecture Series on the Charles Dyce Collection. Singapore, NUS
Museums, NUS, 2004.
Loh, Susan, The Fine Art of Gardening: A Decade of Nurturing the Arts, Focas (Forum on Contemporary Art &
Society), No.2, July 2001
Low, Yvonne. Remembering Nanyang Feng ge, in Modern Art Asia, November 2010, available online,
Low, Yvonne. Singapores Modern art: Modern aesthetic responses of Overseas Chinese and Chinese
Singaporeans in Singapore. Masters Thesis, University of Sydney, 2009.
Lui, Gretchen, 1987, One Hundred Years of the National Museum, Singapore: National Museum.
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Mashadi, Ahmad, I Polunin, Memories of Singapore through films and photographs, Singapore: National University of
Singapore Museum, 2009
Purushothaman, Venka. Making Visible the Invisible: Three decades of the Singapore Arts Festival. Singapore: National
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Findlay, Ian, Accidental Executions. Asian Art News, 9:5 September/October 1999 [Tan Teo Kwang].
Findlay, Ian, Coming into its own [Singapore art fair], Asian Art News, Vol.10, No.5, 2000
Findlay, Ian, New Voices, Singapore Art Gallery Associations Exhibitions Review, Asian Art News, Vol. 12, No.
3, May/June, 2002
From Strength to Strength (review of 2006 Singapore Art Fair), Asian Art News, Vol. 16, No. 5, 2006.
Goh, Sylvia., H (Harmony) (review of Yen Chua and Wang Qing), in Vehicle: Contemporary Visual Arts, No.2,
2001, p.23.
Gumpert, Lynn, Report from Singapore: a Global City for the Arts?, Art In America, Dec 1997.
Gunalan, Nadarajan., 180 KG: A Travelling Exhibition by Singapore Artists (Cemeti Art House, Yogyakarta,
Indonesia), in Vehicle: Contemporary Visual Arts, No.7, 2002, p.44-49.
Hantower, Jeffrey, Towards a Center[new museum], Asian Art News, Vol.6, No.2, Mar/Apr 1996.
He, Ziyan., I/Eye Is Another: A Review of the Nokia Arts Awards Through an Interview with Ho Tzu Nyen; An
Investigation into Abstraction, Language and Simulation, in Vehicle: Contemporary Visual Arts, No.5, 2002,
p.50-57.
He, Ziyan., Oi! Oi! 1,2,3Everybody Lets Say En-Tro-Py!: The Young Artists Exhibition 2002 (Plastique
Kinetic Worms), in Vehicle: Contemporary Visual Arts, No.6, 2002, p.48-53.
Herbert, Rita, Feast or Famine? Report on the Central St Martins College of Art and Design Graduation Show,
in Vehicle: Contemporary Visual Arts, No.7, 2002, p.6-7.
History through prints review, Art AsiaPacific 28, 2001
Ho, Ho Ying., Why do we need to be innovative? [1971] in Re-connecting: Selected writings on Singapore art and art
criticism, trans. Cheo Chai-Hiang, eds. T.K. Sabapathy and Cheo Chai-Hiang. Singapore: Institute of
Contemporary Arts Singapore, 2005, 45-6., [Chinese source] in |(
[Writings of Art]. Singapore: National Arts Council and Singapore Heritage Board and Lee Foundation, 1999,
42-43.
Ho, Tzu Nyen., Plura Plura Sakura: Young Artists Exhibition 2001 (Plastique Kinetic Worms), in Vehicle:
Hwee, Michael Lee Hong., Grouses Overheard: or the Wish for a Sculpture Garden in Singapore, in Vehicle:
Jay, Sian, E, Gallery Round Up, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.55-59.
Jay Sian E., In Search of Self., Asian Art News, 9:5 Sept/Oct 1999 [Sisie Wong].
Jay, Sian E, Fit for a feast [food and art], Asian Art News, Vol.10, No.3, 2000
Jay, Sian E., A dynamic vision takes place, Asian Art News, Vol.10, No.6, 2000
Jay, Sian E., A print institute for Southeast Asia [Tyler Studio], Asian Art News, Vol.10, No.6, 2000
Jay, Sian E., Schooling artists, Asian Art News, Vol.9, No.5, 1999
Jay, Sian E., Sharing visions [computer art at LaSalle-SIA], Asian Art News, Vol.11, No.1, 2001
Jay, Sian E., Taking center stage, Asian Art News, Vol.9, No.5, 1999
246
Kim Dy-Liacco., Love Me Upside Down: Jeremy Ramsey Gets Tongue-in-Check for His Upcoming Exhibition
Uncut Edges (review), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.54-55.
Koh, Jay and Yuan, Chu Chu, Encounters in Engagement: Investigating Public Engaged Art in Singapore, Focas
(Forum on Contemporary Art & Society), No.3, January 2002
Kwok, Kian Chow., Images of the South Seas: Bali as a Visual Source in Singapore Art in From Ritual to Romance:
Paintings inspired by Bali [exhibition catalogue]. Singapore: Singapore Art Museum and Neka Museum, 1994,
39-43.
Kwok, Kian Chow. Introduction in Venice Biennale 2001 Singapore [exhibition catalogue]. Singapore: Singapore
Art Museum and the National Heritage Board, 2001.
Langenbach, Ray, 4X4 Episodes of Singapore Art (review), ArtAsiaPacific, No. 48, 2006.
Langenbach, Ray., Theatre of Peril, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.53-55.
Lee, Wen. FOI3: ideology:irony:imagination in The Future of Imagination 3 [catalogue]. Singapore Art Museum &
The Substation, 2006.
Lee Weng Choy, Barely Alive: Funding for Independent Art in Singapore, ArtAsiaPacific, No. 47, 2006
Lee Weng Choy, Art and Nation, Art AsiaPacific 28, 2001
Leng, Daniel Kok Yik., A Mix-Bag of Dance Idea: Asia-Europe Dance Forum (review), in Vehicle: Contemporary
Visual Arts, No.5, 2002, p.10-15.
Lenzi, Lola., Site + Sight: Translating Cultures, in Vehicle: Contemporary Visual Arts, No.7, 2002, p.36-43.
Lenzi, Lola., Suzann Victor and Susie Linghams an Equation of Vulnerability, a Certain Thereness, Being, in
Leow, Vincent., and Lim Kok Boon, Deriving Spaces: Nokia Singapore Art 2001 (curators note, Plastique
Lim, Kok Boon., Less Than Picture Perfect: Naked Perfection (Singapore Art Museum), in Vehicle: Contemporary
Visual Arts, No.8, 2002, p.8-9.
Lim, Kok Boon., Drawing Matters: Group Exhibition by Members of Plastique Kinetic Worms, in Vehicle:
Lim, Kok Boon., Simply Sculpture: Biennial Sculpture Symposium 2003 in Vehicle: Contemporary Visual Arts,
No.9, 2003, p.50-53.
Lim, Shing Ee, Weikie Tan, Raymond Lee and Steve Black, Worms Festival IV: Multi-disciplinary Event
Featuring Local and Regional Artists, in Vehicle: Contemporary Visual Arts, No.8, 2002, p.34-41.
Lingham, Susie Art Interpreting Heritage (Of effacements, pilgrimages, exhumations & effigies), Focas (Forum on
Contemporary Art & Society), No.1, January 2001
Long Thien-Shih., Nanyang style and the French Influence in Pont des Arts: Nanyang Artists in France 1925-1970
[exhibition catalogue]. Singapore: Singapore Art Museum, 24 Feb-13 March 1994.
Low, John., 10:10 Cultural Exchange and the Voices of Silence: Group Exhibition by Buffer Kit and Loose
Tooth, in Vehicle: Contemporary Visual Arts, No.9, 2003, p.36-39.
MAAP in Singapore 2004 Gravity (Catalogue)
Machan, Kim, Gravity Leap Into the Void (Review) in Broadsheet, Vol. 33, No. 3 (September- November 2004),
pp. 14-16
Maerkle, Andrew, Singapore Tyler Print Institute: Experimental Retreat, ArtAsiaPacific, No. 51, 2007.
Mashadi, Ahmad, Art Abroad: InterNational Communication, Kuroda, Raiji, ed., The First Fukuoka Asian Art
Mashadi, Ahmad., Different Things: Trimurti and multicultural assertions in Trimurti: And Ten Years after, ed.
T.K. Sabapathy. Singapore: Singapore Art Museum and National Heritage Board, 1998, 32-42.
Mashadi, Ahmad, Art Abroad: InterNational Communication, Kuroda, Raiji, ed., The First Fukuoka Asian Art
Mashadi, Ahmad, Report at The First Fukuoka Asian Art Trienale [The 5
th
Towards the 21
st
Nadarajan, Gunalan., Not modern: Theses on Contemporary Art in Contemporary Art in Singapore. Singapore:
Institute of Contemporary Arts Singapore and LaSalle-SIA College of the Arts, 2007, 19-23.
247
Noordin, Shirlene., Forty: An Exhibition by Angkatan Pelukis Aneka Daya (ARTrium MITA Building), in
Nyen, Ho Tzu, Lee Wen: Strange Fruit (Review) in Art Asia Pacific, No. 40 (Spring 2004), p. 81
Peterson, William,. Theatre and the Politics of Culture in Contemporary Singapore. Middletown CT: Wesleyan University
Press, 2001.
Rawanchaikul, Toshiko. Nanyang 1950-65: Passage to Singaporean Art. Fukuoka: Fukuoka Asian Art Museum, 2002.
Reaney, Colin., Spending Time with Raffles: Getting to Know You, Raffles (Exhibition by students from Central
St. Martins, Chelsea School of Art, Goldsmiths College and Royal College of Art), in Vehicle: Contemporary
Visual Arts, No.2, 2001, p.20-22.
Re-emplace: review, Art AsiaPacific, 26, 2000
Reaney, Colin, and Karee Dahl., Dreams and Conflicts: The Dictatorship of the Viewer: La Biennale di Venezia
50th International Art Exhibition: An Insight to Colin Reaneys and Karee Dahls Visit to the 50th Venice
Biennale, in Vehicle: Contemporary Visual Arts, No.10, 2003, p.38-41.
Rita, Herbert, Feast or Famine? Report on the Central St Martins College of Art and Design Graduation Show,
Sabapathy , T.K., Past, Present, Beyond: Re-nascence of an Art Collection ed. Singapore: NUS Museum, 2002
Sabapathy , T.K., ed., Trimurti: And Ten Years after, Singapore: Singapore Art Museum and National Heritage
Board, 1998
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Sabapathy, T.K.,Significant content and symbolic value: 7 Singapore artists for Fukuoka Architecture Journal
(School of Architecture, National University of Singapore), (1989): 17-26.
Schoppert, Peter. More trouble than it is worth: What can we expect from public art in Singapore? in Eye of the
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Sabapathy. Sydney: Wild Peony, 2006, 150-169.
Schoppert, P. Imagining & Instructing the Public in Singapore Public Art,
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Schoppert, Peter., Kitsch and Singapore Public Art, in FOCAS: Forum on Contemporary Art & Society, No. 3,
January 2002, p.90-117.
Setting a New Pace (review of 2005 ARTSingapore), Asian Art News, Vol. 15, No. 5, 2005.
Sian, e Jay., Gallery Round Up, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.55-59.
Singapore 2004 Seni, Art & The Contemporary (Catalog), Singapore, 2004
Spirit of Change [2
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Arts Singapore fair] Asian Art News, Vol.11, No.5, 2001
Stone, Julian., Space Invaders: Futuristic Incursions, Print Exhibition by 10 Regional Artists (Utterly Art Gallery),
Storer, Russell. Making Space: Historical contexts of Contemporary art in Singapore in Contemporary Art in
Singapore, Singapore: Institute of Contemporary Arts Singapore and LaSalle-SIA College of the Arts, 2007, 9-
18.
Storer, Russel, Artists-run Initiatives and Alternative Spaces in Sydney and Singapore, unpublished Master of Arts long
essay, University of Sydney, 2004.
Tan, Eugene, Aperto Singapore, in Flash Art, Vol. xl, No. 255, July September, 2007, 86 88.
Tan, Margaret., No Apologies: 10th RMIT University Bachelor of Arts (Fine Art) Graduation Show, in Vehicle:
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Teo, Joyce., ASEAN Art Awards 2002: Awards Presentation, in Vehicle: Contemporary Visual Arts, No.6, 2002,
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The, Patricia., A Decade for Change (Singapore Modern: Art in the 1970s, Singapore Art Museum), in Asian Art
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The Substation. Art Vs Art Conference, 1993 (proceedings). ed. Lee Weng Choy. Singapore: The Substation, 1995.
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The Substation. Spaces, Spaces, Spacing Conference 1995 (proceedings). ed. Lee Weng Choy. Singapore: The
Substation, 1996.
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Transmedia Cockroach: The Arts & the Singapore Press, Forum Transcription, Focas (Forum on Contemporary Art
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Wee, Jason., Three on Sexuality (Michael Lee, Joel Seah and Dinesh Naidu), in Vehicle: Contemporary Visual Arts,
No.10, 2003, p.34-37.
Wee, Jason., Trikho: Exhibition by Margaret Tan and Lynn Lu (review), in Vehicle: Contemporary Visual Arts, No.9,
2003, p.6-11.
Yao, Souchou, Oral Sex, Natural Sex and Other Pleasures of the State in Broadsheet, Vol. 33, No. 3 (September-
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C Arts. Asian Contemporary Art and Culture, Vol. 02, March/April, 2008, pp. 88 90.
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Yeo, Ash Y. S., Art Connects: Art Elective Programme Exhibition (Lower & Upper Galleries, Singapore Art
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Yeo, Ash Y. S., aseanARToday 2001 Singapore (Earl Lu Gallery), in Vehicle: Contemporary Visual Arts, No.3, 2001,
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Yip, May., Alpha 3.0: GPS Piece- A Web, Walkabout by tsunami.net, A New Media Exhibition Held at the Earl
Lu Gallery Organised and Funded by the National Arts Council (Earl Lu Gallery), in Vehicle: Contemporary
Visual Arts, No.3, 2001, p.18-19.
Works on History and Culture in Malaysia and Singapore
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1985.
Andaya, B.W. & L.Y., A History of Malaysia, London, Macmillan, 1982.
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Jayapal, Maya, Old Singapore, Kuala Lumpur, Oxford University Press, 1992.
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Kua Kia Soong, May 13, Declassified Documents on the Malaysian Riots of 1969, Petaling Jaya, Suaram Kommunikasi,
2007
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Kwa, Chong Guan. Relating to the world: Images, metaphors and analogies in Singapore in the new millennium:
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Kwok, Kian Woon and Low, Kee Hong,.Cultural Policy and the City-State: Singapore and the New Asian
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Lim, Kit Siang, Malaysia: Crisis of Identity, Petaling Jaya, Democratic Action Party, 1986.
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Selected Exhibitions

2000+
Binghui, Huangfu. (ed), Translating Cultures: SiteSight, Exhibition Catalogue, Singapore: Earl Lu Gallery &
LASALLE-SIA College of the Arts, 2003.
Binghui, Huangfu. (ed), In Out: Contemporary Chinese Art from China and Australia, Singapore: Earl Lu Gallery &
LASALLE-SIA College of the Arts, 1997.
Chlo, L., Worms Festival: 3, Featuring Artists from Both Local and the Region (Plastique Kinetic Worms), in
Chua, Ferreolus., Stir: BA 9th Graduation Show (Earl Lu Gallery), in Vehicle: Contemporary Visual Arts, No.5,
2002, p.12-15.
Chua, Ferreolus., The Presidents Young Talents Exhibition 2003 (Singapore Art Museum), in Vehicle:
Chua, Ferreolus., Safari: Group Exhibition by Yong Taisi and Wong Huiling (Utterly Art Gallery), in Vehicle:
Fenner, Felicity, Science Fictions, Singapore Arts Festival (Review) in Art Asia Pacific, No. 39 (Winter 2004), p.
79
Goh, Sylvia., H (Harmony) (review of Yen Chua and Wang Qing), in Vehicle: Contemporary Visual Arts, No.2,
2001, p.23.
Gunalan, Nadarajan., 180 KG: A Travelling Exhibition by Singapore Artists (Cemeti Art House, Yogyakarta,
Indonesia), in Vehicle: Contemporary Visual Arts, No.7, 2002, p.44-49.
He, Ziyan., Oi! Oi! 1,2,3Everybody Lets Say En-Tro-Py!: The Young Artists Exhibition 2002 (Plastique
Ho, Tzu Nyen., Plura Plura Sakura: Young Artists Exhibition 2001 (Plastique Kinetic Worms), in Vehicle:
Leow, Vincent., and Lim Kok Boon, Deriving Spaces: Nokia Singapore Art 2001 (curators note, Plastique
Lim, Kok Boon., Less Than Picture Perfect: Naked Perfection (Singapore Art Museum), in Vehicle: Contemporary
Visual Arts, No.8, 2002, p.8-9.
MAAP in Singapore 2004 Gravity (Catalogue)
250
Machan, Kim, Gravity Leap Into the Void (Review) in Broadsheet, Vol. 33, No. 3 (September- November 2004),
pp. 14-16
Noordin, Shirlene., Forty: An Exhibition by Angkatan Pelukis Aneka Daya (ARTrium MITA Building), in
NUS Museum. WE. (Exhibition Catalogue) Singapore, NUS Museum, NUS, 2007.
Nyen, Ho Tzu, Lee Wen: Strange Fruit (Review) in Art Asia Pacific, No. 40 (Spring 2004), p. 81
Reaney, Colin., Spending Time with Raffles: Getting to Know You, Raffles (Exhibition by students from Central
St. Martins, Chelsea School of Art, Goldsmiths College and Royal College of Art), in Vehicle: Contemporary
Visual Arts, No.2, 2001, p.20-22.
See, Irwin., Spending Time with Raffles: Getting to Know You, Raffles (Exhibition by students from Central St.
Martins, Chelsea School of Art, Goldsmiths College and Royal College of Art), in Vehicle: Contemporary
Visual Arts, No.2, 2001, p.18-19.
Stone, Julian., Space Invaders: Futuristic Incursions, Print Exhibition by 10 Regional Artists (Utterly Art Gallery),
Suhaimi Sukiyar. Crossroads, The Making of New identities. (Exhibition Catalogue), Singapore, NUS Museums, NUS,
2004.
Tan, Wilkie., CyberArts: Intersections of Art and Technology (Nokia Art Singapore 2001, Curated by Gunalan
Nadarajan, Singapore Art Museum), in Vehicle: Contemporary Visual Arts, No.5, 2002, p.18-25.
The, Patricia., A Decade for Change (Singapore Modern: Art in the 1970s, Singapore Art Museum), in Asian Art
News, Vol. 13, No. 3, May/June 2003, p.62-69.
Wong, Chee Meng., Art on a Platter, Anyone? Performance, Installation and Group Exhibition by Aleksandar
Obradovic, Benjamin Puah, Colin Reaney, Jeremy Hiah, Josef Ng, Juliana Yasin, Karee Dahl, Lam Hoi Lit,
Lina Adam and Tang Da Wu (review), in Vehicle: Contemporary Visual Arts, No.2, 2001, p.34-35.
Yeo, Ash Y. S., Art Connects: Art Elective Programme Exhibition (Lower & Upper Galleries, Singapore Art
Museum), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.14-16.
Yeo, Ash Y. S., aseanARToday 2001 Singapore (Earl Lu Gallery), in Vehicle: Contemporary Visual Arts, No.3, 2001,
p.28-31.
Yip, May., Alpha 3.0: GPS Piece- A Web, Walkabout by tsunami.net, A New Media Exhibition Held at the Earl
Lu Gallery Organised and Funded by the National Arts Council (Earl Lu Gallery), in Vehicle: Contemporary
Visual Arts, No.3, 2001, p.18-19.
Contemporary Cinema and Video
Ho Tzu Nyen, The After Image: Traces of Otherness in recent Singapore cinema,
Inter-Asia Cultural Studies: Southeast Asian Cinema, 8.2 (June 2007): 310-326.
Jan Uhde & Yvonne Ng Uhde, Singapore Cinema: Spotlight on Short Film
Production, Spectator 24/2, Fall 2004.
Sudarat Musikawong, Working Practices in Thai independent film production and distribution, Inter-Asia Cultural
Studies, 8.2. (2007): 248-261.
Sophia Siddique Harvey, Nomadic trajectories: mapping short film production in Singapore, Inter-Asia Cultural
Studies, 8.2. (2007): 262-276.

PHILIPPINES
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Queensland Press, 1971.
Perdon, Renato, Brown Americans in Asia, Sydney, Manila Prints, 1998.
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Pilar, Santiago, A Loving Eye for Detail, in Archipelago, June 1975.
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Reyes, Raquel A.S., Love, Passion, and Patriotism: Sexuality and the Philippine Propaganda Movement, Singapore,
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Scott, William Henry, Looking for the Prehispanic Filipino, Quezon City, New Day Publishers, 1992.
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Individual Artists
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Museum, 1999. ; Jin, Matsuura and Masae, Kamachi, The 1
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& Maria Aquilizan, Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan
Foundation Asia Center, 2002. ; Flores, Patrick D., Afredeo Juan Aquilizan at Galleria Duemila, Asian Art
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Sculpture News, Vol. 9, No.3, Summer 2003, p.30-35.
Aquinaldo, Leonardo: Guillermo, Alice G., Symbols Of Ethnicity, On Leonardo Aquinaldo, Asian Art News, Vol.
13, No. 1, January/February 2003
Arcega, Michael: Cha, Carina Michael Arcega (exhibition review), ArtAsiaPacific, No. 50, 2006.
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Asuncion, Mariano: Pilar, Santiago, Mariano Asuncion: Dean of Native Painters, in Archipelago, September 1979.
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257
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th
Century: a collection of prints, Manduluyong City, RLI Gallery Systems, Inc.,
1998.
Ongpin, Stephen, Filipino Master: Damian Domingo, Manila, Intramuros Administration, 1983
Paras-Perez, Rodolfo, tr. Rules for Art Study Abroad of 22nd January 1884, in Zone D, Social Sciences and
Humanities Research Council, University of the Philippines, 1884 Juan Luna issue, ca 1994.
Pilar, Santiago Albano, Qiapos Visual Arts 1850-1930, in Zialcita, Fernando Nakpil ed., Quiapo: Heart of Manila,
Manila: Ateneo de Manila and Metropolitan Museum of Manila, 2006
Pilar, Santiago Albano, A Heritage of Saints, Makati City: Ayala Foundation, 2003
Pilar, Santiago Albano, San Jose with the Child Jesus, A Portfolio of 60 Filipino Art Masterpieces, Manila: Department
of Education, Culture and Sports, 1986.
Pilar, Santiago Albano, Mariano Asuncion: the Dean of native painters, Archipelago, Vol. 6, September 1979
Pilar, Santiago Albano, Vicente Villaseor: the Master of Lucaban, Archipelago, Vol.6, July 1979
Pilar, Santiago Albano, The Evolution of the Filipino Still-Life, in Archipelago, Vol.6, May 1979.
Pilar, Santiago Albano, Manilas Early Ateliers, in Archipelago, Vol.6, February 1979.
Pilar, Santiago Albano, Miniature Portraits: Small Wonders, in Archipelago, February 1976.
Pilar, Santiago, Philippine Painting: The Early Chinese Heritage, in Arts of Asia, Nov Dec, 1994.
Quirino, Carlos, Manilas School of Painting, in Philippine Studies 15(2), 1967.
Quirino, Carlos, The Mexican Connection, in Filipino Heritage, Vol. 4, 1977.
Roll, Christian, The Philippine Christian Icons, Archipelago,Vol.6, March 1979
Rojas, Javier Aguilera, et. al., Manila 1571-1898: The Western Orient, Madrid, Ministerio de Formento, 1998.
Santiago, Luciano, P.R., At the End of the Rainbow: The Last Will and Testament of Damin Domingo, in
Philippine Quarterly of Culture and Society, Vol.28, 2000, 78-89.
Santiago, Luciano, P.R., Damian Domingo and the First Philippine Art Academy (1821-1834), Philippines Quarterly
of Culture and Society, Vol.19, 1991, 264-280.
Santiago, Luciano P.R., The Beginnings of Higher Education in the Philippines (1601-1772), Philippines Quarterly of
Culture and Society, Vol.19, 1991, 135-145.
Santiago, Luciano P.R., Don Rafael Baboom: Collector of Rainbows, Philippines Quarterly of Culture and Society,
Vol.18, 1990, 118-121.
Santiago, Luciano, P. R., The Quest for Identity in Filipino Portraiture, Larawan, Manila: Ayala Museum, 1989.
Santiago, Luciano, P. R., 1992, 1521 1890: The Loom of Colonial Art, Art Philippines, Juan T. Gatbonton et al
eds., Manila: The Crucible Workshop, 1992.
Santiago, Luciano, P. R., Philippine Academic Art: The Second Phase (1845 98), in Philippine Quarterly of Culture
and Society 17, March 1989.
Santiago, Luciano, P. R., The Painters of Flora de Filipinas (1877 1883), in Philippine Quarterly of Culture and
Society 21, 1993
Santo Holy Sculptures from the Philippines, [ASEAN-Japan Exchange Year 2003, Arts of the People III], Fukuoka:
Fukuoka Asian Art Museum, 2003
Sta Maria, Felice, ed., Reales Ordenes para establacimiento de las Escuela de Pintura y Academia de Bellas Artes en las Islas
Filipinas, Madrid/Manila, 1848 [mimeo, ANU]
Torralba, Fr. Milan Ted D., curator, Ksame: Visions of Heaven on Earth, photographs of ceiling paintings from Bohol colonial
churches, Manila, Ayala Foundation inc, 2008
Zbel, Fernando, Philippine Religious Imagery, Manila, Ateneo de Manila, 1963
Art of the Spanish Period Academic Art and Its Transitions
[see also entries for individuals below under Flores and Luna]
Ayzel Montserrat Marti, Carlos Gonzlez y, Pintores Espaoles en Roma (1850-1900), Barcelona, Tusquets Editores,
1987.
Bedat, Claude, La Real Academia de Bellas Artes de San Fernando (1704-1808), Madrid, Fundacion Universitaria
Espaola, 1989
Blanco, Jos, Flora de Filipinas, Barcelona, 1878.
Caso, Edoardo Dizy, Les Orientalistses de Lcole Espagnole, Courbevoie (Paris), 1997.
Duldulao, M.D., A Century of realism in Philippine art, Manila, Fine Arts Corp. 1982.
259
Flores, Patrick D., A Piece of History: Juan Lunas Parisian Life and the Production of Property, in Clark, John;
Peleggi, Maurizio; and Sabapathy, T.K; eds., Eye of the Beholder: Reception, Audience and Practice of Modern Asian
Art, Wild Peony, Sydney, Wild Peony, Sydney, 2006.
Flores, Patrick D., Painting as Colonial Reconversion in Power, Kevin, ed., 98 Cien Aos Despues, Communitat
Valenciana & Manila, Cultural Center of the Philippines, 1998.
Flores, Patrick D., ed., Perspectives on the Vargas Museum Collection: from Revolution to Republic: the art of Luna, Amorsolo,
Edades, Quezon City, Department of Art Studies, University of the Philippines, 1999
Flores. Patrick D., Painting History: revisions in Philippines Colonial Art, Manila, National Commission for Culture and
the Arts, 1998.
Muller, Priscilla & Burke, Marcus, Sorolla, New York, Hispanic Society of America, 2004.
Nuo, Juan Antonio Gaya, Arte del Siglo XIX, Madrid, Editorial Plus Ultra, 1966
Peel, Edmund, The Painter Joaqun Sorolla y Bastida, San Diego, San Diego Museum of Art, 1989
Prelude to Spanish Modernism: Fortuny to Picasso, Albuquerque, Albuquerque Museum & Dalla, The Dallas Museum,
2005
Pilar, Santiago Albano, Pamana: The Jorge B. Vargas Collection, Quezon City, University of the Philippines, Jorge B.
Vargas Museum, 1992
Santiago, Luciano, P. R., The Painters of Flora de Filipinas (1877 1883), in Philippine Quarterly of Culture and
Society 21, 1993.
Santiago, Luciano, P. R., Philippine Academic Art: The Second Phase (1845 98), in Philippine Quarterly of Culture
and Society , Vol. 17, March 1989.
Santos Moro, Francisco de, La Vida en papel de arroz, Madrid, Museo Nacional de Antropologa, 2007
Sastres, Luis, et al, Cien Aos de Pintura en Espaa y Portugal (1830-1930), Tomo V, Madrid,1991.
Sta Maria, Felice, ed., Reales Ordenes para establacimiento de las Escuela de Pintura y Academia de Bellas Artes en las Islas
Filipinas, Madrid/Manila, 1848 [mimeo, ANU]
Tejada, Pilar Romero de, Frutas y Castas Illustradas, Madrid, Museo Nacional de Antropologa, 2004.
Vera, Alejo, entry in Enciclopedia Universal Illustrada, Barcelona, Hijos de J. Espasa, 1929 vol. LXVII, p.1341-2.
Art of the American Period
[see in general Edades and Francisco below]
Bautista, Donna Aelred C., Modernism in Philippine Art: a study of Polemical Texts 1928-1955, MA Thesis, College of
Arts and Letters, University of the Philippines, May 1992.
Art since 1945 in general
Carroll, Alison, East and West? A different story: the impact of Mexico on 20
th
century Asian art [largely
Philippines], Art Monthly Australia, issue 213, September 2008.
Coseteng, A. M. L., ed., Philippine Modern Art and Its Critics, Manila, UNESCO National Commission of the
Philippines,1972 [Anthology of Critical Reviews]
Duldulao, M. D., Contemporary Philippine Art from the 50s to the 70s, Quezon City, Vera-Reyes, 1972
Duldulao, M. D., The Philippine Art Scene, Hong Kong, Toppan Printing Co., 1987.
Flores, Patrick, Post-war, Pre-Martial Law: Neo-realism, Late Abstraction (Philippine Art, 1945-1965) [lecture
given in Madrid & Barcelona, 2006], in Luz: Traces of Depiction, Manila, National Museum of the Philippines,
2007
Guillermo Alice G., Sining Biswal: an essay on Philippine Visual Arts, Manila, Cultural Center of the Philippines, 1989
Guillermo Alice G., et al, Sculpture in the Philippines: from Anito to Assemblage and other essays, Manila, Metropolitan
Museum of Manila, 1991.
Reyes, C., Conversations on Philippine Art, Manila, Cutural Center of the Philippines, 1989.
1970s-1980s, Including Art with Political Commitment
Benesa, Leonidas VOL., et al, Contemporary Philippine Art, Hong Kong, Hong Kong Museum of Art, 1980
Chabet, Roberto, Anxious Objects Waiting to Collide, in Art Asia Pacific, Issue 66, November/ December 2009
Dementillo, Ricaredo, Filipino Artists in the early 1970s, Solidarity, 1973
Guillermo, A.G. A Decade of Fruition and Renewal, Art Monthly Australia, 41, June 1991.
260
Guillermo, A.G., The Eye is the Silent Witness: Political art in the post Marcos Era, Art & Asia Pacific, Vol.1,
No.1, 1993.
Guillermo, Alice G., Protest Revolutionary Art in the Philippines, 1970-1990, Quezon City, University of the Philippines
Press, 2001.
Ledesma, Purita Kalaw, The Struggle for Philippine art, Manila, Purita Kalaw Ledesma, 1974
Reyes, Cid, Conversations on Philippine Art, Manila, Cultural Center of the Philippines, 1989
Roces, M.P., Exchange Manila-Berlin, Berlin, RAAB Galerie, 1988
Torres, E., Philippine Abstract Painting, Manila, Cultural Center of the Philippines, 1994.
Baluyut, Pearlie S., A Judges Observation, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.75-78.
Bose, Santiago, Struggle in Baguio: The Arts Guild Makes a Difference, Artlink, Vol. 13, No.3&4, November-
March 1993/94
Caete, Reuben Ramas., Bridges Across Rivers: Art as Systemic Practice Among Bulakenyos, in Pananaw 4:
Philippine Journal of Visual Arts, 2002, p.27-31.
Canta, Marilyn R., Installation Art in the Philippines: Sourcing Traditional and Contemporary Aesthetics, in
Pananaw 4: Philippine Journal of Visual Arts, 2002, p.49-55.
Capistrano-Baker, Florina H., Mapping the New Millennium: Ethnicity, Alterity, Identity [Imag(in)ing Self and
the Other in a Postmodern World, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.8-10.
Chua, Ferreolus, Mula sa Puso: Filipino Art Sweeps into Town (review), in Vehicle: Contemporary Visual Arts,
No.7, 2002, p.52-56.
Conde-Prieto, Ma Teodora., From Punla to Sibol: The Growth of Regional Art, in Pananaw 4: Philippine Journal of
Visual Arts, 2002, p.32-33.
Datuin, Flaudette May V., Flight, in Artlink, Vol. 31, No. 1, 2011.
Datuin, Flaudette May V., Land, Locality, and Communion: The International Baguio Arts Festival, in Pananaw 4:
Defoe, Ruben, D.F., Heroism wears new hats, Asian Art News, Vol. 6, No.3, May / June 1996.
Ewington, J., Archipelago Art, Art & Asia Pacific, Vol.1, No.1, 1993.
Ewington, J., Cross-Currents- Salubungang Agos, Art & Asia Pacific Vol.1, No.3, 1994.
Fairley, Gina, Alternative X: Creating a Scene in the Philippines, Eyeline, no. 61, Spring 2006.
Fairley, Gina, An award of its time [2008 Ateneo Art Award], Asian Art News, vol.18, no.4, July/August 2008.
Fairley, Gina, Cultural Malling in Manila: the New Ayala Museum Bridges Culture and Consumerism, Art Monthly
Australia, no. 179, May 2005.
Fairly, Gina, Letter From Manila, in Art Monthly Australia, Issue 213, September 2008.
Fairley, Gina, Manila 2006, Art and Australia, vol. 44, no. 3, 2006.
Fajardo Brenda VOL., Contemporary Visual arts in the Philippines, in Japan Foundation ed., Contemporary
Philippine Culture: Selected papers on Art and Education, Manila Japan Foundation, 1998.
Florentino, Eric., Four Postmortems and an Ominous Carnival (or, The Freak Show Manifesto), in Pananaw 4:
Flores, Patrick & Bromfield, David, The Perils of Performance: Mike Parr in the Philippines, Art & Asia-Pacific,
Vol.3, No.1, 1996.
Flores, Patrick, Sorties into the City: The Art of Elmer Borlongan and Emmanuel Garibay, Artlink, Vol. 19, No.
3 September1999
Flores, Patrick D., ed.,. Pananaw no.6, Philippine Journal of Visual Arts, 2007 [on criticism and curation]
Flores, Patrick D.; Cajipe-Endaya, Imelda; Cruz, Joselina, Koh, Jay, convenors, Locus: Interventions in Art Practice,
Manila, National Commission for Culture and the Arts, Lopez Museum & Pananaw ng Sining Bayan, 2005.
Flores Patrick D., Crafting Economies, Tokyo, The Japan Foundation, 2001.
Flores, Patrick D., At the Crossroads, Asian Art News, vol.10, no.3, 2000
Flores, Patrick D., Central Station, in Pananaw 4: Philippine Journal of Visual Arts, 2002, 11-16.
Flores, Patrick D., Loss and leaving, Art AsiaPacific 28, 2001
Garcia, Nona., Luck, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.74.
261
Guillermo, Alice G., An Iconography of Political Art, in Asian Art News, Vol. 14, Number 4 (July/August 2004),
pp. 58-61
Guillermo, Alice G., Bamboo in the Sea Wind (The First Bagabas International Eco-Arts), in World Sculpture
News, Vol.9, No.3, Summer 2003, p.50-52.
Guillermo, Alice G., From the Familiar to the Abstract, in Asian Art News, Vol. 14, No. 2, March/April 2004,
p.58-63.
Guillermo, Alice, The Essence of Form, [Philippines Sculpture] Asia-Pacific Sculpture News, Vol.1, No.2, Spring
1995.
Guillermo, Alice G., Witnesses to unfolding history, Asian Art News, Vol.10, No.3, 2000
Guillermo, Alice, Visions of the Millennium, Asian Art News 9:3 1999
Guillermo, Alice G., Yankee Doodles, in Asian Art News, Vol. 13, No. 6, November/December 2003, p.52-55.
Hildawa, Sid Gomez, An Overview of the Philippine Contemporary Art Scene (1994-1998), Kuroda, Raiji, ed.,
The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Hoffie, P., Accounting for Fun, [Baguio Art Festival 1993] Art Monthly Australia, No.67, March 1994;
Hoofman, Ingrid, Enjoin to the Philippines, Artlink, Vol. 18, No. 4 December 1996
Javelosa, Jeannie E., Introduction to Philippines Art & Culture, Artlink, Vol. 13, No.3&4, November-March
1993/94
Javelosa, Jeannie E., Indigenous Statements Now, Artlink, Vol. 13, No.3&4, November-March 1993/94
Labrador, A.P., A Most Unfashionable Frill: Restringing Multicultural Beads Into One National Strand, Art &
Asia Pacific, Vol.1, No.1, 1993.
Labrador, A.P., Beyond The fringe: making it as a Filipina contermporary artist, Art & Asia Pacific, Vol.2, No.2,
1995.
Labrador, Ana P., Eating their words, Art AsiaPacific 29, 2001
Labrador, Ana P., Out of order, Art AsiaPacific, 25, 2000
Labrador, Ana, P., The projects of nationalism: celebrating the centenary in Philippines contemporary art.
Humanities Research 2: 1999
Labarador, Anna, Weaving impressions: the Bontoc people of the Philippines, Art AsiaPacific,No.18, 1998.
Legaspi-Ramirez, Eileen C., Traversing Centre and Fringe: Problems of Engagement in Unstable Democratic
Spaces, Focas (Forum on Contemporary Art & Society), no.3, January 2002
Looby, Keith, Does the Avant-Garde Begin or End in Asia?, in Art & Asia Pacific, Vol. 1, No. 4, 1994.
Mayo, Rachel, Replanting Culture: The indigenous Art Movement, Art & Asia Pacific, Vol.1, No.1, 1993.
Mayo, Rachel, Pillow Talk [Dan Raralio], Art & Asia Pacific, Vol.3, No.2, 1996.
Mayo, Rachel, Salingpusa: Manila on Canvas, Art & Asia Pacific, Vol.2, No.3, 1995
Pastor Roces, Marian, Letter to an Artist concerning her Death, in Huangfu, Binghui, Site+Sight: Translating
Cultures, Singapore, La Salle-SIA, 2002.
Pereira, Sharmini, To talk with a degree of serendipity, Artlink, Vol. 20, No. 2, July 2000
Pettifor, Steven, Arkuiris at Art Centre SM Megamall (review), Asian Art News, vol. 15, no. 3, 2005.
Philippines Feature, including Coming into a new phase; Orlina, Ramon Facing up to Change; Diaz, Silvana,
Art to the People; Asian Art News, Vol. 7, No. 3, May/June 1997.
Radok, Stephanie and Roberts, Neil, An Australian Creates Space in Manila, Artlink, Vol. 13, No.3&4,
Ramirez, Eileen Lagaspi, Living and Dying. Somber Memoir and Other Fictions in Contemporary Philippine Art,
in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 114 116.
Roces, M.P, Ethos Bathos Pathos: Contemporary Art Practice in the Philippines, Art & Asia Pacific, No.1,
supplement to Art & Australia, March 1993.
Ruiz, Jose Tence, Atras /Avant: Lessons from a Continuing Reinvention of the Thirteen Artists Award, in
Pananaw 4: Philippine Journal of Visual Arts, 2002, p.56-65.
Samson, Ditas R., The Beauty and the Bounty: Angono Recalled and Reinterpreted, in Pananaw 4: Philippine
Journal of Visual Arts, 2002, p.17-26.
Supplement: The Philippines, Asian Art News, Vol.3, No.5, Sept-Oct 1993.
Surry of Exhibitions 2000-2002, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.90-100.
262
Tan, Pearl, The Philippine Art Awards: An Observers Evaluation, in Pananaw 4: Philippine Journal of Visual Arts,
2002, p.66-70.
Torres, Emmanuel, Drawing takes its place, Asian Art News, Vol.10, No.4, 2000
Torres, E., Internationality: Towards a New Internationalism, Art & Asia Pacific, Vol.1, No.1, 1993.
Torres, Emmanuel, One Face of Filipino Art, in Asian Art News, Vol.13, No.1, January/February 2003, p.56-60.
Torres, Emmanuel, Upbeat and kicking into the new millenium, Asian Art News, Vol.10, No.3, 2000
Tuazon, Wire Rommel G., Artist-Run-Spaces: Art Initiatives in the Case of Surrounded by Water, in Vehicle:
Valeriano, Lourdes Lee., Identity and Invisibility: Contemporary Filipino-American Art in New York, in Pananaw
4: Philippine Journal of Visual Arts, 2002, p.41-48.
Willie Valentine, Faith + The City: a survey of contemporary Filipino art, Kuala Lumpur, Valentine Willie Fine Art, 2000
Zaballero, Phyllis; Vermont Works, Asian Art News, Vol. 7, No. 3, May/June 1997.
Contemporary Cinema
Capino, Jose B. Philippines: Cinema and its Hybridity. In Contemporary Asian Cinema: popular culture in a global
frame, edited by Anne Tereska Ciecko. New York: Berg, 2006, p.32-44.
Jameson, Fredric, Art naf and the Admixture of Worlds, in The Geopolitical Aesthetic: Cinema and Space in the
World System, London: BFI Publishing and Indiana UP, 1992, pp.186-213.
San Juan Jr, E., Kidlat Tahimik: Cinema of the nave subaltern in the shadow of global capitalism,
Communal/Plural 6.2 (1998): 171-185.
Antonio S. Sison, Perfumed Nightmare Through the lens of Third Cinema, in Political Holiness in Third Cinema,
The Netherlands: Katholieke Universiteit Nijmegen, 2004, p.73-130.
Stam, Robert, Third Cinema Revisited, in Film Theory: an Introduction. Mass: Blackwell, 2000, pp. 281-291.
Tioseco, Alexis. Shifting agendas: the decay of the mainstream and rise of the independents in the context of
Philippine cinema, Inter-Asia Cultural Studies, 8.2. (2007): 298-303.
Tioseco, Alexis. Raya Martin, Cinemascope #39, available online at http://www.cinema-
scope.com/cs39/spot_tioseco_alexis.html
Rolando B. Tolentino, Kidlat Tahimik in the Rhetoric of First World Critical Theory, in National/Transnational:
Subject Formation, Media and Cultural Politics in and on the Philippines (Manila: Ateneo de Manila University
Press, 2001).

Prints
Benesa, Leonidas VOL., The Printmakers, Manila, Department of Public Information, 1975
Cajipe-Endaya, Imelda et al, Filipino Engraving 17th to 19th Century, Manila: Ylang Ylang Graphic Group, 1980
Cajipe-Endaya, Imelda, Notes on an Unknown Artist of the 18
th
century, Archipelago, ca.1979
Pilar, Santiago Albano & Cajipe-Endaya, Imelda, Limbag Kamay: 400 Years of Philippine Printmaking, Manila, Cultural
Center of the Philippines, 1993
Photography
Fairley, Gina, Letter from Manila [recent photography], Art Monthly Australia, issue #213, September 2008
Fairley, Gina, Photography Rising, in Asian Art News, v. 18(4), July/August, 2008, pp. 69-73.
Gibson, Prue, Beyond Frame: Philippine Photomedia, in Art Monthly Australia, Issue 216, December 2008/
February 2009.
Guardiola, Juan, El Imaginario Colonial: Fotografa en Filipinas durante el periodo espaol, 1860-1898, Manila, National
Museum & Barcelona, Casa Asia, 2006.
Vergara, Benito M., Displaying Filipinos: Photography and Colonialism in early 20
th
century Philippines, Quezon City,
University of the Philippines Press, 1995.
Crafts (including textiles, basketwork, carving, and ceramics)
Anderson, Nola, Writing about Craft, Artlink, Vol. 13, No.3&4, November-March 1993/94
263
Baradas, David B., Woven Textiles the Enduring Tradition, Artlink, Vol. 13, No.3&4, November-March
1993/94
Capistrano-Baker, Florina H., et al, Basketry of the Luzon Cordillera, Philippines, Los Angeles, UCLA Fowler Museum
of Cultural History, 1998.
Lane, Robert, Philippine Basketry: an appreciation, Manila, Bookmark, 1986
Women and Art, Womens Art
Chattopadhyay, Colette, At home and abroad, contemporary Filipina views, Art AsiaPacific, 22, 1999
Cajipe-Endaya, Imelda, Images of Women by Women, Artlink, Vol. 13, No.3&4, November-March 1993/94
Datuin, Flaudette, At the Fringes in the Philippines, Artlink, Vol. 20, No. 2, July 2000.
Datuin, Flaudette M.V., Home, Body, Memory, Filipina Artists in the Visual Arts, 19
th
century to present, Quezon City,
University of the Philippines Press, 2002.
Herrera, Ma. Victoria T., Women in the Philippine Art World, paper for conference Women Imagining Women
Manila, Cultural Center of the Philippines, 1999.
Kintanar, Thelma B., Ventura, Sylvia M., Self-Portraits: twelve Filipina Artists Speak, Manila, Ateneo de Mainal

PACIFIC, OCEANIA, NEW ZEALAND
[There is a flourishing art press in New Zealand which is too large to index here]
General Works
Browning, Daniel, Hand in Hand: Sexy and Dangerous, in Art Monthly Australia, Issue 212, August 2008.
Chant, Prisca, Pacific Storms: Beyond Sunsets and Leis, in Art Monthly Australia, Issue 232, August 2010.
Clifford, Andrew, Pacific Reggae, in Eyeline, No. 71, 2010.
Cochrane, Susan, Undercurrents, Art AsiaPacific, 31, 2001
Cochrane, Susan, Brtara: Contemporary Pacific Art, Sydney, Halstead Press, 2001.
Craw, R., Anthropology or the other, Art & Asia Pacific, supplement to Art & Australia, September 1993.
Devotion: the religious, the domestic, the pacific review, Art AsiaPacific, 24, 1999
Durrant, Jacqui, Cook Islands: Art Now, in Art Monthly Australia, Issue 232, August 2010.
Elias, Ann, Kowtowing to Commerce, Art & AsiaPacific, Vol.3, No.1, 1996.
Hayes, Michael, Burning Bridges, The contentious California conference Rewriting the Pacific, Art AsiaPacific,
Vol.3, No.3, 1996
Indigenous Arts of the Pacific, Special Issue, Artlink, Vol.16, No.4, Summer 1996
Jahnke, Robert, Tribal Art and its Incorporation into Contemporary Art, in eds. Clark, John, Peleggi, Maurizio
and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University of
Sydney East Asian Series No. 15, Wild Peony, Sydney, 2006, pp. 9-28.
Jose, Nicholas, Asia & Oceania Influence - Sydney, Artlink, Vol. 16, No. 4 Summer 1996
Kaino, Lorna, The Necessity of Craft: Development and Womens Craft Practices in the Asia-Pacific Region, Perth, University
of Western Australia Press, 1995. [Review, Labrador, Ana P., in Art AsiaPacific, Vol.3, No.1, 1996.]
Kidd, Courtney. Oceans and Others: Navigating Pacific Territory. Art Monthly Australia, December 1998 to
February 1999 No.116.
Lewis-Harris, J., Printed, beaten, and coiled, Art & Asia Pacific, Vol.2,No.2, 1995.
McIntyre, Sophie, Navigating Austronesia: Contemporary Indigenous Art from Taiwan and the Pacific, in Art
Monthly Australia, Issue 232, August 2010
Morse, Marcia, Not Venice, Hawaii: The Contemporary Museum Biennial of Hawaii artists, Art & Asia-Pacific,
Vol.3, No.1, 1996.
New colours from old worlds review, Art AsiaPacific, 24, 1999
Nicholls, Christine, Speaking Across Time, in World Sculpture News, Vol. 16, No. 2, Spring 2010
Pacific Arts Symposium, Art & Asia Pacific, Vol.1, No.1, 1993.
Page, Maude, Contemporary Art at the Pacific Festival of Arts, Art AsiaPacific, No.14, 1997.
264
Pirating the Pacific, Sydney, Powerhouse Museum, 1993, [review by Martin Terry in Art Monthly Australia, No.66,
December-February 1993-94].
Rosi, Pamela, Shigeyuki Kihara: Subverting Dusky Maidens and Exotic Tropes of Pacific Paradise, ArtAsiaPacific,
No. 51, 2007.
Searle, R., Melanesia, Art Monthly Australia, No.66, December-February 1993-94.
Teaiwa, Theresa and Launiuvao, Juliette, Canoe Culture, ArtAsiaPacific, No. 47, 2006.
Thomas, Nicholas, Wherever it is That We Want to Go: John Pules Painting, 1990-2010, in Art Monthly
Australia, Issue 232, August 2010
Thomas, Nicholas, Entangled Object: Exchange, Material Culture and Colonialism in the Pacific, Cambridge, Harvard
Thomas, Nicholas & Losche, Diane, Double Vision: Art Histories and Colonial Histories in the Pacific, Cambridge,
Thomas, Nicolas, Marked men, Art AsiaPacific, No.13, 1997.
Thomas, Nicolas, Pacific Presences, Art Monthly Australia, No.86, Dec 1995-Feb 1996.
Thomas, Nicolas, What shall we tell them ? Pacific Art, politics and culture, Art & Asia Pacific, Vol.1.No.4, 1994.
Uhr, Kellee, The Culture of Adornment: Materiality in the Work of Chantal Fraser and Maryann Talia Pau, in
Art Monthly Australia, Issue 232, August 2010
Vercoe, Corline, Postcards as a signature of place, Art & Asia-Pacific, Vol.3, No.1, 1996.
Vercoe, Caroline, Navigating pacific Art, Art AsiaPacific, 22, 1999
Von Reiche, Steven, Pacific festival of Arts Workshop report, Art AsiaPacific, No.14, 1997.
Fiji
Teaiwa, Tersia K., Our Pacific: Contemporary Art in Fiji, Art AsiaPacific, No.17, 1998.
New Zealand
Dale, Richard, Going East: post-orientalism in contemporary New Zealand Art, Art AsiaPacific, 23, 1999
Davis, Leigh, Maori Bay Quarry: Maori prophets in the work of Colin McCahon, Art Asia Pacific, no 23, 1999
Durrant, Jacqui, Still Unnerved: The New Zealand Project, Redux, in Art Monthly Australia, Issue 235, November
2010.
Focus on New Zealand, Art AsiaPacific, 23, 1999 [many articles & reviews]
Fraser, Viriginia, Te Papa Tongarewa, Art Monthly Australia, No.110, June 1998
Leonard, R. & Vercoe, C., Sisters are doing it: fashion, dance, art: New Zealands Pacific Sisters, Art AsiaPacific,
No.14, 1997
McAloon, William, Casino Art in New Zealand, Art Asia Pacific, Vol.3, No.4, 1996.
Menzies, Louise, Islanded: Contemporary Art from New Zealand, Singapore and Taiwan, Adam Art Gallery,
(exhibition review) ArtAsiaPacific, No. 50, 2006.
Naylor, Stephen, Public/Private Tumatanui/Tumataiti: The 2
nd
Auckland Triennial, Art Monthly Australia, No.
170 (June, 2004), pp. 16-18
Rees, Simon, 1
st
Auckland Triennial, Art AsiaPacific, No.33, 2002.
Noumea
Ewington, Julie, Noumea-Tokyo, Art AsiaPacific, 23, 1999
Gama, Henri, Arts Dock: 4
th
Melanesian Arts Festival, Nouma, in Art Monthly Australia, Issue 232, August 2010.
Kasarherou, Emmanuel, Portraits Kanak, Art AsiaPacific, Vol.3, No.3, 1996
Lewis-Harris, Jacky, Our identity lies ahead, Art AsiaPacific, 31, 2001
Giakoumi, Dionissia, A New Meeting Place in the Pacific: Centre Culturel Tjiboau, Noumea, Art AsiaPacific,
No.21, 1999
Sandra, Maillot Win-Nemou, An exhibition of Torres Strait Islander Art in Noumea, Art AsiaPacific, No.14, 1997
Stevenson, Karen, Creating Together: The inaugural exhibition at Centre Culturel Tjibaou, Noumea, Art
AsiaPacific, No.21, 1999
Samoa
Mallon, Sean, Samoan art hsitories, Art AsiaPacific, 32, 2001
265
Stevenson, Karen, Picturing Paradise, Art AsiaPacific, No.13, 1997
Stevenson, Karen, The 7th Pacific Festival of Art in Samoa, Art AsiaPacific, No.14, 1997

Torres Straits
Mosby, Tom Byra Mixie, Playthings: Dance machines from the Torres Strait Islands, Art AsiaPacific, No.14,
1997.
Thomas, Nicholas, Islands of History, Art AsiaPacific 28, 2000
Wright, Simon, Making Waves in the Torres Strait, in Art Monthly Australia, Issue 232, August 2010

Vanuatu
Bolton, Lissant, The New Vanuatu Cultural Centre, Art AsiaPacific, Vol.3, No.3, 1996
Cochrane, Susan, We are the artists of today: recent sculpture from the Solomon Islands and Vanuatu, Art
AsiaPacific, No.18, 1998.
Thomas, Nicolas, Dance party, The Vanuatu Cultural Centre Mini National Arts Festival, Art AsiaPacific, Vol.3,
No.3, 1996.
Individual Artists
Armanious, Hany, Krischer, Olivier, Hany Armanious: Plundering the Uncanny Valley in Art Asia Pacific No. 73,
2011
Baerhart, Laurence: Batten, John, Laurence Aberhart: Macau and China [Photography], Art AsiaPacific, No.33,
2002.
Armanious, Hany, Krischer, Olivier, Hany Armanious: Plundering the Uncanny Valley in Art Asia Pacific No. 73,
2011
Cotton, Shane: Tillers, Imants, Locating Shane Cotton, Art AsiaPacific No.21 1999.
Fong, Luise: Vaigro, W., Luise Fong: cosmographies; a pathologistss diary, Art & Asia Pacific, Vol.2, No.2, 1995.
Fuata, Brian: Fuata, Brian, A Wrong Solo, in Artlink, Vol. 31, No. 1, 2011.
Hammond, Bill: Smith, Allan, Bill Hammond Paints New Zealand, Art AsiaPacific, no 23, 1999 Focus on New
Zealand.
Jahnke, Robert: Thomas, Nicolas, Shadow and Substance: the recent work of Robert Jahnke, Art & Asia Pacific,
Vol.1, No.1, 1993.
Kahukiwa, Robyn: Diamond, Jo, Robyn Kahukiwa: Nurturing Maori Identity, Art AsiaPacific, No.33, 2002.
Kuage, Mathias: review, Art AsiaPacific, 25, 2000
Laita, Lily; ONeill, Anne: Stevenson, Karen, Negotiating tradition: the art of Lily Laita and Anne ONeill, Art
AsiaPacific,No.18, 1998.
Maloy, Richard Patrick, Martin, Try and Try Again: Richard Maloy, in Contemporary Visual Art+ Culture Broadsheet,
Vol. 39, No. 3, September 2010
Parekowhai, Michael: Barr, Jima and Mary, The Indefinite Article: Michael Parekowhais riff on representation, Art
Asia Pacific, no 23, 1999 Focus on New Zealand.
Pule, John: Thomas, Nicolas, Lost Gods: The paintings of John Pule, Art & Asia Pacific, Vol.1.No.4, 1994;
Thomas, Nicolas, Oceans Apart, Asian Art News, Vol.7, No.3, May/June 1997; Durrant, Jacqui, Odes of a
Restless Spirit, in Art Asia Pacific, No. 67, March/ April 2010.
Reihana, Lisa: Page, Maude, Interdigitatimg Reihanamations: Lisa Reihanas Video Weavings. Art AsiaPacific
No.21, 1999.
Tan Yukking, Individual Experience, in Asian Art News, v. 18(5Sept/Oct, 2008, pp. 82-3.
Tuffery, Michel: Cassidy Rogers, An Artists Bullish Feeling, in Art Asia Pacific, Issue 66, November/ December
2009.
Tupou, Sam Brocker, David, Sam Typou: The Tapa Treatment, in Art Monthly Australia, Issue 232, August 2010

PAPUA NEW GUINEA
Cochrane, Susan, Bilum Breakout: Fashion, Artwork, National Pride, in Artlink, Vol. 29, No. 2, 2009.
266
Cochrane, Susan, Living Art A Work in Progress, in Art Monthly Australia, Issue 232, August 2010
Mel, Michael, Tradition and bilas in New Guinea, Art & Asia-Pacific, Vol.3, No.1, 1996.
Simons, Susan; Stevenson, Hugh, Luk Luk Gen! Look Again: Contemporary Art from Papua New Guinea, Townsville,
Perc Tucker Regional Gallery, 1990.
Smalley, S.F., Contemporary Art of Papua New Guinea, New York, Bridgewater State College, 1989.
Waiko, John, Through our own eyes: Contemporary Art in Papua New Guinea, Art & Asia Pacific, Vol.1, No.4,
1994.

SOUTH ASIA
General Works
Jacob, Preminda S. Between Modernism and Modernisation: Locating Modernity in South Asian Art in Art
Journal 58, no. 3.
Masters, H.G., The Rest of The Picture: Photography in South Asia, in Art Asia Pacific, No. 67, March/ April
2010.

INDIA
General Works
Appasamy, J., 25 years of Indian Art, Lalit Kala Contemporary, No.15.
Appasamy, J., An Introduction to Modern Indian Sculpture, New Delhi, Indian Council for Cultural Relations & Vikas
Publications 1970.
Appasamy, J., The Critical Vision: Selected Writings, New Delhi, Lalit Kala Akademi, 1985.
Appasamy, Jaya ed. Twenty-Five Years of Indian Art: Painting, Sculpture, and Graphics in the Post-Independence Era. New
Delhi: Lalit Kala Akademi, 1972.
Archer, W.G., India and Modern Art, London, George Allen & Unwin, 1959.
Award Winners: National Exhibition of Art, 1955-1990, New Delhi: Lalit Kala Akademi, n.d. (probably 1990 or soon
after, given the publication is an exhibition catalogue).
Bhatt, Vikram and Peter Scriver. After the Masters. Ahmedabad: Mapin, 1990.
Bhattacharyya, S.K. Trends in Modern Indian Art. New Delhi: M.D. Publications, 1994.
Boner, Alice. Principles of Composition in Hindu Sculpture, Cave Temple Period. Leiden: Brill, 1962.
Borden, Carla. Contemporary Indian Tradition: Voices on Culture, Nature and the Challenge of Change. Washington:
Smithsonian Institute Press, 1989.
Brown, Rebecca M. Art for a Modern India, 1947-1980. Durham: Duke University Press, 2009.
Chaudhuri N.C., The Autobiography of an Unknown Indian, [London, Macmillan, 1951] Berkeley, University of
Chaudhuri N.C., Thy Hand Great Anarch!, India 1921-1952, London, [Chatto & Windus 1987], The Hogarth Press,
1990.
Chatterjee, Partha, A Possible India, New Dehli, Oxford University Press, 1997
Clark, J., Modern Indian Art: Some Literature and Problematics, Occasional Paper, No.21, Research Institute for
Asia and the Pacific, 81-page Review, ISBN 0 86758 916 7, 1994.
Clark, John, Recent books on Indian and Pakistani art, in art & Australia, Vol. 45(1), Spring, 2007, p. 129.
Clark, John, Review of Bankim Chandra Chatterjee, tr. Marian Madden and S.N.Mukherjee, The Poison Tree: Three
Novellas, New Delhi, Penguin Books India, 1996, The Journal of the Oriental Society of Australia, Vol.31, 1999.
Clark, John, Review of Jyotindra Jain, Kalighat Painting: Images from a Changing World, Ahmedabad, Mapin
Publishing, 1999; Yashodhara Dalmia, The making of Modern Indian Art: The Progressives, New Delhi, Oxford
University Press, 2001; Gulamohammed Sheikh, editor, Contemporary Art in Baroda, New Delhi, Tulika, 1997;
forthcoming in Art AsiaPacific, 2003
Coomaraswamy, Ananda K., History of Indian and Indonesian Art, New Delhi, Munshiram Manoharlal, 1971.
Coomaraswamy. Ananda K. The Transformation of Nature in Art. New York: Dover, 1934.
Coomaraswamy, Ananda K. The Dance of the Shiva: Fourteen Indian Essays. New York: Noonday, 1957.
267
Dalmia, Yashodhara, Journeys: Four Generations of Indian Artists In Their Own Words: Conversations with Yashodhara
Dalmia, Volumes 1 and 2, Oxford University Press, 2011.
Dalmia, Yashodhara, The Making of Modern Indian Art: The Progressives, New Delhi: Oxford, 2002.
Dalmia, Yashodhara, et.al., Contemporary Indian Art: Other Realities, Bombay: Marg, 2002.
Dehejia, Harsha VOL. Despair and modernity : reflections from modern Indian painting, New Delhi,: Motilal Banarasidass
Publishers, 2000.
Dhamija, R., ed., Sixty Years of Writing on Arts & Crafts in India [from Roopa-lekha 1928-1988], New Delhi, Sterling
Publishers, 1988.
Dalmia, Yashodhara and Sambrani, Chaitanya, et. al, Indian Contemporary Art Post-Independence, New Delhi: Vadehra
Art Gallery, 1997.
Ellias, Bina Sinkar. Fifty Years of Indian Art. Mumbai: Mohile-Parikh Centre for the Visual Arts, 1998.
Elliott, D., Musgrave, VOL., Alkazi, E., India: myth and reality, Aspects of Contemporary Art, Oxford, Museum of
Modern Art, 1982.
Fischer, Eberhard & Pathy Dinanath, Amorous delight: the Amarushataka Palm Leaf Manuscript, Zrich, Artibus Asiae
Publishers at Museum Rietberg, 2006 [artibusasiae@rietb.stzh.ch]
Ghose, D.C., Bibiliography of Modern Indian Art, New Delhi, Lalit Kala Akademi, 1980.
Goetz, H., The great crisis from traditional to modern art, Lalit Kala Contemporary, No.1.
Inden, R., Imagining India, Oxford, Blackwell, 1990.
Indian Aesthetics and Art Activity, Simla, Indian Institute of Advanced Study, 1968.
Indische malerei der Gegenwart, [Bonn, Hannover, Hamburg, Bayreuth]Catalogue, 1982.
Jain, Jyotindra, ed., Picture Showmen: Insights into the Narrative Tradition in India Art, Mumbai, Marg Publications 1998
[Marg, Vol. 49, No. 3]
Kapur Geeta, When was Modernism: Essays on contemporary cultural practice in India, New Delhi, Tulika, 2000. (Review
Clark, John Australian and New Zealand Journal of Art, No.2, 2002)
Kapur, Geeta Representational Dilemnas of the Nineteenth-Century Painter: Raja Ravi Varma, in When was
Modernism: Essays on Contemporary Cultural Practice in India, Tuliki, New Delhi, 2000, 145-78
Kapur, G., Bartholomew, R., Padamsee, A., Contemporary Indian Art, London, Royal Academy of Art, 1982.
Kapur, Geeta, Contemporary Indian Art, London, Royal Academy of Arts & Festival of India, 1982.
Kapur, Geeta, A Stake in Modernity: Brief History of Contemporary Indian Art in Caroline Turner, ed., Tradition
and Change: Contemporary Art of Asia and the Pacific, Brisbane: University of Queensland Press, 1993.
Kapur, Riddles of the Sphinx, exhibition catalogue exhibition catalogue on Gulammohammed Sheikh,
Pathvipath/ Journeys, CMC Gallery, New Delhi, 1991.
Kapur, Geeta and Sambrani, Chaitanya, Crossing Generations: Diverge Forty Years of Gallery Chemould (Exhibition at
the National Gallery of Modern Art, Mumbai), Mumbai: Gallery Chemould, 2003
Kaul, M., Trends in Indian Painting, New Delhi, Dhoomimal Ramchand, 1961.
Khanna, Balraj and Aziz Kurtha. Art of Modern India. London: Thames and Hudson, 1998.
Lynn, VOL., Singh, M.G., Bawa, M., Shah, H., India Songs: Multiple streams in Contemporary Indian Art, Sydney, Art
Gallery of New South Wales, 1993.
Mair, Victor, H., Picture-storytelling in recent and modern India, chapter 4 of Painting and performance: Chinese
picture recitation and its Indian genesis Honolulu, University of Hawaii Press,1988.
Masters, H.G., The Rest of The Picture: Photography in South Asia, in Art Asia Pacific, No. 67, March/ April
2010.
Mathur, Saloni, India By Design: Colonial History and Cultural Display, Berkeley, University of California Press, 2007.
Milford-Lutzker, Mary-Ann, Shakti: The Power of Womens Art in India, Orientations, Volume 33, Number 6,
June 2002 [including: B. Prabha, Anjolie Ela Menon, Madhvi Parekh, Nalini Malani, Vasundhara Tewari,
Arpita Singh and Arpana Caur]
Mitter, Partha, Indian Art, New Delhi: Oxford:University Press, 2001.
National Gallery of Modern Art. A Handbook of Painting and Graphics. New Delhi: National Gallery of Modern Art,
1975.
Panikkar, Shivaji K., Parul Dave Makherji, and Deeptha Achar. Towards a New Art History: Studies in Indian Art.
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268
Parimoo, R., Modern Movement in Indian Sculpture, Special QuarterlyIssue of Kalavritt No.19, January-March
1990.
Patel, G., Sokolowski, T., Herwitz, D.A., Contemporary Indian Art, New York, New York University Press, 1985.
Pereira, Jos; Pal, Pratapaditya, eds., India and Portugal: Cultural Interactions, Mumbai, Marg Publications, 2001 [Marg,
Vol.53, No.2]
Phillips Collection. Indian Art Today: Four Artists from the Chester and Davida Herwitz Collection. Washington: Phillips
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Prakash. Uma, A New Face On The Block, in Asian Art News, v. 18(4), July/August, 2008, pp. 108-111.
Purohit, V, Arts of Transitional India, 2 vols, Bombay, Popular Prakashan, 1988.
Rohtagi, Pauline; Godrej, Pheroza & Mehrotra, Rahul, eds., Bombay to Mumbai: Changing Perspectives, Mumbai, Marg
Publications, 1997.
Rush, Dana, The Idea of India West African Vodun Art and Thought, Art Asia Pacific, No.34, 2002.
Sadwelkar, Baburao, Bombay Art Society: Story of a Hundred Years in Story of a Hundred Years: Bombay Art Society
1888-1988, Bombay: Bombay Art Society, 1989.
Sarkar, Kamal, Bharater Bhaskar o Chitra-shilpi, Calcutta, 1984 [unseen by me, apparently the only artists
biographical dictionary].
Sinha, Gayatri. Middleagespread: Imaging India, 1947-2004. New Delhi: Anant, 2004.
Singh, B.P., India's culture: the state, the arts, and beyond, Delhi; New York: Oxford University Press, 1999.
Six Indian Painters, London, The Tate Gallery, 1982.
Ajay J., Sinha, Contemporary Indian Art: A Question of Method Art Journal Fall 1999
Sinha, Gayatri, Indian Art: An Overview, New Delhi, Rupa & Co., 2003
Sinha, Ajay J., Contemporary Indian Art: A Question of Method Art Journal Fall 1999
Subramanyam, K.G., The Living Tradition: Perspectives on Modern Indian Art, Calcutta, Seagull Books, 1987.
Subramanyam, K.G., Moving Focus, New Delhi, Lalit Kala Akademi, 1978.
Subramanyam, K.G., The Creative Circuit, Calcutta, Seagull Books, 1992.
Individual Artists
Abdus Shakoor Shah: Jamal, Osman., Imagining Ballads, in Asian Art News, Vol. 14, No. 2, March/April 2004,
p.71-73.
Adiverekar, Ratnadeep Gopal: NUS Museum and Beaux Artz. Proverbial In(ter)ventions, Ratnadeep Gopal Adiverekar.
(Exhibition Catalogue), Singapore, NUS Museum and Beaux Arts, 2009
Agarwal, Ravi: Pariat, Janice, The Nature of the Beast, in ART India, Vol. XV, Issue IV, March 2011; Menezes,
Meera, The Labour Behind the Images, interview with Ravi Agarwal in Art India, Vol. Xiii, Iss. III & IV,
2008-9, p. 45-46.
Altaf, Navjot: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999;
Navjot Altaf, Report at The First Fukuoka Asian Art Trienale [The 5
th
Towards the 21
st
Century, Fukuoka: Fukuoka Asian Art Museum, 1999; Sarkar, Shiladitya, Framing the Other,
in ART India, Vol. XV, Issue IV, March 2011.
Anita Dube: Akira Tatehata, Anita Dube in Art Asia Pacific, Issue 37 (2003), p. 86
Arakkal, Yusuf: Doctor, Geeta, An Artist of his time, Asian Art News, Vol.6, No.4, July / August, 1996.
Atul Dodiya: Nanjo, Fumio, Atul Dodiya in Art Asia Pacific, Issue 37 (2003), p. 71
Ayisha Abraham, Rummana Hussain, Anita Dube, Sheela Gowda and Pushpamala N: Andrews, Jorella, Telling Tales:
Five Contemporary Women Artists from India, Third Text, n43, Summer 1998, 81-9.
Baij, Ramkinkar: Ahuja, Naman J., Ramkinkar through the eyes of Devi Prasad, The School of the Arts & Aesthetics,
JNU, New Delhi. ; Appasamy, J., Ramkinker, New Delhi, Lalit Kala Akademi, 1961; Prasad, D., Ram
Kinkar: A tribute, Art Heritage, 9, 1989-90; Subramanyam, K.G., Remembering Ram Kinkar, Art Heritage,
9, 1989-90; Subramanyam, K.G., text for Ramkinker, Calcutta, Birla Academy of Art and Culture, 1972, in
his Moving Focus, 1978.
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121.
Balasubramaniam, A: Talwar, Deepak, A. Balasubramaniam (In) Between, New Delhi, Talwar Gallery, 2009
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269
Bartholomew, Pablo: Zhuang Wubin, Historys Eyes, in Asian Art News, Vol. 17(6), November/December, 2007,
pp. 96 101.
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2004.
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141-143
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Spring 1993
Bose, Nandalal: Nalandal [Bose] Number, The Visvabharati Quareterly, nos. 1,2,3,4 combined, May 1968-April 1969;
Bartholomew R., ed., Nalandal Bose: A Collection of Essays, Centenary Volume, New Delhi, Lalit Kala Akademi,
1983; Subramanyam, K.G., The Drawings of Nalandal Bose, Art Heritage, No.2, 1979. ; Quintanilla, Sonya
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Orientations, Vol. 36, No. 2, March, 2008; Bose, Supratik, Growing Up With Nandalal Bose, in Orientations,
Vol. 36, No. 2, March, 2008.
Brahma, Dhirendranath: Ganguli, K.K., Drawings and Paintings of Dhirendranath Brahma, Calcutta, Birla Academy of Art
and Culture, 1990.
Burman, Chila Kumari: Pettifor, Steven, The Layering of Self, Asian Art News, Vol. 16, No. 6, Nov-Dec 2006.
Burman, Sakti: Kumar, Kavi, A Third Continent, Asian Art News, Vol.6, No.6, Nov/Dec 1996.
Caur, Arpana: Prakash, Uma, The Spirit Ascending, Asian Art News, Vol. 16, No. 2, 2006.
Chakraborty, Kishore Prakash, Uma, Reaching for the Spiritual, in World Sculpture News, Vol. 16, No. 1, Spring 2010
Chandra, Avinash: Avinash Chandra 1931-1991. Third Text No.16/17 Autumn/Winter 1991
Chhachhi, Sheba: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999. ;
Prakash, Uma, Marginalized Voices, in World Sculpture News, Vol. 14(1), Winter, 2008, pp. 50 53.
Chipra, Nikhil: Sardesai, Abhay, To the Manor Born, in ART India, Vol. XV, Issue IV, March 2011.
Choksi, Neha, Gore, Madhavi, My Self and Other Animals, in ART India, Vol. XV, Issue IV, March 2011.
Chowdhury, Jogen: Prakash, Uma, The Tension of the Eccentric, Asian Art News, Vol. 17, No. 1, Jan-Feb 2007;
review, Asian Art News, Vol. 16, No. 3, 2006.
Coomaraswamy: Lipsey, R., Coomaraswamy: 3: His Life and Work, Princeton, Princeton University Press, 1977;
Coomaraswamy, A.K., Fundamentals of Indian Art, Jaipur: The Historical Research Documentation
Programme, 1985.
Devi, Ganga: Jain, Jyotindra, Ganga Devi: Tradition and Expression in Madhubani Painting. Third Text No.6
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Dodiya, Atul: review, Art AsiaPacific, 25, 2000; Hoskote, Ranjit, Atul Dodiya: The possibilities of political art, Art
AsiaPacific, No.33, 2002. ; review, ArtAsiaPacific, No. 49, 2006; review, Asian Art News, Vol. 16, No. 3, 2006;
Nagy, Peter and Gayatri Sinha, Atul Dodiya: Broken Branches, New York, Bose Pacia, 2003; review, Asian Art
News, Vol.11, No.3, 2001; Prakash, U. A Quotidian Reality in Asian Art News, Vol. 20 No. 3, June 2010.
Dogra, Jyoti: Jiwani, Subuhi, Sounding Out, in ART India, Vol. XV, Issue IV, March 2011.
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Violence (review), Art India, volume X, issue iii, quarter iii, 2005.
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Galhotra, Vibha: A Universal Vision, AsianArtNews, Vol. 19 No. 1 January/February 2009, pp. 76-79.
Gawde, Sunil: Jumabhoy, Zehra, The Seductions of Form Art India, volume X, issue iii, quarter iii, 2005.
Geier, Helen: review Art AsiaPacific 29, 200; Nagy, Peter and Sinha, Gayatri, Atul Dodiya: Broken Branches, New York:
Bose Pacia, 2003.
Gobhai, Mehlli: Hoskote, Ranjit, Transforming traditions Asian Art News, Vol.6, No.6, November/December
1996.
Gojin Fujita: Pagel, David, Grafing Territory 2003 in Art Asia Pacific, No. 39 (Winter 2004), pp. 48-52
Gowda, Sheila: Lynn, Victoria, Dung heap: sensuality and violence in the art of Sheela Gowda, Art Asia Pacific,
Vol.3, No.4, 1996. ; Adajania, Nancy, Sheela Gowda: Narrating India, ArtAsiaPacific, No. 51, 2007.
270
Gujral, Satish: Sinha, Gayatri, Santo Datta and Gautam Bhatia, Satish Gujral: An Artography, Roli Books, New Delhi,
2006; Satish Gujral: A Retrospective, exh. cat., National Gallery of Modern Arts, New Delhi.
Gupta, Mahindra Bhusan: Roy, A., Paintings of Mahindra Bhusan Gupta, Calcutta, Birla Academy of Art and Culture,
1987.
Gupta, Shilpa: Pijnappel, Johan, Shilpa Gupta: Please dispose after use, Art AsiaPacific, No.35, 2002. ; Sardesi,
Abhay, Holding on to her Conscience, Art India, volume X, issue I, quarter I, 2005. ; Gopinath, Suman,
Shilpa Gupta. Participating by default, in Flash Art, Vol. XLI, No. 258, Jan-Feb, 2008, pp. 108 109;
Sardesai, Abhay, I Support Piracy, interview with Shilpa Gupta in Art India, Vol. Xiii, Iss. III & IV, 2008-9,
p. 37-38.
Gupta, Subodh: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999;
st
th
Asian Art Show]:
Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999; Mami, Kataoka, ed., Under
Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002. ; Anath, Deepak,
Subodh Gupta, ArtAsiaPacific, No. 48, 2006; Menezes, Meera, Made in India, Art India, volume X, issue iii,
quarter iii, 2005; Menezes, Meera, The Home and the World, Art India, vol 9, issue 1, quarter 1, 2004. ;
Prakash, Uma, From Global To Local, in World Sculpture News, Vol. 13(3), Summer, 2007, pp. 28 32;
Pym, William, Finding New Reasons to Believe, in Art Asia Pacific, No. 67, March/ April 2010;
Likandawala, Arshiya, Empire of Steel, in Art India, Vol XIII, Iss. I, 2008, p.52-54.
Haldar, Asit Kumar: Kamboj, B.P., Asit Kumar Haldar, New Delhi, Lalit Kala Akademi, 1990; Mukhophadhyay, A.,
Asit Kumar Haldar, New Delhi, Lalit Kala Akademi, 1991.
Harsha, N.S.: Ananth, Deepak, N.S. Harsha: Difference Relates, in Art Asia Pacific, No. 60, September/ October
2008.
Havell, E.B.: Banerji, Debashish, The Orientalism of E.B. Havell, Third Text, 58, Vol. 16, no1, 2002; Havell, E.B.,
Indian Sculpture and Painting, London, John Murray, 1908,[reprints as Chapter IV his The Future of Indian
Art]
Hebbar, K.K.: Krishnan, S.A., Hebbar, Lalit Kala Contemporary, No.10.
Husain M.F.: Herwitz, Daniel, Indian Histories: the recent work of M.F.Husain;, Art AsiaPacific,No.18, 1998;
Chopra, Suneet, A popular contemproary, Asian Art News, Vol.6, No.2, Mar/Apr 1996; Tagore,
Sundaram, A Story of a Jagged Line: The Art Of M.F. Husain. Art AsiaPacific issue 19 1998. ; Herwitz,
Daniel, Maqbool Fida Husain: the Artist as Indias National Hero, Third Text, Vol. 20, No. 1, January,
2006. ; Nath, Deeksha, Indian Painter Incites Religious Controversy, ArtAsiaPacific, No. 50, 2006; A Life
Revisited (interview with M.F.Husain) Asian Art News, Vol. 16, No. 1, 2006. ; Appasamy, J., Husain, Lalit
Kala Contemporary, No.10; Bartholomew, R., Kapur, Shiv S., Husain, 2nd ed., New York, Abrams, 1979; Jain,
Kajri, Taking and Making Offence: Husain and the Politics of Desecration, in Ramaswamy, Sumathi, ed.,
Barefoot across the Nation: Maqbool Fida Husain and the Idea of India, London, Routledge, 2011, p.198-212; Shah,
Siddharta V., Faced with Peomise and Protest, in Art Asia Pacific, No. 70, September/ October 2010;
Elliott, John, Righteous Indignation: Guru Uses Art to Exploit Societys Fears, in Art Asia Pacific, No. 68,
May/ June 2010; Alkazi, E. M. F. Husain: The Modern Artist and Tradition. New Delhi: Art Heritage, 1978.;
Husain, M.F., with Khalid Mohamed. Where Art Thou: An Autobiography. Mumbai: M.F. Husain Foundation,
2002.
Hussain, Farhad: Prakash, Uma, The Mundane Uncovered, in Asian Art News, Vol. 17(5), September/October,
2007, pp. 66 71.
Hussain, Rumana: Kapoor, Kamala, Home Nation, ART AsiaPacific, No.13, 1997.
Joag, Tushar: Shahane, Girish, Art and the Zen of Motorcycle Maintenance, in ART India, Vol. XV, Issue IV,
March 2011.
Joshi, Anant: Jumabhoy, Zehra, Shadow play, Art India, volume X, issue iii, quarter iii, 2005.
Kahlon, Rajkamal: Miller-Lewis, Karin, Haunted by History Art India, volume X, issue iii, quarter iii, 2005.
Kallat, Jitish: Camper, Fred, War Against Terror (review), Art India, volume X, issue I, quarter I, 2005; Sardesi,
Abhay, Orphans in the Storm, Art India, volume x, issue ii, quarter ii, 2005; Sengupta, Paula, Please let me
hurt you, please (review), Art India, vol 9, issue 1, quarter 1, 2004; Raja, Minakshi, New Horse for Old, Art
India, vol 9, issue 1, quarter 1, 2004; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art,
271
Tokyo: The Japan Foundation Asia Center, 2002: Hoskote, Ranjit, Jitish Kallat in Art Asia Pacific, Issue 37
2003, p. 54 ; Citron, Beth, Jitish Kallat: Copyright 2007, in ArtAsiaPacific, No. 55, September/October,
2007, pp. 108 109; Fairley, Gina, Navigating Contemporary India, in AsianArtNews, Vol. 19 No. 3
May/June 2009, pp. 92-96; Sarkar, Shiladitya, When Thoughts Come with Self-Pasting Adhesive,
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Art India, Vol. 7, Issue 1 (Quarter 1, 2002), Special Issue on Net Culture
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Art India, Vol. XIII, Issue III & IV, (2008) Special Issue Interviews with Indian Artists
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New Zealand Journal of Art, Vol.3, No.2, 2002
Sambrani, Chaitanya, Home and away: Contemporary Indian art in the international arena, Art Monthly Australia,
No.153, 2002.
Sambrani, Chaitanya, Printing across borders: the Aar-Paar Project, in Art Monthly Australia, No. 171 (July, 2004),
pp. 12-15
Sansone, Valentina, Artists Dictionary. A Survey of Contemporary Indian Art, in Flash Art, Vol. XLI, No. 258,
Jan-Feb, 2008, pp. 110 - 119.
Sareen, Hemant, Our Symbols, in Art Asia Pacific, Issue 72, March/ April 2010.
Sardesi, Abhay, Object at the Centre, Art India, volume X, issue iii, quarter iii, 2005.
Sen, Geeti. Bindu: Space and Time in Razas Vision. New Delhi: Media Transasia, 2001.
Sengupta, Ratnottama., A City of Remarkable Narratives, in Asian Art News, Vol. 14, No. 1, January/February
2004, p.68-73.
Shahane, Girish, Altered Egos, Art India, vol 9, issue 1, quarter 1, 2004, special issue on identity.
Sinha, Gayatri, The self and the World: an exhibition of Indian women artists, New Delhi: Gallery Espace & National
Gallery of Modern Art, 1997.
Singh, Kavita; Sawant, Shukla; Ahuja, Naman; et. al. Where in the World (Exhibition Catalogue), Devi Art
Foundation, 2008.
289
Sood, Pooja, In the fast lane. The new buzz around contemporary Indian Art, in Flash Art, Vol. XLI, No. 258,
Jan-Feb, 2008, pp. 102 - 104.
Sood, Pooja, ed., Khj 2002 2003, New Delhi: Khoj International Artists Association, 2003.
Sood, Pooja, et al, eds., Khj 2004 2005, New Delhi: Khoj International Artists Association, 2005.
Snell, Ted, Edge of Desire: Recent Art from India, Art and Australia, Vol. 42, No. 3, 2005.
Tharu, Susie, Common Threads, Different Weaves, Art India, volume X, issue ii, quarter ii, 2005.
Vali, Murtaza, Indian Summer (review), ArtAsiaPacific, No. 48, 2006.
Yun Chea Gab, Cho Il-sung, Gwak June K., Sambrani, Chaitanya, Hungry God: Indian Contemporary Art, Beijing &
Seoul, Arario Gallery, 2006.
Zitzewitz, Karin, Mapping South Asian Art, Art India, vol ix, issue ii, quarter 11, 2004.
Zitzewitz, Karin. The Aesthetics of Secularism: Modernist Art and Visual Culture in India. PhD Diss.:
Columbia University, 2006.
Indian Photography
Allana, Rahaab,ed.Aperure and Identity: early Photograph in India. Marg vol.61, no.1, September 2009.
Barath, Stephanie Roy, John Edward Sach: Master of the Picturesque in TAASA Review. The Journal of the Asian
Art Society of Australia, v.17, No. 3, September 2008, p. 7-9
Brown University Library; Anne S. K. Brown Military Collection. Photographic views of Lucknow taken after the
Indian Mutiny, Available Online, http://dl.lib.brown.edu/libweb/collections/askb/beato.php
Dehejia, Vidya, et al. India through the Lens: Photography 18401911, Munich, Mapin Publishing, 2000.
Dehejia, Vidaya (with contributions by Charles Allen) India through the lens: photography 1840-1911, Washington,
D.C.: Smithsonian Institution Ahmedabad, Mapin, 2000.
De Souza, David, Faith in Colour, Art India, vol IX, issue iii, quarter iii, 2004.
Dehejia, Vidaya (with contributions by Charles Allen) India through the lens: photography 1840-1911, Washington,
D.C.: Smithsonian Institution Ahmedabad, Mapin, 2000.
Dewan, Jane, Sun pictures from the city of gold; early photography in Bombay in Rohtagi, Pauline; Godrej,
Pheroza; Mehrotra, Rahul; eds. Bombay to Mumbai: changing perspectives, Mumbai, Marg Publications, 1997.
Falconer, John, India: Pioneering Photographers 1850-1900, Orientations, Volume 32, Number 9, November 2001
Falconer, John, India: pioneering photographers, 1850-1900, London: The British Library and The Howard and Jane
Ricketts Collection, 2001.
Falconer, John, ed., Waterhosue Albums: Central Indian Provinces, Ahmedabad: Mapin International 2009.
George Eastman House. India: Technology and War, Available Online,
http://www.geh.org/ne/mismi3/india_sum00001.html
Gordon, Sophie, The Royal Tour In India TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No.
3, September 2008, p. 10-12.
Gupta, Sunil, ed., An Economy of signs: contemporary Indian photographs, Boston: Rivers Oram Press, 1990.
Gutman, Judith Mara, Through Indian eyes, New York : Oxford University Press : International Center of
Photography, 1982.
Henisch, Heinz K., The painted photograph, 1839-1914 : origins, techniques, aspirations, University Park, Pa.:
Pennsylvania State University Press, 1996
Hight, Eleanor M., and Sampson, Gary D., eds., Colonialist Photography. Imag(in)ing race and place. London and New
York, Routledge, 2002.
Jaana, Reena, Contemporary tales from India, [photography], Asian Art News, Vol.7, No.5, Sept/Oct 1997.
Masselos, Jim and Gupta, Narayani, Beato's Delhi 1857, 1997, Delhi, Ravi Dayal, 2000.
Masselos, Jim, The Photographer's Gaze: Seeing 19th Century India, VisAsia. Resume of speech given on 7
September 2004, Available online,
http://web.archive.org/web/20060430145736/http:/www.visasia.com.au/programmes/arts_of_asia/arts
_of_india_2004/the_photographers_gaze_seeing_19th_century_india
Museum of Sydney, Encountering India : colonial photography 1850-1911, Sydney : Historic Houses Trust of N.S.W.,
1997.
Patel, Divia, The Indian Amateurs Photographic Album in TAASA Review. The Journal of the Asian Art Society of
Australia, v.17, No. 3, September 2008, p. 4-6.
290
Pelizzari, Maria Antoinella, ed., Traces fo India: Photography, Architecture, and the Politics of Representation, 1850-1900,
Montral, Canadian Centre for Architecture & New Haven, Yale University Press, 2003.
Pinney, Christopher, Camera Indica, London, Reaktion Books, 1998.
Pinney, Christopher, The coming of photography in India, London: The British Library, 2008.
Pinney, Christopher. Photos of the Gods: The Printed Image and Political Struggle in India. London: Reaktion, 2004.
Pinney, Christopher, Anthropology and Exposures, London: Reaktion, 2011.
Rahman, Ram, Camera Indica: Photography as history and memory in the 19th century, in Frontline, Vol. 18,
Issue 15, 21 July - 3 August 2001. Available online,
http://www.frontlineonnet.com/fl1815/18150640.htm
Ramachandran, V. K. Documenting Society and Politics: A Frontline Feature on the Photography of Sunil Janah.
Frontline, 25 September 1998.
Reilly, James M., Care and Identification of 19
th
century Photographic prints, Rochester, Kodak Books, 1986l, 2001
Robinson, Abby, The Alkazi Foundation for the Arts, New Delhi, in Trans-Asia Photography Review, Vol. 1,
No. 2, Spring 2011, available online, http://quod.lib.umich.edu/cgi/t/text/text-
Sharma, Satish, Rotigraphy: Indian street photography, Art AsiaPacific, No.13, 1997.
Sharma, Satish; Gray, Michael, A Shifting Focus: Photography in India 1850-1900, London: The British Library, 1995.
Srivatsan, R, Conditions of visibility : writings on photography in contemporary India; Mumbai, Popular Prakashan, 2000.
Srivatsan, R. Cartier-Bresson and the Birth of Modern India. Journal of Arts and Ideas, nos. 25-26, 1993.
Worswick, Clark; Embree, Ainslee, The last empire: photography in British India, 1855-1911, London : Gordon Fraser
Gallery, 1976.
Zhuang Wubin and Wim Melis, Between Art and Documentary, Asian Art News, Vol. 17, No. 1, Jan-Feb 2007.
Zhuang Wubin, Spotlight on Another Asia (review), Asian Art News, Vol. 17, No. 1, Jan-Feb 2007.
Indian Cinema, Film and New Media
Brosius, Christiane & Butcher, Melissa, eds., Image Journeys: Audio-Visual Media & Cultural Change in India, New
Delhi; Thousand Oaks & London, Sage Publications, 1999.
Chakravarity, Sumita S. National Identity in Indian Popular Cinema 1947 1987. Austin: University of Texas Press,
1993.
Dwyer, Rachel, I am Crazy about the Lord: The Muslim Devotional Genre in Hindi Film, in Third Text, Vol. 24,
Issue 1, January 2010.
Dwyer, Rachel, Patel, Divia, Cinema India : The Visual Culture of Hindi film, New Brunswick, Rutgers University
Press, 2002.
Dwyer, Rachel and Christopher Pinney, eds. Cinema India: The Visual Culture of Hindi Film. New Brunswick, N.J.:
Rutgers University Press, 2002.
Jain, Kajri, Imagined and Performed Locality: the Televisual Field in a North Indian Industrial Town, in Sundar,
Nandini & Deshpande, Satish, eds., Popular Culture, Gender and Sexuality: Essays in Honour of Patricia Uberoi,
special issue of Contributions to Indian Sociology, Vol. 44, No. 1&2, 2010, p. 33-55.
Mendes, Ana Christina, Showcasing Indias Unshining: Film Tourism in Danny Boyles Slumdog Millionaire, in
Third Text, Vol. 24, Issue 4, July 2010
Mishra, Vijay, Bollywood Cinema: Temples of Desire, New York, Routledge, 2002.
Nandy, Ashis, ed., The Secret Politics of Our Desires: Innocence, Culpability and Indian Popular Cinema, London & New
York, Zed Books, 1998.
Putnam Hughes, Stephen, Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the
Beginnings of Tamil Cinema, in Journal of Asian Studies, Vol. 66, No. 1, May 2007.
Rajadhyaksha, A. & Willemen, Paul, Encyclopedia of Indian Cinema, London & New Delhi, British Film Institute &
Oxford UP, 1999.
Ramachandran, V. K. ed. Seventy Years of Indian Cinema (1913 1983). Bombay: Cinema India-International, 1985.
Ramaswami, Preeti Bahadur, Still Moving Image, in Flash Art, Vol. XLI, No. 262, October 2008.
Sarai Reader 01: The Public Domain, New Delhi & Amsterdam, Sarai: The New Media Initiative & The Society for
Old and New Media, 2001
291
Srivastava, Neelam, Bollywood as National(ist) Cinema: Violence, Patriotism and the National-Popular in Rang De
Basanti, in Third Text, Vol. 23, Issue 6, November 2009.
Vasudevan, Ravi S., ed., Making Meaning in Indian Cinema, Oxford, Oxford University Press, 2001
Indian Artists Abroad
Carver, Antonia, Century City: Art & Culture in the Modern Metropolis, Art AsiaPacific, no.33, 2002.
Dalmia, Yashodhara, India Time, Milano, Galleria Paolo Curti, 2008.
Martin, Courtney J. South Asian American Art Now Queens Museum of Art (review), Flash Art, vol.
XXXVIII, no. 242, May-Jun, 2005.
Mathr, Saloni, Diasporic Body Double: The Art of the Singh Twins, in Art Journal, Vol. 65, No. 2, 2006, p. 34-56.
Mohanti, P., East-West Encounter, Art Monthly [UK], no.132, December-January 1989-90
Wainwright, Leon, Francis Newton Souza and Aubrey Williams: Entwined Art Histories at the End of Empire,
in Faulnew, S. & Ramamurthy, A., eds., Visual Culture and Decolonization in Britain, Ashgate, 2006.
Indian Cities: Architecture and Urbanism
Art India, Vol. 8, Issue 2 (Quarter 2, 2003), Special Issue on Imaging the City [Includes lead essay on cities as
sites of modernity in relation to the production and consumption of art.]
Blazwick, Iwona, ed., Century City: Art and Culture in the Modern Metropolis (Exhibition Catalogue), Tate Trustees,
2001.
Brunn, Stanley & Williams, Jack, eds., Cities of the World: World Regional Urban Development, New York, Harper
Collins, 1993.
Chorrea, Charles, Housing and Urbanization, Bombay, Urban Design Research Institute, 1999.
Chorrea, Charles, The New Landscape, Bombay, Book Society of India, 1985.
Dwivedi, Sharada & Mehrotra, Rahul, Bombay: The Cities Within, Bombay, IBH & Eminence Designs, 1995.
King, Anthony, Colonial Urban Development: Culture, Social Power and Environment, London, Routledge & Kegan Paul,
1976.
Lannoy, Richard, The Speaking Tree: A Study of Indian Culture and Society, Oxford, Oxford University Press India,
1999.
Mathur, Saloni, Charles and Ray Eames in India, in Art Journal, Spring 2011.
Mehrotra, Rahul, World Architecture 1900- 2000, in South Asia, Vol. 8, Wein: Springer-Verlag, 2000.
Seabrook, Jeremy, In the Slums of Bombay, in New Society, Vol. 73, No. 1183, 1985.
Sen, Armartya, Development as Freedom, New York, Alfrred A. Knopf, 1999.
Sen, Jai, The Unintended City: An Essay on the City of the Poor, Calcutta, Unnayan, 1980.
Singh, Raghubir, Bombay: Gateway of India, Bombay, The Perennial Press, 1994.
Web resources:
www.artindia.com Website of the leading English Language Journal on Art in India. The Art India Journal offers a
good resource for people working in the field and this bibliography lists the themes of special issues from
2002-2003 under their most appropriate subdivisions.

NEPAL
General Works
Jolliffe, H., A Community at the Crossroads, Asian Art News, Vol.4, No. 5, September/October 1994.
Nepalese Contemporary Art reaches out to the World, Asian Art News, 2, No.4, Jul/Aug 1992.
Nepali, Uttam, Modern Contemporary Art: A View from Nepal, Kuroda, Raiji, ed., The First Fukuoka Asian Art
ORiordan, Maurice, A political stand, [Ragini Upadhayay-Grela], Asian Art News, Vol.5, No.3, Jul/Aug 995.
The Art of Nepal, Special Issue, Orientations, Volume 32, Number 5, September 2001
292
Individual Artists
Dongol, Sarita: Sarita Dongol in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum, 2001
Sashi Shah: Asian Art News, 2, No.5, Sep/Oct 1992.
Shobha Wagley: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Uma Shankar Shah: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
st
th
Asian Art Show]:

HIMALAYAN BORDERLANDS; KASHMIR, BHUTAN, SIKKHIM
General Works
Artists on Spirituality, ArtAsiaPacific, No. 51, 2007.
Tulku, Mynak, R., Arts of Bhutan, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka
Asian Art Museum, 1999.
Virtue, Gerry, Tashi Kabum: A Mustang Treasure revealed in Annear, Judy, Yasumasa Morimura and Yukio
Mishima Seasons of Passion in TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 2,
June 2008, p. 6-8.
Individual Artists
Karma, Leki Dorji: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999
Penjor, Tashi: Tashi Penjor in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum, 2001

PAKISTAN
General Works
Ali, Atteqa, Impassioned Voices: Art as Social Commentary in Pakistan, ArtAsiaPacific, No. 46, 2005.
Art India, Volume ix, issue iv, quarter iv, 2004, special issue on art in Pakistan.
Bhutto, Fatima, Operating Above the Law, in Art Asia Pacific, Issue 66, November/ December 2009.
Carroll, Alison, Postcard from Pakistan, Art AsiaPacific, No.21, 1999.
Chen, Kuan-Hsing ed., Trajectories: Inter-Asia Cultural Studies, Routledge, 1998.
Galligan, Gregory, Painting Over the Lines: Contemporary art from Pakistan, ART AsiaPacific, Issue 36 (2002)
Genocchio, Benjamin, Pakistan Report: On the Verge, in Art in America, January 2009
Gomard, Kirsten, Et Pakistansk Slr, in Kontur, Culture, History, Politics, Tidsskrift for Kulturstudier, No. 20, rgang,
2010.
Hashmi, Salima, Contrary Signs, in Flash Art, Vol. XLII, No. 265, March/ April 2009.
Hashmi, Salima, Looking Back, Looking Forward: Pakistani Art in the 90s, Kuroda, Raiji, The First Fukuoka
Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Hashmi, Salima, Women artists in the Muslim World: a fresh perspective from Pakistan, in Fukuoka Art
Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994
Hashmi, Salima, Radicalising tradition: painting in Pakistan, Artlink, Vol. 20, No. 2, July 2000
Hashmi, Salima, essays in Dalmia, Yashodhara & Hashmi, Salima , Memory, Metaphor, Mutations: Contemporary Art of
India and Pakistan, New Delhi, Oxford University Press, 2007
Hashmi, Salima, et al. Hanging Fire: Contemporary Art from Pakistan. New York: Asia Society, 2009.
Khan, Ali & Nobil Ahmad, Ali, From Zinda Laash to Zibahkhana: Violence and Horror in Pakistani Cinema, in
Third Text, Vol. 24, Issue 1, January 2010.
MacKenzie, John M., Orientalism: History, Theory and the Arts, Manchester, New York: Manchester University Press,
1995.
Mirza, Quddus, A Particular Language, Art AsiaPacific, 24, 1999
293
Mirza, Quddus, Cross-Connecting Identities, Art India, volume X, issue I, quarter I, 2005 (special issue on video
art).
Mirza, Quddus, Letter from Pakistan: Broadcast News, Art India, Volume X, Issue IV, Quarter IV, 2005.
Mirza, Quddus, Letter from Pakistan: De-Fused Identities, Art India, vol 9, issue i, quarter i, 2004.
Mirza, Quddus, Letter from Pakistan: Using Popular Imagery, Art India, vol ix, issue ii, quarter ii, 2004.
Mirza, Quddus Show me the Money (a moral position vis-a vis the art market), in Art India, Vol XIII, Iss. I,
(2008), p. 57-59
Nasar, Hammad. Pakistan: An Art of Extremes in Orientations January/February 2009 Vol. 40 No. 1.
Pettifor, Steven, Contemporary Art from Pakistan: Asia House (review), Asian Art News, Vol. 16, No. 6, Nov-
Dec 2006.
Sambrani, Chaitanya, Printing across borders: the Aar-Paar Project, in Art Monthly Australia, No. 171 (July, 2004),
pp. 12-15
Sharma, Prageeta, Playing with a Loaded Gun: Contemporary Art in Pakistan at Apex Art (Review) in Art Asia
Pacific, No. 39 (Winter 2004), p. 83
Vali, Murtaza, Pakistan goes global! , in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 76 - 77.
Vali, Murtaza, Paradise Found & Lost, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 88 - 89.
Where Three Dreams Cross. London: Whitechapel Gallery; Fotomuseum Winterthur; Steidl, 2010.
Whiles, Virginia, In and Out of Pakistan, Third Text, n52 Autumn 2000, 103-111
White, Allison, Cultural Safe Haven, in Art Asia Pacific, No. 63, May/ June 2009.
Wright, Stephen, Beyond Borders: Art of Pakistan (review), Parachute,100, 2005.

Individual Artists
Araeen, Rasheed: Jamal, Osman, The Soul Of A Minimalist, in World Sculpture News, Vol. 14(2), Spring, 2008, pp.
45 49.
Chugtai, Abdul Rahman : Chugtai, Abdul Rahman, Orientations, June 1973
Dadi, Iftikhar: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Kazi, Durriya: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999;
Durriya Kazi and David Alesworth, Report at The First Fukuoka Asian Art Trienale [The 5
th
Asian Art Show],
Seminar: Asian Art Towards the 21
st
Century, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and
Masae, Kamachi, The 1
st
th
Programme, Fukuoka: Fukuoka Asian Art Museum, 1999
Khan, Naiza: Hashmi, Salima, Bodying Forth, Art India, vol IX, issue iii, quarter iii 2004.
Qureshi, Imran: Whiles, Virginia, Imran Qureshi, Art AsiaPacific, No.33, 2002.
Raja, Sabeen: review, Flash Art, Vol. XXXVIII, No. 242, May-Jun, 2005.
Shahzia Sikander: Desai, Vishakha N., Shahzia Sikander in Art Asia Pacific, Issue 37 (2003), p. 36
Shakar, Ali: Shakar Ali, Orientations, April 1973.
Sikander, Shahzia: Jaana, Reena, Cultural Weaving, Asian Art News, Vol. 7, No. 2, March/April 1997; Goodman,
Joanna, Small Pleasures, World Art, #15, December 1997; Schwabsky, Barry, Shazia Sikander/Out of
India, Artforum International, Vol.36, Issue 8, April 1998. ; Goodbody, Bridget L., From Lover to Foe and
back Again, ArtAsiaPacific, No. 43, 2005; review, Artforum, vol 46, iss. 5, Jan 2005; review, Art in America,
Vol. 94, iss. 1, Jan 2006.

BANGLADESH
General Works
Anuar, Zanita, Impressions of the 8
th
Asian Art Biennale in Bangladesh, Artlink, Vol. 20, No. 2, July 2000
Choudhury, Subir, Art of Bangladesh: Contemporary trends among the artists of the 90s, Kuroda, Raiji, ed., The
Exhibition of Contemproary Painting of Bangladesh, (Exhibition Catalogue), National Art Gallery Malaysia, 2004.
294
Hoek, Lotte, Cut-Pieces as Stag Film: Bangladeshi Pornography in Action Cinema, in Third Text, Vol. 24, Issue 1,
January 2010.
Jamal, Osman To bear witness[four women artists], Asian Art News, Vol.10, No.5, 2000
Mohaiemen, Naeem, Strongman Undone, in Art Asia Pacific, No. 63, May/ June 2009.
Supplement on Rickshaw Painting to Fukuoka Art Museum ed., 4th Asian Art Show Fukuoka: Realism as an
Attitude, Fukuoka, Fukuoka Art Museum, 1994.
Where Three Dreams Cross. London: Whitechapel Gallery; Fotomuseum Winterthur; Steidl, 2010.
Zhang Wubin, Voices of Resistance, Asian Art News, Vol. 15, No. 1, 2005.
Individual Artists
Ahmed, Kamal: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Amin, Rashid: review, Asian Art News, Vol.12, No.2, 2002
Chowdhury, Swapan: Jamal, Osman, A Man of His Time, Asian Art News, Vol. 16, No. 3, 2006.
Ilsma, Aminul: Jamal, Osman, The making of a Bangladeshi artist, Asian Art News, Vol.9, No.6, 1999
Karmaker, Ashoke: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
st
th
Asian Art Show]:
Shahabuddin: Jamal, Osman, The spirit of violence, Asian Art News, Vol.11, No.3, 2001

SRI LANKA/CEYLON
General Works
Bandaranaike, S., The Kataluva Murals, Orientations, Vol.13, No.1, January, 1982.
Gunaratna, D.M., A Living Legacy: The Contemporary Art Scene of Sri Lanka, Kuroda, Raiji, The First Fukuoka
Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Perera, Anoli, A new order Art AsiaPacific, 26, 2000
Preece, Robert, In time of War, Asian Art News, Vol.7, No.3, May/June 1997
Individual Artists
Bari Kumar: Jana, Reena. Other Ways of Seeing. Asian Art News 8:6 November/December 1998
Coomaraswamy, Ananda: Bandaranaike, S., Ananda Coomaraswamy and approaches to the study of traditional Sri
Lankan art and Society, in P.E.P. Deraniyagala Commemoration Volume, Columbo, Sri Lanka, 1980.
Daraniyagala, Justin: Justin Daraniyagala, Catalogue with essay by Ellen Dissanayake, Colombo, Deutsche Bank,
1992.
de Alwis, Tissa: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Keyt, George: see India
Muhammaed Cader, Anoli Peera, Rahju, Senaka Senanayake, Jagath weerasinghe, Laki Senanayake: Preece, Robert, &
Giddens, Sarah, Artists Voices, Asian Art News, Vol.7, No.3, May/June 1997
Peries, Ivan: Bandaranayake, Senake, Ivan Peries: (Paintings 1939-1969) - The predicament of the bourgeois artist
in the societies of the Third World, Third Text n2, Winter 187/88, 76-92
Senanayake, Senaka: Sardesi, Abhay, Interview, Art India, vol 9, issue 1, quarter 1, 2004.
Thenuwara, Chandraguptha: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
st
th
Asian

MONGOLIA
General Works
See entries in 1994 Fukuoka Asian Triennale Catalogue
295
Pearlman, Ellen, The Greeen Horse and the Blue Sun, in Art Asia Pacific, No. 67, March/ April 2010.
Sosor, Ochir, Fine Art in Mongolia Today, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka:
Fukuoka Asian Art Museum, 1999
Uranchimeg, Tsultem, Art of Mogolian Nomads, Ushiroshoji, Masahiro, et.al., Modern Paintings of Mongolia: Its
Origin up to Today, Japan: Sankei Shimbun, 2002
Ushiroshoji, Masahiro, et.al., Modern Paintings of Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002
Yamaki, Yuko, The Development of Modern Mongolian Art, Ushiroshoji, Masahiro, et.al., Modern Paintings of
Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002
Individual Artists
Munkhtsetseg Jalkhaajav: Findlay, Ian, From the heart of Mongolia, in AsianArtNews, Vol. 19 No. 3 May/June
2009, pp. 73-77.
Sarantsatsralt, Ser-Od: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Su Xingping: Zhang Zhaohui, A Human Narrative, Asian Art News, Vol. 16, No. 6, Nov-Dec 2006.
Usehbayar, Zagdin: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
st
th
Asian Art Show]:

CIS AND OTHER
Asia Yesterday - Today - Tomorrow. The World of Polar Forces March 20 - 25 1998 [Kazakstan - Erbosyn Meldibekov,
Zhazira Dzhanabaeva, Kanat Ibragimov/ Indonesia - Aramaiani, Semsar Siahaan, Hanura Hosea]
Catching, Rebecca, Lida Abdul. Landscapes of Rememberance, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 110
- 115.
Ibraeva, Valeria., Kazakhstan Contemporary Art Moves Ahead, in Asian Art News, Vol. 13, No. 4, July/August
2003, p.46-53.
Merewether, C., Kurdistan: In the Shadow of History, Co-Curator with Susan Meiselas, Bellevue Art
Museum, Seattle; Festival Internacional de Fotografia, Ayuntamiento de Madrid; Nederlands Foto Instituut,
Rotterdam, 1999-2000.

ASIAN ARTIST TRANSNATIONAL ACTIVITY
Transnational activity includes artists of Asian ancestry working in the given zones and also artists who have
moved from an Asian country of birth.
Asian Artist Transnational Activity: Australia
(There is a flourishing art press in Australia which is too large to fully index here)
Barnes, Carolyn; Wright, William; John Young, Fishermans Bend, Craftsman House, 2005.
Barnes, Carolyn, Integral Histories: John Youngs Double Ground Paintings, Art and Australia, Vol. 43, No. 3,
2006.
Bolton, Ken, Guan Wei: Unfamiliar land (review), Eyeline, No. 62, Summer 2006-7.
Carroll, Alison, Air to Life: 20 Years in the Australian-Asian Arts Atmosphere, in Art Monthly Australia, Issue
235, November 2010
Chiu, Melissa, Rough Trade: Curating Cultural Exchange in Australia, in Ang et al eds. Alter/Asians: Asian-
Australian identities in art, media and popular culture, Pluto Press, Sydney, 2000.
Clark, John, Asian art and Australia, in
Clark, John, An Australian Creative Space: where is Australian-Asian art now?, in Waite Dianne, ed., Green,
Charles & Stubbs, Mike, curators, 2006/ Contemporary Commonwealth/ , Melbourne, Australian Centre for the
Moving Image & National Gallery of Victoria, 2006, 26-33.
Clark, John, Art and its others - recent Australian-Asian Visual Exchanges, in Dever, Maryanne, ed., Australia
and Asia: cultural transactions, Surrey, Curzon Press, 1997.
296
Clark, John, Australian Art and Asia -Then and Now, Occasional Paper No.19, Research Institute for Asia and the
Pacific, University of Sydney, 1992
Clark, John, Travellers, Journeys, Tourists, in Australian Cultural History, No. 10, 1991.
Cornell, Christian, Old Categories, New Frameworks, in Artlink, Vol. 31, No. 1, 2011.
Crawford, Ashley, Chilling Talismans: A First Life Brotherhood, in Art Monthly Australia, No. 241, July 2011.
Crosby, Alexandra, Djuwadi: Folding the Relational into Art in TAASA Review. The Journal of the Asian Art Society
of Australia, v.17, No. 2, June 2008, p. 18-20.
Cvorco, Uros, What will the Neighbours Think?, Broadsheet, Vol. 35, No. 2, 2006.
Devenport, Rhana, Beauty, Shadow-Play and Silhouettes, Art and Australia, Vol. 44, No. 3, 2006 [Sangeeta
Sandrasegar, Guan Wei, Nusra Latif Qureshi, Emil Goh, Renee So, Ah Xian, Liza Lim].
Dirgantoro, Wulan, Permission to Fire, in Contemporary Visual Arts + Culture Broadsheet, Vol. 36, No. 3,
September, 2007, pp. 190 191.
Dysart, Dinah; King Natalie; Hou Hanru; Guan Wei, Sydney, Craftsman House, 2006.
Koop, Stuart, Asia Exchange: Rapt! Satellite, Art and Australia, Vol. 44, No. 3, 2006.
Nath, Deeksha; McInnes, Vikki; King, Natalie & Starr, Bala, Trailing the Summit: An Australian-Indian
Conversation, in Art Monthly Australia, No. 241, July 2011.
Pennings, Mark and Danni Zuvela, Korea/Australia (review of exhibition at Insititute of Modern Art, Brisbane),
Art and Australia, Vol. 42, No. 3, 2005.
Roberts, Claire, The Slow Art of Ah Xian, Art and Australia, Vol. 43, No. 3, 2006.
Seeto, Aaron, Transcultural Radical, in Artlink, Vol. 31, No. 1, 2011.

Australia and Asia [selected]
ARX [Artists Regional Exchange, website list supplied by Pam Zeplin]
Ang Ien, On Not Speaking Chinese: Living Between Asia and the West, London & New York, Routledge, 2001.
Ang Ien, Can One Say No to Chineseness? Pushing the Limits of Paradigm, in Chow, Rey ed., Modern Chinese
Literary and Cultural Studies in the Age of Theory, Durham & London, Duke University Press, 2000, p. 281- 289.
Ang Ien, The Curse of the Smile: Ambivalence and the Asian Woman in Australian Multiculturalism, in Feminist
Review, No. 52, Spring 1996, p. 36-49.
Australian Academy of the Humanities, Knowing Ourselves and others: The Humanities in Australia into the 21
st
century, 3
volumes, Canberra, Australian Government Publishing Service, 1998.
Birrell, Bob, Rapson, Virginia, Two Australias: Migrant settlement at the end of the 21
st
century, People and Place,
Vol.10, No.1, 2002.
Broinowski, Alison , The Yellow lady: Austraian Impressions of Asia, Melbourne, Oxrford Unviersity Press, 1992.
Broinowski, Alison, Asianization and its Discontents, Meanjin, Vol. 57, No.3, 1998.
Butler, Roger, ed., The Europeans: Emigr artists in Australia, 1930-1960, Canberra, National Gallery of Australia,
1997.
Chinese Heritage of Australian Federation Project: http://www.chaf.lib.latrobe.edu.au/kwong_sue_duk.htm
Curnow, Wynstan , Imants Tillers and the Book of Power, Sydney, Craftsman House, 1998.
Dixson, Miriam ,The Imaginary Australian: Anglo-Celts and Identity -1788 to the present, Sydney, UNSW Press, 1999.
Facey, A. B., A Fortunate Life, Ringwood, Viking, 1985.
Foss, Paul, ed., Island in the Stream: Myths of Place in Australian Culture, Sydney, Pluto Press, 1988.
Gibson, Ross, South of the West: Postcolonialism and the Narrative construction of Australia, Indiana University Press,
Bloomington and Indianapolis, 1992.
Grenville, Kate, The Secret River, Melbourne, Text Publishing, 2005.
Hage, Ghassan & Couch, Rowena, eds., The Future of Australian Multiculturalism , Sydney, The University of Sydney,
1999.
Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, Sydney, Pluto Press, 2003.
Hage, Ghassan, White Nation: Fantasies of White supremacy in a multi-cultural society, Sydney, Pluto Press, 1998.
Keating, Paul , Engagement: Australia faces the Asia-Pacific, Sydney, Pan Macmillan 2000.
Khoo, Siew-Ean, Inter-marriage in Australia: patterns by ancestry, gender, and generation, People and Place,
Vol.12, No.2, 2004, 35-44.
297
May, Harvey, Australian Multicultural Policy and Television Drama in Comparative Contexts PhD thesis at
http://adt.library.qut.edu.au/adt-qut/public/adt-QUT20040715.130731/.
Manne, Robert, The Barren Years: John Howard and Australian Political Culture, Melbourne, Text Publishing, 2001.
Manne, Robert, The Way we Live Now: the controversies of the nineties, Melbourne, Text Publishing, 1998.
Manton, Neil, Cultural Relations: the other side of the diplomatic coin, ACT, Homosapien Books, 2003.
McCullough, Allan & Susan, Encyclopedia of Australian Art, St. Leonards, Allen & Unwin, 1994.
Reynolds, Henry, Frontier: reports from the edge of White settlement, Sydney Allen & Unwin, 1987.
Reynolds, Henry, The Other Side of the Frontier; Aboriginal resistance to the European Invasion of Australia, Ringwood,
Penguin Books, 1981.
Rolls, Eric , Sojourners: The epic story of Chinas centuries-old relationship with Australia, St. Lucia, University of
Queensland Press, 1992.
Shanahan, Brendan Circles and a Square: Australia, Chinese Art and Tiananmen, The Wall Street Journal Asia (4-6
June, 2010): 8-10.
Special Issue: Australian Perceptions of Asia, Australian Cultural History, No.9, 1990.
Stuart, Francis, Nineteen Forty-One: Reminiscences of a Britsh/Australian Diplomat in Bangkok and Canberra in
the Prelude to War, Journal of the Oriental Society of Australia, Vol.31, Supplment, 1999.
Stuart, Francis, Towards Coming-of-Age: a Foreign Service Odyssey, Nathan, Griffith University, Centre for the Study of
Australian-Asian Relations, 1989.
Walker, David, Anxious Nation: Australia and the Rise of Asia, 1850-1939 St. Lucia, University of Queensland Press,
1999.
Individual Artists
Ah Xian: Ah Xian, Self-exile of the soul, TAASA Review, Vol.8, No.1, March 1999;Roberts, Claire, Fishes and
dragons, Art AsiaPacific, 26, 2000; Feinstein, Roni, A journey to China, Art in America, February 2002;
Jaivin, Linda, Ah Xian, recent works in porcelain, Art AsiaPacific, No.33, 2002; Chiu, Melissa, Ah Xian in
Art Asia Pacific, Issue 37 (2003), p. 31; Ah Xian: Sculpture, Bonn, Edition Braus, 2007.
Ahn Pil Yun: Cho Lisa Mira, The Swallowed Moon, Art Monthly Australia , No.96, December 1996.
Anurendra, Jegadeva: Jegadeva Anurendra: Migrant Adventures: People, Places and Assorted Things, (Exhibition Catalogue),
Kuala Lumpur, The Australian High Commission, 2001.
Aquilizan, Alfredo & Isabel: Aquilizan, Alfredo & Isabel, My Eight, in Art Asia Pacific, No. 70, September/
October 2010.
Benyon, Kate: Koop, Stuart, Warrior Girl, Art AsiaPacific 29, 2001; Helen McDonald, Global City Dreaming in
Art Asia Pacific, No. 39 (Winter 2004), pp.57-64
Boag, Yvonne: Kidd, Courtney, Yvonne Boag in South Korea, Art Monthly Australia, No.88, April 1996
Cai Guoqiang: Franch, Blair, Outside the Real, Gallery 4A, Sydney [Huang Du, Zhang Peili, Cai Guoqiang], Art &
Text 64, Feb.-Apr. 1999;
Camel Byrne: Bravaic, Milica., Signal from There: Solo Exhibition by Carmel Byrne (Plastique Kinetic Worms,
Singapore), in Vehicle: Contemporary Visual Arts, No.2, 2001, p.11.99
Cattoni, Victoria: McKay, Benjamin, What if I Want to Water Ski? And Other Questions, in Art Monthly Australia,
Issue, 230, June 2010.
Chou, Irene (Zhou Luyun): Binks, Hilary. The Universe Within. Asian Art News 8:6,1998
Cruz, Maria: Sullivan, Eve, Maria Cruz, Songlines, Art Asia Pacific, No.34, 2002.
Dadang Christanto: review, Art AsiaPacific, 30, 2001; Eastburn, Melanie In the Public Domain. Dadang Christanto,
Washing the Wound in TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 4, December
2008, p. 25.
Dang, Dacchi: review, Art AsiaPacific, 35, 2002.
Fairweather, Ian: Abbott-Smith, N., Ian Fairweather: Profile of a painter, Brisbane, University of Queensland Press,
1978; Bail, M., Ian Fairweather, Sydney, Bay Books, 1981; Bail, Murray et al, Fairweather, Sydney, Craftsman
House, 1994.
Friend, D.: Friend, D., Donald Friend in Bali, Sydney, Collins, 1972; Donald Friends Bali, Exhibition catalogue. 9 Feb.
25 March 1990, Art Gallery of NSW., Donald Friend, The Cosmic Turtle Bali 1976.
298
Gill, Simryn: Lee Weng Choy, Simryn Gill in Art Asia Pacific, Issue 37 (2003), p. 65; Simryn Gill, (Exibition
Catalogue), OVA, 1999; NUS Museum and KITLV-Jakarta (Royal Netherlands Institute of Southeast Asian
and Caribbean Studies). Picturing Relations: Simryn Gill & Tino Djumini. Singapore: NUS Museum, NUS,
2007.
Goh Emil: Sullivan, Eve, Parallel Visions: Emil Goh in Art & Australia, Vol. 41, No. 3 (Autumn 2004), pp. 426-
432; Dyson, Francis, Interlace (Review) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 22-
23; Carroll, Alison & Bond, Sarah, Emil Goh, 1966-2009, in Art Monthly Australia, Issue 225, November
2009.
Gu Wenda: Eastburn, Melanie, Wenda Gu, 2 Exhibitions in Australia, Art Asia Pacific, No.34, 2002; Easturn,
Melanie, A Drama Of Nations, On Gu Wenda, Asian Art News, Vol. 12, No. 5, September/October, 2002
Guan Wei: Green, Charles, Guan Wei (Review), im Art & Text, No. 67, November 1999/ January 2000; Pai,
Maggie, Complex Cycles, in Asian Art News, Vol. 8, No.2, March/April 1998; Review, in Asian Art News,
Vol. 11, No. 1, 2001; Roberts, Claire, What Goes Around Comes Around: The Art of Guan Wei, in Art
AsiaPacific, No. 21, 1999; Annear, Judy, Juggler of Systems, in Asian Art News, Vol. 5, No. 5, 1995. Review,
in Art AsiaPacific, No. 28, 2001; Eastburn, Melanie, Guan Weis Perilous Journeys, in ArtAsiaPacific, No.
50, 2006; Clark, John, Playing with the Stars: Guan Weis styles, essay for Guan Wei Exhibition Catalogue,
Dr. Earl Lu Gallery, La Salle SIA, Singapore, 2000, 6-11; Guan Wei Mateer, John, Islands and Maps: Guan
Weis Australia, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 4, December 2010; Other
Histories: Guan Weis Fable for a Contemporary World, Sydney, Wild Peony, 2008.
Guo Jian: review, Art AsiaPacific, 31, 2001; review, Asian Art News, Vol.11, No.3, 2001
Hanh Ngo: Cree, Laura Murray, Cross-cultural translations, Art AsiaPacific, 32, 2001
Howard, Ian: Forsyth, Graham, Hide and Seek, Asian Art News, Vol. 15, No. 2, 2005.
Hu Ming: The Oil Painting of Hu Ming (Catalogue), Sydney: Peony Press, 2004
Lee Hyun Mi: OToole, Phil. Paper Tigers: The Artwork of Hyun Mi Lee. TAASA Review, 7:3 1998.
Lee, Lindy; Johnson, Tim; Tyndall, Peter: review, Art AsiaPacific, 34, 2002
Lee, Lindy: Hutchings, Peter, Once More With Feeling: Art and Disappearance, On Lindy Lee, Art & Text 36,
May 1990; Baume, Nicholas, Profile, Lindy Lee: Black is not as black as all that, Art & Text 47, January
1994; Elias, A. Through a glass darkly, Art & Asia Pacific, Vol.1, No.2, 1994; Michael, Linda, A
Relationship of Moments, Asian Art News, Vol. 13, Number 2, March/April 2003; Ceczy, Adam, The
Installations of Lindy Lee, ART AsiaPacific, Issue 36 (2002)
Leong, Greg Kwok-keung: review, Art AsiaPacific, 27, 2000
Lo, Andrew: review, Art AsiaPacific, 34, 2002
Makigawa Akio: Hynes, Victoria. Matter and Spirit: Akio Makigawa and Toshiaki Izumi. World Sculpture News 5:2
Spring 1999; Bromfield, David, Point of Heaven Asia-Pacific Sculpture News, Vol.1, No.2, Spring 1995.
Morrison, Hedda: Ennis, H., Hedda Morrison, Art Monthly Australia, 50, June 1992; Morrison, H., A Photographer in
Old Peking, Singapore, Oxford University Press 1985; Morrison, H., Travels of a Photographer in China, 1987.
Parr, Mike: Juers, Evelyn, Mike Parr at Roselyn Oxley9 Gallery, Art & Text 41, January 1992; Parr, Mike,
Daybreak, Manila Performance, Art Monthly Australia, No.81 July, 1995; Geczy, Adam, Focusing the mind
through the body: an interview with Mike Parr, Artlink, Vol. 23, No.1; Scheer, Edward A., The Veil of the
Liminal. Mike Parrs Brides, Parkett, No.62, 2001
Phaptawan Suwannakudt: Pettifor, Steven, Between Tradition and Modernity in Asian Art News, Vol. 14, Number
5, September/October 2004, pp. 81-83
Pike, Jimmy & Zhou Xiaoping: Kapetopoulos, Fotis, New Lines of Communication, On Zhou Xiaoping and Jimmy
Pike, Artlink, Vol. 16, No. 4 Summer 1996; Lowe, Pat, Jimmy Pike in China Art Monthly Australia, No.100,
June 1997; McCullough, Susan Parallel Perspectives, Asian Art News, Vol.7, No.4, July/August 1997.
Preston, Margaret: North, I., ed., The Art of Margaret Preston, Adelaide, The Art Gallery Board of South Australia,
1980.
Robinson, William: Clark, John, William Robinson, Asian Art News, Vol.4 No.6, December, 1994.
Sandrasegar, Sangeeta: Carsley, Gary, Karma Chameleons, Art India, vol ix, issue ii, quarter ii, 2004.
Sansom, Gareth: Gareth Sansom, [catalogue for 7th Indian Triennale], Melbourne, Australian Exhibitions Touring
Agency, 1991; Sansom, G. [interview] Responding to India, Art Monthly Australia, No.41, June, 1991.
299
Savandhary Vongpoothorn: Fink, Hannah, Rythmic Air, Art AsiaPacific, 24, 1999
Shen Jiawei: Zai Jian Revolution, Catalogue, 4A Gallery, 2002; Eastburn, Melanie, Shen Jiawei at Gallery 4A, Asian
Art News, Vol. 12, No. 6, November/December, 2002; Hill, Peter, Red Eye, Sydney Morning Herald, 11
October 2002; James, Bruce, Artist with awesome promise must escape the mosh pit, Sydney Morning
Herald, 2 October 2002; McDonald, John, The Third World by Shen Jiawei in East West Arts, Number 1
(September-November 2004), p. 6
Shen Shaomin: McDonald, John, Shen Shaomin: Bones of Contention in East West Arts, Number 1 (September-
November 2004), pp. 68-75; Van Proyen, M., Shen Shaomin: Experimental Studio, in Yishu Journal of
Contemporary Chinese Art, Vol. 7 No. 6, November 2008, pp. 97-103.; Shen Shaomin (Chengdu: Sichuan Fine
Arts Publishing House, 2007); Between Heaven and Earth, 4 vols; Beijing: Tang Contemporary Art, 2007
Song Ling: Song ling in Conversation with Paul Gladston, in Yishu: Journal of Contemporary Chinese Art, Vol.7, No.6,
November 2008, p.50-60.
Tan Laurens: Genocchio, Benjamin, Glocalism, Art AsiaPacific, 22, 1999
Tan, Fiona: Clark, John, Fiona Tan: Coming Home, Art&Australia vol.47, no.4, 2010, 685
Thomas, Rover: White, Sheona, Roads Cross, Rover Thomas, Art & Asia Pacific, Vol.1, No.4, 1994.
To, Hiram: McAlera, D., Hiram To: Performing Attitudes, World Art, 1, 1995.
Wang Zhiyuan: Roberts, Claire, The Art of Wang Zhiyuan: A state of flux, Art AsiaPacific, No.33, 2002.
Yang, William: Yang, W., I ask myself, am I Chinese?, Art & Asia Pacific, Vol.1, No.2, 1994.
Yamaguchi, Yoko: ORiordan, Maurice, Yoko Yamaguchi, in Art Monthly Australia, Issue 218, April 2009.
Young, John: Jackson, Mark, John Young Review, in Art & Text, No. 41, January 1992; Chiu, Melissa; Clark, John;
Hutchings, Peter; Lindsay, Frances, John Young; The Double Ground Paintings, Sydney, Australian Art
Promotions, 1995; Coulter-Smith, Graham; Davidson, Christina; Forsyth, Graham, John Young: Silhouettes and
Polychromes, 1979-1992, Melbourne, Schwartz City, 1993; Review, in Art AsiaPacific, No. 22, 1999; Young,
John: Silhouettes and Polychromes, 1979-1992, Melbourne, Schwartz City, 1993; Chiu, Melissa, Meetings Along
the Edge in John Young: The Double Ground Paintings, Sydney, Australian Art Promotions, 1995, p.8; Clark,
John, Swimming in the Transcultural Sea: John Young, in Asian Art News, Vol. 4, No. 3, May/June, p. 66-
69, 1994; Clark, John, The Position of the Transcultural: An End to Hyphenation?, [essay on the work of
John Young] in Lumby, Kathy & Robinson, Julia eds, Antipodean Currents, Ten Contemporary Artists from
Australia, Washington, John F. Kennedy Centre for the Performing Arts, 1994; Clark, John, Swimming in
the Transcultural Sea: John Young, Asian Art News, Vol.4, No.3, May/June, 1994.
Zhang Peili: Franch, Blair, Outside the Real, Gallery 4A, Sydney [Huang Du, Zhang Peili, Cai Guoqiang], in Art &
Text , No. 64, February/April 1999.
Critical and Historical Studies
Ang, Ien; Stratton, John, The Asian Turn, Art & Text, No.50, January, 1995.
Australian Perceptions of Asia, issue of Australian Cultural History, No.9, 1990, edited by Walker, D.
Baume, Nicholas, Guest in Venice: Australias Biennale Pavilion, Art & Text 31, Dec.-Feb. 1989
Broinowski, Alison, The Yellow Lady; Australian impressions of Asia, Melbourne, Oxford University Press, 1992.
Carroll, A, Parallels: Nationalism in Filipino, Indonesian, and Australian Art, Art & AsiaPacific, No.1, supplement
to Art & Australia, March 1993.
Carroll, A, To a friendly nation, far away, Art Monthly Australia, No.88, April 1996.
Chang, Virginia Yen-ju. Impressions of Asian Art in Australians Eyes: The Development of Asian Art Exhibitions in Art
Gallery of New South Wales. Research paper, Master of Arts, Museum Studies, University of Sydney, 1999.
Chiu, Melissa, The blank in the page, Eyeline, No.31, Spring 1996.
Clark, J., Fragments of origin; Asian women artists group at the Blaxland Gallery, Asian Art News, July/August
1994.
Clark, J., Australian Art and Asia -Then and Now Occasional Paper No.19, Research Institute for Asia and the
Pacific, University of Sydney, July 1992.
Clark, John, Art and its others - recent Australian-Asian visual exchanges, Dever, Maryanne, ed., Australia and
Asia: cultural transactions, Surrey, Curzon Press, 1996
Clark, John, Beyond Exile in Modern Chinese Art Foundation, Provincie Bestuur van Oost-Vlaanderen, 1999;
300
Clark, John Systems End, catalog essay in Tseng Fang-ling, Huang Pei-yi, editors, Systems End, Contemporary Art
in Australia, Gaoxiong, Gaoxiong Shili Meishuguan, 1996.
Clark, John, An Australian creative space: where is Australian-Asian Art now?, Contemporary Visual Art+Culture,
Broadsheet, Volume 40, no.2, June 2011, 90-95
Collins, D, Asian Art in Australia, Art & Australia, Vol.30, No.3, Autumn 1993.
Collins, D., Asian Art and Australia: 1830s-1930s, M.A. Thesis, Canberra, Australian National University, 1992.
Eagle, M., The Mikado Syndrome: was there an Orient in Asia for the Australian Impressionist Painters?,
Australian Journal of Art, Vol.VI, 1987.
Galbally, A., Australian Artists Abroad: 1880-1914, in Galbally & Plant, 1978, above.
Gallbally, A. & Plant, M., co-editors, Studies in Australian Art, Melbourne, Department of Fine Arts, University of
Melbourne, 1978.
Gallbally, A., Aestheticism in Australia, in Bradley, A. and Smith, T., eds., Australian Art and Architecture: Essays
presented to Bernard Smith, Melbourne, Oxford University Press, 1980.
Geczy, Adam, Buddha: Radiant Awakening, Art AsiaPacific, No.35, 2002.
Genocchio, Benjamin, Between Mirrors: an interview with Lindy Lee, Eyeline, 31, Spring 1996.
Gerstle, D., Milner, A., eds. Europe and the Orient, Canberra, The Humanities Research Centre of Australian
Gerstle, D., Milner, A., Recovering the Orient: Artists Scholars, Appropriations, Chur, Harwood Academic Publishers,
1994.
Green, Charles, Unofficial World: Postcolonial and the Metropolis, On the Position of Australian Art, Art &
Text 43, September 1992
Hage,Ghassan, White Nation: Fantasies of White supremacy in a multi-cultural society, Sydney, Pluto Press, 1998.
Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, Sydney, Pluto Press,2003.
Hamilton, A, Fear and Desire: Aborigines, Asians and the National Imaginary, in Australian Perceptions of Asia
above.
Hamilton, A, Trading Image; Art at the Asia Junction, Art & Australia, Vol.30, No.3, Autumn 1993.
Hamilton, A., Dreaming the Lotus: Aesthetic dialogue with Asia?,in Caroll, 1990.
Hjorth, Larissa, Neo-Tokyo: Japanese Art Now, Art AsiaPacific, No.35, 2002.
Hoffie, P., The reluctant tourist; a mythical narrative on nationalism, Art Monthly Australia, 59, May 1993.
Horne, J. & Walker, D ed., Travellers, Journeys, Tourists, issue of Australian Cultural History, no.10, 1991.
Howard, I., Dialogues of differences [Australia/Vietnam], Asian Art News, Vol.5, No.2, Mar/April 1995.
Lane, T., A burlesque of a burlesque: Aestheticism and the aesthetic interior of Victoria, Historic Environment,
Vol.3, No.3, 1984.
Ling, Amy. Yellow Light: The Flowering of Asian American Arts. Philadelphia: Temple University Press, 1999.
Ling, Amy. Chinese American Reflections. Madison: University of Wisconsin Press,
McClean, Ian, White aborigines: colonial imperatives of Australian Colonialism, Third Text, No.22, Spring 1993.
McQueen, H., The Black Swan of Trespass, Sydney, Alternative Publishing Cooperative Ltd., 1979.
Ross, Helen, Arx 4 Torque-the last session of the first day, Art Monthly Australia, No.79, May, 1995.
Scarff, Julian, Australian New Media artists in Beijing, Art AsiaPacific, 27, 2000
Storer, Russel, Artists-run Initiatives and Alternative Spaces in Sydney and Singapore (Master of Arts
Dissertation, University of Sydney, 2004)
Walker, D., and Ingleson, J., The Impact of Asia, in Meaney, N., ed., Under New Heavens: Cultural Transmission and
the Making of Australia, Melbourne, Heinemann Educational Australia, 1989.
Walker, D., Anxious Nation: Australia and the Rise of Asia, 1850-1939 St.Lucia,University of Queensland Press,
1999.
Weisenfield, Gennifer. Reinscribing Tradition in a Transnational Art World in Asia Art History in the Twenty-First
Century, Vishakha N. Desai (ed.), New Have and London: Yale University Press, 2007.
White, R., Sun, sand, and syphilis: Australian soldiers and the Orient, Egypt 1914, in Australian Perceptions of Asia,
1990.
White, R., Inventing Australia: Images and Identity 1688-1980, Sydney, 1981.
301
Exhibitions and Reviews [selected]
Adelaide Biennial 1994, Broket, David, East West Passage, [featuring works of North and South East Asian artists
at the 1994 Adelaide Biennial of Australian Art], Art & Text 48, May 1994
Argonauts of the Timor Sea (2004), Barlow, Geraldine, Argonauts of the Timor Sea (Review) in Broadsheet, Vol. 33,
No. 3 (September- November 2004), pp. 54-57
Art from Australia, curated Carroll, A, [catalogue of touring exhibition to Bangkok, Jakarta, Manila, Kuala Lumpur,
Singapore], Melbourne, Australian Exhibitions Touring Agency, 1990 [artists exhibited: Micky Allan, John
Davis, Richard Dunn, Anne Ferran, Fiona Hall, Imants Tillers, Caroline Williams, John Young].
Asia Pacific Artists Initiative: Kin, Natalie, USEby, ArtAsiaPacific, 30, 2001
Asia Traffic 2004, Sambrani, Chaitanya, Home and Away: Higways and Bylanes in Asian Art in Broadsheet, Vol. 33,
No. 3 (September- November 2004), pp.24-31
AWAS!: review, Art AsiaPacific 29, 2001
Beyond Remote Regions: Between Remote Regions/ Di Antara Dua Pendalaman: A Collaborative Exhibition Featuring Artists
From Remote Regions of South Australia and Malaysia, (Exhibition Catalogue), Country Arts SA, 2000.
Clark, John, Sons: an essay for a catalogue of works by Yvonne Boag, Mirabel Fitzgerald, and Patsy Payne
exhibited at Silpakorn University Bangkok, 1998.
Clark, John, Review: Fragments of origin: Asian Women Artists Group at Blaxland Gallery; Fresh Art: 20 Young
Artists at the S.H. Ervin Gallery: Moet & Chandon Touring Exhibition at the Art Gallery of New South
Wales, [Three Reviews of Sydney Exhibitions], Asian Art News, Vol. 4, No.4, July/August 1994.
Corsini, Marco., Memory and Subjectivity, Small World: Group Exhibition by Shaun Wilson and Adam Cuthbert
(CAST- Contemporary Artist Service Tasmania, Hobart), in Vehicle: Contemporary Visual Arts, No.9, 2003,
p.26-29.
Diorama of the City Between Site & Space: Keehan, Reuben, Process is All, in Artlink, Vol. 28, No. 4, 2008.
Dysart, Dinah and Michael, Asian Galleries Art Gallery of New South Wales in Art & Australia, Vol. 41, No. 4
(Winter 2004), pp. 541-543
East and West: The Meeting of Asian and European Art, curated Carroll, A, [Exhibition and catalogue], Adelaide, Art
Gallery of South Australia, 1985.
Edge of Elsewhere: Farid, Farid, Unrequited Language, in Artlink, Vol. 31, No. 1, 2011; Havilah, Lisa &
Cruickshank, Alan, Edge of Elsewhere Forum and Interview in Contemporary Visual Art+ Culture Broadsheet,
Vol. 39, No. 2, June 2010; Mendelssohn, Joanna, News from Elsewhere: Campbelltown Arts Centre, in Art
Monthly Australia, Issue 230, June 2010.
Edge to Edge: Australian Contemporary Art to Japan, Tokyo, Japanese Museums and the Australian Bicentennial
Authority, 1998 [ artists exhibited: Julie Brown-Rrap, Richard Dunn, Bill Henson, Lindy Lee, John Nixon,
Mike Parr, Jacky Redgate, Imants Tillers, Peter Tyndall, Ken Unsworth, Jenny Watson].
Friis-Hansen, D., Locating the Australian Imaginary [Review of Inner-Land exhibition in Tokyo], Art & Asia
Pacific, Vol.1, No.3, 1994.
Guess whos coming to dinner: review, Art AsiaPacific 28, 2001
Heartney, Eleanor., Parallel Lives: Montien Boonma at Asia Society and Chen Zhen at P.S.1, in Art AsiaPacific,
Issue 38, Fall 2003, p.50-52.
I Thought I Knew But I Was Wrong (Travelling Video Art Exhibition), Glass, Alexie and Tutton, Sarah, I Thought I
Knew But I Was Wrong (Review) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp.18-19;
Palmer, Daniel, Medium Without Memory: Australian Video Art in Broadsheet, Vol. 33, No. 3 (September-
November 2004), pp. 20-21
Keehan, Reuben, Hello Tokyo! Good to See You Again, in Artlink, Vol. 28, No. 4, 2008.
Localities of Desire: Contemporary Art in an International World, curated by Ewington, Julie & Murphy, Bernice, Sydney,
Museum of Contemporary Art, 1995.
Lythberg, Billie, Roundabout at the City Gallery, Wellington, in Art Monthly Australia, Issue 237, March 2011
MAAP 2004, MAAP in Singapore 2004 Gravity (Catalogue), Brisbane: MAAP, 2004; Machan, Kim, Gravity
Leap Into the Void (Review) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 14-16
Nine Lives: Vietnam/Australia: Carruthers, Ashley, In search of dissidence, Art AsiaPacific 28, 2001
302
Out of Asia, curated Carroll, A., [Exhibition and Catalogue] Melbourne, Heide Gallery, 1990. [artists exhibited:
Micky Allan, Tony Clark, Matthys Gerber, Pat Hoffie, Tim Johnson, Geoff Lowe, Fiona MacDonald, Susan
Norrie, Robert Owen, Gareth Sansom]
Parossien, Leon, The Biennale of Sydney A Partisan Viewof Three Decades of Three Decades in Art &
Australia, Vol. 41, No. 1 (Autumn 2004), pp. 60-69
Raffel, Suhanya., Two Sites, One Vision in Queensland, in The Journal of the Asian Arts Society of Australia, Vol. 13,
No. 1, March 2004, p.22.
Sager, Janine Fenton., Connecting Audience with Art, Review of Australian Exhibition: Anita and Beyond
(Penrith Regional Gallery & The Lewers Bequest, Western Sydney), in Vehicle: Contemporary Visual Arts,
No.9, 2003, p.30-35.
Seeto, Aaron, Flacit Momentums and Tactical Interventions (On Asian-Australian Artists) in East West Arts,
Number 1 (September-November 2004), pp.108-109
Southern Skies: Chinese Artists in Australia,ODea Madeline, ed., Beijing, Australian Embassy, 2008.
Systems End: Contemporary Art in Australia, Sydney, Wright, Wiliam; Spark, Jo, eds. Sherman Galleries, 1996 [to
Osaka, Hakone, Seoul, Gaoxiong; reports: The Weekend Australian, 20-21 April, 1996; Shimizu Toshio,
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Tatzu Nishi: Nicholls, Christine, Resculpting the Past: Tatzu Nishi in Sydney, in World Sculpture News, Vol. 16, No.
2, Spring 2010
Thai-Australian Cultural Space [Joan Grounds, Noelene Lucas, Montien Boonma, Vichoke Mukdamanee, Kamol
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Exhibition, Artlink, Vol. 13, No.3&4, November-March 1993/94
The Asian Interface, Australian Artists and the Far East, curated, Menzies, J., Exhibition and check-list, Sydney, Art
Gallery of New South Wales, 1983.
The Independence Project: Gertrude Contemporary Art Space, Melbourne and NUS Museum. And The Difference Is, The
Independence Project. Singapore, NUS Museum, NUS Centre For the Arts, 2008.
The Rose Crossing: Contemporary Art in Australia, Clark, John, Crossings, essay for the catalogue curated by William
Wright, The Rose Crossing: Contemporary Art in Australia, Sydney, Sherman Galleries, 1999.
Thomson, Jonathan, Coming Together: Play Time Play: India China Contemporary Art, in Asian Art News Vol.
20, No. 6, November/ December 2010 and World Sculpture News, Vol. 17, No. 1, Winter 2011
Tky Connection, Australian Artists Studio in Tky, Melbourne, Australian Exhibitions Touring Agency, 1990
[artists in residence in Tky 1987-1990: Liz Coates, 1987; Diane Mantzaris, 1987; Noelene Lucas, 1987;
Janet Laurence, 1988; Geof Kleem, 1988; Mark Hindraker, 1988; Geoffrey Weary, 1988; Jennifer
McCamley, 1989; Clinton Garofano, 1989; Andrew Petrusevics, 1989; Paul Thirkell, 1989; Bette Mifsud,
1990].
Trace Elements: Dean, Bec, Ghostings, in Artlink, Vol. 28, No. 4, 2008.
Transcultural Painting [Tony Clark, Lindy Lee, Linda Marrinon, John Young] Melbourne, Asialink 1994. [to
Guangzhou, Hong Kong, Taiwan]; Wang, Chia Chi Jason, A Veil in Between [on Transcultural painting
Exhibition in Taiwan], Art & Asia Pacific, Vol.1, No.4, 1994
Witnessing to Silence: Art and Human Rights, edited by Caroline Turner and Nancy Sever, Canberra, ANU Humanities
Resewarch Centre, 2003
Yin-Yang: China in Australia, Edwards, Zeny et al, Sydney, National Trust S.H.Ervin Gallery, 2008.
Zeplin, Pamela, Artful Dodger: The Big Island in the Pacific, in Art Monthly Australia, Issue 232, August 2010

ASIAN ART AND EURAMERICAN PRACTICE
Arrowsmith, Rupert, Finding the World in the Museum, in Art Asia Pacific, No. 67, March/ April 2010.
Berardini, Andrew, Inside a Pacific Love Affair, in Art Asia Pacific, No. 69, July/ August 2010.
Borysevicz, Mathieu, China Imagined: Isaac Julian, in Art in America, September 2010.
Caroll, Alison, Gauguin and the Idea of an Asian Paradise, in Asian Art News, Vol. 21, No.2, March/April 2011.
Ebony, David, Ashley Bickerton: Island Hopping, in Art in America, May 2011.
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Gmez, Edward, M., Altered States: The Third Mind, in Art in America, April 2009.
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Borders, edited by John. Welchman, Minneapolis: University of Minnesota Press/London:Macmillan
Academic, 1996.
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Thomson, Jonathan, A Program for Art: Xavier Veilhan, in Asian Art News, Vol. 21, No. 2 March/April 2011
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Yoshimot, M., Into Performance: Japanese Women Artists in New York, New Brunswick, N.J. and London: Rutgers

ASIAN ARTISTS TRANSNATIONAL ACTIVITY- USA
General Works
Above & Beyond review, Art AsiaPacific, 22, 1999
Art Directory, Art AsiaPacific, No.34, 2002.
Asian Traditions/Modern Expressions: Asian-American Artists and Abstraction, 1945-1970, Rutgers, Jane Voorhees
Zimmerli Art Museum, 1997. [Review: Roe Jae-ryung, Art AsiaPacific, No.17, 1998.]
Becker, Carol, The Romance of Nomadism: A Series of Reflections. Art Journal Summer 1999.
Berghuis, Thomas J . and Pell, Karl, 'Domain Asia @ Art Dot Com: Asian art in technological times', IIAS
Newsletter, No.25, July 2001
Berghuis, Thomas J., ''Translated Acts': Body, Self and Performance', IIAS Newsletter, No.24, February 2001
Borum, Jenifer P, New York:Asia/America, Artforum International, Vol.33, Issue 1, September 1994
Brett, Guy, Earth and Museum -- Local or Global? Third Text No.6 Spring 1989.
Chang, Alexandra, Locating Asian American Art: Redefinitions in Art Asia Pacific, No. 41 (Summer 2004), pp.
40-41
Chang, Alexandra, Envisioning Diaspora, Asian American Visual Arts: Collectives from Godzilla, Godzookie to the
Barnstormers, Beijing, Timezone 9 Editions, 2009.
Chang, Alexandra, Taeko Baba: Reinventing the Self in Art Asia Pacific, No. 39 (Winter 2004), pp. 30-32
Chang, Alexandra, Urban Improv: On the Road with the Brainstormers in Art Asia Pacific, No. 40 (Spring 2004),
pp. 36-39
Chang, Gordon H., ed., Asian American Art, 1850-1970, Stanford, Stanford University Press, 2008.
Chattopadhyay, Colette, From Zen to Pop Culture,
Chattopadhyay, Colette, Shifting Peceptions, Art AsiaPacific 29, 2001;
Chattophadhyay, C., An Emerging Dialogue Asian Art News, Vol.7, No.5, September / October 1997.
Chattophadhyay, C., Korean-American Artists in California, Asian Art News, Vol. 6, No.3, May / June 1996.
Chattophadhyay, C., Out of Hong Kong, Asian Art News, Vol.6, No.5, September / October, 1996.
Chattophadhyay, C., The pacific and beyond, Asian Art News, Vol.6, No.2, Mar/Apr 1996;
Chattophadhyay, Collette, Public Offerings, Art AsiaPacific, 33, 2002;
Chattophadyay, Flight pattersn: landscapes of te pacific Rim, Art AsiaPacific, 31, 2001;
304
Chiu, Melissa, Different Homes/ Different Diasporas: Strategies of Survival for Chinese Overseas Artists, in
Yishu: Journal of Contemporary Chinese Art, September 2004, p. 34-39.
Chiu, Melissa, et. al., eds., One Way or Another: Asian American Art Now, New Haven, Asia Society in association
with Yale University Press, 2006.
Chong, Doryun, Korean American Views, Art AsiaPacific 29, 2001;
Cornell, Daniell & Jonson, Mark, eds., Asian/ American/ Modern Art: Shifting Currents, 1900-1970, San Francisco,
Fine Art Museums of San Francisco, 2008.
Creef, Elena Tajima, Imagining Japanese America: The Visual Construction of Citizenship, Nation, and the Body, New York,
New York University Press, 2004.
Doran, Valerie C., Interview with Vishakha N. Desai, Senior Vice President, Asia Society and Director, Asia
Society Museum, Orientations, Volume 32, Number 8, October 2001
Driscoll, Ian, Arne Glimcher: A Titan in the Middle Kingdom, in Art Asia Pacific, No. 59, July/ August 2008.
Erickson, Britta, San Francisco Asian Art Museum opening in Art Asia Pacific, No. 38 (Fall 2003), p. 17
Evans, Tim, Asian Roots (Review) in Art Asia Pacific, No. 38 (Fall 2003), p. 18
Favell, Adrian, Tokyo to LA Story How Southern California Became a Gateway for a Japanese Global pop Art
Phenomenon, in Kontur: Culture, History, Politics, Tidsskrift for Kulturstudier, No. 20, rgang 2010.
Fu-Chia-Wen Lien The Body as Metaphor for Feminist Expression, Asian Art News, 8:4, August 1998.
Gaur, Umesh, American Collectors of Contemporary Indian Art in the Northeast, Orientations, Volume 33,
Number 6, June 2002
Goodman, Joanthan, The first steps, Art AsiaPacific, 25,
Goodman, Jonathan, Form inside the body, Art AsiaPacific, 32, 2001;
Goodman, Jonathan., Conditions of Anonymity: the Performance Art of Kim Sooja, in Art AsiaPacific, Issue 38,
Fall 2003, p.58-59.
Goodman, Jonathan., Miguel Trelles at Taller Boricua (review), in Yishu: Journal of Contemporary Chinese Art, Vol. 2
No. 2, June 2003, p.124-125.
Greenstein, M.A., Virtual Daydreams: Three exhibitions of Asian Art in Los Angeles, Art AsiaPacific,
No.21, 1999;
Gustafson, Paula, Twisting the box, [Mattress factory] Art AsiaPacific 28, 2001
Gustafson, Paula, Faces from the Past: First Nations Masks of Canada, Art AsiaPacific, No.21, 1999.
Jaana, Reena, Building Bridges, Asian Art News, Vol.6, No.6, November/December 1996.
Jaana, Reena, Dialogue Face to Face, Asian Art News 9:1 1999.
Jaana, Reena, Fashioning Trends, Asian Art News 9:4 1999.
Jaana, Reena, The intuitive Eye, Asian Art News 9:4 1999.
Jaana, Reena,The freshest of visions, Asian Art News, Vol.5, No.6, Nov/Dec 1995.
Jana, Reena, Fashioning Trends, Asian Art News, Vol.9, No.4, 1999
Jana, Reena, Fresh Visions, Art AsiaPacific, 26, 2000
Jana, Reena, Unfolding identities, Asian Art News, Vol.9, No.1, 1999
Kee, Joan, Transience and Time, Art AsiaPacific 28, 2001
Kenney, Aaron., My Painted Dreams by Mahvash Mossaed (book review), in Asian Art News, Vol. 14, No. 2,
March/April 2004, p.101.
Kerr, Merrily, Translated Acts: Asian Performance Art Art AsiaPacific, No.35, 2002.
Kim, Elaine H., et. al., Fresh Talk, Daring Gazes: Conversations on Asian American Art, Berkeley, University of
Kim Yu-yeon, In the eye of the tiger, Korean artists in America, Art AsiaPacific, Vol.3, No.3, 1996
Kim, Kunmja Paik, New Acquisitions of Korean Painting, Orientations, Volume 34, Number 1, January 2003
[including Yi Eung-nok, 1860s]
Kosasa, Karen K. Crossings 2003: Korea/Hawaii (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 81
Laster, Paul, Down the Rapid Hole With Terence Koh in Art Asia Pacific, No. 39 (Winter 2004), pp. 66-69
Leung, Laura Kateri, Dream So Much (Review) in Art Asia Pacific, No. 38 (Fall 2003), p. 18
Lin, Xiaoping, Globalism or Nationalism? Cai Guoqiang, Zhang Huan, and Xu Bing in New York in Third
Text, Vol. 18, Issue 4 (July 2004), pp. 279-296
305
Lippard, Lucy R., Mixed Blessings: New Art in a Multicultural America, New York, Pantheon Books, 1990
Lythberg, Billie, The Curator in a Sea of Islands: Giles Petersons Niu Pacific, in Art Monthly Australia, Issue 232,
August 2010
Machida, Margo, Asia/America: Identities in Contemporary Asian American Art, New York, The Asia Society, 1993.
Machida, Margo, Shifting Identities of Asian Women in America, Henry Street Settlement Abrons Arts Center, June 24-
July 28, 1995.
Machida, Margo, Unsettled Visions: Contemporary Asian American Artists and the Social Imaginary, Durham, Duke
Magnan, Kathleen Finlay, A View from within Asian Art News, Vol.6, No.1, Jan/Feb 1996.
Millichap, John, An Infinite Variety: Chui Faising. World Sculpture News 3:2 Summer 1997.
Nakamura, Eric, Report: The Year Otaku Broke [Superflat] Review, Art & Text 73, May-July 2001;
Phillips, Kristy, 'Asia and the White Cube: A Project for Revitalizing Asian Art in Museums', IIAS Newsletter, No.
29, November 2002
Robinson, Greg and Elena Tajima Creef, eds. Mine Okubo: Following Her Own Road. Seattle: University of
Washington Press, 2008.
Rosenblum, Robert, Takashi Murakami, Artforum International, Vol.40, Issue 9, May 2002
Sarita Echavez. The Decolonized Eye: Filipino American Art and Performance. University of Minnesota Press.
See, Sarita Echavez, The Decolonized Eye Filipino American Art and Performance, University of Minnesota Press.
Silbergeld, Jerome, Outside In: Chinese X American X Contemporary X Art, Princeton, Princeton University Art
Museum, 2009.
Silberman, Seth Clark, Red Beans and Rice: Asian Artists in the New South (review), ArtAsiaPacific, No. 48, 2006.
Sirmans, Franklin, The 2004 Whitney Biennial: One on One with Shamin Momin in Art Asia Pacific, No. 40
(Spring 2004), pp. 16-18
Spalding, David., Weaving History: An Interview with Dinh Q. L, in Art AsiaPacific, Issue 38, Fall 2003, p.68-70.
Tomii, Reiko and Shiner, Eric C., Making a Home: Japanese Contemporary Artists in New York, New York, Japan
Society and Yale University Press, 2007.
Wallace, Keith, The beauty of rupture, Art AsiaPacific, 24, 1999
Wang, Dan.S., Medium(s) Asian-American Artists, Art AsiaPacific, No.33, 2002.
Wang, Shipu., Swinging on Hyphenation: An Inquiry into the Construct of an Asian American Art, in Yishu:
Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.41-51.
Wang, Shipu. Japan against Japan: U.S. Propaganda and Yasuo Kuniyoshis Identity Crisis, in American Art, Vol.
22, No. 1 2008.
Wei, Lilly, Conversations: Nilima Sheikh & Shahzia Sikander, Art AsiaPacific, No.35, 2002.
Wei, Lilly., On Chinese Artists and the Marketplace: Xu Bing and Zhang Huan in America, in Art AsiaPacific,
Issue 38, Fall 2003, p.28-30
Winther-Tamaki, Bert, Art in the encounter of Nations: Japanese and American artists in the early postwar years, Honolulu,
University of HWoodson, Yoko, Acquisitions of Japanese Art: 1988-2002, Orientations, Volume 34,
Number 1, January 2003
Yang, Alice, Shifting identities of Asian Women in America, Art & Asia-Pacific, Vol.3, No.1, 1996.
Individual Artists
Asawa, Ruth: Conell, Daniell, et. al, The Sculpture of Ruth Asawa: Contours in the Air, San Francisco, Fine Arts
Museums of San Francisco, 2006.
Bai Bien-U: review, Art AsiaPacific, 32, 2001
Banerjee, Rina: Banerjee, Rina, My Eight, in Art Asia Pacific, No. 69, July/ August 2010.
Bose Santiago; Villa, Carlos: review, Art AsiaPacific, 30, 2001
Cai Guoqiang: Heartney, Elanor, Cai Guoqiang: Illuminating the New China, in Art in America, May 2002;
Schwabsky, Barry, Tao and Physics: The Art of Cai Guo Qiang, in Artforum International, Vol.35, Issue 10,
Summer 1997; Cultural Meeting Bath: Projects for the 20th century, New York, Queens Museum of Art, 1997
[review: Goodman, Art AsiaPacific,No.18, 1998; Heartney, Elanor, Cai Guo-Qiang: Illuminating the new
China, Art in America, Vol. 90, Issue 5, May 2002; Goodman, Jonathan, Cai Guo-Qiang an Explosion
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Event: Light Cycle over Central Park at the Asia Society (Review) in Art Asia Pacific, No. 39 (Winter 2004),
p. 84; Poshyananda, Apinan, Cai Guo-Qiang in Art Asia Pacific, Issue 37 (2003), p. 76; Lin, Xiaoping,
Globalism or Nationalism? Cai Guoqiang, Zhang Huan, and Xu Bing in New York in Third Text, Vol.
18, Issue 4, July 2004, pp. 279-296
Cheang, Shu Lea: Chua, Lawrence, An odd circuit, Art AsiaPacific, 27, 2000
Chen Longbin:Karetzky, Patricia. Between Two Cultures: Chen Longbin. World Sculpture News 4:3 Summer 1998.
Cheng Emily: Wei, Lilly, Time reading, Asian Art News, Vol.6, No.2, Mar/Apr 1996. ; Goodman, Jonathan.,
Ornament as Knowledge, Ornament as Desire: the Art of Emily Cheng, in Yishu: Journal of Contemporary
Chinese Art, Vol. 2 No. 4, December 2003, p.52-58; Parsing Form and Spirit, Emily Cheng in Conversation
with Suzanne de Vegh, in Yishu: Journal of Contemporary Chinese Art, Vol.7, No.6, November 2009, p.33-37.
Chin, Mel: Kent, Rachel, New York Scene, Art AsiaPacific, 32, 2001
Chong, Teresa: review, Art AsiaPacific, 34, 2002
Chu Hung: Findlay, Ian, Kuang Jian at Palette Collections Gallery, Exhibition Reviews, Thailand Feature, Asian
Art News, vol. 12, no. 1, January/February 2002
Chu Hung: Findlay, Ian, Kuang Jian at Palette Collections Gallery, Exhibition Reviews, Thailand Feature, Asian
Art News, Vol. 12, No. 1, January/February 2002
Chu, Josie: review, Asian Art News, Vol.10, No.5, 2000
Chuang Che: Findlay, Ian, Searching For A Balance of Forces, in Asian Art News, Vol. 17(3), May/June, 2007, pp.
78 83.
Chun Seong: Kee, Joan, Suspended in Ambivalence, Art AsiaPacific 29, 2001
Cody Choi: Park, Kyung Mee, Cody Choi in Art Asia Pacific, Issue 37 (2003), p. 7
Dakoji, Pratibha: Cohen, Joan Lebold,The traveler Rests Asian Art News, Vol.5, No.5, Sep/Oct 1995.
Dave, Vinod: review, Art AsiaPacific, 25, 2000
Diao, David: Anderson, Paul A, David Diao: Critical painting and the Racial Sublime, Third Text, No.33, Winter
1995-6, 41-50.
Do-Ho Suh: Momin, Shamin, Do-Ho Suh in Art Asia Pacific, Issue 37 (2003), p. 69; Chung, Shinyoung, Do-Ho
Suh in Art Asia Pacific, No. 38 (Fall 2003), p. 75
Emily Cheng: Malhotra, Priya, Wholeness in a Fragmented World in Asian Art News , Vol. 14, Number 4
July/August 2004, pp. 36-40
Fang Lijun: review, Art AsiaPacific, 25, 2000; Wang, A.J., Beauty in Despair: New Works by Fang Lijun, in Yishu
Journal of Contemporary Chinese Art, Vol 8, Number 2, March/April 2009, pp. 43-49.
Gang Zhao: review, Art AsiaPacific, 27, 2000
Glen Kaino: Joo, Eumgie, Revolutions per Minute in Art Asia Pacific, No. 38 (Fall 2003), pp. 38-39
Gu Wenda: Erickson, Britta, Gu Wendas silent selves and pseudo characters, Art AsiaPacific, 26, 2000
Hak Kyung Cha: deSouza, Allan. The Spoken Word: Theresa Hak Kyung Chas Dictee. Third Text No.24
Autumn 1993; Richard, Frances, Theresa Hak Kyung Cha, Artforum International, Vol.40, Issue 1,
September 2001; Chiu, Melissa, The Crisis of Calligraphy and the New Way of Tea: An Interview with
Wenda Gu, , Orientations, Volume 33, Number 3, March 2002
Hashmi, Zarina: Patel, Samir S., Zarina: Edges of Her World, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, pp. 72 77.
Nath, Deeksha, Such a Long Journey, in ART India, Vol. XV, Issue IV, March 2011.
Higuchi Ikuyo: Cohen, Joan Lebold, Notes from a studio Asia-Pacific Sculpture News, Vol.1, No.2, Spring 1995.
Hiroshi Senju: Radlauer, Steve, Universal Waterfalls, in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p. 76-82
Hu Yongkai: Binks, Hilary, Looking Homeward Asian Art News, Vol.7, No.3, May/June 1997.
Huang Chi-yang (Zhiyang): review, Art AsiaPacific, 31, 2001; Pollack, B., review, Huang Zhiyang: Peripheral Vision,
Yishu: Journal of Contemporary Chinese Art, Vol 8, No. 3, May/June 2009.
Hung, Kenneth Tin-Kin: Laster, Paul, 28 Million People are Paying Attention, in Art Asia Pacific, No. 60,
Hung Liu: Brown, Glen Ambiguous Narratives, Asian Art News 9:5 September/October 1999.
Jim Soo Kim: Heartney, Eleanor, An Art of Tender Recuperation in Art in America (July 2003), pp. 80-85
Jinchi, Pouran: review, Art AsiaPacific, 32, 2001
Kai Hoang, That Bui, Vi Ly: Jana, Reena, The intuitive eye, Asian Art News, Vol.9, No.4, 1999
307
Kaur, Permindar: Chambers, Eddie. Cold Comfort: Permindar Kaur. Third Text No.36 Autumn 1996.
Ken Lum: Between the sky and the earth [Ken Lum, Frank Tam, Yan Peiming, Yang Jiechang, Zhou Tiehai], Hong
Kong, University Art Gallery, 1998; Monshouwer, Saskia, 'Ken Lum, Photo-mirrors: Presenting new
reflections', IIAS Newsletter, No.22, June 2000; Ken Lum, In Search of Wabi Sabi, Kitakyushu: CCA, 2001
Kim Soonj Oh: Chattophadhyay, C., Of parts and process, Asian Art News, Vol.6, No.6, November/December
1996; review, Art AsiaPacific, 25, 2000
Kim Young: Jana, Reena, The Displaced Self, Asian Art News, Vol.10, No.1, 2000
Koh, Terence: Laster, Paul, Reading Terence Koh, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 76 77.
Komagata Katsuya: review, Art AsiaPacific, 25, 2000
Kosuge, Michihiro: Taylor, Sue, 'Michihiro Kosuge at Laura Russo', Art in America, Vol. 91, Issue 2, February 2003
Kunishima Seiji: Chattophadhyay, C., Poetry in Stone: Seiji Kunishima. World Sculpture News 2:4 Autumn 1996.
Kuniyoshi, Yasuo: Goodall, D.B. et al, Yasuo Kuniyoshi, University of Texas at Austin, 1975: Wolf, Tom, Yasuo
Kuniyoshis Women, San Francisco, Pomegranate Art Books, 1993; Shipu Yang, Japan Against Japan: U.S.
Propaganda and Yasuo Kuniyoshis Identity Crisis, in American Art, Vol. 22, No. 1, 2008.
Kusama Yayoi: Lumpkin, Libby, Yayoi Kusama, Artforum International, Vol.37, Issue 1, September 1998; review, Art
AsiaPacific, 24, 1999
Kuwahara Masahiko: review, Art AsiaPacific, 32, 2001
Kwo, David: Jiazi, Chen Edith; Christine, Khor, trans, Ngee Hui, Goh. Responding to the divide, David Kwo, The Artist.
Singapore, NUS Museum, NUS Centre for the Arts, 2005.
Kwon Sowon: review, Art AsiaPacific, 31, 2001
Lampo Leung: Leung, Lampo, Recoding the Roots: Genetic Reformation and Culture Synthesis in the Era of
Globalization in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 83-88
Lee Mae Ri Morgan, Robert C., Deconstruction of Minimal Art, in World Sculpture News, Vol. 16, No. 3, Summer
2010
Lee Mingwei: review, Art AsiaPacific, 22, 1999; Tsai, Eugenie, Talk: Lee Mingwei The Tourist in Art Asia Pacific,
No. 40 (Spring 2004), pp. 44-47
Lee Sang Nam: review, Art AsiaPacific, 21, 1999; Goodman, Jonathon, Concerning the Spiritual in Art: The
Resolute Path of Sangnam Lee, Art AsiaPacific, No.35, 2002.
Lin Lin: Croizer, Ralph, Going to the World: the life and death of Billy Harlem (Lin Lin), Journal of the Oriental
Society of Australia, Vol. 29, 1997.
Lin Maya: review, Art AsiaPacific, 24, 1999
Liu Hong: Brown, Glenn R., Ambiguous narratives, Asian Art News, Vol.9, No.5, 1999
Michael Joo: Park, Kyung Mee, Michael Joo in Art Asia Pacific, Issue 37 (2003), p. 75
Mori Mariko: review, Art AsiaPacific, 24, 1999
Murakami Takashi: Kent, Rachel, New York Scene, Art AsiaPacific, 32, 2001; Briggs, Patricia, Painting at the Edge
of the World, Exhibition Review at Walker Art Center, [Artists include Takashi Murakami and Hisroshi
Sugito], Artforum International, Vol.39, Issue 10, Summer 2001
Nasreen Mohamedi: Malhotra, Priya., Nasreen Mohamedi at Talwar Gallery (review), in Asian Art News, Vol. 13,
No. 6, November/December 2003, p.92-93.
Nguyen Minh: review, Art AsiaPacific, 32, 2001
Nguyen Quang Huy: Lenzi, Iola, Hanoi Paris Hanoi: The evolving art of Truong Tan and Nguyen Quang Huy,
ART AsiaPacific, Issue 35 (2002)
Nikki S. Lee: Momin, Shamin, Nikki S. Lee in Art Asia Pacific, Issue 37 (2003), p. 68
Noguchi Isamu: Chattophadhyay, C., A Noguchi Legacy: Isamu Noguchis site-specific sculpture. Asia-Pacific
Sculpture News 1:4 Autumn 1995; Winther-Tamaki, Bert, Stone Pied--Terre and Space-Age Steel: Isamu
Noguch and the Credo of Truth to Material, in von Vegesack, A.; Posch, K. & Eisenbrand, J., eds.,
Noguchi, Sculptural Design, Exhibition Catalogue, Weil am Rhein, Vitra Design Museum 2001, p. 186-219;
Winther-Tamaki, Bert & Cort, Louise, Isamu Noguchi and Modern Japanese Ceramics: A Close Embrace of the
Earth, Berkley, University of California Press, Washington D.C., Freer Gallery of Art & Arthur M. Sackler
Gallery, 2003.
308
Okubo, Mine: Robinson, Greg & Creef, Elena Tajima, eds., Mine Okubo: Following Her Own Road, Seattle, University
of Washington Press, 2008.
Ono Yoko: Dimitrakaki, Angela. Yoko Ono: Have You Seen The Horizon Lately? Third Text No.42 Spring 1998;
Monroe, Alexandra, with Hendricks, Jon, eds., Yes: Yoko Ono, New York, Japan Society & Harry N. Abrams,
2000; Schwendener, Martha, Yoko Ono, Artforum International, Vol.39, Issue 5, January 2001; Lopez,
Sebastian, 'YES YOKO ONO', IIAS Newsletter, No.24, February 2. ; Goodman, Jonathan, The answer is
yes, Art AsiaPacific, 30, 2001; Ono, Yoko & Tiravanija, Rirkrit, In Another Country, in Artforum
International, Vol. 47, No. 10, Summer 2009.
Pien, Ed: review, Art AsiaPacific 29, 2001
Ping Chong: Yang, Alice, Chinoiserie Art & Asia Pacific, Vol.3, No.2, 1996. ; Kee, Joan. Balancing Act: Tention
and tenacity in Asian American art Art AsiaPacific No. 20 1998
Prema Murthy: Reckitt, Helena, From Bindi Girls To Space Invaders: Prema Murthy in Art Asia Pacific, No. 39
Winter 2004, pp. 34-35
Qin Feng: Malhotra, Priya., Power from Turmoil, in Asian Art News, Vol. 13, No. 6, November/December 2003,
p.64-67.
Qiu Zhijie: review, Art AsiaPacific, 32, 2001
Revri, Anil: interview, Asian Art News, Vol.11, No.2, 2001
Rina Banerjee: Momin, Shamin, Rina Banerjee in Art Asia Pacific, Issue 37 (2003), p. 67
Rirkit Tiravanija: Yang, Alice, The artist as chef - Rirkit Tiravanija, Art & Asia Pacific, Vol.3, No.2, 1996;
Gaweewong, Gridthiya, Rikrit Tiravanija in Art AsiaPacific, Issue 37 (2003), p. 46; Tiravanija, Rirkit, In
Another Country (interview with Yoko Ono) in Artforum, Vol. 47, Iss. 10, Summer 2009, p. 281
Sangnam Lee: Park, Kyung Mee, Sangnam Lee in Art Asia Pacific, Issue 37 (2003), p. 73
Sarah Sze: Chiu, Melissa, Sarah Sze in Art Asia Pacific, Issue 37 (2003), p. 32
Shang Xuhong: Grown, Glen R., Minimal Magic, Asian Art News, Vol.10, No.2, 2000
Shelly Bahl: Dewan, Deepali, Shelly Bahl in Art Asia Pacific, Issue 37 (2003), p. 37
Shimomura, Roger: Brown, Glenn R., Identity and experience Asian Art News, Vol.12, No.2, 2002
Shinohara, Ushio and Noriko: Tomii, Reiko, A Roar-r-r-r-ing Couple of New York: Ushio Shinohara and Noriko
Shinohara, in Love Is Roarrrr!: Ushio and Noriko Shinohara, (Exhibition Catalogue, New York, hpgrp Gallery,
2010.
Sikander, Shahzia: review Art AsiaPacific 29, 2001; Friis-Hansen, Dana, Full Blown: the expansive vision of
miniaturist Shazia Sikander, Art AsiaPacific, No.16, 1997; review, Asian Art News, Vol.9, No.1, 1999
Soong, Path: Gordon, Jeff, Chaos Defined, , Asian Art News, Vol.5, No.5, Sep/Oct 1995.
Sowon Kwon: Akira Tatehata, Sowon Kwon in Art Asia Pacific, Issue 37 (2003), p. 85
Szeto Keung: Millichap, John, Wanderer between cultures, Asian Art News, Vol.6, No.2, Mar/Apr 1996.
Tachibana Seiko: Brown, Glenn R., Seeking the universal, Asian Art News, Vol.11, No.1, 2001
Tam, Frank: Findlay, Ian, An explorer of cultures, Asian Art News, Vol.6, No.6, November/December 1996;
Gustafson, Paula, The meeting of spirituality and materialism, Asian Art News, Vol.10, No.5, 2000
Tan, Fiona: Clark, J. Fiona Tan: Coming Home. In Art & Australia, Vol. 47 No. 4 (2010).
Taneike, Chiyomi: Brown, Glenn R., Metaphorical journeys, Asian Art News, Vol.12, No.1, 2002
Teching Hsieh: Lee Weng Choy, Teching Hsieh in Art Asia Pacific, Issue 37 (2003), p. 66
Teraoka Masami: Hess Lydia, Masami Teraoka, Art & Asia-Pacific, Vol.3, No.1, 1996.
Thep Thavonsouk: Findlay, Ian, Timeless Moments in Asian Art News, Vol. 18(1), January/February, 2008, pp. 130
135.
Theresa Chong: Goodman, Jonathan, Theresa Chong in Art Asia Pacific, Issue 37 (2003), p. 49
Ting, Walasse: Millichap, John, Against the tide, Asian Art News, Vol.9, No.1, 1999
Tran T. Kim-Trang: Small, Irene VOL., Blind Spot, Art AsiaPacific, 30, 2001
Truong Tan: Bradford Edwards: Hussfeld, Barbara, Cultural Collisions Asian Art News, Vol.5, No.5, Sep/Oct
1995; Lenzi, Iola, Hanoi Paris Hanoi: The evolving art of Truong Tan and Nguyen Quang Huy, ART
AsiaPacific, Issue 35 (2002)
Tseng Kwong Chi & Lee, Nikki S.: Samm, Irene VOL., Spectacles of invisibility, Art AsiaPacific 28, 2001
Tseng Yuho/ Zeng Yuhe: review , Art News, 99, 6, 2000
309
Wang Du: Kent, Rachel, New York Scene, Art AsiaPacific, 32, 2001
Way, John: Johnson, Robert Flynn, The art of John Way, Asian Art News, Vol.11, No.5, 2001
Wong [Dian Shui-lu]:Chattophadhyay, C. Dancing with the Tao, Asian Art News, Vol.6, No.4, July/August, 1996.
Xie Dejing/ Hsieh Tehching: Johnston Jill, Tehching Hsieh: Arts willing captive, Art in America, September 2001
Xin Fei: Millichap, John, Life Lines, Asian Art News, Vol.5, No.5, Sep/Oct 1995.
Xu Bing: Xu Bing & Cai Guoqiang at Bard review, Art AsiaPacific, 22, 1999; Goodman, Jonathon, Xu Bing:
Cultural Translator, Art AsiaPacific, No.35, 2002; Doran, Valerie C., Xu Bing: A Logos for the Genuine
Experience, Orientations, Volume 32, Number 8, October 2001; Nanjo, Fumio, Xu Bing in Art Asia Pacific,
Issue 37 (2003), p. 70; Chattopadhyay, Collette, Beyond Iconography: The Power of Graffiti Xu Bing and
Public Art in Art Asia Pacific, No. 40 (Spring 2004), pp. 32-35; Wei, Lily, On Chinese Artists and the
Market Place (Xu Bing and Zhang Huan) in Art Asia Pacific, No. 38 (Fall 2003), pp. 28-30; Xu Bing, Tobacco
Project: Shanghai (Catalogue), Shanghai Gallery of Art, 2004; Lin, Xiaoping, Globalism or Nationalism? Cai
Guoqiang, Zhang Huan, and Xu Bing in New York in Third Text, Vol. 18, Issue 4 (July 2004), pp. 279-296;
Yamamoto, Lynne: review, Art AsiaPacific, 22, 1999; review, Contemporary Visual Art, 23
Yamasaki, Minoru: Winther-Tamaki, Bert, Minoru Yamasaki: Contradictions of Scale in the Career of the Nisei
Architect of the Worlds Largest Building, in Amerasia Journal, Vol. 26, No. 3, Winter 2001, p. 162-188.
Yamashita, Kumi: Koplos, Janet, 'Kumi Yamashita at Kent', Art in America, Vol. 91, Issue 1, January 2003
Yang Ying Feng, Gary Lichtenstein: Jaana, Reena,Crossing Divides, Asian Art News, Vol.5, No.5, Sep/Oct 1995.
Yoong Soon Min: review, Art AsiaPacific, 22, 1999; Poshyananda, Apinan, Yong Soon Min in Art Asia Pacific, Issue
37 (2003), p. 7
Yung, Larry: Lawrence, Patrick, Towards Closure, in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p. 71-75.
Zhang Huan: Wei, Lily, On Chinese Artists and the Market Place (Xu Bing and Zhang Huan) in Art Asia Pacific,
No. 38 (Fall 2003), pp. 28-30; Lin, Xiaoping, Globalism or Nationalism? Cai Guoqiang, Zhang Huan, and
Xu Bing in New York in Third Text, Vol. 18, Issue 4 (July 2004), pp. 279-296
Zhang Jian-jun: Wong, Aida Yuen, 'Vestiges of Time/ Elemental Spring: Zhang Jian-Jun and Barbara Edelstein in
Guangdong', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue
Zhang Peili: Cohen, Joan Lebold,A Studio Visit with Zhang Peili.. Asia-Pacific Sculpture News 1:4 Autumn 1995;
review, Art AsiaPacific, 25, 2000; Isreal, Nico, New York: Zhang Peili, Exhibition Review, Artforum
International, Vol.38, Issue 3, November 1999; Gladston, P. RecurringIntimations of Disorder: A
Conversation with Zhang Peili, in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 2, March/April
2009, pp. 50-58.

ASIAN ARTISTS TRANSNATIONAL ACTIVITY- UNITED KINGDOM
General Works
Abbott, Guy Mannes, Drawing space, Art AsiaPacific, 30, 2001.
Braddock, Kevin, A sense of self, Art AsiaPacific, 26, 2000.
Guha, Tania, Transition of Riches, Third Text, n25, Winter 1993-94, 81-86.
Lew, Christopher Y., Amy Cham Inside Out, ArtAsiaPacific, No. 46, 2005.
Malik, Dr. Sarita, DNA Asia: Mapping the Future of South Asian Arts in the UK in Art Asia Pacific, No. 38, Fall
2003, p. 20
Periz, Ingrid, One Way or Another: Asian American Art Now (Review), in Eyeline, No. 62, Summer 2006-7.
Individual Artists
Alvi, Tariq: Preece, Robert, The aesthetic obsessions of Tariq Alvi, Art AsiaPacific, 32, 2001.
Arnish Kapoor: Jana, Reena, Arnish Kapoor: Between Poetry and Prose in Art Asia Pacific, No. 40 (Spring 2004),
pp. 24-25; Bryson, Norman, Kapoors Vertigo in Parkett, No. 69 (2003), pp.104-115; Forster, Kurt W., A
Word in the Giants Ear in Parkett, No. 69 (2003), pp. 116-125; Warner, Marina, The Perforate Self or
Nought is Naught in Parkett, No. 69 (2003), pp. 126-141.
Bhimji: Dewan, Deepali, Zarina Bhimji in Art Asia Pacific, Issue 37 (2003), p. 38; Jumabhoy, Zehra, Vanishing
Acts, interview with Zarina Bhimji in Art India, Vol XIII, Iss. III & IV, 2008, p. 84-85
310
Biswas, Sutapa; Lubaina Himid; Boyce, Sonia: Tawadros, Gilane, Beyond the Boundary: The Work of Three Black
Women Artists in Britain, Third Text, n8/9, Autumn/Winter 1989, 121-150.
El Sahali, Ibrahim: Beier, Ulli, The Right to Claim the World: Conversation with Ibrahim El Salahi, Third Text n23,
Summer 1993, 23-30: Sudanese artist working in Quatar, England and Germany.
Fu, Julie, Yin Xuizhan: Preece, Robert. Chinese Art, Manchester Style. Asian Art News 8:6,1998.
Hatoum, Mona: Guha, Tania, Andrea Fisher/Mona Hatoum. Third Text No.28/9 Autumn/Winter 1994.
Hazra, Abhishek: Hazra, Abhishek, Bellowing Bong, in ART India, Vol. XV, Issue IV, March 2011.
Li Yuan-chia: Brett, Guy, Li Yuan-chia 1929-1994, Third Text, 28/9, Autumn/Winter 1994, 3-4: obituary; Overy,
Paul, After a long silence: the works of Li Yuan-chia, Third Text, 55, 2001, 51-62; Hill, Katie, Li Yuan jia,
Art AsiaPacific, 32, 2001.
Liao, Jeff Chien-Hsing: review, Art in America, 94.9, October 2006.
Lubaina Himid; Boyce, Sonia; Hatoum, Mona: Tawadros, Gilane, Black Women in Britain: A Personal and Intellectual
Journey, Third Text, n15, Summer 1991, 71-76.
Medalla, David: Brett, Guy, David Medalla: From Biokineticism to Synpotic Realism, Third Text , n8/9,
Autumn/Winter 1989, 79-106; Brett, Guy, David Medalla: From Biokineticism to Synoptic Realism. Third
Text No.8/9, Autumn/Winter, 1989; Terra, Jun, David Medalla in London, Third Text, n30, Spring 1995.
Ocampo, Manuel: review, Art AsiaPacific, 22, 1999.
Qu Leilei: Bright, Susan, A Journey into Memory Asian Art News, Vol. 8, No.1, January/February 1998.
Runa Islam: Farver, Jane, Runa Islam in Art Asia Pacific, Issue 37 (2003), p. 44.
Sehgal, Tino: The Unbearable Lightness of Possession, in Art Asia Pacific, Issue 66, November/ December 2009.
Shen Yuan: Carver, Antonia, Shen Yuan: Just like a fish in water, Art AsiaPacific, No.35, 2002; Tawadros, Gilane et
al, Shen Yuan, London & Bristol, Institute of International Visual Arts and Arnolfini Centre & Chisenhale
Gallery, 2001.
Singh, Amrit & Rabindra: review, Asian Art News, Vol.11, No.4, 2001; Nakamura, Nobuo and Miyake, Akiko, ed.,
CCA Artists Book Series, Shen Yuan: The Tongue, Kitakyushu: Center For Contemporary Art, 1999.
The Otolith Group: Jhaveri, Shanay, The Incomplete Condition, in Art Asia Pacific, Issue 71, November/ December
2010.
Tsao, Richard: review, Art in America, Vol. 93, iss. 9, Oct 2005.
Vong Phaophanit: Hylton, Richard. Phaiphanit and Piper. Third Text no31 Summer 1995; Dyer, Richard, Vong
Phaophanit: Ash and Silk Wall, Third Text, n26, Spring 1994, 91-93; Obussier, Claire, Vong Phaophanit,
Art AsiaPacific 29, 2001; Desai, Vishakha N., Vong Phaophanit in Art Asia Pacific, Issue 37 (2003), p. 35.
Wong, Sue-en: review, Art in America, 94.9, October 2006.
Yanagi Yukinori: Dyer, Richard, Yukinori Yanagi: Union Jack Ant Farm, Third Text, n27, Summer 1994, 91-93;
Winther-Tamaki, Bert, Yukinori Yanagi; Image, Nation & Transnation. Co-Editor, primary author, with essays
by graduate students of the Visual Studies Ph.D program. CD Rom. University of California, Irvine. 1998.
Zarina Bhimji: Dewan, Deepali, Zarina Bhimji in Art Asia Pacific, Issue 37 (2003), p. 38.

ASIAN ARTISTS TRANSNATIONAL ACTIVITY- FRANCE
General Works
A Touch of French: An Exhibition of Paintings By Malaysian Artists Scholled in French Institutions, (Exhibition Catalogue),
Kuala Lumpur, National Art Gallery, 1991.
China-Paris: Seven Chinese Painters who Studied in France 1918-1960, Taipei Fine Arts Museum, 1988.
Clark, John., Alors, la Chine?, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.68-71.
Clark, John, Chinese Artists in Paris, Far Eastern Economic Review, 16.12.1986. [Chinese translation: Meishu Shichao,
Nanjing, No.4, 1987, 31-33].
Clark J., Chinese Artists in France, in Fisher, Jean & Mosquera, Gerardo, eds., Over Here, Cambridge, MIT Press,
2004
Clunas, Craig, Chinese Art and Chinese Artists in France, 1924-1925, in Arts Asiatiques, No. 44, 1989, p. 100-106.
311
Fei Dawei, ed., Art Chinois: Chine Demain pour Hier, [Cai Guoqiang, Yang Jiechang, Yan Peiming, Gu Wenda,
Huang Yongping, Chen Zhen], Aix en Provence, Les Domaines de lart & Editions Carte Segrete, 1990
Hou Hanru, Parisien(ne)s, London, Camden Arts Centre & INiVA, 1997
Jouanno, Evelyne; Hou Hanru, Paris pour escale, [escale= port of call]; Paris, ARC- Muse dArt Moderne de la Ville
de Paris, 2000 (Foreword by Suzanne Pag, Preface by Laurence Boss, other texts by Gilane Tawadros,
Michel Wieviorka, 27 artists, 6 Chinese: Chen Zhen, Huang Yongping, Shen Yuan, Wang Du, Yang
Jiechang).
Kppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery of Art, 2004
Teil, D. Indian Painters in Paris, Lalit Kala Contemporary, No.4.
Individual Artists
Chang Yu/Sang Yu: Wong, Rita, Sanyu [Chang Yu] Catalogue Raisonne, Taipei, Lin & Keng Gallery 2001 ; Wong,
Rita, Sanyu: lcriture du corps, Paris Muse Guimet, 2004 [essays by Andrews, Hay, Koutozis, Krebs &Wong];
Pai, Maggie, Escaping from the exile of memory, Asian Art News, Vol.11, No.1, 2001; Wang, Eugene Y.,
Sanyu Catalogue Raisonne: Oil Paintings, Review on Chang Yu, Orientations, Volume 33, Number 2, February
2002.
Chen Jianzhong: Liang,K.C., Chan Kin-chung, Guangzhou, Lingnan Publishing House, 1981; Jouffroy, A., Chan Kin-
chung, Paris, Galerie Art Yomiuri, 1981; Asian Art News, 2, No.1, Jan/Feb 1992.
Chen Zhen: Corrin, Lisa, G., et al, Chen Zhen, London, Serpentine Gallery, 2001; Chiu, Melissa, Chen Zhen in Art
Asia Pacific, Issue 37 (2003), p. 33; Heartney, Eleanor, Parallel Lives (Montien Boonma at Asia Society and
Chen Zhen at P.S. 1) in Art Asia Pacific, No. 38 (Fall 2003), pp. 50-52
Cui Guotai: Karetzky, P. E., Cui Guotai: Rust Never Sleeps, in Yishu Journal of Contemporary Chinese Art, Vol 8,
Number 4, July/August 2009, pp.32-40.
Du Zhenjun: Du Zhenjun: tre humain trop lourd (Catalogue), Paris : stream-tease.tv (art involvement), 2003
Huang Yongping: Hou Hanru, Huang Yongping, [La Biennale de Venise 48
e
Exposition Internationale dArt, Pavillon
Franais], Paris, Association Franaise dAction Artistique-Ministre des Affaires Etrangres, 1999 ; La
Collection: Fondation Cartier pour lart contemporain, Paris, Fondation Cartier pour lart contemporain, 1998; Hou
Hanru, Huang Yong Ping in Art Asia Pacific, Issue 37 (2003), p. 55 ; Fei Dawei ed., Bat Project & Bat Project
II, Paris: Guy and Miriam Ullens Foundation, 2003. Vergne, Philippe & Chong, Doryun House of Oracles: A
Huang Yongping Retrospective, Minneapolis: Walker Art Center, 2006.
Ju Ming: Nuridsany, Michel. Shadow Boxing at the Place Vendome: Ju Ming. World Sculpture News 4:1 Winter
1998.
Kawamata Tadashi: Rosen, Miriam, Tadashi Kawamata, Artforum International, Vol.36, Issue 8, April 1998; review
Art AsiaPacific 29, 2001; Gould, Claudia, Balkon- Kwamatas Miracle Parkett, No. 35, 1993; Pontegnie,
Anne, Tadashi Kawamata, Artforum International, Vol.39, Issue 6, February 2001; Alicia Volk, Kawamata
Tadashi, in Sara Pendergast and Tom Pendergast, eds., Contemporary Artists, 5
th
ed. (Detroit: St. James Press,
2002), 1: 853-855.
Shen Yuan: Tawadros, Gilane et al, Shen Yuan, London & Bristol, Institute of International Visual Arts and
Arnolfini Centre & Chisenhale Gallery, 2001; Tawadros, Gilane., The Leftovers of Translation: The Works
of Shen Yuan, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.78-87.
Szeto Lap: Binks, Hilary, Of light and silence, Asian Art News, Vol.10, No.4, 2000
Wang Du: Wang Du Magazine: je veux tre un mdia, No.1, t, 2001, Paris, Design Mental
Yan Peiming: Besson, Christian, Yan Peiming, Paris, ditions Hazan, 1999; Marcad, Bernard, Yan Pei-Ming, les
assuats de la peinture, Artpress, Juillet/ Aot, 1989 ; Botz-Bornstein, T., The Transcendental Blandness of
Yan Pei-Mingsw International landscapes, in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 4,
July/August 2009, p. 18-31.
Yang Jiechang: Domino, Christophe, Enlightened writings, Asian Art News, vo.11, No.4, 2001; review, Asian Art
News, Vol.9, No.1, 1999; Geczy, Adam, Yang Jiechang (Review Gallery 4A, Sydney) in Art Asia Pacific, No.
38, Fall 2003, pp. 77-78
Zhao Wuji / Zao Wou-ki: Cheng, F., Zao Wou-ki, Paris, Grand-Palais, 1981; Zhao Wuji, Hong Kong Arts Centre,
1982; Leymarie, J., Zao Wou-ki, Paris, Editions Cercle dArt, 1986;
312
Zhu Dechun / Chu Te-chun: Juin, H.L., Chu Teh-Chun, Paris, Muse de Poche, Gamma, 1979; Chu Teh-chun, Hong
Kong, Institute for the Promotion of Chinese Culture, 1986; Binks, Hilary, Passion for Life, Asian Art
News, Vol.7, No.6, 1997.

ASIAN ARTISTS TRANSNATIONAL ACTIVITY- ELSEWHERE IN EUROPE
General Works
Acret, Susan, 49
th
Venice Biennale: Northern Hemisphere Blues, in Art AsiaPacific, No. 33, 2002.
Clark, John, Taiwanese Painting and Europe, in Shaw, Yu-ming ed., China and Europe, Institute of International
Affairs, Taibei, 1986, p. 43-60.
Kapoor, Kamala Art Across Oceans: The Containers 96 Exhibition in Copenhagen, in Art AsiaPacific, No. 14,
1997.
Komissar, Mariann, Crosscurrents: Indian, Norwegian & British Artists in Oslo, in Art AsiaPacific, No. 21, 1999.
Vos, Ken, Sharing Collections and Presenting Cultural Heritage in Asian-European Exchange: AEMUS
conference Marketplace of Museums, IIAS Newsletter, No. 28, July 2002
Wear, Eric Otto, Uncertainties at the Sao Paolo Bienal, Asian Art News, Vol. 7, No. 2, 1997.
Individual Artists
Arif, Saleem: Hubbard, Sue. The Art of Saleem Arif. Third Text No.27 Summer 1994.
Berlin, East-West: Garrett, Louise, East-West in Berlin, Art AsiaPacific, 30, 2001
Cai Guoqiang: Stringa, Nico, Terrecotte Cinesi dalla 48
a
Biennale di Venezia (Chinese Terracota at the 48
th
Venice Biennial),
Cornuda: Antiga Edizoni, 2003
Chu, Julia Nee: Asian Art News, 2, No.4, Jul/Aug 1992.
Dai Pedro: Tseng Yung-lu, Pedro Dai, Free China Review,Aug-Sep,1986.
Djumini, Tino: NUS Museum and KITLV-Jakarta (Royal Netherlands Institute of Southeast Asian and Caribbean
Studies). Picturing Relations: Simryn Gill & Tino Djumini. Singapore, NUS Museum, NUS, 2007.
Gupta, Snil: Carver, Antonia, Getting them between the eyes: an interview with Sunil Gupta, Art AsiaPacific,
No.16, 1997.
Hanayo: review, Art AsiaPacific, 30, 2001
Kabir, Shahid: Karim, Ziaul, Process and memory, Asian Art News, Vol. 8, No.2, 1998.
Lopez, Sebastian: Preece, Robert, On gatekeeping, Art AsiaPacific, 30, 2001
Ming Fay: Magnan, Kathleen, F., The Alchemist of Spirits, Asian Art News, July/August 1994.
Ngan Wayne: Asian Art News, 2, No.2, Mar/Apr 1992.
Nishi, Tatzu Nicholls, Christine, Resculpting the Past in Asian Art News, Vol. 20, No. 3, May/ June 2010.
Qadri, Soham: Kwint, Marius, Modernism Beyond Modernity, in Asian Art News, Vol. 18(2), March/April, 2008,
pp. 80 85.
Sah, Cynthia: Millichap, John. A Feeling for Stone: Cynthia Sah. Asia-Pacific Sculpture News 2:1
Shiota, Chiharu: Koplos, Janet, 'Chiharu Shiota at Kenji Taki', Art in America, Vol. 91, Issue 4, April 2003
Tan, Fiona: Nichols, Matthew Guy, Willing Subjects, Resitant Souls, in Art in America, September 2010.
Wilfredo Lam: Tancock, John, Wilfredo Lam in Art Asia Pacific, No. 40 (Spring 2004), pp. 60-64
Xiao Qin / Hsiao Chin: Asian Art News, 2, No.1 Jan/Feb 1992.

PRE-HISTORIES OF EURAMERICAN ART

Crow, T. E., Painters and Public Life in 18th century Paris, New Haven, Yale University Press, 1985
Duro, Paul, ed., Perspectives on Academic Art, Occasional Papers III, The Art Association of Australia, 1991.
Duro, Paul, The academy and the limits of painting in seventeenth-century France, New York, Cambridge University Press,
1997.

313

EURAMERICAN THEORIES OF MODERNITY (Selected)
Theories, Logics & Ideologies
Barkan, Elazar & Bush, Roland, eds., Prehistories of the Future: The Primitivist Project and the Culture of Modernism,
Stanford, Stanford University Press, 1995.
Baudrillard, Jean, Modernity (1985), Canadian Journal of Political and Social Theory, Vol. XI, No.3, 1987.
Baudrillard, Jean, Simulacra and Simulation, [tr. Glaser, S. F.], Ann Arbor, University of Michigan Press, 1994.
Bauman, Zygmunt, Postmodern Ethics, Oxford, Blackwell, 1993.
Bermejo, Diego, Postmodernidad: Pluralidad y Trasversalidad, Barcelona, Anthropos, 2002.
Bernstein, Richard J., ed., Habermas and Modernity, Cambridge, MIT Press, 1985.
Crary, Jonathan, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century, Cambridge, MIT Press,
1995.
Deuleuze, G., Guattari, F. A Thousand Plateaus [tr Massumi, Brian], Minneapolis, University of Minnesota Press,
1987.
Giddens, Anthong, The Consequences of Modernity, Cambridge, Polity Press, 2006.
Habermas, Jrgen The Theory of Communicative Action, vol: 1, Reason and the Rationalization of Society, Vol.2 Lifeworld and
System: A Critique of Functionalist Reason, [tr. Thomas McCarthy], London, Heinemann, 1984.
Habermas, Jrgen, The Philosophical Discourse of Modernity, Cambridge, MIT Press, 1987.
Hobsbawm, Eric J. & Ranger, Terrence, eds., The Invention of Tradition, Cambridge, Cambridge University Press,
1983.
Hookway, Christopher, Pragmatism: commonsense and the limits of science, in Stone M.W.F. and Wolff,
Jonathan, eds., The Proper Ambition of Science, London, Routledge, 2000.
Marlais, Michael Maurice Denis Conservative Modernism, in Conservative Echoes in Fin de Sicle Parisian Art
Criticism, Pennsylvania State University Press, University Park, Penn., 1992, 185-217
Pollock, Griselda, Avant-Garde Gambits 1883-1893: Gender and the Colour of Art History, Walter Neurath Memorial
Lecture 1992, Thames and Hudson, London, 1992
Summers, Davis, Real Spaces: World Art History and the Rise of Western Modernism, London, Phaidon, 2003.
Taxonomy and Evolutionary Speciation
Crombie, A.C., Styles of Scientific Thinking in the European Tradition: The history of argument and explanation especially in the
mathematical and biomedical sciences and arts, 3 volumes, London, Duckworth, 1994.
Darwin, Charles, The Illustrated Origin of Species, [abridged and introduced by Richard Leakey from sixth edition of
1872], London, Faber & Faber, 1979 [updates Darwins theories or his evidence].
Fletcher, Roland, Organized Dissonance: multiple code structures in the replication of human culture, in
Maschner, Herbert D.G., Darwinian Archaeologies, New York, Plenum Press, 1998.
Gee, Henry, Deep Time: Cladistics, The Revolution in Evolution, London, Fourth Estate, 2001
Gould, Stephen Jay, Wonderful Life: The Burgess Shale and the Nature of History, London, Penguin Books, 1989.
Hull, David, Science as a Process, Chicago, University of Chicago Press, 1988
Mayden et al, Species: the units of evolution, 1997
Mayr, Ernst, Principles of Systematic Zoology New York, McGraw-Hill, 1969
Mayr, Ernst, Darwins influence on modern thought, Scientific American, vol 283, No.1, July 2000.
Monod, Jacques, Chance and Necessity, [tr. Wainhouse, A.], New York, Alfred A. Knopf, 1971 & London
Collins/Fontana, 1974.
Sterelny, Kim & Griffiths Paul E., Sex and Death: an introduction to the Philosophy of Biology, Chicago, University of
Chicago Press, 1999.
Literary and Linguistic Theories
Bakhtin, M. M., The Dialogic Imagination, [tr. by Emerson, C. & Holquist, M.], Austin, University of Texas Press,
1981.
Benveniste, Emile Problems in General Linguistics, [1966] (tr Meek Mary E.), Coral Gables, University of Miami
Press, 1971
314
Fletcher, Angus, Allegory: The Theory of a Symbolic Mode, Ithaca, Cornell University Press, 1964, 1970.
Todorov, Tzvetan, Theories of the Symbol [1977] (tr. Porter, C.), Ithaca, Cornell University Press, 1984.
Watt, Ian, Myths of Modern Individualism: Faust, Don Quixote, Don Juan, Robinson Crusoe, Cambridge, Cambridge
University Press, 1996; Canto Edition, 1997.
Cultural Hybridity and Cultural Comparison
Amselle, Jean-Loup, Mestizo Logics: Anthropology of Identity in Africa and Elsewhere, (tr. Royal, Claudia), Stanford,
Stanford University Press, 1998.
Appiah, K. Anthony, Identity, authenticity, survival in Gutmann, Amy, ed., Multiculturalism, Princeton, Princeton
University Press, 1992, 1994.
Appiah, Kwame Anthony, Cosmopolitanism: Ethics in a World of Strangers, New York & London, University of
Aug, Marc, The War of Dreams: Studies in Ethno Fiction, London & Sterlin: Pluto Press, 1999.
Bennet, Tony, The exhibitionary complex, New Formations, No. 4.
Berghuis, Thomas J., Parallel Conversions: Reflections on the Asian presence at The 32
nd
CIHA Conference in
Melbourne, in C Arts. Asian Contemporary Art and Culture, Vol. 02, March/April, 2008, pp. 50 52.
Bhabha, Homi K., The Location of Culture London, Routledge, 1994.
Brah, Avtar, Coombes, Annie E., Hybridity and its discontents: Politics, Science, Culture, London, Routledge, 2000
Canclini,Nstor Garca, Too much determinism or too much hybridization?, Travsia: Journal of Latin American
Cultural Studies, 1, 2, 1992.
Chan, D., The Dim Sum vs. the Meat Pie: On the Rhetoric of Becoming an In-Between Asian-Australian Artist,
in Alter/Asians: Asian-Australian Identities in Art, Media and Popular Culture, Ang, I., Chalmers, S., Law, L., and
Thomas, M., eds., Sydney, Pluto Press, 2000, pp: 141 151.
Chiu, M. Asian-Australian Artists: Cultural Shifts in Australia, in Art in Australia, Vol. 37(2), 1999, pp. 252 261.
Coombes, Annie E., The recalcitrant object: culture contact and the question of hybridity, in Barker, F.,
Hulme,P., Iversen M., Colonial Discourse/Postcolonial Theory, Manchester, Manchester University Press, 1994.
Coombes, Annie E., Inventing the Post-Colonial: hybridity and constituency in contemporary curating, New
Formations, 18, Winter 1992.
Derrida, Jacques, Monolingualism OR The Prosthesis of Origin [1996] (tr.Mensah, Patrick), Stanford, Stanford
Canclini, Nstor Garca, Hybrid Cultures: Strategies for Entering and Leaving Modernity, (tr. Chiappari Christopher L. &
Lpez, Silvia L.) Minneapolis, University of Minnesota Press, 1995
Gilroy, P., Cruciality and the Frogs Perspective, Art+Text, 32,Autumn 1989.
Gilroy, P., It aint where youre from, its where youre at the dialectics of diasporic identification, Third Text, 13,
Winter 1991.
Gilroy, Paul, The Black Atlantic: Modernity and Double Consciousness, Cambridge MA, Harvard University Press, 1994.
Glissant, Edouard, Poetics of relation (1990), Ann Arbor, University of Michigan Press, 1997.
Gaudibert, Pierre, Mtissages artistiques in Mtissage: Nouvelle Revue dethnopsychiatrie, No.17, La Pense Sauvage,
1991.
Hall, Stuart, Cultural Identity and Diaspora, in Rutherford, Jonathan, ed., Identity, Community, Culture, London,
1990.
Hardt, Michael; Negri, Antonio, Empire, Cambridge, Mass., Harvard University Press, 2000.
Joppke, Christian; Lukes, Steven, eds., Multicultural Questions, Oxford, Oxford University Press, 1999.
Lee Weng Choy, now and them. Another asia, Rabindranath Tagoe & Okakura Tenshin, by Rustom Bharucha,
Oxford University Press, 2006, in Contemporary Visual Arts + Culture Broadsheet, Vol. 37, No. 2, June, 2008,
pp. 110 113.
Lee, G. B., Troubadours, Trumpeters, Troubled Makers: Lyricism, Nationalism and Hybridity in China and its Others,
Durham, Duke University Press, 1996.
Mahamood, Muliyadi, Japanese Style in Malaysian Comics and Cartoons, in International Journal of Comic Art, Vol.
5, No. 2, Fall 2003, pp. 194-204.
Maharaj, Sarat, Perfidious Fidelity, the untranslatability of the other Fisher, Jean ed., Global Visions: Towards a
new internationalism in the visual arts, London 1994.
315
Mankekar, Purnima, Brides Who Travel: Gender, Transnationalism, and Nationalism in Hindi Film in positions:
east asia cultures critique, volume 7, number 3 (winter 1999), pp. 731-761
Papastergeriadis, Nikos, Restless Hybrids, Third Text, XXXII, Autumn 1995.
Park, Kyeyoung, I am Floating in the Air: Creation of a Korean Transnational Space among Korean-Latino
American Remigrants in positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 667-695
Pinney, Christopher; Thomas, Nicholas, eds., Beyond Aesthetics: Art and the technologies of Enchantment, Oxford, Berg,
2001.
Purdom, Judy, Mapping Difference, Third Text, XXXII, Autumn 1995.
Taylor, Charles, The Politics of Recognition, in Gutmann, Amy, ed., Multiculturalism, Princeton, Princeton
University Press, 1992, 1994.
Thomson, Jonathon, Contemporary Buddhist Sculpture, in World Sculpture News, Vol. 13(3), Summer, 2007, pp.
36 39.
Van Den Braenbussche, Anton; Kimmerle, Heinz & Note, Nicole, eds., Intercultural Aesthetics: A Worldview
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Verwoert, Jan, World in Motion: Jan Verwoert on New Modernism in Frieze, Issue 84 (June/July?August 2004),
pp. 90-95
Wai-ming Ng, Japanese Elements in Hong Kong Comics: History, Art, and Industry, in International Journal of
Werbner, P., Modood, T., eds, Debating Cultural Hybridity, London Zed Books, 1997.
Wood-hung Lee and Shaw, Yomei, A Textual Comparison of Japanese and Chinese Editions of Manga:
Translation as Cultural Hybridization, in International Journal of Comic Art, Vol. 8, No. 2, Fall, 2006, pp. 34
55.
Yao Soucho, ed., House of Glass: Culture, Modernity, and the State in Southeast Asia, Singapore, Institute of Southeast
Asian Studies, 2001.
Cultural Globalization
Appadurai, Arjun, Modernity at Large: Cultural Dimensions of Globalization; Minneapolis, University of Minnesota
Press, 1996.
Appadurai, Arjun Globalization, Durham, Duke University Press,
Aug, Marc, Non-Lieux. Introduction une Anthropologie de la Surmodernit, Paris, ditions du Seuil, 1992.
Aug, Marc, An Anthropology for Contemporaneous Worlds, Stanford, Stanford University Press, 1994.
Balfe, Judith Huggins, Art works as symbols in international politics; The International Journal of Politics, Culture, and
Society, 1, 2 Winter 1987.
Bauman Zygmunt, Liquid Modernity, Cambridge, Polity Press, 2000.
Beck, Ulrich, Was Ist Globalisierung: Edition Zweite Moderne Frankfurt, Suhrkamp, 1997.
Benhabib, Seyla, Citizens, Residents and Aliens in a Changing World: Political Membership in the Global Era, in
Hedetoft, Ulf & Hjort, Mette, The Postnational Self: Belonging and Identity, University of Minnesota, 2002, p. 85-
119.
Berger, Peter L. & Huntington, Samuel P., eds., Many Globalizations: Cultural Diversity in the Contemporary World,
Oxford, Oxford University Press, 2002.
Bestor, Theodore C. How Sushi Went Global, in Foreign Policy, No. 121, November/ December 2000, p 54-63.
Beynon, John & Dunkerley, David, eds., Globalization: The Reader, New York, Routledge, 2002.
Bianchi, Paolo, ed., Weltkunst Globalkultur, Cologne, Kunstforum International, 1992.
Buck-Morss, Susan, Radical Cosmopolitanism, in Third Text, Vol. 23, Issue 5, September 2009.
Bydler, Charlotte, The Global Art World Inc; on the globalization of contemporary art, Uppsala, Acta Universitatis
Upsaliensis, 2004
Camnitzer, Luis & Farver, Jane, eds., Global Conceptualism: Points of Origin 1950s-1980s, (Exhibition Catalogue), New
York, The Queens Museum of Art, 1999.
Carroll, Nol, Art and Globalization: Then and Now, in Journal of Aesthetics and Art Criticism, Vol. 65, No. 1,
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316
Clark, John, Beyond the national, inside the global: new identity strategies in Asian Art in the twenty-first century
in Anderson, Jaynie, .ed. Crossing Cultures: Conflict, Migration and Convergence, The Proceedings of the32nd
International Congress of the History of Art, Melbourne: Mieyegunyah Press, 2009, 57-59.
Conversi, Daniele, ed., Ethnonationalism in the Contemporary World: Walker Connor and the Study of Nationalism, London
& New York, Routledge, 2004.
Day, Gail, The Fear of Heteronomy, in Third Text, Vol. 23, Issue 4, July 2009.
Deleuze, Gilles & Guattari, Flix, Of Love Possessed, in Artforum International, Vol. 48, No. 2, October 2009.
Diken, Blent, Radical Critique and the Paradox of Post-Political Society, in Third Text, Vol. 23, Issue 5,
September 2009.
Dirlik, Arif, The Postcolonial aura: Third World criticism in the age of global capitalism, Boulder, Westview, 1997.
Dirlik, Arif. Global in the Local in Global/Local: Cultural production and the Transnational Imaginary. Durham and
London: Duke University Press, 1996, 21-45.
Filmer-Sankey, Patrick, Convergence or Sumbergence?, in Art Monthly Australia, Issue 223, September 2009.
Fisher, Jean, ed., Global Visions: Towards a New Internationalism in the Visual Arts, London, Kala Press in association
with in IVA, 1994.
Gikandi, Simon, Globalization and the Claims of Postcoloniality, The South Atlantic Quarterly, 100.3, Summer 2001
Grewal, Inderpal, Travelling Barbie: Indian Transnationality and New Consumer Subjects in positions: east asia
cultures critique, volume 7, number 3 (winter 1999), pp. 799-826
Griffin, Tim, Global Tendencies Globalism and the Large Scale Exhibition in Artforum (November 2003), pp.
154-162
Hallam, Huw, Globalised Art History: The New Universality and the Question of Cosmopolitanism, in Australian
and New Zealand Journal of Art, Vol. 9, No. 1 &2, 2008/9
Hardt, Michael & Negri, Antonio, The Becoming-Prince of the Multitude, in Artforum International, Vol. 48, No.
2, October 2009.
Harvey, David, Commonwealth: An Exchange, in Artforum International, Vol. 48, No. 3, November 2009
Held, David & McGrew, Anthony, eds., The Global Transformations Reader, Cambridge, Cambridge Polity Press,
2003
Hirst, P; Thompson, G., Globalization in Question, Cambridge, Polity, 1996.
Holton, Robert J., Globalization and the Nation-state, Basingstoke, Macmillan, 1998.
Hopkins, A.G., ed., Globalization in World History, London, Pimlico, 2002.
Hoskote, Ranjit, Global Art and Lost Regional Histories, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39,
No. 2, June 2010
Huang, D, A few questions on the relationship between the development of Chinese contemporary art and the
development of contemporary international art, in The First Academic Exhibition of Chinese Contemporary Art,
Hong Kong, China Oil Painting Gallery, Ltd., 1996, pp. 39 43.
Jameson, Fredric; Miyoshi Masao, eds. The Cultures of Globalization, Durham N.C., Duke University Press, 1998.
Jantjes, G., ed., A Fruitful Incoherence: Dialogues with Artists on Internationalism, London, Institute of International
Visual Arts, 1998.
Joseph, May, Nomadic Identities: The Performance of Citizenship, The Regents of the University of Minnesota Press,
1999.
Kessler, Clive S., Globalization: Another False Universalism, in Third World Quarterly, Vol. 21, No. 6, 2000, p.
931-942.
King, Anthony D., 1991, ed., Culture, Globalization and the World-System, Basingstoke, Macmillan, 1991.
Kristeva, Julia, Nations without Nationalism, New York, Columbia University Press, 1993.
Lee, Pamela M., Boundary Issues: The Art World Under the Sign of Globalism in Artforum (November 2003),
pp. 164-167
Li, Victor, Whats in a Name? Questioning Globalization, in Cultural Critique, Issue 45, Spring 2000, p. 1-39
Liu, Lydia H., Beijing Sojourners in New York: Postsocialism and the Question of Ideology in Global Media Culture
in positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 763-797
Merewether, C., Translation and Transnationalism: Reading the Local Otherwise. In ARS 01:
Unfolding Perspectives, pp. 57-66. Helsinki: Museum of Contemporary Art, Kiasma, 2002.
317
Meyer, James, The Global Exhibition in Artforum (November 2003), pp. 154-162
Mrzek, Rudolf, floating. No gears shifting, in Journal of Asian Studies, Vol. 69, No. 2, 2010.
Nagahara, Yutaka, 1952-, Monsieur le Capital and Madame la Terre Do Their Ghost-Dance: Globalization and
the Nation-State, The South Atlantic Quarterly, 99.4, Fall 2000
Oguibe, Olu, The Culture Game, Minneapolis, University of Minnesota Press, 2004
nc, Ayse & Weyland, Petra, eds., Space, Culture and Power: New Identities in Globalizing Cities, London, Zed Books,
1997
Onains, John, Compression Versus Expression: Containing and Explaining the Worlds Art, Clark Studies in the Visual
Arts, New Haven & London, Yale University Press, 2006
Ong Aihwa, Flexible Citzizenship: the cultural logics of transnationality, Durham, Duke University Press, 1999.
Papastergiadis, Nikos & Araeen, Rasheed, a monument against monuments in Best, Susan & Green, Charles, eds.
in the every day, critical and theoretical speculations on the 11th biennale of sydney, Sydney, Artspace, 1998.
Pinxit, Vaughn, Is The Contemporary Era Behind Us?, in Art Monthly Australia, No. 241, July 2011.
Ratnum, Niro, Art and Globalization, in Perry, Gill & Wood, Paul, eds., Themes in Contemporary Art, Yale
University Press, 2004,
Rifas, Leonard, Globalizing Comic Books from Below: How Manga Came to America, in International Journal of
Robertson, R., Globalization: Social Theory and global culture, London, Sage, 1992.
Sakai, Naoki, 1946- You Asians: On the Historical Role of the West and Asia Binary, South Atlantic Quartely,
99.4, Fall 2000
Sassen, Saskia, A Sociology of Globalization, New York, Norton & Company, 2007
Sassen, Saskia, Globalization and its Discontents, New York, The New Press, 1998.
Schein, Louisa, Diaspora Politics, Homeland Erotics, and the Materializing of Memory in positions: east asia cultures
critique, volume 7, number 3 (winter 1999), pp. 698-729
Schirato, Tony & Webb, Jenn, Understanding Globalization, London, Sage Publications, 2003.
Sivanesan, Harma, Transforming East-West Dialogues: Reciprocity, Collaboration, Exchange, in Artlink, Vol. 29,
No. 2, 2009.
Stoler, Ann Laura, Rethinking Colonial Categories: European Communities and the Boundaries of Rule, in
Comparative Studies in Society and History, Vol. 13, No. 1, 1989.
Tai, Mikala, Defining and Curating the Global, in Contemporary Visual Arts + Culture Broadsheet, Vol. 36, No. 3,
September, 2007, pp. 171 173.
Tawadros, Gilane, ed., Changing States: Contemporary Art and Ideas in an Era of Globalization, London, Institute of
International Visual Arts (inIVA), 2004.
Tawdros Gilane & Campbell, Sarah, eds., Fault Lines: Contemporary Art and Shifting Landscapes, London, Institute of
International Visual Arts (inIVA), 2003.
Tomlinson, John, The Globalization of Culture, Cambridge, Polity Press, 1999.
Tupitsyn, Victor, Notes on Globalizarion: The Work of Art in the Age of Shoe-Throwing, in Third Text, Vol. 23,
Issue 5, September 2009.
Urry, John, Global Complexity, Cambridge, Polity Press, 2003.
Wang Ning, On Cultural Translation: A Postcolonial Perspective, in Wang Ning & Sun Yifeng, eds., Translation,
Globalisation and Localization: A Chinese Perspective, Multilingual Matters, 2008, p. 75-87.
Theories of Art [selected]
Adorno, T., Aesthetic Theory, [1970] London, Routledge and Kegan Paul, 1984,
Adorno, T., Horkheimer, M., The Dialectic of Enlightenment [1944, 1969], London, Verso, 1979
Adorno,T., Minima Moralia [1951], London, Verso, 1978
Anderson, P., Modernity and revolution, New Left Review, No.152, July/August 1985
Art Critics in the Age of Global Mobility, Barcelona, ACCA-AICA, 2007.
Ascott, Roy, Telematic Embrace: Visionary Theories of Art, Technology and Consciousness, Berkley, Los Angeles & London,
Bal, Mieke & Hernndes-Navarro, Miguel A., eds., 2Move: Video Art Migration, Murcia, Cendeac, 2008.
Baumann, Z., Legislators and Interpreters, Ithaca, Cornell University Press, 1987
318
Belting, Hans, Bild-Anthropologie, Entwrfe fr eine Bildwissenschaft, Mnchen, Wilhelm Fink, 2001
Belting, Hans, Florenz und Bagdad: Eine weststliche Geschichte des Blicks, Mnchen: C.H.Beck, 2008
Ben-Amos, Dan, The seven strands of tradition, Journal of Folklore Research, No.21, 1984.
Berman, Marshall, All that is Solid Melts into Air: The Experience of Modernity, Simon and Shuster, New York, 1982
Bourdieu, Pierre, The Rules of Art: Genesis and Structure of the Literary Field, [1992, tr. Emanuel, S.], Cambridge, Polity
Press, 1996.
Brger, P., Theory of the Avant-garde, [1974], Minneapolis,University of Minnesota Press, 1984
Bryson, Norman, Vision and Painting: The Logic of the Gaze, London, MacMillan Press, 1983.
Cherry, Deborah, Art: History: Visual: Culture, Oxford, Blackwell Publishing 2005.
Couteau, Jean, Toward a Consensual Definition of Contemporary Art?, in C Arts. Asian Contemporary Art and
Culture, Vol. 02, March/April, 2008, pp. 38 49.
Crary J., Suspensions of perception: attention, spectacle and modern culture, Cambridge Mass., MIT Press, 2001.
Dober, Mark, Beauty: Nature and Art, in Art Monthly Australia, Issue 229, May 2010.
Elkins, James, ed., Is Art History Global?, London & New York, 2007.
Gell, Alfred, Art and Agency: an Anthropological Theory, Oxford, Clarendon Press, 1998.
Eagleton, T., Capitalism, Modernism, and Postmodernism, New Left Review, No.152, July/August 1985
Eliot, T.S, Tradition and the Individual Talent, 1919, various editions.
Foster, H., ed., Postmodern Culture [originally The Anti-Aesthetic], Port Townsend, The Bay Press, 1983, and London,
Pluto Press,1987;
Foster, H., Recodings, Seattle, Bay Press,1985
Gell, Alfred, Art and Agency: an Anthropological Theory, Oxford, Clarendon Press, 1998.
Glusberg, Jorge, The Rhetoric of Art, Milan, Giancarlo Politi Editore, 1986.
Graburn, Nelson, Ethnic and Tourist Arts, Berkeley, University of California Press, 1976.
Green, Charles, The Memory Effect: Anachronism, Time and Motion, in Third Text, Vol. 22, Issue 6, November
2008.
Greenberg, C., Modernist Painting, 1965, reprinted in Frascina, ed., Modern Art and Modernism, Harper and Row, New
York, 1982.
Guilbaut, Serge, How New York Stole the Idea of Modern Art, Chicago: University of Chicago Press, 1983.
Harvey, D., The Condition of Postmodernity, Oxford, Basil Blackwell, 1989.
Haskell, F., Past and Present in Art and Taste, New Haven, Yale University Press, 1987 [review by Duro, P., Art
History, Vol.11, No.4, December 1988].
Hassan, Ihab, Visions of Art?, in Third Text, Vol. 23, Issue 5, September 2009.
Hess, W., Dokumente zum Verstndnis der modernen Malerei, Hamburg, Rowolts Taschenbuch Verlag, 1956;
Hofmann, W., Grundlagen der Modernen Kunst, Stuttgart, Alfred Krner Verlag, 1978;
Huyssen, A., Mapping the Postmodern, New German Critique, 33, Fall 1984, 5-52;
Huyssen, A., The Search for Tradition: Avant-Garde and Postmodernism in the 1970s, New German Critique, 22,
Winter 1981, 23-40;
Iversen, M., The Positions of Postmodernism, Oxford Art Journal, 12:1, 1989, pages 31-34;
Jameson, F., Marxism and Postmodernism, New Left Review, 176, November / December 1989, 31-45;
Jameson, F., Postmodernism: the cultural logic of late capitalism New Left Review, 146, July/August 1984, 53-92;
Jameson, F., The Politics of Theory: Ideological Positions in the Post modernism debate, New German Critique,
33, Fall 1984;
Jameson, F., Postmodernism, Durham, Duke University Press, 1992.
Jencks, C., What is Post-Modernism?, New York, Academy Editions, 1986.
Kalina, Richard, ed., Critical Voices in Art, Theory and Culture, London & New York, Routledge 2006.
Lyotard, J-F,, The Postmodern Condition, Minneapolis, University of Minnesota Press, 1984;
Maschiano, Grazia & Milani, Raffaele, eds., Frontiers of Transculturality in Contemporary Aesthetics, Turin, Trauben,
2001.
Matisse, H., crits et propos sur lart, Paris, Hermann, 1972;
McEvilley, Thomas, Art and Discontent: Theory at the Millenium, New York, McPherson & Company, 1991.
319
McNeill, David, Art Without Authors: Networks, Assemblages, and Flat Ontology, in Third Text, Vol. 24, Issue
4, July 2010.
Mercer, Kobena, Black Hair/Style Politics, New Formations, No.3, Winter 1987.
Millet, Catherine, LArt Conemporain: Histoire et Gographie, Paris, Flammarion, 2006.
Nietzsche, Notes (1873). In W. Kaufmann, editor and translator, The Portable Nietzsche, Viking Press, 1954
Nochlin, L., Realism, Harmondsworth, Penguin, 1971.
Pollock, G., Artists mythologies and media genius, madness and art history, Screen, 21, No.3, 1980
Pollock, G., and Orton, F., Vincent Van Gogh, Artist of his time, Oxford, Phaidon, 1978.
Ray, Gene, Antinomies of Autonoism : On Art, Instrumentality and Radical Struggle, in Third Text, Vol. 23, Issue
5, September 2009.
Ray, W., The Logic of Culture: authority and identity in the modern era, Oxford, Blackwell Publishers, 2001.
Roberts, John, Art and its Negations, in Third Text, Vol. 24, Issue 3, May 2010.
Rubin, William, ed.. & curator, Primitivism in Twentieth Century Art, New York, The Museum of Modern Art,
1984.
Rsen, Jrn; Fehr Michael & Rieger, Thomas W., eds., Thinking Utopia: Steps into Other Worlds, New York &
Oxford, Berghahn Books, 2005
Schmidt, B., Postmoderne - Strategie des Vergessens, Darmstadt und Neuwied, Hermann Luchterhand Verlag, 1986.
Schneider, Arnd & Wright, Christopher, Contemporary Art and Anthropology, Oxford & New York, Berg, 2006
Smith, Terry; Enwezor, Okwui & Condee, Nancy, eds., Antinomies of Art and Culture: Modernity, Postmodernity,
Contemporaneity, Durham & London, Duke University Press, 2008
Smith, Terry, What is contemporary art?, Chicago: University of Chicago Press 2009
Sontag, Susan, On Style & Notes on Camp, in Against Interpretation, New York, Farrar, Straus, Giroux, 1961,
1966.
Spooner, Brian, Weavers and dealers: The Authenticity of an Oriental Carpet, in Appadurai, Arjun, ed., The Social
Life of Things, Cambridge, Cambridge University Press, 1986.
Walker, J.A., Art in the age of mass media, London, Pluto Press, 1983
Wollheim, R., On Art and the Mind, Cambridge, Harvard University Press,, 1974
Zaya, Octavio; Michelson, Anders, Interzones: A work in progress, Tabapress, 1996.
Zijlmans, Kitty & van Damme, Wilfred, eds., World Art Studies: Exploring Concepts and Approaches, Amsterdam,
2007.
Art Movements
Ackerman, J., The Demise of the Avant-Garde, Comparative Studies in Society and History 11, No. 4, October, 1969
Brger, Peter, Theory of the Avant-Garde,[1974,1980] (tr. Shaw, M; foreword by Schulte-Sasse, Jochen), Minneapolis,
University of Minnesota Press, 1984.
Calinescu, M., Five Faces of Modernity, Durham : Duke University Press, 1987.
Calinescu, M., Avant-Garde: Some Terminological Considerations, Yearbook of Comparative and General Literature,
23/4, 1974, at pg. 69.
Danto, Artur C., After the end of art: contemporary art and the pale of history, Princeton, Princeton University Press, 1997.
Lehman, David, Politics, Protest and the Avant-Garde, Dissent, Fall 1998.
Hess, T.B. & Ashberry, J., Avant-Garde Art, London, Collier-Macmillan, 1967, 1968.
Jones, Caroline, Machine in the Studio, Chicago, University of Chicago Press, 2000.
Krauss, Rosalind .E., The 0riginality of the Avant-Garde and Other Modernist Myths, Cambridge, The MIT Press, 1986,
1993.
Poggioli, Renato, The Theory of the Avant-Garde, [1962, tr. Fitzgerald, G.], Cambridge, The Belknap Press, 1968.
Smith, Terry, Contemporary Art: World Currents, London: Lawrence King Publishing, 2011.
Szabolsci, M., Avant-Garde, Neo-Avant-Garde, Modernism: Questions and Suggestions, New Literary History:
Modernism and Postmodernism, III/1, Autumn, 1971.
Wood, P., ed., The Challenge of the Avant-Garde, New Haven, CT : Yale University Press ; London : Open
University, 1999.
320
Corporeal Theories (selected)
Ames, Roger T. and Kasulis Thomas P., with Dissanayake, Wimal, Self as body in Asian theory and practice, Albany :
State University of New York Press, c1993.
Ballantyne, T. and Antoinette Burton, eds. Bodies in Contact: Rethinking Colonial Encounter in World History. Durham:
Butler, Judith, Bodies that matter: on the limits of discursive sex, New York, Routledge, 1993.
Elkins, James, Pictures of the body : pain and metamorphosis, Stanford, Calif. : Stanford University Press, 1999
Haraway, Donna, Simians, Cyborgs and Women: the reinvention of Nature, New York, Routledge, 1991
Kemp, Martin and Wallace, Marina, Spectacular Bodies: The Art and Science of the Human Body from Leonardo to Now,
Berkeley: University of California Press, 2000
Kristeva, Julia [tr. Roudiez, Leon S.], Powers of Horror: An essay on abjection, New York, Columbia University Press,
1982.
Merleau-Ponty, Maurice, Phenommenology of Perception, London: Routledge & Kegan Paul, 1962
Mirzoeff, Nicholas. Bodyscape, Art, Modernity and the Ideal Figure. London: Routeledge, 1995.
Leder, Drew, The Absent Body, Chicago: University of Chicago Press, 1990
Zito, Angela and Barlow, Tani E., Body, subject & power in China, Chicago : University of Chicago Press, 1994.

ASIA, AFRICA AND ISLAM IN PRE-MODERN EURAMERICAN ART

Asante, Molefi Kete & Mazama, Ama, eds., Egypt vs. Greece and the American Academy: Debate Over the Birth of
Civilization, Chicago, African American Images, 2002
Bugner, L. ed., The Image of the Black in Western Art, in progress 1989, Menil Foundation distributed by Harvard
University Press.
1. Vercoutter, J., From the Pharoahs to the Fall of the Roman Empire
2. From the Early Christian Era to the Age of Discovery
2.1. Devisse, J., Courtes, J.M., From the demonic threat to the incarnation of Sainthood
2.2. Devisse, J., Mollat, M., Africans in the Christian ordinance of the world, 14th to 16th centuries
3. Africa and Europe 16th to 18th centuries [in progress]
4 From the American Revolution to World War I, Dalton, Karen C.C., associate editor
4.1. Honour, H., Slaves and Liberators
4.2 Honour, H., Black Models and White Myths
Coombs, A.E.S., For God and For England:contributions to an image of Africa in the first decade of the
twentieth century, Art History, Vol.8, No.4 ,December 1985
Coombs, A.E.S., Edwards, S., Site Unseen: Photography in the Colonial Encounter. Images of Subconscious
Eroticism, Art History, Vol.12, No.4, December 1989
Coombs, A.E.S., Lloyd,J., Lost and Found at the Museum of Mankind, Art History, Vol.9, No.4, December
1986
Daniel, N., Islam and the West, the Making of an Image, 1962
Daniel, N., The Arabs and Mediaeval Europe, London and Beirut, Longman, 1975
Daniel, N., The Cultural Barrier, Edinburgh UP, 1975
Farago, Claire, Reframing the Renaissance: visual culture in Europe and Latin America, 1450-1650, New Haven, Yale
University Press, 1995 [see essays by Farrago, Klein, Mitchell].
Gerstle, D., Milner, A., eds., Europe and the Orient, Canberra, The Humanities Research Centre of Australian
Gruzinski, Serge, Painting the conquest : the Mexican Indians and the European Renaissance (translated by Deke
Dusinberre), Paris: Unesco : Flammarion, 1992
Islam and the Medieval West, [catalog], Binghampton, State University of New York, 1975.
Lach, D.F., Asia in the Making of Europe, 3 vols., Chicago, University of Chicago Press, 1965, 1994.
Lvine, David, dir., Americas Lost, Paris, Bordas SA, 1992
321
Mackerras, C., Western Images of China, Hong Kong, Oxford University Press, 1989
The Meeting of Two Worlds. Cultural Exchange between East and West during the Period of the Crusades, Ann Arbor,
University of Michigan Museum, 1981
Wichmann, Siegfried, (Entwicklung and Leitung), Weltkulturen und moderne Kunst Mnchen, Verlag Bruckmann,
1972

NON-EURAMERICAN THEORIES AND POSITIONS ON MODERNITY
General
Archer-Straw, Petrine, New World Imagery Contemporary Jamaican Art, London, South Bank Centre, 1995.
Ahmad, A., Orientalism and After: Ambivalence and Cosmopolitanism in the work of Edward Said, Economic and
Political Weekly, 25.7.1992.
Ahmad, A., In Theory, London, Verso, 1992.
Ahmad, A., Third World Literature and the Nationalist Ideology, Journal of Arts & Ideas, nos. 17/18, June 1989.
Ahmad, Aijaz, On Communalism and Globalization: Offensives of the Far Right, New Delhi: Three Essays Press, 2002.
Archer-Straw, Petrine, New World Imagery: Contemporary Jamaican Art, London, South Bank Centre, 1995.
Biggs, Bryan et al, Trophies of Empire, Liverpool, Bluecoats Gallery, 1994.
Carroll, Alison, East and West? A Different Story: The Impact of Mexico on 20
th
Century Asian Art, in Art
Monthly Australia, Issue 213, September 2008.
Clark, John; et. al., The Possibility of a World Art History, in Australian and New Zealand Journal of Art, Vol. 9, No.
1 & 2, 2008/9
2002.
Clark, John, Inter-Asian Criteria of Institutional Modernity in Art, in Kunstlerische Austausch/Artistic Exchange,
Akademie Verlag, Berlin, 1993.
Clark, John, What in the Context of Contemporary Art, is Your Vision of a Future Art?, in Anthology of Art,
Available Online, www.anthology-of-art.net, in February, 2003.
Clark, John, Open and closed discourses of Modernity in Asian Art, (1993) in Melissa Chiu and Benjamin
Genocchio, Contemporary Art in Asia: A critical reader, Cambridge, Mass., The MIT Press, 2011, 27-45.
Clark, John, Asias Invisible [?] Modernism, Peking University Research Center for Aesthetics and Aesthetic
Education et al, What is Chinese Contemporary Art?, Chengdu: Sichuan Meishu Chubanshe, 2010 [re-
publication of 2006 piece], 438-459.
Clark, John, A distant view in Elkins, James et al eds, Art and Globalization, University Park: Pennsylvania State
University Press, 2010, 181-182.
Elkins, James Writing About Modernist Painting Outside Western Europe and North America, Transcultural
Studies, No. 1, 2010. At http://archiv.ub.uni-heidelberg.de/ojs/index.php/transcultural/article/view/1928.
Fanon, F., The Wretched of the Earth, Harmondsworth, Penguin, 1965
Gardner, Anthony, Which Histories Matter? in Third Text, Vol. 23, Issue 5, September 2009.
Hui Wang, The Idea of Asia and Its Ambiguities, in Journal of Asian Studies, Vol. 69, No.4, 2010
Kapoor, Geeta, Globalisation and Culture. Third Text No.39 Summer 1997
Kapoor, Geeta. Contemporary Cultural Practice: Some Polemical Categories. Third Text No.11 Summer 1990
Kuan-hsien Chen, Asia as method: Toward De-imperialization, Durham, NC, Duke UP, 2010
Marthur, Saloni, Belonging to Modernism: A Reply to Partha Mitter, in The Art Bulletin, Vol. XC, No. 4, 2008, p.
558-560.
Okakura Kakuz [Tenshin], The Ideals of the East, London, John Murray, 1903,
Okakura Kakuzo [Tenshin], Notes on Contemporary Japanese Art, International Studio, 16, April 1902, 126-30.
Okakura, Kakuz [Tenshin], Collected English Writings, 3 volumes, Tokyo, Heibonsha, 1984
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POST-COLONIALISM AND THIRD CRITIQUES

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BIENNALES AND CONTEMPORARY ASIAN ART

By John Clark, with inclusions from Thomas Berghuis, Emma Duffy, Helen Grace, Francis Maravillas, and Martin
Polkinghorne.
N.B. This bibliography is not comprehensive and mostly contains just the works the author has consulted, with
the addition of some he otherwise considers relevant.
Museum & Exhibition Practice
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Altshuler, Bruce, ed., Collecting the New, Princeton & Oxford, Princeton University Press, 2005
Anderson, Gail, ed., Reinventing the Museum: Historical and Contemporary Perspectives on the Paradigm Shift, Walnut Creek,
Lanham, Toronto & Oxford, Alta Mira Press, 2004
Aoki Shigeru & Kitazawa Noriaki, Bankoku Hakurankai no Jidai, in Nihon Yga Shshi, Tokyo, Bijutsu Shuansha,
1994 [reVol.ed.].
Barker, Emma, ed., Contemporary Cultures of Display. London, Yale University Press, 1999.
de Cauter, Lieven The Panoramic Ecstasy: On World Exhibitions and the Disintegration of Experience, Theory,
Culture and Society, Vol. 10, 1993, 1-23.
Bennett, Tony, Pasts Beyond Memory : Evolution, Museums, Colonialism, London, Routledge, 2004.
Bennett, Tony, The Birth of the Museum: History, Theory, Politics, London & New York, Routledge, 1995.
Boswell, David & Evans, Jessica, Representing the Nation a Reader: Histories, Heritage, and Museums, London & New
Cerver, Francisco Asensio, The architecture of museums ; New York : Hearst Books International, 1997
Clark, John. Histories of the Asian New: Biennales and Contemporary Asian Art in Asia Art History in the
Twenty-First Century, Vishakha N. Desai (ed.), New Have and London: Yale University Press, 2007.
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Grewal, Inderpal; Gupta, Akhil; Ong, Aihwa, guest editors, Special Issue: Asian Transnationalities, positions: east
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Polity Press, Cambridge, 1992.
Hannerz, Ulf, Cultural complexity: studies in the social organization of meaning, 1992, New York, Columbia University
Press, 1992
Hoffmann, Frank: Monoculture and Its Discontents Art in America Nov 2000 Vol 88 Issue 11
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No. 2, June 2010.
King, Anthony D., 1991, ed., Culture, Globalization and the World-System, Basingstoke, Macmillan, 1991.
Lavrijsen, Ria, Global encounters in the world of art: collisions of tradition and modernity, Amsterdam, Royal Tropical
Insititute, 1998.
Miyoshi, Masao: A Borderless World? From Colonialism to Transnationalism Over the Decline of the Nation-
State (Critical Inquiry, 19, Summer 1993. Reprinted in David, Catherine, Chevrier, Jean-Franois (eds)
Documenta X The Book, Cantz Verlag, 1997.
North, Ian, Fitting In: What is an Artist to do in a Globalising World?, in Contemporary Visual Art+ Culture
Broadsheet, Vol. 39, No. 2, June 2010.
Ong, Aihwa, Flexible Citizenship: the cultural logics of transnationality, Durham, Duke University Press, 1999.
Parry, Benita , Overlapping Territories and Intertwined Histories: Edward Saids Postcolonial Cosmopolitanism
in M. Sprinkler ed. Edward Said: A Critical Reader, Blackwell Press, Oxford, 1992
Poi, Cesare, From the Suburbs to the Global Village, Afterthoughts on Magiciens de la Terre, Third Text, No.14,
Spring 1991.
Rogoff, Irit, Terra Infirma: Geographys Visual Culture, Routledge, London and New York, 2000
Said, Edward, Culture and Imperialism, Chatto and Windus, London, 1994.
Said, Edward, Secular Interpretation, the Geographical Element, and the Methodology of Imperialism in G.
Prakash ed. After Colonialism: Imperial Histories and Postcolonial Displacements, Princeton University Press,
Princeton, 1995.
Sassen Saskia: The Topoi of E-Space: Global Cities and Global Value Chains in: David, Catherine, Chevrier,
Jean-Franois (eds) Documenta X The Book (Cantz Verlag, 1997)
Tinari, Philip, Hangzhou is All Right, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 112 115.
Thomas, Nicholas, Possessions: Indigenous Art/Colonial Culture, Thames and Hudson, London, 1999.
Tsoutas, Nicholas, Open Doors, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 4, December 2010.
343
Walcott, Derek, The Muse of History in his What the Twilight Says: Essays, London, Faber & Faber, 1998.
Walcott, Derek, Omeros, London, Faber & Faber, 1990.
Walcott, Derek, Tiepolos Hound, New York, Farrar, Straus and Giroux, 2000.
Walcott, Derek, Exasperating Theory, More than criticism, The Length of the Breath, in Enwezor et al,
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Weibel, Peter, Inklusion/Exklusion: Kunst im Zeitalter von Postkolonialismus und Globaler Migration, Graz, Neue Galerie
1996
Wilson, Rob, Reimagining the American Pacific: From South Pacific to Bamboo Ridge and Beyond, Duke University Press,
Durham, 2000.
Wu Chin-Tao, Worlds Apart: Problems of Interpreting Globalized Art, in Third Text, Vol. 21, Issue 6, November
2007, p. 719-731.
Other Theories and Histories [duplicates some sections above]
Aug, Marc, Non-places: introduction to an anthropology of supermodernity [1992, translated by John Howe] (London:
Verso, 1994)
Bal, Mieke, Double Exposures: The Subject of Cultural Analysis, Routledge, New York, 1996.
Bateson, Gregory, Steps to an Ecology of Mind, New York, Ballantine Books, 1972
Baudrillard, Jean 1983 The Precession of Simulacra, Simulations, Semiotexte, Columbia University Press, New
York.
Baudrillard, Jean, The Conspiracy of Art (tr, Hodges, Anne), New York, Semiotext(e), 2005.
Belting Hans, The End of the History of Art, (tr. Wood, Christopher S.), Chicago, University of Chicago Press, 1987
Bourdieu, Pierre, Distinction: A Social Critique of the Judgement of Taste, (trans. Nice, Richard), London, Routledge &
Kegan Paul, 1984.
Bourdieu Pierre, La Distinction: Critique Sociale du Jugement, Paris. Les ditions de Minuit, 1979.
Bourdieu, Pierre, Outline of a Theory of Practice, [tr.Richard Nice], Cambridge, Cambridge University Press, 1977
Bourdieu, Pierre, The Field of Cultural Production, [ed.and tr. Johnson, Randal], Cambridge, Polity Press, 1993, 2000
Bourriaud, Nicolas, Postproduction, New York, Lukas & Sternberg, 2002, 2
nd
edition 2005
Bourriaud, Nicolas, Relational Aesthetics, (1998) [tr. Pleasance Simon; Woods, Fronza; with Copeland, Mathieu],
Dijon, les presses du rel, 2002
Braudel, Fernand, The Structures of Everyday Life: Civilization and Capitalism, 15
th
-18
th
Century Vol. 1 & 2, New York,
Harper & Row Publishers Inc., 1980 & 1981.
Burkhardt, Jacob, The Civilization of the Renaissance in Italy,(1860) [tr. Middlemore, S.G.C.] London, Phaidon, 1951
Castells, Manuel, Informationalism, networks, and the network society: a theoretical blueprint, in Castell,s M.,
ed., The Network Society: a cross-cultural perspective Cheltenham, Edward Elgar, 2004.
Castells, Manuel, The Information Age: Economy, Society and Culture, Oxford, Blackwell Publishing, 1999.
Conomos, John, George Steiner: Youtube and Contemporary Art, in Contemporary Visual Art+ Culture Broadsheet,
Vol. 39, No. 2, June 2010.
Eagleton, Terry, The Ideology of the Aesthetic, Oxford, Blackwell, 1990, 2000
Foster, Hal; Krauss, Rosalind; Bois, Yve-Alain & Buchloh, Benjamin H.D., Art Since 1900: Modernism,
Antimodernism, Postmodernism, London, Thames & Hudson, 2004 [See reviews by Clark in Yishu: Journal of
Contemporary Chinese Art , No.15, December 2005, and McNeil David, ]
Guillory, John, Canon in Lentricchia, Frank; McLaughlin, Thomas, Critical Terms for Literary Study, Chicago,
University of Chicago Press, 1990.
Habermas, Jrgen The Theory of Communicative Action, 2 vols, [tr. Thomas McCarthy], London, Heinemann, 1984
Heidegger, Martin , The Age of the World Picture, The Question Concerning Technology and Other Essays, trans. W.
Lovitt, Harper, New York, 1977.
Heinich, Nathalie, Le triple jeu de lart contemporain, Paris, Les ditions de Minuit, 1998; [summary in Schaeffer, Jean-
Marie: Think Art, Rotterdam, Witte de With, 1998]
Holmes, Brian, Maps, Global Solidarities, Paris, Piet Zwart Institute, 2003 [from pzwart.wdka.hro.nl]
Homes, Brian, Flowmaps, the imaginaries of global integration, Paris, Piet Zwart Institute, 2003
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Press, 1988.
344
Pandilovski, Melentie, Visual Imagery, Intuition and Teleportation, in Artlink, Vol. 29, No. 1, 2009.
Sakai, Naoki You Asians: On the Historical Role of the West and Asia Binary, The South Atlantic Quarterly, Vol.
99, No.4, 2001, 789-817.
Sakai, Naoki Modernity and Its Critique: The Problem of Universalism and Particularism in M. Miyoshi and
H.D. Harootunian eds. Postmodernism and Japan, Duke University Press, Durham and London, 1989.
Schneider, Arnd & Wright, Christopher, eds., Contemporary Art and Anthropology, Oxford, Berg, 2006.

BIENNALES AND TRIENNALES BY SITE

Auckland
Preston, Laura, Badoiu, Hanru and the Balloon, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 2,
June 2010.

Beijing

2003
The First Beijing International Art Biennale, China 2003, Promotional Brochure, Beijing International Art Biennale
Office
The Conference of the First Beijing International Art Biennale, China 2003 Originality: Contemporaneity and Locality,
Handbook, Beijing International Art Biennale Office, 2003
Smith, Karen., Review of the Inaugural Beijing Biennale, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4,
December 2003, p.88-90.
Smith, Karen, 1
st
Beijing Biennale (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 78
Wang Meiqin, The Beijing Biennale: The Politics of Chinese Characteristics, in Yishu Journal of Contemporary
Chinese Art, Vol. 7, No. 4, July 2008, pp. 20-31
Zhang Zhaohui, A Mixed Bag, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.48-53;

2005
The Second Beijing International Art Biennale, China 2005, Promotional Booklet, Beijing International Art Biennale
Office, 2005

2008
Don, Katherine, Beijing Biennale: July 8-Aug 12.(BIENNIAL DIGEST) in Art in America 96.11 (Dec 2008):
110(2)
Berlin

2008
Prlja, Nada, To Curate or Not to Curate, in Artlink, Vol. 28, No. 4, 2008.

Brisbane: Asia-Pacific Triennial of Contemporary Art [APT]

Overall
Marravillas, Francis, Cartographies of the Future: The Asia-Pacific Triennials and the Curatorial Imaginary,
Cartographies of the Future: The Asia-Pacific Triennials and the Curatorial Imaginary paper presented at
the Our Modernities: Positioning Asian Art Now Conference, Asia Research Institute, National University of
Singapore, Singapore, 19-22 February 2004, revised version in John Clark, Maurizio Peleggi and T.K.
Sabapathy, eds., Eye of the beholder, Sydney, Wild Peony, 2006
Turner, Caroline, Cross-Cultural Engagements in Asian Art: The Fukuoka Triennale and the Asia-Pacific
Triennial paper presented at the Our Modernities: Positioning Asian Art Now Conference, Asia Research Institute,
345
National University of Singapore, Singapore, 19-22 February 2004, revised version in John Clark, Maurizio
Peleggi and T.K. Sabapathy, eds., Eye of the beholder, Sydney, Wild Peony, 2006

APT I 1993
[reviews and articles] Artlink, 13, 3 & 4, November-March 1993/95; Art Monthly Australia 65, November 1993;
Asian Art News, Vol.3, No.6, November-December 1993;
Britton, Stephanie, Review of the Conference Identity Tradition and Change: Contemporary Art of the Asia Pacific Region,
Artlink, Vol. 13, No.3&4, November-March 1993/94,
Correspondence: Art Monthly Australia, No.67, March 1994; No.68, April 1994,
Ewington, J., Identity, Tradition & Change: Photography at the Asia-Pacific Triennale, Photofile, 40, 1994;
Ewington, J., Nguyen Quan, Torres, E. in Art & Asia Pacific, Vol.1, No.2, 1994;
Gallagher, Jane, An Analysis of Critical Categories Operant in the Asia-Pacific Triennale, B.A. Unpublished Honours
Thesis, Power Department of Fine Art, University of Sydney 1994.
Hall, Doug, Queensland Asia Pacific Triennial Bulletin, Vol. 1 No. 2, 1992.
Hoffie, P., 1993 Asia Pacific Triennial, Art & Asia Pacific, supplement to Art & Australia, September 1993;
Hogan, J., ed., The First Asia-Pacific Triennal of Contemporary Art, Brisbane, Queensland Art Gallery, 1993.
Mendelssohn, Joanna, Review: First Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, in
Artlink, Vol. 13, No.3&4, November-March 1993/94;
Roces, Marion Pastor, A Certain Critical Mass, Art Monthly Australia, , No. 63, Nov 1993;
Turner, C., ed., Tradition and Change, Contemporary Art of Asia and the Pacific, Brisbane, University of Queensland
Press, 1993.
Turner, Caroline, Introduction From Extraregionalism to Intraregionalism, in The First Asia Pacific Triennial of
Contemporary Art, exhibition catalogue, Queensland Art Gallery, Brisbane, 1993.
Wallace, Linda, The Asia-Pacific Triennial of Contemporary Art, Review, Art & Text 47, January 1994;
Williamson, Claire, Remapping the Asia-Pacific, Art Monthly Australia, No.65, Nov 1993;

APT II 1996
Clark, J. & Gutman, P., The Second Asia-Pacific Triennial of Cotemporary Art: A Conversation, Eyeline, No.32,
21-23
Ewington, Lee, Ushiroshoji, Losche in ART AsiaPacific, No.15, 1997
Flores, Mehta, Kent, in Eyeline: Contemporary Visual Arts, No.32, summer 1996;
Gibson in Flash Art, Jan- Feb 1997;
McDonald, J. Sydney Morning Herald, 5th October 1996;
Mendelsohn, Hall & McCulloch, Thomas, Turner, Howard, McCulloch, in Asian Art News, Vol.7, No.1, Jan/Feb
1997;
Stein in Art in America, June 1997;
Turner, C. & Devenport, Rhana, The Second Asia-Pacific Triennale of Contemporary Art, Exhibition Catalogue,
Brisbane, Queensland Art Gallery, 1996
Turner, C. & Devenport, Rhana, [Explanatory pull-out] in ART AsiaPacific, No.13, 1997;
Clark, John 1996 The Second Asia-Pacific Triennial of Cotemporary Art: A Conversation, Eyeline, No.32, 21-
23.Turner, C., Devenport, R. eds., Present Encounters: Papers from the Conference of the Second Asia-Pacific Triennale
of Contemporary Art, Brisbane, Queensland Art Gallery & Griffith University, 1996;

APT III 1999
Artlink, Vol. 20, No. 2, July 2000, Special Issue, the long stare: seeing contemporary asian art now;
Carroli, Linda, A virtual region, Art AsiaPacific, 27, 2000;
Chiu, Melissa, Duplicitous Dialogue, Art AsiaPacific, 27, 2000;
Clark, John Panel Report on Commodification/Patronage/Censorship in C. Turner and M. Low eds. Beyond the
Future, Conference Proceedings, The Third Asia-Pacific Triennial of Contemporary Art, Brisbane,
Queensland, 2000.
Dale, Robert 1999/2000 Reviews: The Third Asia-Pacific Triennial of Contemporary Art, Eyeline, No.41.
346
Fink, Hannah, Fizzle, Art AsiaPacific, 27, 2000; Jackson, Beth, Improbable Architectures, Art AsiaPacific, 27,
2000;
Foley, Matt 1999 Ministerial Statement, Queensland Parliamentary Hansard, 26 August 1999.
Gibson, Jeff, Third Asia-Pacific Triennial of Contemporary Art, Artforum International, Vol.38, Issue 5, January
2000;
Green, Charles, Beyond the Future: The Third Asia-Pacific Triennial, Art Journal, Vol. 58, No. 4, 1999, 81-87.
Hall, Doug The Courier-Mail, 23 April 1999.
Hall, Doug, Foreword, in Beyond the Future: The Third Asia-Pacific Triennial of Contemporary Art, exhibition catalogue,
Queensland Art Gallery, Brisbane, 1999.
Hall, Doug, The Age, 10 September 1999.
Holder, Jo & Moore, Catriona Going Glocal APT3: Beyond the Future, Realtime, 34, p.24.
Low, Morris, Hybrid transplants at the Queensland Art Gallery, Artlink, Vol. 20, No. 2, July 2000.
McNamara, Andrew, The Third Asia-Pacific Triennial of Contemporary Art: To the point of distraction!
Entertaining Diversity, Eyeline, No. 42, Autumn/Winter, 1999/2000, 31-33.
Miki, Akiko, Evaluating the Asia-Pacific Triennial, Artlink, Vol. 20, No. 2, July 2000;
Taylor, Roger, A Dynamic of Cultures, Asian Art News, Vol.9, No.6, 1999;
Turner C., Low, M. eds, Beyond the Future: papers from the conference of the Third Asia-Pacific Triennale of Contemporary Art,
Brisbane, Queensland Art Gallery & Griffith University, 1999.
Turner, Caroline, Introduction in C. Turner and M. Low eds. Beyond the Future, Conference Proceedings, The
Third Asia-Pacific Triennial of Contemporary Art, Brisbane, Queensland, 2000.
Turner, Caroline, Journey Without Maps: The Asia Pacific Triennial in Beyond the Future: The Third Asia-Pacific
Triennial of Contemporary Art, exhibition catalogue, Queensland Art Gallery, Brisbane, 1999.
Turner, Caroline; Hoffie, Pat; Carroll, Alison; and Raffel, Suhanya, on understanding the Asia-Pacific Triennial,
Artlink, Vol. 20, No. 2, July 2000;
Ushiroshoji, Masahiro, The APT and Fukuoka: a comparison, Artlink, Vol. 20, No. 2, July 2000.

APT IV 2002
Eastburn, Melanie, A Decade Of Challenges, APT4 Review, Asian Art News, Vol. 12, No. 6,
November/December, 2002
Gibson, Jeff, Asia-Pacific Triennial of Contemporary Art, Artforum International, Vol.41, Issue 1, September 2002
Grace, Helen, Asia-Pacific Triennial of Contemporary Art 2002: islands of promise in the dark waters of a new
world order, Eyeline, No. 50, 2002/2003, 24-27.
Ng., Elaine W. Queensland Looks East, ArtAsiaPacific, No. 45, 2005 (APT 4 and new Qld art gallery)
Sambrani, Chaitanya, Austerity Excesss Invention: the Asia-Pacific Triennial 2002, Art Monthly Australia
November 2002, No.155;
Seear, Lynne, Ed., Asia-Pacific Triennale of Contemporary Art, Brisbane, Queensland Art Gallery, 2002.
Thomas, Morgan, Asia-Pacific Triennial 2002: we are not the world, Eyeline, No. 50, 2002-03, 32-33.
Wu Hung, Mapping Contemporaneity in APT 2002: Asia Pacific Triennial of Contemporary Art, exhibition catalogue,
Queensland Art Gallery, Brisbane, 2002

APT V 2006
APT5 In Review. The 5
th
Asia-Pacific Triennial of Contemporary Art.. Queensland Government. 2007.
Birnie Danzker, Jo-Anne, The Asia-Pacific Triennial, in Yishu: Journal of Contemporary Chinese Art, Vol. 6(2), June,
2007, pp. 22 41.
Fairley, Gina, Connections and the Future, Asian Art News, Vol. 17, No. 1, Jan-Feb 2007 (review of Fifth Asia
Pacific Triennal, Brisbane)
Geczy, Adam, Revelation of the Brand, in Contemporary Visual Arts + Culture Broadsheet, Vol. 36, No. 1, March
2007, pp. 44 45.
Keehan, Reuben, Brisbane so much to answer for, in Contemporary Visual Arts + Culture Broadsheet, Vol. 36, No.
1, March, 2007, pp. 38 41.
347
Martin-Chew, Louise, The 5
th
Asia-Pacific Triennial of Contemporary Art, in art & Australia, Vol. 44, No. 3,
Autumn 2007, March/April/May, pp. 332 335.
Ming Wai Jum, Alice, Aesthetic politics and built form loosely speaking, in Contemporary Visual Arts + Culture
Broadsheet, Vol. 36, No. 1, March, 2007, pp. 42 - 43.
Seear, Lynne; Raffel, Suhanya, The 5
th
Asia Pacific Triennial of Contemproary Art, Brisbane, Queensland Art Gallery
Publishing, 2006.

APT VI 2009
Grishin, Sasha. APT6: Has the APT lost its way? in Art Monthly Australia, Issue 227, March 2010.
Hall, Doug; et. al., The Asia-Pacific Triennial: A Forum, in Australian and New Zealand Journal of Art, Vol. 9, No. 1
& 2, 2008/9
Reaching for Utopia, in Art & Australia. Vol 47. No 2. Summer 2009.
Smith, Terry, 5
th
Asia-Pacific Triennial of Contemporary Art, in Australian and New Zealand Journal of Art, Vol. 8,
No. 1, 2007
The Asia-Pacific Triennial: A Dialogue Ranjit Hoskote, Eugene Tan, Adam Geczy, Rex Butler, John Clark,
Catriona Moore, Scott Redford, Blair French, Chaitanya Sambrani, Aaron Seeto, Joselina Cruz, John
Batten, Jacqueline Millner, in Broadsheet, Vol. 38, No. 4, December 2009.

APT VII 2010
Bonner Nicholas, Stamping Approval: When Governments Judge Artistic Merit, in Art Asia Pacific, No. 67,
March/ April 2010.
Grishin, Sasha, APT 6: Has the APT Lost Its Way?, in Art Monthly Australia, Issue 227, March 2010.
Hall, Doug; et. al., The Asia-Pacific Triennial: A Forum, in Australian and New Zealand Journal of Art, Vol. 9, No. 1
& 2, 2008/9.
Leonard, Robert, Nice Show, in Eyeline, No. 71, 2010.
Morrell, Timothy, Asia-Pacific or Asia-Specific, in Art Monthly Australia, Issue 232, August 2010.
Nicholls, Christine, A Dynamic Exchange, in Asian Art News, Vol. 20, No. 1, January/ February 2010.
Stanhope, Zara, The 6
th
Asia Pacific Triennial of Contemporary Art and the Conundrum of Collaboration, in
Eyeline, No. 71, 2010.
Tamati-Quennell, Megan, From the Outside, in Art Monthly Australia, Issue 227, March 2010.
Teh, David, Growing Painless, in Eyeline, No. 71, 2010.
The Good and the Bad, in Eyeline, No. 71, 2010.
Young, Michael, Brisbane Looks Across the Pacific to New Frontiers, in Art Asia Pacific, Issue 66, November/
December 2009.
Busan

Wee, Darryl, The Art of Materiality in a Pixelated World, in Art Asia Pacific, No. 70, September/ October 2010.

Chengdu

2007
Erickson, Britta, Do We Have Time for the Subtleties of Guohua, in Yishu. Journal of Contemporary Chinese Art, Vol.
7, No. 1, January, 2008, pp. 56 - 58.
Hatch, Michael, Reboot The Third Chengdu Biennale: A Review, in Yishu. Journal of Contemporary Chinese Art,
Vol. 7, No. 1), January, 2008, pp. 59 69.
Lu Hong, Only When Things Belong to the World, Can They Belong to a Nation, in Yishu. Journal of Contemporary
Chinese Art, Vol. 7, No. 1, January, 2008, pp. 54 55.
Shen Kuiyi, Construction and Expansion of Contemporary Art, in Yishu. Journal of Contemporary Chinese Art, Vol.
7, No. 1, January, 2008, pp. 52 53.
348
Shen Kuiyi & Feng Bin, eds., Reboot: The Third Chengdu Biennale, (Exhibition Catalogue), Shijiazhuan, Hebei Art
Publishing House, 2007
Shen Kuiyi & Feng Bin, eds., The International Symposium in Conjunction with Reboot: The Third Chengdu Biennale,
Shijiazhuan, Hebei Art Publishing House, 2007
Vine, Richard, Report from Chengdu. Committed to Ink, in Art in America, January 2008, pp. 66 69.
Christchurch: Scape

Coats, Rebecca, The Art of Art in Public Places, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 3,
September 2010.
French, Blair, Ideal FormL Hctor Zamora, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 3,
September 2010.
Garrett, Rob, Awakening a Pedestrian Citizenry, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 3,
September 2010.
Gawronski, Alex, Uncertain terms: Ahmet gt, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 3,
September 2010.
Keehan, Reuben, Studio 5, the Stars: Ash Keeting, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 3,
September 2010.
Stanhope, Zara; French, Blair; Morrison, Julia & Field, William, Scape 2010: A Dialogue on Art and Civil Space,
in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 3, September 2010.

Fukuoka
Overall
Chen, E.H., The Imagined Trans-Asian Community and the Fukuoka Asian Art Triennale, in Yishu
[Fukuoka Ia] Asian Artists Exhibition Part I: Contemporary Asian Art Show, Fukuoka, Fukuoka Fine Arts Museum,
1980.
[Fukuoka Ib] Asian Artists Exhibition Part I: India, China & Japan, Fukuoka, Fukuoka Fine Arts Museum, 1979.
[Fukuoka II] 2nd Asian Art Show, Fukuoka; Special Section: Art of Bali, Fukuoka, Fukuoka Fine Arts Museum, 1985
[Fukuoka III] 3rd Asian Art Show, Fukuoka, Fukuoka, Fukuoka Fine Arts Museum, 1989.
Fouser, Robert, Asia as a state of mind, Art AsiaPacific, 24, 1999;
Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 00-01, Fukuoka, Fukuoka Asian Art Museum,
2001.
Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 01-02, Fukuoka, Fukuoka Asian Art Museum,
2002.
Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 99-00, Fukuoka Asian Art Museum, 2000.
Fukuoka Asian Art Museum, Asian Collection 50: Fukuoka, Fukuoka Asian Art Museum, 2000.
Matsuura, Jin, Notes on Artist in Residence Program, Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian
Art Museum, 2001.
Murata, Makoto, Asia as an Art Museum, Art AsiaPacific, 24, 1999;

1994 4
th
Asian Art Show
4
th
Asian Art Show Fukoka, ed and pub Fukuoka Art Museum
4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994.

1999 1
st
Fukuoka Asian Art Triennale
1
st
Fukuoka Asian Art Triennale 1999 [5
th
Asian Art Show]
Jin, Matsuura and Masae, Kamachi, The First Fukuoka Asian Art Trienale [The 5
th
Asian Art Show], Seminar: Asian
Art Towards the 21
st
Century, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae,
Kamachi, The 1
st
th
Programme, Fukuoka: Fukuoka Asian Art Museum, 1999; Kuroda, Raiji, The First Fukuoka Asian Art Triennale,
Fukuoka: Fukuoka Asian Art Museum, 1999; Ushiroshoji, Masahiro, The APT and Fukuoka: a
comparison, Artlink, Vol. 20, No. 2, July 2000
349

2002 2
nd
Fukuoka Asian Art Triennale
Kuroda Raiji Ajibi no 5-nen kryjigy wo chshin ni, in Fukuoka Asian Art Museum Collection Now: Soul of Asia,
Sapporo, Hokkaidritsu Kindaibijutsukan, 2004
Matsuura Jin, Notes on the artist-in-residence programme, in Artisto in rejidensu seikaten, Fukuoka, Asian Art
Museum, 2002.
Ushiroshji Masahiro, Ajia Bijutsukan to iu arikata sono imi, hh, shisutemu, Ritsumeikan Gengo Bunka
Kenky, Vol.13, No.4, 28 February 2002
Fouser, Robert J., 2
nd
Fukuoka Asian Art Triennale, ART AsiaPacific, Issue 36 (2002) Kazuyo, Kondo;
Tomomichi, Nakao; and Yuko, Yamaki, ed., Imagined Workshop: The 2
nd
Fukuoka Asian Art Triennale 2002,
Fukuoka: Fukuoka Asian Art Museum, 2002; Turner, Caroline, 'Imagined Workshop', 2
nd
Fukuoka Asian Ar
Triennial Review, IIAS Newsletter, No. 29, November 2002; Nakao Tomomichi hoka hen, Dai 2 kai Fukuoka
ajia bijutsu toriennare 2002 : the 2nd Fukuoka Asian art triennale 2002, Fukuoka-shi : Fukuoka Ajia Bijutsukan,
2002.

2005 3rd Fukuoka Asian Art Triennale
The 3rd Fukuoka Asian Art Triennale 2005, Igarashi, Rina, ed., Fukuoka, Fukuoka Asian Art Museum, 2005
Nagoya, Satoru, Yokohama and Fukuoka Triennials Report, Flash Art, Vol. XXXIX, No. 246, Jan-Feb, 2006
Rawanchaikul, Toshiko, How were the artists selected?, in The 3rd Fukuoka Asian Art Triennale 2005, Igarashi,
Rina, ed., Fukuoka, Fukuoka Asian Art Museum, 2005.

2008 4
th
Fukuoka Triennale
Stanhope, Zara, Poles Apart, in Eyeline, No. 70, 2009.
Guangzhou: Guangzhou Triennale

2002
Kppel-Yang, Martina, 'A Bat's Life, or Big Brother is Watching You', Yishu: Journal of Chinese Contemporary Art,
March 2003, Spring Issue
Li, Zhe., Stepping Out in Guangzhou, in Asian Art News, Vol.13, No.1, January/February 2003, p.52-55.
Li, Zhe, Stepping Out In Guangzhou, 2002 Guangzhou Triennial Review, Asian Art News, Vol. 13, No. 1,
January/February 2003.
Wong, Aida Yuen, 'Vestiges of Time/ Elemental Spring: Zhang Jian-Jun and Barbara Edelstein in Guangdong',
Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue.
Wu Hung, ed., The First Guangzhou Triennial, Reinterpretation: A Decade of Experimental Chinese Art, Guangdong:
Guangdong Museum of Art, 2002.
Wu Hung, Contesting Global/Local: Chinese Experimental Art in the 1990s, Orientations, Volume 33, Number 9,
November 2002.
Wu, H., Global and Local, in The First Guangzhou Triennial, Reinterpretation: A Decade of Experimental Chinese Art,
Wu, H., Wang, H., and Feng, B., eds., Guangzhou, Guangdong Museum of Art, 2002. pp. 396 399.
Wu Hung with Wang Huangshang & FengBoyi, 1
st
Guangzhou Triennial: Re-interpretation: a decade of Experimental
Chinese Art (1990-2000), Guangzhou, Guangdong Museum of Art, 2002

2005
Clark, John, A Spectacle of Questions, Asian Art News, Vol. 16, No. 1, 2006.
Koegel, Eduard, How to Urbanise a Special Economic Zone? The 2005 Biennale of Urbanism and Architecture
in Shenzhen, Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 2, Jun 2006.
Goodbody, Bridget, Beyond the Delta, ArtAsiaPacific, No. 46, 2005. (Guangzhou triennial)
Pi Li, The Second Guangzhou Triennial, Flash Art, Vol. XXXIX, No. 246, Jan-Feb, 2006
Spalding, David, Second Guangzhou Triennale, Artforum, Vol. 44, Iss. 8, 2006
Vine, Richard, Cities on the make: reflecting China's runaway building boom, the second Guangzhou Triennial
examined the forces driving today's urban development and globalized art, Art in America, 94.8 (Sept 2006)
350
Vine, Richard, Through a Chinese Lens, review, Art in America, Vol. 93, iss. 6, Jun-Jul, 2005 (Guangzhou photo
biennial)

2006
D-Lab/The Second Guangzhou Triennial BEYOND: an extraordinary space of experimentation for modernization, Guangzhou,
Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru; Curators: Hou Hanru, Hans Ulrich, Guo
Xiaoyan).
The Second Guangzhou Triennial BEYOND: an extraordinary space of experimentation for modernization (Exhibition
Catalogue), Guangzhou, Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru; Curators: Hou Hanru,
Hans Ulrich, Guo Xiaoyan).
The Second Guangzhou Triennial BEYOND: an extraordinary space of experimentation for modernization (Exhibition Guide),
Guangzhou, Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru; Curators: Hou Hanru, Hans Ulrich,
Guo Xiaoyan).

2008
Borysevicz, Mathieu, Guangzhou Triennial: Sept 6-Nov 16, in Art in America Vol. 96, No. 11, December 2008,
112.
Ciric, Biljana, The Guangzhou Art Scene: Today and Tomorrow, in Yishu: Journal of Contemporary Chinese Art, Vol.
9, No. 4, July/ August 2010
Kelly, John, First Pass the Post-Colonial, in Art Monthly Australia, November 2008.
McIntyre, Sophie, Farewell? A Review of the Shanghai Biennale, Guangzhou Triennial and the Taipei Biennial, in
Art Monthly Australia, Issue 215, November 2008.
Rainforth, Dylan, Cheap Labour, Migration and Capital, in Artlink, Vol. 28, No. 4, 2008.
Thomson, Jonathan, The Main Event, Asian Art News, Vol. 18, No. 5, September/ October, 2008, pp. 94-99.
Tsiu, H., Premature Farewell and Recycled Urbanism: Guangzhou and Shanghai Biennale in 2008, in Yishu
Journal of Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 54-60.

Gwangju/Kwangju

Lee, S. Contradictions, Violence, and Multiplicity in the Globalization of Culture: The Gwangju Biennale, in
Yishu Journal of Contemporary Chinese Art, Vol 8, Number 1, January/February/April 2009, pp. 54-60.

1995
Bonami, Francesco, Kwangju (Korea): By the Borders, our Borders, Flash Art, XXVIII, no.185, Nov/Dec,
1995.
Hasegawa Yuko & Carlos, Isabel, Last words on the Biennial, Flash Art, XXVIII, No.185,
Heartney, Eleanor B., More on the Kwangju Biennale, Art & Asia-Pacific, Vol.3, No.1, 1996;
Kwangju Biennale 1995: Beyond the Borders (Catalogue), Kwangju Biennale Press, 1995.
Lee, James B., The inaugural Kwangju Biennale, Art & Asia Pacific, Vol.3, No.2, 1996.

1996
Kim Hwan et al. 95 Kwang-ju International Contemporary Art Festival Catalogue. Kwang-ju, Kwnag-ju City Gallery
1995.
Jin Young-sun & Chung Joon-mo (Editors), The First Kwangju International Biennale. Volume 1. International Exhibition
of Contemporary Art: Beyond the Borders. Seoul, Life & Dream Publishing Co. 1995. (Director General of Visual
Arts: Lee Yongwoo).
Lee, James B., Pursuing global stature, (Asia: Korea) ARTnews Vol. 94, No. 9, November 1995, p224.
Lee, James B, The call to globalization: a booming economy has meant a proliferation of artists, galleries, and
museums. But when will the West catch on? (Korea '95) (includes related articles on artists Lee Bul and Lee
351
Sang-Hyun) ARTnews April 1995 v94 n4 p126(4) Heartney, Eleanor: Into the international arena.
(contemporary art, Kwangju Biennale, South Korea) Art in America, Vol. 84, No. 4, April 1996, p. 50.

1997
97 Kwangju Biennale: Unmapping the Earth (Catalogue), Kwangju: Kwangju Biennale Press, 1997; Fouser, Robert J.,
The Kwangju Biennale, Art AsiaPacific, No.18, 1998; Roe, Jae-Ryung, 97 Kwangju Biennale, Artforum
International, Vol.36, Issue 8, April 1998
Jay, Martin: Kwangju: From Massacre to Biennale. Salmagundi Fall 1998 I Issue 20 p15-26)
Kim, Su-ki (Editor), 97 Kwangju Biennale: Unmapping the Earth, Kwangju, Kwangju Biennale Press. (Artistic
Director: Lee Young-chul)
Vine, Richard: Asian futures: status of South Korea in art world. Art in America Vol. 86, No. 7, July 1998, p. 34-43.

2000
Cho, Sung-kwan (Editor), Kwangju Biennale 2000 Man + Space: The Special Exhibition, Kwangju, Kwangju Biennale
Press 2000. (Artistic Director: Oh Kwang-su)
KwangjuBiennale 2000 Man + Space. Exhibition Guide
Kwangju Biennale 2000: Man + Space, Kwangju: Kwangju Biennale Press, 2000.
Art News, Vol. 99, No. 6, 2000.
Fouser, Robert J., Picnic in an art garden, Art AsiaPacific, Issue 29, 2001.

2002
Chung, Guyon (Editor), Gwangju Biennale 2002 Project4 Connection, Gwangju, Gwangju Biennale Press 2002.
(Curator: Chung Guyon).
Gwangju Biennale 2002 Project 1 PAUSE, Project2:THERE , Project3 Stay of Execution. Exhibition Guide. Gwangju,
Gwangju Biennale Press 2002
Hou Hanru, Event city and pandoras box: curatorial notes on the 2002 Gwangju Biennale, Yishu, Vol.1, No.2,
2002;
Kee, Joan, 2002 Gwangju Biennale, ART AsiaPacific, Issue 36, 2002,
Kim, Youngna, Lets Pause & Talk, Lets Pause & Drink, IIAS Newsletter, No. 28, July 2002
Lee Weng Choy, Biennale time and the spectres of exhibition, FOCAS, Vol. 4, 2002
Min, Yong Soon (Editor), Gwangju Biennale 2002 Project2:THERE: Sites of Korean Diaspora, Gwangju, Gwangju
Biennale Foundation 2002. (Artistic Director: Sung Wan-kyun).
Napack, Jonathan, 'Alternative Visions', Gwangju Biennial Review, Art in America, Vol. 90, Issue 11, November
2002
Park, Manu (Editor), Gwangju Biennale 2002 Project 1 PAUSE: Realization, Gwangju, Gwangju Biennale Press 2002.
(Curators : Sung Wan-kyung, Charles Esche, Hou Hanru).
Sung, Wan-kyung (Editor), Gwangju Biennale 2002 Project3 Stay of Execution, Gwangju, Gwangju Biennale Press
2002. (Curator: Sung Wan-kyun).
Sung Wan-kyung; Esche, Charles; Hou Hanru [idea and conception] Project 1 Pause: Conception & Project 1 Pause:
Realization, Gwangju, Gwangju Biennale Press, 2002
Korean Biennnale Foundation, 2002; Kwangju Biennale 2002 Project 4: Connection (Catalogue) Kwangju Biennale
2002, Korean Biennnale Foundation, 2002;
Photo: Gwangju Biennial 2002, in Vehicle: Contemporary Visual Arts, No.6, 2002, p.16-19

2004
Breuvart, Valerie, Gwangju Biennale 2004 review, Artforum, vol 46, iss. 5, Jan 2005.
Clark, John, Three Recent Biennales in Asia: Gwangju, Busan and Shanghai, Art and Australia, Vol. 42, No. 3,
2005
Gwangju Biennale 2004 Viewer-Participants Discussion Papers: The Audience, Who Are They?, Gwangju Biennale
Foundation, 2004
352
Gwangju Biennale 2004. Press Open, (Press briefing for Biennale Opening, In Korean), Gwangju Biennale
Foundation, 2004
Heartney, Eleanor, Report from Korea I: Biennial Anxiety, Art in America, Vol. 93, iss. 5, May 2005 (Gwangju,
Busan biennials)
Jheon Soocheon, Social landscape, 2004 Gwangju Biennale, Seoul, Jheon Soocheon, 2004
Judd, Craig, Gwangju Biennale 2004: A Viewer-Participant Memoir, Eyeline, No. 56, Summer 2004-5
Kim, Hyun-do (Editor), Gwangju Biennale 2004 A Grain of Dust. A Drop of Water. Gwangju, Gwangju Biennale
Foundation 2004. (Artistic Director: Lee Wong-Yu).
Moon, Iris, Rethinking Art Along the East-West Axis: The 2004 Gwangju Biennale in Art Asia Pacific, No. 40
(Spring 2004), p. 27;

2006
Fenner, Felicity, Gwangju Biennale, Art and Australia, Vol. 44, No. 3, 2006.
Gwangju Biennale 2006, Fever Variations: Press Release, Gwangju Biennale Foundation, 2006
Gwangju Biennale 2006, Open Forum: World Contemporary Art and International Biennales, Gwangju Biennale
Foundation, 2006
Han Kyung ah (Editor), Gwangju Biennale 2006: Fever Variations, Seoul, Designhouse Co. Ltd, 2006. (Artistic
Director: Kim Hong-hee. Curators: Wu Hung, Binghui Huangfu, Shaheen Merali, Jacquelynn Baas, Cristina
Ricupero, Beck Jee-sook, Chris Gilbert, Cira Pascual Marquina).
Lee, Pamela M., 2006 Singapore Biennale/6th Gwangju Biennale Artforum, Vol. 45, Issue 3, 2006.
Lee, Weng-Choy, Eastern Front (Singapore, Shanghai and Gwangju Biennales), Artforum, Vol. 45, Issue 1, 2006.

2008
Daneri, Anna, Gwangju and Taipei Biennales, in Flash Art, Vol. XLI, No. 263, November/ December 2008.
Heartney, Eleanor., Gwangju Biennale: Sept 5-Nov 9, in Art in America, Vol. 96, No. 11, December 2008, p. 92.
Tinari, Philip, 2008 Gwangju Biennale, Singapore Biennale 2008, 3rd Yokohama Triennale, in Artforum, Vol. 47,
Issue 5, January 2009, p. 199.

2010
Doropoulos, Tania, Gwangju Summer, in Artlink, Vol. 31, No. 1, 2011.
Heartney, Eleanor, Image Surplus, in Art Asia Pacific, December 2010.
Ko, Hanae, Image Overload, in Art Asia Pacific, No. 70, September/ October 2010.
Havana
Fraser, Virgina, More than Air: The 10
th
Havana Biennial, in Art Monthly Australia, Issue 221, July 2009.
van Nieuwenhuyzen, Martijn, Integration and Resistace in the Global Era, in Flash Art, Vol. XLII, No. 267, July/
September 2010.

Istanbul: International: Istanbul Biennial

1987 1
st
Biennial

1989 2
nd
Biennial

1992 3
rd
Biennial

1995 4
th
Biennial
Block, Ren, What is a Biennale, and what will it mean for the art scene in Istanbul, [speech of 13
th
September
1995] from http://www.iksVol.org/bienal/english/arsiVol.asp?ms=3
353

1997 5
th
Biennial
Martinez, Rosa, On life beauty, translations and other difficulties, from
http://www.iksVol.org/bienal/english/arsiVol.asp?ms=3

1999 6
th
Biennial
Colombo, Paolo, Concept from
http://www.iksVol.org/bienal/english/arsiVol.asp?Page=Ifca&Sub=Archive&biennial=6&content=kavcer

2001 7
th
Biennial
Atagk, Tomar; Plate, Susan, The Istanbul Biennial: the digestible other, Third Text, 55, 2001, 103;
Schwabsky, Barry, Istanbul Biennial, Artforum International, Vol.40, Issue 1, September 2001;
Hori, Motoaki, Between East and West: The 7
th
International Istanbul Biennial, ART AsiaPacific, Issue 35 (2002);
Review, Art in America, March 2002;
Shawa, Wendy, Art among the myths of globalism: the Istanbul Biennial, Third text, 58, Vol.16 1, 2002;

2003 8
th
Biennial
Biesenback, Klaus, Political Minimalism, in Flash Art, No. 237, 2004.
Cameron, Dan, Concept, from http://www.iksVol.org/bienal/english/arsiVol.asp?ms=3
Nahas, Dominique, Preview: The 8
th
International Istanbul Biennial in Art Asia Pacific, No. 38 (Fall 2003), pp.25-
26;
Heartney, Eleanor, Mending the Breach in Art in America (January 2003), pp. 74-79;
Kent, Rachel, 2003 Istanbul Biennial: Poetic Justice in Art & Australia, Vol. 41, No. 3, Autumn 2004, pp. 278-
279

2005 9
th
Biennial
Esche, Charles & Kortun, Vasif, Concept from http://www.iksVol.org/bienal/bienal9/english/?Page=Concept
Esche, Charles & Kortun, Vasif, Interview in MetropolisM, Amsterdam, September 2005, from
Esche, Charles, Interview with Jelena Vesic, Prelom Magazine, Beograd, from
Gregos, Katarina, Email interview with Vasif Kortun and Charles Esche, Flash Art, May 2005,
Henrikkson, Minna, Email interview with Vasif Kortun and Charles Esche, Framework , Issue 3, June 2005
[Finnish art review] [four items above are from:
http://www.iksVol.org/bienal/bienal9/english/?Page=Curators&Sub=Interview]

2007 10
th
Biennial
Fairly, Gina, On The Edge of Optimism, in Asian Art News, Vol. 17, No. 6, November/December, 2007, pp. 86
91.
Storr, Robert, and Hou Hanru, Not Only Possible but Also Necessary: Art in the Present Tense, in
ArtAsiaPacific, No. 53, May/June, 2007, pp. 84 89.
Tsui, Hilary, 10
th
Istanbul Biennial: Staging a Communitarian Utopia, in Yishu. Journal of Contemporary Chinese Art,
Vol. 7, No. 1, January, 2008, pp. 86 95.

2009
Ekroth, Power, What Keeps Mankind Alive? The 11
th
Istanbul Biennial, in Flash Art, Vol. XLII, No. 269,
Thomson, Jonathan, Notes from Istanbul, in AsianArtNews , Vol. 18, No. 6, November/December 2008, p. 86-
89
Thomson, Jonathan, The Challenges Of An Emerging Art Market, [interview with Emin Mahir Balcioglu re:
Contemporary Istanbul] in AsianArtNews , Vol. 18, No. 6 November/December 2008, p. 90-91
Kassel: Documenta

354
General Texts
Blok, Ren; Glaser, Martin, et al, Das Lied von der Erde / The Song of the Earth, Kassel, Museum Fridericianum, 2000.
Glasmeier, Michael; Stengel, Karin, eds., 50Jahre/Years documenta, Archive in Motion, [bilingual retrospective
catalogue & texts], Gttingen, Steidi Verlag, 2005.

1992 Documenta IX
Galloway, David: Documenta 9 The Bottom Line Art in America, Vol. 81, No. 9, September 2003, p55

2002 Documenta XI artistic director artistic director Okwui Enwezor]
Downey, Anthony, The Spectacular Difference of Documenta XI, Third Text, Vol. 17, No. 1, March 2003, p. 85-
92.
Enwezor, Okwui, et al, Documenta IX: Platform Five, Exhibition catalogue, Hatje Cantz Verlag, 2002.
Enwezor, Okwui et al, Crolit and creolization: Documenta 11_Platform 3, Kassel, Documenta und Museum
Fridericianum-Veranstaltungs Gmbh, 2003.
Heartney, Eleanor: A 600-hour Documenta Art in America , Vol. 90, Issue 9, September 2002, p86.
Lee Weng Choy, Biennale time and the specters of exhibition, FOCAS, Vol. 4, 2002.
Lopez, Sebastian, 'Starting Points: 'Documenta'', IIAS Newsletter, No.25, July 2001.
Nochlin, L, Holert T., Higgs, M. Meyer, J., Platform Muse: Documenta 11 Artforum International, Vol. 1, No. 1,
September 2002, p. 160.

2006
Birnie Danzker, Jo-Anne, documenta 12, in Yishu. Journal of Contemporary Chinese Art, Vol. 6, No. 3, September,
2007, pp. 33 47.
Clark, John, Uncertain Identity, in Asian Art News, Vol. 17, No. 5, September/October, 2007, pp. 86 91.
Kremer, Boris, The Show They Love to Hate, in Contemporary Visual Arts + Culture Broadsheet, Vol. 36, No. 3,
September, 2007, pp. 160 161.
Legaspi-Ramirez, Eileen, Fragile Insinuations, in C Arts. Asian Contemporary Art and Culture, Vol. 00,
Scotini, Marco, Documenta 12, in Flash Art, Vol. XL, No. 255, July September, 2007, pp. 66 67.
Yang Jiechang and Kppel-Yang, Martina, Rne Blocks Waterloo: Some Impressions of documenta 12, Kassel,
in Yishu. Journal of Contemporary Chinese Art, Vol. 6, No. 4, December, 2007, pp. 93 100.

Jogjakarata

2007
Bianpoen, Carla, The State of A Nation And A Biennale, in Asian Art News, Vol. 18, No. 2, March/April, 2008,
pp. 103 105.
Wang Zineng, Jogja Biennale IX: Whereto?, in C Arts. Asian Contemporary Art and Culture, Vol. 02, March/April,
2008, pp. 122 126.

2010
Blair, Ulanda & Sexton, Emily, Curious and Collaborative, in Artlink, Vol. 31, No. 1, 2011.
Crawford, Ashley, Ouija in Yogya, in Art Monthly Australia, Issue 226, December 2009- February 2010.

Johannesburg

1995 Johannesburg 1
st
Biennale

1997 Johannesburg, 2
nd
Biennale
355
Becker, Carol Interview with Okwui Enwezor. (artistic director of the Second Johannesburg Biennale art
exhibition) Art Journal, Vol 57, No 2, Summer 1998 p101-8
Becker, Carol, The second Johannesburg Biennale, Art Journal, Vol. 57, No. 2, Summer 1998, p. 86.
Diawara, Manthia, Moving company, the Second Johannesburg Biennale Artforum International, Vol 36, No 7,
March 1998, p. 86
Heartney, Eleanor, Mapping the Postcolonial, in Art in America, Vol. 86, No. 6, June 1998, p. 51.
Kitakyushu Biennale

2003
Inaga, Shigemi et al. 7
th
Kitakyushu Biennale: Art for Sale: Intimacy between Aesthetics and Economy.. Kitakyushu,
Kitakyushu Municipal Museum of Art 2003. (Curator: Makiko Matake).
Liverpool Biennial

2000
Bond, Antony, curator, Trace: The International Exhibition, Liverpool, Liverpool Biennial of Contemporary Art,
2000.

2002
Biggs, Lewis, ed., International 2002, Liverpool, Liverpool Biennial of Contemporary Art, 2002.
2004
Domela, Paul, ed., international 04, Liverpool, Liverpool Biennial of Contemporary Art, 2004.

2006
Domela, Paul, ed., international 06, Liverpool, Liverpool Biennial of Contemporary Art, 2006
Lyon Biennial

2001
Budge, Andrew, Partage dexotismes; do magicians grow wise or just old, Third Text 58, Vol.16, No. 1, 2002.
Prat, Thierry & Raspail, Thierry (Artistic Directors), Partage DExotismes, Volume , 5
th
Biennale dArt Contemporrin
de Lyon, 2000

2009
Aubart, Franois, The Spectacle of the Everyday: 10
th
Lyon Biennale, in Flash Art, Vol. XLII, No. 269,
Sansone, Valentina, Hou Hanru: 2009 Lyon Biennial, in Flash Art, Vol. XLII, No. 266, July/ September 2009.

Manifesta: [site varies]
Domela, Paul, ed., Manifesta: Coffee Break, Liverpool, Liverpool Biennial, 2005

2008 Manifesta 7, Trentino, Italy
Downey, Anthony, What Was Lost: Manifesta 7 and the Soul of Modernity, in Third Text, Vol. 22, Issue 6,
November 2008.
Polsinelli, Michael, Manifesta 7, in Flash Art, Vol. XLI, No. 262, October 2008.
Prlja, Nada, To Curate or Not to Curate, in Artlink, Vol. 28, No. 4, 2008.

2011 Manifest8 8, Murcia, Spain
Carroll, Alison, Manifesta 8, in Artlink, Vol. 31, No. 1, 2011.
356
Moscow

2009
Dodge, Alan, Russia: A Diaghilev Festival & The Moscow Biennale, in Art Monthly Australia, Issue 228, April
2010.
Gerber, Marina, Third Moscow Biennale of Contemporary Art 2009, in Third Text, Vol. 24, Issue 3, May 2010.
Tikhonova, Yulia, Against Exclusion: 3
rd
Moscow Biennale, in Flash Art, Vol. XLII, No 269, November/
December 2009.
Nanjing Triennial

2008
Pepper, France, Nanjing Triennial: Sept 10-Nov 10, in Art in America, Vol. 96, No. 11, December 2008, p. 111.
New Delhi: India Triennale

1991
Hideki Nakamura, JAPAN, Triennale India 1991- Yoshio Kitayama, Mio Shirai, Miran Fukuda, The Japan Foundation,
1991
New Orleans: Prospect 1
Amado, Miguel, Post-Katrina: Prospect.1 in Flash Art, Vol. XLII, No. 264, January/ February 2009.
Ligon, Glenn, To Miss New Orleans, in Artforum International, Vol. 47, No. 5, January 2009.
Wei, Lilly, Deliverance: The Biennial in Art in America, February 2009.
New York: Performa
Cas, Stephanie, Performa Biennial Takes the Stage in New York, in Art in America, November 2009.
Ko, Hanae, All the Way Back to the Futurism, in Art Asia Pacific, Issue 66, November/ December 2009.
Of the Moment: Sights and Sounds of Performa 09, in Art in America, February 2010.
Osaka Triennale

1995
Clark, John, Review of the saka Triennale, in Art & Asia Pacific, Vol.3, No.1, 1996.
Osaka Prefectural Government (Editor & Publisher). Osaka Triennale 1995. Sculpture. 6th International Contemporary
Art Competition. Osaka 1995. ( Curator: Hiroyuki Nakatsuka, Planning Office, Contemporary Art & Culture
Centre, Osaka Prefectural Government.)
So Paulo: So Paulo Bienal
1994
Leffingwell, Edward: The Extraterritorial Zone: the 26th Sao Paulo Bienal, in Art in America, February 2005.

1998
Leffingwell, Edward, Cannibals All - 24th Sao Paulo Bienal, Art in America, May 1999.

2008
Leffingwell, Edward, The Empty Biennial, in Art in America, March 2009
Mazzucchelli, Kiki, 28
th
So Paulo Biennial, in Flash Art, Vol. XLII, No. 264, January/February 2009.
Singapore

2006
Artstrings: National Arts Council Annual Report 2005/06. Singapore, National Arts Council, 2006.
357
Cruikshank, Alan, Interview: Fumio Nanjo Artistic Director Singapore Biennale 2006, Broadsheet, Vol. 35, No. 3,
2006.
Fenner, Felicity, Curating Courtrooms, Containers and Camps, in Artlink, Vol. 28, No. 4, 2008.
Fenner, Felicity, Report From Singapore I. Religion, Law, Commerce, Art, in Art in America, April 2007, pp. 62
67.
Heartney, Eleanor, Report From Singapore II. Temples of Art, in Art in America, April 2007, pp. 69 75.
Gill, Simryn, Guide to the Murals at Tanjong Pagar Railway Station, Singapore, Singapore, Simryn Gill & Singapore
Biennale 2006
Kirker, Anne, Decentralisation Works: Singapore Biennale 2006, Eyeline, No. 62, Summer 2006-7.
Kendzulak, Susan, Interview with Fumio Nanjo, Artistic Director of the Singapore Biennale, Yishu: Journal of
Hill, Jo Martin, A Tale of Two Biennales: Singapore and Shanghai, Yishu: Journal of Contemporary Chinese Art, Vol.
5, No. 4, Dec 2006
Lee, Pamela M., 2006 Singapore Biennale/6th Gwangju Biennale Artforum, Vol. 45, Iss. 3, 2006
Lee Weng Choy, Calibrated Expectations: A Roundtable on the Inaugural Singapore Biennale 2006, Broadsheet,
Vol. 35, No. 3, 2006.
Lee, Weng-Choy, Eastern Front (Singapore, Shanghai and Gwangju Biennales), Artforum, Vol. 45, Iss. 1, 2006
Lee Weng Choy, The public remainder: Singapore goes to Venice, the Biennale comes to Singapore, Broadsheet,
32/2, June August 2005
Thompson, Jonathan, A Willingness to Engage, Asian Art News, Vol. 16, No. 6, Nov-Dec 2006, (review of First
Singapore Biennale)
Slater, Ben, editor, Belief: Exhibition Short Guide, Singapore, National Arts Council, 2006
Slater Ben, ed. Singapore Biennale 2006: Belief, [catalogue/guide], Singapore, 4 Sept-12 Nov 2006, National Arts
Council, 2006 [artistic director: Fumio Nanjo]
Yap, June, Hope: [Regarding Belief], Eyeline, No. 62, Summer 2006-7.

2008
Fairly, Gina, Curating the 2008 Singapore Biennale in Asian Art News, Vol. 18(2), March/April, 2008, pp. 106
107.

2011
Ambani-Gandhi, Shivangi, Singapore Biennale 2011 Open House, in Art Monthly Australia, No. 239, May
2011
Blair, Ulanda & Sexton, Emily, Curious and Collaborative, in Artlink, Vol. 31, No. 1, 2011.
Cruickshank, Alan; Cruz, Joselina; McGovern, Eva; Ngui, Matthew; Smith, Trevor & Storer Russell, Open
House: Across Borders/ Multiple Perspectives, in Contemporary Visual Art + Culture Broadsheet, Vol. 40, No.
1, March 2011
Mateer, John, Towards a Singaporean Arte Povera, in Art Monthly Australia, No. 241, July 2011.
Shanghai

1998
98 Shanghai Art Biennale Exhibition Catalogue (in Chinese), Shanghai Art Museum, 1998

2000
Chen Long (Editor), Shanghai Biennale 2000: Shanghai Spirit., Shanghai, Shanghai Shuhua Chubanshe, 2000.
Curators Group: Fang Zengxian, Hou Hanru, Shimizu Toshio, Zhang Qing, Li Xu
Hou Hanru, A naked city, Art AsiaPacific, 31, 2001;
Hou Hanru, Shimizu Toshio, Zhang Qing, Li Xu, 2000 Shanghai Biennale, Shanghai, Shanghai Shuhua Chubanshe,
2000.
Ken Lum, Shanghai Biennale, Review, Art & Text 65, 1999
Shanghai Biennale 2000 Exhibition Guide, Shanghai Art Museum, 2000
358
Wu Hung, The 2000 Shanghai Biennale, Art AsiaPacific, 31, 2001

2002
Genocchio, Benjamin, Letter from Shanghai, Art Monthly Australia, Number 157, March 2003
Withers, Rachel, Shanghai Biennale, Artforum International, Vol.41, Issue 1, September 2002;
Wu Changfu & Lu Yongyi (Editors), Urban Creation: Selected Works of International Students Exhibition, Shanghai
Biennale 2002.
Xu Jiang and Li Xiangyang, ed., 2002 Shanghai Biennale, The Shanghai Biennial, Flash Art, Vol. XXXVI, No. 229,
March-April 2003Shanghai: Shanghai Art Museum, 2002
Xu Jiang & Li Xiangyang (Chief Editors), 2002 Shanghai Biennale: Urban Creation.. Shanghai, Shanghai Art Museum
2002. Curators Group: Fan Di-an, Alanna Heiss, Wu Jiang, Li Xu, Klaus Biesenbach, Yuko Hasegawa.

2003
Clark, John, Three Recent Biennales in Asia: Gwangju, Busan and Shanghai, Art and Australia, Vol. 42, No. 3,
2005
Lu, Carol, A Flawed Biennale (Shanghai Biennale 2004), Flash Art, Vol. XXXVIII, No. 240, Jan-Feb, 2005
Urban Creation curated by Alanna Heiss, Fan Dian, Xu Jiang, Li Xu, Klaus Biesebach, Hasegawa Yko, organized
by Shanghai Art Museum and Shanghai Gt Courtyard Cultural Investments Ltd.
Vine, Richard: Shanghai Accelerates: Art in America Feb 2005 Vol 93 Issue 2 p104-113

2004
Fang Zengxian & Xu Jiang (Chief Editors), 2004 Shanghai Biennale. Techniques of the Visible. Shanghai, Shanghai Fine
Art Publishers, 2004. (Chief Curator: Xu Jiang. Curators: Sebastian Lopez, Zheng Shengtian, Zhang Qing.

2006
Fang Zengxian & Xu Jiang (Chief Editors), 2006 6
th
Shanghai Biennale: HyperDesign.. Shanghai, Shanghai Fine Art
Publishers, 2006. (Artistic Director: Zhang Qing. Curators: Zhang Qing, Huang Du, Lin Shumin, Wonil
Rhee, Jonathan Watkins, Gianfranco Maraniello).
Hill, Jo Martin, A Tale of Two Biennales: Singapore and Shanghai, Yishu: Journal of Contemporary Chinese Art, Vol.
5, No. 4, Dec 2006
Koop, Stuart, A Busy Week in a Frantic Century: Shanghai Biennale, Eyeline, No. 62, Summer 2006-7.
Lee, Weng-Choy, Eastern Front (Singapore, Shanghai and Gwangju Biennales), Artforum, Vol. 45, Iss. 1, 2006
Slater, Ben (Editor), Belief: Exhibition Short Guide, Singapore Biennale 2006. Singapore, National Arts council
Singapore, 2006. (Artistic Director: Fumio Hanjo)
Tinari, Philip, 6th Shanghai Biennale, Artforum, Vol. 45, Iss. 3, 2006
Vine, Richard, Report from Shanghai I. Reflections in a Chinese Mirror, in Art in America, May 2007, pp. 74 79.
Zhang Qing, The Undesignable (Shanghai biennale 06), Yishu: Journal of Contemporary Chinese Art, Vol. 5, No. 4,
Dec 2006.

2008
Birnie Danzker, J., Post-West: Guangzhou Triennial, Taipei Biennial, and Singapore Biennale inYishu Journal of
Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009,pp. 6-15.
Catching, Rebecca, Translocalmotion, in Flash Art, Vol. XLI, No. 263, November/ December 2008.
Movius, Lisa, Shanghai Biennale: Sept 8-Nov 16.(BIENNIAL DIGEST) in Art in America 96.11 (Dec 2008):
107(4).
Rainforth, Dylan, Cheap Labour, Migration and Capital, in Artlink, Vol. 28, No. 4, 2008.
The 7
th
Shanghai Biennale 2008, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 5, September 2008, pp. 49-61.
359
Tsiu, H., Premature Farewll and Recycled Urbanism: Guangzhou and Shanghai Biennale in 2008, inYishu Journal
of Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 54-60.

2010
Baecker, Angie, All Cast to Center Stage, in Art Asia Pacific, No. 70, September/ October 2010.
Braithwaite, Hunter, Flawed by Any Other Name, in Asian Art News, Vol. 21, No. 1, January/ February 2011
Leduc, Marie, From the Edges of the Earth to Rehearsal: A Conversation with Gao Shiming, in Yishu: Journal of
Contemporary Chinese Art, Vol. 9, No. 6, November/December 2010
Xhingyu Chen The 8
th
Shanghai Biennale: Rehearsal, in Yishu: Journal of Contemporary Chinese Art, Vol. 10, No. 1,
January/ February 2011

Sharjah

2003
Lewis, Peter, ed., Sharjah International Biennial 6 Guide. United Arab Emirates, Sharjah International Biennial, 2003.
(Director: Hoor Al-Qasimi).
Turner, Grady, Fast Forward in the Persian Gulf (Report From the U.A.E. in Art in America (November 2003),
pp. 86-91.

2009
Catching, Rebecca, Sharjah Biennial 9, in Flash Art, Vol. XVII, No. 266, May/ June 2009.
Lee, Pamela M., Sharjah Biennal 9 in Artforum, Vol. 47, Iss. 9, Summer 2009, p. 326.
Thomson, J., New Strategies for Exciting Art, in AsianArtNews, Vol. 19 No. 3 May/June 2009, pp. 84-88.

2011
Enwezor, Okwui, Spring Rain, in Artforum International, Vol. 49, No. 10, Summer 2011; Thomson, Jonathan,
Focus and Reflection, in Asian Art News, Vol. 21, No. 4, July/ August 2011.
Sydney: Biennale of Sydney

1998
Fink, Hannah, Speechless Art AsiaPacific, 23, 1999

2002
Chen Hsiang-chun, Elsa, Identity Politics? Allegorical Existence? On the way to the fantastic, Yishu, Vol.1, No.2,
2002;
Duncan, Michael, 'Self-created worlds', Sydney Biennale Review, Art in America, Vol. 90, Issue 10, October 2002

2004
Felicia Fenner, On Reason and Emotion (Interview with Isabel Carlos), in in Art & Australia, Vol. 41, No. 4
(Winter 2004), pp. 557-559;
No Big Picture [2004 Biennale of Sydney] (Commentaries by Alex Gawronski, Jacqueline Millner and Adam
Geczy) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 48-53

2006
Macdonald, Ewan & Parker, Luke editors, 2006 Biennale of Sydney: Zones of Contact, Sydney, Biennale of Sydney,
2006
Merewether, Charles, Zones of Contact, Art & Australia, Vol.43, No.4, Winter 2006.
Merewether, Charles, Interview, Broadsheet, Contemporary Visual Arts + Culture, June-August, 2006
Merewether Charles, Taking Place: acts of survival for a time to come, Macdonald, Ewan & Parker, Luke editors,
2006 Biennale of Sydney: Zones of Contact, Sydney, Biennale of Sydney, 2006
360
Mordue, Mark, Cultural Chameleon [interview with Charles Merewether], The Weekend Australian, May 20-21,
2006, R6.

2008
Alexander, George, Biennale of Sydney 2008: Revolutions- Forms that Turn, in Art Asia Pacific, No. 59, 2008.
Begg, Zanny, Confusion, A Trip to the Dentist and the Biennale of Sydney: In Conversation with Carolyn
Christov-Bakargiev and Michael Rakowitz, in Contemporary Visual Arts + Culture Broadsheet, Vol. 37, No. 2,
June, 2008, pp. 90 97.
Bianpoen, Carla, Revolutions Forms that Turn. An Electronic Interview with Carolyn Christove-Bakargiev on
the 2008 Biennale of Sydney, in C Arts. Asian Contemporary Art and Culture, Vol. 02, March/April, 2008, pp.
78 80.
Carolyn Christov-Bakargiew on Turning Upside Down, in Flash Art, Vol. XLI, No. 260,May-June 2008, p. 87.
Clark John, The 1968 Euronale of Sydney and Other Matters, in Contemporary Visual Art + Culture Broadsheet,
Vol 37, no. 3, p. 176-7.
Clemet, Tracey, Biennale of Sydney 2008: Revolutions: Forms That Turn, in Artlink, Vol. 28, No. 1, 2008.
Dabek, Ryszard, (When You Wake) Youre Still in a Dream, in Art Monthly Australia, Issue 212, August 2008.
Desmond, Michael, Back to the Future?- 2008 Sydney Biennale, in Art Monthly Australia, Issue 213, September
2008.
Gardner, Anthony, Biennale of Sydney 2008, in Artforum, Vol 47, Iss. 2, p. 405
King, Natalie, Carolyn Christov-Bakargiev on the Biennale of Sydney, in Flash Art, Vol. XLI, No. 260,
May/June, 2008, p. 87.
Marcon, Marco, Revolutions- Forms that Turn, in Eyeline, No. 67, 2008.
McNeill, David, Cultural Dialogue And Exchange, in Contemporary Visual Arts + Culture Broadsheet, Vol. 37, No.
1, March, 2008, pp. 28 30.
Rawlins, Jarrod, Sydney Biennale, in Flash Art, Vol. XLI, No. 262, October 2008.
Revolutions. Forms that turn: Carolyn Christov-Bakargiev in conversation with Russell Storer, in art & Australia,
Vol. 45, No. 4, Winter 2008, June/July/August, pp. 602 608.
Stanhope, Zara, Turns that form Revolutions, in Eyeline, No. 67, 2008.
Volk, Gregory, The Wheel is Turning, in Art in America, Vol. 96, No. 10, November 2008, p. 63.

2010
Clark, John; Gawronski, Alex; Geczy, Alan; Millner, Jacqueline; Moore, Catriona & Holder, Jo, Beauty of
Distance: Postmortems, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 3, September 2010
Clark, John. The Intractable Wall and Asia in Broadsheet, Vol. 39, No. 2, June 2010.
Donald, James, The Beauty of Distance: Global Art in the Context of the 17
th
Sydney Biennale, in Yishu: Journal of
Contemporary Chinese Art, Vol. 9, No. 6, November/December 2010
Fenner, Felicity, So Far Away, And Yet So Near, in Art in America, September 2010.
Gawronski, Alex, Biennales and Artist Directed Culture, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39,
No. 2, June 2010
Geczy, Adam, The Australia Effect, in Contemporary Visual Art+ Culture Broadsheet, vol. 39, no. 4, December 2010
Geczy, Adam Biennale Baroque: Unveiling the 17
th
Biennale of Sydney, in Contemporary Visual Art+ Culture
Broadsheet, Vol. 39, No. 2, June 2010
Kelly, Caleb, Supercool, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 2, June 2010
McLean, Ian, Beauty, Distance, Songs: Surviving the End of the Enlightenment, in Art Monthly Australia, Issue
231, July 2010
Mendelssohn, Joanna, Reconnecting the Dots, in Artlink, Vol. 31, No. 1, 2011.
Millner, Jacqueline, The Power of Beauty and Distance: High Expectations? in Contemporary Visual Art+ Culture
Broadsheet, Vol. 39, No. 2, June 2010
Pym, William, The Trials of a Long-Distance Relationship, in Art Asia Pacific, No. 68, May/ June 2010.
Roelants, Altair, Lost Voices: The Artwork of Joy Gregory and Susan Hiller, in Art Monthly Australia, Issue 231,
July 2010
361
Sargeant, Jack, Melancholy Roustabouts: The Tiger Lillie, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39,
No. 2, June 2010
Watts, Rachael, Sound Suspension: Slave Pianos, in Contemporary Visual Art+ Culture Broadsheet, Vol. 39, No. 2,
June 2010

Taipei: Taipei Biennial

1996
Lee Yulin (Chief Editor), 1996 Taipei Biennial: The Quest for Identity (Essays), Taipei, Taipei Fine Arts Museum,
1996. (Executive Curator: Alice B.H. Lin).
Lin, Alice B.H., 1996 Taipei Biennial: The Quest for Identity 11 Exhibition Catalogue, Taipei, Taipei Fine Arts Museum,
1996. (Curator in Chief: Yulin Lee).

1998
Chang, Fangwei & Miki, Akikio (Editors), Site of Desire 1998 Taipei Biennial Exhibition Catalogue, Taipei, Taipei Fine
Arts Museum, 1998. (Associate Curators:Chang Fangwei & Miki Akikio).

2000
The Sky is the Limit 2000 Taipei Biennial exhibition Catalogue, Taipei, Taipei Fine Art Museum, 2000. (Curators:
Jrme Sans & Manray Hsu).
Devenport, Rhana, The sky is the limit, Art AsiaPacific, 30, 2001.

2002
Kim, Yu Yeon, '2002 Taipei Biennial: Great Theatre of the World', Yishu: Journal of Chinese Contemporary Art, March
2003, Spring Issue.
Quintero, Craig, Art as Theatre: Staging the Taiwanese Biennial', Yishu: Journal of Chinese Contemporary Art, March
2003, Spring Issue.
Taipei Biennial Great Theatre of the World Exhibition Guide, Taipei, Taipei Fine Art Museum 2002. (Curators:
Bartomeu Mari & Chia Chi Jason Wang).
Wang, Jason Chia Chi, 'From Shadow Magic to the Spectacle', Yishu: Journal of Chinese Contemporary Art, March
2003, Spring Issue.
Yu, Sharleen (Editor), 2002 Taipei Biennial Great Theatre of the World Exhibition Catalogue, Taipei, Taipei Fine Art
Museum 2002. (Curators: Bartomeu Mari & Chia Chi Jason Wang).

2004
Huang, Andrew, Art into Life (Taipei Biennale 2004), Asian Art News, Vol. 15, No. 1, 2005.
Vanderlinden, B. (Editor), Do You Believe in Reality Taipei 2004 Exhibition Catalogue, Taipei, Taipei Fine Art Museum,
2004. (Curators: Barbara Vanderlinden & Amy Huei-hua Cheng).

2006
Clark, John, Global Intentions, Asian Art News, Vol. 17, No. 1, Jan-Feb 2007 (Taipei biennial)
Kendzulak, Susan, Do You Believe in Reality (Taipei Biennial 2004), Flash Art, Vol. XXXVIII, No. 240, Jan-Feb,
2005.
Kendzulak, Susan, Taipei Biennial 2006, in Yishu. Journal of Contemporary Chinese Art, Vol. 6(1), March, 2007, pp.
19 25.
Vine, Richard, Report from Taipei II. The Blurennial, in Art in America, June/July 2007, pp. 108 111.
Yu, Sharleen & Chou, Freya, ed., Dirty Yoga 2006 Taipei Biennial Exhibition Catalogue, , Taipei, Taipei Fine Art
Museum, 2006. (Curators: Dan Cameron & Jun-jeh Wang).

2008
Basualdo, Carlos & Birnbaum Daniel, Turning the Wheel, in Flash Art, Vol. XLII, No. 266, May/ June 2009.
362
Birnie Danzker, J., Post-West: Guangzhou Triennial, Taipei Biennial, and Singapore Biennale in Yishu Journal of
Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, p. 6-15.
Frazier, David, Taiwans Upstart Biennale, in Art Asia Pacific, No. 62, March/ April 2009.
Lynn, Victoria, Manray Hsu: Taking a Political Position, in Artlink, Vol. 28, No. 4, 2008.
Pollack, Barbara, Taipei Biennial: Sept 13-Jan 4.(BIENNIAL DIGEST) in Art in America, Vol. 96, No. 11,
December 2008, p. 104.

2010
Frazier, David, Two Years, in Art Asia Pacific, No. 70, September/ October, 2010.
Yao, Pauline J., What Goes Around Comes Around: Taking a Spin Around the 2010 Taipei Biennial in Yishu:
Journal of Contemporary Chinese Art, Vol. 10, No. 1, January/ February 2011.
Venice: La Biennale di Venezia

Overall:
Alloway, Lawrence, Venice Biennale, 1895-1968: from Salon to Goldfish Bowl, London, Faber & Faber, 1969.
Di Martino , Enzo, The History of the Venice Biennale 1895- 2005, Venezia, Italy Papiro Arte, 2005.
Moravia, Alberto in dialogue, Capellini, Lorenzo, photographs, 1974-78 Cronache della nuova Biennale, Milano,
Electa, 1978.
Rizzi, Paolo & Di Martino, Enzo Storia della Biennale 1895-1982. Electa, Milano, 1982.

Main Catalogues and general texts by year:

1993 45
th
Biennale
Blackall, Judith, The Transit of Venice, Art & Text 46, September 1993;
McEvilley, Thomas, 1993 Venice Biennale: Venice the Menace, Artforum International, Vol.32, Issue 2, October
1993
New Chinese Painting, advised by Francesca dal Largo for overall curator Achille Bonita Oliva, also with catalogue
text on Chinese avant-garde by Li Xianting in Aperto, Difference/Indifference: curated by Kong Changan / Lau-
kung Chan
Verzotti, Giorgio, Aperto 93: The better biennale, Artforum International, Vol.32, Issue 2, October 1993

1995 46
th
Biennale
Lasschuyt, Helga, The Venice Biennale Game, Asian Art News, Vol.5, No.5, Sep/Oct 1995.
Nanj Fumio, Dana Frijs-Hansen et al (Editors), La Biennale di Venezia 1995:TransCulture, [Bilingual], The Japan
Foundation & Fukutake Science and Culture Foundation, Tokyo, 1995. (Curators: Nanj Fumio, Dana
Frijs-Hansen)

1997 47
th
Biennale
Bryson, Norman and Gilbert Rolfe, XLVII Venice Biennale, Art & Text 59, NoVol. 1997-Jan. 1998;
Cai Guoqiang [overall curator Germano Celant]; As Peoples Republic of China: Chao Ge, Chen Yifei, Hong
Ling, Hu Jiancheng, Liu Gang, Liu Xiaodong, Shen Ling, Sun Weimin, Wan Jiyuan, Weng Yuping, Yu
Hong, Yuan Yunsheng, Xie Dongmin [commissioners Sun Weimin & Giovanni Iovane, organiser unclear
from Biennale catalogue]
Kent, Rachel, The Venice Biennale: Japan, Korea and Taiwan, Art AsiaPacific,No.18, 1998

1999 48
th
Biennale
Dal Largo, Francesca, Open And everywhere, Art AsiaPacific, 25, 2000
Huang Yong Ping & Jean-Pierre Bertrand, French Pavilion Catalogue,48
th
Biennale di Venezia, Association Francaise
dAction Artistique, 1999. (Commissioners: Hou Hanru & Denys Zacharopoulos
363
Schwabsky, Barry, 48
th
Venice Biennale, Art & Text 67, NoVol. 1999-Jan. 2000
Stringa, N., Terrecotte Cinesi dalla 48
th
Biennale di Venezia ( Cai Guoqiang), Cornuda, Garfiche Edizioni 2003.
Szeeman, Harald, dAPERtutto / APERTO over ALL, 1999
Withers, Rachel, Allied Forces, Venice Biennial Review (CHECK), Artforum International, Vol.37, Issue 9, May
1999.

2001 49
th
Biennale
Birnbaum, Daniel, More is less, Venice Biennial Review, Artforum International, Vol.40, Issue 1, September 2001;
Choy, Lee Weng, Biennale Time and the Specters of Exhibition, Focas (Forum on Contemporary Art & Society),
No.3, January 2002
Clark, John, Asian Artists at the 2001 Venice Biennale, in IIAS Newsletter November, No.26, 2001
Pijnappel, Johan, Asia at Venice, Asian Art News, Vol.12, No.1, 2002; Chua, Kevin, In Venetian Waters:
Singapore at the 49
th
Venice Bienale, Focas (Forum on Contemporary Art & Society), No.3, January 2002;
Siegel, Katy, Human, all too human, Venice Biennial Review, Artforum International, Vol.40, Issue 1, September
2001
Szeeman, Harald, Plateau of Humanity, 49
th

2003 50
th
Biennale
A Panel Discussion: Looking Forward from Venice: The Prospects of Contemporary Chinese Art, in Yishu:
Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.50-61.
Clandestine: Liu Zheng, Curator: Francesco Bonami
Clark, John., Venice in Full Flow, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.46-50;
Dreams and Conflicts: the Dictatorship of the Viewer: La Biennale di Venezia: 50
th
International Art Exhibition, La Biennale
di Venezia 50
th
:2003, Venezia, Marsilio, 2003. (Director: Francesco Bonami).
Fan, Dian., Synthi-scapes, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.10-16.
Genocchio, Benjamin, The Big One Venice Conflicting Agendas: No Buzz at Venice 2004 in Art Asia Pacific,
No. 38 (Fall 2003), pp.42-47;
Hou, Hanru., Z.O.U.- Zone of Urgency, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003,
p.21.
Lenzi, Iola., The Pioneering Sprit, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.51-53;
Lin, Shumin, Limbo Zone, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.4-9.
Lum, Ken, Interview with Hou Hanru, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.52-
57
Ou, Ning., The U-thque Organization: An End or a Beginning?, in Yishu: Journal of Contemporary Chinese Art, Vol.
2 No. 2, June 2003, p.33-51.
Utopia Station Obrist Hans-Ulrich & Nesbit Molly & Rirkrit Tiravanija, at 50th Biennale di Venezia, 2003.
Vetrocq, Marcia E., Venice Biennale: Every Idea But One in Art in America (September 2003), pp. 76-87
Vetrocq, Marica E., New curator for the Venice Biennale, Art in America, Vol. 90, Issue 5, May 2002;
Vetrocq, Marica E., 'Venice Biennale takes shape', Art in America, Vol. 91, Issue 2, February 2003;
Zones of Urgency: curated by Hou Hanru, see also Li Luming, ed., Guangdong Kuaiche / Canton Express, Changsha,
Hunan Meishu Chubanshe, 2003. ]

2005 51
st
Biennale
Always a Little Further: La Biennale di Venezia, 51st International Art Exhibition: La Biennale di Venezia 50
th
:2003,
Venezia, Marsilio, 2003. (Director: Rosa Martinez).
Nagy, Peter, The Home and the World Art India, volume X, issue iii, quarter iii, 2005. (unofficial Indian pavilion
Venice)
Participating Countries/Collateral Events: La Biennale di Venezia, 51st International Art Exhibition: La Biennale di
Venezia 50
th
:2003, Venezia, Marsilio, 2003.
Raza, Sara, West and Center: An Asian presence at 51
st
Venice Biennale, ArtAsiaPacific, No. 45, 2005
364
The Exoperience of Art: La Biennale di Venezia, 51st International Art Exhibition: La Biennale di Venezia 50
th
:2003,
Venezia, Marsilio, 2003. (Director: Maria de Corral).

2007 52
nd
Biennale
Contemporary Art in Greater China: Under Pressure A Discussion at the 52
nd
Venice Biennale, in Yishu. Journal of
Contemporary Chinese Art, Vol. 6(3), September, 2007, pp. 8 24.
Eds. Venice Biennale 52
nd
International Art Exhibition: Around the World, in ArtAsiaPacific, No. 53, May/June,
2007, pp. 90 97.
Gregos, Katerina, 52
nd
Venice Biennial, in Flash Art, Vol. xl, No. 255, July September, 2007, pp. 63 65.
Maerkle, Andrew, The Cook, The Curator, The Bike and The Festivals; Venice, Kassal, Munster, in
ArtAsiaPacific, No. 53, May/June, 2007, pp. 98 101.
Storr, Robert, and Hou Hanru, Not only possible but also necessary: Art in the Present Tense, in ArtAsiaPacific,
No. 53, May/June, 2007, pp. 84 89.
Teo, Wendy, 52
nd
Venice Biennale, in Yishu. Journal of Contemporary Chinese Art, Vol. 6(3), September, 2007, pp. 25
32.

2009
Azimi, Roxana, The Cash Canals of Venice, in Flash Art, Vol. XLII, No. 267, July/ September 2009.
Bishop, Claire, Opening Gambit, in Artforum International, Vol. 48, No. 1, September 2009.
Cooke, Lynne, Play Grounds, in Artforum International, Vol. 48, No. 1, September 2009.
Crow, Thomas, Acting the Part, in Artforum International, Vol. 48, No. 1, September 2009.
Diederichsen, Diedrich, When Worlds Collide, in Artforum International, Vol. 48, No. 1, September 2009.
Giovannini, Joseph, Shifting Centers, Multiple Margins, in Art in America, January 2009.
Hirsch, Faye, Be Afraid, Be in Love: Collateral Exhibitions in Venice, in Art in America, September 2009.
Holert, Tom, Double Negative, in Artforum International, Vol. 48, No. 1, September 2009.
Jolly, Martyn, When in Venice, in Art Monthly Australia, Issue 222, August 2009.
Kelly, John, The Beauty of Distance, in Art Monthly Australia, Issue 221, July 2009.
Macritchie, Lynn, Melancholy Giardini: The National Pavillions, in Art in America, September 2009.
Millner, Jacqueline, Making Worlds, in Eyeline, No. 70, 2009.
Norden, Linda, Comic Twist, in Artforum International, Vol. 48, No. 1, September 2009.
Ostrow, Saul, Liam Gillick: Practical Considerations, in Art in America, June/ July 2009.
Penzo, Jacopo, Punta Della Dogana, in Flash Art, Vol. XLII, No. 267, July/ September 2009.
Plagens, Peter, Bruce Nauman: Deft in Venice, in Art in America, June/ July 2009.
Plagens, Peter, Days of Our Lives, in Art in America, September 2009.
Rawlings, Ashley, Making Brave New Worlds, in Art Asia Pacific, Issue 63, May/ June 2009.
Rich, Sarah K., Port Authority, in Artforum International, Vol. 48, No. 1, September 2009.
Robecci, Michele, Making Worlds: 53
rd
Venice Biennale, in Flash Art, Vol. XLII, No. 267, October 2009.
Sheets, Hilarie M., Pter Forgcs: Ebb and Flow, in Art in America, June/ July 2009.
Vetrocq, Marcia E., The Venice Biennale Preview, in Art in America, June/ July 2009.
Vetrocq, Marcia E., Worlds Enough and Time: Daniel Birnbaums Biennale, in Art in America, September 2009.
Volk, Gregory, Punaults Value-Based Initiative, in Art in America, September 2009.
Wei, Lilly, Ragnar Kjartansson: The Beginning of The End, in Art in America, June/ July 2009.
Wright, Karen, Pascale Marthine Tayou: Global Villages, in Art in America, June/ July 2009.

2011
Kelly, John, The Golden Thread: Hany Armanious at the Venice Biennale, in Art Monthly Australia, No. 241, July
2011.
Makarova, Irina, Knowing Your Neighbours, in Art AsiaPacific, Issue 73, May/June 2011

Yokohama: Yokohama Triennale:

365
2001
Aica Japan Newsletter No.2, in November 2001 Yokohama Triennale 2001 kki sono tenmatsu no kojinteki
memorandamu.
Kent, Rachel, 2001 Yokohama Triennale, Art Asia Pacific, No.34, 2002.
Makabe Kaori, Mikami Yutaka, Yokohama Triennale office, eds., [curators: Nakamura Nobuo, Nanj Fumio,
Tatehata Akira, Kohmoto Shinji], Yokohama 2001, Yokohama, The Organizing Committee of the
Yokohama Triennale, 2001.
Phillips, Christopher, Cross currents in Yokohama, Art in America, January 2002
Robinson, Joel David, Toward a new synthesis, Asian Art News, Vol.12, No.1, 2002;
Robinson, Joel David, Toward A New Synthesis Yokohama 2001 Review, Asian Art News, Vol. 12, No. 1,
January/February 2002
Takshima Naoyuk Yokohama triennale, Art AsiaPacific, 32, 2001
Yokohama, 2001, statements from the Triennales curators are at http://www.jpf.go.jp/yt2001/2/info.html

2005
Cash, Stephanie, Yokohama Triennale Trouble, Art in America, Vol. 93, iss. 2, Feb 2005.
Isozaki Arata, statement on the Yokohama Triennale, www.jpf.go.jop/yt2005/e/inquiry.htm accessed on 13
th
October
2004
Kondo, Kenichi , Yokohama 2005: International Triennale of Contemporary Art (review), ArtAsiaPacific, No.
48, 2006
Koplos, Janet, On the Waterfront: the second Yokohama Triennale, set in warehouses in an active port zone, had
a subtext of international movement, Art in America, 94.4 (April 2006)
Nagoya, Satoru, Yokohama and Fukuoka Triennials Report, Flash Art, Vol. XXXIX, No. 246, Jan-Feb, 2006
Shinoda Takatoshi, Koyama Naomi, Tabata Mikiko, Yokohama Triennale, The Second Yokohama Triennale,
Yokohama, Yokohama, The Organizing Committee for Yokohama Triennale, 2005.
Tama Bijutsudaigaku Geijutsugakuka Tatehatazemi Shimpojiumu kikaku, Isozaki Akira, Okabe Aomi, Kitagawa
Furamu, Nanj Fumio, Hasegawa Yko, Yokohama Kaigi 2004: Naze Kokusaiten ka?, Yokohama,
BankART1929, 2005

2008
Blair, Ulanda, Art and the Abyss: Manipulations of Time at the 2008 Yokohama Triennale, in Artlink, Vol. 29,
No. 1, 2009.
Koplos, Janet, Yokohama Triennale: Sept 13-Nov 30, in Art in America, Vol. 96, No. 11, December 2008, p. 99.
Nagoya, Satoru, Yokohama Triennale, in Flash Art, Vol. XLI, No. 263, November/ December 2008.
Tinari, Philip, 2008 Gwangju Biennale, Singapore Biennale 2008, 3rd Yokohama Triennale in in Artforum, Vol.
47, Iss. 5, January 2009, p. 199.

National Exhibitions at Biennales
China

So Paolo:
Chang Tzong-zung, Chinese Contemporary Art at So Paulo: 1 The remaking of Mass Culture; 11 Wakefulness and the
Weightless Present, at 22
nd
Biennial of So Paolo, Hong Kong, Hanart TZ Gallery, 1994
Chang Tzong-zung, Catalogue of Five Chinese artists in 22
nd
Biennial of So Paolo, 1994
Chang Tzong-zung, Ho Siu-kee, Hong Kong Arts Development Council, at 23
rd
So Paolo Biennial, 1996
Chang Tsong-zung, Special Exhibition: Qiu Shi-hua, Fundao de So Paolo, at 23
rd
So Paolo Biennial, Hong Kong,
Hanart TZ Gallery, 1996. (Curator: Chang Tsong-zung)
Fan Dian & Pi Li (Editors), The 25th So Paulo Biennial: Here and now: Chinese art in the process of urbanization, [curated
by Fan Dian, assistant Pi Li], Beijing, China International Exhibition Agency, 2002
366
Huang Du, The 26
th
So Paolo Biennial: Chinese Pavilion: Landscape of Deterritoralization [artist: Qu Yan] Beijing, China
International Exhibition Agency, 2004
Pong, Melanie, Josette Balsa, Stephen T.N Cheung, Una Shannon & Louisa Teo (Editors), The Other Face: Three
Chinese Artists ar the Centenary Exhibition. Milan, Zanzibar 1995. (Curator: Chang Tsong-zung).

Venice:
Dal Largo, Francesca, New Chinese Painting in Catalogue 45
th
Biennale di Venezia, 1993
Dal Largo, Francesca, Chinese art at the Venice Biennale in Clark, John ed., Chinese art at the end of the millennium,
Hong Kong, New Art Media, 2000, 158-166.
Chang Tsong-zung, The other face, in Catalogue 46
th
Biennale di Venezia, 1995
Fan Dian, Wang Yong, assistant Huang Du, China National Pavilion, 50th Biennale di Venezia, Beijing, China
International Exhibitions Huang Du (Editor), Synthi-Scapes, 50
th
Venice Biennale 2003, Chinese Pavilion,
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Yong).
Goodbody, Bridget, No Introductions Necessary, ArtAsiaPacific, No. 45, 2005 (China pavilion at Venice Biennale
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Hou Hanru, Everyday Miracles: Four Women Artists. The Chinese Pavilion at the 52
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Journal of Contemporary Chinese Art, Vol. 6(2), June, 2007, pp. 8 13.
Hou Hanru, Canton Express, project for Z.O.U Zone of Urgency, 50th Biennale di Venezia, Changsha, Hunan
Hou Hanru, One Man, Nine Animals: Huang Yong Pings project for the French pavilion in Venice Biennale, Paris,
Association Franaise dAction Artistique, 1999
Huang Du & Van Dong (Editors), Synthi-Scapes, 50
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Lu Jie, About the Chinese Presentation at the 2005 Yokohama Triennale, Yishu: Journal of Contemporary Chinese Art,
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Yishu: Journal of Contemporary Chinese Art, Vol. 4, No. 3, Sep. 2005, issue focusing on artists from PRC, Hong Kong,
Taiwan and Singapore at the Venice Biennale/ Chinese presence at other biennale/triennial event.

China- Hong Kong:
Binks, Hilary, A larger identity, Asian Art News, Vol.11, No.5, 2001.
Chang Tsong-zung, Hong Kong pavilion, at 49
th
Biennale di Venezia, Hong Kong, Hong Kong Arts Development
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Chang Tsong-zung, Venice Hong Kong, Magic at Street Level, Hong Kong pavilion, at 49
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Biennale di Venezia, Hong
Kong, Hong Kong Arts Development Council, 2001.
Ford, Norman, STAR FAIRY as Collateral Damage: Hong Kong at the 52
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Venice Biennale, in Orientations,
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Ford, Norman, One the Road to Venice, or, A Parrot Speaks for Me. The Hong Kong Pavilion at the 52
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Venice
Biennale, in Yishu: Journal of Contemporary Chinese Art, Vol. 6, No. 2, June 2007, pp. 18 21.
Ford, Norman, You are not in China anymore or, handing over and over and over, in Contemporary Visual Arts +
Culture Broadsheet, Vol. 36, No. 4, December, 2007, pp. 232 234.
Investigation of a journey to the west by micro+polo: artists from hohg kong china, at 51st Biennale di Venezia Hong Kong,
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Para Site Collective,[curated by Para Site], Navigating the Dot, artists from Hong Kong, China Hong Kong, Arts
Development Board, 2003
Navigating the Dot, Artists from Hong Kong, China, at 50
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Biennale di Venezia, Hong Kong, Hong Kong Arts
Development Council, 2003. (Commissioner: Darwin Chen; Curator: Para/Site Collective).
Thompson, Jonathan, Challenges and Questions (Hong Kong Art Biennial) Asian Art News, Vol. 16, No. 2, 2006.
China-Tawain
Hongjohn Lin, Acting Out from Atopia. The Taiwan Pavilion at the 52
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Lin, Shumin, Limbo Zone, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.4-9.
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Review, (CP Biennale 2006, Indonesia), Asian Art News, Vol. 15, No. 6, 2005.
Review (Yogyakarta Biennale), Asian Art News, Vol. 16, No. 1, 2006.
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Biennale di Venezia with
essay About Arahmaiani by Kraus, Werner) , Berlin, Pruss & Ochs Gallery, 2003.

Iran
Aghdashiou, A., H. Khosrojerdi, Dreams & Conflicts, Venice Biennale 2002, pamphlet.
Ahmad Nadalian: Dreams and Conflicts, 50
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Biennale di Venezia, 2003, brochure.
Behrooz Daresh, brochure for 50
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Neshat, Shirin, and Nodjoumi Nicky, eds. Ardeshir Mohassess; Art and Satire in Iran. New York: Asia Society and
Museum, 2008.
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Bangladesh:
Kuroda, Raiji (Commissioner), Document: Japanese Artists in the 7
th
Asian Art Biennial Bangladesh 1995,Exhibition
Catalogue, the Japan Foundation, 1995
Makoto Nakamura & Masayuki Kuriyama (Editors) Japan, Asian Art Biennale Bangladesh 1999, Exhibition
Catalogue, The Japan Foundation, 1999
Makoto Nakamura (Commissioner) Report on Japans participation in the 9
th
Asian Art Biennale Bangladesh 1999, The
Japan Foundation, 1999
Mori Tsukasa, Tsubaki Noboru, Kitayama Yoshio & Domoto Yuum:, Report on Japans Participation, 11
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Asian Art
Biennale, Bangladesh 2003, The Japan Foundation, 2003
Tsubaki Noboru, Kitayama Yoshio & Domoto Yuum: Japan at the 11
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Asian Art Biennale, Bangladesh, 2003, Exhibition
BrochureThe Japan Foundation, 2003
Yuri Mitsuda (Commissioner & Editor), Embracing Life, Japan at the 10
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Asian Art Biennale Bangladesh, Exhibition
Catalogue, The Japan Foundation, 2002
Yuri Mitsuda (Commissioner & Editor), Embracing Life, Japan at the 10
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Asian Art Biennale Bangladesh, Report, The
Japan Foundation, 2002

So Paolo:
Kunio Motoe, Masato Kobayashi : The Art of Luminosity, Tokyo, The Japan Foundation, 1996
Kazuo Yamawaki, Kimio Tsuchiya : After the Deluge, 25th Sao Paulo Bienal, Tokyo, The Japan Foundation, 2002.
Shuji Takatori, Toshihiro Kuno, 24th Sao Paulo Bienal, Tokyo, The Japan Foundation, 1998.
Tadayasu Sakai, Japan at the 10th Sao Paulo Bienal: Akira Kamiyama, Katsura Funakoshi, Kanji Wakae, The Japan
Foundation, 1989

Venice:
City of Girls Japanese pavilion, Venice Biennalwe : 7th International Architecture Exhibition, 2000
Clark, John, Japanese Contemporary Art & Globalization: largely seen from participation in the Venice Biennale,
from Globalization, Localization and Japanese Studies in the Asia Pacific Region, vol.2, Kyoto: International
368
Research Center for Japanese Studies, 2010, 131-150. [originally presented in 2004] Eriko Osaka (Editor),
Giappone XLVIIII Biennale di Venezia 2001: fast and Slow, The Japan Foundation, 2001
Giappone, La Biennale di Venezia 1996: VI Mostra Internazionale di Architettura, Exhibition Brochure, The Japan
Foundation, 1996
Giappone XLVIII Biennale di Venezia 1999, Dove Va LArte? Whither the Arts, Exhibition Catalogue, The Japan
Foundation, 1999
Hasegawa, Yuko & The Japan Foundation (Editors), Heterotopias, Japanese Pavilion, the 50
th
Venice Biennale 2003,
The Japan Foundation, 2003. (Organiser: The Japan Foundation; Commissioner: Yuko Hasegawa.
Ko, Hanae, A Pavilion Built on Tires, in Art Asia Pacific, No. 63, May/June 2009.
Shimizu, Toshio, Japan and Korea at the 48
th
Venice Biennale, Art AsiaPacific, 25, 2000
The Japan Foundation, ed., Venezia Biennale - Nihonsanka 40nen / The Venice Biennale, 40 years of Japanese participation,
[Bilingual], Tokyo, The Japan Foundation & Mainichi Newspapers, 1995
Korea
Kee, Joan (Editor), Landscape of Differences, The Korean Pavilion, the 50
th
Venice Biennale 2003, Seoul, Korean
Culture & Arts Foundation, 2003. (Commissioner: Kim Hong-hee).
Kim Yoon-Soo & Li Guang-Jun (Organisers), Korean Painting at the Beijing International Art Biennale, China 2003, The
Korean Culture & Arts Foundation, 2003
Kim Sunjung, Kim Heejin, & Kim Jang Un (Editors), Secret beyond the door, The Korean Pavilion, the 51
st
Venice
Biennale, Seoul, Korean Culture & Arts Foundation, 2005. (Commissioner: Kim Sunjung).
La Biennale di Venezia, The 49
th
International Art Exhibition, Korean Pavilion: Do-Ho Suh, Seoul, The Korean Culture
and Arts Foundation, 2001. (Commissioner Kyung-Mee Park)
La Biennale di Venezia, The 49
th
International Art Exhibition, Korean Pavilion: Michael Joo, Seoul, The Korean Culture
and Arts Foundation, 2001. (Commissioner Kyung-Mee Park)
Rhee Jong Soong, Clay Idols: The new Korean pavilion at the Venice Biennale, Art & Asia-Pacific, Vol.3, No.1,
1996;
Rhee Jong Soong, Clay Idols: The new Korean pavilion at the Venice Biennale, Art & Asia-Pacific, Vol.3, No.1,
1996
Shimizu, Toshio, Japan and Korea at the 48
th
Venice Biennale, Art AsiaPacific, 25, 2000 Supplement: Korea,
Asian Art News, Vol. 5, No.1, Jan-Feb 1995.
Malaysia
Zhang Wubin, The Ascent of the Image (review of First Kuala Lumpur International Photography Biennale),
Asian Art News, Vol. 15, No. 6, 2005.
Zhang Wubin, Setting New Goals, (interview regarding First Kuala Lumpur International Photography
Biennale), Asian Art News, Vol. 15, No. 6, 2005
Philippines
Flores, Patrick D., M201: In God We Trust, 5oth Biennale di Venezia, 2003, Exhibition Catalogue.
Going for a Ride. M201: In God We Trust, 5oth Biennale di Venezia, 2003, Exhibition Pamphlet
Singapore
Chua, Kevin, Singapore in the 49
th
Venice Biennale, FOCAS, No.3, January 2002, p.274.
Clark, John, Venice Biennale, Asian Art News, Vol.13 No.5, September 2003
Havilah, Lisa, The Future Worlds of Tiffany Chung, in Contemporary Visual Art+ Culture Broadsheet, Vol. 40, No. 1,
March 2011
Khor Koh Wah, commissioner, Mike (Lim Tzay Chuen), Singapore: National Arts Council & Singapore Art
Museum, 2005
Langenbach, Ray, Garlands of Love: Socialist Realist aesthetics in Singapore, in Clark, John; Pelegggi, Maurizio;
Sabapathy, T.K. eds, Eye of the beholder, Sydney, Wild Peony Press, 2006.
Langenbach, Ray, Hidden Things, (on the occasion of the exhibition A work by Lim Tzay Chuen), Singapore:
LaSalle-SIA, 2005.
369
Lee Weng Choy & Langenbach, Ray, Athens, Singapore [a dialogue] in Friede, Claus, Seyfarth, Ludwig, eds, Kunst
aus Megastdten Asiens Art from Asia Pacific Megacities, Hamburg, Kunsthaus Hamburg ,2000.
Singapore, Singapore: Singapore Art Museum, National Heritage Board, 2001
Singapore, Tan Swie Hian, Francis Ng, Heman Chong, Singapore: National Arts Council, National Heritage Board,
2003,
Yap, June, Performing. The Singapore Pavillion, in C Arts. Asian Contemporary Art and Culture, Vol. 00,
China-Taiwan
Arttaiwan, 46th Biennale di Venezia, Taipei, Taipei Fine Arts Museum, 1995. (Commissioners: Tsai Chin-fen &
Paolo De Grandis.
Clark, John, Taiwan in Venice, in Taiwan Pavilion at Venice Biennale: A Retrospective 1995-2007. Taipei: Taipei Fine
Arts Museum, 1910, 117-121, 2010.
Kao Chien-hui, Taiwan pavilion at 49
th
Biennale di Venezia, Taipei, Taipei Fine Arts Museum, 2001
Lei Yi-ting (Editor), Limbo Zone: organized by Taipei Fine Arts Museum, 50
th
Biennale di Venezia, Taipei, Taipei Fine
Arts Museum, 2003. (Guest Curator: Lin Shu-min).
Limbo Zone: organized by Taipei Fine Arts Museum, 50
th
Biennale di Venezia, Exhibition Guide, Taipei, Taipei Fine Arts
Museum, 2003. (Guest Curator: Lin Shu-min).
Yang Wen-i & Enrico Pedrini, VOC: Handle with care [Huang Yongping & Yang Maolin], 1997 Taiwan pavilion:
curated by Shih Ju-jen, 1999.
Yang We-I & Chen, Odile (editors), VOC: Handle With Care, Huang Yong-ping & Yang Mao-lin, 48
th
Biennale di
Venezia, Taiwan, Lin & Keng Gallery, 1999.
Thailand
Cornwell-Smith, Philip, Cinema Paradiso, in Art Asia Pacific, No. 63, May/ June 2009.
Galligan, Gregory, Thai Pavillion: Mental Vacation, in Art in America, June/ July 2009.
Poshyananda, Apinan (Commissioner), Dreams and Conflicts: The Dictatorship of the Viewer,, Thai Pavilion, 5oth Biennale
di Venezia,, Office of Contemporary Art & Culture, Ministry of Culture, Thailand, 2003. (Co-ordinators:
Somsak Chowtadapong & Samart Chansoon).
Poshyananda, Apinan (Commissioner), Those Dying Wishing to Stay, Those Living Preparing to Leave, Montien Boonma &
Araya Rasdjarmrearnsook, Thai Pavilion, 51
st
Biennale di Venezia, Office of Contemporary Art & Culture,
Ministry of Culture, Thailand, 2005. (Curators: Panya Vijinthanasarn, Luckana & Sutee Kunavichayanont).
United Kingdom
Bowness, Sophie; Phillpot, Clive, eds., Britain at the Venice Biennale, London, The British Council, 1995
Britain and the So Paulo Bienal 1951-1991 / A Gr-Bretanha e a Bienal de So Paulo 1951-1991, with essays by
Margaret Garlake and Guy Brett, The British Council Brazil, 1991.
Furlong, William et al, Venice Biennale 1999, Wimbledon, Wimbledon School of Art Research Centre in association
with Audio Arts Magazine, 1999
Furlong, William et al, Venice Biennale 2001: Research Symposium March 2000, Wimbledon, Wimbledon School of Art
Research Centre in association with Audio Arts Magazine, 2000
Furlong William, et al, International; Venice Agendas 2003, a series of three breakfast meetings, Wimbledon, Wimbledon
School of Art Research Centre in association with Audio Arts Magazine, 1999

Biennales from an Asian perspective
Burke, Gregory, Distance Up Close: The Asian Biennials, ArtAsiaPacific, No. 50, 2006.
Clark, John, Biennales as Structures for the Writing of Art History: The Asian Perspective, in Filipovic, van Hal,
vsteb eds, The Biennial, Bergen: Kunsthal & Ostfildern: Hatje Kantz, 2010, 164-183.
Maerkle, Andrew, Curating by Committee: Behind Asias Biennials, ArtAsiaPacific, No. 50, 2006.
Sinha, Gayatri, Locating Biennales, Revising Frameworks, Art India, volume X, issue ii, quarter ii, 2005.

370
Other Catalogues consulted by Year of Publication [duplicates some sections above]

1968
Szeeman, Harald, curator, When attitudes became form, Bern; Kunsthalle, 1968.

1985
Art in the 20
th
Century, Painting and Sculpture 1905-1985, Joachimides, Christos M; Rosenthal Norman; Schmied,
Wieland, German , London, Royal Academy of Arts & Munich, Prestel Verlag, 1985.
Reconstructions: Avant-Garde Art in Japan 1945-1965, Kaido, K., and Elliott, D., Oxford, Museum of Modern Art,
1985

1987
Beyond the open door, contemporary paintings from the Peoples Republic of China, mostly chosen Nielsen, Waldemar A.,
essay by Strassberg, Richard L., organized by Pacific Asia Museum, Pasadena, 1987.
Peintres et Sculpteurs Chinois Paris, Pierquin-Tian, Odile, typescript catalogue of exhibition, Paris, Centre de
Recherches et de Documentation sur la Chine contemporaine, EHSS, 18 May to 3rd June 1987

1989
Against Nature: Japanese Art in the 1980s, Halbreich, Kathy; Kmoto Shinji, Nanj Fumio; Sokolowski, Thomas;
New York, New York University Grey Art Gallery, 1989. [Toured USA, 15.6.1989-12..2.1991]
Europalia 89: Japan in Belgium, Nakahara Ysuke et al, Gent, Museum van Hedenndaagse Kunst, 1989. [Belgium,
28.10.1989- 7.1.1990]
Magiciens de la terre, Martin, Jean-Hubert, overall curator, Paris, Centre Georges Pompidou, 1989

1990
A Primal Spirit, Hara Toshio; Fox, Howard T., Tokyo, Hara Museum of Contemporary Art & Los Angeles, Los
Angeles County Museum of Art, 1990. [USA, toured 10.3.1990-22.9.1991]
Art Chinois 1990 Demain pour Hier curated by Fei Dawei, organized by Association Franaise dAction Artistique &
Les Domaines de lArt, Pourrires & Editions Carte Segrete
Japan Art Today, Namba Hideo, Okada Takahiko, Tokyo, Sezon Museum of Art, 1990. [sent to Scandinavia,
24.1.1990-25.8.1991]
Japansicher Kunst der Achtziger Jahre, Kond Yukio; Nanj Fumio; Weiermaier, Peter; Frankfurt, for the Frankfurter
Kunstverein, Edition Stemmle, 1990. , [Frankfurter Kunstverein then 15.2.1991-7.4.1991, Museum der
moderner Kunst, Wien]
Tezuka Osamu ten = Osamu Tezuka , Osamu Tezuka, et al, Tokyo, Tokyo Kokuritsu Kindai Bijutsukan, 1990

1991
Annear, Judy, Tatehata Akira; Zones of Love, Sydney, Museum of Contemporary Art, 1991. [Australia, 5.1991-
9.1992
Exceptional Passage curated by Fei Dawei, Fukuoka Art Museum
Gebrochene Bilder, Junge Kunst aus China: Selbstdarstellungen, Kppel-Yang, Martina; Schneckman Peter; Schneider,
Ernst R; Heidelberg, Gesellschaft fr Kulturaustausch mit Asien, 1991
I dont want to play cards with Czanne and other works selections from the Chinese New Wave and Avant-Garde art of the
eighties, curated by Strassberg, Richard L., essays by Zheng Shengtian,Tang Qingnian, Lee Ou-fan, organized
by Pacific Asia Museum.

1992
Artists Regional Exchange, Perth, April 1992: Four Views: Binns, Vivienne, Culture as Transformation ; Howard,
Ian, Towards a Legitimate Interest; Kirker, Anne, A Dialogue with Thailand; and Jones, Adrian,
Managing ARX, Artlink, Vol. 12, No.3, Spring 1992
New Art From China curated by Claire Roberts, Art Gallery of New South Wales, 1992.
371

1993
China Avant-Garde, Phlmann, Wolfger et al, Berlin, Haus der Kulturen der Welt& Editions Braus [Berlkin 20
January -16 May, Oxford 4 September-24 October], 1993
Chinas New Art, Post 1989, with a retrospective from 1979-1989, Curated by Chang Tsong-zung & Li Xianting,
organized by Hanart TZ Gallery, Hong Kong,.
Fragmented Memory: The Chinese Avant Garde in Exile curated by Andrews, Julia, F; Gao Minglu, organized by Wexner
Center for the Arts
Silent Energy: curated by David Elliott and Lydie Mepham, organized by Museum of Modern Art, Oxford.
1994
Out of the Centre: Chinese Contemporary Art curated by Ho Hanru, Pori Art Museum, Pori [Finland]
Scream against the sky: Japanese Art after 1945, Munro, A., et al., New York, Harry N. Abrams, 1994

1995
Art Taiwan, Yang Wen-i, Jose Nicholas eds., Taipei, Taipei Fine Arts Museum & Sydney, Museum of
Contemporary Art, Sydney, 1995.
Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Programme Book, 1995
Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Catalogue, 1995
Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Contemporary Balinese Art: Continuity in Change,
1995
Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Inity in Diversity in International Art, Seminar
Proceedings, 1995
New Asian Art Show, Huang Zhuan, et al Tokyo, Japan Foundation Forum & Osaka, Kirin Plaza, 1995.
Quotation Marks: Chinese Contemporary Paintings, Ronte, Dieter; Smerling, Walter et al, , Singapore, Singapore Art
Museum, 1995; also published as Dieter Ronte, Walter Smerling, Evelyn Weiss ; mit Beitrgen von Chang
Tsong-zung, et al. China : zeitgenssische Malerei, Kln : DuMont, 1996.
Sengo bunka no kiseki / Japanese culture of the Postwar Years, 1945-1995, Meguro-ku Bijutsukan hensh, Tokyo Asahi
Shinbum, 1995

1996
Inklusion/Exklusion: Kunst im Zeitalter von Postkolonialismus und Globaler Migration, Weibel, Peter, curated , Graz, Neue
Galerie 1996
Reckoning with the past, curated by Chang Tsong-zung, essays by John Clark, Yan Shanchun, organized by The
Fruitmarket Gallery, Edinburgh

1997
Another Long March: Chinese Conceptual and Installation Art in the Nineties, curated by Marianne Brouwer & Chris
Driessen, texts by Fei Dawei, Hou Hanru, Tang Di, organized by Fundament Foundation Breda].
Parisien(ne)s, included Chen Zhen, Huang Yongping, Shen Yuan (curated by Hou Hanru, organized by Camden
Arts Centre)
Secession: Cities on the Move curated by Hou Hanru and Hans-Ulrich Obrist, organized by Wiener Secession & capc
Muse dart contemporain de Bordeaux
The Birth of Modern Art in Southeast Asia: Artists and Movements, Ushiroshji Masahiro, supervising curator: Fukuoka
Art Museum, 1997

1998
Chinese Contemporary, 96-98 curated by Colman, Julia; Bois, Ludovic, organized by Chinese Contemporary Limited.
Cream: Contemporary Art and Culture, London and New York, Phaidon, 1998
Die Hlfte des Himmels curated by Werner, Chris; Qiu Ping; Pitzen, Marianne, organized by Frauenmuseum Bonn
Gro schwanzelefant / Big Tail Elephant,curated by Fibicher, Bernard, Bern, Kunsthalle 1998.
372
Inside Out, New Chinese Art, curated and written by Gao Minglu, New York, Asia Society & Berkeley, University of
California Press, 1998
Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935, Menzies, Jackie, ed., (co-curated by Ajioka, Clark,
Menzies, Mizusawa); Sydney, Art Gallery of New South Wales, 1998.
Per Video, Keusen, Elle; Schmidt, Inge; Weihs, Helge; Kln, Museum Ludwig, 1998

1999
ARX 5, Lee Weng Choy, Misunderstanding art, Art AsiaPacific, 23, 1999;
ARX 5, Lenzi, Iola, Process and Politics, Art AsiaPacific, 23, 1999
China 1999 organized by Limn Gallery, San Francisco
Cologne-Beijing, Beijing-Cologne Exchange Exhibitioncurated by Tang Xin & Urle U., organized by Gothaer
Kunstforum, Kln]
Logan Collection, organized by Limn Gallery, San Francisco
Melbourne Biennale [China curated by Huang Du]
Modern Chinese Art curated by Hans van Dijk, essay by John Clark, organized by Modern Chinese Art Foundation
Representing the People Curated by Smith, Karen & Pi Li, organized by The Courtyard Gallery &Newcastle, Tyne and
Weir Museums
Riemschneider, Burkjard & Grosenick, Uta, Art at the Turn of the Millennium, Kln, Taschen, 1999
Toi Toi Toi, Kassel 1999, Garrett, Louise Toi Toi Toi, Art AsiaPacific, 23, 1999
Transience: Chinese Art at the End of the 20th Century [curated by Wu Hung, Smart Museum University of Chicago
Truths from the Open Door: Chinese Conceptual Photography, curated by Wu Meichun, Zheng Shengtian, Art Gallery of
Chulalongkorn University
Vielfaches echo (manifold echoes),Stuttgart, 1998, Hynes, Victoria, Manifold Echoes, Art AsiaPacific, 22, 1999

2000
Exhibiting Experimental Art in China, curated by Wu Hung, organized by Smart Museum, University of Chicago
Fresh Cream: Contemporary Art and Culture, London and New York, Phaidon, 2000Paris pour escale, curated by Hou
Hanru & Evelyne Jouanno, organized by Muse dArt Moderne de la Ville de Paris]
Shanghe Meishuguan / Upriver Gallery, Tianjin, Tianjin Shehui Kexueyuan Chubanshe, 2000
Papunya Tula: Genesis and Genius Perkins, Hetti; Fink, Hannah, Sydney, Art Gallery of New South Wales in
association with Papunya Tula Artists, 2000.

2001
Huang Zhuan, Pi Li, Tuxiang jiushi liliang / Image is Power, [at He Xiangning Art Museum] Changsha, Hunan Meishu
Chuban she, 2001
Jay, Sian E., Emerging visions, Asian Art News, Vol.11, No2, 2001 (Nokia Art Awards)
Living in Time 29 zeitgenssische Knstler aus China curated by Hou Hanru, Fan Dian, Gabriele Knapstein, organized
by Nationalgalerie im Hamburger Bahnhof Museum fr Gegenwart, in cooperation with the Ministry of
Culture of PRC and China International Exhibition Agency
Makabe Kaori, Mikami Yutaka, Yokohama Triennale Office, eds, Yokohama Triennale 2001, Yokohama, 2001

2002
Chen Tong, Look, Exhibition Catalogue, Guangzhou, The gallery of Guangzhou Fine Art Academe, 2002
Hu Fang (Curator), Landscape of Sur-consuming, Exhibition Catalogue, Guangzhou, Vitamin Creative Space, 2002
Jewyo Rhii, Warming and Humidifying, Korea 2002
Paris-Pkin Curated by Chang Tsong-zung, organized by Gallery Enrico Navarra, published by Chinese Century
Report of the International Symposium 2002, Asia in Transition: Representation and Identity, Japan, The Japan
Foundation Asia Center, 2002;
Stay in Shanghai 2002, Exhibition Catalogue, Shanghai, EastLink Gallery, 2002
The Shine of the City Contemporary Art Exhibition 2002, Exhibition Catalogue
Yasuko, Furuichi, Asia in Transition: Representation and Identity, Japan Foundation Asia Center, 2002
373

2003
A Strange Heaven: Contemporary Chinese Photography curated by Petr Nedoma & Chang Tsong-zung, organized by
Hong Kong, Asian Art Archive & Paris, Galerie Enrico Navarra
Alors, la Chine? curated by Chantal Bret, Alain Sayag, Pi Li et al, organized by Centre Pompidou Paris.
Art/34/Basel/18-23/6/03, Media Documents, Basel, 2003
Clark, John., Art 34 Basel, in Art AsiaPacific, Issue 38, Fall 2003, p.48-49.
Cream 3: Contemporary Art and Culture, London and New York, Phaidon, 2003
How latitudes become forms curated by Philippe Vergne, Chinese Advisor, Hou Hanru, organized by Walker Art
Center
Chinese Maximalism/ Zongguo jiduo zhuyi, Gao Minglu, Beijing, Millenium Art Museum & Buffalo, State University
of New York at Buffalo Art Gallery; catalogue Chongqing, Chongqing Chubanshe, 2003
Shanghart 2003, Catalogue of artists represented by ShangART, Shanghai, 2003
Zhang Baoquan & Gu Zhenqing (Editors), Second hand Reality: Pre-Reality an exhibition of contemporary art at the
Today Art Gallery, Hong Kong, China Today Gallery Publishing House Ltd, 1993 (Curator: Gu Zhenqing)
Zhang Baoquan & Gu Zhenqing (Editors), Second hand Reality: Post-Reality an exhibition of contemporary art at the
Today Art Gallery, Hong Kong, China Today Gallery Publishing House Ltd, 1993 (Curator: Gu Zhenqing)

2004
Between Past and Future: new photography and video from China, Wu Hung & Phillips, Christopher, Gttingen, Steidl
Publishers, 2004.
China Dream: Another Flow in Chinese Modern Art, Rawanchaikul Toshiko & Horikawa Lisa, eds. , Fukuoka, Fukuoka
Contemporary Taiwanese Art in the Era of Contention ,curated by Pan An-yi, [with catalogue essays by Yan Chuan-ying,
Hsiao Chong-ray], Taipei, Tapiei Fine Arts Museum & Ithaca, Herbert F. Johnson Museum of Art, 2004
Ham Jin, Catalogue in conjunction with the exhibition Aewan, Seoul, pkm Gallery, 2004 (Essay by Iris Moon).
The Monk and the Demon: Contemporary Chinese Art, Fei Dawei et al, [Exhibition in Lyon & Guangdong] Milan, 5
Continents Editions, 2004

2005
Cubism in Asia, unbounded dialogues, Tatehata Akira et al, Tokyo, The Japan Foundation, 2005
Jung Yeondoo, Dreams come true, almost, Seoul, Kukje Gallery, 2005.
Little boy : the arts of Japan's exploding subculture, Murakami Takashi, ed., New York: Japan Society & New Haven :
Yale University Press, 2005
Mahjong: Contemporary Chinese Art from the Sigg Collection, Fibicher, Bernard; Frehner, Matthias, ed., Ostfildern-Ruit,
Hatje Cantz, 2005
Yasuko, Furuichi & Aki, Hoashi, eds., Cubism in Asia: Unbounded Dialogues, Tatehata Akira et al, Tokyo, The Japan
Foundation, 2005

2006
Gong Mingguang, ed., Entry Gate: Chinese Aesthetics of heterogeneity, 2006 MoCA Envisage, [Bilingual Catalogue]
Shanghai, Shanghai Shuhua Chubanshe, 2006,
Second Shanghai Duolun Exhibition of Yong Artists, [Bilingual catalogue], Shanghai, Duolun Museum, 2006, [curators:
Biljiana Ciric, Huang Yuelin, Tang Dixin].

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Mcaa Bib 2011

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MODERN AND CONTEMPORARY ASIAN ART:

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