British Forum for Ethnomusicology

Front Matter
Source: British Journal of Ethnomusicology, Vol. 8 (1999)
Published by: British Forum for Ethnomusicology
Stable URL: http://www.jstor.org/stable/3060849
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Editorial
policy
The British Journal
of Ethnomusicology
is a refereed
journal published annually by
the
British Forum for
Ethnomusicology
(BFE).
Membership
of BFE is open to all without
restriction. Likewise, the Journal welcomes all
scholarly contributions, regardless
of the
author's country of
origin
or residence. Information for contributors will be found on the
inside back cover. For details of
past
issues and other current information, see our World
Wide Web home
page: http://www.shef. ac.uk/uni/academic/I-M/mus/staff/js/bje.html.
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Editors,
Dr Martin
Clayton and Dr Suzel Ana Reily (for
addresses see inside back
cover).
British Journal of
Ethnomusicology
Volume 8 1999
Editors
Martin
Clayton
Suzel Ana
Reily
Reviews Editor
Carole
Pegg
Editorial Board
John
Baily Stephen
Blum David
Hughes
Richard Middleton Micheal 0 Suilleabhain
Richard Widdess Udo Will
British Forum for
Ethnomusicology
formerly
International Council for Traditional Music
UK
Chapter
Published
by
British Forum of
Ethnomusicology,
c/o
Department
of
Music,
Faculty
of Arts, Open University,
Walton Hall,
Milton
Keynes,
MK7
6AA,
England.
The
publishers
wish to thank the
Open University
Research
Development
Funding
Sub-Committee for their financial
support.
Enquiries regarding
announcements and
advertising
should be addressed to the
Editors,
Dr Martin
Clayton
and Dr Suzel Ana
Reily (for
addresses see inside
back
cover).
Enquiries regarding reviews,
and review
copies
of
publications,
should be sent
to the Reviews Editor: Dr Carole
Pegg,
BJE Reviews
Editor,
59 Mawson
Road,
Cambridge
CB 1
2DZ, England.
The British Forum for
Ethnomusicology
is the UK National Committee of the
International Council for Traditional Music.
? British Forum for
Ethnomusicology,
2000
ISSN 0968-1221
Cover illustration:
Q ueen Mary harp (credit:
Robert D.P.
Evans)
Copy-editing
and
page layout
Jane Wood
Design Pamela
Higgins
Printed by
Hobbs the Printers Ltd, Totton, Hampshire,
S040 3YS
Contents
ARTICLES
"It is
new-strung
and shan't be heard":
nationalism and memory
in the Irish
harp
tradition
Chinese ritual music under Mao and
Deng
The
origin
of "samba" as the invention of
Brazil
(why
do
songs
have
music?)
Music for
dreaming: Aboriginal
lullabies
in the
Yanyuwa community
at Borroloola,
Northern
Territory
REVIEW ESSAYS
Nixon, Sociality
-
Music
-
Dance: human
figurations
in a transylvanian valley
Lortat-Jacob,
Chants de Passion: Au coeur
d'une
confrerie
de
Sardaigne
REVIEWS OF BOOKS
Kisliuk, Seize the dance!: BaAka musical
life
and the
ethnography of performance
Miller,
Music and
song
in Persia: the art
of avaz
Klotz,
Vom tonenden Wirbel menschlischen
Tuns: Erich M. von Hornbostel als
Gestaltpsychologe,
Archivar und
Musikwiss
enschaftler
Zuhur, Images of
enchantment: visual and
performing
arts
of
the Middle East
S.C. Lanier
Stephen
Jones
Rafael
Jose de
Menezes Bastos
Elizabeth
Mack-inlay
Philip
V. Bohlman
Caroline Bithell
Gregory
F. Barz
Laudan Nooshin
Martin
Clayton
1
27
67
97
112
116
123
125
128
Veronica
Doubleday
130
REVIEWS OF RECORDINGS
British traditional
andfolk
musics: an overview Carole
Pegg
133
(continued)
Index of articles
by author,
volumes 1-8
Index of countries as
major
article
themes,
volumes 1-8
Editorial
policy
and subscriptions
Notes to contributors
139
140
inside front cover
inside back cover