Professional Documents
Culture Documents
Eagle sculptures on the Market Street Bridge: The four eagles on the east and west approaches of the
Market Street Bridge came from New York's Pennsylvania Station, donated to the City of Philadelphia by
the Pennsylvania Railroad after Penn Station was demolished in the mid 1960s. They were created by
Adolph Alexander Weinman in 1903 and are directly across from Philadelphia's 30th Street Station, built
and formerly owned by the Pennsylvania Railroad.
Eagle sculpture: Considered community landmark by Philadelphians, the colossal Eagle in the center of
the Grand Court of John Wanamaker (now Macy's) Department Store was originally part of Germany’s
contribution to the 1904 Louisiana Purchase Exposition in St. Louis. The bronze sculpture was acquired
from that fair by the civic-minded Wanamaker, along with other items, including the Wanamaker store's
Grand Court Organ.
The Pilgrim statue: This 9'1" bronze figure was a reworking by August Saint-Gaudens of his 1887 figure
of "The Puritan—Deacon Samuel Chapin" in Springfield, MA. The Pilgrim was commissioned in 1904 by
the New England Society of Philadelphia at a cost of $10,000. It was installed the following year at City
Hall Plaza. The sculpture was relocated to the northern end of Boathouse Row on Kelly (East River)
Drive in East Fairmount Park in 1920. In 1998, the Pennsylvania Mayflower Society paid for a replanting
of the garden at the statue's base and rededicated the work.
Anthony J. Drexel statue: Sir Moses Ezekiel crafted this bronze statue of Anthony J. Drexel in 1904 and
it was unveiled in Fairmount Park, east of 33rd Street, on June 17, 1905. On the University’s 75th
Anniversary in 1966, it was moved to 33rd and Market Streets. It was moved again in 2003 to the
pedestrian plaza at 32nd and Market Streets.
Rebecca at the Well: Created in 1908 by John J. Boyle, this fountain memorial was donated by the
Philadelphia Fountain Society as a bequest of Rebecca Darby Smith. The subject is Rebecca offering
water to a stranger and a camel. The fountain was originally installed at Twelfth and Spring Garden
Streets, but was moved to the Horticulture Center in West Fairmount Park in 1934. It is no longer a
fountain.
Civil War Soldiers and Sailors Memorial: The City of Philadelphia appropriated $88,000 for a Civil War
memorial in 1918. Created by Hermon Atkins MacNeil, the resulting memorial consists of two twin
pylons, one depicting sailors and the other depicting soldiers. Each 40-foot pylon is adorned near its
base with a group of nine male figures dressed in military uniforms and intertwined around a cannon. A
low relief of a female figure with her hands clasped across her chest rises from above the heads of the
figures. At the top is an eagle with wings spread and a shield. The twin monuments are made of
Tennessee marble with a granite base. They were originally installed at Logan Square, along the
Benjamin Franklin Parkway in 1927. In 1954-55, they were moved 150 feet northwest along the
Parkway (towards the Philadelphia Museum of Art) to accommodate the construction of the Vine Street
Expressway.
Hamlet and the Fool (the Shakespeare Memorial): John Sartain approached the Fairmount Park Art
Association in 1892 with an interest in raising funds for a monument to Shakespeare. Funds were in
place by 1917 and Alexander Stirling Calder was commissioned. Officially called Hamlet and the Fool,
the sculpture was cast in 1926 by the Roman Bronze Works and dedicated on Shakespeare's birthday in
1929. Its original site was in front of the Free Library, but because of the Vine Street Expressway's
construction, the Shakespeare Memorial was moved in 1953 to its present location. The work depicts
two figures, representing Comedy and Tragedy. Hamlet is shown leaning his head against a knife, while
Touchstone, the jester, sits at his feet, his head rolled back in laughter. The well-known quote from As
You Like It is inscribed on the base: "All the world's a stage and all the men and women merely players."
Robert Morris statue: This larger-than-life statue of Robert Morris is situated near Walnut and Fourth
Streets, behind the Second Bank of the United States. The bronze work was originally installed in 1926
along Chestnut Street in front of the Second Bank at a time when that building was serving as the U.S.
Customs House. It took fourteen years to complete due to several mishaps and financial difficulties. For
more on the statue, see Ceremonies Attending the Unveiling of the Memorial Bronze of Robert Morris of
the Steps of the Custom House at Philadelphia June 18, 1926 (Philadelphia, PA: Fairmount Park Art
Assn., 1926).
All Wars Memorial to Colored Soldiers and Sailors: In 1927, the state of Pennsylvania appropriated
fifty thousand dollars for the commission of this sculpture to recognize the patriotism of the African-
American servicemen from all wars. The ornate bronze and granite memorial was completed in 1934 by
Swiss-born American sculptor J. Otto Schweizer. Initially tucked away in Fairmount Park at Lansdowne
Drive and Belmont Avenue, the work was moved to its originally-proposed location at Logan Square in
1994. When the memorial was unveiled in 1934, the granddaughter of the African-American state
legislator responsible for its creation pulled the drape at the dedication ceremony. Sixty years later, she
pulled the drape once again, southeast of 20th and the Benjamin Franklin Parkway.
Spirit of the Juveniles: This work consists of two groupings of figures: The Great Mother and The Great
Doctor. They were created by Waldemar Raemisch in 1955 for the Youth Study Center on the north side
of the Benjamin Franklin Parkway between 19th and 20th Streets. With the demotion of the Center, the
modernistic statues were moved in August of 2008 to the front of the School of the Future on the north
side of Parkside at 40th Street and Girard Avenue.
Mr. Baseball: Artist Harry Rosin sculpted this statue of Connie Mack (Cornelius McGillicuddy) in 1957.
Originally located outside Connie Mack Stadium at Lehigh Avenue and 20th Street, the statue was moved
to the corner of Broad Street and Pattison Avenue in front of Veterans Stadium in 1971 and remained
there until that stadium was torn down in 2004. The statue is now located outside Citizens Bank Park.
Three-Way Piece Number 1: Points: This abstract bronze on a granite base appears to be a massive
three-pointed stone, or it may seem like a large animal, delicately balanced on three points (paws).
Completed by sculptor Henry Moore in 1964, it was purchased by the Fairmount Park Art Association
three years later. The sculpture was first installed in John F. Kennedy Plaza but was relocated in 1990 to
a landscaped area along the Benjamin Franklin Parkway between 16th and 17th Streets.
Three Disks, One Lacking: Now sited at the northeast corner of 17th Street and the Benjamin Franklin
Parkway, this abstract work by Alexander Calder was completed in 1964. It was purchased in 1969 by
the City of Philadelphia through a grant from the National Endowment for the Arts and installed in 1969
next to 8 Penn Center to adorn the newly constructed Penn Center Plaza. In 1998, the stabile was
reportedly moved to the top floor of the newly re-opened Reading Terminal Headhouse. The work was
subsequently relocated to 21st and the Parkway, where it later became part of the temporary exhibit
“Calders on the Parkway”, administered by the Philadelphia Art Museum. Three Disks, One Lacking was
moved to its current location in early 2009 when the Calder exhibit was taken down.
International Sculpture Garden: The International Sculpture Garden at Penn's Landing was conceived
and installed by the Fairmount Park Art Association in the 1960s to display several ancient and historic
artworks in order to celebrate the effect of other cultures on the American experience. Dedicated in 1976
as part of Philadelphia's U.S. Bicentennial celebration, the waterfront site symbolizes the international
nature of the port and the diversity of human achievement through time. The garden includes two Pre-
Colombian Spheres from Costa Rica (c.300-c.1525), the largest Nandi figure (the sacred bull belonging
to Shiva) ever to leave India (c.1500), two Korean mangbusucks (stone memorial figures, c.1695), carved
water spouts and related religious ceremonial items from Java, Indonesia (12th-13th century), and a
carved cedar Kwakiutl Totem central house pole (c.1850s). The Art Association continues to own and
maintain the sculptures. The site is undergoing a lengthy redesign and expansion, during which time
several of the works are in storage.
Philadelphia LOVE: The Love statue, one of Philadelphia's outdoor public sculptures, is located in John
F. Kennedy Plaza ("LOVE Park") across from City Hall. The large red aluminum installation by Robert
Indiana was lent to Philadelphia for the Bicentennial Celebration in 1976 and then removed in 1978. F.
Eugene Dixon, Jr., a local businessman and chairman of the Philadelphia Art Commission, later
purchased the work and donated it to the city.
Rocky statue: In the movie Rocky III, a massive statue of Philadelphia fighter Rocky Balboa, arms raised
in triumph, is unveiled in the courtyard of the Museum of Art. In real life, actor Sylvester Stallone offered
to leave the statue there as a gift to the city. But many felt the sculpture lacked dignity and was
essentially a movie prop that did not belong permanently at that location. So the city formally accepted
the gift and moved it to the sports complex in South Philadelphia. The controversy was rekindled in 1990,
when the film producers relocated the sculpture for the filming of Rocky V, but Rocky was returned to the
Spectrum afterwards. In 2006, the statue was returned—permanently, it seems—to the foot of the Art
Museum steps, in an apparent rare display of local open-mindedness tinged with the tourism marketing
notion of giving people what they want. Sylvester Stallone spoke at the dedication.
Allow Me: This popular statue is of a man with one hand holding an umbrella and the other raised as if
hailing a taxi. It was created in the mid-1980s by the sometimes-controversial millionaire philanthropist
and sculptor J. Seward Johnson, Jr., as part of an exhibition at the Four Seasons Hotel. Purchased by
lawyer Joseph Shein, it was moved in 1985 to the front of the building that housed his law offices at the
northeast corner of 17th and Locust Streets. Allow Me remained there until 2005 when Shein donated
the sculpture to the Prince Music Theater at 1412 Chestnut Street. The bronze, aluminum and stainless
steel work has since been located under the Prince marquee. It was damaged in 2008 during the
celebrations of the Phillies World Series win, but was soon repaired. Several other versions of Allow Me
exist throughout the nation.
For more examples of relocated outdoor public art in Philadelphia, see www.philart.net/exhibit.php?id=12.
The Philadelphia Museum of Art houses numerous statues, sculptures and other works of art relocated to
the museum from around the world. (See the museum's website (www.philamuseum.org) for more
information.) For example, the statue of Diana (the Roman goddess of the hunt) at the top of the
Philadelphia Museum of Art's Great Stair Hall once graced the tower of New York City's original Madison
Square Garden. It was installed in 1893 as a weathervane to replace a larger though similar figure
placed on the building a few years before. The work has a nude Diana with her bow drawn and an arrow
on the string, with one foot lifted as if she were on the run. Like the original, it was designed by Augustus
St. Gaudens and was modeled by Julia “Dudie” Baird. The figure is thirteen feet high and weighs 1,500
pounds, made of copper. It was originally fitted with a billowing drapery to catch the wind. In 1932,
seven years after the Madison Square Garden building was demolished, the New York Life Insurance
Company gave the statue—then stored in warehouse—to the Philadelphia museum after an unsuccessful
search to find a suitable home in Gotham. A half-size casting of the sculpture is in the Metropolitan
Museum of Art. The fate of the original, larger Diana is not known. All of these statues were
controversial and created a great deal of public criticism about nudity in art in New York City and
elsewhere.
See the websites of other Philadelphia art institutions for information about other indoor statuary that has
been relocated to Philadelphia.