Professional Documents
Culture Documents
5 April 1942
Born (age 67)
Newport, Wales
Film director,
Occupation
Painter
Peter Greenaway, CBE (born 5 April 1942,
Newport, Monmouthshire, Wales[1]) is a British
film director. He is currently professor of cinema
studies at the European Graduate School in Saas-
Fee, Switzerland.
Contents
[hide]
• 1 Early life
• 2 Work in film and the arts
• 3 Later work in film and the arts
o 3.1 'Nine Classical Paintings
Revisited'
• 4 Films
• 5 Shorts
• 6 Documentaries and mockumentaries
• 7 Television
• 8 Exhibitions
• 9 References
• 10 External links
[edit] Early life
Peter Greenaway's family left South Wales when
he was three years old (they had moved there to
begin with to avoid the Blitz) and settled in
Essex, England. He attended Forest School in
North-East London. At an early age Greenaway
decided on becoming a painter. He became
interested in European cinema, focusing first on
the films of Bergman, and then on the French
nouvelle vague film-makers such as Godard, and
most especially, Resnais.
[edit] Work in film and the arts
In 1962 Greenaway began studies at
Walthamstow College of Art, where a fellow
student was musician Ian Dury (later cast in The
Cook, the Thief, His Wife & Her Lover).
Greenaway trained as a muralist for three years;
he made his first film, Death of Sentiment, a
churchyard furniture essay filmed in four large
London cemeteries. In 1965, he joined the
Central Office of Information (COI), working
there fifteen years as a film editor and director.
In that time he created a filmography of
experimental films, starting with Train (1966),
footage of the last steam trains at Waterloo
station, (situated behind the COI), edited to a
musique concrete composition. Tree (1966), is
an homage to the embattled tree growing in
concrete outside the Royal Festival Hall on the
South Bank in London. By the 1970s he was
confident and ambitious and made Vertical
Features Remake and A Walk Through H. The
former is an examination of variations of
arithmetical editing structure, and the latter is a
journey through the maps of a fictitious country.
The visual hallmark of Greenaway's cinema is
the heavy influence of Renaissance painting, and
Flemish painting in particular, notably in scenic
composition and illumination and the
concomitant contrasts of costume and nudity,
nature and architecture, furniture and people,
sexual pleasure and painful death. His most
familiar musical collaborator is composer
Michael Nyman, who has scored several of
Greenaway's films.
In 1980, Greenaway delivered The Falls (his first
feature-length film) – a mammoth, fantastical,
absurdist encyclopedia of flight-associated
material all relating to ninety-two victims of
what is referred to as the Violent Unknown
Event (VUE). In the 1980s, Greenaway's cinema
flowered in his best-known films, The
Draughtsman's Contract (1982), A Zed & Two
Noughts (1985), The Belly of an Architect
(1987), Drowning by Numbers (1988), and his
most successful (and controversial) film, The
Cook, the Thief, His Wife & Her Lover (1989).
In 1989, he collaborated with artist Tom Phillips
on a television serial A TV Dante, dramatising
the first few cantos of Dante's Inferno. In the
1990s, he presented the visually spectacular
Prospero's Books (1991), the controversial The
Baby of Mâcon (1993), The Pillow Book (1996),
and 8½ Women (1999).
[edit] Later work in film and the arts
In the early 1990s, Greenaway wrote ten opera
libretti known as the Death of a Composer
series, dealing with the commonalities of the
deaths of ten composers from Anton Webern to
John Lennon, however, the other composers are
fictitious, and one is a character from The Falls.
In 1995, Louis Andriessen completed the sixth
libretto, Rosa – A Horse Drama.
Greenaway has completed the artistically
ambitious, The Tulse Luper Suitcases, a
multimedia project with innovative film
techniques that resulted in five films. He also
contributed to Visions of Europe, a short film
collection by different European Union directors;
his British entry, is The European Showerbath.
Nightwatching, a film on Rembrandt was
released in 2007. Nightwatching is the first
feature in the series "Dutch Masters", with the
next project titled as "Goltzius".[2]
On 17 June 2005, Greenaway appeared for his
first VJ performance during an art club evening
in Amsterdam, the Netherlands, with music by
DJ Serge Dodwell (aka Radar), as a backdrop,
‘VJ’ Greenaway used for his set a special system
consisting of a large plasma screen with laser
controlled touchscreen to project the ninety-two
Tulse Luper stories on the twelve screens of
"Club 11", mixing the images live. This was later
reprised at the Optronica festival, London.
On 12 October 2007 he created the multimedia
installation Peopling the Palaces at the Royal
Palace of Venaria that will remain open for 3
year and that animate the Palace with 100
videoprojectors.
[edit] 'Nine Classical Paintings Revisited'
In 2006, Greenaway began an ambitious series of
digital video installations, “Nine Classical
Paintings Revisited,” with his exploration of
Rembrandt's Night Watch in the Rijksmuseum in
Amsterdam. On 30 June 2008, after much
negotiation, Greenaway staged a one-night
performance 'remixing' da Vinci's The Last
Supper in the refectory of Santa Maria delle
Grazie[3] in Milan to a select audience of
dignitaries. The performance consisted of
superimposing digital imagery and projections
onto the painting with music from the composer
Marco Robino.
The Wedding at Cana by Paolo Veronese (mid-
16th century)
Greenaway exhibited his digital exploration of
The Wedding at Cana by Paolo Veronese as part
of the 2009 Venice Biennial. An arts writer for
the New York Times called it “possibly the best
unmanned art history lecture you'll ever
experience,” while acknowledging that some
viewers might respond to it as “mediocre art,
Disneyfied kitsch or a flamboyant denigration of
site-specific video installation.” The 50-minute
presentation, set to a soundtrack, incorporates
closeup images of faces from the painting along
with animated diagrams revealing compositional
relations among the figures. These images are
projected onto and around the replica of the
painting that now stands at the original site,
within the Palladian architecture of the
Benedictine refectory on San Giorgio Maggiore.
The soundtrack features music and imagined
dialogue scripted by Greenaway for the 126
“wedding guests, servants, onlookers and
wedding crashers” depicted in the painting,
consisting of small talk and banal chatter that
culminates in reaction to the miraculous
transformation of water to wine, according to the
Gospels the first miracle performed by Jesus.
Picasso's Guernica, Seurat's Grande Jatte, works
by Jackson Pollock and Claude Monet,
Velázquez's Las Meninas and Michelangelo's
The Last Judgment are possible series subjects.[4]
[edit] Films
• The Falls (1980, 185 min)
• The Draughtsman's Contract (1982, 103
min)
• A Zed & Two Noughts (1985, 115 min)
• The Belly of an Architect (1987, 120 min)
• Drowning by Numbers (1988, 118 min)
• The Cook, the Thief, His Wife & Her Lover
(1989, 124 min)
• Prospero's Books (1991, 129 min)
• The Baby of Mâcon (1993, 122 min)
• The Pillow Book (1996, 126 min)
• 8½ Women (1999, 118 min)
• The Tulse Luper Suitcases, Part 1: The
Moab Story (2003, 127 min)
• The Tulse Luper Suitcases, Part 2: Vaux to
the Sea (2003, 108 min)
• The Tulse Luper Suitcases, Part 3: From
Sark to the Finish (2003, 120 min)
• Nightwatching (2007)
• Tales from the Nursery (2009/TBC)
• Untitled Old Testament Project (2010/TBC)
• Untitled Japanese Ghost Story Project
(2011/TBC)
• Goltzius (TBA)
• The Love Child (TBA)
• Untitled Science-Fiction Project (TBA)
• Augsbergenfeld (TBA)
• 55 Men on Horseback (TBA)
[edit] Shorts
• Death of Sentiment (1962, 8 min)
• Tree (1966, 16 min)
• Train (1966, 5 min)
• Revolution (1967, 8 min)
• 5 Postcards From Capital Cities (1967, 35
min)
• Intervals (1969, 7 min)
• Erosion (1971, 27 min)
• H Is for House (1973, 10 min)
• Windows (1975, 4 min)
• Water Wrackets (1975, 12 min)
• Water (1975, 5 min)
• Goole by Numbers (1976, 40 min)
• Dear Phone (1978, 17 min)
• Vertical Features Remake (1978, 45 min)
• A Walk Through H: The Reincarnation of
an Ornithologist (1978, 41 min)
• 1-100 (1978, 4 min)
• Making a Splash (1984, 25 min)
• Inside Rooms: 26 Bathrooms, London &
Oxfordshire (1985, 26 min)
• Hubert Bals Handshake (1989, 5 min)
• Rosa (1992, 15 min)
• Lumière et compagnie (fragment "Peter
Greenaway", 1996, 55 sec)
• The Bridge (1997, 12 min)
• The Man in the Bath (2001, 7 min)
• Visions of Europe (fragment "European
Showerbath", 2004, 5 min)
[edit] Documentaries and mockumentaries
• Eddie Kid (1978, 5 min)
• Cut Above the Rest (1978, 5 min)
• Zandra Rhodes (1979, 13 min)
• Women Artists (1979, 5 min)
• Leeds Castle (1979, 5 min)
• Lacock Village (1980, 5 min)
• Country Diary (1980, 5 min)
• Terence Conran (1981, 15 min)
• Four American Composers (1983, 220 min)
• The Coastline (1983, 26 min)
• Fear of Drowning (1988)
• Rembrandt's J'accuse (2008, 80 and 100
min)
[edit] Television
• Act of God (1980) [5]
• Death in the Seine (French TV, 1988) [6]
• A TV Dante (mini-series, 1989) [7]
• M Is for Man, Music, Mozart (1991)[8]
• A Walk Through Prospero's Library (1992)
[9]