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Featured in this issue:

Behind the Scenes with Fate and Fangs What Does a Publisher Do Exactly? Story Time Poetry Palooza Al ha !e"iews #ind Fog !e"iews

Literary Lunes Magazine, October issue Beth Ann Masarik Copyright 2011 by Beth Ann Masarik Smash or!s "!ition

Table of Contents
Letter #rom the e!itor$$$$$$$$$$$$$$$$$$%pg% 1 &hat 'oes a (ub)isher 'o "*act)y+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%pg% 2 ,ate an! ,angs$$$$$$$$$$$$$$$$$$$$$pg% .he 'en$$$$$$$$$$$$$$$$$$$$$$$%%pg% / 'urango A 0ust)ers (ara!ise$$$$$$$$$$$$$$$%%pg% 10 (oetry (a)ooza$$$$$$$$$$$$$$$$$$$$%%%pg% 1/ A)pha 0e1ie s$$$$$$$$$$$$$$$$$$$$%%%pg% 12 Min! ,og 0e1ie s$$$$$$$$$$$$$$$$$$$%pg% 20 Our (artners$$$$$$$$$$$$$$$$$$$$$%%pg% 22 .he Sta##$$$$$$$$$$$$$$$$$$$$$$%%%pg% 2-

Letter #rom the "!itor 'ear 0ea!ers, .hank you a)) #or your support o# Literary Lunes% .his has been a 1ery success#u) year so #ar, an! 3 thank you a)) #rom the bottom o# my heart #or a)) o# your har! ork an! ta)ent% &e ha1e success#u))y put out eight ho)e issues, ith our #irst one being put out in March o# this year% &e ha1e at )east #i#ty ebsite subscribers, an! that4s not counting those ho are unsubscribe! either% &e ha1e se1era) o# those as e)), an! 34! )ike to thank those rea!ers #or !o n)oa!ing an! rea!ing the magazine 5 hoe1er you are 6% 3 kno that this issue is ay )ate, but it sti)) came out, right+ .here i)) be some 1ery e*citing things coming to Literary Lunes Magazine beginning the #irst o# the year% 3 i)) )ist a high)ight o# 7ust some o# the changes an! up!ates% .he gran! opening o# Literary Lunes (ress$ i)) be happening on 8anuary 1, 2012% LL(, is a pub)ishing company that 3 am running, here 3 i)) be se))ing a)) things Literary Lunes re)ate!% ,or e*amp)e, the antho)ogy 3 am putting together, as e)) as the co))ector4s e!itions o# the magazine% Bi9month)y issues beginning 8anuary 1, 2012, as oppose! to month)y issues (rinte! har! copies o# issues i)) be printe! through magc)ou!, hich is a #ree print on !eman! ser1ice 5simi)ar to createspace6 starting in :o1ember o# this year as a test run% A broa!er !istribution apparatus% More !etai)s to #o))o (ai! a!1ertising% More !etai)s to #o))o A ne an! impro1e! ebsite% Same )ocation, but i)) be more e##icient% A ca#epress #or the #ans o# Literary Lunes Magazine% &i)) be se))ing buttons, posters, etc% to he)p co1er the cost o# the ebsite% 'on4t orry, e9copies o# the magazine i)) remain #ree, an! the printe! copies i)) be at a reasonab)y )o price% 3 kno that times are tough, but )et4s #ace it$peop)e ant to see their ork in print, an! not 7ust an e9book% 3 i)) )et you a)) kno the !etai)s hen 3 ha1e more in#ormation% .hank you again e1eryone #or your support; Sincere)y, Beth Ann #asari$

&hat 'o (ub)ishers 'o "*act)y+ By Beth Ann Masarik 3 as recent)y aske!, <&hat !oes a pub)isher !o #or an author+ &hy sign ith a pub)isher instea! o# se)#9pub)ishing through p)aces )ike Amazon%com, Barnes = :ob)e an! Smash or!s+> &hi)e this ans er seeme! )ike a no9brainer, 3 sti)) nee!e! to think )ong an! har! be#ore 3 ans ere! the person ho aske! me those ?uestions% Being a ne author, an! someone ho has trie! both si!es o# the pub)ishing po)e, 3 persona))y #ee) that it is easier to go through a pub)isher, rather than to go through se)#9 pub)ishing% &hy, you may ask+ &e)), that4s because a pub)isher i)) !o a)) o# the <!irty ork> #or you% .hey i)) go through the troub)e o# #in!ing an e!itor #or your no1e), a co1er !esigner, an! they i)) e1en #ormat an! print your book #or you% Some pub)ishers, !epen!ing on ho popu)ar they are, may e1en o##er you a cash a!1ance #or your book; &hi)e 3 ha1e no prob)ems ith se)#9pub)ishing, it can o#ten be ?uite cost)y !epen!ing on the route you go% @ou ha1e to !o a)) o# your o n a!1ertising, something that a pub)isher i)) !o #or you% 'on4t get me rong, 3 ha1e no prob)ems ith se)#9pub)ishing, an! i# you ha1e the money an! the resources to !o so, then a)) the more po er to you; 3t4s rea))y 7ust a matter o# pre#erence% 3 persona))y think that it is easier to go through a pub)isher )ike Other or)! (ub)ications, 'arksi!e (ub)ishing, or e1en 0a1enrock (ub)ishing, but then again, 34m not that sa11y hen it comes to #ormatting books% 34! persona))y rather right them% 0emember #o)ks, there no right or rong ay to pub)ish% Ao ith the ay you #ee) is best #or you% 3 kno se1era) authors ho are !oing 1ery #or themse)1es that ent the se)#9 pub)ishing route%

FATE AND FANGS Behind the Scenes with Kristin Battestella .he 1oi! aroun! her as !ark, thick ith b)ackness that no human eye can penetrate% .he be)) to))e!, an! Li)ith stoo! in the echoing abyss a)one% One so)itary #unne) o# )ight raine! !o n upon her )ong, go)!en ring)ets an! charre! hite go n% On earth, she ha! charm ith i))uminating, manipu)ati1e grace% Ber casca!ing tresses ere a) ays per#ect an! her #rock #)o ing ith e##ort)ess !eception% But here$Bere Li)ith as in shamb)es, her enchantment at )ast broken% .he !eca!ent go nConce so satin an! )a1ishCno rippe!, #raye!, an! scorche! #rom the magica) #ires she cast so care)ess)y% Stragg)ing, stringy hair #e)) upon her #a!e! an! ug)y green eyes, an! her shaking han! pushe! the c)umpe! )ocks asi!e% She ha! a) ays been pa)e, but Li)ith as no )onger beauti#u)% Ber porce)ain )ook as comp)ete)y !e1oi! o# co)or, an! its sick)y hite hue a striking b)ight against the !arkness% She cou)! not see me in the 1oi!, but nonethe)ess she kne something #ou) an! punishing as there% Li)ith crie! out to the abyss% DBe))o+D .hatEs a )itt)e e)come #rom Punishment: Lilith's Trials, Book 2 in my FATE and FANGS: Tales from the Vampire Family series happening this 1ery instant ith Muse 3t Fp (ub)ishing; &e began in August ith Love: Ann in the Vikin an! i)) continue the 1ampy e*cesses9 both high an! )o 9 in Stru le! "e#au$hery! Lust! %umanity! an! &esurre$tion%

(ro#essor 8ames opens his &e)shire Co1en 1au)t an! presents the ear)iest manuscript #rom the #antastica) archi1e, but the 1-th century as not a happy time #or scorne! 1ampire mistress Ann% She )ea1es the then young Gampire ,ami)y an! its cheating patriarch Antonio &e)shire behin! to tra1e) across Britain in search o#, e)), she !oesn4t kno hat% 'esire+ Be)onging+ &hen Ann encounters a han!some an! ay ar! Giking name! "ric, ho e1er, her !ea! heart is rekin!)e!% Can Ann accept her true 1ampiric nature or i)) her !ark !esires con#)ict ith her :or!ic )o1er an! their high seas a!1enture+ 3n (ro#essor 8ames4 secon! ta)e, e share in the pain, su##ering, an! torment o# the &e)shire Gampire ,ami)y4s beauti#u) but !ea!)y ri1a) Li)ith% Ber mysterious, 1i)e nature an! #antastica) abuses are put on tria) as the !emonic a!1ocate Mestiph)es p)ays 7u!ge, 7ury, an! e*ecutioner #rom his icke! Goi! o# !arkness an! pain% 3s it rong to !e)ight -

in the 7ust, e1en !eser1ing torture Li)ith recei1es+ &i)) she )earn an! app)y the crue) )esson Mestiph)es teaches+

Seeking so)ace an! so)itu!e #rom her unhappy home )i#e as the un)o1e! i#e o# Antonio, ")izabeth tra1e)s to co)onia) America in (ro#essor 8ames4 thir! account% On the outskirts o# the hiteman4s ci1i)ization, ")izabeth meets 0ain, a young Hio a arrior on a 1ision ?uest% &i)) his )ack o# #ear, search #or ans ers, an! gripping hothouse e*perience he)p her #ace those 1ery 1ampire truths she sought to escape+ FATE and FANGS is not to!ayEs !ay g)o creatures o# the night, oh no% .he characters here originate! in my 200I no1e) The Vampire Family, current)y in paperback ith "terna) (ress% 3n bet een that action co1en ar #est an! my current)y in progress #ina) #u)) )ength no1e), 3 ante! to take the time here an! get into each o# these p)ayers an! their core 1ampiric themes% &hy !o some )o1e the e1ening !eca!ence hi)e others ne1er reco1er #rom the innocence )ost+ More important)y, hat !o these truths say about us+ Serious)y, ask yourse)#% &hich ou)! you choose+ ,A."%%%%or ,A:AS+ 8oin &e)shire Occu)t e*pert (0O,"SSO0 A% 8AM"S, rea! his .a)es #rom the Gampire ,ami)y an! !e)ight in your #a1orite toothy 1ampire; Sha)) you p)easure A::, the scorne! mistress ai!e! by her )o1er "03C or the beauti#u), e1i), an! !ea!)y &e)shire enemy L3L3.B+ But hat o# "L3JAB".B, the un)o1e! i#e supporte! by 0A3:, a #ear)ess Hio a arrior or her !ebutant !aughter G3C.O03A, the #a1orite o# #ather A:.O:3O+ La!ies, moo!y an! me)o!ramatic ri1a) brothers 8AM"S an! AAS.O: are 1ying #or your attention; Can sister SAMA:.BA keep them #rom each otherEs throats+ O# course, e canEt #orget S."(BA:3"9 the a))uring !octor stra!!)es the )ine bet een &e)shire an! Li)ithan co1ens% An! hat o# the mysterious M"S.3(BL"S ho seeming)y supports 1eins on both si!es+

Sink your teeth into the se1en testaments as to)! by (ro#essor A% 8ames: Love! Punishment! Stru le! "e#au$hery! Lust! %umanity! &esurre$tion% Stay up a)) e1ening ith these night o )s as they pine a ay at their 1irtua) 1ampy hea!?uarters or one an! a)) #e))o nocturna) ingKnues can 7oin our ongoing E(unishment (artyE at any o# your pre#erre! )ocations httpL1amp#am%b)ogspot%com

http L7snou##%comLkristin http Lkristin22M%)i1e7ourna)%com http L http L %#acebook%comLpagesL.he9Gampire9,ami)yL1N2O222O-NII %myspace%comLkristinbatteste))a

http Lgroups%yahoo%comLgroupLkristinbatteste))a 3n this haunting or)!, t o things i)) a) ays bin! a 1ampire: FATE AN" FANGS' ,ans o# goo! o)! #ashione! but not too ho)esome 1ampire torment can eat up their 1ery o n copy o# Punishment in ebook #ormats or kin!)e #or the s eet seria) price o# OO cents; Book 1 o# FATE and FANGS, Love: Ann and the Vikin is a)so a1ai)ab)e at se1era) on)ine stores #or your P2%N0 !e)ight; Look #or our thir! testimony, Stru sneak peak; le: Eli(a#eth in Ameri$a this October; BereEs a

)The Spirit is #oth man and animal* +ou are #oth ,oman and the ,olf! unsure of the li ht and the dark*<'o you not #ear the o)#+ ).t is you ,ho fears the ,olf* The ,oman is the li ht and the ,olf is the darkness* /e ,ill release the ,olf and free The Spirit*O!!)y enough, 3 #oun! there as a )ogic to his be)ie#s% 'i! the peop)e here !isco1er some sort o# ba)ance bet een nature an! ci1i)ization, goo! an! e1i)+ 3# 3 !i!n4t kno better, 3 might think he spoke o# a 1ampire a)rea!y; &as there another here )ike our kin!+ 3 ou)!n4t put it past our maker Mestiph)es or his hench oman Li)ith to #east upon these peop)e% <Bo can the Spirit re)ease the o)#+> )0y forefather told of my $omin in the reat storm at the #i river1s $rossin * %e said . ,ould live lon ! see many moons! #ut never ro, old* So . ,ait for her* The Spirit ,ill ans,er all*****Hristin

.he 'en By S% (atrick (othier D3 hear! she hasnEt ta)ke! to anyone since it happene!,D sai! an o)!er, pu##y oman seate! at a sma)) tab)e on the mos?uito9nette! porch% She b)e on her tea an! took a tentati1e sip, setting the cup !o n on the p)ate an! turning to stare into the !eepening co)or o# the e1ening sky% Across #rom her, a oman simi)ar in appearance no!!e!% D3 canEt imagine hat sheEs going through, such a trage!y% Sti)), itEs unhea)thy to be shut up in your home, a)) a)one )ike thatQ !ay a#ter !ay% 3 ish sheE! reach out%%% not necessari)y to meCbut to someone%D Both omen chuck)e! ?uiet)y #or a secon! be#ore sett)ing their gaze on the house across the streetQ a sing)e upstairs )ight #i)tere! through !rapes mott)e! ith the accumu)ate! !ust o# neg)ect% Licia 0i1est sat hu!!)e! in the corner o# her )ate sonEs room, tucke! into the !arkest corner bet een his s)i!ing c)oset !oors an! his sti)) unma!e be!% She as #o)!e! up, ith her arms crosse! o1er her knees an! her #orehea! resting against them% As she stare! into the sha!o y space #orme! by her bo!yEs geometry, she trie! !esperate)y to reca)) a mo1ing image o# her son% She trie! to remember something other than the on)y image that ha! been burne! into the screen o# her min!% ,in!ing him s)umpe! o1er !ea! in this 1ery spot t o months ago% She cou)!nEt reason it out, not then, not no Q probab)y not e1erCor so she kept te))ing herse)#% Be as )ying !iagona))y o## o# the be!Q his )egs he)! on to the sheets by sheer #riction, his torso cur)e! un!er his be! ith an arm stretche! as i# he ha! !ie! reaching #or something in the space un!erneath% Bis hea! as resting at an unnatura) ang)e, the )e#t si!e o# his #ace an! open mouth ere presse! into the carpetCas i# the carpet ha! pu))e! him out o# be! an! trie! to break his neck an! smother him a)) at once% A p)ume o# a mi*ture o# 1omit an! spitt)e ha! !rie! into a pu!!)e aroun! his mouth on the carpet an! )e#t a thin #i)m in the hair near his eye% .he autopsy re1ea)e! that he ha! in7ecte! a )arge amount o# air into the 1eins o# his neck, causing a heart attack a)most instant)y% .he pain ha! been #rozen into his s o))en #ace e1en hen theyE! zippe! him into a bag% She ha! #oun! the empty syringe un!er his be! t o eeks )ater a#ter she ha! #ina))y he)! her breath an! pushe! passe! the open !oor ay, as i# she ha! broken through an in1isib)e membrane an! entere! a !i##erent atmosphere% She ha! gone in ith the intent to c)ean an! organize, but sa the syringe sticking out #rom a pi)e o# c)othing un!er the be! an! )e#t ?uick)y, ho)!ing her c)enche! #ist o1er her purse! )ips, eyes ?ui1ering an! skin !arkening into a sha!e o# re!% %ad it al,ays #een there2 She cou)!nEt remember% She as a)so unsure as to hy the parame!ics ha!nEt seen it, either% 2

Since the !ay her son committe! suici!e, she ha! )i1e! in this house a)oneQ her husban! Chis #atherCha! )e#t hen he as si*% .hat as nine years ago% Shu!!ering sobs began to rock her bo!y, she c)ose! her )egs an! cast her #ace into !arkness an! shrank to become a ba)) o# sorro in her !ea! sonEs room% A#ter a hi)e she ha! run out o# strength an! energy to keep eeping% She #e)) so#t)y against the a)) ne*t to the c)oset, s)i!ing onto her si!eCcur)e! up as i# she ha! re1erte! into a #etusQ on)y to be born again in the 1ery spot her son ha! strugg)e! ith his )ast, pain#u) breath an! 1omite! the )ast mea) heE! e1er eat% .he carpet as sti)) !ark an! sme))e! o# bi)e inches #rom her #aceQ a )ock o# her hair !renche! in s eat sett)e! an! shi#te! past her g)aze! eyes% S)o )y they b)inke!Q once, t ice, an! then remaine! c)ose!% A soun!% 3n the time)ess !arker9than9!arkness o# s)eep 5but not so !ark as !eath6 something began to s e))% Ber min! starte! to ake hi)e her bo!y remaine! sti))% A s?ue)ching static p)aye! in re1erse struck out o# the !arkness on in1isib)e ings an! #orme! into a sing)e, hisse! or!: Dmom%D Ber arms an! )egs straightene! ith haphazar! spee! as i# someone ha! shocke! her ith a !e#ibri))ator% She stuttere! an! shot to her #eet an! )ooke! aroun! to see ho ha! spoken ith the panicke! eyes o# a prey9anima)% A moment ago she cou)! ha1e s orn she sa her !ea! sonEs #ace in #ront o# her o n an! #e)t his hot breath on the skin beneath her eyes% .he room as empty, e*cept #or her% .he house as empty% Ber )i#e as empty% Ber o n son ha! rippe! himse)# out o# her rea)ity, )ea1ing a gaping ho)e that ha! s)o )y s a))o e! up a)) that remaine!Ca gaping chasm that ha! eaten her )i#e )ike a sinkho)e ingesting a city b)ock% /here did . fail2 .hat one ?uestion a)one ha! cripp)e! herQ she cou)! not e1en begin to )i1e again unti) she kne % ,or a moment, she #e)t sure, her son ha! spoken to her% An intimate moment that ca))e! to min! a thousan! hispere! . love you's an! ten!er ishes ood ni ht% She ou)! ha1e cra )e! through the stagnant, corpse9ri!!en aters o# the ri1er Sty* #or eternity i# it meant she cou)! hear his 1oice once more% DAn!re ,D she ca))e! out to the room% She sti)) remembere! the happy oman she use! to be, not the skin9stretche! ske)eton o# grie# sheE! become, her o n shri)) 1oice start)e! her because it as so )ou! in the space in hich no one ha! spoken #or a )ong time% 3t !i! not soun! )ike her% She ha! trans#orme! into a !esperate stranger that occupie! the same space as her #on!est memories, a stragg)ing raith that !ri#te! #rom room to room in the empty house% DAn!re D she ca))e! again% She ha! )e#t the room an! as s)o )y s)inking !o nstairsC as i# she e*pecte! to see him in the !en atching .G an! !i!nEt ant to start)e him% So strong as this memory that her min! imprinte! a hazy image o# her son o1er his #a1orite I

chair% Be ha! spent so many a#ternoons on the green 1iny) armchair that sat !iagona))y to the .G% &hen she b)inke! the haze as gone, but something hung in the airCsomething #ami)iar% .he !en sme))e! )ike a s eat9!renche! uni#orm #rom one o# his #ootba)) practicesCbut a)) his c)othes ere in his room% She a)ke! o1er to here the sme)) as strongestCthe chair% .he 1iny) seat cushion as making a hissing soun!, as i# someone ha! sat in it an! gotten up, a))o ing the #oam beneath to e*pan! an! suck air through the stitches to in#)ate% A breeze rushe! passe! her, a ting)e ran #rom the back o# her han! an! up her arm, in1isib)e #ingers seeking her )o1ing grip% She turne! an! hispere!, D%%%An!re %%% are you here+D .ears e))e! in her eyes, her breath caught in her throat an! starte! to burn )ike a hot stone% 0om*** She s)o )y reache! her han! #or ar! an! turne! on the anti?ue rea!ing )amp that stoo! atop a sma)), roun! tab)e ne*t to the chair% Ber han! ho1ere! #or a secon! in the )ightQ she notice! it as t itching an! s)o )y pu))e! it back% Ber son as here, someho % But hy+ &hy no + &hy take himse)# out o# her )i#e, an! then return )ike this a#ter t o months o# the b)ackest !espair% Something mo1e! in the #ar corner o# the crampe! room by the .GCthe !rapes s aye! as i# someone ha! brushe! them% DAndre,***D her min! recoi)e! in #ear as a suspicion that this as not her son sur#ace!% DStop this, te)) me%%%D her or!s )e#t her hen the ta)) )amp by the in!o turne! on ith a c)ick, the room brightene! as the ha)ogen bu)b arme! up ith an a)most imperceptib)e hum% D.e)) me,D she sai! )ou!er, D hat is this, hat !o you ant, ho are you+D She starte! to sobQ great ripp)ing a1es o# emotion rocke! her an! threatene! to knock her #rom her #eet% She sank to her knees be#ore the .G% 3t turne! on, by itse)#, ith a c)ick an! a bumpCa hite point become a )ine an! then e*pan!e! 1ertica))y into an image% Ber cries ha! stoppe! an! she stare! in #earCat #irstCas the pattern o# sno on the screen became brighter% Ber mouth as openCmesmerize! by the other or)!)y hiss bet een channe)s% She knee)e! be#ore the !e1ice #or a )ong time, the noise ipe! her min! an! )u))e! her into an uneasy peace% .he pitch change! an! the pattern on the .G !imme!, snapping her a ake an! bringing her min! back to the or)! she cou)! sense% .he screen #)ickere!, a ran!om b)ack shape car1e! out o# the static appeare! e1ery other sp)it secon! in a sea o# e)ectronic #oam% .he soun! as un!u)ating, bubb)ing, )ike

turbu)ent ater% Bet een the b)asts o# noise ere #ragments o# or!s, as i# cra#te! #rom c)ay )ike shar!s o# pottery that ha! ne1er been ho)e% 33ot***4oor*** fah4 .he or!s strugg)e!, she straine! to hear their message, )eaning #or ar!% D&hat%%% hat are you trying to say+D She kne she ha! to hear these or!sQ they cou)! en! her, or they cou)! be a ne beginning% .t33*** no33***4oor*** fa33 D/hat are you sayin '25 Ber con#usion an! grie# co))i!e! into a ne bout o# screaming sobs% .he .G #)ickere!, the noise became )ou!er, an! the negati1e space on the screen #orme! into a )oose interpretation o# a human shou)!ers an! hea! #rame! by 1isua) noise% .he ta)) )amp ne*t to the .G #)ickere! an! !imme!, as !i! the anti?ue )amp on the tab)e behin! her% .he static became !ea#ening, its repetiti1e bursts seeme! to sp)it the bones o# her sku)) #arther apart ith each resonant boom% A great hum #i))e! the house, !oors began to open i!e an! s)am har! in e1ery room, in!o s opene! an! shut an! e1ery other )ight in the house #)ickere! on an! o##% .he ne*t instant a)) as si)entQ the )ights ere o##, the !oors ere sti)), but the hum ha! #a!e!% .he .G sti)) g)o e! an! the b)ack #orm on the screen stare! at Licia an! seeme! to smi)eCbut it ha! no mouth% 5.t's not your fault!5 the 1oice as per#ect, 7ust )ike she remembere!, it soun!e! in the room ith such c)arity that she c)ose! her eyes an! imagine! he as there ith her% D&hy%%% hy !i! you )ea1e,D the ?uestion that ha! been in her min! #or the past t o months passe! her )ips #or the #irst time% D6e$ause*** #e$ause . $ouldn't stay* . $an't stay no,! #ut #efore . o! . ,a33 33oo s45 his 1oice ha! starte! to take on the e)ectronic #)atness, sinking back to soun!ing bet een bursts% .he great hum in the house raise! again, but not as )ou!% D. love you mom*5 Be as gone% .he house sett)e! into its #ormer sti))ness, but a #ee)ing o# peace ha! been !rape! o1er it% Licia, e*hauste!, #e)) as)eep in #ront o# the .G hich ha! turne! o##% She s)ept there unti) the morning sun crept across the #)oor an! arme! her #ace% She opene! her eyes an! smi)e!%

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Licia got up an! a)ke! into her )ate sonEs room% Looke! at the unma!e be!, smi)e!, an! began to c)ean his room%

11

'F0A:AO A 0FS.L"0S (A0A'3S" B@ S."G": B"0A"0O: .he mighty spruce a1ing so gent)y in the ear)y morning breath, the crysta) image o# the animas ri1er bra1e)y, #)o ing so ca)m)y% .he San 8uan mountain range as #u)) o# co)or this time o# year% An image o# pure beauty% 3n the mi!!)e o# it a)) sprea! out the !oub)e 7 ranch% Becky Ma)one ro!e the path a)ong the animas ri1er as she !i! so many times% .his time it as a )itt)e !i##erent #or she as no )onger the rancher4s !aughter% So as no a thing o# beauty earing a .e*as ba!ge+ .he ca)) ha! come in o# a strange occurrence !o n a)ong the animas% .he crysta) image ha! no turne! a sha!e o# scar)et re!% As she arri1e! at hat seeme! to be the source o# a)) the troub)e her eyes became teary% ,or this as a sight she ha!n4t p)anne! on% .here atop the mightiest spruce o1erhanging the animas as no other than his sa1age)y beaten bo!y% .he proprietor o# the !oub)e 7 ranch ha! been )e#t #or !ea!% Becky ha! a mission on her han!% &ho cou)! ha1e committe! such a co ar!)y act+ &ho cou)! ha1e sa1age)y beaten her #ather+ Fpon recei1ing the ca)) 8oseph Ma)one as on his ay% .he !oub)e 7 ranch has been in the Ma)one #ami)y #or ages no % Bis #ather ha! a) ays consi!ere! him as the b)ack sheep o# the #ami)y% 3# there as e1er any troub)e to be sought, he as sure 8oseph ou)! be right in the mi!!)e o# it% Bis choice to 7oin the .e*as rangers seeme! to put the #ina) nai) in the co##in% Be ha! been back no some ten months in hope to rekin!)e hat )itt)e respect he thought he ha! )e#t ith the #ami)y% Being ca))e! on as sheri## o# 'urango to him seeme! a pretty big !ea)% But in rea)ity it as his #ather4s !eath, hich tru)y brought him back to his roots here he be)onge!% Be ro!e out no to the ri1ers e!ge earing the sheri##4s ba!ge o# 'urango ith pri!e% Fpon reaching the area in ?uestion 1oices, ha! caught his attention #ami)iar ones as he cou)!n4t be)ie1e his eyes at the beauty she ha! became% <&ho goes there+> as Becky #irst impression as the sheri## ha! ma!e his appearance% <&e)) 3 see the rangers ha1e ma!e you 7ustice%> <Fnc)e 8oe 34m so g)a! it4s on)y you% 3 though they ere coming back to #inish there 7ob%> <@es Becky 3 sorry you ha! to see him this ay% 3 got a message the rangers ere sen!ing someone% 3 ha! no c)ue it ou)! be you%> <&e)) they #igure! since 3 kne the area an! peop)e so e)) 3 ou)! be the )ess threatening%> <&e)) e better act ?uick)y i# e ant to sa1e the !oub)e 7% no ith your #ather goneQ the ho)e operation seems to #a)) in the han!s o# Cates Mc Bain%> <Cou)! that be so ba!+ 3 hear! #ather ta)k about him o#ten nothing but praise%> <@es e)) your #ather as a #oo)% Be as my partner back in our ranger years 3 kne him best%>

12

<&e)) 3 guess kno that 3 am back that you4! make me the )ega) proprietor% &ith your he)p 34m ?uite sure e can keep c)ose tabs on his !ea)ing #or the !oub)e 7 sake%> <A)) 3 can say is to be on your guar! Becky% Be can be !angerous%> <3 i)) Fnc)e 8oe% 3 better start making my ay to the !oub)e 7 an! take c)aim o# hat is )ega))y mine%> <3 better hea! on back to the o##ice% 34)) make contact ith agent Murphy an! #i)) him in on the situation%> .he sheri## returne! to his o##ice in 'urango an! ma!e the ca))% 3# it as on)y agent Mc Bain in1o)1e! no prob)em he4! take care o# him persona))y% Be as sure that the Bronson gang as in1o)1e! he kne it as too much #or t o peop)e to han!)e% .he rangers ha! thought him a )ot hen it came to a sho !o n it he)pe! to ha1e rein#orcements% .he rangers ere the sheri## type o# rein#orcement% Becky no continue! est her path to the mouth o# the b)ue spruce% An area o# c)earing bet een t o ro s o# prize spruce trees, a )ea!ing passage to the !oub)e 7 ranch% As her 7ourney began she cou)!n4t he)p but get her unc)es arning out o# her hea!% &as Cates Mc Bain as e1i) as they proc)aim% "1er since her #athers return #rom the .e*as rangers a)) she e1er hear! him saying as such a great #rien! he ha! in Cates% .hen she began ?uestioning herse)# maybe her unc)e as right% 3# Cates Mc Bain as such a great person hy as he no )onger a ranger+ As she reaches the en! o# the path her memory o# the !oub)e 7 ha! turne! to nightmare% .he pasture as green no more% .he #armhouse, catt)e an! barn a)) she a!ore! no spe))e! the orst% &hy !i! she e1er )ea1e in the #irst p)ace+ Ber eyes then g)ance! aroun! to the neighbouring #armers% .here pasture o1ertaken by ee!s, there #armhouse an! barn about rea!y to #a)) !o n% 3t remin!e! her o# the reason she ha! )e#t in the #irst p)ace% .o !o her part in contro))ing rust)ing prob)em in 'urango% She ga))ope! as ?uick)y as she cou)! to the #armhouse to see #or herse)# e*act)y hat as going on% She ha! a )ot o# ork on her han! i# she as to return this )an! the ay it as% Ber #ather as !ea! not e1en t enty #our hours an! a)rea!y the #arm )ooke! to be in shamb)es% As she reach the #armhouse her heart began to patter #or there he as% .a)), han!some ith a bo!y she cou)! on)y !ream o# she ha! to #in! out #or her% 3# the #act that this man as Cates Mc Bain it ou)! mean he as responsib)e #or the sight she is no )ooking at% <Can 3 he)p you there missy%> .here that 1oice 1ery se!ucti1e an! capti1ating in her heart she hope! Mr Mc Bain as not present% <@es as a matter o# #act 3 ou)! )ike to see Cates Mc Bain an! right no % 3t4s !o n right important%> <Oh rea))y no an! ho may 3 say is )ooking #or him%> <.e)) him Becky Ma)one the ne proprietor o# this )an!%> <Oh right 3 hate to burst your bubb)e% But 3 be)ie1e the true o ner is An!re Ma)one an! once he arri1e! back #rom to n he i)) !e#inite)y be ab)e to c)ear things up%> 1-

<&e)) #or your in#ormation ho e1er you are 3 as 7ust !o n by the animas ri1er 3 #e mi)es #rom here% 3 hate to be the one to in#orm you but there4s a bo!y hanging o1er it% @our precious boss An!re has been bruta))y beaten an! )e#t there #or !eath% 3n case you ha1en4t #igure! it out yet, 3 Rm his !aughter% Besi!es hy 34m e*p)aining a)) this to you%> <&e)) #or starters you ha1e been ta)king to Cates Mc Bain no #or the )ast ten minutes% 34m comp)ete)y sorry about your #ather%> <So 3 guess you are responsib)e #or a)) this mess%> <3# you are re#erring to the #ence a)) tramp)e! !o n an! the barn !oors a)) buste! in% 3 as on my ay to to n to get supp)ies to #i* them up% ,or you see e got attacke! )ast night those no goo! rust)ers 3 presume% &e chase! them !o n #or a hi)e but they someho got a ay% @our #ather sent me back to access the !amage% 3 ha1en4t seen him since% &hen 3 oke up this morning he as a)rea!y gone 3 #igure! he cou)!n4t ait #or me%> As he stoppe! a minute to )et it a)) sink in an orienta) guy came running out o# the barn% <Mrs Ma)one, Mrs% Ma)one is that rea))y you% Boy the city has rea))y ma!e you a gro n up%> <Be))o Chang )ee it4s so goo! to see a #ami)iar #ace%> <&e)) come in come in% 3 7ust #inishe! hipping up a batch o# my b)ueberry a##)es 3 kno there your #a1ourite% Boy i)) Mr Ma)one sure be happy to see you back%> <3t4s a)right there Mrs% Ma)one you go ha1e break#ast% 34m hea!ing in to n #or supp)ies e can ta)k )ater%> .here he ent Cates Mc Bain% .he man o# her !reams maybe 7ust #or once her unc)e as rong #or a change% She entere! the #armhouse #or co##ee an! a##)es% &ith Cates gone it ga1e her a chance to ta)k to Chang )ee an! #in! out #or herse)# e*act)y hat as going on% 3# there is anyone ho ou)! kno the ho)e story it ou)! !e#inite)y be Chang )ee% She commence by gi1ing him the ne s o# her #ather hich a)most knocke! him straight to the groun!% 'ays has no passe! ith Cates han! Becky returne! the )an! the ay she remembere! ith a!!e! attractions rea!y #or the ne*t attack% Becky an! Cates began to get c)oser as her ishe! ha! come true, her unc)es4 arning as o## #or once% .hey sat there on they #ront porch en7oying a co)! #rosty as they got to kno each other% <So Cates thanks #or the he)p e1erything )ooks great%> <&e)) you can o e it a)) to your #ather% Be taught me a )ot o# the business% &e here great #rien!s in the .e*as rangers %Be#ore he )e#t hen your gran!#ather !ie! he to)! me i# 3 e1er got tire! o# the ranger )i#e to )ook him up% About si* months ago the rangers ga1e me an u)timatum so 3 )ooke! him up%> <So hat about the Bronson4s, hat i# they !eci!e to return+> <3# they !o, )et me !ea) ith them% .hat is i# 3 am sti)) here% 3 suppose the sheri## ha! gi1en you strict arning about me%> <.hat he !i!% But since my #ather ha! put a)) his trust in you 3 trust his 7u!gement more%> <Areat so ha1e no #ear% As soon as they come back that is assume they !o % hich is more than )ike)y i)) e4)) be rea!y%> <:o hat about our neighbours+ 3 as thinking since e are the strongest 34! )ike to he)p them to rebui)! once the time comes%> <3 can see your #ather has taught you e))% &e a) ays as i))ing to )en! a he)ping han! %3 !o be)ie1e that is hat got him mur!ere! in the #irst p)ace% :eighbours ere 1M

starting to stan! up to the rust)ers% .he ay 3 see it they !eci!e! i# they ent a#ter your #ather, the neighbours ou)! ha1e backe! o##%> As Cates #inishe! his charm as starting to ear o## on Becky% .hat night it a)) began by a roaring #ire in the o)! oo! sto1e, it pro!uce! a )ot o# armth in the cabin as e)) in there hearts% Laying there on the bear skin rug en7oying a g)ass o# re! ine as a situation that turne! rong #or Becky% &hy !i! she ha1e to be earing her #a1ourite hite b)ouse+ .he ne*t thing they kne they began kissing one that became to passionate #or Becky as she pushe! Cates a ay he topp)e! o1er the tab)e as the g)asses o# ine ent #)ying to the groun!% Ber b)ouse as no )onger so per#ect the re! stain ha! it a)) ruine!% <Bere )et me gi1e you a han! ith that%> Cates rep)ie!% Be#ore Becky cou)! !o any protesting he a)rea!y ha! her b)ouse ha)# unbuttone! e*posing her b)ack )ace bra% As her b)ouse ent o## so !i! his t9shirt% Becky simp)y stoo! there in a e to his physic be#ore she kne it she as s ept o## her #eet% Cates ha! no )e! her to the be!room an! p)ace! her gent)y on the be! an! procee!e! by remo1ing her boots% Becky simp)y )ay on the be! eyes c)ose! en7oying a)) the attention% She ha! ne1er #e)t this #ee)ing be#ore an! hate1er it as she as en7oying it% Ber eyes su!!en)y open to the soun! o# the zipper o# her 7eans !escen!ing% She 7umpe! out o# be! in protest thinking this is happening ay to #ast% .he ne*t thing she kne she as stan!ing there in nothing but her un!ergarments as her 7eans hit the #)oor% <Boy Mrs Ma)one !o you )ook )o1e)y tonight%> &as a)) that Cates cou)! say as it as his turn to be capti1ate! by her beauty+ <&e)) !on4t 7ust stare you might as e)) #inish hat you ere !oing%> She rep)ie! as she approache! him tugging on to his 7eans as it ent !o n e*posing his man hoo! in brie#s% Bis han!s arri1e! to her aist as they mo1e! up in the process unsnapping her bra% Ber han!s s)i! !o n his aist as his brie#s hit the #)oor at the same time as her un!ies% She !i!n4t kno ho it happene! but they ere no both !resse! in the out#it they ere born in% .he #o))o ing morning it as a)) business% .heir one night o# passion as a)) that Becky cou)! stan! #or a hi)e% Once they #inishe! the morning chores% Becky sa it happen again the Morgan4s ere packing it in% 3t remin!e! her o# her ro)e no to protect her )an! as e)) as her neighbours% &ith their agon #u)) an! )ooks o# turmoi) on their #aces on)y meant one thing, the rust)ers eren4t too #ar behin!% Bere as a)so a ay to test Cates )oya)ty to the #arm or on the rust)er4s si!e% Bours )ater she #oun! herse)# back in to n on her !ai)y trip starting o## in her unc)e4s o##ice% .here he as sitting at his !esk going through the morning paper ork as the ce))s ere empty ith the e*ception o# Bernie the to n !runk% <Aoo! morning unc)e ho is it going%> Becky aske! as she sat !o n besi!e him% <Aoo! morning Becky e1erything is going #ine here% &hat4s up ith you+> <Oh the usua) ranch troub)es% On my ay here 3 sa the Morgan4s packing it in% to the )ooks on their #ace the Bronson4s must not be #ar behin!%> <3 kin! o# !oubt that% A #a* 7ust came in #rom the .e*as rangers% .hey caught the Bronson gang a #e !ays ago about #i1e mi)es south o# here your #ather as hanging%> 1N

<So i# it4s not the Bronson4s ho e)se cou)! it be%> <&e)) i# 3 here a betting man there4s one name that comes to min!%> <3# you are re#erring to Cates you better think t ice% 3 got to kno him goo! o1er the past #e !ays% My #ather thought him the business e)) an! he4! ne1er sort to those tactics%> <Oh 3 see he got you too rappe! up in his charm% A)) 34m saying is !on4t put !o n your guar! aroun! him%> <3# by any possibi)ity you are right% &hat ou)! be his moti1e+> <3 ne1er to)! you this but the !ay be#ore your #ather4s !eath he ca))e! me% Be seeme! to be pretty scare! about something% Be as on to something about the rust)ing situation, that4s a)) 3 kno % @ou ha1e been back some time no ,you !i!n4t come across some kin! o# 7ourna) or anything pecu)iar aroun! the p)ace%> .hat as it she ha! hear! a)) on the sub7ect o# Cates Mc Bain as she as rea!y #or at the moment% She as on her ay back to the !oub)e 7 ith se1era) thoughts hich re?uire! sorting% :o ith the Bronson4s behin! bars ho as responsib)e #or the attack on the Morgan4s% Ber unc)e4s specu)ations cou)! not ha1e been right% She ha! spent a ho)e night o# passion ith Cates Mc Bain% 3# he as someho in1o)1e! ho cou)! someone so passionate be so sa!istic an! e1i)+ Fpon approaching the animas her thoughts ere brushe! a ay% A ne sight ha! caught her attention% C)ou!s o# b)ack smoke ere no present in the sky o1er the !oub)e 7 %Ber horse ga))ope! rapi!)y in !irection o# the smoke% Fpon reaching the base o# the property her eyes ha! turne! to tears e1erything as ruine!% .he #armhouse barn an! pasture as comp)ete)y ab)aze% Ber homestea! hich been in the #ami)y #or generations as no more% A #e mi)es !o n the roa! sai! it a))% .here ami!st the ro s o# spruce in !irection o# hat as the Morgan4s #arm, )ai! a b)ack hat% :o 7ust any b)ack hat, the same one that Cates Mc Bain ha! ore many o# times% So that con#irme! it her unc)es specu)ations as right on target% Bo Cates cou)! ha! !one such an act% Bere as a person ho e a)) truste! an! this is ho he repai! us% Fpon approaching the Morgan4s sprea! e1erything )ooke! to #ami)iar to her% .he )an! #arm an! pasture as a)) in or!er% Something as !e#inite)y upQ ith the )an! )ooking the ay it !i! the Morgan4s ha! no rea) reason #or !eserting as they !i!% Fn)ess it came to her, cou)! they be on har! times )ike e1eryone e)se an! ha! to borro #rom the bank to keep a #)oat% 3# that as the case it on)y meant one thing the bank ha! #orec)ose! )ea1ing it a1ai)ab)e #or anyone to a##or! it% As she approache! the gate #rom a !istance she spotte! him in the hot sun orking the )an!% 3t as as i# nothing ha! happene!% <So Mr Mc Bain is this ho you treat peop)e%> Becky proc)aime! sho ing o## her Ma)one temper% <Sorry Becky but this is ho the cookie crumb)es%> <An! another thing you ha1e no more rights to ca)) me Becky% ,rom no on it4s Mrs Ma)one%> <,ine Mrs Ma)one state your business than )ea1e 3 ha1e a )ot o# ork to !o on my )an!%> <@our )an! is that hat you !o ait ti)) peop)e are in !ire straights an! buy there )an! #rom un!er them%> <Bey i# that hat it takes to sur1i1e so be it%> <An! 3 suppose you kno nothing about that #ire that4s ruining the !oub)e 7%> <&e)) Mrs Ma)one its a)) tough )uck% @our #ather taught me a)) about the business then he as a #oo) not too step asi!e hen 3 as rea!y to take o1er% &ith a )itt)e he)p #rom my 1/

#rien!s the Bronson4s he as !ea)t ith% .hen you came a)ong an! again my p)ans here ruine!% .he other !ay hen 3 as in to n getting the supp)ies to #i* your #ence 3 o1erhear! Mr Morgan in a heate! con#rontation ith the bank manager% 3t appears he as ay behin! in his mortgage% So i!ea))y hen 3 ent to see the manager an! o##ere! him more then cash 1a)ue #or the property he as more then i))ing to !ea)% So i# that is a)) 3 say goo! !ay to you Mrs Ma)one an! thank you #or that on!er#u) e1ening the other night%> <.his is not the en! o# it you i)) !e#inite)y be hearing #rom me again Mr Mc Bain% An! as #ar as the other night e)) 3 ha! better%> A #e months ha! passe! since Becky4s outburst ith Cates Mc Bain an! e1erything as beginning to get back to norma)% Stubborn as she as she !i!n4t )et a #ire )et her !o n% &ith har! ork an! a ne cre she manage! to bring the !oub)e 7 back to its norma) statue here it be)onge!% Cates Mc Baines )an! as returne! to the Morgan4s as it as pro1en that a)) the troub)e they ha! en!ure! as in!irect)y trace! back to Cates Mc Bain% As it stan!s Mr Mc Bain is in ranger4s custo!y% Be is ser1ing three )i#e sentences o# rust)ing, hanging o# An!re Ma)one as e)) as the #ire on the !oub)e 7% Becky Ma)one has )earne! a )ot #rom peop)e ho to trust an! to not )et her heart inter#ere in business% .he Ma)one4s name in 'urango meant po er an! a neighbour to be counte! on% .he sheri## has )i1e! up to his promise by c)eaning the to n o# those no goo! rust)ers an! returning the to n 7ust as he remembere! it% As #ar as Becky she )earne! to take her unc)es arning to heart% .here at the base o# the animas stan!s a sing)e cross% <Bere )ies a simp)e gent)e an! kin! man% A )o1ing #ather ho 3 i)) miss so% .he !oub)e 7 his been your )i#e an! )egacy to me% One that 3 i)) cherish ti)) the !ay 3 !ie%>

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Poetry Palooza DShuttersD By 8amie 'anzer My heart remains in shamb)es Like the shutters to an o)! in!o "1ery broken boar! Symbo)izes a piece o# my heart .he tattere! timber 0epresents the ear an! tear .he chippe! paint 3s the emotion #)aking a ay .he ho)e in the oo! 3s the emptiness in my heart &hi)e the sp)inters (rotect my heart #rom intru!ers D,rom 'eep &ithinD By Martin 'anzer ,rom !eep ithin me A thought b)ooms )ike a rose So#t, !e)icate, an! pure A )o1e b)ossoms #rom a Sma)) see! o# caring As it gro s ithin me :urture! by s eet thought O# hat e cou)! share, 3 ha1e no choice but .o te)) you ho 3 #ee)

1I

ALPHA REVIEWS BY CARRIE SUND

Ba)# ay to the Ara1e: :ight Buntress :o1e) By 8eaniene ,rost 'o you )o1e a book that is !ark an! #u)) o# 1io)ent !eath+ 3# so this is the book #or you, ith in the #irst three chapters the main character Cat has ki))e! 2 1ampires an! capture! her thir!% She ki))s 1ampires #or on)y one reason, her mother, has taught her they are a)) e1i) creatures% Ber mother as rape! by a 1ampire resu)ting in Catherine4s hea)thy birth at #i1e months% Cat is ha)# 1ampire an! has some o# their strengths but sti)) has a beating heart% Cat is !oing ?uite e)) e)iminating 1ampires unti) she meets her match, Bones is an o)! 1ampire ho turns the tab)es an! captures her% Bones is a 1ampire that hunts his o n kin! #or the re ar! on their hea!s% Be strikes a !ea) ith Cat to ork ith him as 1ampire bait an! he on4t ki)) her% She accepts the !ea) but sti)) ants to ki)) a)) 1ampires e1en Bones% Cat is put through training that ou)! ha1e ki))e! a norma) person an! in many cases a)most ki))e! her but bones hea)e! her ith his b)oo!% As she orks c)ose)y ith him she starts to on!er i# her mom is rong an! a)) 1ampires are not pure e1i)% O)! habits !ie har! though an! Cat is stuck bet een betraying the best #rien! she has e1er ha! or the on)y person ho has e1er care! #or her% &e)) you can4t )oose ith a)) the 1ampire ki))ing going on an! a tainte! )o1e story to go a)ong ith it% &hat 3 rea))y !i! )ike about the story is that Cat an! Bones are both characters that 3 rea))y )ike!% Cat as not a) ays on the mark an! ma!e mistakes but not so many her characters seeme! eak% She as a per#ect e*amp)e o# someone ho gre up ith a crazy mom an! as iso)ate! #rom the norma) society aroun! her% Bones as great he as an o)! 1ampire an! he actua))y seeme! to )earn something in his years on this p)anet% 3 ha1e rea! so many books about 1ampires )ate)y an! it seems )ike they cou)! be a )itt)e smarter a#ter hun!re!s or e1en thousan!s o# years on earth% One o# the things 3 cannot un!erstan! is 1ampires ho #a)) #or human omen an! ha1e no i!ea ho to treat them% 3# they ha1e been aroun! #or so )ong you ou)! think that they ou)! ha1e ha! )oa!s o# time to correct their pre1ious mistakes or at )east ha1e atche! success#u) re)ationships% Bones makes a point to be 1ery respect#u) to Cat 5other than in training6 an! he rea))y aits on her to rea)ize that she has #ee)ings #or him, but he !oesn4t hi!e his #rom her%

1O

3 i)) ha1e to say this is not #or e1eryone it has a )ot o# 1io)ence an! se* as e)) as p)enty o# )anguage% .he action is non9stop #or the most part an! 3 7ust cou)!n4t put the book !o n 3 as actua))y rea!ing it a #e times hi)e cooking so 3 high)y recommen! it%

20

ALPHA REVIEWS BY CARRIE SUND

.he Becoming by 8eanne C% Stein 3 rea! this book in one !ay it as a ?uick #un rea!% .he prob)em as there as no !epth at a)) to this book% :o character !e1e)opment, Anna as not the DstrongD character 3 as hoping #or she as 7ust there in the mi!st o# a)) the chaos going on aroun! her% .he ho)e book as #u)) o# p)ot t ists an! turns as e #o))o Anna Strong into her ne )i#e% Anna is a bounty hunter, but her )atest mission turns out to be a creep 1ampire% .he 1ampire is too strong #or Anna an! her partner 'a1i! an! he gets a ay% .he 1ampire beats an! rapes Anna an! in her strugg)es she s a))o s some o# his b)oo! thus becoming a 1ampire% Anna #in!s out that the !octor that treate! her is a)so a 1ampire an! she en!s up going to him #or he)p% She is being hunte! by 1ampire hunters an! her best #rien! an! partner has been ki!nappe!% .here is a )ot going on in this book, it keeps mo1ing #rom beginning to en!% 3 think the prob)em ith this book is 3 #e)t )ike it as rushe!, 3 !i!nEt get to kno the characters at a))% 3t #e)t )ike a set up #or the ne*t book, it as #un to rea! but then 3 #e)t no connection to the characters so 3 probab)y onEt rea! the ne*t book unti) 3 run out o# books 3 ou)! rather rea!% .his one is not on the top o# my recommen!e! rea!ing )ist but it as entertaining%

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.3.L": B)oo! C)ay AF.BO0: Ga)erie :ieman 0"G3"&: 6lood 7lay by Ga)erie :ieman is an interesting kin! o# story that te))s ho .racy Aaines, ho 7ust re)ocate! to Sau), :orth Caro)ina, atches a )itt)e gir) get mau))e! by a pack o# !ogs% As she te))s the truth o# hat happene! on that #ate#u) !ay, most peop)e !on4t be)ie1e her because she is an outsi!er% .he on)y one ho tru)y be)ie1es her is a #e))o teacher, 'a1e ,or!ham, ho has his o n prob)ems ith peop)e accepting him% As .racy strugg)es ith #ighting #or her princip)es o# right an! rong, she #in!s #rien!ship an! )o1e ith 'a1e% &i)) the truth o# hat happne! to Lakesha hea) the oun!s o# the peop)e in1o)1e! or i)) it tear #ami)ies apart% Ms% :ieman4s book <B)oo! C)ay> is a book that sho s characters that ha1e princip)es an! that it4s har! hen you ha1e to stick up #or yourse)#% 3n #act the characters #e)t 1ery rea) to me% One o# the things 3 )o1e! is it a)so to)! some o# the history o# :orth Caro)ina% 3 a)so )o1e! that the re)ationship bet een .racy an! 'a1e starting out as #rien!s an! then become in1o)1e! ith each other% 3 think omen o# the south no, make that a)) omen, ou)! )ike see more books here the characters starte! out as #rien!s instea! o# hopping into be! at the #irst scene% <B)oo! C)ay> shou)! be on e1eryone4s <to rea!> )ist% M Bookmarks Caro) Langstroth, Manager an! 0e1ie er Min! ,og 0e1ie s

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.3.L": 'oing Lo1e 0ight AF.BO0: 'iana 'e0icci 0"G3"&: 3n 'oing Lo1e 0ight by 'iana 'e0icci e #in! out that 08, a#ter ha1ing !runken nights, spots someone in his be! that he !oesn4t remember% 8u)ian, ho has ha! an in#atuation ith 08 since his 8u)ian4s sister4s e!!ing an! sa1e! 08 #rom being a 1ictim o# an assau)t an! !ri1ing home !runk% 8u)ian is !etermine! to sho 08 that he )o1es him an! that t o peop)e ho )o1e each other make a #ami)y% 3 #e)t that 'oing Lo1e 0ight as an okay book% 3 ou)! ha1e )ike! to ha1e seen more o# a backgroun! on 8u)ian an! a)though 3 rea)ize that this is a se*ua) book 3 actua))y ou)! ha1e )ike! Ms% 'e0icci to !o a )itt)e )ess se* an! more story)ine% 3 !on4t kno i# there is much o# a market #or this type o# book, but ith a )itt)e ork this cou)! be ma!e into a e))9 ritten no1e)% ,or the men that nee! a hot, se*y book, 'oing Lo1e 0ight i)) be the per#ect book #or them% - bookmarks Laura Matthe s, 0e1ie er Min! ,og 0e1ie s

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The Staff
Beth Ann Masarik, is the founder and chief editor of Literary Lunes. She created this magazine, because people are always coming to her for literary ad ice, and she wanted to be there for all aspiring writers. She is the author of her debut no el, The !orld Among "s, a young adult, urban fantasy no el. #er book will be released on August $%, &'$$. (n addition to running Literary Lunes, Beth also runs her blogs, !riter)s Ad ocate, and #allowed !riters. *or more information about Beth, you can isit her full website at www.bethannmasarik.webs.com Amy +udd, is the graphic designer for Literary Lunes. She currently li es on her families working ranch in ,klahoma with her pet -ekingese .ikyo. As an artist, she spends hours painting the roses red and reading idyllic prose and old no els nobody bothers to remember. She is currently working on publishing her first no el after recei ing arious awards in art, literature and poetry.

+en !hitten, is the editor and proof reader here at Literary Lunes Magazine. She is a professional writer, editor, consultant and positi e li ing nin/a. She also creates the most darkly delighting cookie recipes known to man. Learn more about her work at http011writer/enwhitten.com

Ashley Laura is dedicated to gi ing writers a oice outside of their work. *or Literary Lunes, she assists with the accepting of article submissions and the formatting of the magazine. ,utside of Literary Lunes, she is also the Muncipal Liason for Memphis 2ational 2o el !riting Month 32A2,!4(M,5.

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