How do the themes of parental love and morality, as well as the use of imagery, create a sense of
desolation within Cormac McCarthy's 'The Road'
Cormac McCarthys Pulitzer Prize winning The Road depicts a desolate tale of a post-apocalyptic world governed by unremitting hope, morality and human natures resilience to survive. The story follows the two protagonists, a father and son. They both have a destination with means to get there. This father has no wife and this boy, no mother, she committed suicide long ago. This road they take is infested with cannibals, thieves and murderers. The father and son scout for food which is subsequently stored in a shopping cart with little to their names. The earth upon which they walk is enshrouded by an eternal eclipse. The sun dare not show its face to this precious planet that was once many shades of gracious green and beautiful blue. Leaving the onset of an objective cold glaucoma dimming away the world (1). McCarthy employs a multitude of literary features to submerge the reader in the bleak foreboding atmosphere of the novels setting with three in the foremost, firstly graphic negative adjectives are used continuously in the novel as a form of imagery to illuminate the readers perception of the overwhelmingly despairing environment. Such descriptions when applied to things like burned bodies as they release their final primal roar in agony coupled with the depressing colourless atmosphere of the sky, remnants of civilisation and the general scenery is more than enough to paint a picture in ones head and helps add to the overall tone and mood of the novel. This synergy between prevalent descriptions of the settings and grizzly portrayals of situational depressing and potentially fatal aspects of human life make The Road an interesting and compelling read. Secondly, the theme of parental love resonates constantly while reading. The sheer dependence on one another each the other worlds entire (1) and the knowledge of the mothers suicide gained prior makes for much tension and a sense of foreshadowed tragedy. The reader continually supports the couple on their journey and wishes the success of their objective. If at any point, the father or son seems in peril the reader becomes involuntarily immersed and anxious. Whenever something inescapable does happen to either of the pair it strongly affects the reader emotionally. Finally, the subject of morality juxtaposed between the father and son and humanitys remains forms the basis of a constant conflict between hope and hopelessness. The father reminds the son that he is carrying the fire of all the goodness in the world and if he were to die, there would be no goodness left. All the cannibals, thieves and murderers are the soul embodiment of all evil and antagonistic behaviour. These two literary themes, parental love and morality, as well as the use of imagery are the themes and devices I will be focusing on in this presentation to explain how the author uses literary themes and features to create a desolate atmosphere. With Nights dark beyond darkness and the days more grey each one than what had gone before. Like the onset of some cold glaucoma dimming away the world. (1) as the description on the first page, the reader immediately knows a priori that the story will be tragic and depressing. This very bold description, like a first impression, immediately delves the reader into the sinister atmosphere the protagonists live in. The growing symbolism of the encapsulating darkness conjoined with an objective association of the sickness creates thick layers of feeling for the reader to endeavour and experience, letting them know that this book is not for the psychologically fragile from the start. The couples will to survive forces them to walk the barren, silent, godless (2) land, literally drained of life and burned dry to the crust, leaving only the dulled landscape of a sullen haze hung over earth and sky alike (92). God has forsaken them leaving them with doubt and only oneself to trust as they live on the road in solitary isolation. They sat in the ashes by the side of the road and looked out to the east where the shape of the city was darkening into the coming night. They saw no lights. (159) Ashes of a burned human, tree or building denatured in form as whats left are forgotten memories long lost and nothing more. The ever-imminent night as the enemy, and each day darker than the prior, no lights seem obvious at the point. However, the use of contrasting the darkening night with a lack of light, when duelled together empower the scene, rather than just darkness, light doesnt exist. This repetition is used by the author in such a way that the author portrays two sides of the same coin juxtaposing the imagery creating an overwhelming effect in so few words. Here we can see that the author pays extreme attention to detail and has mastered the craft of subtlety through implications. He has managed to completely engage the reader in an unfathomable world darker than black by his careful choice of words and imagery. The father has only one warrant, his son who he thoroughly believes carries the internal fire of human hope and resilience. They are at constant silent odds with each other with each one worrying about the other more than themselves, symbolised by small gestures like the Coca-Cola and Cocoa. The father views the son like a deity with incandescent innocence and purity, whereas the son views the father as the only source of experience and knowledge of the lost world. With each the other worlds entire (1) both depend on each others survival fully willing to die for one another. The father exclaims to his son that if his son dies he himself will commit suicide. What would you do if I died? | If you died I would want to die too. | So you could be with me? | Yes. So I could be with you. | Okay. (11) This forces an overhead looming of death that is persistently instilled in the readers mind. From a fatherly perspective, talking about serious matters such as death with ones son is quite disturbing. More distressing still is openly admitting to ones son that if his son dies, hell commit suicide. Upon reflection, this sort of ultimately tragic behaviour is reminiscent of plays like Romeo and Juliet whereby the love is so strong that their life is reliant on the significant others existence. In addition to this, when the pair encounter enemies, the father gives a series of unsettling instructions as to what to do if the boy is found Dont be afraid, he said. If they find you you are going to have to do it. Do you understand? Shh. No crying. Do you hear me? You know how to do it. You put it in your mouth and point it up. Do it quick and hard. Do you understand? (113) The sheer thought of teaching the son how to kill himself is unnerving to the reader, in this desperate situation it is well justified. The father is willing to give up his only bullet for the optimum solution of alleviating his sons suffering from this harsh world. He knows that the looters will either consume or slave-drive his son and is more than willing to give up his own happiness and value to allow the son an escape from dismay. This scene in particular heavily falls into place with the graphic imagery and prominent landscape descriptions conjuring weighted emotions from the reader. This works perfectly as the family love they share makes the reader empathise with the pair and care deeply for them. The more sentimentality the reader attributes towards the protagonist, the more the reader takes note of the distressing surrounding atmosphere and sense of desolation. The concept of morality dates back to works from the greatest philosophers such as Plato and Aristotle, who dispute the ongoing argument of the distinction between good and bad. These two yin-yang opposites are present in any story telling medium, such is the literary concept of protagonists and antagonists. The road is no exception and rather manipulates the theme of morality towards driving the plot forward and further engaging the reader in the dark and depressing tone and mood in which the story is set. The born dead feeling of hopelessness is certainly not inconspicuous and is used to justify why certain actions are considered good or evil. The disputes between father and son as well as the rest of the human race creates a dissipating conflict and much tension. Post-encountering the bad guys his father explains to his son his purpose for living in the world You wanted to know what the bad guys looked like. Now you know. It may happen again. My job is to take care of you. I was appointed to do that by God. I will kill anyone who touches you. Do you understand? | Yes. (39) The father makes it very clear to the son that his sole purpose in life is to protect his son and due to this justifies his action of murder, in short, his sons defence. The father believes his son is the source of goodness in the world, and if the son does, so does the goodness of the world. Yet the reader has to ask, what makes his decision to save his son a better justification for good than those who cannibalize and murder for their own survival, whom he characterizes as evil. Whether it can be considered an act of altruism or not, the son finds the consequent need to question if the pair can still be considered good guys He sat there cowled in the blanket. After a while he looked up. Are we still the good guys? he said. | Yes. We're still the good guys. (39) Furthermore, just before the death of the boys father, he tells the son just how important his life is You have to carry the fire. | I dont know how to. | Yes you do. | Is it real? The fire? | Yes it is. | Where is it? I dont know where it is. | Yes you do. It's inside you. It was always there. I can see it. (278-279) This fire is referred to multiple times in the novel and symbolises the hope of human instinct. Even in a world with no redemptive qualities, one that many would argue is not worth surviving for, the father still provides a reason for the son to go on living and surviving. Not matter how smothered the fire in ones heart is, there is always reason to kindle the flames to relight the good in the world. With this quote, the reader is able to emphasise and coalesce the importance of life as well as maintaining the depressing and desolate atmosphere in tandem. It is breath-taking and enthralling to know why existence is such a gift as the pair separate for the first time. It is astounding that this sensation is can be extrapolated by only a few carefully placed and planned sentences. Clearly the sense of hopelessness juxtaposed with the yin-yang good and evil morality coupled with the dampening of the internal burning fire establishes the foundation of a dark depressing and desolate atmosphere for which the reader is to immerse. Due to the immense detail and imagery used in describing the landscape setting, the parental and filial love the father and son share, and the distinctions between good and evil, the road creates a post-apocalyptic and unforgiving atmosphere. The images produced by the in-depth descriptions not only create a visual stimulus for which the reader to build upon, but also leaves the author a lot of potential chances for metaphors and inferences to be applied by the reader. One cares so much for the protagonists that any emotions felt by the protagonists are subsequently felt by the reader. The reader is engrossed into this world and feels as if they too are on the road trudging through the ashes with the pair. Finally, the resounding conflictions between good and evil leave a perpetual state of uneasiness in the reader, from this, the author is able to fabricate and manipulate a dreadful godless atmosphere from which the reader is unable to escape, simply because the reader wont be able to put the book down. By the end of the book, the reader is left at a crossroads. Does the story that continues beyond the final page lead to demise, darkness and desolation at every corner, or perhaps those dangers are scorched and eradicated by the ever-lasting internal fire of good and hope the boy possesses. In any case, that is left up to the personal standpoint of the reader to decide, as well as the powerful narrative devices used to guide the reader towards the truth.