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Consequently the departure point of this project has been to research the relationship between Australian culture and our coastal landscape. This has been conducted through contextual analysis, historical time lines, thesis readings and a study of Australian art, literature, film and architecture. Together these elements reveal underlying aspects of the Australian psyche. We live by the sea not simply because it is more pleasant to be a lazy nation, but because of the two mysteries the sea is more forthcoming; its miracles and wonders are occasionally more palpable, however inexplicable they be.There is more bounty, more possibility for us in a vista that moves, rolls, surges, twists, rears up and changes from minute to minute. The innate human feeling from the veranda is that if you look out to sea long enough, something will turn up...The beach, in Australia, is the landscape equivalent of the veranda, a veranda at the edge of the continent.
Tim Winton A Coastal Memoir
The focus of this studio and proposal is Bondi Beach - in a global context, as a precinct and of Bondi Pavilion itself. Globally and nationally, Bondi Beach is both an icon of Australia and of the Australian lifestyle. In this sense the site speaks of our social fabric and of the connection we have with the beach.
The project title, Sublime Australia, Collective Concious, describes the architectural ambitions for this studio. It aspires to frame the collective memories, experiences and associations that paint a picture of the Australian soul and its sublime affair with our coastal landscape.
PORTFOLIO Contents
01 Line of Enquiry Studio and Site Themes Conceptual Reading Thematic Framework Coastal Dwellers Sand in Our Souls The Sublime in Modern Architecture Context & Site Historical Time line Urban Analysis Built Context Analysis Topographical Analysis Existing Built Fabric Architectural Precedents ThermeVals Church of Light Havana Project The Sydney Opera House Architectural Ambitions The Australian Soul Collective Conscious The Sublime 04 05 06 07 Design Strategy Topographical Radius Intervention Scales Retention of Existing Fabric Solid -Void Massing Programmatic Approach Delineation of Sectional Space Form and Composition Construction System Detailing Rock Platform Intervention Proposed Scheme Plans Sections Details Sketch Renders Conceptual Models Design Phases Mapping Preliminary Design Interim Final Presentation Bibliography
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Sydney Geotag data drawn from social media images -Eric Fisher, Flickr
Line of Enquiry Its from this reading of the site and Australian culture that the ambitions of the project come forward. The proposal for this site seeks to create a pallet that captures the experiences, memories and elements which colour our collective concious, and, through architecture, cast it into the landscape. This will touch on the following themes and concepts which support this conceptual approach; Architectural manifestations of the Australian Soul in relation to Bondi, as an icon of Australian culture Rights of passage Representation and memory of beach culture in the arts The sublime and escapism into the landscape Elemental experiences The horizon, a flat continuous country, the infinite Humility and extrospection Temporality and materiality Collective conscious and the Australian psyche Reclusion and attrition
Sand in Our Souls - Leone Huntsman This thesis traces the relationship between society and the beach in Australia and strives to pinpoint the influence of the beach on the Australian psyche. Huntsman argues that the beach represents a spectrum of shared qualities and experiences which are a defining factor of our cultural identity. Her analysis of this details the evolution of the Australian beach, its representations in the Twentieth Century and influences of the beach in Australian culture. The beaches of our coastline define Australias margin: an apparently clear cut edge, a tangible boundary, but also an in between space, a site where disparity is accommodated and where creative potential resides. Appropriate to this studio focus, the thesis heavily concentrates on examples originating from Sydney where beach culture is arguably most prominent in our social fabric.While this can be seen as a weakness of the thesis, it acts to reinforce the relevance of beach culture to the subject site of this project.
The Sublime & Modern Architecture - Kate Nesbitt The sublime has been traced by Nesbitt in her thesis as an art movement and architectural typology through history. She explores its theoretical background and manifestations in depth to give a rich understanding of the wide-reaching and depth of this thematic framework. The significance of the sublime as an aesthetic subject of art and architecture seems to lie in its conceptual reach, or in the case of the religious sublime, in its spiritual dimension. Nesbitt argues that the discourse of the sublime and the beautiful seems to have gone underground in architecture in the twentieth century. This is an argument which resonates not only with my individual stance in the profession, but with my reading of Australian culture. Through a detailed analysis of the sublime in this reading I have been able to apply it to the design process and proposed intervention.
Nesbitt, Kate The Sublime & Modern Architecture Unmasking (An Aesthetic of) Source: New Literary History,Vol. 26, No. 1, Narratives of Literature, the Arts, and Memory (Winter, 1995), pp. 95-110Published
02 historical timeline Time line originally compiled by Thomas Murray and Dominic Broadhurst
Suburb extents
Istanbul
NewYork
Tamarac
Berlin
Paris
Montpelier
Movement of body through space - navigation of the rock platform relative to elevation from the horizon
Alhumbra, Spain
Edinburgh Cathedral, UK
Analysis of significant historical religious structures - deconstruction of solid-void massing in plan and section
Image:Tadao Ando
Sydney Opera House 1958 - Jorn Utzon The Opera House has been chosen as a precedent for this project as an iconic piece of architecture and an Australian landmark. In addition to this, it bears many parallels to the context, cultural importance and physical landscape of the subject site, being situated on a significant piece of land by the water. In this, Uztons treatment and use of concrete to create soaring roof structures has been closely observed. The material palette established throughout the Opera House is dominated by exposed concrete that expresses the form work from which it was cast. This honest and raw detailing has been adopted to mirror the robust language which is now associated with the iconic structure. Referencing this architectural language seeks to create a continuation of Sydneys iconic material pallet and tie these culturally
Woods unrealised project along the Malecon in Havana has been used as a precedent for the way it interacted and celebrated the sublime forces of nature while also facilitating a spectacular public space. His use of a single steadfast gesture which elegantly resolved a complex issue in the built environment inspired the cantilevered roof forms from the proposed works. This bold yet unassuming response resonates with notions of the humility in the face of sublime nature and unpretentious Australian values.
Images: LebbeusWoods
The Australian Soul Extro-spection Temporality A Horizontal Country Irreverence/Classless Paradigm/Eternity The Horizon The Collective Conscious Elemental Experiences Rights of passage Collective memories The Sublime, Romanticism and Escapism Relevance to context (Australian Culture) Relevance to site (Coastal Landscapes) The Edge, a plane of transition Vastness - Spatial Continuum Vastness - Intimate Encounters
Retention of Existing Fabric Philip Drew speaks of the coastal experience as a return to simplicity and honesty of self. He describes the beach house typology to explain this in architectural terms;
The eschewing of form, reducing everything to all but the most basic conveniences, its openness and lack of internal barriers or compartments is almost a psychological model of our own nakedness, an admission of vulnerability and smallness before nature.
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This ideological approach has been applied to the Bondi Pavilion. All but its structural skeleton has been stripped in a process of attrition, leaving behind a column grid system that yields to the topographic axis of the bay. This establishes a fine grain solid-void ratio and therefore an openness to the landscape. It also remains as an echoing memory of the Pavilions iconic form and its cultural and historical significance. Solid-Void Massing Reinforced concrete supports have then been introduced among the grid, contrasting the fine grain domestic columns with super scale solid forms. The scale of these supports allows them to define circulation and vistas through the site, as well impress a sense of the monolithic upon the occupant. The form and location of each support has been used to create a spatial continuum. In this the occupant gains a suggestion of the beach and horizon beyond, although there is no direct visual connection.
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Delineation of Sectional Space The sectional experience has been delineated on site where the roof form and void below, cut and carve into the landscape, pairing back terrain and structure to strike a steadfast form on the land. This is achieved through a series of tectonic plates soaring over the beach. Their shale-like composition resolves complex level changes on site from Campbell parade to the mean high water mark. This spatial continuum allows transient occupants to experience the space as a whole despite being prevented from seeing its full extents, consequently giving way to a sense of vastness in the landscape. Spatial continuum through the section also orients the occupants body in space. Changes in level heights are constant and cross referenced with vistas of the horizon as one moves through each area. This echoes the navigation of a rock platform which is often regulated by the tides. The water level and ensuing horizon are a constant datum of reference for the body in space. Orientation with the horizon as an infinite line of sight implies boundlessness and the eternal. Author Tim Winton reiterates this concept commenting that;
Looking out at see is as close to infinity as well ever get. Its vastness puts human existence and concerns into perspective.
Floor Plan 00 - Theatre opening onto beach
Diagrammatic Section 01
Diagrammatic Section 02
Construction Section - Exhibition spaces, artist in residence studios and living quarters
Construction System The proposed construction system is a continued juxtaposition of solid to void, heavy to light, robust to highly finished elements. Zinc cladding wraps over and under the steel structure, shielding it from the brunt of onshore weather. On the protected side of the structure the fine, tapering, lightweight steel frame is exposed below. At the base of the steel members a reinforced concrete plinth anchors each soaring plane to the land. Detailing Structurally this gradation of material density and tapering of member size mirrors the language of Australian coastal headlands. Vegetation in these areas must have strong root systems which anchor it into the rock and fine, tapering branches which are light weight and easily supported in high winds. The anchor point has been detailed with a 300mm return along the top of the concrete plinth. This gives a sense that the planes are floating and reiterates their light weight construction.
D03 - Concrete support connection
Bronze has been selected for its capacity to reveal points of contact with the body over time. The platform interventions become pallets in this way. Through use, Beach goers will collectively and accumulatively leave a mark of the Australian soul on them over time. Further to this exposure and weathering of the metal results in oxidization, an admission to the forces of nature at play. Its subtle coloration blends with the natural palate of wet sandstone, dusk light on the water, turquoise rock pools and the glistening skin of surrounding sun bathers.
The University of Sydney Faculty of Architecture, Design and Planning Sublime Australia, Collective Conscious Nicole Larkin SID 308152875 33.8913S + 151.2752E: Beach Cities, Bondi Beach Sydney - Dagmar Rhienhardt