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PRAISE for Jess C Scott [Jesss writing is] raw [and] full of brio. Its very contemporary.

It has personality and energy. It deals with modern issues in a very modern way. Joseph Grinton | Dont Run Away From Sex *** [Rockstar (Story ! in the "#A$ % &DS' Antho(o)y*] is a sweet and well written short story about two guys who love each other but theyre both waiting for the other to come around. ne thing leads to another and it all comes out. !here is a nice "nife play scene that I en#oyed and both the leads are very li"eable. 'iss Asima (Goo+Rea+s*, -- Ju(y ./-*** Just read Rea( #o0e 1ersus Romance...loved the ideas $ compilation of ideas...great%% &' i agreed with many of the points of how romance has been commerciali(ed for effect instead of portraying the actual depth of true romance...i roll my eyes at what is considered love stories nowadays...even being a guy )haha'* i can appreciate a story that portrays real love $ shows depth in what romance is )means'....a lot has been lost to appease a tween generation or to generally confuse people of all ages on the e+pectations of romance... "232 % 4hesapeake, 53, Apri( ./-. *** PLAY / BDSM: WALKTHROUGH By JESS C SCOTT

,ublished by #essI-. / 0mashwords 1dition 2opyright 3 4564 by Jess 2 0cott. 2over Image 3 4566 by elmo4774* photo ta"en by 8ert47. Jesss 9ebsite& www.#essI-..com 8ert47s website& www.flic"r.com:people:p#b4774

6. 1ducation;<eference 4. 0ocial 0cience;,opular 2ulture 0ummary& In this promotional e8oo"* Jess 2 0cott tal"s about the themes and inspirations behind "#A$* her )non=pornographic 8>0?=themed' pro#ect. @@@@@ !A8B1 C 2 -!1-!0 ,reface I. Introduction ,art I;Cifty 0hades of 6wi(i)ht ,art II;8>0? at #essI-. II. 1+cerpts D 2ommentaries 6. ?aster $ 0ervant )intro : first bdsm' 4. 0witch )role identity : switches' 7. <oc"star )"nife:edge play' E. !eachers ,et )?ay:>ecember relationship' F. !he Gelvet <ope )shibari:mild erotic asphy+iation' III. ,BAH )8>0?' Anthology !een Iuide Interview ther 8oo"s Author 8io @@@@@ PLAY / BDSM: WALKTHROUGH Pref ce: !he "#A$ % &DS' anthology by Jess 2 0cott is a collection of 8>0?=themed contemporary short stories* which e+plore the psychose+ual themes of 8>0?. "#A$ % &DS'7 8a(kthrou)h is a freebie mini compilation. In this promotional e8oo"* Jess tal"s about the themes and inspirations behind her )non= pornographic 8>0?=themed' pro#ect. *** I!tro"#ct$o! %P rt I&'$fty S( "es of Twilight): Jello* my name is Jess and Im an author:artist:non=conformist.

Im also the founder of #essI-.* an innovative publishing company that focuses on substance over current fads and mar"eting hype. Im in my mid=twenties at the time of this writing. I completed the "#A$ % &DS' anthology in mid=4566. It was meant for readers see"ing a mature:intelligent:realistic portrayal of the 8>0? scene and lifestyle. 8>0? is not all about mommy porn K' It is scary that Fi9ty Sha+es o9 Grey )originally written as 6wi(i)ht fan fiction' is* of early 4564* going through the same hype=acclaim process as the original 6wi(i)ht franchise. !here is a big difference between power e+change )that is fulfilling to all the parties involved'* versus dominance and submission thats mar"eted as 8>0? for people whove never really been in the 8>0? scene. Ive noticed that Fi9ty Sha+es o9 Grey seems to follow the same pattern of 6wi(i)ht )virgin female protagonist with se+ual desires* who defines her entire sense of self=worth* self=identity and self= esteem according to her man who comes in the form of the rich* handsome piece thats part of the whole fairy tale syndrome'. !hats fine for commercial fluff. 8ut in the case of 6wi(i)ht* it gets dangerous when mainstream tween fiction teaches girls to define themselves solely by their relationships. 9hats Fi9ty Sha+es o9 Grey teaching womenL !hat the holy trinity of obsession* low self=esteem* and abusive behavior pac"aged as mommy porn is the new love storyL As a person whos had a long=time interest in the psychose+ual themes of both 8>0? and the erotic life in general* I thought Id share with others some of the deeper perspectives that arent covered by a mainstream mass media thats only interested in reaping in profits via the ne+t cash cow franchise. -o matter how much I might *o t(e many commercial franchises* I do c re about the people that these franchises e+ploit )or see" to appease* to put it more politely'. ?ommy porn is #ust li"e any other type of porn;its an adult fantasy thats designed to titillate and:or arouse the reader:customer )and generate profits for the supplier'. Is porn really how we should define our se+ livesL *** I!tro"#ct$o! %P rt II&BDSM t +essI,K): !he following section is partly based on an article titled 0ubtle* Implicit 8>0? )in Jesss erotic fiction', originally posted on my website #essI-. on 6M ?arch 4566.

[:ma)e 9rom Demise o9 Sanity]

!here is a certain level of violence:humiliation negatively associated with 8>0?* and I personally thin" this association is largely due to& 6' the porn industrys presentation of 8>0?* and 4' overly lurid and sensationali(ed media coverage of 8>0?. I remember having an interest in "in" from an early age )before I was a teenK before I "new what the term 8>0? was all about'. I was particularly fascinated with whips and bondage. I havent incorporated whips into one of my 8>0?=themed stories )yet;I wont rule it out totally'. 9hat made me want to write some stories of this theme* was a casual remar" a writer=friend once made to me )when we were 6M or 6N'. !he person said that 8>0? stories were so boring. I thin" I got what the person meant. A lot of modern erotica is literate porn* and as a writer* my intent with erotic fiction isnt to create literate porn. Its not because Im snooty or elitist;I #ust want to create something more meaningful and uniOue than porn. Its also my personal belief that it is the Phow and Pwhy which define the Ouality and substance of the 8>0? lifestyle one leads. !here is more to the erotic life than e+plicitness* a perspective I will continue to maintain with my future contemporary fiction thats not really erotica* but still totally focused on the sub#ect of se+ )without being graphic:obscene:lewd:crude:e+plicit:no+ious'. Ive always made a separation between se+ in real life* and se+ as portrayed in pornography. ,orn is a fantasy. It commerciali(es se+* because it is a business. 0o porn has to depict certain e+tremely graphic forms and images of 8>0?* which is all right... 8ut Im not going to let that cramp my style )and neither should anyone else* for that matter'. 9hat I li"e is navigating the underlying issues that are connected to a 8>0? scene& the power e+change* the deep psychological and:or trust issues* the combination of fear and arousal. A certain level of sadomasochism )some level of pain* to enhance the se+ual e+perience' can be very erotic. ,ersonally* I am not into the e+treme violence that can be associated with 8>0? )but I will navigate this territory* if it is crucial to the character or plot'. 8>0? is more than tying a person up and beating them. I am into how 8>0? can be a very intimate and e+citing e+pression of affection* without the emphasis being on violence:e+treme pain:humiliation. 9hile the latter falls into the P8>0? sphere* I also believe theres a difference between Ppower e+change and Pabuse )where there is little to no Ptranscendence'. In this freebie e8oo"* Ive written a few short commentaries to accompany each of the stories that feature in the "#A$ % &DS' anthology. In each section* I elaborate on the choice of characters and setting in each of the stories that e+plores a certain type of 8>0? activity. 0tories in the ,BAH : 8>0? Anthology 6. ?aster $ 0ervant )intro : rape fantasy : first bdsm' 4. 0witch )role identity : switches' 7. <oc"star )"nife:edge play' E. !eachers ,et )teacher:student relationship' F. !he Gelvet <ope )shibari:mild erotic asphy+iation' !hese stories are available as individual e8oo" novelettes* or collectively as an anthology )print D digital editions available'. 9ith the "#A$ % &DS' anthology* I hope to show people a more authentic and wider=ranging scope of the 8>0? scene* where the rich hot handsome fantasy man to bag isnt the ultimate aim.

If youre a 6wi(i)ht or Fi9ty Sha+es o9 Grey fan* I hope some of the perspectives I share here will inspire you to chec" out good boo"s )such as the erotic novels of Anais -in and >.J. Bawrence' that go beyond shallow appearances and commercial erotic romance )which is mostly about satisfying emotional lust'. After all* according to this article in the 8ritish newspaper* 6he Guar+ian* we tend to become li"e the characters in the novels we read. If youre a 6wi(i)ht or Fi9ty Sha+es o9 Grey fan* I hope this e8oo" inspires you to consider the freedom of developing your own personality and a genuine sense of self=worth* instead of allowing your se*f-estee. and se!se of se*f to be defined by your man* the relationships youre in* or whether you identify as a good girl virgin or badass whore )depending on whats the flavor of the wee":month:year';or whatever else society and the mainstream mass media says you ought to be. I hope you en#oy the "#A$ % &DS'7 8a(kthrou)h. !han"s to all of you who are chec"ing this out;both new and old readers &' Q Jess 2 0cott : #essI-.* ?ay 4564 @@@@@ E/cer0ts 1 Co..e!t r$es: 23 M ster 4 Ser5 !t %6$!tro7 / r 0e f !t sy / f$rst 8"s.)

) S#.. ry: 0tacia wa"es up to find herself in the middle of her rape fantasy;that has come true. 2ontent R ?:C:? threesome D slightly twisted romance )second part'. 8) E/cer0t: 0ta=ciaS a male voice says to her. Je holds up the piece of paper* reading out the line from the chat transcript. Je doesnt imitate 0tacias or a female voice* he #ust whispers it in her ear& I always wanted it to happenSsome guy to ta"e meSwhen Im comp(ete(y powerlessS 0tacia feels cold pinpric"s going all over the surface of her s"in. 0he "nows shes standing completely in the nude;she feels no weight or constriction of any fabric on her s"in* as she twists to the side slightly. 'mmm; is the only muffle of ob#ection she can ma"e* the ball gag shaping her mouth in the perpetual Po being denied its satisfaction. Jow does the person "now one of her deepest* dar"est desiresL 0ome music comes on* #ust then* from some spea"ers somewhere in one corner of the room& a haunting instrumental tune* with some choir vocals in the bac"ground. Its a subdued yet epic tune* an

odd mi+* with an intense baseline from a highly processed drum "it. It chills her to the bone* yet soothes her at the same time* li"e shes preparing to meet her ma"er. 5r shou(+ : say;master< she thin"s. 0he suddenly recalls the conversation she had online with a friend* Adrian* not too long ago. Jad someone hi#ac"ed his computerL 0omeone li"eShis roommateL 8ut 0tacia remembers Adrian doesnt really have a roommate;he stays with his aunt in a small house* off=campus. It cant be Adrian. Jes a ?ath ma#or* and the ultimate crown prince of gee"dom. 0hes "nown him for several years;same school* from grade school all the way to university;but only chats with him online during late nights when there were few other people online. 0he wont ever admit it to anyone* but shes always en#oyed bragging to him about her se+ual prowess and e+pertise* and high se+ drive. It ma"es her feel good and empowered. It ma"es her feel li"e a wild child and that shes so much cooler than him* and everyone thats li"e him. !heyve tal"ed a lot about se+ and relationships* since its on their minds a lot of the time. Adrians a male virgin* whos heard lots about 0tacias se+capades;sometimes in great detail. 0he blabbers to him and gets things off her chest when she is in between boyfriends* and #ust needs to vent things out. Je "nows some things about her that her boyfriends dont;for instance* that shed been a vaginal virgin* longer than she had been an anal virgin. 0he li"ed to "eep her dating history in the past* with her lovers. 0he told Adrian that as a teen* she hadnt wanted to lose her virginity yet* so she did oral and anal for a few years* before she finally let <yans )her current boyfriend' dic" go up her pussy. 0hed pushed the rest bac" to her asshole* if they went near her cunt. Adrian had always found it amusing that a guy could be drilling 0tacia up her ass while she considered herself to be a virgin. Jer intent had been to present herself as such when she found ?r. <ight. c) Jess9s Co..e!ts: I guess this was inspired by the reality that rape fantasies are common. !he theme of submission features in this story. !heres a different between se+ual submission* and completely submitting ones personality and desires to that of another persons. f course* the latter can be what some people are see"ing in a master=slave contract* though its important to loo" at how 9u(9i((e+ each person is from being involved in such a relationship )on a level thats spiritual* not #ust physical'. As a female* I might be independent in some ways* but the submissiveness and receptiveness associated with femininity are things I dont deny when it comes to erotic pleasure. >uring se+ual intercourse between a male and female* the male thrusts while the female receives;thats #ust the way it is biologically )probably for the purpose of continuing the species%'. Its true that erotic pleasure can be derived from the submissiveness of a se+ partner. Its also true that some women se+ually submit to the se+ual wishes of their partner for the pleasure of the partner* which may itself result in se+ual pleasure for the submissive woman. I didnt ta"e this submission all the way to the e+treme though. !he female character in 'aster = Ser0ant might mostly be submissive* yes* but she still has her own thoughts and personality outside of what she is li"e se+ually. In other words* she is se+ually submissive* but not completely defined by this )nor does she "ill off her personality in order to submit to the desires of who she chooses to be her man'. I was also irritated )as well as amused' with the way some people can choose to define virginity* so theres a little bit on that in the story. !he story was inspired:influenced by the >epeche ?ode song of the same title.

!he point of the story was to depict the foundation of a 8>0? type of relationship that had the foundations of a good* real relationship )emotionally'. It was the introductory story to show that 8>0? relationships neednt be completely defined by the whips* chains* riding crops* dungeons* and fetish wear )props* in other words' that often feature in 8>0? pornography. I guess it also hints at the following message& the beauty of loving oneself* being true to oneself* and feeling Pcomplete that way;and sharing this gift with another person )versus feeling complete because of someone else Pfilling the void in ones life'. @@@@@ :3 S;$tc( %ro*e $"e!t$ty / s;$tc(es)

) S#.. ry: 2hristopher 2reme and .a#a .unis switch things up by switching >:s roles in their relationship. 8) E/cer0t: 2hris was taunted by dreams;both daydreams* and night dreams;of .a#a. 1very time he saw her* he wanted to worship her at her feet. Je wanted to paint each of her nails* on her cute toes and slender fingers. Je wanted to do it while he was dressed in feminine lingerie* li"e the fire=engine red lace=up sheer lace gown hed ordered from Fre+ericks o9 3o((ywoo+. Jed received the 0pring ,review catalogue in the mail;presumably to get a Galentines gift for a sweetheart;e+cept he didnt have one* at the moment. Je was also so obsessed with a "nee=high fishnet stiletto in the catalogue that hed ordered a pair for himself. !he stiletto had studded details and could be laced all the way up in the front. 2hris was hyper stimulated by women in general* and fi+ated on the female form. Je wanted to "now what it felt to be one. 9hat was .a#as shoe si(eL 0evenL 1ightL Je thought he could die a happy young man* if he could see .a#a before him* dressed in nothing but the "nee=high lace=up front stiletto boots. r if he could be in her shoes* that way* a female prison officer wielding her authority and maintaining law and order using not a baton* but her thigh=high boots... Bic" them until theyre completely clean* she said* showing him the bac" of her well=defined calf* which was deliciously tightly wrapped in blac" leather. 2hris "new who it was from the shape of the silhouette* and the voice;non=abrasive* sweet* yet with a bitter tinge of moc"ing cold cruelty. Bic"* she repeated* pressing her foot into his mouth.

Je could still feel the metallic heel of her stiletto boot on his tongue* when he wo"e up in the morning. *** c) Jess9s Co..e!ts: !his was the last story I completed for the "#A$ % &DS' anthology. I left it for last because it was Ouite tric"y to thin" about. 9hat did the concept of a Pswitch in the 8>0? scene really meanL 0witching between dominant and submissive rolesL 8etween masochist and sadist rolesL 8etween feminine and masculine rolesL r could it also refer to bise+uality with regards to gender fluidityL I ended up incorporating all of the above. 8ut there had to be some "ind of purpose to all the up:down here:there left:right Pswitching going on in the story. 9hat the characters in Switch are focused on is searching for somebody whose mo+ie matches theirs )meaning of mo+ie R the ability to face difficulty with spirit and courage'. !he search was for someone who could follow them at each step of the waySand how willing each person was with how far theyd go with switching things up. Switch is a bit trippy at points since 2hris both adores and loathes the feminine side to himself that .a#a seems to naturally draw out. I wanted one of the stories in the anthology to be about 8>0? switches* partly because I myself identify as a switch )if I had to pic" a Plabel'* but partly because switches are scoffed at by some people who are into 8>0?. As .a#a says* !he other time* the local group was tal"ing about even suggestions. ne that came up was speed dating* but the only roles allowed to #oin were dom and sub. 0witches were told to pic" one or the other. . .its "ind of li"e being bise+ual. !hey thin" you cant li"e both. Hou must be too chic"en to pic" one side. !heres a car scene with a vintage gun where .a#a is digging part of her shoe into 2hriss flesh. 0omewhere along the way* she says* A sadist...is one who refuses to be mean to a masochist. 9hich do you thin" I amL I stole the above Ouote from a 8>0? Ouote I saw online )anonymous source'. ,.0. !heres a fun )and maybe not totally mindlessly entertaining' 8>0? Oui( here at Oui( farm. I scored as a switch )TMU';pretty accurate results* in my opinion% @@@@@ <3 Roc=st r %=!$fe/e">e 0* y)

) S#.. ry: Jide"i brings on the "nife and bondage play to help >aniel come face=to=face with his d1niAl. !one of story R subtle:implicit V violent:e+plicit. 8) E/cer0ts: 1W21<,! @6& Jide"i raised the blindfold over >aniels eyes. Jide"i was in the thigh=high boots he was wearing earlier* but in a short leather s"irt this time* which ended #ust above the top of the blac" leather boots. >aniel felt a warmth in his heart;Jide"i was a marvelous sight to behold* breathta"ing as ever. 8ut >aniel inched bac"* throat tight* when he saw the "nife in Jide"is hand. It was a medium=si(ed "nife. 8ut even a small blade could cut deep. XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX 1W21<,! @4 )1=mail from Jide"i to >aniel'& From7 3i+eki >o+a ?hi+eki@sanA)Bmai(2comC 6o7 Danie( A2 ?+anie(2aA)Bmai(2comC Date7 6ue, 'ar -D, .//E at F7!F "' SuGHect7 Re7 i hate commercia(ism Jey >aniel* !han"s for your "ind comments and words of sanity. I mean I guess I #ust dont "now why I cant be li"e everybody else* you "now* and I mean everyone in all types of creative industries )music* writing* design* fashion* etc'. Ione are the days where people could actually tell good shit from bad shit;no wait* Im not too sure* maybe people could never really tell the difference. As in* therell only be a small number of really thoughtful and discerning people who want something more in life* apart from something Ppop and Pfluff and mindlessly entertaining. >o you "now why there are so many obese people in the world right now )apart from the prevalence of fast foodL';one need only loo" at the ancient scriptures of India* such as the following& An Ayurvedic te+t comments& &ore+om, min+(ess entertainment, continuous eatin), an+ o0ers(eepin)7 these wi(( 9atten you up Hust (ike a ho)2

I hate commercialism. It ma"es me very tired. I thin" Im only going to be buying 2>s of dead roc"stars from now. A few notable e+ceptions regarding still=living artistes* which I will chec" out *when I happen to do so*. I guess I shouldve "nown. I "now I should not begrudge other peoples success. I "now that theres a mar"et for everything. Its more an overall feeling of genuine disgust and frustration. I guess the Ouestion is& why bother to wor" hardL 9hy bother to hone your talentsL 9hy bother to be anything* if you can ma"e millions from unoriginal wor" thats easily digestible* and #ust as easily disposable )but who careY* co( you already made the millionY%%%'L 8Z! I guess if I can slowly wor" on itShave a day #ob to survive* while I continue to e+plore the art:music in a way that I wantSI wont complain* co( its #ust two different camps. !he commercial side can roll around and continue to pander crap to the lowest common denominator as they rush to meet their bottom line:net profits..........people li"e me can choose to sit it out* and not play the game at all. Hou dont have to buy into it* if you dont want to. At the end of the day* I still want to be able to have my own life. Im not blessed enough to be illiterate:ignorant. Im not blessed enough to be able to sell my soul and:or artistic integrity* for hordes of Ouic" cash. Im not blessed enough to ride on the commercial success of a trend or fad thats hot for that day* or wee"* or year* or whatever. 8ut Im blessed enough to have people li"e you as friends. " than"s for listening to all my nonsensical garbage againS [ Jide"i. c) Jess9s Co..e!ts: !his is a personal favorite of mine because of Jide"is disdain for e+treme commercialism )hes an indie musician in the story'. I also li"e the "nife play going on. Its something that reOuires a great amount of trust and respect* and intensity is involved )whats not to li"eL'. !heres a short mention of the phrase* 'aster o9 the Ini0erse, via the following lines in the story& 'aster o9 the Ini0erse. Jide"is eyes had a semi=gla(ed "ind of loo"* as he thought bac" on the inspiration for composing song. Iood times. I spent such a long time blending the elements of fun" and roc"* for that particular trac". >aniel was familiar with the trac";hed indirectly come up with the title* after all. Jed nic"named Jide"i ?aster of the Zniverse ever since they were fifteen* when >aniel had witnessed Jide"i clearing all twenty levels of !e""en F at the local arcade on two Ouarters for a single play. I wrote this in mid=4566 and I wasnt aware of the 'aster o9 the Ini0erse online fan fiction )which would later be published as Fi9ty Sha+es o9 Grey'. I was inspired by a one=time date I went on when I was 6F years old. !he guy >I> finish all the levels of an arcade game on a single play* which was indeed very impressive. Im not going to sound li"e a bro"en record here and go on too long about the de=spirituali(aing effects of commercialism and the dangers of pac"aging material li"e 6wi(i)ht as wholesome HA literature* so you can chec" any one of these e8oo"s of mine for more info& 6' <eal Bove Gs. <omance )4566' 4' Biterary Jeroin& A !wilight ,arody )4564' 7' \ombie ?ania& A \ombie Apocalypse ,arody )4564'

Rockstar is also a personal favorite because I personally li"e "nives. I "now* I "now* reading and writing can sometimes be such personal affairsSbut I li"e to share some of the nice:sweet things I observe in life via the stories I write &' @@@@@ ?3 Te c(er9s Pet %te c(er/st#"e!t re* t$o!s($0)

) S#.. ry: A truant student gets her lecturers signature;and more;when she needs an official form signed. 8) E/cer0t: 1W21<,! ),erlahs short essay'& !here is continuous pressure on women to have a successful career and have children* and at the age of nineteen* Im already finding myself torn between wanting to pursue my chosen career path and wanting to have children. Im not the only person having to consider these issues;some of my friends that are my age or slightly older* comment on feeling that aspects of their lives are put on hold to pursue a particular profession or lifestyle. ,articularly for young women* we are pressured to go to university* then to get a good #ob* then suddenly we are getting Pold and we have to find a partner and build a relationship too. 9ho wants to have babies when theyre too oldL !he compounded shoc" of parenthood and career becomes a huge source of stress. -ot to mention maintaining loo"s well into the forties and beyond* then being critici(ed for being artificial if one resorts to boto+ fillers and collagen implants for some help. At the end of the day* we all #ust want tomorrow to be better than today. 9e all want to find love and be li"ed for who we really are. 9e all want true happiness* one that isnt defined by what you can afford to buy or how much your income impresses others. !hese are #ust some of the million things nobody ever teaches anyone in school. I li"e living in my head* because its easier to find what I want there* than in real life. Biving in my fantasy world ma"es me happy. It offsets the blea" perspective I can have of the cold* cruel sadistic world we live in. It sets me free to be whoever I want to be. It sets me free to use my illusion. c) Jess9s Co..e!ts:

!his story contains some 8>0? se+ual activity* and depicts 8>0? in a very subtle way also. 8oth the student and her significantly older lecturer feel trapped by circumstances. 0he feels trapped between being a modern career=oriented woman while simultaneously fulfilling the wife:mother role society still somewhat e+pects of a woman* while the lecturer feels trapped in an education system that has become increasingly corrupt over the years hes been a college teacher. n another level* he feel trapped by his age )at forty=four* the lecturer is beginning to feel Page is catching up with him'* while ,erlah the student feels trapped by her age too )she finds it difficult to relate to others her own age'. !his story was actually inspired by a teacher=student relationship I was aware of when I was in high school )secondary school for people following the 8ritish education system'. I grew up in 0ingapore and this happened around the time I was 6F going on 6M. Im not sure if many other students were aware at the time of what was going on. 2ome to thin" of it* there were teacher=student relationships going on when I was at another school )when I was 6] going on 6N'* though I remember the first one very clearly. !he teacher in Ouestion was a male teacher in his E5s* while the student was a fair=s"inned* willowy delicate female )who was Ouite tall and almost the same height as the male teacher'. 0he was an Indonesian=2hinese student and I thin" she was a year older than her classmates )who were a year older than my classmates and I'. Bets call the male teacher 0amuel over here* and Ill call the girl Ganessa. I first reali(ed something was going on when I stepped into the male teachers office. -othing was going on right there and then* but I guessed something was up with the way Ganessa spo"e 0amuels name with a certain amount of respect and reverence* li"e she was above all us other students because she was his pet. ,erhaps the most telling sign was this angelic smir" on her face when she was with him )which I can still recall very clearly* to this day%'. 9hile I li"e reading celebrity gossip maga(ines* I usually dont parta"e in malicious gossip )Im happy to participate by (istenin) thoughS'. !he male teacher resigned during my last year at that first school. I heard from a well=connected e+ternal source several months later that he had been fired for having relations with a student. About 6=4 years later* I was wor"ing as a private tutor* which reOuired me to travel around the east side of 0ingapore during the afternoons. Bo and behold* one day I saw 0amuel and Ganessa wal"ing together side by side at a train station. !hey didnt see me but Ganessa loo"ed incredibly happy )even happier than when I saw her alone with 0amuel in his office that one time when I went in to collect a file'* and 0amuel did seem to have a youthful lightness in his step. 0he was clearly still very content to be his pet. I said to myself* 8ho am : to Hu+)e< Je was Ouite a tyrannical teacher at points* but I never forgot seeing him on the day he left the school because he was semi=retiring. !he day 0amuel left the school* I had this split second of direct eye contact with him )we were both standing in a long hallway'* and I dont "now if he "new that I "new. I thin" I #ust "new at that time that the semi=retirement thing was #ust an e+cuse* and that despite his ego and tyrannical ways )he had a lot of airs about him* and I never really "owtowed to him'* he was still a man underneath it all. I felt that in a non=piteous and non=insulting manner;#ust sincerely and as a matter of fact. 8ut by the time I was 6] and saw them together that one time at the train stationSthey loo"ed really happy together. Its a mental snapshot that still brings a smile to my face. If theyre still together* I wish them nothing but the best. @@@@@ @3 T(e Ae*5et Ro0e %s($8 r$/.$*" erot$c s0(y/$ t$o!)

) S#.. ry: A disenchanted lady boss recruits a personal toy boy* before the comple+ities of a recent divorce send her completely over the edge. 1+plores the psychose+ual themes of 0:?* shibari* and mild erotic asphy+iation. 8) E/cer0t: -adya loo"ed at the velvet rope for a moment* wondering what to use it for. 0he contemplated the conseOuences* envisioning tying it around 2harless nec" this time. ,erhaps the right time had come to use it. 2harless nec";and maybe the nec" of the cheap psychotic bitch hed married. -adya would get rid of two people who were a waste of space and o+ygen. !hen shed really "ill herself if that ended up immortali(ing 2harles and >estiny* since the world was li"ely to #ump at the untimely death of yet another fantastic plastic baublehead to fuss and fawn over. Jea(ous 8oman 'ur+ers Jx@3usGan+ an+ "opu(ar &(o) Kueen* -adya imagined the news headlines. Jea(ous, 9rustrate+, craLy2 8hate0er2 0he had to de=clutter her life* to the point everything bad didnt e+ist anymore. 0he wanted them dead* gone* and out of the picture. Autoerotic asphyxiation. 9ould it be classified as an accident* or a suicideL -adya should have #ust "illed him earlier on* before things could have degenerated to such a dismal state of affairs. 0he brought up the website shed boo"mar"ed on her cell phone. . . c) Jess9s Co..e!ts: !he title of this story was borrowed:stolen from Janet Jac"sons album of the same title. I thought it was nice how the cover image for this e8oo" features part of the girl models clavicle in the shape of a PG too. It was Ouite a tough piece to do at first because it was the first time I was writing from the point of view of a E5 year=old female. 8ut I pressed on with the storyline* trying to #ustify why its always . for a significantly older man to be with a younger woman* while the other way around retains a taboo element. Itd be nice if society could be a little more fair and balanced about things. !he cougar:toy boy situation made me ponder a few things. >oes age really matterL r do personality and maturity level matter moreL I threw in some shibari )Japanese rope bondage' because Ive always li"ed that type of bondage too. It can be enticing;a woman in a business suit wearing rope bondage underneath in place of a bra. !he opening scene features the lady boss ad#usting a scarf around her nec". I used to be a

temporary sales associate at a department store* and one of the significantly older female bosses always* always* always wore a colorful scarf around her nec". I dont "now if she was into erotic asphy+iation or something else* but it was a thought that passed my mind several times. I also wanted to e+plore the social )rather twisted' viewpoint that a woman being in a bad relationship or marriage is better than a woman being a spinster. Are appearances more important than actual self=fulfillment and satisfactionL -o wonder people end up "illing each other once the relationship is over. Anyway* I decided to end the anthology with this story on a positive note* going bac" to 8>0?s psychose+ual appeal;how it can enhance a persons se+ life* se+ual self* and therefore their whole life and self=identity too. @@@@@ PLAY / BDSM A!t(o*o>y CO,CLUSIO,: I too" Ouite a long time to finish the "#A$ % &DS' anthology* but Im glad I didnt rush it. !here were many emotional nuances that I thought needed to be captured* in order to really capture some of the psychose+ual themes of the 8>0? lifestyle. 'aster = Ser0ant was the first one I completed in January 4566. Its the most graphic out of all the stories. I deliberately too" a subdued tone for the rest to stay true to my belief that theres more to the erotic life than e+plicitness. I hope youve en#oyed this wal"through. 8ut more importantly* I hope this wal"through has given you a glimpse of the scope of activities that can occur within a 8>0? conte+t. I shall repeat again thats its not all about props* mommy porn* or how aggressively a person is beaten up K' If youd li"e to chec" out "#A$ % &DS' in its entirety* here is some information about it.

SUMMARY: #essI-. is pleased to present the first collection of Jess 2 0cotts 8>0?=themed stories. T 8*e of Co!te!ts: 6. ?aster $ 0ervant )intro : rape fantasy : first bdsm' 4. 0witch )role identity : switches'

7. <oc"star )"nife:edge play' E. !eachers ,et )teacher:student relationship' F. !he Gelvet <ope )shibari:mild erotic asphy+iation' GE,RE: 2ontemporary Ciction )e+plores the psychose+ual themes of 8>0?' LE,GTH: 6 short story D E novelettes / MN*555 words * >ue to the authors personal beliefs on the sub#ect of 8>0?* this collection is non=pornographic in nature. !he 0:? elements are also more mild than e+treme in this collection [Jess ma"es no guarantees for future wor" K']. * !his 8>0? collection features in the "rima( Scream anthology )full edition R best value'. Pro"#ct P >e %;$t( *$!=s to A. Bo!C B4,C !" ot(er ret $*ers): http&::www.#essI-..com:playXbdsm.htm @@@@@ Teen Guide I!ter5$e; 'att an+ Jess co@authore+ the no@nonsense a+0ice Gook7 !een Iuide to 0e+ and <elationships (Sprin) ./-.*2 6his inter0iew was ori)ina((y poste+ on Znwritten on .F Apri( ./-.2

MYSTI PARKER: I9. t(r$**e" to ( 5e Jess C Scott (ere to" yC t *=$!> 8o#t t(e f$rst !o!-f$ct$o! 8oo= fe t#re" o! Unwritten3 A*o!> ;$t( M tt Pos!erC ;(o I95e ( " t(e 0*e s#re of $!ter5$e;$!> !" (ost$!> for co!testsC Jess ( s ;r$tte! t(e Teen Guide to Sex and Relationships3 Lo!> >o !" f r ; yC I ; s tee! >er .yse*fC !" t($s 8oo= .$>(t ( 5e co.e $! ( !"yD Let9s see ;( t $t9s ** 8o#t3 We*co.e to UnwrittenC Jess3 '$rstC 0*e se te** #s ;( t yo# "o ;(e! yo#9re !ot ;r$t$!> 8o#t tee! >e !>st3

J100& !han"s for having me today* ?ysti )and hello to all your blog readers too'% Ireat Ouestion. 9hen Im not writing about teenage angst* I guess Im writing about adult angst )theres usually some "ind of interplay between love and se+* thought and emotion* and other conflicting desires:motivations'. MYSTI: I9. *; ys $!tereste" $! (o; co** 8or t$o!s co.e 8o#t3 '$rstC (o; "$" yo# .eet M ttC !" ;(ere "$" t($s $"e co.e fro.E J100& 8ac" in 4565* ?att saw a message I posted on Ama(on )I thin" it was a reOuest for some proofreaders for one of my boo"s'. 9e e+changed some emails and supported each others novels in terms of cross=promotion on our various social media platforms. ?att and I en#oy writing in different genres )fiction as well as non=fiction'. ne of the genres I speciali(e in is relationship=based erotic fiction )where the focus isnt solely on graphic scenes meant to titillate the reader'. In late 4566* ?att as"ed if Id be interested in co=authoring a boo" hed had on the bac"=burner for a while. Je described it as a boo" that offered straight tal" about se+ to teens via both a male and a female perspective on similar issues. !he concept was cool and sincere;Id have to be insane not to have #umped at the opportunity to contribute to the pro#ect. MYSTI: I s!oo0e" ro#!" yo#r ;e8s$teC +essI,K 0#8*$s($!>C !" see t( t t(e 8oo= $s $! F 4 A for. t3 D$" yo# s= tee! >ers to se!" $! t(e G#est$o!s for t($s 8oo= or "$" yo# +#st "o rese rc( to f$!" o#t ;( t co!cer!s tee! >ers ( 5e $! t($s re E J100& !he Ouestions are based on informal "nowledge and e+perience* with no attempt to be particularly scientific or thorough. 9e wanted to provide mostly common=sense and basic information* written for those who "now very little or are confused. 9e did enlist the help of some teens who were "ind enough to beta=read the first draft and provide us with some feedbac". 9e ended up incorporating a couple of Ouestions that were reOuested by the very insightful beta readers. MYSTI: I =!o; M tt $s ,YC te c(erC so (o; 8$> of ro*e "$" ($s 5oc t$o! 0* y $! t($s 0ro+ectE

J100& Hes* and hes a very hardwor"ing teacher. I thin" his vocation was one of the motivating factors for the pro#ect. As a city teacher* its tough for ?att to give straight tal" about se+ to teens without the ris" of being accused of se+ual harassment. !eachers may observe teens engaging in ris"y:dangerous behavior without understanding how to handle the minefield of 46st=century se+ and relationships* but its difficult for teachers to directly intervene. As a writer* though* ?att "new he could still put his ideas out there and potentially help someone. MYSTI: It9s 8ee! ;($*e s$!ce I95e 8ee! $! ($>( sc(oo*3 H 5e yo# "$sco5ere" t( t t($!>s ( 5e c( !>e" o5er t(e 0 st t;e!ty ye rs ;(e! $t co.es to tee! >ers !" $!t$. te re* t$o!s($0sC !" $f soC (o;E

J100& I grew up in 0ingapore and graduated from high school about ten years ago;I thin" the speed of life tends to increase with each new generation. !here are smart phones and an endless amount of entertainment being produced )in the form of boo"s* movies* music* maga(ines* etc'* though I thin" these things can sometimes be a form of information overload. A person )whether theyre a teenager or an adult' isnt e+actly encouraged to reflect on things or pay attention to their emotional health* so to spea". ,eople might be connected via social media and technology* but this doesnt necessarily mean the actual Ouality of their relationships is better. In the long run* it is important not to sacrifice Ouality for Ouantity )whether its with human relationships or anything else in life'. MYSTI: JessC I ( te to 8re = $t to yo#C 8#t !o o!e $s $..#!e to .y r !"o. G#est$o!sC !ot e5e! !o!-f$ct$o! ;r$ters3 SoC (ere9s yo#rC t(o#>( yo# . y f$!" $t !ot-so-r !"o.: If yo# co#*" >o 8 c= !" >$5e yo#r tee! >e se*f o!e 0$ece of "5$ceC ;( t ;o#*" t( t 8eE J100& <andomness <ules )it "eeps things fresh and interesting'. I thin" Id tell my teenage self to carry on with the way shed done everything. As a teen* Id do whatever I was passionate about because I li"ed giving my 655U when I cared about something. Its a tradition Im proud to continue into my mid=twenties. MYSTI: L st*yC ;o#*" yo# >$5e #s ! e/cer0t fro. t(e Tee! G#$"eE J100& 0ure;heres a short e+cerpt& Qn. Should I undergo plastic surgery to look more attractive? att! A girl may thin" that if she has bigger breasts* boys will li"e her* or that if her nose were smaller* she would be more admired. 0he may thin" she is ugly and that plastic surgery is necessary to ma"e her beautiful. Jowever* a genuine smile or a laugh can ma"e even a relatively unappealing face attractive. I have met plenty of women over the years whom I did not consider attractive but who had husbands and children. 2onfidence* happiness* and sincerity are attractive. 8eing in good health helps* too. Hour physical loo" does matter* and some girls get overloo"ed while others get a lot of attention* but eventually* this always sorts itself out. "ess! Boo"s eventually fade;aging is a part of life. ne might spend a lot of money and:or many hours a day )or wee":month' on loo"s* but those hours are not going to help a person become a better person. Ive always thought that theres more to human life than e+ternal loo"s. ne has a mind and personality and heart to cultivate. I thin" these things deserve as much* if more attention* than ones physical appearance. Just because vain and shallow values are prevalent doesnt mean theyre good values for society. And you dont have to buy into any message or brand or product* if you decide not to. MYSTI PARKER: T( != yo# 5ery .#c( for sto00$!> $!C JessC !" I (o0e yo# c ! ret#r!D

'or 5$"eos !" .ore $!for. t$o! o! Teen GuideC 5$s$t Jess9s ;e8s$te t: (tt0://;;;3+essI,K3co./tee!>#$"e3(t.

Se*ect$o! of Ot(er Boo=s 8y "ess # Scott 1H1B1A0J& A 8B I - G1B (teena)e memoir % comin)@o9@a)e % sextin)* E&,BAH (a contemporary cocktai( o9 erotic short stories* 6& !J1 I-!1<(&ook - ?#ustC in the Sins/M series* BI!1<A<H J1< I(A 6wi(i)ht "aro+y* ,<I?AB 02<1A? (erotic antho(o)y2/.* <1AB B G1 G0. < ?A-21 (essays* !< Z8B1 (poetry co((ection* -A.1> J1A! (incuGus%succuGus antho(o)y* !J1 !J1< 0I>1 C BIC1 (&ook -, 4yGerpunk J(0en 6ri(o)y* 8A> < ?A-21 (se0en +ea+(y sins antho(o)y* 01BC (se0en 0irtues antho(o)y* !11- IZI>1 ! 01W $ <1BA!I -0JI,0 (co@authore+ with 'att "osner* @@@@@

A8o#t t(e #t(or: Jess is an author:artist:non=conformist whos dedicated to writing original stories that are both meaningful and entertaining. Jess writes in a diverse range of genres such as urban fantasy* erotic:contemporary fiction* HA fiction* poetry* and cyberpun". 0he focuses on substance over short=term success with current fads and mar"eting hype. ?ost of Jesss wor" is fueled by an intense drive to inspire others to favor social:spiritual values over shallow values. Co!!ect ;$t( Jess O!*$!e: Caceboo"& )www.faceboo".com:#esscscott' !witter& )www.twitter.com:#esscscott' 9ebsite& )www.#essI-..com' 1=mail& missfey^gmail.com L st Wor"sH If you have any comments:feedbac":Ouestions* Jess would love to hear from you% 1=mail& missfey^gmail.com

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