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8PC4004 lashlon

ConsLrucLed lmage
!"#$%&'#()%
Croup 1
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lnlual ldeas
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Algophobia - Fear of pain.
Agoraphobia - Fear of open spaces or crowds.
Aichmophobia - Fear of needles or pointed objects.
Amaxophobia - Fear of riding in a car.
Androphobia - Fear of men.
Anginophobia - Fear of angina or choking.
Anthrophobia - Fear of flowers.
Anthropophobia - Fear of people or society.
Aphenphosmphobia - Fear of being touched.
Arachnophobia - Fear of spiders.
Arithmophobia - Fear of numbers.
Astraphobia - Fear of thunder and lightening.
Ataxophobia - Fear of disorder or untidiness.
Atelophobia - Fear of imperfection.
Atychiphobia - Fear of failure.
Autophobia - Fear of being alone.
B
Bacteriophobia - Fear of bacteria.
Barophobia - Fear of gravity.
Bathmophobia - Fear of stairs or steep slopes.
Batrachophobia - Fear of amphibians.
Belonephobia - Fear of pins and needles.
Bibliophobia - Fear of books.
Botanophobia - Fear of plants.
C
Cacophobia - Fear of ugliness.
Catagelophobia - Fear of being ridiculed.
Catoptrophobia - Fear of mirrors.
Chionophobia - Fear of snow.
Chromophobia - Fear of colors.
Chronomentrophobia - Fear of clocks.
Claustrophobia - Fear of confined spaces.
Coulrophobia - Fear of clowns.
Cyberphobia - Fear of computers.
Cynophobia - Fear of dogs.
D
Dendrophobia - Fear of trees.
Dentophobia - Fear of dentists.
Domatophobia - Fear of houses.
Dystychiphobia - Fear of accidents.
E
Ecophobia - Fear of the home.
Elurophobia - Fear of cats.
Entomophobia - Fear of insects.
Ephebiphobia - Fear of teenagers.
Equinophobia - Fear of horses.
G
Gamophobia - Fear of marriage.
Genuphobia - Fear of knees.
Glossophobia - Fear of speaking in public.
Gynophobia - Fear of women.
H
Heliophobia - Fear of the sun.
Hemophobia - Fear of blood.
Herpetophobia - Fear of reptiles.
Hydrophobia - Fear of water.
Hypochonria - Fear of illness.
I
Iatrophobia - Fear of doctors.
Insectophobia - Fear of insects.
K
Koinoniphobia - Fear of rooms.
L
Leukophobia - Fear of the color white.
Lilapsophobia - Fear of tornadoes and hurricanes.
Lockiophobia - Fear of childbirth.
M
Mageirocophobia - Fear of cooking.
Megalophobia - Fear of large things.
Melanophobia - Fear of the color black.
Microphobia - Fear of small things.
Mysophobia - Fear of dirt and germs.
N
Necrophobia - Fear of death or dead things.
Noctiphobia - Fear of the night.
Nosocomephobia - Fear of hospitals.
Nyctophobia - Fear of the dark.
O
Obesophobia - Fear of gaining weight.
Octophobia - Fear of the figure 8.
Ombrophobia - Fear of rain.
Ophidiophobia - Fear of snakes.
Ornithophobia - Fear of birds.
P
Papyrophobia - Fear of paper.
Pathophobia - Fear of disease.
Pedophobia - Fear of children.
Philophobia - Fear of love.
Phobophobia - Fear of phobias.
Podophobia - Fear of feet.
Porphyrophobia - Fear of the color purple.
Pteridophobia - Fear of ferns.
Pteromerhanophobia - Fear of flying.
Pyrophobia - Fear of fire.
S
Samhainophobia - Fear of Halloween.
Scolionophobia - Fear of school.
Selenophobia - Fear of the moon.
Sociophobia - Fear of social evaluation.
Somniphobia - Fear of sleep.
T
Tachophobia - Fear of speed.
Technophobia - Fear of technology.
Tonitrophobia - Fear of thunder.
Trypanophobia - Fear of needles / injections.
V-Z
Venustraphobia - Fear of beautiful women.
Verminophobia - Fear of germs.
Wiccaphobia - Fear of witches and witchcraft.
Xenophobia - Fear of strangers or foreigners.
Zoophobia - Fear of animals.
LlsL of lears
Thursday, 8 May 14
Fear of going outside.
Feel unsafe in any public space.
Fear of having panic attack where people may witness it.
Fear of busy places (queues, buses, planes, shopping centers, crowded areas, shops, etc).
Severe cases mean that people will rarely leave their home.
Leads to isolation and loneliness.
Helpless.
Agoraphobla
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Fear of light.
Intolerance to visual perception to light.
Experience of discomfort or pain to the eyes due to exposure to light.
Not necessarily a fear or phobia.
Medical condition.
hoLophobla
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Croup 8oles
ShooL Co-ordlnaLes - Charlle
Llghung Lead - Pannah
8ulldlng Lead - Pannah, Charlle, Zoe, Ceorgla, Charloue
rops MasLer - Pannah, Charlle, Zoe, Ceorgla, Charloue
8udgeL ConLrol - Zoe
Casung Lead - Ceorgla
Camera MasLer - Charlle, Charloue, Ceorgla
PealLh and SafeLy 8epresenLauve - Charlle
osL roducuon - Pannah, Charlle
Thursday, 8 May 14
Visual Research
Thursday, 8 May 14
!"#$#% '($)*+,( - Pope &
lear
- hoLographs human fears
- eople wearlng and
lnLeracung wlLh Lhelr fears
- SLudlo envlronmenL
- unreallsuc
- ConfronLauonal
- Lasy Lo read and
undersLand
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.$)/ 0(1" - arls/MlnnesoLa
- lsolauon
- use of props Lo lsolaLe
gure ln corner of room
- So llghung and colour
- SubLle
- uocumenLary
- 8eallsm
- ueadpan
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2#$$#+3 455$)61(,
- AesLheuc colour paleue
- So naLural llghung
- uocumenLary sLyle
- ueadpan
- 'lly on Lhe wall' approach
- lsolaLed gures
- SnapshoL
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'(** 7#*( - loreclosed
Pomes
- So naLural llghung
- Llghung shapes
- Llghung belng maln focus
polnL of Lhe lmages
- Lmpuness
- lsolauon
- Lack of human
cusLomlzauon
Thursday, 8 May 14
8+9:,+ 8;$$+,)< - 1urn ln
- So naLural llghung
- SubLle
- Lmpuness
- lsolauon
- LlghL palnLed onLo Lhe wall
space
- lmage made up of only few
dlerenL componenLs
- Wall lllng up ma[orlLy of
frame
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Planning
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ueveloplng ConcepL
Using Agoraphobia as the subject/concept of our shoot
Create a bedroom environment which the model will be located in
Use a pale male model for the shoot
Documentary style
Restrictive clothing (to emphasize restrictions of agoraphobia)
Create lighting set up which resembles natural daylight entering bedroom windows
Subtlety
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llrsL 3u ueslgn
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8ed
8adlaLor
8ed Slde 1able/Lamp
Corrldor
Llp
8edroom
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Llghung
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Llghung lan
- Replicate natural lighting entering bedroom window
- Sunlight at sunrise or sunset (exaggerated shadows)
- Alec Soth inuence
- Soft
- Subtle
- Combination of natural and tungsten lighting
- Warmth
- Lighting shapes (combination of light and dark areas)
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lnlual SeL/Llghung lan
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lnlual Llghung 1esL
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Second 1esung
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llnal Llghung lan
8+#, =#5"1
used foam boards Lo creaLe wlndow
shape
Soened llghL wlLh nu and Spun
MeLered aL f/2
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Large dluser used Lo soen llghL
llll ln shadow areas creaLed by maln
llghL source
Made llghung more subLle
8+#, =#5"1
used foam boards Lo creaLe wlndow
shape
Soened llghL wlLh nu and Spun
MeLered aL f/2
8+#, =#5"1
used foam boards Lo creaLe wlndow
shape
Soened llghL wlLh nu and Spun
MeLered aL f/2
8+#, =#5"1 ?@(9 /(99#*(9 6"(1A
uL on a boom
Soened llghL wlLh nu and Spun
Poneycomb used
MeLered aL f/2
8+#, =#5"1
used foam boards Lo creaLe wlndow
shape
Soened llghL wlLh nu and Spun
MeLered aL f/2
8+#, =#5"1
used foam boards Lo creaLe wlndow
shape
Soened llghL wlLh nu and Spun
MeLered aL f/2
>#$$ =#5"1
Sobox auached
2 sLops under maln llghL source
Lven dlsLrlbuuon of llghL
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Llghung SeLup
Maln LlghL Source llll LlghL Source
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- Window Lighting - We have included a window to link with our theme agoraphobia
- Equipment needed: two poly boards / defusing paper / light head (defusing paper over the light
head)
- Overall Lighting - We needed to include an overall lighting to our set to lighten the shady areas.
- This also helped to notice the textures of the wall paper
- Equipment: poly board / defusing paper / light head with a large soft box
- Equipment: boom arm / light head (defusing paper over the top)
- Ceiling Lighting - We added another light head to the set for one main photograph otherwise the
subject would have been in the shadows.
- Equipment: boom arm / light head (honey cone and defusing paper)
- Hallway Ceiling Lighting - For the hallway we added a ceiling focus the light in a certain position
were the subject will stand for one certain photograph.
- Equipment: boom arm / light head (honey cone and defusing paper)
- Hallway Main Lighting - We added another light to lighten the shaded areas in the hallway.
- Equipment: light head with a large soft box (defusing paper over the top of the soft box)
- Focus Light - During the photo shoot we found it difficult to focus on the subjects eyes, we used this
focusing lighting to focus before truing the light of and taking the photograph.
Llghung lnformauon
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Corrldor Maln LlghL Source Corrldor llll LlghL Source
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rops and MaLerlals
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Wallpaper 1esung
Mellow
Mocha
ollshed
ebble
Warm ewLer
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MaLerlal LlsL
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8adlaLor
Lamp
uoor
Sklrung 8oard
CarpeL
Pead 8oard/1able 8ed
8eddlng
Wallpaper
rops
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Casung
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Model lnformauon
name - !ack uavles
PelghL - 6
Locauon - Palls
Slze - 28W
8eason for ueclslon:
- ale (llnks Lo Lhe Lheme of noL golng
ouL ln sunllghL)
- Sklnny (cloLhlng had already been
chosen)
- SLrong [aw llne
- WhlLe/Sllver halr
- unusual appearance
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lashlon CarmenLs
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lashlon lnuences
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- 8esLrlcuve
- Mlnlmallsm
- SlmpllclLy
- SmarL
- Clean CuL
- MuLed Colours
- laln
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lashlon CarmenLs
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lashlon CarmenLs 1esung
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llnal lmages (8efore osL
roducuon)
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uarken (Levels)
Skln LlghLen
CarpeL
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8ed Pands
LlghLen
Skln
Wallpaper
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uarken
Skln
LlghLen
LlghLen
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ShorL 8ed SheeL
Colourful Socks CarpeL
8ed Pands
LlghLen
Skln (+ 8ed
lace)
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llnal lmages (Aer osL
roducuon)
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llnal LayouL
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uioup Evaluation
Foi oui gioup fashion shoot we useu the issue of agoiaphobia as the concept foi oui builu. At the beginning of the pioject
we came to an agieement that we wanteu to cieate a set of images, which iesembleu a uocumentaiy seiies iathei than a
glamouifashion seiies. We felt that agoiaphobia woulu be a goou issue to focus on as the fashion woulu not necessaiily
be the most impoitant aspect of the shoot. We hau stuuieu an Alec Soth image fiom the seiies PaiisNinnesota anu felt
that we coulu cieate a similai type of lighting anu atmospheie in oui own fashion seiies.
Bue to focusing on the genie of uocumentaiy, we wanteu to cieate a scene of iealism iathei than something mythical anu
uniealistic. 0veiall we feel that we weie successful in cieating a iealistic beuioom scene thiough the use of piops,
mateiials anu lighting. To enhance the look of the beuioom we auueu a hallway that gave uepth to the set anu moie
options wheie to photogiaph.
Befoie oui photo shoot we expeiimenteu with oui main focus lighting. We hau ueciueu we woulu use a focus spotlight
with a slat gobo to iesemble the winuow lighting, but when the shoot week came we ueciueu this technique uiun't match
oui concept thiough the lighting being too uiamatic anu uefineu. This meant the technique uiun't ielate to oui iuea anu
methous of cieating a soft anu subtle atmospheie. We then changeu the winuow lighting to a heau light with uefusing
papei to make the light seem natuial to iesemble sun light.
Buiing oui photo shoot the lighting thioughout was consistent. Piioi to the shoot we maue suie that the lighting was
coiiect foi the uiffeient types of shot that we hau planneu to captuie; by uoing this we uiu not have to move oi aujust the
lights that we hau set up. This was helpful as it alloweu us to focus on the taking of the images iathei than the powei of
the lights.
Thioughout the photo shoot week we all paiticipateu anu focuseu on oui inuiviuual ioles. We all founu the week to be
beneficial in uiffeient ways. It was a leaining expeiience foi us all anu we have gaineu new skills, specifically in methous
of lighting.
Thursday, 8 May 14