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LINKS! Within this publication are numerous links. You are just
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Than Luu
www.myspace.com/blackgold
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NICKY
“HEAVY ROCK”
Nicky is real. There’s a raw Both of her parents play guitar.
honesty that drives her music, it’s Her mom plays acoustic while her
pure. Think of Joan Jett (The dad plays electric. Her father was
Runaways) or Motorhead or even in many bands throughout the 80s
her own personal favorite and 90s. Nicky stated, “He was
Girlschool and you start to get an one of the best guitarists in our
idea of how hard this girl can rock. country, but he’s never been as
huge as he could’ve been.”
Nicky was born 1993 in Prague,
Czech Republic. In 1998 she Although music has always been a
moved to “a small town in the large part of her life, Nicky
middle of Europe.” She noted, “I expressed, “I’ve never been the
sometimes call it ‘the hole in the same since I first heard the Alive!
world,’ but I’m glad I live here.” album by Kiss. Besides having a
huge crush on Paul Stanley, it was able to play Ace Frehley’s solo in
the first time I’d thought about 100000 Years.’” After Nicky
playing guitar.” learned that solo, she picked
another and continued challenging
herself.
“I’ve never been
About 6 months after getting her
the same since I guitar, Nicky started writing her
first heard the own songs. Two of those early
songs were called “You Killed Me
Alive! album by With Your Love” and “I’m Asking
Kiss.” You.” She commented with a grin,
“Yep, ballads, but I had to start
somehow.”
Nicky’s first guitar was a “cheap Nicky’s family soon realized that
left-handed Stratocaster.” She she was 100% dedicated to guitar
received it along with the promise
that if she stuck with it, she’d get
a better guitar next year. “I got
into guitar playing more than any
of them ever imagined.”
http://www.myspace.com/nickysmusicpage1
Janet Robin
Mesmerizes at Bucks County
House Concert
On September 27, a foggy, misty, après
rain S un day evening, LA singer/
songwriter Janet Robin concluded an
east coast tour with a powerful and
intimate set under a canopy of gently
swaying trees in Langhorne,
Pennsylvania. Pastel lighting and
the drifting smoke of torchlight
created a magical setting.
Powerful, indescribably
delicious guitar playing
combined with a
sensual, bluesy and
sultry voice filled
the night air
and tricked the ears — at times it
was hard to believe there was
only one voice and one guitar
performing. Janet’s lightning fast
cord changes and scorching solos
literally dropped jaws and took
breaths away.
Janet’s Links:
http://www.janetrobin.com
http://amiestreet.com/ http:// http://click.linksynergy.com/fs-bin/stat?
www.myspace.co
id=hyTjEIK1pMo&offerid=146261&type=3&subid=0&tmpid=18
music/janet-robin? 26&RD_PARM1=http%253A%252F%252Fitunes.apple.com
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Miss Issa
with club attitude while
remaining
“Throw Up”
sophisticated
enough to ensure that the song
will have a real impact on radio as
well.
Singer, Jonathan Pierce notes, “We only write about two feelings:
one is the first day of summer when you and all of your friends are
standing on the edge of a cliff watching the sun set and being
overcome with all of your hopes and dreams at once. The other is
when you're walking alone in the rain and realize you will be alone
forever.”
“I think it’s more of a story, more of a “Chris [Moll] was a longtime fan of Ivy.
soundtrack,” vocalist Tim Yehezkely He knew someone who knew Andy
stated regarding The Postmarks latest [Chase — member of Ivy and founder
record. Indeed, MEMOIRS AT THE END OF of Unfiltered Records] and when we
THE WORLD is an astounding work that
had the first album pretty much done,
offers as much of a nod to composers he wanted to find someone to mix it —
such as John Barry as it does the world you get to that point when you can’t
of pop. Expansive cinematic landscapes listen to what you’ve done any more
containing ponderous, apocalyptic, and sometimes you bring in a new set
postmodern flourishes of poetry create of ears, someone with experience that
an engaging, inspiring and refreshing comes from a musical background that
work of audio art. you respect. Chris had a list of people
that he sent the album to and Andy
Tim’s “simultaneously seductive and was the first person to write back. He
detached” vocals are embedded within loved it and it all kind of just unfolded
the tracks. Her hauntingly beautiful from there.”
MEMOIRS AT THE
END OF THE WORLD
is the band’s
second album and
marks several
direction changes
from the first. One
key factor in The
Postmark’s growth
c a n b e a t t r i b u t e d t o Ye h e z k e l y
“Go Jetsetter” approach to writing the lyrics. MEMOIRS
is decidedly more abstract than the
Besides providing the distinctive vocals previous album. “The first album was
that are the soul of The Postmarks, more from my personal life and
Tim Yehezkely also plays a variety of experiences,” she revealed, “On this
instruments and writes music. She one I was pressed for time. I just made
penned the sweetly grooving, single- stories. Obviously any story is going to
worthy “Go Jetsetter.” The song was draw from the writer ’s [real]
originally written on a Casio keyboard. experiences or imagined experiences,
When asked if the song changed much but there’s nothing I can directly say
from writing to recording, she ‘yes, there was some concrete example
responded, “If you heard it in the that came from.’”
demo form . . . it is recognizable. The
basic song structure has to be strong Upon further inspection of her writing
enough to begin with and when that process on this album, Tim explained
framework has been laid, I let them that she usually carries a little
[Jonathan Wilkins and Christopher notebook around with her, but she
Moll] do all these fancy flourishes and doesn’t necessarily use it as a dairy.
things afterward. The guys probably “When I get ideas or see something
have ideas before they start putting inspiring — something I pass by or
down tracks, but even with the ideas think or hear and realize, ‘Wow that’s
you don’t really know what it’s going pretty cool’ — I jot it down. Then I
to sound like till you hear it. The song build a song around the one thing that
kinda comes to life as it’s recorded.” caught my interest.”
Another vital factor
in the evolution of
this album is the
writing was more
collaborative.
Previously, each
member had a
more or less
specific role in the
creation of the
songs. “Chris
[Moll] wrote the
music, he and John
[Wilkins] arranged
it and I added the
words. This new
one is more
collaborative,
there’s a song that
I wrote most of the
Songwriter’s Monthly
Bonus Audio Clip
Tim Yehezkely on . . .
Movie Soundtracks music and then John arranged it and
Chris fine tuned it. There are a couple
“Everyone loves movie soundtracks. of tracks on there that John wrote the
Once you realize the value of music and Chris arranged or altered it
background music, how different a film in some way. I think our influences all
or pretty much anything is with music kind of melt together.”
in the background . . . it totally
changes what you’re perceiving. When The Postmarks are Tim Yehezkely,
I watch a film, I’m very conscious of Jonathan Wilkins and Christopher Moll.
the music . . .” The latest album is MEMOIRS AT THE END
OF THE WORLD. For more information
To hear why soundtracks can visit:
sometimes upset Tim, click on The
Postmarks logo below. http://www.thepostmarks.com
http://www.youtube.com/watch?v=iX9WxdQMneA http://www.myspace.com/ http://click.linksynergy.com/fs-bin/stat?
thepostmarks http:// id=hyTjEIK1pMo&offerid=146261&type=3&subid=0&tmpid=1
http://www.youtube.com/watch?v=iX9WxdQMneA www.myspace.com/thepostmarks
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See next page for a bonus pin-up of Nicky!
http://www.scribd.com/doc/19506104/SM-
Sept-09-117aTawny-Heath
http://blogs.myspace.com/songwritersmonthly Sept. ’09, #117a !!!!!!!!!!!!!!!
NICKY