find the focus- locate the emotional quality

the depth of focus/ makes it rich

make it compelling
pick best ideas
kick drum between 30 and 80 then 1k - 4k and compress them
differently
snap- slow attach quick release on compressor
makes thing audible at low volumes
!e sing we dance "ason mara#
$tereo delay 8th on left 1/4 on right/ with a doubler
flanger on vocals
cut lows in piano %0 and boost 1&'
delay guitars at 10 and & o(clock
http)//theproaudiofiles*com/tips-for-mi+ing-vocals-to-a-two-
track-instrumental/
http)//documentation*apple*com/en/logicstudio/effects/inde+*htm
l,chapter-./&0section-./&0tasks-true
1o use the tape delay as a saturation plugin)
1* $et the delay time to 0ms
&* $et wet to 100/ and dry to 0/
3* 2lick the little triangle on the bottom of the window to
open up the distortion level slider*
4* 3d"ust distortion level to taste*
3 couple of notes to remember* 4f you are using 5ogic 86
whenever you move the plugin or it is re-initiali#ed6 the delay
time will revert back to the default setting* 3nother thing 4
noticed is that the signal gets more distorted when you move it
in the negative direction* 7ou can also play around with the
other settings on the delay plugin to get some cra#y sounds*
2heck out this clip with the 1ape 8elay being used as saturation*
1he first 4 measures are dry and the last 8 have the plugin on it*
1here are certain 9: ranges that add specific qualities to guitar
sounds* 8epending on the type of guitar and style of music6 9:
changes can have varying results* ;ere are some good starting
points for equali#ing a guitar*
< 100;# can add a good solid low end* =oost this frequency
sparingly6 as a boost here will conflict with the bass guitar >4
tend to cut this frequency quite often on guitar?*
< &00;# tends to be the muddy #one for guitar and can make
the overall sound of the guitar dull if boosted* 3 cut at &00;#
can e+pose the lows and the highs so that the sound has more
clarity and low end punch* 2utting this frequency can help a
double coil pickup sound like a single coil pickup*
< 1he frequency range from &.0;# to 3.0;# can add punch
and help the blend of a distorted rock sound*
< 1he frequency range from .00 to 000;# often contains
most of the body and punchy character*
< 1he frequency range from &*.k;# to about .k;# adds
edge and definition to most guitar sounds*
=oosting 8k;# to around 1&k;# makes many guitar sounds
shimmer or sparkle* 1hese frequencies can also contain much of
the noise from the signal processors so cutting these frequencies
slightly can minimi#e many noise problems from the guitarist@s
equipment