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Apocalypse And Explication - A Study on Female Phase In Elaine Showalters Towards Feminist Poetics - An Indian Point of View
Dr. P. Rajendra Karmarkar
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ABSTRACT: The paper studies the nature of woman in comparison with man. She is different from man
biologically, physically, and psychologically. If a man is general, worldly and universal, she is special, private and introspective. Her values are different from mans. The paper avers that womans writings are clearly specified and demarked by their themes and the way they narrate or describe the stories or the type of the language they chose for writing. The paper studies the three phases of the woman writers divided and defined by Elaine Showalter. The three phases of woman as a writer which come under gynocritics, are the Feminine phase, the Feminist phase and the Female phase, backed up by illustrations taken from Indian English literature. The paper makes an attempt to draw the conclusion from three phases by analyzing each phase and inclines to support Elaine Showalters advocating female phase as the genuine experience which is evidenced by themes, the language, the style and the culture which are distinctively woman or mother oriented.
KEYWORDS: Apocalypse and Explication, Dalits, Male Tradition, Maya and Gautam, Woman as a Girl I. INTRODCTION
There are two areas of study as far as woman writing is concerned: one is how women writers describe the male-dominated society in their literary works, and what kind of revelation or apocalypse they make about their own role; and the second is to study the way of their expression. In other words, one is to study their content and the other is to study their style and form in their works. Here we are concerned with the first of these two aspects: the content. Readings into the various works authored by women will give us a feeling that much can be said on both sides. For instance, Queen Victoria who kept up voluminous private lett ers was against the clamour for womens rights. She denounced the concept of feminism calling it the mad, wicked folly of Womens Rights (Quoted by Graying A.C. in Toward the Light of Liberty P. 212). On the other hand, reading Elaine Showalters critical works such as A literature of their own will provide us a descriptive view of the different phases in the literary output of women, and the way of asserting their rights in literature. This paper is aimed at describing briefly the feminist writing from the Indian point of view, limiting to a few women writers such as Anita Desai and Shashi Despande and others, and it purports to discuss their works from the scanner of Elaine Showalters critical standpoints. Alt h o u g h ma n a nd wo ma n ar e d e clar ed b y t h e co n st it u tio n as eq ua l a nd e li gib le fo r eq u al r i g ht s a nd p r i vi le ge s, i n p r a cti ce, me n ap p ear mo re eq ual a nd e nj o y mo r e p ri v ile g e s th a n wo me n . Co n st it u tio n ma y i mp o se eq u al it y b ut na t ure s ep ara te s t he m. T h e y are b io lo gi ca ll y, p h ys ic al l y a nd p s yc ho lo gic al l y d i ffere n t. M a n i s ge ne ral, wo r ld l y a nd u ni v er sal b u t wo ma n i s sp ec ia l, p r i v at e a nd i n tr o sp ec ti v e. Co mp ar at i ve l y, wo ma n i s mo re se n si ti v e t ha n ma n. S h e i s no t ed fo r fr a gi li t y as S h a ke sp e are s a ys , F rail t y, T h y na me is wo ma n . B ut wo ma n i s glo r i f ied fo r p at ie nc e a n d co mp a s sio n. Vir g i nia W o l f d is ti n g u i s he s wo ma n fro m ma n i n va l ue s. W o l f sa ys I t i s p ro b ab le, ho we ver, t hat b o t h i n li fe a nd i n ar t t h e v al ue s o f a wo ma n ar e no t t he val u e s o f a ma n . T hu s, wh e n a wo ma n co me s to wr i te a no v el, s h e wi ll fi nd t ha t s h e i s p erp et u al l y wi s h i n g to al ter t he e s tab l i s hed va l ue s - to ma ke ser io u s wh a t ap p ear s i n s i g ni fi ca nt to a ma n , a nd tri v ial wh a t is to h i m i m p o r ta nt . ( Q uo t ed b y R. S. S har ma i n An i ta De sa i , P .1 9 ) . Ela i ne S ho wal ter d i sc u s se s t wo ca rd i na l p o i nt s - W h at i s t he re al nat ur e o f wo ma n? and W h at i s t he ap p r o p r iat e at ti t ud e a wo ma n writer h as to ad o p t b et we en t he Fe mi n i ne , th e Fe mi n i s t a nd t h e Fe ma le wr it i n g s? W h at i s t he t yp e o f t he t h e me, t he l a n g ua ge a nd
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