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1MU
A

784,8 3 3333 01 53T 6660 CENTUPY OF RUSSIAN SONG FROM GLINKA TO* 2.25+L
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Form #0567

CENTURY

OF RUSSIAN SONG

COrYRlGHT.

1911.

BY

G.

SCHIRMER, INC.

Printed

in

thr U. S. A.

24

MUS

iB3\

b(^bO

A
This

Century of Russian Song


from old-master Glinka well nigh a century
is

collection of fifty Russian songs, ranging


like

ago to present-day composers


anthology of
its

Glazunoff and Rachmaninoff,

the

first

comprehensive

kind outside Russia, and means the opening of an almost entirely

new

re-

pertoire for the English

and American concert-hall and drawing-room. The collector of these

songs hopes that those


derive from

who

read these direct and sincere utterances of a great nation

may

them a pleasure equalling the

delight which he himself has experienced dur-

ing the years spent in collecting and selecting them.


will follow his initiative,

He

also ventures to

hope that others

inasmuch

as these songs are indeed a

key to the understanding of

Russia's great symphonic music, so familiar to our concert audiences, and to everything that
is

national and based on folk-lore.

About

my

leading principle in the selection of the songs, I

want to

state, that I

have not

tried to find the

most beautiful ones

a very vague
I
still

definition, regarding

which every

man

would decide

differently

nor the ones that

personally like best (in fact, the limitation


beautiful Rubinstein and Tschaikowsky
;

of space excluded

some of the well-known and

favorites, that are already available in separate editions)

but

chose those songs that seemed

to bring the

most

characteristic

message to the world, that are the most direct expression

of the Russian national character.


Until about ten years ago Russian music had been identified chiefly with Tschaikowsky's
music. Besides Glinka's operas, which were intermittently taken up in non-Russian opera
houses, and Rubinstein's music, which arose and to a great extent vanished with the brilliant

meteoric career of this virtuoso-genius, no Russian music came into prominence on the
ternational
his operas

in-

market before Tschaikowsky; yet

it

was not the national element

in

him, not

and

ballets,

and early symphonies deeply rooted


it

in racial feeling, that

appealed
aristo-

to foreign nations, but

was the

later

Tschaikowsky, the polished, cosmopolitan,

cratic musician, that captivated everywhere.

Strongly perfumed, highly seasoned music,

which dazzled and agitated the


characteristic expression of our

senses, appealed to the emotions,

and seemed a particularly


it,

modern nervous times


in

(before R. Strauss offset

of course).

Symphonic conductors who were


M7M

touch and sympathy with Russian music persevered


{

vii

THE KW TORK PTIBUC lIBBAttY aiNKRAl MBFAPY r>V THK PERFORMING ARTS

viii

Century of Russian Song


some conit

here and there in introducing works by Halakirew, Rinisky-Korsakoff, GlazunoflT;


cert singers inchuicii in their repertoire

romances by Cui, Horodine, Arcnsky;

yet

re-

mained

for the discriminating musicians

and the sympatlictic understanding of the pubHc of

I'aris. in

the past five years, to discover that Russia's greatest musician, the greatest musical

individuaUty this Shivic nation has possessed. Modest Pctrovitch Moussorgsky, had hvcd

and

(litii

in

misery some twenty-five years ago.

unknown

to the outer world, yet leaving a


origi-

marvellous bequest to his nation and to the world,


nal, that tiiey

compositions so strikingly new and


living composers,

seem to rank ahead of the most modern

and which

it

would

Uike generations thoroughly to absorb and appreciate. Claude Debussy and Alfred Hruneau

have

testified to his glory,

Raoul Pugno has

enlisted his noble enthusiasm in his cause,

and a

Russian admirer of his,

Mme. Olenine d'Alhcim,

has given years of self-sacrificing effort to


in

propagating Moussorgsky's music by lecture-reeitids

France and Belgium and by books


in Paris or

and pamphlets; with the result that nowadays scarcely a song-recital


given without some of Moussorgsky's music, and that
trail.

London

is

New York

is

fast following

on the

The

lavish production of his opera "Boris

Godounow"

in Paris in

1908 by Serge de

Diaghileff'and Gabriel Astrue, with Th. Chaliapinc in the title-role, has


victory for his genius, and

meant

a complete

most of the European opera houses have included


in their repertoires. in

this

work of

almost Shakespearian breadth and tragedy

When
seized

Sergei Rachmaninoff toured

America

1909-10 as a
all

pianist, this occasion

was

by a few singers to introduce

his songs.

He, of

living Russian composers,

seemed
its

the one most truly gifted in the domain of song.


delicate fragrance, its vast
lected.

The

spirit

of the Russian landscape,

and melancholy immensity, speak from the pages we have

col-

Glinka, the founder of Russian art-music,

who with
them

single-handed effort wakened the dor-

mant elements of Russian

folk-lore, elevating

to an artistic standard,
characteristics of

and who

at

once

established the national Russian school with

all its

rhythm, harmony, and

instrumentation,

is

represented by celebrated arias from his two best-known operas, nmsic

that

is

closely related to the

contemporaneous German music of

NN'^eber

and Marschner, but

which nevertheless speaks

its

own idiom

distinctly

and

forcibly.

Glinka's and Dargomijsky's ballads represent the period of romanticism in Russian music;

they are elegiac. despairing, sentimental they were written to


;

move hearers to

tears,

and they

did so unfailingly.
(rru

Wonderful

is

the atmosphere of the Russian salons of 1840-50, that these

A
ballads exhale:

Century of Russian Song

ix

young men with romantic,

lofty ideas; hypersensitive, schivch'meiische ladies;

desperate passions and infinite longing. All the milieu of


kin and Tschaikowsky sang.

Eugene Onegin, of which Push-

It

is

strange to see

how

the styles of Beethoven and Schubert


results, as in

become amalgamated with Russian melodic

strains,

and with what appealing

Dargomijsky's Elegy (on a JNIoonlight-Sonata accompaniment), or in his "Prisoner in Siberia,"

who apostrophizes the "heavenly clouds" that are banished and homeless
the

like himself.

Among
tion,

many

songs of Rubinstein that would have been worthy to enter this collecto call the attention of singers

we

felt it

most important

and public again to

his

"Per-

sian Songs," those strange exotic blossoms, full of the sensuous

charm and vivid imagination


posterity.

of the Arabian Nights, that he, being of oriental descent,

was able to give

These
is

songs are so graceful and dainty, and so beautifully written for the voice, that the world

bound

to take

them up

again.

Borodine, though born earlier than Tschaikowsky, Cui, and Balakirew, represents more
fully the
his

ultra-modern type of musical Russia.


spirit

He

was never

a professional musician,

and

music always breathes the


life.

of aristocratic leisure, refined surroundings, and culti-

vated city

Songs

like the iridescent

"Sea Queen," the strange-scented "Flowers of Love,"

the mysterious "Sleeping Princess," the short and poignant "Dissonance," show a marvellous
sense for coloristic effects, which he produced
is

by an harmonic scheme very

similar to

what

now

called

"Debussyism," but a method that he invented and practised long before

Debussy.
In his

"Song of the Dark Forest" Borodine


Russian music
(as

has gone back to melodic and rhythmic tra-

ditions of early mediaeval

preserved in some of Russia's old weird folk-

songs), the effect of a bard reciting a ballad being brought out with stirring
force.

and overpowering

Many
seem

songs of Cui and Balakirew might have been included, but their message did not

so important or characteristic, nothing that the other composers had not better ex-

pressed or

more strongly; so the former


as

is

represented only by the deliciously humorous


latter

"Poet and Critic" disguised


to me,"

Cuckoo and Nightingale, the


but
little
its

by

his

song "Oh, come

most popular

in Russia,
it

known

elsewhere, a melody of such sweet charm,

that no one having heard

can escape
is

haunting loveliness.

More than one-half of this book


and Rimsky-Korsakoff,
fitly

devoted to the music of Moussorgsky, Tschaikowsky,

termed Russia's three greatest song-writers.

A
Of the younger

Century of Russian Song

generation that followed them, none has yet reached the heights attained

bv them. Arensky, well

known by

his piano-compositions,

never

rises

beyond a certain salon-

atmosphere

in his songs. Cilazunoff has

given his best

in

symphonic compositions of rather


" Little Fish's

characteristic tendencies. Their

two songs here included,

Song" and "Nereid,"

are respectively characteristic in their limpid

charm and graceful melodious contours.


it

Among

Tsdiaikowsky's well-known songs,

was

a question of selecting .some hidden

beauties that
called

seem worthy of becoming universal property.

How

charming

is

tlic

sketch

"Evening," that evokes the picture of Little Russian


is

hillsides so irresistibly,

such
in

a sweet, fragrant country picture, that


his novels are to poetry.

in

music what Gogol's landscape-descriptions

His weird oriental "Canary-Song" evokes the exotic splendors,

the palms and mosques of the far-off east; and the simple folk-tune like "Legend," so

poignant and appealing, more simple than Massenet's complicated "Legend of the Sagebrush;" and that setting of Tolstoy,

"At

the Ball," which has

moved and

will

continue to

mo\e audiences

to tears.
prolific

Rimsky-Korsakoff, the

opera-composer and gentle-hearted old wizard,

who

lived

long enough to see his fame spread over the entire world, and
of music
his

who was

feasted like a king

when he came

to Paris a year before his death (1908),

was more fortunate than


in

comrade and bosom-friend Moussorgsky. These two composers made common cause

seeking and systematically gathering the treasures of Russian folk-song. Rut while Rimsky-

Korsakoff shaped his music after the pattern of folk-song


masterly way, Moussorgsky,

in a

somewhat
and

philistine, school-

who went

into the subject heart

soul,

was so imbued

and

identified with the national expression, that his songs

seem almost the emanations of

the entire race standing behind him.

Of Rimsky we

give three early songs (186G-G7), the "Southern Night," the weird
Hills,"

"He-

brew Love-Song," and the melancholy "(Georgian


as Horodine's songs;

which arc much

in

the same class

and three

airs

from

his highly colored fairy

opera "Sncgourotclika"

(Little Snowflake), full of iiuiocent


I

charm and dainty rhythms.


Moussorgskys work,
l)ut

should have liked to give

all

in

the choice of eleven songs


cradle-songs of his are

hope to have shown him

in his

most

characteristic aspect.

Two

like

two gems

in this selection.

Not being content with

a rocking, lilting

accompaniment

and a sweet, floating melody, he draws the interior of a peasant's hut, the mother with
infinite

tenderness bending over her child, dreaming of

its

future; he

makes us hear the

A
of
it all.

Century of Russian Song


we
feel

xi

mother's sigh, the infant's breathing, the ticking of the large clock;

the loneliness

Marvellous pictures these two, of which the "Peasant Cradle-Song" must have
it

been particularly dear to the composer, since he inscribed

to the

memory

of his mother.

Here he

finds for the angelic vision at the

end harmonies of purple and gold, and draws

melodies of mediaeval Byzantine outlines.


Martha's song, from his last opera, "Khovanstchina,"
is

an original folk-song, which he

frames from verse to verse in a

new and

richer

accompaniment. The "Divination by Water"

from the same work

is

an extremely powerful composition, the opening " Invocation of the

Spirits" being of almost ghastly

and hypnotic

effect.

And now

the vast loneliness, the des-

perate banishment of Siberia looms up from the throbbing of the downcast and muttered final
phrases.

There

is

much

sadness,

much melancholy

in

Moussorgsky's music, as there

is

in all
art,

Russian poets and book-writers

Turgenieff, Dostojewsky, Tolstoy; just as any great


all art, I

being sincere, must mirror the true state of a nation. But in

know

of

little

that

can be compared to Moussorgsky's


Shines," in
life.

"By

the Water," from his song-cycle

"Where no Sun
riddle of

its

mysterious

fatality, its

"Hamletian" meditation over the deepest

It

is

not surprising that this composer,

who

in his

music was wont to knock at the

very gates of death, should have adopted the inspiration of his poet-friend Count Goleni-

tchew-Koutouzow to write a cycle of Death-dances according

to the conception of Holbein.

Of these

four song-paintings

we

present

"Death and the Peasant" (Trepak), written on the


is

weird rhythms of the Russian peasant-dance. Strange

the Epilogue to this song, which

makes us

realize the majestic indifference of nature to the


lies

misery of the individual. The

poor peasant
land,

frozen under the snow, but the sun shines again, spring comes into the
ice-fields to
its
is

changing the rigid

laughing rivulets and pools, and the merry lark soars

to heavenly heights, singing

psean of happiness.

different peasant-dance

the "Hopak," which irresistibly draws us into


sister

its

whirl,

and

makes us acquainted with a savage Russian


lad inserted in the opera "Boris

of Carmen.

"The

Siege of Kazan," a balCossack-life,


fig-

Godounow," gives us a wild picture of mediaeval

surely inspired

by Gogol's master-novel, "Taras Bulba." The "Oriental Chant," which

ures in his short Joshua-Cantata as a middle

movement

for solo contralto,

is

a strain that

he caught from the


plaintive melody.
M7ti

lips

of the Jewish peasant-people, most characteristic in

its

wailing and

xii

A
least

Century of Russian Song


the wide and diverse fields of Moussorgsky's compositions
that dainty
little

Not the

important

among

are his nursery-songs, of which

we quote

sketch called "Child's Song,"

comparing a child to a blossom, and "The Beetle,"

telling of a child

who, playing

in

the

garden, comes face to face with the problem of a beetle's death.

fitting envoi to this collection

is

Rachmaninoff's setting of Tolstoy's "Billowy Harvestfall

field."

May the

golden grains of these Russian sheaves

into fertile soil,

and be reaped

in

a manifold harvest.

In order to facihtatc the recital of these songs in English-speaking countries, especial


care has been bestowed by

Mr. Henry G. Chapman and others on the translations, which

not only cover the poetical idea of the originals, but also closely follow the trend of the
music. Fifty

new

songs, of undoubted value, should afford

ample opportunity to promote


is

the introduction of standard music in the English language. There


lish-speaking countries should take
translations,

every reason that Enginstead of in exotic

up these songs

in their

own language

Kurt Schindler
May
30, 1911

Index of Composers
ARENSKY, ANTON STEPANOVITCH
'

page

Little Fish's Song.

{Fmhleins Lied.)

High

212

BALAKIREW, MILY ALEXEJEVITCH


"Oh, fome
to

me!''

{'''^

Vicni^

pres dc

nioi !'*^)

High

155

BORODINE,

ALEXANDER PORPHYRJEVITCH
High
(or

Dissonance.

Medimn)
d\4mour.)

68

Flowers of Love.

{Fleiirs

Medium
High

62
64 70

Sea-Queen, The.

(La

lic'inc

dc la Mcr.)

Sleeping Princess, The.

Medium
(f^Lentemcnt
haix.ia

"Slowly the daylight departs."

lejour'*^)

From

the opera

''''

Prince Igor/''

High

(or

Medium)
Forest.

76
(Chanson dc
la

Song of the Dark

Foret Sombre.

Medium

58

cuL ce'sar antonovitch


Poet and
Critic.

[Nachtigall und A'ukiik.

Medium

84

DARGOMIJSKY, ALEXANDER SERGIEVITCH


Heavenly clouds.

Medium
liehcn!)

(or

Low)

21

Only Love

(Nur

Medium
{,,Ihr fluchtigcn Stunden^'.)

30

" Ye

dear, fleeting hours.

"

High

(or

Medium)

26

GLAZUNOFF, ALEXANDER
Nereid, The.

High

220

GLINKA, MICHAIL IVANOVITCH


"Ah, kindly
star.

"

(,,Dii tranter Stern".)


(,,

From

the opera,

" Rnssla7i and

Ludmilla.'"
(or

High

"How
"The

sweet
truth

it is,
is

when Fni with you. "


i,.Sie
.

Wie

siiss lit's,

kann

bei

Dlr kh *Wn".) High

Medium) 10

suspected."

ahncn die Wahrheit".)

Aria of Soussanine, from the opera


16

"yi Life for the

Czar"

Baritone

MOUSSORGSKY, MODEST PETROVITCH


Beetle, The.

High

(or

Medium)

92
102

By

the Water.

Medium
{Chanson d' Enfant.)

Child's Song.

High

(or

Medium)
)

100
132

Cradle-Song of the Poor.

{La Barcense du Pauvre.


(

Medium

22724

xiii

xiv

Index
Death and the Peasant.
Divination by Water.

of

Composers
Trepak.

{La Mort

it

Paysan.)

High

(or

Medium)

116

{La Divination par V eau.)

From

the opera "h'hovanstchina."

Low

108

Hopak.

High

(or

Medium)

136

.Martha's Song.

{Chant de Marthe.)

From

the opera "A'AorflrMfcAirw").

Medium

(or l,o)

126

Oriental Chant.

Lamentation from the cantata '^Josua Nm'im'".


{Berceuse du Paysan.)

Medium
Metlium

152
87

Peasant Cradle-Song.
Siege of Kazan, The.

From the drama " rpy<Toda".


Baritone

From

the opera

^^

Boris Godounow".

144

RACHMANINOFF, SEHGEI VASSILIEVITCH


"Before

my window."
!

High
"

22S 232 226

"How
Lilacs.

sweet the place

Medium

High

Morning.

Medium

(or

Low)
High
(or

229

"0

thou billowy harvest-field !"

Medium)

285

RIMSKY-KORSAKOW, NICOLAS ANDREJEVITCH

Southern Night.

{Xuit m/ridionale.)

Medium

202
190

Hebrew Love-Song.

{Chanson hfbraique.)

Medium
High

Little Snowflake's Arietta.

From

the fairy opera "Snegourotchka."

187

On

the Georgian Hills.

{Stir les collines de Georg-ie.)

High

(or

Medium)
High
(or

198

Song of the Shepherd Lehl.


Sylvan Roundelay.

From

the fairy opera "Snfgourotchka.'"


'^^

Medium)

196

From

the {airy opera

Sncffourotchka/'

High

206

RUBINSTEIN,

ANTON
{,,Neiff\ schb'm JCnospe^\)

"Bend, lovely bud. "

High
High

54 33 52
)

"Be not
"I
feel

so coy,

my

pretty maid."

{,,Thu' nicht so sprodr, schones Kind^\)

thy breath blow round me. "


all

{Ichfuhle deiiwn Odem'\)

High
High

"My

heart

beauty takes from thee."

{,,Mein Herz schmikkt sich mit dir".

48 42

"Not with

angels.

"

{,,

Nicht mit Engeln''.)

High
an'\)

"When

see those little feet of thine.

"

{,,Seh' ich deim- khiiun Filsschen

High

38

TSCHAIKOWSKY, PETER
At
the Ball.
I^egend.

II.HTC^H

{Jnmilten des Balles.)

High

164
]fi8

{Lcgende.)

Medium
High
(or

Canary, ITic.
Evening.
Springtime.
"Ti.H

(/^ Canari.)

182

{Le Soir.)

High

Medium)
(or

178
160

(FnMinff).

High

Medium)
Dupt
for

evening."

From

the opera ''PitpifDaiiu:"

Soprano and Alto

172

Index of Titles
PAGE

A
A A

Dissonance.
star.

(High

or

Medium)

A. BORODINE

68
3 168

Ah, kindly
Legend.

(High)

M. L Glinka
,

(Medium)

P.

TSCHAIKOWSKY

Southern Night.
Bail.

(Medium)

N. RiMSKY-KoRSAKOW
P.

202
164

At the

(High)

TSCHAIKOWSKY

Beetle, The.

(High

or

Medium)

M. MOUSSOKGSKY
S.

92
223
54

Before

My

Window.

(High)

Rachmaninoff

Bend, lovely bud.

(High)
pretty maid.

A. Rubinstein

Be not

so coy,

my

(High)

A. Rubinstein

S3
102 182

By

the

Water.

(Medium)
(High)

M. MoussoaGSKY
P.

Canary, The.
Child's Song.

Tschaikowsky

(High or Medium)

M. MOUSSORGSKY M. MoUSSORGSKY M. MoUSSORGSKY


M. MoUSSORGSKY
P.

100 132 116


108

Cradle-Song of the Poor.

(Medium)
(High or Medium)

Death and the Peasant.


Divination by Water.

(Low)

Evening.

(High

or

Medium)

Tschaikowsky

178

Flowers of Love.

(Medium)

A. BoRoniNE A. S. Dargomijsky

62
21

Heavenly Clouds.

(Medium or Low)
(Medium)

Hebrew Love-Song.
Hopak.

N. RiMSKY-KoRSAKOW

190 136
10

(High or Medium)
it
is.

M. MoUSSORGSKY

How

sweet

(High or Medium)
(Medium)
(High)

M.
S.

I.

Glinka

How
I feel

sweet the place!

Rachmaninoff

232
52

thy breath blow round me.

A. Rubinstein
S.

Lilacs.

(High)
Song, The.

Rachmaninoff
Arensky

226 212
187

Little Fish's Little

(High)

A.

Snowflake's Arietta.

(High)
or

N. RiMSKY-KoRSAKOW

Martha's Song.

(Medium

Low)

M. MoUSSORGSKY
S.

126 229
48

Morning.

(Medium or Low)
all

Rachmaninoff

My

heart

beauty takes from thee.

(High)

A. Rubinstein

Nereid, The.

(High)

A. Glazunoff A. Rubinstein

220
42

Not with

angels.

(High)

(xv)
22724

XVI

Index of Titles (continued)


PAGE

oil,

come
love!

to

me!

(High)

M. Balakirkw
A. S. D.\Ri;o.MijsKV

155

Only

(Medium)
Hills.

30
19:5 15!>

On

tlie

Georgian

(Medium)

N. RiMSKY-KonsAKow

Oriental Chant.

(Medium)

M. MOUSSORGSKY
S.

thou billowy harvest-field! (High or Medium)

Rachmaninoff
87

Peasunt Cradle-Song.
Poet and Critic.

(Medium)

M. MOUSSOECSKY
C. A. Cui

(Medium)
(High)
(Baritone)

84 64
14+

Sea-Queen, The.

A. BORODINE

Siege of Kazan, The.

M. MOISSORGSKY
A. Borodine A. Borodine
A.

Sleeping Princess, The.

(Medium)
(High)

70

Slowly the daylight departs.

76
58

Song

of the

Dark

Forest.

(Mcdiiim)

BOROWINE

Song

of the Shepherd Lehl.

(High or Medium)

\.
V.

Rimskv-Kousakow
TSCHAIKOWSKV

196
160

Springtime.

(High

or

Medium)

Sylvan Roundelay.

(High)
(Baritone)

N. RiMSKY-KoKSAKOW

206
16

The

truth

is

suspected.

M.
r.

I.

Gl.INKA

'Tis Evening.

(Duet)
little

TSCHAIKOWSKY

172

When
Ye

I see

those

feet

of thine.

(Higli)

A. Rubinstein A. S.

38

dear, fleeting hours.

(High or Medium)

Dakgomusky

26

Index of First Lines


PAGE

Ah
!

come, weary one


it

A. BORODINE

Ah how

hurts
star

N. RiMSKY-KoRSAKOW

187
3

Ah, kindly

M.

I.

Glinka

Ah, stay with me

A. Arensky
night
I

212
126

And by day and by


Before

fare

M. MOUSSORGSKY
S.

my window my

Rachmaninoff

223
54

Bend, lovely bud

A. Rubinstein
pretty maid

Be not

so coy,

A. Rubinstein

33
87

By-bye, by-bye, sleep,

my

pretty boy

M. MoUSSORGSKY

By-bye, lower than the humble wayside flower


Child Jesus in his garden
Cloudlets, ye heav'nly clouds

M. MOUSSOKGSKY
P.

132 168
21

Tschaikowsky

A. S. Daugomijsky

For

to

go and gather

berries

N. Rimsky-Korsakow

206 152
136
10

Hear ye Amorea's daughters


Hi! Ha! Ha! The Hopak!

M. MoUSSORGSKY

M. MoUSSORGSKY
you

How How
Hush

sweet

it

is

wlicn I'm with

M.
S.

I.

Glinka

sweet the place


!

Rachmaninoff

232
70
52
164

hush

with lovely eyes

A. BORODINE
A. Rubinstein
is

I feel thy breath blow

round me

know not how

lovely your face

P.
S.

Tschaikowsky

I love thee, dear

Rachmaninoff

229
100

In the vale, oh
I sleep

in

the valley

M. MoUSSORGSKY
N. Rimsky-Korsakow

190

Morning

skies are
all

aglow

S.

Rachmaninoff

226
48
42
160

My

heart

beauty takes from thee

A. Rubinstein A. Rubinstein
P.

Not with

angels

Now

melts the snow

Tschaikowsky

Nursie, listen to

what happened

M. MoUSSORGSKY
N. Rimsky-Korsakow

92

O'er yon mountainous height

202
155

Oh, come
Oh,

to

me
madly
(

M. Balakirew
A. S. Dargomijsky
xvii

I love thee so

30

22724

XVUl

Index of First Lines (continued)


PAGE

On

lovely Tauris' shore

A.
S.

Glazunoff

220
235
102 76
116 108
178

thou billowy harvest-field!


is

Rachmaninoff

Pale

the

moon

M. MorssoRGSKY
A.

Slowly the daylight departs


Snowfields in silence
Spirits of nether worlds

BoRODINE

M. MOUSSORGSKY

M. MoCSSORGSKY
p.

The
The

light of

dny

is

slowly fading

TsCHAIKOWSKY

mists are truth


is

hanging low

N. RiMSKY-KoRSAKOW

193

The

suspected

M.

I.

GUNKA

16

Thro' the

forest's

moan
to her canary

A. BORODINE
p.

58
182
68

Thus Zuleika spoke

TSCHAIKOWSKY

Thy

lips say,

"I love thee"

A. BORODINE
p.

'Tis evening

TsCHAIKOWSKY

To

172 196

the thunder called the flying cloud


I

N. RiMSKY-KoitSAKOW
A. Rubinstein

Wlit-n

see

those

little

feet

of thine

38 144 84
62

When

stopped

iit

Kazan

M. MouSSORGSKY
C. A.

When woods
Where

are dark

Cui

tears of

my

passion lune fallen

A. BOUODINE

Ye

dear, fleeting hours

A.

S.

Dahgomijsky

26

CENTURY

OF RUSSIAN SONG

w
dwell,
Stund',

j.

\i

i
Ich

J^
thee

J^
I
-

for

ev

er

dwell!

For

zu

der

Stund'!

har

re

i
5?P

:i

t-

s
s- i- 1-

P
^

M
7
\

|>^->r

i
^

f=4 r
'

i
r come
back kehr
to

p
me!
riick
!

long-!

On
ich

thee,

my
ke

dein!

zu

den

^^
V

r
fe.

w
\

r
z

^333^
f
5EEt

r
5

f
221

TT
P
I

^F=f

fe
thoughts
dein

for

^
je

pP
thee
I
-

plong-,

p
zu

ev

er

dwell,
Stund',

For
ich

from hour
je

^
to
-

s u r
der

zu

der

har

re

dein

^
h-

ir-t

ft S
4L
i

1
-

E^
^

I
i
'

te:

ll

r
hour,
Stund',

p On
ich

P'
thee

lYthoughts dein

p
for

my
-

^
ev
-

^y

p
dwell!.

er

When
in

har

re

22724

i
thou
dei art

^7rj

^
near
Niili'

ner

p--

i
m

r
n-

me, ge

am
de

well,
ich,

when
in

sun

>p

mzzw-

l;pp g

^
^ ^^^
Rat Rat
mir,

ppp

i^
thou
dei

art

^ ^
near

dim.

me,
g-e

P am

EE^
well;
ich.

Oh

ner

Nah'

sun

^JTj'^

jgz

m
^

^^
-

de

mir,

iEEj^

^
j^^
zn:

i^

^
P
mis
Fi-eun
-

#
0-

&-

^T^
still

thy
-

tress

waits,

And
ihr

^^
t
-

^
heart
is

all.

her

^
filleddir

with
er
-

dei

ne

din

wacht,

Sin

nen

nur

von

rr

JXL

ii
thee!

m
thy

-^
mis - tress Freun - din
waits,

Oh

Rat

mir,
mir,

stiU

And
ilu-

^m
all-

her

fuUt,

Rat

dei

ne

wacht,

Sin

nen

i ^.
22724

Jl

J=i

>^3^
= ;:2-

heart nur

^^
is

'P^p'^p
thee!
fuUt!

^'

pip
long-!-

filled

with
er

von

dir

For thee I Ich har- re

i' p ^p come back to


kehr
zu
-

me!
liickl-

dein!.

On
ich

thee

my
-

den

ke

thoughts dein

for

ev
al

er

dwell,

My_
den,
bei.

hope
dir

is

all

^
in

zu

len_

Stun

ist

all

mein

k^^^

M^

:^:

^
ii
to

i
p

:s:

^
h On
ich

P
*
r

^^^
For
Ich
thee
I
-

^
long!
dein!

<

i)
kehr

Ji
thee

.5

thee.

come back

me!
-

my
-

Gliick.

har

re

zu

riick!

den

ke

p
for

p
ev
je
-

P
er
dwell,
Stund',

^
for

^
dwell
Stund'.

thoughts dein

ev

er

'Twas
In

zu

der

zu

der

82724

in

^^
thine

^
pro
-

dei

nen

arms Ar

I
-

found

tec

tion,

"WTien

^
I

for

men

fand- ich

Frie-den,

als

ich

ver

^^ r=r f=T
-j

^ f

^ s
1

^l^Tr i i i
f

^
sook_ my
liess_ das

^^^

^
22724

me!

riick

Ah, what is das Le - ben,

life

to

^ me
ist's

^
with
hie

ach!

was

^ *

i
i

-n~='
-,

ii

i)
-

i)
I

f"
Rat
-

J-.

J)
wilt

^
not
-

out.

thee?
den,

Be

lov

ed
ter

mir,

nie

g-e-lieb

Rat

mir,

oh

:g?J

-&

f
k
s-*

S^

^Mi

^
ne

<9^

fS^
back kehr
to

1
me!
riick!

me
riick!

Come

zu

'-MA

22724

10

"How sweet
Wie
Eng'lish version by

it is

when rm with

you!"

siiss ist's,

kann bei Dir

ich sein"

Henry

G. Chapman

Michail Ivanovitch Glinka


(1804-1857)

Allegro moderato

dulciss.

Voice

^f^
^^F^

J
ijj
it

j
is

How

sweet
siiss

^^
*

Wie

ist's,

kann

i
kJ_j

Piano

^m r-f^ "3^*5
P

^m^
I

4 ^rWW.

?
g

^ f
feel

m^: i iff

C^

J
when
bel

B
Im
Dir

J'^ *
And
und
si still

^^
ly

^
ing

with you
ich sein

lent

lose

ev-'ry
-

Deep,
in's

die

feEE

ti*

W
Ge
so
g:en recht

dan

ken ver-sen

ken

~7~z:'.

*i ~:

<s-

^
in

deep

your

eyes.

^^
blue!
tief.

The
Die

joy
Lei

of

the

^ I
P ^^
22724

Blau'

Dei-ner

Au

den

der

-
"73

Copyright, 1911. by G. Schirmer, Inc. Printed In theU.S A

I
;i

r
See
-

p ^p
its

^^
oft
drii
-

heart, and
le,

pain, Will
sie

in

the

eyes
aus

^m ^
find ex-pres-sion
in

11

When
wie's

die Gluth,

cken

sich

dem Au- ge,

^Jr^

#-fr

s
words might es Wort

^^
be

^
-

J
in
-

spok
nira

en

vciin;

My
Mein

i
heart
al

ways
er

doch

mer

mehr

thut.

Herz

es

^
i
trem-bles
be
-

^^

rs*

s ^
e
-

a piacere

in

si -

^ lenceWhen
I

am
ich

^ ^
^sk^ith

W
you!
seh'!

bet

im

Stil

len, so

bald

Dich

33724

i2

*^

^^^
dolciss.

^
IS

^
of
ist

p
your
er

p
face,
mir,

;I

^f *^
se

^^^
*
for

^ ^
Dein

How

dear

tho

sight
lieb

An

blick.

wie

ich

-=ir-^:

g
your

i
smile
Lii

z^

S
e

^
mo
-

watch

with

tion,

he

Dein

cheln mit

Won-

ne

You und

^
seem
to

em
ver

muth

bodkor -

aU
in

m
tance ance
sten
I'd

pert

^ ^
s
22724

te
or
-

*
and
-

aid

as

sis
lei

lend

moch

te

ich

Ge-wahr

To love dem Dran

its

ge

der

tt'

$
J'

13

trou
glii

ble

some pas
den

sion,
le,

Dis-

ere

tion

^^
I'll

hen

See

Ver-

nunft

ich

ihm

:i

$^ ^ ^

J
for
-

aJ
a

u
friend,

^m
But
love
folgt

i
runs
nicht

take
setz

way
Herz

with

dis

te

zur

Wehr....

Doch

das

dem

Ver

iF

'

i
ere
-

^
tion When

a piacere

^
I
-

i
am
ich

%
with

you.
seh'!

^
W^

Stan

de,

so

bald

Dich

rr
colla

"

a tempo

i
pp

voce

^ gi ^P ^u ^ R-^ ^ 1
i

:i

5^

r^-f*

^^
8p

4>
22724

'^

i
f=Sr^

# ^

14
dolciss

^
shine

and Du,

^
en
er
light-

my
mein

life

schienst

Le

you ben

en,

And
und

hel-

lend

^
ra
-

di

ance

shed
fort

^
from
aus
a

J
far;

J
So
So

leuch

test

mir

der

Fern'.

send

^
en
-

an

cour

ag
se

\ ing
die

^
beam Bahn

l^^ \^
To
one
un
-

schein'

denn

und

wei

dem, der

nicht

ac ver

I
S
22724

>==

3^

i
is_

>

15

r
cus

p
tom'd

^p
to

p
for
-

^M
tune,

Who'd

looked

^^
up
-

on

wolmt

war

vom

Glii- eke,

dem

Hoff

nung'

g-e

S
-&

^m
i ^ hope
as
schie
-

J
a nur

J
And
und

iJ
al
-

dream;

? ways
ne

^
my
er

:fcS
will

heart
ful
-

nen

Wahn

Won

let

die

i
_F

?^

^m
aptacere

i
bright

p j^ J'
en While
le,

t
I

r
I

am
ich

with you.

See-

so

bald

Dich

seh'!

r\

t
Ti

I Tui

i-i

1
i*

s^
^
tfJ

/TN

1
r ^

J'lTj

j'j
/^

^ ^
22724

tfr

^r

rTf ^ i

^^

16

A
Words by Baron Rosen
English version by

Life for the Czar


Aria of Soussanine
"The truth
is

suspected"

Henry

G.

Chapman

Michail Ivanovitch Glinka


. .

Voice

'

(l.S04-lsr,7)

Kecitativo.

Adagio non

tanto(Ji6o)

Maestoso

fff
truth

ffP
is

f
r
<

p"

P-

The
Sie

sus

pect-od!
Wahr-heit!

Light of
Mor-g-en-

Piano

I ^H^
^-J.
^""
^
^'

ah-nendie

Ww
hfe

^^ "^^.!

!.

r
r
I

^ ^ ^

1^

P
And
die

M
swift -ly

day,

Break soon a- cross the


Steig'bald

sky!
auf,

bring

^^
-

^
word,
mir:
that safe
at

me

roth!

am Him-mel

Bot-schaft brin

gend

Ge-ret-

tet

I
V
tt

^^^
last

i P
is

the
-

sei

un

ser

Czar! Zar!
a tempo

i
tn

^
^f
~n,

f
-r.

^
22724

-S

z:

Copyright. I9lt.

b)j O. Svhirmer, Inc. Printed IntheTJ.S.A.

17

p cantabile
When
Brichst

spianato ed espressivo

the

day

shall.

du

assai

break

^
a
-

i
'Twill

^ F
be
seh'

O
last
letz

r^
time_
I

gain,
roth,

the

_
-

Shall.

Mor

gen

daim

zum

ten

Mai
33: AIT

ich_

# ^

^ff

-O-

-O"O"

TT

see
dei

the sun

nen hoi

on den

high;
Strahl,

For dann

death

a
-

waits

me
der

then!

war

tet

mein

Tod!

r
^^

w
g

3P= i^

vn

^
o
0.

r
Gott!

rlr
in_

If
a
all
-

p
go
-

r
ny,

r
die

r Mar

r
-

God, when

When

tor-ture threat- ens _

me,
droht,

Have
er
-

der Qual

mir die

ter_

22724

18

^
^^ 5

^
mer
barm'.

cy

^m
_

^~9

m^ ^2
my_
nerpain!

^-f~
an
-

dk'h

on mei

What

guish.

Noth!

wel

ohRr_

*^

i
i
i

=^I

i^TT^r
s
f

i
ff
i

s
deep
tie

f
my

o
poor mein

ri' r^*
heart
ar-

J
come,
Herz,
\\Tien

and

dumb
Schmerz

O'er

doth

fe_

durch-bohrt

-mes

ge

re
ich

call

my
math
-

home!
warts!

Ah,

what
wel
-

denk'

hei

a che_

fate_

that_

sfhwe- re

#
s ^
P
V'l,
(
I

no.

f^r^:^
22:

^
v

^
Here
zu
all

dim.

p
a
-

lone

must
al
ten.
-

p
die!_
lein!
ten.

Pein,
ten.

sterten.
ten.

-ben

^
22724

i feE 1f
^f.
/*?.

so

m
ten.

ten.

1*

f?p

ten-

fen

fen.

ten.

ten.

fen.

19

tn.

/,

'H

^
the

When _
Brichst

day
an,

e
shall

break

^
a
-

^1
'Twill

p
be _
seh'.

t^ the

^7 r^
lastletz
-

gain,

time

du

Mor-

-gen- roth,

dann

zum
"''^r

ten_

g^^^^:
i^

Et a:

rS

^'LU'LU
^

P^
i

5^

^P
^

^LU'LCJ

'tfirr

^
I

^
Shall

see
dei
-

g
on
high,

the sun

Mai

ich_

nen hoi

den Strahl,

For dann

fe

^
^
fe
s

^
^

m
J
J

m
nJ

l,J

'uui'uuj 'uui-'^zii
i
^
-

zimuim

^^^
Oh,

^g
ful

2
-

death

a
-

waits

me_
der

then!

aw
har

fate!

Oh, mis
bitt'

er

war

^^ n
i

tet

mein

Tod!

tes

Loos!

res

ES

f
f

m ~f
=^t^=l^=P="

tftif'tTLLT
22724

20

S
y!

^^ ^
My
need
is

great,

Be

near,

God, lo_ com

^
-

^^
\>i-

Leid!

MeinWeh

ist

gross!

Halt,Herr, mir

dei-nenTrost

[^^
^
9

^
f-

n
^?
long,

^^
%M

PP

^
fort

mvl
reit,

be

Thro pain und star

that
-

ke

iS

Ife
-w.

-9

=/

=^

n'
must come
in
all

I
ere

>p
Oh

f
pit
-

f
y,

com-fort me,
star-ke

now
mich

Keep Thou
die

me

strong!

der

Noth,

bald

mir droht!

Ja, stiir

ke,

mich

tempo

r
Noth!

^pp pir
Forsake

me_
ner

strong!

me

^^
O
God!

r\

not,

Ver-lassmichnicht,

Gott!

22724

21

Heavenly Clouds
(M. Lermontoff )

English version by

Henry

G. Chapman

and Vera Johnston

A. Dargomijsky

Voice

^
,,

Andante

4#=B=f
Piano
>>
tf||

p.
^

M ? &^^
fe
ly

t.T

^ ^
^

Cloud

m
lets,

ye

*
heavn

^^
^CS"
I

jiiiiJRest
less-ly

ftj

clouds,

wan-d'ringfree!

*^^ ^
')--h
i

XJ

j^
^^

^J"P

^Ml
'J

an
-o-

O^^'T
do Ice

p
4
i;

con forza

in

^^
yon
a
-

High

zure sky

On

pearl-y

wings

ye

fly;

^^^
f
f

7
^

i
-f

'j>
-r

f-G

23734

Copyright, 19H, by O.Sckirmer, hic.


Printed IntheU
S.

M
dolce

*F

P^
On

jw^
ward ye

iii^r
has

^^TO

j^
ten,

J)
For

m
*
i

ban- ished you are,

like

ff

i
f

'^^
me;

i*

^
^
~*
_c.

i f

^ /
r-L:r
a/< lib.

^^^ ^
**
south

Driv'nfromyour dear northern home, To the

'S

fe;
"cr

*
f

^^

i^ i ^
come!

*F

^s^ ^
J

^ ^ W^
-Gp-

^
Tell

T!:5

S5^

me.

who ban

^^
^^iM

ished

r
Z2I

t:T
d' *

s
you?

^r=r

?
Or
fate:

^
it

^?
fate

is

ye _ fear?

8872

33
dolce
risoluto

,^OT
False

f"

ij .:Bi:j fe
treach
-

friendships

er

^^
y?

M.Ff.J
o
-

Hate's

pen

dolce

m ^

^y-^j. <VJ^V^V J'


en

vu:;
Or.

=^
in

mi-ty?

some crim

^
-f

^=c

^
r
I

i -

nal

^
g

J
Or

/^

3: tp2

^-

JSrrrAJilJ
had
a

M
poi

-iJ
-

deed have ye

share,

are ye

vic-tims of

son-ous

3=^;

^ r-^r
dolce e ad
lib.

?
:5;

5^

m
T

*j

I* ^
cal

r^,... '*^
-

ten.

^ J^^
*

P
um
-

s:

ny ?

S
22724

V-.

^1f F

!^

S4

Allegro

ritenuto

^
Nay,

TT"

on-ly

^^
tired of

^j.
wide

bleak, _bar-ren

tn-,
>
"ll

Kv

ji

^^ 5
tf

j> ^

j'^

a
/^.

^^
plains are
ye,

^'
1

;;ij

^S

s
Ye
fc

J-ji

ritei'.uto

fe

P
^i
5s=i; 1

g
know
not

pas

^
_ y=

a tempo

2
sion

g.
Sor a tempo
^
t

^
dS

r2;
rdws

HE55

^
flrf /J'*.

"/

^^^

^
do Ice

J
d)

a tempo

A ^

con jorza forza

do Ice

p
Free ev-er
-

J^lp
is

J>-f^
to

last- ing

Ij';

No

land

home

you,

No

22724

25

^
land

coil

forza

1r

[^ r^
can

iC^
-

ban

^^
you,.

ish

No

^
i

i^
>

/
'^^'i

^^
E
land

feES^ i=^=*

^
land
is

^-P

^-^''
I

Jto

home
:3=J:

you,

^^^
5

J,

1^^:

i^s
#
1^

'

r
land

can

ban

ish

you, no

can

ban -ish

I ^EE^

S
i

3E

f
5EJ:
m-

;^^

ES

^
If

>^

*F g
can

ban

ish

you

'^
I

^"

^
22724

nA

^^^
I

^
IS

^
^ ^

ah!

'LP Lf

S6

"Ye dear, fleeting hours"


English version by

,Jhr

f luchtigen

Stunden"

Henry

G. Chapman

Elegie
(D. Daviiidoff

German words by Bruno

Alexander Sergievitch Dargomijsky

Adagio
Voice

Piano

Ws

zc
dear,
fliich

S^
fleet
ti

^^"^
full
^f

g
joy,

ing

hours

yet
li

how
schen

gen

Stun

den

voll

himm

22724

Copyright,

1911.

by

G.

Schirmer,
3.

Inc.

PrlntedlntheU

A.

^
sor

fe

Weh

row and grief, muth und Lust.

How
Wie

glad
schaut'

were
ich

mine
einst

&

^ ^
S
:

t
_Ck_

"t
dim. i*

1
^
5
the

W-*
f
fe

-o-

eyes

with
lich,

plea

sure

of
-

froh

2^

f
3

m r"
^^
how
wie

so

trun

ke

nen

cresc.

m&

B^
see
Bli
-

EE
ing,

glad
schaut'

^^
mine
ich

eyes froh

with
lich,

the
so

ekes,

22724

28

^\>K

Jii'p
J

p'-^'Wfr
for

I'p-

Aj
m}- breast!

;)
for

u j\^p
joy
in

high beat my heart hob sich vor Won - ne

joy

in

my

breast!

Now
Nun

und

Freu-de die Brust,

vor

Won-

ne die Brust!

fcir=iQ

-^
i'

^^i
i

te

hS

I&
i;

--

jo:

^.I^
i

'

^.

/
5
speech-less
star
-

J.

h
:;^

i
ins

r
dark
-

pness
kel

pr
I

^^ ^'"^^^^
No
star
lights

iOmy
way,
er-hellt,

and

still

in -to

stare,,

My
er-

re

ichstumm

Dun

hin-ab,

kein Stern-lein

t
f

-^=^

-^=^

^^m
V ^
^'lights
-

^j*

FFCT ** *
J:

dim.

^^^^^

^^^
p
No
kein
1

i
{

I'

J
heart

i'lies let,

;ij)j>^
in sor-row!

p ir No star
kein Stern

h
my way.
er-hellt,

^
star

^^^^^^
ra^*

sendsa

To
er

hel

er-hel-let,

lein

Stern-lein er- hellt,

|'>

Ll^jjJ

^^^
3
vrcsc.

Ss
22724

I
:n:

^F

1=f

29

^I'-i-

J
hellt

Ji
mei
-

Jif
my
way,

J
|
|

tfj^
lies
-

JiY
in

p?p

(^
l

light- en

My
nur

heart

sor- row,

No

star
-

lights

my
al
-

nen Pfad,

Thra

nen

al-lein sind's,nurThra

nen

I
Z2Z

m=m

^J^VJ jjJ'N

f*^r
cresc.

ffi
way,
lein,

rf
My

tff
heart

i^lies
ist

i'
in

g
sor

^
my
so

row,
rig,

heart
trau

und mein Herz

so

trau

feEES s

^ ^
rig

"/* w,

^J^

^
-

lies

in

rig,

so

>f57"\5i

DEC
-o-

xn
-o-

r\

sor

row!
matt!

trau

22724

30

Only Love!
Nur
English version by

Henry

G.

Chapman
(D.

lieben! Song
Davuidoff)

Voice

^
ii
i>

Alexander Sergievitch Dargomijsky


(1866)

Allegretto
{

i^

W>
Oh,

p
1

p
lie

P
-be

i'

J^

lovelhee so,
dich,

mad-lj-,

Wie

ich

glii-hend

Piano

n.

J^

-f

wild-ly, dear,

heissund wild,

*f

^ m
p
And
to

p
thee

p
a
-

JW H-^' my
)

^'

'

^^
That is und doch

lone_
ist

is

heart'sde- sire,
dir

air raein

Seh-nen

stets

nur

ge-weiht,

^
I

^W
ne'er

^
That for und ich

^
y
pain

ap

peased, so

great-ly

fear.

ver

may
in

wird es

nim

mer

in

mir ge-stillt,

muss

ver-geh'n,

ach

22724

Copyright. 191 f. by O.Srhirmcr, Inc.


Printed
In

theU S A

31

^1'

pwell

J)}>
ex-pire!

-V

1-

E
All
Sieh'

p my
raich

SchniPFZ undLeid.

a tempo

*
P

b^
T^

g^
peace

^
is

^
<

^ /^ f ^
g

^
I

^ ^
p
not

fc
since

s
my
ne
-

^#^
sad Ruh'
mis-chance;
undGliick,

I'

p
Tho' thou

J
be

'

p
near,

-^^

p
still
I

gone,

gram-er

fiillt,

oh

im-mer

w^=^

^
>

^t^

m
a

den-kend dein,

ob

m
P

auch

fe

SE^5
think
fer
-

^
of

i
Just

^
a

I^J)^P
lit - tie

thee;
dir.

word,
Gruss,

just

^^
'

i\

ii

>

i'

sin- gle glance


ei
-

ne

Drum

\f

*f

m
ZZl

nur

ei

nen

ach, nur

nen Blick

From thy aus dem

^^
|^'i>
iiJ^

^
P

M
sweet-ly
sen
-

:^qs

^==#
Y
I

cresc.

^
hp
j>
j^ me;
send to

h p-

J^

,1.

f5

P~P-Ulp
eyes_
Aug-L_ de

IT

iJ''

ii'

ten-der
sanf-ten

Just

p sm
ei

S^S
'

^^
just

rail.

gle glance,

freundlich mir,

ach nur

nen Blick,

ach, nur

^ ^
22724

i f ^3^ ^ i^
^bJ^.t s

r^

=4

1'j

>|]

rail.

P ^

32

fck

?
sin
ei
-

i'J^

"y

gle glance!

Tho'

^
risoluto

this

nen Blick!
fl

Die

se

tempo

h\

r-]

m^
i
i
fcin
love of

^
s
J^
dis
I

-y

^
^'
as
-

^ s
J' That ^'
I

?
^
r cru bar

/ f

^^
dir,

i'
so

i>
trous

j>
be,

p
el

[^

mine_

its
-

pain soon
bald

my
dem

Lieb' zu

ach,so

schmerzen-reich,

fe

^
i S3
k

W^^
death

^
f>

^^
weiht er

men-los

:?E^ t==:

P
;>
I

^
i
>

^
"^
J'
I

r
'

must prove,
-

p^

i
pu en

Yet,

O
doch,

p
dear-est

p
Saint
in
-

ji J1
ri
-

j> J)
ty.

child,

Yet

i ^M

To

de

mich.

Und

sii-ssesKind,
"^

hold und

gel-gleich,

kann nicht

"^

s ^
^&
I

dim.

^^^ sf
A
I

^
^_^
r >J^ iJ'
i i I

%
pon
-

i T
rail.

i
r
lip
i

^m
r
love!

^l>'l.

p-

iU^

iii^i
ly

HWii'J
I

^^

*^

hate thee not,

can

love,

can on

ly

has- sen,nein, kannnur

lie-bendich,

kann nur lie

ben

dich!

>

.J^

fe

22724

^ ^
:S=F

-r-T-

rt

33

"Be not so

coy,

my pretty maid"

Thu' nicht so sprode, schones Kind''


(Mirza-Schaffy)

English version by

Henry

G.

Chapman
F.

German words by

Bodenstedt

Anton Rubinstein. Op. 34, N9 11

Con moto

Voice

te ^m
Be

^m
not

Thu' nicht

so_ so_

coy,

my
-

spro

de,

Piano

^& 1^^
p

Fffl ^
*

r.

m ^
S
j-

vr^ trt

wtt

tv^

^
&'

e
m
i

S
pret

^
tynes_

maid,
Kind,

When
wenn

mW
in

the_

dusk
spiii

scho

ich_

noch

vor

te

* *
/
r j

V *

f=^=t

SIPS; -^i^

J J J J J door, And
geh'

r
hav
fas
-

r
se

^
a
dein
soft

^^^^^
white
ches

ing

hand

way
-

P^
-

laid,_
lind,.

und

wei

Hand

chen

und

22724

Copyright,

1911,

by

O.

Schirmer, Inc.

Printed In theU.S. A.

34

a^^^
kiss

e
im
er

plore
fleh'.

Kuss_

P
fe

r
I,

-Q
who
(lir_

Lf-J
such

^
y
22724

-m

-^

f
*

r.

^
-r

If

Tf

n ^

Dej'

so_

35

^
court scho-

i
horn

age
di-

pay,

r~pp W

ir
love
-

hnsft

^^
in

-ne

Hul-

gung

ge

bracht

in

fe

^
:i
ikfe

rr
fe^i

1 1
32

r^
i

III
^
r r
par
-

^
per
rei
-

feet

nem

i
f

S
hon
Lie
or
stands,

bes

schmuck,.

for not Should braucht wohl der

don.

nicht

Ent

ill
i i
^^^^^^^
need
to
di

*
i

n
*
J
a
i

I-

^^
s
fefe

^^
J

^
pray_ gung.

^ ^
Just
for
ei

J.

J'
of

kiss

or

touch

schul

fur

nen

Kuss_

und

Han

de

ia

h h

fj

hands,
druck,.

^
-

m ^
22724

"

-#
i^

#-

^^^

36

m
te

p
just
fiir

for
ei

i^

kiss_

or

touch
Iliin
-

m
of.

hands,

nen

Kuss.

und

de

druck.

:^
V^I'iJ-^

n
#

^
irj
-#
:il

tei
i*

*_A

!=

^sp

^^

# #

^i

?*

m
I
-

Now
Es

^m
ev
-

ZO-

'ry_

^ ^
from

-^

kiss
jp
-

take

wird

ein_

der

Kuss

von_

m # ^
thee
dir

p p
In

r
singklin
-

^ ^^
'
-

^-#
songs
Lied

ing_

my
in

lips

shall
-

use,.

ein

gend

mei

nem

I fe
'^ il'iH'
2Z7Z*

til
i

^^
^

I
3

m
Mund,.

37

'^

r r And when
und
je
-

r
I

^^^^
press
thy_

der

Han

de

hands druck

'twill

be_
mir.

^
But zu
for
ei
-

an

giebt

nem

fctzfnz:

^^
cuse.

Grund.

^
22724

te a ^

i[

i
;

Ie^

38

"When
,,

see those

little feet

of thine'

Seh" ich deinc kleinen Fiisschen an"


(Mirza-Schaffy)

German words by
Henry
G.

F.

Bodenstedt

English version bv

Chapman

Anion Rubinstein. Op. 34, N9 3

Voice

P
ia
P
be
-

Con moto

When
Seh'

P^
I icJi

^^
see
df'i
-

^
feet

f
of
thine,

those
no

lit -

tie

klei-imn

Fiiss-chen an,

^i
P

l.2iit-i

Piano

E
I

P
"

P
lieve,

p
mj'

M
pret
sii
-

m
-

J^
That
so

j^

J^
of
viel

i)
beau
-

Jv
ty

can scarce begreif

ty

maid -en,

much
so

so

ich nicht, mein

sses

Mad

chen,_

\vie_ sie

Schon-heit

mE^
:*:

&
*=rf
te

^ i
car

^ ^
Sonen,.

^^^
much
viel

lhey_ can
tra
-

much,
viel,

so
so

beau
Schtin

ty-

gen

kon

so,

heit;

^
22724

r^

"^

Copyrifcht. t.9i1. by G. Schitiner, Inc. Printed In the U.S. A.

When
Seh'

^
I

39
'^"

^
see
dei
-

p
those

p
slen
klei
-

p
der

P
hands
of

r
thine,

M
I

p
scarce
-

p
ich

p
nicht,

can
be

be-lieve,

my
du

ich

ne

nen

Hand- chen an,

so

greif'

#
*

f
pret
sii
-

-K
-

f J
maid
-

J
en,

J=
__

JJ
wie

sie

h
cru
-

i)
el

i)

^^
can

s
de
-

ty

That_ such

blows they

liv

er,

sses

Mad

chen,.

sol-che

Wun- den

schla-gn

kon

nen,.

p
I

M:
jit
[

S
k
r
liv
-

H
i

E
el

^
blows
sol
-

^
f>

pWhen
Seh'

p
I

p
see
dei
-

p
those

F
ros

i
-

Cru
sol

can
che

de

er.

che,

Wun

den;

ich

ne

ros'- g-en

m
lips

$
of
thine,
I

?
can
be
-

p
scarce
greif

9
be
ich
-

p
lieve,

p my
du

pret
sii

^^
-

ty

maid

en,

Lip

pen

an,

so

nicht,

sses

Mad

chen,-

12:
22724

40

i i=^
3

j^

j^
lit -

ii
lie

i'
kiss

S
they

g
-

J)
-

jj ,^
fuse_me,_
kon
-

ij
How
ei
-

j)

^
ei
-

How_ one wie_ sie

can _ re
sa
-

re-fuse

ff"^ one !__

^
kiss.

ei

nen Kuss

ver

gn

nen,_

nenKuss,

nen

Kuss.

:^

%.

m -

m Z^

"tj
J

J3J P^

mi
pI* Whfn
Seh'

^m
P
I

^
^
I

p
I

p
see
dei
-

p
those

:^

i^'

p
of
-

r
thine,

know
klu
-

ing
g-en

eyes

M ^
P
I

can scarce
be
-

be

lieve,

my
du

ich

ne

Au

gen an,

so

greif

ich

nicht,

:^
mf
ir

i
f

f f
^.?

^
%

h
still

pret

m ^^
-

i.

J.

j>i^
should
fia
-

j^
be

r^
ask
-

/;
ing

ty

maid
Miid

en,

How
wie

for for

sii -

sses

chen,.

sie

nach

more love they mehr Lie - be

gen

kon

nen,

^3
jf ^
j.

Ifc

IP

S
^
rif.
.?

i
-t^
^'

^^

r
give
fiih
-

p
thee
le.

c:/ c J
Ah,
be

-Lgg
kind-

i
me!
an!

M ^
22724

Than,
als

to_
dig..

ich.

Sieh'_ mich- gna

^^^

"mi
rit.

ir^^
m

zcz

41

#
*

^^
Warm
-

ii
heart

J^

ii

i'

^ w^
pret
sii
-

g
maiden,

er

than mine,
Herz,

my
du

^^
Ne'er
will

^
beat
-

ty

for

"W^r-mer als
,9

mein

sses

Mad-chen,_ wird

kein_ Men

schen

tt

t^
g

rij.j

J J

i W^^

S
*

m^

m
i

i C/P ^i^^CLT
in

thee

mor

tal

^
bo
-

ad

^
lib.

rV.

som;
nenj

Hear

herz dir

schla

gen

kon

i^
P
a tempo

*itf

song of love Hor' dies won- ne- volthe

P
I

^
give
to
-

le

Lied

chen

IB:

mP
thee!

f
-s-

rit

colla voce

Sweet-

er

than

my

lips,

my

pret-ty
sii -

maid-en,

No

oth

er-

an! a tempo

Scho-ner als 3

mein

Mund, du

sses

Mad- chen,

wird_ kein_ Mund_

ttt
'y-^

n
.?

Ip
3i
.y

^m
i
lS^

^g

k|^.g]j].^ij:3p
lips

S
thee.
-

^
A-

of
-

their_ love will

tell
-

dir_ Lie

be

kla-gen kon

nen.

i
i
77

1
-:

^^
2Z7Zi

f^ f^ S

42

"Not with angels"


German words by
F.

Bodenstedt

Nicht mit Eng-eln"


(Mirza- Schaffy)

English version by

Henry

G.

Chapman

Anton Rubinstein. Op. 34,N9

Allegretto

m i
i

r~^'
i
IE

Piano
I
V'\j]i>
i^

"

^^
^ m i
'>'^''i>

Andante
p
with
mit

cj"
an
-

r
g-eln

^
in

p
blau-en

Not
Nicht

gels.

heav-en's vault

so

blue,,
zelt,.

Not with
nicht

En

im

Him- mels-

-0-

-*

^^ ^m
ros

es_

mit

Ro

sen_

:d

[li>i>jj''
in

im duf -

W
flow
-

^
meads
BIu
-

#
grew,
feld,

^^
with th'e-ter
e
-

'r>'

that

Not

ti -

g'en

men -

selbst mit der

-yiu^jij

22724

Copyright. 19U, by G. Sc/iirmer, Inc.

43
3

f''

>-Op^
nal

p
sun
-

^p
light

rTr
there,

cjNot
selbst

cj^^'-^^^j^ f
with_
th'e -

i
sun
-

ter

nal

light

wi-g-en

Son

ne

LicM,

mit der

wi

gen Son

ne

^^

^
JJ3-

^t-*

4=4=#
:it=^
i

^
p
\

m
Mm

i
there,

r
I

M
my
ich

p
Zu Zu
-

r
lei

cz/

Will

Licht

ver

g-leich.'_

lei

^^

yk^J^J.
*
P
<: *:

i)

1
?

9^ff1i

fa
p
ka,

^t

^
Lc/r
r

^
:i

-?

Hffif.fCJ rP

^
my
lass^.

^
comchen,

kha, mein

Mad

^
ST

S
#
;

i
TV
HE

i
g
i*

pare,

'^m
ZZlZi

nicht.

^ E

m^^lj.
P

44

m
S a
b

Allegretto

**='

:i t

^
i

i
i>

^3t

"

^dr

^
i i

^
r\

fe^

-^i it Ti

3
ii

r?y.

^^ M
Andante
^^''

^-

fit/'
heart
is

For

an

an

gel's
g-el

^
-

P
sen

P
ist

P
and
lie
-

^
for- lorn,

love-less

^ ^*
On
un
the

rose

groAvs

Denn
'

der

En

Bu

be

leer,

ter

Ro

sen

^ 'i>

j j

t
4

-0

^
'?

P
-m

i
i
j^
a

i
i)

^^m ^^
-^r~^

J.
dan-

IZZ

man-y

g'rous thorn,

And

^^
the sun
at

night

dro-hen die Dor

nen

her.

y^^}I
r

J),

und

die

Son

ne

rr

-^^^4
22724

*E^ I

4^

<

E
aH

45

^''''''f^n
for
.vei'-hiillt
-

r
gets

^P
to

rTrp^p^''JjJ''^
shine, and the Licht, und die

i
for-gets

g
to

des Nachts ihr

sun_at Son -

night,

at

night

ne

_ver-hiiUt des Nachts ihr

!'"''

i
-ir^

^ ^^
i
tet
-<9
i

mm 9
r

m
p

n
They
sie

r
al
-

iv

+
-

shine,
Licht;

none.

com
le

pare,
giei

:i

^^

^^
te
;*

r
.?

^^
nr:
J.

f)^
p

<s

3*-

f
s
i.__

a
,? .y

f:

1^

/
-^
I

^^

.?

^
with

Chen

Zu Zu

lei

^^
.?

lei

gfe
s
ST
ST

^ i^
^s
fclr
22724

rt
XE

-s-

JOE

mine,
nicht.

^"^

-^-t i i

^
iEEE=;

i?

46
Allegretto

Andante

4m

te

2"

^sf
Nichts

Naug"ht

the eye

^^
can
-

p
in

P
-

f
a
all
-

see_
den,.

a
round,.
reicht,.

tb'lik
-

'my.

the world

To
die

en
-

to
-

fin

so weit das Welt

Bli

eke.

k^ a

^
to

^^ #^^
Zu-Iei-ka

g
be
lei
-

22
found;
g-leicht,

^
schiin,

L/
-

r
less,_

can eer

Sweet, _ thorn
dorn

^
r^^b''i>
22724

_was

mei-ner

Zu

kha

los,_

i
j

r^^Jf
r

wS

rr

^f^

^
i
i
*

-*

47

^ i#^ P
^'

P
full

P
of

.^

^P
rare,
-

ci>^i-^''^p ?
sweet,- thorn
schon,_ dorn
-

E
of
love
-

S
light

and
voll

love-lig-ht
-

less,.

and
veil

full

ew'-gem Lie

bes

schein,.

los,_

ewlg-em Lie

bes-

fct

^
^
^=it

^
rare,

*^^

^
i
naught but
sie

w
her
sich
-

* s i

w^^
There's
.

self
selbst.

schein,

^.d^
r

^^

kann

mit

J.

i)

J
-21

r
It

"W^r^-l ir

M^
doth with
her.
-

e/*
2::

m
;fe

mm
nur
ver
gli

lis list
\

rr ^
_
-

comchen

^
^dz;

27

77

=ii
li^

ZSi.

t>

ZS1

^m m

pare,
sein.

sTT^^-^^ J ^

It;

^
|

i*

^^ ^ >

^ ^

^^^

22724

48

"My heart
German words by
Bodenstedt English version by
F.

all

beauty takes from thee"


sich mit dir"
(Mirza-Schaffy)

,,Mein

Herz schmiickt

Henry

G.

Chapman

Anton Rubinstein. Op. 34, N9 3

Con moto

Piano

i
i^
t-^TJ^
^*--*
1

Js

My

^ m^i
:?

^^M
I
J).

n
f
'

Mein

::^* ^ i ^

i^
^

ii
all

ji
beau
-

iitfJ
ty

heart

takes
dir,

Herz schmiickt sich mit

i) from thee, As heav wie sich der Him

'

,^
-

en

from the sun


der Son
-

^
its

^
light,

J'

My
mein

mel mit

ne

schmiickt,

i A
heart

}i
all

A
beau
sich
-

}
ty

tfJ

takes
dir,

m
J

Herz schmiickt

mit

from tnee. As neav heav m thee, wie sich der Him

J^

k
-

en

from
mit

the

s sun

its

^
-^"^

mel

der

Son

ne

^"^

^>^i-^

^^^

4
27 24
CQpijri<Tht,

d
19H. by
In

d
G. Sr/iinncr, Inc.

Prlntod

thrP s A.

49

:h
light;

Thou
du

art

^
its

^=5^
glo
-

ry,
,

and

m
t

yr-r~j i
Lost,
bleibt

sclunuckt:

giebst

Dun Glanz

und

would be oh - ne dich

but for
es
in

tj

m m m
te

mzm

f3
m

^S
f
-p ^^
oh
-

f
r

^^
thee, in

end - less nighty dunk-le Nacht ent-riickt,

Thou
du

^M
art

te

^
glo-ry
,

r
and-

r
dich

^
'

P
Lost,
bleibt

is
but for

its

-'twould be

giebst

ihm Glanz

und

ne

es

in

3:?:

T=*

4
k
m m m

^
k

^ff
$

*
f|
J.
thee,

ii
in
-

> J) J
I

^
.

^
Ah!.
All!.

js:

dunk

le

end - less Nacht ent -

night.
riickt.

,#

-^

S
-^r

m^
^

32724

60

W^^

=t=t=;

^
^
p

^^
sf

i
^
^

is

M^
And
Gleich

'

^^
q)
j^.
e
-

j^^

^ eU
*
the
all

^^f

5 :*

W
1

^^
P'
world con-ceals ih - K Pracht

5-2;

^: ^
F
^falls

^ ^ ^^
-^

>
ven so die Welt

pip
Her
face
ver-hiillt,

-S^'- ^^
a
-

^ J^

wie

when dark-ness wenn Dun-kel

while

And
g:leich

sie

um-fliesst,

J'-

Jl
-

^
the
all

-^
re

pPracht

p
Her
ver
-

p
face
hiillt,

^'^'-

^^
ness
kel

"^'-

^
a
-

^
m
22724

wie

so die Welt

ven

world con-ceals
ih
-

when dark wenn Dun

falls

sie

um

^m
J
atzac

Q^^i=^=j
i^^^^
^=f^

1 d

-a

i5i m d

51

i
while,
fliesst,

f
-

And
und

on
nur,

M"
ly
all

P
her
die

Zti

p
re
-

y
veals,

grace

When
zeig-t,

once

wenn ihr

Son

ne lacht,
iS

was

sie

'^m
^
f

iS

3
^

#3
CZE

j>

i'

J)

gain her sun will

smile,

r And
und

i^iS -pK p'p


on
-

r
grace

^^
-

'iTit^T
re-veals,

'Pr
"VMien zeigt,

''

feg
-

ly

all

her

Scho-nes in

sich schliesst,

nur, wenn ihr die

Son

ne lacht,

i s

3?I
3:

^r=*
fe:

:g:

W
si

once a

was

sie

F^

J JJ J

J 3 J

i
gain

^^m
Scho
-

i
smile
schliesst.

;i?^-*

her sun will nes in sich

Ah!.
Ah!.

22724

hZ
"I feel

thy breath blow round me"


Ich fiihle deinen

Odem"

German words by F. Bodenbtedt English version by

(Mirza-Schaffy)

Henry

G.

Chapman

Anton Rubinstein. Op. 34, N9 6

Moderate

Voice

V^^PF

PPM
I

'

1^ ^
-

^
i

feel th}'

breath blow round


dei
-

Ich fiih-Ie

nen

me dem

Piano

ii =^

^ ^ ^^ f
et

Wher-ev-er

ma}'

be,
-

Wher-e'er

^
m

my

eyes

may
g-en

M^an-der
schweifen,

^
i

inich ii-ber-all

um

weh'n,

wo - hin

die

Au

^i~i i-i

*F

^=F

s
3t
seem
to

FT?

ir 'M
*
Thy
face

p
I

see.

wahn' ichdeinBild zu

sehn.

And in the sea of my Im Mee-re mei-ner Ge

i
-

^
spir-

^
it

diin-kf>n

22724

Copyright. 19 U,

hi/ (j. Sr/zirmci] Inc. Printed IntheD.S.A.

53

The thought
kannst du

^^

A^
dies,
g"eh'n,
-

of thee ne'er

But

like the

nur un

ter

um wie

:fe i

m
beau-ty
to

^
m m

i
at
-

^m
>i

sun

nnom-ing'

die Son

ne

Mor-g-ens

i=

f
per

m
i
i

^^
In


a
-

rise.

crarmkrEi' Ah!.
Ah!.
T^rr-

schonwie-der auf- zu

stehn.

5=

^
Ah!-

=J I ^>=H

~ri~

22

^Oi'

^
s
ypQ'^'-'^Errr
Ah! Ah!

^^m
Ah!.

mfmrrF

FF^

i^#
Ah!_

Ah!.

"irrr v^

->o-

"B

DOC i-^ ho-

S
m m

^
>

MJJ
JJW
Ah! Ah!

i:?^c
-O-

r&^

XE

^
s
1E7

o-

^^e

.^
28734

54

''Bend, lovely
fMirza-Schaffy)

bud

Neig', schone Knospe''


English version
by-

Henry

G.

Chapman
F.

German words by

Bodenstedt

Anton Rubinstein. Op. 34, N9 8

Allegro

Piano

^
IjJ

m ^^'' f
ll

3
It

n ^

Ete

^^
^

3=
W*

-#
r

1^ f

|e|

'

.'^ J ^J ^J
tip

^
iJ

=^^ =p-

r-y

^ N N Y^
p
^

1^1 ='M=i
itJ

22724

Copi/right,

WH. by O. Sckirmer, Inc. Printed In the U S A

55

m
i
9
i

Moderate

assai

cjr
love

icj

p
bud,
thy
-

Bend,
Neig',

head.

scho

ne

Knos-

Pe,

dich_

P
i

2^

^m
s
to

^^ ^ ?
^
And
und
what.

:s:

i
i

cjLLrrrj
was_

me,,
mir,

zu

-^

-i5

^^ ^
i-i

'

^^ ^
(i
5

-z^

^^
I_
ich.

ask
bit

thee,
te,

grant,

mTTlo

T
me,,
thu'

das

_
"?

')

^m
^=F
r
For
ich
I

^
^^^
love
pfle

ir
i

ci/i
would_
dich

?
and- hold. und_ hal
-

~"o
thee,
ten,

thee
g-en

^
32724

^
mir,

will

rr^

2:zz

^
:i:

56

a tempo

Thou

^
in

'

my
bei

arms
mir

Shalt

warm
war
-

Du
a tempo

sollst.

:i
^
!>'

1
i
j

-a?

1
i i

^^
s

^^
^^s
.?

i
:i

thee,

And
und

h(^ro,_

men.

sollst

3E

^^
22724

1r

Z?^

^^
7T

If

57

m
where
in

i
naught
shall
-

s
-

harm.

mei-

nen

Ar

^:
')'

^?
^

^
^^^^
flow'r

-^

irrr
Shalt like

cir
a
-

~o
un
ent
fold,

I
Shalt

thee,

thee,
ten,

men

zur

Blu

me.

dich

fal-

zur

^^

^^

^^
P

rx^
f

'

5^19*^

'^J^J
f"

22724

58

Song
English version by

of the
la

Dark Forest
Foret Sombre

Chanson de
Henry
G.

Chapmau
A. Borodine
(1868)

French version by
M.D.Calvocoressi

m
Piano

Molto moderato

o
^?:il
pesante

--^

-oTy-

s^

-5-i

-o~o-

'>4l

n
?
9 *
ir

ffH 55
TT

w i

r\ O:^ g

^f
Thro'
the fo
for

S
esl's

?
moan,
Ihro'

^
the
fo

ffi
sigh,

for

est's

La
/r\

ret

fre

mit,

la

ret

qui

bruit

^tf
<i
,<

-oZSSl

TOT

^
i
=:

#^-

^
*
-*

=JF

^ ^
a
runs
a

^^

M
'Tis
T^n

j
an
chant

^
an
d'au
-

^^-^-s i

^
of

^ ^ E n ^^
s
days

song,

cient tale, sung

gone
re
-

by,
cit;

chante

un chant.

tre_fois,

un

tres

vipux

^^ ^

^
m f m

#^

^ ^

f^^^m
-Lx:

zii

ni

'

22724

Copyright, 1911. by O. Schirmcr, Inc.


Printed IntheU.S. A.

59

4g ^
Tell
et
-

*
ing

J
how men
com - ment

M^
once
on

J_^
lived
in

3= ^ ^fi^
free-dom,
li -

^
-

us
dit

free
li

men
bres

in

nous

vi

vait

bres,

tous,

')-U 6

^^

i.

)>z
i

r''

f=^
ff

? s
7!5^

sfe ^s
^*

^^^^=^:
i

m ^-

-i

ft'^i

r
lib
li
-

^J
-

J'w
- ty.

M
La

j
se

a^J
grew
grou
-

iJ
up
pait

j
a

i2b
great

d
were
-

J =ff
they,

er

Here then

peo-ple,

bre-ment.

un peu-ple,

pen

ple_fort,

^fe 1^
gtf^ i^

LS

^
::

g=^

f
^:
r: 1^5

Ei s -^
3=

5=t

irr":
If

355f

lib
-

^ ^ir^r^i: ^
li*i*

fc S :^fc=i
peu
-

:^ #
pie

3^^^
er
-

strong were they.

Here,too,

ty
te

pros-pered
al
-

^
^^

?r

^
pgfffef

grand.

Et

la

li -

ber

lait

#-

^^^
i:
6-

^
^*

==

^s^

^ ^

S^

j:

i==?F^ ^^^^ 5^
*
wt^if

28724

60

fcft

w
stead-

J
i

Jw<
I}',

-?
1

^
might
-

And this
Et
le

^
y
folk fort

1?=

grewmore
de
-

pow-er-ful;
-

^
'J

fe
Now
Et
in

s'ac- croissant,

peu

pie

ve

nait plus grand,

ven

3E iM^

:^=

i2=

M'B

3?:
4-

c==^

^ s
i 9^
s

s
^r
ven
geurs
1

^;

S
t^*

J^

ftit^:t

:^
1-^

"

4-

^r
geance
puis
-

iJ

^^r
cit
-

r
y
ci

r
folk,
te,

^cir
and_
ils

5i
they

they
sants,

fell ils

on
ont

the
pris

la

;{

> \

^n

^
!>#

gP~^^~T^

^F^y

sv

^
4
fct

r=i3=3
^-==^

rHi

cj

^=^ 1

4
1

i
1

^?

^Mfi ^

T
i

V-^ 1
.
1

T n
en
en
-

g-n-H
e

J *

iT ^
laugh
ont

n
^
to

r
scorn,

slaugh-tered them,
sent

and their
et

mies did they


mis,
ils

and they
ils

en

trt's

les

ne

les

rail

les,

se

4
g^fe ^
22724

ty-f

-i9-^

5Z?

r-T f
?fi

cresc.

t:

M7
* #

^^
=i

^TT

61

ii

^'

r
sleep'd

LJ
gri
-

^
ses

r
in

r
the
leur

^-'
r
blood
that
ran:
-

^^
curs
-

them -selves

ed

flood!

sont

de

sang

mau

dit,

grands flots!

^%^ M
.

/^^all.
1

p=
f_^*
-

^
ty!

Fr se-dom,
Li
-

lilD

er

Peo-

pi e

bres,

li

bre

ment, peu

pi

V %s
-^M^

-=^

>
U):iiti

>

>

>

3k:

6 S
-all.

9
'

>
a
;

>
f
1
i

^^^
1

J
i

M
1

M
m

J
i

-4
;

u
r

r\ J

J^^^^

great and free!

peu- pie grand!

fct

2;:

-O"XT"

-o"XT"

-"TOT

^9-

-'^

^1-

1U7

^m^
fffiisi *^^
^ o

Tar

22724

62

Flowers
English version by

of

Love

Fleurs d'Amour
Henry
G.

Chapman
A. Borodine

French words by Paul Collin

Allegretto

V
^

Voice

r Where
Mes

r
tears

r
of
-

r
pas
-

r
ont

r
fait

^
fall
-

my
d'a
-

sion have

en, tre

Full

lar

mes

mour

^
Piano

W=^=^

^^

^^ ^^
^ %

nai

des

^^
man
-

x:

# ^^^
y
au
fleurs

^
flow
-

er

has
et

sprung,

par

fum

tendre

doux,

i^
s

> i r^=l
tl

ji

i ^=^
^ J

S^ f 3ee
23:

^
i ?^
night
-

vrr i

^
as
22724

And Mes
>

man
tris

^
-

W==^

*^

^
y
a
-

r
sigh
-

r
I

r
have

s
ut
-

tered

tes

sou

pirs

ont

^
me
9-

le

leur

The mur

in

mu

re^aux

*EEi

Copyright, 19H, by O. Srhirmer, Inc.


Printed IniheC.S A.

63

m i F^
i
gale chants des

i
has
oi
-

^^
Si

Piu animato e

cresc.

s
couldst thou, tu veux

^
couldst

sung. seaux.

And

m'ai

&:

^
;EE=r=^

^i
^E?
3EE5

=?

zz:

i i ^^^
:*

i
love

thou

but

me,
tour,

^^
For

"^^-r i=i
the les

^
flow
-

thee, dear,
-

ers

mer

ton

mi

gnon

ne,

fleurs sont

would pour

=6

=
>

i
l-cTe
gg
rail.

te
')-h
f
it

^
i
r

rt
un - der sous ta
is>-'

J^^^
f

^
g"
"

*
spring,
toi,

And
et

^
thy
fe
-

^
^
-

win ne
iS-'

dow
tre

for

ev

er

To
-

les

doux
tS^*

ros

si

'ir-r

^^
rail.
I

=^
I

...

y
"r
r thee would

J-

J.

-Z:

[2^2

=-

P=^

^=r
^

^T

^?=T

^
S
22724

^
i

.r

^
-

^
sing!

the
-

night
-

in

gale
et

gnols chan

te

ront

nuit

jour!

t^

^
^
'i-

m
^

*T

64

The Sea- Queen


La Reine de
English version by

la

Mer

Henry G. Chapman French words by C. Grandmougin

A. Borodine

Moderate

(1S68)

t
Piano
(

^444^
p
sempre legato
:J:

'>\^l

r
P

^ w
%.'

t
Ah
Ac

P
come,
cours,

wear - y voy - a

^
-

one,
g-eur,

make
ac

t'-t
22

i\i

^J

ft

rj. :

3t

^=r

22724

Copyright, 1911, by O. Sc/tirmcr, Inr


Printed IntheU.
S.

A.

65

i^^
me;
tant;

Here
sous

'neath
I'eau

the qui

wave
fuit

waits

my
roy

mon

T
mf
dim.

li

^'l'

^ ^?^
P
SJZZ

tt

iL

fct
king-

i
au
-

^=^
thee!

dom me

for.
t'at

tend!

'MM
^
^

i-'

i^
*

i
r
^

t==f
Come
Viens

ia

*^ 1

m
i

I i^^ii!\%
r

P*
is:

"

" * I
3:

S
3
i

^
*^

1=^
^
rest,

m
22724

?^^*^^
hith
te

*^^E^^^E^
cool
is

^
breast,
-

er
re

^ BJ s

and po

ser

For sous

my
bai

And
g-lis
-

mon

frais

ser,

'^^ r~T

--

w
i

i fep
v^-an
-

PP
^
der sur
at

r
will

^
Ihro'

!
the ef
-

^P
deep;
fort;

When
Ber

sant

les

flots

sans

^
ife
'

r
I

r
have

-
kiss'd,

thee
ce'

Thou'lt
tu

^^

call.

? me
be
ni
-

?
blest;
I

dans

mes

bras

!S=P^

^^

me

^^
^
2s:

ras,

je

f=^=^

_^:

jU

.j

ISj
-6-*

22724

61

fep
is

5
'^^

P
vi
-

la

great Queen, mer gran - de


the

Whose
la

^
sion
is
I'oeil

keen,
clalr

That
t'ap

relne

iM.^ni
^>tt||tf

^i^^fe:

\^^'

i
J

f
^f
r

V
rail.

fii^r
i

^
thee

calls

V a
na

F
the

cross

peUe

en

g-eant

^^
dou
-

great
ce

sea;

ment,

m\ /

=
T

^^

^^
ah!
rail.

Ah,

'^=T
Tempo
l

i
I

<|r
come,
viens,

p
oh

pir
my
friend!
-

Ah,
en
-

5
P^
and
at -tend!

hear

'Tis

doux a

mi,

tends

men

ap-pel!

je

heavh veux

that

^ ^^
r
te

ofdon-ner
I

fer

le

)T
|

vp'Pp ^ VpTp'^^

^S
i

Sr
fei

i^_>hi
r

\\i^

i^

^j

r-

r
r\

i
thee!
ciel!

M
22724

m
P

rji.Ti. 7^"^7g'^ ^^:^


rfm. e
rail.
i9-

s S ^

/Tn

9#f

68
Dedicated
to

Modest

P.

JUoussorgsky

A Dissonance
Romance
English version by

Words and Music by


A. Borodine
(1868)

Kurt Schindler

Voice

^m
ph'^

Andantino
^

>^

M
Thy

pfrHM^

^
-

lips say, "I

love theo, be

iJ^
p
i

Piano
'y-^'\k\\
i

yj

^
^

#.

=:

^
5'

P
K^
thy

i^ f

V?

j)
And

Jwl^uh
yet,
in

i.

lieve me','

the sound of

J.^-^^^UL-i:

^^

m y-

j^

'

P^F^ ^
Copyrig'ht, 19i1, by G. Sikirmer, Inc. Printed IntheU.S. A.

jm

23724

69

pt

'"p

pvoice

r
false

note rings,

^m

=p=

^^
me,
It

that doth grieve

-:iiiii f
mf

ttH^tt
^
y

^m.

^^
^^

-^

0^^
is

f
in

thy smile

in thine

^^
i

rail.

il

j\

J^

^l

il
de

eyes

Thou

know'st,

thou canst not

i^
E^

^
^
ceive

J) me!

'

I
/Cn

;^

J J

^t

t t 4

frn

^'

'i

^
22724

-^^-r

70

Dedicated

to

Nicolaj A. Rimsky - Kdrsakoff

The Sleeping Princess


Musical Fairy-tale
English version by

Words and Music by


A. Borodine
(1867)

Henry

G.

Chapman

Andantino

Voice

^3u
'
I

.!'

<^mth

Piano
\

T
pp

legato

m % T^

rr^
^

^^^
%h

4
^

fcit

^
Hush!
hush! With
love
-

^^i
ly

^
Closed
:v
in

eyes

sleep,

Pf
r
^

^7
F

Pf

^-^

r-Tr

^
the
-

I 'n'-i>

^^^
^
^
a
fair
-

^^^
i
on
-

iii

^=^
Prin
-

^
cess
lies,

By

charm

chant

ed,

^^
^
22724

i^
^

^
r

if-

J-^>

TTT

i.

il

^^*
Copyright, t91f. by O. Schirmer, Inc.
Printed In theU.S. A.

^^

71

y^ B P

^
to

^^

Doom'd

dream

in

for

est haunt- ed:

Hush!

Hush!

'

=w=r

r
*
the

^ iS5
r

Piu mosso

^
Sud
-

den on

rt
pp
n\
>

rail,

cresc.

Y"

=^

r-J

p
J

f
J J
shout
-

^s
si
-

J
ing-,

lence

break

ing-,

Laugh-

^^ 1

^
a

^ ^

i^J.

Jj

^
ing-,

mer

ry

mak

ing-,

^^^=^

rw/^.

ffi
Thro'

S
the

^
J

izz

V
Yet

Ti

TT

S
her sleep.

gloom the wood-nymphs sweep,

they

do

not break

ia

I..1.

vi
/*

r=t
Jak

^^^ ^
^
-^
ife

^^j.^
t
dim.

s
i

f^
-

rail,

:^

JLJ

L^

III

Y'^

12
I

pp

331X51

:5

*=*5

r^^r^
XT

Tempo

^
Pale

^
dead
she
were,
Sleeps the

^
Prin-cess
ev
-

^
er
there.

and

wan, as

'^^ ^
i
'n"i>
r

rrf
r

rrrt
?

^^

z
Piu animato

r
J
say

T
J
I

r^r
ctfsc.

>"
poco

{ ^ r ^ 'f^^ ^'^ ^

^^
.f

poco

U\vi. w

ii
do

J
on

J
a

J
r
day

ir
charm
-

r
ing"

Some

that

P
true
-

Prince,

22724

^^^ ^^^ :fe


i
fe
ti

'
I

m
To

heart

ed,

brave

and

g-ay,

her

^^m
his

^
way
will

73

make,

^W
=2=n

^
^

ii

y
= r
=

^
1

fi=

^T*

hi

tt^

= r

^r
ii

J.
And
the

sleep

ing-

beau

^
-

r
p m
a

ty

wake

With

kiss,

:^fe
^*
Vl'l^"'^
11^

^ i
^
f
f
-Gt

I;!

s t ^
r

i3
i ^g

^^ ^
y

and

k
^

^
f

tt'^

:=

f
-S-

m
rail.

thus

the

fa

tal

spell

will

g ^
'

s -^

^ t
^

?fm

?
rail.

?
r f

^
*o

p ^
i
!> |;

^ ^^
Piu lento
break!

But the

^r-J^^^^:

4^^~t^-^

1^=J=^F=^:
dim.

s^:

^M
WT5
32724

W^

74

I*

"^
days

m
go
by,

a
-

^
las!

j,
Like

jjtfja

J^
they

Jseem

i'
to

dream

^ ^^
!

fe
^

j^
Yet

J)
no

hJ
Prince

fc
has
ev
-

er

:z

i.

i)
in

^^m
pass,

come

To

-^r

'^S

^H=i=k^i S * -^^Psr=jF ^

t2

;s.

^^
^Z^B^
vade

pee

i-i-^i
in:

s
t?

is
i* ^^5 4

^
the
for
-

K
est's

gloom.

^ a
H

[,1

^
^
the

f"^^^

J.

J.

J,

r>;

ii--

2 2

b3

^ i

Tempo jz^^
Fast

ii

sleep

fc^; ;>
p

g
Prin

cess

lies.

Wrappd

in

mys

tor

;> J.

J.

-5^
ZZlZi

(-

J^

75

m\>

^-^i/i
h'\>
-

^"^j^i'lJ.
Bale-ful

})

3ZZ2

i), *5 .
'

5 *
'

^^'^>-^ii j

^
\

t
<\

PP

^ ^
^J-J-

charm and slum-ber

fell:_

Will she

wake?

Ah, none can

i=^.
-w~-m

:h

^
nr\-

rssi

^
T T

>

T-T

r\

teU!
/C\
'

^'
'

i,

>

i
r

mf
jce:

W^W^
^^^

V
"TT~

TT"

"^.

76

"Slowly the daylight departs"


Lentement baissa
English version by

le

jour

Recitative and Cavatina from the opera

Henry

G.

Chapman

"Prince Igor'
Alex. Borodine

Voice

^
I
">'
l>" l

Andante
/7^

(J

ee)

1S34-1887

Vladimir

4^
r
Slow Len -

r
ly

r
the
-

r
day
-

r
lig-hl

r
de
le
-

^^
parts,

Piano

^ m
>
Red
Sur
g-lows

te

ment bais

sa

jour

c\
3JI

2> dolce

sempre legato e poco a poco

^m^
the
-

XE

T
cresc.

^^

the
va,

^ ij^
the
fo
-

.?

sun
ret

thro'
te

for

est;
se;

la

ne

breu

Gone are Lom-bre

^
31^h-

last

rays
-

^P
of
ri

mys

te

^
M
sun
eu
-

m I

-^*^

m
r
set,
se,
I

r
Dark
-

r
ness

r
on

^
earth
le
-

i^^^
is

s^^^^
night
-

^
la
-

de
d'a

scend-ing;
incur

den
(i'l

E
32 -S

veil-ler

cho

cho

W^ ^^
"xrF=

S
#

fe

^ S
22724

Copyright. 1911. by G. Sc/iinner, Inc.


Printed IntheU.
S.

A.

77

i
shad
vres
-

^'
ows
se,

't
shroud

r
hill

r
and
ten
-

r
val
-

p
ley
se,

Y
In

r
veils

r
of

^
-^^

dark-ness.
-

Chant

de

dres

Qui

nous

ca

res

se!

i
^ iS

Oh balm-y
Tie
-

^
rail.

^
nig-ht

^
of

a tempo
eresc.

poco a poco

the

South!

What dream
Mai
-

of
I'ar
-

love

dost thou
de
ta

de

nuit

d'a-mour,

Ah!
Z3SL

gre'

deur

Grall.

3E
tn,

rs
a tempo

-f

PPP

cresc.

poco a poco

waft us?

flam-me,

Thou a - wak'st de - sire Tu m'es doux, 6 reve

in

our
la

hearts,
foi

to

love

thou

call

est!
-

et

rem-plit

men

me!

m a
ic

animafo ed appassionato

"U^

^^
fP
^1_

Wait St thou for Che - re bien

^^
me,
-

^
dear- est heart's

fc^
de-sire?
le
luit!

ai

me'e,

une

e'

toi

^J[Zl

3aL

"^

g
23734 4

Jvf.V

jCE

*y

78
a tempo kl^'^'-'

'-r

J
-

i
Well
tu

-nrr

^
et

311

zs
zai

301
'tis

Wait'st thou?

my
mat
-

heart feels and tends

tolls

An

fie!

mon

coeiu-

me me

SO!
dit!

le

33&:
nCT

K
ro^o-

m
\\

^
301
1*

^
n\
~rt~

--

i
9^frf^
:^
^8^
~or -O-

i^

Say,

Ah!
tCV-

^
t
il

IT

TS.

r\
3i: 3x: -o-

n\

~nr

v^

^ w
fe a

aempre cantabile dolce ed espressivo

PP

v\

3ct:

-art

where
viens,

^^
Must Viens
I

P
call
re'

thou ?
viens!

ah!

ponds

on au

thee

in

tendre__ ap

o-

^m
jDC

m ^o f-^
^
r^^
do
he'
I

Sg m

-o~n'Xiii).

sac -e!

E^^
r
I

(wherever harmonies permit)

M
'

*s

fcf^

^
vain?
pel!

^^

m.

r
-

t
I

-^

Ah,,

how im

0_
.

J 1^^

^n

^
3H

chere a

pa man-te,

^^
love,

tient

ly

le

doute,

^
Ias!_

wait,.

for-

est

cru

i
^f^f

^s ^
82724

3i:

^^

^ ^

m
^
iW
C

79
cresc.

thee!
el!

^ Come
Viens,

#
to
re'

o_

^
-

^
come!
pel!

me! ponds

O
a

quick

ly

My
Dou

men

ap

Tfif
jCE
:sr
rff//.

r^ ^
cresc.

^W ^Tf
3
hS

ZZTE

e dim.

-&-

heart, sweet maid,


ter

^m ^
calls

a tempo

to

thee!

Know'st thou
Viens!

^^
^S
f

d'un coeur

-^
"cr

^i^

^ ^ m
est

^
cresc.

#
how
the

cru-el!

Ton

c tempo

W
P
XE
\?^

^;^;
"^ -r

_Q

-O-

:^

^^
in

cr^ifc.

^^^ s i
'Jl>

pain

of

^
love,

^oco a poco

I
g-lows
in

my
e.

heart?

Warm,
toi

mour

est-

ma

vi

tou

feEi

^
s
:fe

S^^
poco

cresc.

poco a

fj^
-o-o-

^^=
le
sweet

-o-

i
g-lows

me
jours,

^
for

^
thee

_o_

tendre

mie!

my En

heart,
-

love

*-4

JiJ.

if if

r^nr T^
i

'ir

^=?=*

ss
22724

^^

^^ ^S ^l
C
re
THB K^W YORK FUBUC tlBRAaT

^1=

tends

ma

voix!

Tui:

urn COR TVr. 'ARTS

80

^
Glad
Viens,
-

^
ly_

rail.

a tempo
iir
i\
irsi

r
would
viens,
I
e'

give,
-

my
le

life

for

thee!
ciel!

ah.

toi

de

men

i* v?
\

},*

=?=s
3
PC5=

^ ^ ^
i*
--

P^'
riest
ai
-

^j:=F^
a tempo
:s;

^^=^
-&

^m
VP

xr-

ho-

i^

3i:
thou,

Why

then

tar

Love?
e,

ma

bien

me'

rt

'fjFF

A32

^
P

r'r f 3

fPr
e
Come
Que
with
-

..^^i

^rrt f

3x:

m^
P
122

Haste Lais

^
thee,

haste
toi

to
fie

W F^
h5>-

se

JH
me:
chir.

f
out
fear,

fir
the
I'ombre

E
is
still
-

world

now,
-

crain-die

dans

em

bau

me'

e?

^
l^^>
22724

n,J

J
en

-odeep
paix,

-oin

-osleep
dort,

niJ

and sunk- en
Tout dort

rests in

^
r

J
the
ciel

tout

sous un

^.^
>'

^^

^ tT^
^
-s*-

81

o
arms
de
of
night.

-o-

sa

phir!_

^pPf
'n''!.^

^^fff ffffff

^*

ci^esc.

7?^
cresc.
"c?

'[

J
r^

n:

/C^

.P/Tn

i'

311 3i:
-othou,

JH
art viens,

Where

say?
viens!

^
Must

Ah!

ah!

Reponds en

S
dim.

y^r

PFP
/^
IQI
'c;

^
-^ XC
TT

ifea
"TV"

r^

:P^

^^

r^

i
i

tM:
soft
-

s
ly,

331
whis
-

3x:

p
Come,
Ah!
ah,
re'
-

pring of
trop
::s:

love!
-

come
ponds!

dou
\)' !'
\

te

se

rait

cru

el!

3^=f

ac jc
^"^

^sgg
32724

i^

TfTf m

^ s t
cresc.

S2

711

"fi
1"
to

i\
My
ce

\'

me!. toi_

^^B

^
te
thee!

^ frff f^TT

^
coeur_

heart,

sweet maid, calls

^
dim.

P
to
-

bru

lant

d'a

-fit^

*y^

dim.

?
^
O
La
mour!

^^m
^^ w
?!*
er.

^
#
i-^
-

come, the nuit de

^
-

^f P^
?^
thy
flight

?
shall

3X1

night
te',

cov
vol

sous

ses

longs

^
fvrr?" ?
22

Ei

i'/'

FFT
IZZ

,J

rrr*^ #
122

?
When
Pour
all

?^
dreams non at

^
shall

3i:
be.
-

save

rest

les,

nous

an

ce

son

re

tour.

ffiEEfe

^
^

A
r

^^
ii^
When
11

rr^
Wv
brim
les

r^^^^F

^
15>-^

#
love
ci

hearts with

are

mmg
e'

^
o
-

ver,
les,

nest

que

toi

l-V

2Jt=:=K ^

jjzJ

L
'^i=^

^
22724

Wf^^
:22:

fe

H^^

fcr

i
And
heav'n

^^^^^
a

->s-

lone
ciel

^
to
d'a
-

83

is

there

see.

The world

is

Ces yeux

du

tout

pleins

mour.

Vols

des beaux

'^^

^
1?

mr P^ W^
I

^j=^

g^^
^l:^^f^

I;

rJ

^
<SM-

1
pp
351 -Onight's

^
all

is

^-^
still,

and
le

in

m ^
S

soirs

doux

sa

-Ol

7*pt

TfT
Tt"
sleep !.

^ W^
arms
phir,

Tout

-o

^
things

^
311
mir.
cresc.

Trt

#
jz:

^^
va

# Tny fvfTy
SM
/-^ia-

dor

Oh Oh

i^^
pp

*
cresc.

5
/7^

come!viens!.

im

/T\

^
22724

Jf'^f

^f

if jf
dim.
-1-^:^

Wif
::j2i

TfTf rfT
r\

^^E^

331

31_

84

Poet and Critic


Nachtigall und
English version by

Kukuk
Cesar Antonovitch
Cui. Op. 57. .\9

Chapman German words by


Henry
L.

(A. S.

Pushkin)

G.

22

Esbeer

Andantino

(J-

J) =72)
tr

Piano

\th

"^i.

J._
sing-t

i,.

i,
are der

j
Stin

i
and late ger dunk
-

^
the
ler

When woods
Es

dark

^^
hour,,

Nach

^
A
im

p
-

f
lauds,

irp
the Spring-

min Wald

^
tide's

strel

pow

er;
te.

das

Lob

der Friih

ling-s-mach

22724
Comiris-ht. 1911.

bu

O.

Srhirmcr, Itw.

85

iliLETii:

^^^^
The Doch
cue
ist
-

mf_

koo
der

then

Ku

comes forth to kuk auch zur

f^

bel

low,
le,

Stel

P\hi

i^h

i>

j,
sil
-

i,
ly,

jl
chat
al
-

J^
ty,

Up
nois
-

fc

f'

p
-

p
his

r
"Cue
-

The

der schwatz-haft

ber

ne

y Ge

fel
-

low,
le,

And shouts

sel

und schreit sein

Ku

l"^ r"p
kooj'

^ un

"p
-

r
-

de
ent

terred.

ku

un

wegt.

p And Das

ir"pr^
scurvi
-

j"^'
Ech Ruf
-

^''

i
-

ly

does

o zu

serve us,
niit

cho weiss den

zen

M^
Jn

fr ?:"7ft

tr^^

% 5=^

^:^s
/

?^
m^

-r-^r

Ti
22724

i^i<i

t-

86

M
^

>

J,
For

jHiJ'
she
ro
-

p
peats
holt

p
him ihm

p~rnr
o'er

p
E
-

^'
ter- nal
-

and
-

o'er,
-

^
ly!

und

wie

der

im

mer

zu

zum U

ber-druss!

i.

n^

fc-^

^ ^
^i

5'
z:

n ^
h.

I
^^

^ 7

infH^i[:^L

m
mel
le
-

p
-

chol
-

an
(t^i

bore!

schem

'0^^1j

^^^
zzl

^
!
--}

Ku

ku.

J.
m,

j^y

^^

'-^

f y

If

V V

^>

^-

22724

To the memory of my moti.<r Julia Ivunovna Moiissorgsky

87

Peasant Cradle -Song


Berceuse du Paysan
English version by

Henry

G.

Chapman
b}'

From

the

drama "Voyevoda," by Ostrowski


Modest Moussorgsky

French version Hettange

Adagio
Voice

(1865)

Piano

P
^M ^^=^
m
^^=E5

^^^
By Do
-

^f-d-

J
sleep,

^J
my
bel

JQ^
pret-ty boy,
et

bye,
do,

by do

bye,
do,

mon

beaug-as,

^m
p

<i

J-~j\,J.d^
r=

~j\

rr^^j^jT}

^r

p^
?

^
r

m ^r
p

^
p

= ?

i
t)

^ 2=z
Sleep,

little

^^ E=S^E5
<^
'

^
babe.

By Do
-

^ ^
bye,

i
-

one,sleep, thou

hum-ble

toil-er's

Dors,

en-fant,dors,en

fant du

la-bou-reur.

do,

by do

bye,

do.

^m
dim.

'^

5 aiza

^"i .

^
^ J

o 1^

iy:i2Sf^
r

22724

Copyright, 19U, by O. Schinner, Inc.


Printed in their. S. A.

88

^''iJ'i,

^'
In

^'

P
days

g
_
of

S
yore on

J^
lot

'

ii
not

i^
so

the bright-er

? tur

was

Dans

Tancien

temps,

a -vait moins

de

i^^'\K
\

yr
hard mal!
But

^
I,

now
-

a
-

?
-

las,

the
le

happy times are


long:

^^

oer

Main

te

nant,

tout

des longs jours,

iE

^^
^ * i
i;
ci.

?
And des
les

mf
#=)t
?^
have

^ ^m
Dis
le
-

Lup
tress_
noir

and
sou

^E^

3
grief

pair,
nuis.

we,
-

And
la

there's

no
se re

re

en

cru

els,

mi

nous

i te
*s

m^
liof
-

Ui
-

^
se re
-

i
ry
pit.

^ ^
tra

fromour mi
vail-lentsans

^3
^

^p

^Ir r"-'^^

r^^

^JU4>i

^%

22724

frLrtTj^

89

^lJli-l.

ff By,_
Do
-do,

J^
by
do
bye,
do,

Sleep,
raon

^^
my
bel

^
pret
-

ty_

boy,

et_ beau

gas.

te

S5 ^j

^i

ij

4 i

jJij jg r

^ 5fj r

i tt

?
Sleep,

E5
'

fc^
-

S
low
la
-

i
-

ba-by,

sleep, thou child of

ly

birth,
-

s ^ By

^
thy

Dors,

en-fant, dors, en

fant du

bou

reur.

Tu vain-

hands_
eras
le

lone

Thou
en

shall
tri
-

earn

thy

mal-heur

mant des

i
m
i^

i I
^

i^^i

^
own,
toi,_

^^

^
^
ry
so

bread, All thy

days on

lEe fields that are

bras, tousles

long-s jours, _

sur

des_

^m
sun
-

^
BE
shall

i
not

thine

QtLJ^ While
quand

P
with
le
fie
-

rays
leil

^m
dar-de

The hot

blaze,

terrespas a.

chaud

ra

ses

feux,_

,^
m
ZZlZi

=f

^^^=f

90

fefe

^^
the
hot

sun shall blaze.


-

^^
ra
ses

^ m
,i^

dar

-de

feux.

i ^ TI
fe

1^

^
dim.

i rr yg ^ ^
dolce

F^

5
J^r

p;,r

piuV w=^^

^^
i,N
'
l

^r
Now, Le
while
sleep
-

riE r
63-6
-

g
lids

"
en
-

r
fold,

doththine
fer
-

som

meil

me

tesbonsyeux.

fetf J n

I
E

m ^m^^k

^m
^
a
wa}'

^
s

te
.t

abse

^ a
vo
-

i^

^^^
Thy Ta
souldouce
'

^
far

^^
from
sa
the earth
lee

w
may
aa

ame

pris

9?^
22724

4=fe
-H

1-

91

#
'i

S
fly,

loin.

And No

3'et
-

the_
Sei

^
-

ff

[T

'i[7

r>
nigh,
toi:

J'

J'

J
o
t'a
.

>^

tre

Lord watch-es ev - er gneurveille au-presde

An-gols
L'an-ge

ver
cou

i
ben suonato
\>m\

i
y

>
I

II

''g

^i
rit.

^^l
1^''

^
I
1

UH poco

^ g
5
their

a tempo

^*
S

^ilil ^^^

J
thee

[T

r-

^^'

-'^^
gold,

^
spread
de

*5
of gold,
-

vert

spread their wings de son ai

of
le

wings
ai

dor,

son

le d'or.

/^

'^ ^
dim

is:

^J
=f =f

/?\

;t

ppp

^^
22724

rf ^

92

Dedicated toV.V. Stdssoff

The
English version by

Beetle
Words and Music by M. Moussorgsky
No. 5 of the cjxle," Nursery Songs'

Le Hanneton
Allegro non troppo

Henry G.Chapman

Voice

Piano

fe^

I'J'

r
-

^' ^
perid!

what has hap

^^

lOL

s
-

^
#

Lis- ten, Nur

sie dear!

"}'> ^

p
In

^p

J'
I

p
was

iJ-'

i|J^
|

p
the

^p

i'
by

p
the

^
birch-tree,

the

sand there

play-ing;

in

^N
nrr^z^ p

S
^*

gar-den,

:e

^
tzr
hous
es

^
-A

^^
[>^

1?^

^
-

^
I
^-

Build

ing

with

my

pret

ty

1^
-^

i^ S
c?_

ai

P
2272^4

-o-

^
Copyright,
19ft, by O. Schirmer, Inc. Printed IntheUS. A.

93

m
blocks
of

jc

iz?z:

ma

pie,

those

Moth

f
s
*:

fT-p
^:?L

)ClL

^
^
-

er

made

me,

*
-J

^?L
-iS#

-O-

U2

^
*
dar
-

r
Moth
-

ling

er,

and

so

nice

ly.

And

my

^
lit
-

tie

^^
^^

^m
^
'

PP

a9^

r
i

^^
roof
on,
just

house

was

fin

ished

with

the

like

an

\,

fV%

E^
#^

k
^ *
#^

i
^-p-^ f=f %^%^

.>1

^3

^ # ^ ^

^^
f>
real

one

Ah!
I,

^^
cresc.
ZZ12i

3^EE=^

i^^
2i^

^ILU

94

^
bee
-

tit

^^
^

"r
^

i U-

^^^
ji^Jbi ^il^

g
i^^

S
*
j^

-li,jijji

j j^ji

_ ;j[>Jl'i^i

:i

J^
?
the

W
light
-

^
XT

J
roof,

ed

on

So
^-^

Ue
=^

il

^
j>J

^^

S W^

^^^^^^^

^^^^^^

"^^^^"^^

i
I. ,

*
And
reached

*
out

*
his
feel
-

g
ers,

,.^>

Iw

^^

^
P^
fe5W

^=
izlfra
fe

*:

F Ji

^ ^ll

SS^

/n^^

2724

1^

Y
hor
ri

r
biy,

r
and
stared

p
at

r
with

me

fc* ^
cresc.

*st^N^

W^

Wf

/-

# Wi

-p

^^

fierce
-

:^
ly,

buzzed

And

he

spread

his

')
b

ti

^^

-o-

T~g^^

p
i7t>

Tttt
V%-^^^%-WV^-VV^^'V'^^V^^>^p^

^ B^^^i^^J^ ^
cresc.

=5

ITTT-

22724

96

*
,i

irrr

SE
out,

s
and
then

-W^
n
'^p

\hp

wings

he tried to

grab

me

^ ^S
yz _

j % ^ ^
i>^
L

~~JTJ^V =rzg
[,cF.

J^JJ^^^^^^
#gaii

=;l

/
^f^-

tm^^^
^^^^>^^^>^^V^'%'^'V^^V^.^

irrr
*?-

f\ff^

/,

t.

M.jl

jl il
I

l1

5
and struck me

i
my
fore
-

Then up he

flew,

head!

pp

F^Ff
I

held

my

^-f
breath then,

\ f-

It
kept

|i

Nur

sie,

still,

t^^ ^
Jt?

ffl

M
S

W^

^gi

^
i

dim.

i
yfraid

^
r
move

P
to

r
a

V
fin
-

^P
ger!

P
But

P
out

p
of

^S
just

^
ej-e
I

one

peep'd at

22
i^i^

^.

.|

"

!^

22724

97

s^

V-

m
\>

him.

= And

P
Nur
-

J)
-

J)
think

J)
of

J)
it!

sie,

Nur

sie,

rs

IS

i
r\ =#s

liF

ii(

i'

p
his

^P

^'

p
the

1'^^'

P
tie,

>iJ^'

p
-

^P
still,

J^'

p
all

^E
p

1^

On

back there lay

bee-

ver

with legs

droop-ing,

l>,

^
s
-

fif.

p
It

*
"f f
!>#

p
f:

1^

move

his

feel

ers.

and

was

not

buzz
23C

in&,

i^S !^
^ r

s
M

* ^
J2JQ_

-^

S
82724

_a*_

O-

98

*
,#

?
just

P
wings
were

m.

his

wav

ing

gen

lly.

Was

he

^^ P'^^^
i2?_

^^ P^^^
<i?L

f
r
r

T
^r
,|j

3 i
cresc.

e:?L

J
dead,
then?

^
Or

:
pre
-

just

tend

ing?

:
g

^3
r
J)i

P
n

J^U
f #
^

s
zz:

^
Nur
-

i
^

?
Tell

me, how

was

^
/

313. 3

r'
-*

p
22724

^^

^ f' ^ ^
that'

^ E^3^^

Do

tell

me.

sie,

TDrm
-

w-

99

fe^

P
a
-

P
bout
this

r
tie!

'
I

r
The
bee
-

m
tie

bee

^^
:i

^?o-

i
"O"

^ JEEE3
struck

r
but

r
fell

r
o
ver!

me.

he

I
\,

f^'

"

'

^m
s

gElE

^^

^^
r\

dim.

ritard.

#
Tell

f
there,

T
poor

"
I

r
bee
-

r
tie!

me why

he

lay

^
^
22724

ritard.

d ' d "

7-

d\> '

" d

y.q* ^ *

^
i'i'

is^ J^H^

100

A
English version by

Child's
d'

Song
Enfant

Chanson
Henry
G.

Chapman

(L.

Mey)

French words by Hettange

Voice

^
{''
>>:
tti i ii

Modest Moussorgsky

Andantino tranquillo

t-hil
In

^^

'\
|

.-^L_^J^
in

the
le

vale,_ oh!

the
le

val

ley,

Dans

'-!

I'i

Piano
j.

P
r

^
tie

^S
r

val,_ ah!
"i-

dans

val

Ion,

-J

r r

^
$
cresc.

P r

^s

iu
1

r Grows
a

r
a

LS
lit
-

pous

se.

la

'-'
J'-'

p
r
i^

^ i=^ ^M
ber
-

P
Ri
-

'ir^^
pen'd so
-

ry,

by
leil

the
la

mu

re.

Le

P^

tt

4 f^r^ ^
cresc.

u as

f
p

^
ers.
sc.

sun

ny

hours,
ro
-

Glad-den'd
se.

^
du

S
b}'

TT^n^
show
ro

the

fait

Lean

^m
j

ciel

Tar

ajji-L^j^
^

\d.

Il

i^

rite7i.

^^
22724

V
&:^

tfi

^4_^,j^y^ E

Copyright, 1911, by G. Schirmer, Inc.


Printed
In

theU.S. A.

101

u ^
a tempo

^
In

s
the
le
lit -

z^
-

tie

cha
-

let

Dans

clair

sa

Ion

jH^^^V

n
f

yM

j,

mm ^^ m rrr ^ ^^
'-i

E#

cresc.

^m
PP

p
r
Lives

r
a

l;

J
ry,

un

en

maid -en merfant mur- mu -

Whom her
Son

^^
pa

fa

ther spoil
I'a
-

^m
-

eth,
se,

re,

pa

pai

m ?p^ ^ Mf^i-^ fW
n^
r^jr^j

P
cresc.

f^

p^^m

r\

f"^-

m^^
n\

p
"p
For Sa

riten.

whom moth-er ma man la


-

p
toil
-

p
eth.
se.

bai

i
ZZliA

riten.

Up

t^

*
a tempo

^ ^

tt<>^v^

^m

^
1
pp
rs

10

By
EtiRlish version

the

Water
Modest Moussorpsky
No. 6 of the CTcle:"Where Ko San Shines"

(Count A.Golenistchew-Koutouzow)
by Kurt Schindler

Andante molto

cantabile con meditazione

Voice

Piano

^
p22724

poco

rail.

PfHiJ

fe^

^^
ii^

rays

in

the

floods

^
of

the

sleep

inglake;

^
f

r\

poco

rail.

iTs

k^

^
erese.

hh h

i'ia

w ^
\

:i^

If.

m
zitfilt.

f
:b
:i-

dim.

^ ^ ^ jTJJfl:!!! :5::^:g:W::

9"^'

Copyrifrht.

hy

G.

Schirnier, Inc.

Printed in the US. A.

^ ^m
ttJ
'>'-H'

103

a tempo

Si

lent

^
it

1i
gaze.

on

the

a tempo

B
"e^

*ISE

VP
i

^
*

ft
f

j
|

l^llVtt
l

iJ
tide,

while

S
a

^f
lone.

s
-

wake,

^^ m * '^M ^^
4M4i
ff

'm

w-

m
P

fffti

i|

#
i1

s ^ I ^
4fa5
Vftfllji
l

^
in

t
l

'

ig

And

my

soul

strange

fore

f W

=S;

^^
i?P

^ 1

Ito """

i
bod
-

r
ings

"P
of

=P
fate

rise.

^^^^^^^M
^te ff
82724

55

P*

I^^T^J^

104

^
Soft
i , ,

^
Iv

^^
the
rip

pies

are.

a?

^^r
i^:?

cresc.

'i^kj ^

;> ;> j>


flash

j>.
r-]
in.

9^:?

g^*:

g*

> ^
\x\g

j
sil

31
v'ry

light,

^M p

^s ^
On
balm

dim.

^
*
breez
es
there

^
3
cresc.

^m

If

i
#5t

stta ^^*
^
bles

^
i
ma
-

trem

gic

spell;

^te
^to
22724

^'
s

^^m r^^
-s;

*#*^^#^#^^

^f^f^f^r

105

m^
(^
P^
p

con dolore

M
of

Dreams

sweet

pas

sion

the

if4

i-^si

m
cresc.

i^

dim.

Ow
J
ijj'

r\

^r
ze
-

'

phyrs

^ now
i

i^r seem

J
tell.

to

iM s
And
voice

from the

^^
in
fi

i
-

nite

Efafci ff

t<ffl

['

*
with

calls

my

ste

rious might:

^^

i
jjjjjjjjjjj
22724

106

i ^^
ya

poco a poco cresc. e

accel.

^F^
bound
lis

^^^^^
ten,

Spell

en

1 hh y
^
\

^
by an
j

thrall'd

it"ii

Ki

j.

i*^

^
'

^
un

known

^
g

r\

fear,

/C\

,^fe p

ij^^^ili^aia^ ^^^jjjjii^i^^
=^ E
If
it

g
should

^
bid

me

stay,

#=^ E^=^

B=

i
^7^ ^U
/^
i
i

^^
$
ito as

?'/>P

J^-j ^j-j

U^ ^l
I

'

j-^"^

^W
j)i'
iF
it

Then

could

^^
neer
de-part;

Bade
/7N

me

=:

3-

^^

^^

,r3

^te ^
2272 +

^^^

2?^i?i

107

fete \n\
hence,

i^=r^
should fly

r\
-xh

With

wound

s
-

Efe

ed heart;

t*^

%M

r\
^

Called

it

to

Y me

p "^r
I

"~r^
should

it^
in

bJ
the

^&
g^^

plunge

i=k
I'
poco
rail.

fl

I
a tempo

i g;

te ?

w^mmm nrcrrtiTcrr
-J::

i,J^^^

22724

108

Divination by Water*
Eng'lish vtT^ion by

La Divination par Teau


From
the opera"Khovanstchina"
Modest Moussorg-sk^'

Kurt Schindler

French version by Hettange

Andante

(J zao)

(composed 1875-1881)

Voice

^fe

Mh-^
Piano

:s:

-0-^

P
.J J

fff
^

t^
li^
i
i

:33

ffrw
ff
r

'i-m

J
'TT

^m^
TT

TT

m
I

r\

f
Jv
Spi-rits

>
of
-

P-

J^
Hid
-

V
den

h^r h
be
-

neth- er worlds,
piits des eaux!

low the floods!


sub-tils!

vous, es

vous, es-prits

^ ^

r\

W^
IS

-o-

^ ^

~W
ZSXL

if.

-o-

*
ilaji i
Deep
dans
in the
le

m
f

i
Bound
by
-

ff

ma-gic spell
loin

dark and void!


no -ant,

^
E
Hear!
je
I

call

ye!

Ma

ues

per-dus au

#^^^#^^^=^

^ im

noir

vons

man- de!

^
r

s
./

-O-

r\

tfe

f
PP

^
22724

iTr_

?1

*'Martha, a young woman of the sect of the "Old


water, the fortune of Prince Golitsyne.)

r=?
Believers',' giflerl

i ti
with second-sight, reads,
in a silver

basin filled with

Copyright,

1-911, by O. Schirmer, Inr PrlntedlntheU. S A.

109

J''"'" ^J

J',

^\J-'-

i' J

J-^

V^^i^^^
des
ti -

J''

^'tf^'-

^'^
-

Poor, per-ished hu

man souls!
noy-e's!

Vic-tims of
Tris-tes

ny!

Ye

that to

mor

tal

men

Pau-vres hu-mains

es-prits

de'-chus!

Vous qui pou-vez

tra-hir

w
XSI
rjfSi

^
fgl

^fe
i
^

fgl

r
/Tn

P
i^

A in
U m

^^
Fate's

J'

^^

g
^^-

tt^
be -tray,

se-crets can

Hark

to

me!

Tell

i) J) tfi^ me what life will bring-

tous

les se-crets

du sort,

e-tes-vous la?

De r\

i^j l\
^
poco

f
P

^
^

ce sei-g-neur trou-ble',

p^^
fil

^^
-^
e'-meut,

Gh'

I
i' i)
in the

^
lot.

*ft

ft

W-^,
Un
-

i^ J

'

u Jl
-

to

theproadBo
bo -iar

J^^ Who
iar,

^^

W^gi
et

^^
What
quel
e'-treint,

grasp of fear Dread-ethhis fu-ture


que la crainte

de

ce

fie-vreux

que

I'a-ve-nir

W
"TT"

^
3a:
3ce:

^ft
32724

Il

fi

no

4^h

p->i
fate
is

jM
his?

est

le

sort?

m
poco
sf^

4
PP

^
.sf

dim.

t^ tit:

=^^
k
f

m-JjL m 1 m

-:^^^

^~

^
Leau

si^i)
Lim-pid
the

^--Uj^
and
crj-stal clear,

^i^^Ki^fl^
Yet 'neath the sur- face
I

wa

ter

est lim-pi

de conune

un

ciis-tal:

El

le

bra-sil

le

de

te

t
sf^

w
p
PP

^
s

p
3DC

poco

mrrri
t
flames,
lants.

156
7

.7

^
Prin
-

HI

i^t-

J.

i^ ^^^^^
see
feux

^
Prince! See

g-

J,-J._>^g
wa
-

mys
e'

te
till

rious
co
-

the

ter- spir

its

Jl

poco

^
.? .?

te!

les-prit des

eaux

12

^^
22724

^^

l^U M
7

^
31;;

^ fl

PP

i
haste

^
to

^^
my
sum
-

^
-

j^
Prince! thou
Pi in
-

Jl
art
tu

i'

i
to

fe^

i
learn.
-

mon - ing:!

now
va

en

ten

du

ma

voix!

ce!

sa

voir_

*:

i
1-

72.

^m^
.?

rai
3x:

rm
EEiS
treach'- reus

721

\ ^ ^
,

p
of
thy
fate.
-

(sinister) (Sinister

All
les

the

se-crets
-

A -round
Je
vois,

thee

see
toi,

mys-te

res

du

des

tin.

pres de

des

^^

^i

^
TEff

i
i

*^EE^ "
r
friends,

p"

iN^^^
thee now;

fe
I

tiJM^-^^
thee,

mis

who mock

yea,
je

see!
vois..

Theydraw near- er and near-er


lis

aux yeux moqueurs,

les

ap

pro-chent plus pres de toi.

^
p=p;

^^

^'^

cjcrc^CLf

^^^g

^^^^^s

22724

lis

^
iJ;

accelerando

furg-ing")

*
Prince!
Prince!

^
ha%'e

^
barr'd

they
ils

the

way
lo

to

thee,
-

te

bar

rent

die

mill,

^^
f
accelerando

^^^^ft^^
^
::^"'=f=

r^u r ^

S^

i?=

r=^ p

p-

*
They
ils

s
sum
te
-

^
mon

r
to

p
a

Tr
long,

p-

p
y
loin
-

thee

wear
te

Y jour
tai

^
ney.
ne.

font voir

ne

rou

m
^y^
^
ki.
aece/.

r^w-^ f

^=^
r

1
-i)

^
^
I

^i

ti-

^^^^^^^^FS
^i^
Jv
see!
vols!
I

Ji
see
s
e' -

r
clear
clai
-

J
I}-!

^
Look
1^1

^^
ye!
-

Now
Ah!

see!
vols!

je

je

tout

re!

in

ce!

ace el.
tr-

^f

^f

^f

^
i^

P{^'

p^^'
in

^^
22724

if

^
=

113

^
p
'

Tempo

tratiquillo

^-

?
In

^ ^
shame
noi

and
re

dis

grace gra
-

be
la

La

dis

ce,

M^
tranqutllo

?
1^=^

1
V
I

^ i f
S

'

U
te

^m
i
IMI
s^

p
hold thee
-

p
In
I'e
-

r
ex
xil

p
ile

^
a
-

ifefe
lone
in

a
dis ter

tant.
re

hon

te,

so

11

take

en

loin

^
coun
tai

p
try,

^
De
I'ou
-

i'
spised
-

i'
for
-

n
g-ot,

i-

j^
all

and
le

where
la

ne,

bli,

me'

pris,

dou

Iti f

1
r
r

M. r

P^ i^
22734

WW^

t^L^^L^

lli

s
thee,
ver,

^
Nei
ni
-

w
sard,
ni

s
will;
-

s^

^
wilt
t'f
-

^
strive,.

ther chance

nor thy
vou

Thou
tPS

but

in
-

ha

loir:

foits

se

rent

28724

^ *

^
,

115

S
hun
-

E
and
su
thirst,

p
Cru
le
-

^
el

r
want

F
shall
le

p
be be
-

Prince
dois,

thou shalt
sei

ger

gneur,

bir

mal-heur,

fe
thine,

^P
Thou
et

^
Ian
-

M
suf
se
fer.

i
Through
Tes

shalt
I'a

g-uish

soin

tro

ce

and mi

re..

5^

S
^ 1

r
B

f
g

r
5

r
S

tears,

yeux,

through sous les

$ f

^
burn
lar

f
Thou'lt

F-Pon en
the
-

ing

tears,

look

U^r^ IS ^^^
f a

U i

mes

bru

Ian

tes,

vont

tre

s
'

a ^
world,
voir

^
>'
I

J-'
its

i
sor

i.
row!
de.

Know
ce

ing quest

le

men

'^.

116

Death and the Peasant


La Mort
English version by Kurt Schindler and H.G. Chapman

et le

Paysan

Trepak
(Count Golenistchew-Koutousow)

Modest Moussorgsky
fiSTB')

French words by Hettange

Voice

PF^

Lento assai,tranquillo

^
in

No.

of the Cycle: "Song's and Dances of Death"

Snow
Bois,

^i

-?-

fields

si-lence.
plai-ne

^ So
s'al

^
cold
Ion
-

^m
the night.
-

is

champs et

gent de

serts.

Piano

^
the

:3I

S
'/

^
^
-^^^-^

i2 ;2: 9z

rs

W^^^^

PP-St

S^e

^ raij

Ti^
!X

UIJ
:
ing,

t *K>
J

^
la
-

r\

^
And La
ra-

^
i

m^is
s'e' -

^^
sob-bing,
has,

cj'

north -wind
pleu
-

wail

fa

le

re,

ner

ve.

Bro-ken-ly On di- rait

^
P

f=^
r*^

Wl
^
a

^
ghast
I}-

-(^

^:

$S

^
as
la

P though
-

^
dirge,
nuit,_

*
O
-

ver
tes

the

^
a27;i4

bas,

dans

la

plain

au

^ ^"
r

J^Ht^^^
-^

.j2

fp

dh.

jjjy'

V-^

r^^^

^y

Copijright. 1911. by G. Schtrmer, Inc.


Printed In tbe U.S. A.

117

i s^
graves
pres

^S
it

^
chant-ing.
torn -be..

^^
Lo!
oui!

ii

J^
be
ce
-

"*
hold!
la!

was

O
C'est

d'u-ne

^^
2fp

-^

J^ ii
^fp
m-'

rf f
a poco pill mosso

_.

_^

p poco

m.
Through Dans

^
the

night

^
nuit.

^ LITLSr
5
p&ir pai

strange ange

P
ap
-

^
proach
horn
-

es,
me...

la

un pauvre

^
poco a poco piu mosso
')--

^'

i
^
old
-

^
L-LT
p
le

i' r

llJ^

i'

>

LXr E-LT L_r!_/


'

Death

f^
holds

p
ca
-

E^5
his

rfast
in

an
I'e

peas - ant

clutch

^^
-

h:

es.
se.

La

mort

treint,

res

2=B

d i
Ji V

J-

^
U'J' g

^
22724

iJ

^^^^^

LiTLJ

L-LfLJ LXfLJ LZFLJ

118

d d d m m m m m

poco

rail.

S
Songs En
at
lui

^
his

5
ear
-

S
is

^
sing
-

Death
u
-

ing:

chan

t.int

ne

ron

de:

fe t^rtit poco

\*

^*-

fr

rail.

WT
P
'

'

jjjjjj-ij.

771J77
JO^
with a

JJJJJJJJIJJi^J.^^
P
J^
'

'

Allegretto moderato e pesante

i
"He3',

poor old

Jw #

J
man

J
head
so
light! .,...._

pau-vre vieux, pau-vre vieux

sans

a
p
v=
b

^)y

l~lt
K-

ju
J

^^ ^m
>)>

Too

much you drank


il

f
a

U
bu,

J^ i^ :
on the
il

S
te
-

te!

Ah!

r-f

aiS
'

EE

-w

(a 3 battute)

road
bu

to

f^fE
night!ll

And
Mais

the
le

lash
vent,

ing
la

^^
nei
-

^
set
3"our

snow-flakes

head
vi
-

en

i''-i\t ^-7

S
rou
-

te!

m ^^^
227at

"/-

ge

tour-nent,

rent,

m
'^if-

!>^

tac

^
reel
-

^
you
le

i
-

^
stray
-

^
rent

iai

ing,
tent,

That
ils

went
ch^-s
-

^
with
loin
-

a
sent,

out

sense
sa

^
or

119

feel

ing!
re!

vol

ti

de

de

meu

feEil

kfZ^

f
^:

i
IZIE

i ^

^
a 5 battute)

^^^^
^'

m nf poco meno
Were
Ah!

^ ^
mosso
so
-

^
and
che

you pau

bro

ken by
il

want
-

and
si

sor
fai

row?
blel

Lie
Viens,

down
cou
-

vre

vieux,

souf

frait,

(a 3 battute)

^5
sleep,then, un
toi,
-

P
P^
til

poor Viens a
Oh,

fe
fel -

to

mor-row!
horn
-

low,

^^
let

my
-

thick
fer,

white
voi
-

en

dors

toi,

bon

me!

moi! Pour

te

chauf

P^

h 1^

^
f

^^

^ ^
Let
the_

^n. j=^ ^^
^

^=a

P^
T

Ti^
T-

:j

^^ :^ M

T-

fe
blan-ket
ci

^^
warm
nei
-

^
^
-

you.
ge,

snow-flakes danc-ing
vrir
ton
corps, voi
-

round us
ci

cheer and
nei
-

charm you.
blan
che.

la

pour cou

la

ge

i i

22724

180

Ancora piu sostenuto

22724

121

Meno

allargando,

mosso
fe

^
Sing your
jo

$
ye
re
-

f
-

}'

J>

J
the
-

songs,
li

night frain

winds,

Storm-ing from
qui
I'en -

Un

dor

me

(a 3 battute)

23724

122

^
West!,
bien!
Till
iin

^
the

drunk-

en
re

peas
frain

ant

JO

^
^z

a
b

#
, ^ ii f p f
^-

%-;Lf/-^ t^^'fm ^^^ro^


fei

^^
is

^
at
-

at

last
-

rest!

qui

Ten

dor

me

bien!_

tempo

p^'^

battute)

i r

Hear

me,

^ ye

^
snow
nuit!
-

fields

and
le

bel- le

bel

3
2::

tempo

^^
fe
wind
nuit

/;

pp
m m m

77777]

J J J J

'il

^J J^J

^
-

^
roach
lues!

i
Hear
Oh!

fe

J
ye
-

J'^

J^

r
cloud
lui,

y
sans

me,
jet

banks and
jet
-

ne!

te

te

i ^ S
2272*

ft
4
d

^
f

1*^

*-&*

123
(a 3 battute)

~*
Turn
sur

stretch

es!

your
les

selves
bras,

to

lui

en

ha

te

I'e-

ife
s
f-

ft

swans
pau
-

down,
le,

Make
sur

a
les

snow
reins,

white
les

GOV

er,

jam-

bes.

=S5

W
^
tzz*
* > >

S
^
the

^
era

i
die

~*
I

And
u
-

gray,

ne

nei

beards ge

will
-

blan-

che,

ne

5^ g

^K

*_

^
draw

Li*

i/n rji
f
'

#
"*

*"
r\

?
it
-

^
o
-

5E
ver!
de!

man

te

lour

^
^
22724

i
I
riten.

m
V^

i4^H^?^

"y

124

Andante tranquillo
-49^^

-
friend
in

Sleep,

peace,
mi,

close your

^
en

^
eyes
paix.
for

Dors,

men

dors

sans

:#

^
pp

^
-

^^^g
k|
^
J''

^
i

:^a.

^=^
a tempo

IT J-:
-

^
Spring-

ev
Grain

er!
te!

comes, but

^
ve

Vui

^
f
P -^^

e1* m
^jjjjj
?
^

piu mosso

rail.

(;i

^^t
J J

t
J J
^

^
I

m
J J J
J-

ff

tempn

^
you'll

fc
it

see
les

nev

nir

beaux

I
3

^=^

^
P
-

er!

jours!.

pin mosso

^
P
J^

rail.

r-^lif

w^
g

>#

<*

>

jjjJ JJJ

^^
P
^

F-^

^
t
22724

a tempo

Soon
Sur

^ ^^
the

J^
up
-

J^

ii

J^
smile;
bles

^
__
>
;^

sun
les

on
sei
-

the fields will


f^lcs

grands

et

les

*
pp a
trrnpn

i i 5
5

S
5

125

^
And
clair

the

T peas
leH!

ants

f come

^ ^m
to
till

soil,,

the

so

Tout

flam-

be!

Bg^ M
m
To
Et

m ^m
5

m
-

the
les

cloud- less
chants
s'e'
-

skies.

mer-ry larks a
dent,

rise!
joi
-

pan

re-di-sant

la

e!

* m W"^^^

P^^
3

^?F^
3

fl.

^^
'O
m.s.
npj)
'

^
/"
^-

ritard. ^

ffn^

^jT
i^

a tempo

J J J J

J J J*-^

J J J

^^
a tempo
lS^
^

j"^

r^

^
22724

1^

^.

,t,J

3.

JT3
i?

^19-

ritard.

i VP

is:
"sr;

rsr

llVt

Ff

186

Marthas Song
English version by

Chant de Marthe
From
the opera "Khovanstchina"
Modest Moussorgsky
(composed 1875 -i88l)

Henry

G.

Chapman

French version by Hettange

Andante con moto

lamentoso

(J

=90

Voice

^^fffFirm
=i
Tar^

i=>.

Piano

^
i i

pp
^

P
1

f^t^
J r J

f r

J r J r J r

^
^
by
de
night
nuit

rj

i*

M
fe
:

J
by de

J
day
jour

S
I

And
Et

and
et

fare

je

vais

^
i
O

j-

m=f ^

^
mead pres_

^^
J

5:

:&

:?z:

P i

ver
les

3
C3
-

^
ow,
verts,

-o-

moun

tain
et

and
les

ver
les

moun

-tain and
et

par

champs

par

chumps

les

%^ r^
^m
22724

=*

J J
A
zzz:

^
r

^
-^rr.

t
zz:

-&-

^
ffilf,

n:

Copyright,

by G. Schirmcr, Inc.

27

*
<y_
,

poco

riten

3
mead
pres _
ow, Thro' the
verts, parles

? S
woods
bois

i
o

and
et

ver
les

the ter
-

burn
rains

par

ing sands, bru -les.

a tempo

On the bram-bles Aux buis-sons j'ai

?
IVe
grif
-

i
my
hands,

torn
fe

Worn
j'ai

^^ i
my
sur
le

feet

so
sol

mes mains,

they u -

:t

f.f

a tempo

-tJk

> > > > >

s ^

^^P

j^-J

'^

^
I

^^
scarce
se
will

move, mes pieds.

Ev
Tou

_
the

~o

^ i
love. Yet
-

er

I
-

seek_
chant

one
bien

jours cher

mon

ai

me, je

n'ai

-GH

^
r jH

E i
r

if:

m w ^^ s ^m
/(oco riten.

rr

^^^
find

i
not

=E
him
trou
that
IS

dear
traits

^
""ST to

i
me
ris

pas

re

ve

ses

che

i'Kf

g
/?oco riten.

g
s
r

3E

W
22724

iiJ

i^E

128

a tempo

""*

his
-

i ^
pal -ace
I

<
i

r
Ah,
je

r
I

Once
je

to

dared
son

to

go:

crept there
glis
-

so
fur

m'a-ven

tu -rais vers

i)a-lais:

me

sai

fc^

,i

tempo

Nil
J!J

ir-

^y
<

> ^

i 3EES

W"i r

pizz.

id
i
First
je
1

^
3
rapped
-

^^
^
i
I

i
fur
ti

?3

tive-ly!

at

his
fe

win
ne

dow,
tre,

Then
je

ve-ment.

heur

tai

sa

son

iU4

=t=^

^m
f

^
struck

^ ^
wh

i i*

m
ki

^
^
rjYfi,

^^
nai

/;o<o
->

3
ver
d'ar
-

3 a
a
tin

on du

the

sil

bell

blow;
tant.

mar

teau

gent

#i

=^=t
jf

^^
i
T

r
JO

P
ritrn.

if=^

^^
2273*

^^
pnvn

29

a tempo
-*

#-

Dost not Sou -viens-toi, sou-viens-toi,

i ^ re-mem-ber, my

i
Ah, Oh,
call

S
to

dear che

one?
ri!

mind

all

you
tes

sou-viens-toi

de

t'^fPff
ipp
a tempo

^
*

^^n
r

i i^
i
i'f
J

j>r

^ JT

^
s

i
-

*
ised me!

^
z^

I've

prom
ser

ments!

Of Seu

ten
le,

a
j'ai

lone

in

the

night
Ion

thought of

thy
tes

son-ge

des

gues nuits

'^^

JT

g JT

i'f

i
i
'-'^"

poco

riten.

^
words
mots
of
d'a

S
love

?
vows,
lants.

and
tes

thy

burn

mg

mour,

ser

ments

bru

4
J. r

4
P
joco
rzYi??*

^
i

a:

te

i
J-

i-i^j^

22724

130

Poco meno mosso


mistico

*
i

c?

two
les

:
ta

^
pers
of
(111

i
the

Like

Lord,
g-neur

Tels

cier

i=i
pp

^
3
I
-

ges

Sei

CL
-6-

TJ

W
E
Fil

5t=a

^3^

i * ^^
Thou
nous

^
shall

d
be

^^
flames
clair
-

s
c?

d
ven chil
les
-

of

and
al

of

light!

dren

Ions tons deux

flam -ber!

du

Christ dans

m ^m
-

*|iJ*J.

l,^

ri-

^
4-

J5 SS
-G-

r^!

s*^

fe#=

S
i
tJ

fc

~S^
Christ
la
in lu
-

^
ra-diance,Our
mit";
-

/;of(9 riten.

souls in their

fire

shall

be

^^
lift-od
s'e
-

on

high!
ront!

re,

et

dans

le

feu

nos

mes

le

ve

i-

I ^ ^ ^ ^

t
77
i9'

-^LA t E2 i^rn^^ 1

,^

J^

*.

S
82724

poco

riten.

^^

131

Tempo

zr~~ ^
False
one,

S
thou hast
-

^
love

zz:
-s*-

f g
ly
t'es

my
ni'as

be
ai

trayed,

Light
tu

thou with
jou
-

my
de

Faux
tr

mi,

tu

des

me,

4^
^?l=#
-On

2^

fr

tr

T-j

S
i^Ei
hast played.

1
t!-

4:

J"^
f"

Ip

^
But
tu

^
at

heart

the

time
-

is
-

hand
tot,

to

show
-

the
la

de
re

mon_
tr

mour.

con

nal

tras bien

cru

el.

I
TU

1r

tr

tT'

,i

E
^=^=^
^f-

^ ^^^
.

^
f

maid,
mort.
^

#f

r^

r
^
Rus
sian
est

allargando

^^
ter

mined
le
fil

faith
le,

of

a
le

true

bel

dent

coeur

tr

^^

tr

i
,1
allargando

fe

i^f

P
f"

^?=^
-^

^f
22724

^J

r^j

:^
;>

^r^=^

^.

132

Dedicated

to

Alexander

S. Durg-o/iii/zAfii'i/

Cradle- Song of the Poor


(Berceuse of Yeromuslika)*

La Berceuse du pauvre
French Words by
Hettang-*-

(Nekrassow)

En^rlish vprsion

hv

Henry

G.

Chapman

Modest Moussorg-sky

Voice

mm
il"''

Adagio

^^^^^
By- bye, by Do - do, do
t^
-

bye!
do,

Piano

Jj p^f ^fi^Di r r r y
-^h-jf

^^m ^ ^
^

^'

ms
i ^ W^ a
5

^^
\

i w^
|, J-,^j,
,

r
3tit

t J">
bye!
do.

J,

J,,

^^^^

By -bye, by
do
-

Lo\v-er

than the hum-ble way-side flowV

m
1^1'"

do. do

BaSjplus bas que I'humblefleurdes champs,

^5
3

'^^^

1#

@
Q

^
J>

jiJ'yj.
m3^
I

j,^J_<
le

i
I

J-0^
mon
I

J.J^^J-}
of lo\v-)y
folk,

5
.and poor
vresg-ens,

Bowed
il

-x-an'sheadmust be,
front,

If this child

de-vra courber

-van. ienfant des jmu

a 1 f
f.

^ i^sssi
Ili'

uT

'
tf

m
iZ~,Z\

:^
^
Jerome".

* Yeromushka means

^^
r
.'n

in Russian:'little

Copyright, ltO. by G. Schirmcr, Inc.


T>..'..... .4
.I1..TT

133

*i i^^^^
Is
s'il

=from

P
in -suit free,

PP

^=-

dim.

=>
-

/^

^
fc^
ppp

to live

By-bye!by
Do-do, do

bye!

By-bye! by

bye!

veut vi-vre sans af- front.

do,

do-do, do -do.

a s
1*

^
3^ ^ T
fe

^
*

= i iJi jfj]j irijj3 r r r r r r


t
ii

ff

ttJ^

J''''H

'i

^^

^*

^ iJ^rU S
7^H>^>-

p
p
le

"P
ble

f^

p
ver

^
T^
-

"^'
fore.

i
p p ^-i^
the
le
I

As
Tel

the g-rain must

bend be
se

wind,
vent,

qui

sous.

P ^p r p p Bow, my son, bend with cour-be-toi tant que

'

p
tu

g-ood grace;

peux,

^
p V'l
V

iz^

^=

^
*/

r=f *
p
*?^

^^ ^
p
iJi
i>p

[?[>#:
2!t2:

[?.

t>J^~jft

i
?=

^^^f=^^ !^

J'-

J)bp
bien sur, les

J^,
sure
-

p
ly
I
-

j_J
I

i,J>

J'i^^

lip

So some day
et

^J7^^

the g-reat will


ri
-

find

'Mong-st
te

ches,

mon

van,

for you a place, them -selves fe - ront_ place au-pres d'eux.

22724

134

^
^

dim.

'

N'

I-,

s .T '^^
-

J^
b^e!
do,

]'
J-,

.:a^--4i
by
do
-

^
HIjjJ
crese.

By-b^e, b}Do - do, do

By

bye,

bye!
do.

i
ffl

^ ^^
do -do,
^/w;

^
*

-a*
r
^f

^^

u^
tt^

Vi^

^^
.'^

ii

^r

iir

^
1

fe ^'

;
-

i'

J,

p ?

J^ p

^''

p
I -

No-blp court-i^rs ev-er


bles. pt

night and daj'

To my
te

^
i
will
-

van
c\

pay court,
li -

Les plus no

snir Pt

ma-tin,

fe-ront

vi

tos.

'[y
^

Ji

'y^ftjTt

N=#f^

a
and
-

i^
:
gay,
-

^V^.i"^"N>
La
ChP7.
-

p
drest
bel
-

2
in

^=i P
silk

difs
les

sa

tins

les

da

mes

en

sa

tin

i ^^=^

t
cresc

-e

i^

m
f

.!J

v'i7i4

135

^oU^
Will be his

^__^

dim.

P
Andmy lit
et

-^

forloveandsport;

tu prendrasdesli -ber-tes;

life will smoothly run, -tie I - vans de I'eau joy-eu-se-ment,ahah.'comineau fil

^
Like
ecu
-

Ji
a
le
-

J^

J'

'

^^^^
By -bye, by
Do
-

pp

thread

from spin -die spun,


les

!,

)!

bye!
do,

ront_

jours d'l-van.

do,

do

fey

j^pp

^^
bye,
do,

rs

By
do

by
do

bye!_

^m w
jpjyp

do._

r\

Si

F ^

^^^^

P
r\

\}U

\^

r
22724

136

Dedicated

to

Nicolai A. Rimsky-Korsakoff

French words by Hettange


English version by

Hopak
(Words by
L.

Mey, after the

Henry

G.

Chapman

Little-Russian of Shevtchunko)

Modest Moussorgsky
(1867)

Allegro
quasi pizzicato

Piano

k y

K? ^^5 :^^^5
y
K.y
:fc:3l

^i
*

1 su
Hi!

s^ ^
Ha!

Ha!

HoV!

hop! hop!

a m^
w/
F
I

yyy. * * ^ ^

h:^ =A^a
a
HI

h.

^
"f-

2fc

^^ f^^
I

a
9
of
-

^
W

^m
vf
2i:
-

^^5 i
^
a
d'un

.UJ

^fe^
the

Ho
Ho

pak!

I'm

Ihc
suis

^
wife
fern

au

pak!

Je

mo

Ko Kn

sak!

sak!

22724

Copyright, i9f0. by
Printed
In

0. Schirmcr, Inc. the U.S. A.

137

fi'ii'

^
Laugh
II

J
he
rit

n
won't,

peu,

for_ mais

he's
il

f
se

=it
-

J
y,

J
his
est

n
head,
his

^,"ii"

V-

J J J

fTj^
tff

^
.

to o_ crust
ri
-

Red
il

de,

roux

jus

Tnrni
#
sj

if

\cresc.

"^

^1'

i
*
bod
qu'a
-

*t
J
y
la

*
rust
-

i
y:
le...

rouil

Ah, my Ah! men

fate,

P^

sort,

my mon

luck-less fate!

Yah!
Ho'i!

tris-te

sort!

t
s

fet
Eh,
but

^
I'll

not
-

quoi bon

ver

*S:
y
m; ^/

K.y

^^^5
K.

b=b

mzzArmzzi\[

<

X
-/tfjl^ltfj,^^^

^
ev
lar
-

^^
z:

a lEi!
cry
ser
for

P
er,

>

des

^^

mes?
zzz

Go, Va,

my mon

y
friend,

^
lap

^
up
la

the

riv
tai

er!

vieux,

fon

ne!

\^

i=g=

:5

if

nf

;>L_

ZZIZi

138

^
fet

When
Moi,

the

tav

ern

P
I

shall

pass,

la

ta

ver

ne:

ii

s^
f

r r r i
I
l
:

J l a

J J j~w ' m m ' a

^^

^
S
and
le

^
g
?
a re en
gel ver

Tf-^TT

I:

I'll

step

in

plass,_
main...

^^^
'>Hii'i

pren

drai

f
I

i
p
I

J ^

'

* *
/^-

f'

* * _: y w

a 1 ?^^^
Then,
et,

my

^
friends,
sins,

i
and
trin

we'll
trin

drink,

clink,

and
trin

voi

quons,

qunns,

p-^^J-'-'^^
^y^TT
r r

1^=^

m d

9 m 4

m-

^
drink!
-

r=^
g
y
They
Je

^ p ^^
clink,

and
trin

quons,

quons!

M S P^
P

3=q

^^^ 4m m^ 0
jf

^
2272i

a
\

^
will

pour
rai

r
a

r
glass
for

s
me,
coup,

boi

d'a

bord

un

P^
#=

">^
/".

^:

139

ftitt

. La -

^^
ih

ter one,

and
un,

two,

and
et

three!
trois!

When
Et

^
the
la

ii

i73
I

S
to

girl

gets

up_
lors

go, va,

puis en -core

deux

.f,

i:
/=

G
tff'

femme a

s'en

^
'4
i":

^
She un

m
?

H J &
P

J^ ^ I
j.r l
i

!/

^
will

m
in

=E^

J
a

^ ^g^
man
sur ses
pas..

r
jeal
-

"^
'

jeune

have horn

tow;,

To
Le

her

ous

me

ma

ri

ja

I*-

t!

#
;,
,.

il^ #
I

^7
ks^3

^ ^
g#^
fei

hus - band's call Tap - pel lou x

^^
le,

^ ^
f

She

will
il

^ pay
n"a

mais

no quun

heed
pied

^ s
at
all..

de

nez.

^ni
-bi

i
->

h^

w^J
i
41
ni

~^

i
J-

-tk

-^

g ^^^
oui
-

ES

^ p
Hey,
Si

J'

my man,
je

^^^
n n
I
if

J
be.

J' See
tu

i'

^''

yours
toi,

M
23724

suis

monvieux,

that you

f^^
fl

^'

pro-vide

for

me:
tout:

Yes, Sir!
da!

me

dois pour- voir

de

=i=i

f=r

140

^"ti"

Get this
II

MM ^^ ^^
al
-

so

thro' 3'our head,

Chil-dren must
1p

tp

faut

soi-gner I'en-fant,

nnur-rir

bo cloth'd and fed! el le ve - lir:

ff
yt
ii

n
tf

J'

I fei
f f r

^
"r

Just

^
so!
oui!

oui,

/:

^
^
-

m
f

^s*

^^^ ^#
<

^=5

Now, un- less these things you do, Ou si - non, e - coute un peu:

^^
I

^5
rid

/
S
Tru
oui
toi:

shall

je

me

soon get pas - se -

of you:

ly!

rai

de

= !!{;' i ^f

M
T:

m
p J
'

^--

m
f:

da!

^^^ ^
Yes,

5^5

^
d
i'
-

p
-

i'
his
hair!
-

^
oui!

my
pe

friend, the
tit

ba- by's there,


la,

Wash
la

his face

and
bi

curl

There, now!
oui,

Le

est

raonvieux:

ve

le,

chon- ne

le:

O: S

dolce

S
Just

you
vois
-

mind
tu,

now
i)rends

Mais

what pirde

say!
tni!

Do
Ne

not

try

to
quit

vas

pas

f''tji'
p

^r
p

LJ

i
^

<j

y-y
22724

[j^

rf^ rr

^^^
S$

*-

141

fct
22
rock
veil
it,

i
feed
'

J
it:
-

Thai's
bien,

it!

le,

ber

ce

le:

bien!

1 ma
^
,'

^
r

>

>

< <
^^
i

^ u
-

If

jj j
i

jjj

Meno mosso
In

i
the days that
tre
-

now

are

"3:^* gone,

Au

fois

au

bon vleux

temps,

Days when I was quand j'a - vais

*
twen
-

ty

one,
aus,

mes vingt

je

would sew be bro - dais a

side

my
fe
-

win-dow,
ne
-

And when
puis
I'ou
-

all

my

work was done,


a
-

ma

tre,

vrage

che

ve,

22724

142

#
With
je

ij^i-^^^t^a cou
cr3'_
-

out

up
la

on_ the
rou
-

street I'd

rais.

sur

te,

je

^
cri

J^
call-ing,

run,.

ais_

Gai - ly a voix

hau

te:

^S

^m
04 a M w
Piu mosso

^
s

m
mon, Mi
I
-

f
zz

He^- there! Si
Ho'i!

Si

mon,

van,

fcfc

^
i
fcS:

4=

m. '/

*
que

chaeljohn! Mi-chel!

Get
ga,

j-our fin- est

waist

m
-

:zz

coats

on!
bits!

met-tez vos beaux

rT=g%

T^
^
1 I

"f
0\

a
"
I

ha

s^

i
poco a poco

^ st
f
r
and
que

?=^^^!^
Off we'd ^a, plus
hur
vi
-

m
-

accel.

ry,

shout- ing, pranc-ing,


I'on

r To
que

r
the

'^

J mu-sic

^^
the

dancing:

te!

cau

se,

Ton

dan - se,

Ton

chan-te:

^
^^ s
22724

*ft=#^
32
Hi!
Hi!

J
Hi!

Hi!

HoY!

HoV

HoY!

HoY

S
F.
1

/=
!i

<

I H
I

^^

i^^

->fz K

^*

t*

=i:

A^
fct

Tempo primo

p^r
ha,_
hoi,.

r
ha,
hoi,

r
ha,

f'

Ha,

ha,
hoi,

ha,

143

^
ha!

ha,

the

Hoi,

hoY,

Hoi!

hop, hop,

au

Ho Ho

pak!

pak!

V^"

U
\-'

k
i

ak =3^=1:

bt

h
32
'/ w /^

"^^

1,^

m
if

m:

sf

i
:zz

i1

fet
I'm the
suis

s
of
-

^
Laugh
he
rit

wife
fern

a
d'un

Je

me

Ko Ko

sak!

^
for_ mais
y.
le.

won't,

sak!

peu,

*t 1
-#

fc
-#

h ^^ < ^

k ^=^
if

13
if

T"^f

ifT

i
J

5 3

tet
he's
il

w
se
A

=
-

J
his
est

il J]
head,
his

^
bod
-

too_crust

y.

Red
il

y
la

rust

ri

de,

roux

jus

qu'

rouil

fct
d 4

P =* =

'

i
/":

^
/T^

^
'}=^

^-J-^^fr

V 9

^-^B

^^-^
Ah! Ah!

M n
my
raon

r
fate,

JJ
tris
-

^
te

r
Yah!
sort!

1
Hoi

sort!

my mon

luck-less fate!

23724

144

The Siege
From
English version by

of

Kazan
Godounow"

Varlaam's Ballad
the opera "Boris
(after

Pushkin and Karamzin;

Henry

G.

Chapman

Modest Moussorgsky

Voice

^ a^

Allegro

(J

144)

(1872)

ma
i ^eE
^^^^'=S:
-rr

^^^^*

2S

S m

Piano

^ ^i
/
When
a

^ m W^: i

/
i^^ i
*^;
'^it

TT"

SI

m
r^?
at
i

^S m
^ a i

r
I

T^

T^

HH^
cit

slopped

Ka

zan,that fine old

y,

I
i

tf
I

ss

^g 5
/

^^
1

^^^-l-J^

2=:*

Sg

^=^#

^^ms
^>
^''i>

^^ S^
i
Copyright. IfiH, by O. Schirmrr, Inc.
Printed In the V.
S.

There

the

Ter

ri -

ble

^
ri

i J

^
^t,?"*^

82724

A.

145

')mI'i>

r F

w
tar
ried,

Czar for plea-sure

a wm
s

yFf
1?

tf

^^
^r

^S
V
he
i

ll*

^r

z:^:

1,3

V
How
Z2:
the

^ TTj^p
har
-

Ta

tars

then

ried.

^ eS
fe

tt

^
sEtei a

w^
F
*^

W:

^r^

^.

^^ ^^
^

^^

k^

1*
*k-'

r
-

y
out

''tjr
pit
-

tjf
y!

Let

T*
no one

^
i*

How

he

scourged them

with

^Fl
m
f
say.

^^ ^53?

^J

*^

f^^

i*

m
gEffi

^
if

^
y
word!

i
ii
E

a
J J

ffi^
ff

^
* 5
*ui:

^
*5 * 5

22724

146

^
^1)

"P.m*-

^ S ^S g
dim.

On

that

^^
P

^W^
^>^i.,>r^
r^

*^

m.
p
his
vein

^m
f

t|^

^ ^
^

F ?

ir^r^ p
I
-

f-r

p
round

p
Ka
-

ir
zan;

g
Ring
the

night by stealth Czar

drew

men

I
P^

^''l>

i^ i

^*=f
^

^P^ I
t*

\\i i

^^ H
3
!,i

/
i:

i
P

^y

X\,V S
nfe=y

1?

1^

r^
1

^^

T^

P
riv
-

^3
plan!

town and drive his

mines be -low the

er,

his

^ =fet

sga
/
1*
^p
1

f
'TK^p-t'rT
strut
-

*
^n

^ ^
Proud -ly
lf3

1.*

i
|

"p
[

P
y

P
tars

1^^P p
bold from near

ted

thro

the

cit -

Ta -

and

ias,

88724

147

Ml
^thi,^p
"We
p p p ^p
i

^P

P
l

lTr^P
l

^r
Czar!"

1^
Cru
-

^m
'

will send to

hell" said they ,''this

ter

ri - ble

el

w^^^

'

jir

'

^i

^
*^^

^?=5

\ }>

r^

W^'
.>:,l,^

^^
1

^
tars

^
were
they!

i
L

Ta

fe^

v'i,''i>

w
Then
Czar

ti

^
/-^L

l^f
zsz

^^W
^

/^

rii)-

^^
head,

^^
f

^
I
s
fcdz

^=T^
I
-

van

lowerd

his

lord

'

1^

.\>

ly

E
m

^^
^ I VF
^

P f

Vb ^ff^;^
?

m=^
|

^^^^ P
|

7^

p
z:

f
[

f
his

F r
face

't=p=i^
rage
as

Gloom- y

and

dark

be -came with

he

said:

^=1
E^

T
t?
Eg

^fr^
ZZ7Z4

^m%

'^

'^

148

^S
I
ti
,^

i
"Now,
brave

i
can
-

V
non
-

k
be
-

St
gin

^^
your

iers,

game!
,ti

^
^

If

^
1 ^i
^!f
"f

r!f

Sf

Hr-^tjt

%^
^p

^^;
p
i

^m m * ^ ^ ^i
ifl>f
j>

j ^ 4t^

'

^i^'^

^^
>
l

p^p

t^rr^
strike

y
Can
-

Read

j'

with your fus

es;

your

flame!

non

,^^
l,

M.
\\

iS*
''=

'i>

^ ^'^ jw^^^
1^
strike

nm

1 ^^*

i
ii

j' f

'^

^^g ^f
iors,

f
your

^^
flame!"

fe
,/

;^
>
il^

^^

i
(J
-

^ a^
P^
126)

1,4

^s5 >J

dimin.

^^-^-.

^^ ^ ^^^^
^T^

Poco meno mosso

22724

149

^
>.):

,P
^P
joy
1r

and

ire,

And

the

casks that held the

m ^ U ^Ip
,1.,
I,

W-

~f T^^^^X^ 1 t g \ \ h 1 t l^^
i ,

^ ^^
^
^
-

#
''
I

ftf^^^

l^

lj tl

i'

JIj

Jfril^l^J

^f
^P

P ^P

P it

T-#ff
with a
dash!

''P

P ^P

powder whirled a

way

Ohl

From

the

mines there came a

ge
a
)
i

Wf^r
^fi^
k

m mmn
cresc.

^tt*
^^

f^r p
ii

rtfrii

TO H
l

^^

^h
roar

TT
f
,

f ^P
i

^r

^=^
And
they

ff

M
bust

and a

flash,

with

^
a

'[

^ti^ i1jtfJl)J

#
22724

^ p^ g^
?

jM m

pb

itx lig-g-gggg-

mm
I

iic

^
t-y^f^p^

i
-

t?^

150

^
^ I

crash!

^
poco

gP

l^i rfffH
accel.

g^

^>

^''i>

r
cry,

r
Cries
of

r
-

=#^
of.

hor

ror,

shrieks

fe m

\^

N
Mm'.

\ ^

i
"/f

ii*

^*

ij

SSi
'

S
ii-i

W
who

*
li

1^

Jazf

men

die!

And
m. 2f

Czar

van

I
22724

W_I ^ S
\\^

i i im *
f
\^

5
)
\

^^

t|

fF1
m.s.

W^r^
)
^

te

'

|i^t^

151

')--M

1]

.
up

P
piled

P
them

^f~^f
moun
-

.-^
tains

h
high!
try

^
-;-

^^
!
bh>
^P

^P

^ e
/
]T^p
l

i
m.
if.

arm,
i

Man

y_a

;S

f-

Y
thigh!

>

1^'

V
hip

f
and

thou-sand leg and

arm,

hip

and

Leg and

'i>

^
.,.
I'

J^

^
.^^-^

11

#
s
=_-^

S
/

s ^ *

1?

l>

^:
\t
n(i

<f
I

'/b''i>

thigh!

When

P^
S
fclz

1^1
-^

^^
/,
p
fine
Z?2=

I 1^1

F^^
jT-

^
^11

zc

^'^
>>lu r
stopped
"F
at

=^^^;
p
^

f^

1^^
-

r^

^
'^
Hey!

Ka

zan, that

old

cit

y!

''?

i i

\>i

BPt
22734

#
ti.

i&

158

Oriental Chant
(Lamentation)

From
English version by

the cantata "Josua Navine"

Henry

G.

Chapman

Voice

^
*t
r
la
-

Arr.

Modest Moussorgsky by Kurt Schindler

Largo

(d-= 60)

dolorosa

r
Hear ye

r'

r'
-

i "
-

r
- a's

iP
daugh-ters,

i?
hear their

A
:8^

mo

re

t=8=

^
.

Piano

^^ ^^
''

a
i
Ca
-

jzmjK-isiK

i
|

r
men-ta
-

rF^
tion

^
Un
-

der

un

to

naan,

Ga

jems.

^P

g
.

^ ^
o

s ^
-oxe:

K ^
ffi

Si

iv

a pincere

4^=^

^^
r\

te7i.

emsc

^-

^^
*-

S5
-

aw

ful,

dark

and.

threat

ning

P
928724

M
tl ttft

:=

^BT
colla voce

^
Copyright, 19 tO, by O- Schirmer, Inc.
Printed In the U.S. A.

^
ife^
p

IS.'i

-SL-

#
mo
-

*-

Hear

ye

A-

re

- a's

i9-

do Ice

i?

^ ^^'h

\>l

:5^

:#

fe
;i

fe^
Ca-

naan,

^
9-^

^
^ (^m.
un

s
-^

der

Ga

m
jems.

9-^

i""^ '^1 ?^~"^


.^^,

^ ^^'

ffl

^^^^^m
PP
a piacere

f dim.
t?
molto riten.

Bj.^^.m^.1^.^
awful,

dark.

and threat'ning brow!


tr^

g^^ ^
^
zr.

te

a
23724

,I,A

B a
77
trif' il

i
basso

^
^
h w
I

154

^
rj

^
te
ft
,

^
t
A
-

i^l^ ^
///

(/

*=^ ^
is:

1S>^

-&

{'

[
i "
r
-

^ m ^ s^
P
the

-^a
I

piena voce
zz:

^B

3
r
I

^ ^ ^ ^ ^
'Neath the

r"
walls

r'
of

Ga-va

na,

Falls

si

?
=g

5^

^=4^q=

u^f

fMf'' I-

5ie

i^

fet

1-

bro-ken crown of

^f^'^ mo
^-T-^

('
I

''
-

m #
WTience are
:=
^-f^*

f~Yi p P O^d^mP
flow

^^i
'

re

a,

ing.

fc 1 =?2

^^
:^:i
^-a

5;

^55

HE
fl'/w

-^

rt
M mS
3>
^'

%
jl
~*-y

9-

;l

i^ ^

^^ '^
'^t:

^
I

r
bit
-

^^

3C?a=^
-

XE
tears.

Streams of

ter

M:

:#

^
28724

t-'w

* zt

Deticated

to

Cesar A. Cui

155

"Oh come
(A.

to

me!"
m.oi>>

Koltsow)

English version by

Viens pres de

Alma

Strettell

French words by M. D. Calvocoressi

M. Balakirew

Andante

Voice

Piano

T-F:
p

fctz

fe
-JJ-JJ^
#

0-

'm' F]

^ ^
Oh

come

^^
to

J'
lors
-

^
la

me

Viens pres

de

moi,

^
J J J

when breez - es
que

<

i
''''''!''

?^
Stir

^^5
The
in
-

N J'. :#t=i
trees

J^
sigh
ar
-

S
ing,

^^
When
-

si- lent
cli
-

with
le
-

brise

ne

mol

lan-guid ment les

field

and
le

bres, lors

que

I
'H \>^
32724
' '

JJJJJJ

Copyright, 1911, by

G.

Schtrmer, Inc.
S. A.

PrlntedintheU.

156

ito
I"

J wood,
ciel,

;>
the plain,
le

the world,
le

In

dream-y
-

hm' S

steppe,

monde

en

robo of mist tier s'en- dor- merit dans

are
la

yy^^j
'i

==^
="/

7'\j]h^\.

r^rr

[^^

^
I

;J

^
(1

^^E3
ly

PP
Oh come
Viens pres

ing.

bru

me!

i
# #
#

^
de
^^''

to

^ me
moi,

^ what
lors
-

*'

ft

time the que la

f
P
thro'

^^^ ^
m mte

^'> IP

moon
lune

Swift div - ing on - dule au

M
-

P
-

mi

clouds doth lieu des nn


the

p wend
a
-

^ ^ ^
^''

:si

f^

^'

^'

her;

Or

from her
ciel

^es,

(juand, du

'}m

J m

m
3E
'

0-

^m
^5

n ci^i^

o^
clear
-

^
&

^
^5
5

kfe

^
in

throne
cal

heav-en

^
ra^v'

me, ses

ons

Doth gild the waves in match-less eaux bril sur les des - cen-dent

1^^
""'^i-'
i

%J *

m
rc-

1
r fr S=^f

1
T r

'^

' I

'!

^
g

'V'

r f r f ^ r r

22724

157

p^r^^n^
splen-dor.

Ian

tes!

tfe

^^
me
when
lors
mig-ht
-

y
I'a
-

^ Love
mour

^P
A
-

K
us
his

J^

JH
i

wakes

M
E^S?g

moi,

fer-vent
-

que

fait

naitre en

nous

la jeune

^
fire,
-

^
^'
J^

m-fiJ5

^
m
a2724

h
se,

^'
soul

vres

And when my lors - que mon

^
in

/.

rap

f
ture
-

burns,,

And
et

ame

est

en- flam

mee,_

-^

i 5
f
titrttr

^^

158

Poco
^'^I'V-

piu agitato
J''

P
que

P
raon

'f

sports and storms in


coeur fre

p young de
,

JM C;
''f

;'
to

J'.

sire!

Oh come

me,
moi,

rait

d'ex

ta

se!

Viens pres de

one with rav-ons u for

fcy

to;

ss
\^

^m
i
I

^^ tf
r

'

'

3#
J

n^m^j~n

^ ^ E^
thee
nis!

^ ^ee;^
fain

^^
taste
-

fc5
sa
vor,

s
-

would

life's

keen-est

And.crush'd a
je

Je

veux

gou

ter

des joies sans

bor

nes,

veux, blot-

ftp

^
/
ti

^^
that
fair
-

^^
breast,
sein,

^
close
-

gainst

young
ton

Would hold thee


I'ai
-

in

love for
-

^
de

con

tre

mer,

t'e

treindre

vec

22724

159

J^ poco

riten.

aii

r7=^:i^,iev
-

^
I

1^
1

er!

\
Ay,
orush'd a

,1

%^
hold thee
t'e

gainst Ihat
ti

fair
-

young
ton

breast,

I'd

li

ces!

Je

veux, blot

con

tre

seln,

t'al-mer,

Pte

KM
F
close
treindre

1
#

n
T

^v^^
ff^ poco riten.

fe

^
in

a tetnpo

h
de
-

J'
ev
li -

i'
er!

love for

vec

ces!

kte

fcKg

S
23724

^ ^
/;

^
r

i
r-

3F^

^^

r~^
ifesj

a
If^

^oeo a poco

riten.

*LI/? f
=_^^

f
:is^

\J

160

Springtime
English version by

Friihling
(Pleshtcheyeff)

Henry

G.

Chapman

Voice

i^
is

Allegro animato

From
,f'
'^
i

the cycle,

P. Tschaikowsk}-. Op. 54, N'.' 9 "Songs fur Youn;?- People"

^p
Now

r
snow,

pp

^'ir-

melts the

old Win-ter whines,

Der Sclmee zer- rinnt:

der Win-ter weint,

^^

Si s

i
j2l

Piano
'yM'<
\

LiTf

* ES
Spring"
Friih
-

^
is

at
ling"

last

smil
lei

^
-

^
ing"

^
*

^1

^iS^^ '^
'

s^s i^ ^1=^

^
p
-

But der

i
E
l->

^
i'
-

^
^
he ne

sly

ly,

And
So

ber

se

la

chelt_

bright hell

and clear the sun und klar die Son

-^

f
F=qs

^^
^
j^

mi

m ^
f
j^
r
coy
-

f
ii wS
J^'

# fe^
'

shines,
scheint,

And
so

f
soft,

warmbreez-os

fan

p me

r~^p
l}-!

^'

^^
J^f^
S
^fe=F
weave
their

a
-zi

weich

imd warm das Liift-chen

fa-

chelt!

The woods will Bald webt der

T
^
EZ

T "^'T
i

Pf
auch neu

C/^

sum -mer

f dress,

P Soon
und

f
birds
tdnt

will sing

^^
in

^
-

ev

'ry

cov

er,
g-e,

Wald

sein Kleid

von fro

hem Vo-gel- san

And und

^
'H
2272*

za.

i
tf:

7 :
r.

C C
I

-f

cresc.

r7

f\
Copyright.
1.9/ f. bi/ G. Srfiinnrr, Inc. Printed In the U.S. A.

161

^E
all
all'

I)
-

J)\>^'
ter's

jS
For
ist

})

i)

J) \^^

"^

the win

storm and stress

die schlimme

Win-ter-zeit

man - y a day will wie-der-um vor-

then be bei fiir

i
t;

^
o

i
-

ver.
g-e,

^ Now
und

?
hearts

i>

j->

i>

i.
-

where
drin

^
-

Ian

auch

a - bout one ev - 'ry das Herz im Bu-sen

With sud
be-g-innt

den
so

fe

-I

'

S mw
9-9-

^m2

'^

S^

ritenuto

ad

lib.

rit=gf
vim un
-

um

m
if,

I
be
-

i
gin
to

J^
al
-

J>

J>

quiv-er,
schla-g-en,

As

for-sooth, all

g'e-stiini

zu

als war' nun

hu- man les Weh da -

i^^^ ^
.

w
izz

55

S
cresc.

5^

^
/*
~vr
,^

izn:

1.^1

riteu. colla

voce

s fctoi

;rK^ JjJ J

J,

J J

/^

i^Ycare.

^PHv'P

J)
|

|i,

J)p
ev
-

^
er!

hin_

With win-ter days were gone for fiir im-mer mit den Win-ter

ta

gen!

hope that Wie Al - les


'Tis

i^^ W
s
>v.

\m

iT

i ^

atm_

rs

\kl>

TT

X-

M^

28724

^m

r\

iE^

162
a tempo

rmakes
sich

f?

r
hearts
-

all

ff
so
nung-

f
gay:
freut:

^rTf
'Tis
'sist

li^
on
ling-.'"'

J'
ev
-

i'

p
ry
in

I
is
-

Springf;"

face
je

der Hoff

Frlih

l^^'j'UJ''^^
Jp a

>^)^^^> j^'^'^
!

tempo

steht

dem

BW f

m
fcit

^*

r
\

i'

r
writ
-

r
ten,

h
And
ja,

^>

J>

^^

p
to
-

^
day,
heut^
"^^Tiom

ven

those are g-lad

^^m r^n
Bli
eke;

der

selbst fiihlt sich g-liick-lich

dem_

3
w|/>

i
^

f
rri/'' -

^
de
-

T f

>f
z:

_^

fate

Leid

with naught but grief has smit ver- lieh'n nur vera Ge - scM

ten.

We

all

light

in

Spring,
Je
-

Oder-

eke.

Doeh wie den

Lenz

auoh

4 i
s W ^

:=SS

T T'T
i

'/* eresc,

^FF^TT
z:

^
p p
P
-

i
r
P

^ j3^
^
mer
Kin
-

^
te
e

i ))M^
bliss!

But birds' and chil-dren's

W
ry

voic-es

Show plain

^
-

nough

preist,

im Vo

g-el-zwit-schern,

der- la-dien

zeigt deut-lich sich,

22724

163

i
just

fc
who
it

g
is,

^
-

fi

ii

^''

J>
-

i
es,

That

wem

doch zu-meist will

Na ture s wak-ing most re-joic kom - men der Na-tur Er-wa

Show

^^
plain

e-nough

i^

^3s
^

^M m
0^
SI
(0\

chen,

zeigt deut-lich sich,

A.

^i

^^

^ ^ ^
i=?

mf

^i\

^
just

^^
-

i
re
-

311
joic
es.

who

it

is,

That Na

ture's

wak-ing most
der

wem

doch zu-meist will -kom -men

Na-tur

Er-wa

chen.

XX^
22724

vpf

p-c;-f

r r r

p-f r

r r

r^p r-^p

164

At the Ball
Inmitten des Balles
English version by Henry G. Chapmiin

(A.Tolstoi)

German words by Ferdinand Gumbert

P.

Tschaikowsky. Op. 38, N9 3

Voice

^^

Mo derate

s
Piano

fe

\^

I*:
:

s %

^ ^ ^ te^ ^ ^ ^
I
fo/i

^^
IP

-Ui.

fe

^
-7-^ ^
For
|

tHsiezza

know not how


-

^
mil
-

^
love
-

^
face
is,
-

p
that,

p
when
-

PI
I

ly les,

your
ohn'

In

ten des

Bal

Ab

sicht,

^^P i
V

g ^
^

*
i
j^
-

um

g-e

ben von

^^

m
cloud
of
cken,_

^^
met you by

r
chance.

Was

MP
hid

^
in

jMii^i'ir
your
ein
lac
-

-Y-r
A^ you
das

the

es,
sel,

lar- men-der

Welt,

sollt'

ich dich er

bli

%
poco
creac.

^i=t

^^
-

Rath

^t

^1
2272*

Copyright, 19it, by O. Schirmcr, hic.

165

^^^^^m
sped
thro'

-^'-^^

;s
Yet

the
g'e

plotz-lich

whirl of fes - salt

the

dance,
halt.

spite

^^
of

fc
flut

your

ter
g-e

[i^^

^
-

mich

Nur

schien mJr dein

Au

1*

w=f=^

^
P

& ^
-^^-^ i'
Your
die
I

f
p
beau

^i-^

^
2
di
-

t^E^^?
and
so
fleet

s
ness,
rig',

p
- ti

n' m
-

ful

eyes

vined;

^
in

trau

Stim-me

so

weh - raii

thig:

schwer,

One wie

,#

l>

W=}

w
poco
cresc.

^
piii

m^
i f^^
son
-

m
^
note
-

^
f
p
Your wie
l

i)
of

>

=^=g
voice

or

ous

full
-

sweet
far
-

ness
ne,

my

Ton der

Schcil

mei

e,

so

Plat-scliern der

fe3:

3E3

^
^
-

^
i
[/

poco piu

m
^p
left
-

^p
be
-

^^-^ V
hind.

p
fig- -

p
ure

M
was

p
grace
-

heart

Wei

len

im

Meer.

Your So

M
ful

r^
charm
ing-

and

schwar-me-risch

war

mir dein

We

sen,

22724

166
cresc.

1 p And
hold

ff

r
a
part,
stalt,

^EE

P
laugh
-

P
ter
-

P
so

yet air, gra - cious your schwe-bend die sclilan-ke

Ge

],d^

L ^fp

^"

f=^

^^
?^^ i
(&l^^f
f^
-

A
arm
sell

i4

frank and dis hell und so

^
-

^
It

ing

al

^
-

t ^
will

^
^
i)
-

Your
dein

La

b^-

^
chen so

i>i

liLlt
heart,
-

ways

ring in

my

^
At
In
night,

& ^m

sam

m
$
-h
-

ist

nicht mehi-

im

Her- zen ver

hallt!.

^^ i
3t

ii

^pf
4>^
f 1 ^'

W
P?
t
when
-

fe

r
}'

M ^^ r
J

pI sit

r
wear
ein

^f^
will
in

nacht -11

a lone, chen Stun- den dann,

y,

There
leg-'

the
-

^
P

in

fe^-^
espress.

^ ^ ^m
m
^
^>s

sam.

ich

mich er

m
p
I

^
r p Two
I

d_

^
i'
-

m
ii

\i^m

p
seh'

JH
ful

p-

dark-ness ap - pear mii - det zur Ruh', dann

beau-ti

Ich

und

eyes that smile ho - re dlch

m
22724

:3t=1:

^ jfVp
f
^

W
e

kind
-

wig,

The und

i
s

-ii

167

\>

J>

J-'
I

J^^
voic
-

Poco meno mosso

"f-^
hear,

^
And Und

sweet -est of vor mir wie

es

oft

^m
thro'

my

da - mals

steh'st

du.

sink'

ich

vor

Mat

P
slum
-

i
bars

ti^-keit

#=^ t
mf

V
I

^m
(\\
Y

^ ^
i'

m
p

t^
p

-t^

^
espress.

p
p
die
I

"^^^

^
J^i'
sion will
l
i

.3
SF
i.^
t

^
your

p
in

i^
im
-

J'Wm
Like

Jvi
-

dann

age Schlum-mer,

some
qua
-

fleet-ing"

move:
rnich-

wie

len

Traum-bil-der

piuf

i"
I

riten.

p
be

iiip

J'-

p
g'e
-

p
-

^^p
Ah
ich

t
yes,

il i>
I

J-^

1\
it

ii
is
-

Can
Ich

this then

love, dear, I

won
sche

der?
hen,

sup

pose
ich

weiss es nicht,

was mir

ft^

?
tit]

^S
-f

1*

glau-be gar:

lie

be

5^

s
riten.

S
^

Tempo
love!-

r\

=^
dich!.
/C\

i
i*

'.^

^ fc^
-J.

^
^4"

ir

S
7i^

U-

^^
^

168

A Legend
English version by

Legende
(Poem by Pleshtcheyeff after an English original)
P.

Henry G- Chapman
French wordtj by Paul Collin

Tschaikowsky, Op.

5-4,

N9 5

Moderate

From

the cycle, "Song-s for Young- People"

Voice

Piano

"if

mi
Cliild

^
in
-

Je

sus
Je

his

g^r
son

^
-

L'en

fant

sus

dans

den jar

^E

*
fair

fnf

P Some
A
-

^
sweet
vait

^^
once
bel

red

ros
te

es

din

plan

de

m f

*:

^
nip

m
22724

A.

fl
Copyrij^ht, 19tl,
Printed
In the U. S. A.

f=W V ^=^ f=f

^
-

had
les

grown,
roses.

by O. Srhirmcr, Inc.

169

i
t
ffi

P
He
II

^
tend
les
-

;S
them
-

ed
soi

with

lov
-

ing

care,
-

Think

ing-

to
s'en

g-nait

vec

mour,

Vou

lant

V
^;5
r

* ^

*^

f
p
r
w: 2-

Lj
him u
self

^^
^
some
en
chil

##^
make
faire

ne

a cou

crown, ron - ne.

p A
Mais

las,

dren

des

fants

du

^
J

^
h^ Sj
from
voi
tf -

1
^
r
the
si
-

G^ Ir.

p
r
m, ''^
I

CL-T

^^
that

j^
vil
-

J)
lage.
g-e

p Who
E
-

^
one
tant
fine

morn
-

'

ing"

came
beau

na

ve

nus

un

ma

^E^
r
[)

vr f

^==# rw^

p
>

):H

P=T
-i!?

^
i
ros
ro
-

^S f=^
-

j)
Je mis
-

J^
sus'

way,
tin,

Did
Ont

les

es ses

put

to
pil
-

pil

lage,

au

la

ge

1
P

22724

170

*:

g
And
Et
all

MJthe

i.
-

^
dis
le
-

w~
ar jar

S
ray. din.
19-

r
"How
Pau
-

p
now
vrc

B
shall

j".^
your poor ron - ne, com
-

gar
te

den
tout

de

vas

cou

'^ -i

i
f

:5=

^ ^m
i

m w^
m
i
*:

crown be ment la

^
t

r^

i ^ "TT" made? They


fai
-

^
a
n'ont

?^^^^
flowr plus
for
3'ou!"

have

not
ro

left

re?

Les

beaux

siers

de

fleurs!"

:4

m,

J)

M il
r.

^
'if

f-*-i

n
^
\\

*
^
}\

'

^ ^^

left,"'
-

i\

j^

^^
left,

thorns are '<Mais les e'

"The

Child

pi

nes

Je - sus sont res

said,
te
-

es,.

'The thorns are re - pond Je'

and
ce
-

i ^

^^
f
W3

^
-

sus,

17

m:

^^
they

^
r

1^
fe
a

*:

^5
wiU
suf
do.'

So
Puis,
ZZL

of

thi'

thorns
-

crown
les

he
tres

la

fit.

en

cou

ron

^i
22724

"^ 5
fei.

r-

%x

171

i
'

f
wove,
sant,

p And
Sur

r
on
ses

r
his

^
head veux
he
il

put
la
the

crown,
-

che

po

sa.

fe^^^
r

^
ntf

^
%>.

^
E
his

f
!

H*

W=^
i

;5E

J^

^
f
,/
r

1^

f
te

^
P P
More
ses,

^
p
than
bril

mi

is
Lo,

Gout
-

m^
^

drops of tes de

blood,
sang-,

brow
lieu

au

a de

bove,_

red
-

ro

Sou

dain

w
p

zzz

^
r-

I
-yS

Wi/*

5r; =

^
'^.

-^fe).

%i.

^.

172

Duet
From
English version by

the

opera "Pique-Dame"
'1890
p.

Henry G. Chapman

Tschaikowsky

Andantinn mosso
^
.^

1
Piano

P S
*

^ ^
M

i ^ r^

i i

3k
/>
,

F S

-f

^ iMm ^ r
t

^
/
^ "f

^
^^'N

1*1*

y^_.

^i4

^-tj-^

>

^ ^-V'VW^'^^^^-^'

^^^ ^
i
'Tis

Lisa

iE^
Polina

eve

ning,

^
eve
ning,

-Lf Llf

r-a!ffF

m
i
^*

^^
^

Li

IJ
1
7

1
fe

^^
?^

*?

^
and
^

the

^^
hues

^^
so
bright

j.
and

J^
lh<'

>
hues

^
that

that

made

the clouds
fi

Now

J^

K
so

22

made

tho clouds

bright

*
:^

-.'^^

i
2272 i

5 f
^:

n^ T^

J^

>

i:^

^ ^^
Now

az

Copyrifrht. 1910. by G. Srhirmri; Inc.


Printed In theU.S. A.

173

swift

^
-

ly

fade,

for

now

m
the
sun's

last

rays

are

dy

ing-,

*=fe
p
swift
-

rfade,

ly

*
i ^
^ I
^

m
5

for

now

MM
the
sun's

^
rays

tf

last

are

dy

ing,

i^
'

i5P;:

k:

^M
^
-^
0-

^
One

r
pale

^
p
-

grey cloud

*
One
pale

^^
-

rift

lies

grey cloud

rift

lies.

p J

"^*
i

*i
3!

i
:^

I
y

a""*

^
i
:

P
/.

cross

the sun -set

^
i^;

^
lierht,

EEB
Like
streaks of

#H

foam.
"
l

up -on some

^
'
P

i*
cross
,

s;

f5=4

light,

P
Like

^P
up
-

the sun- set

streaks of

y
zziz\

J jj j j

1^

-m.'-w

f
\nf
J)

.^^

>

>

i~7

^^^

^ m ^f^ ^ w

foam.

on some

174

has the air been

warm

with threatning storm,

*
i

j. J^ i)

J^

^^

But

now a

32

*
But

has tho air been

warm

with threatning- storm,

now

^
cool

er

P
er

cool

175

ne

i
i

t
*:

Qrf-^ ^4^4^^ s
i'

^
r
J''

^
ff

^^ ^
i
TtTiTi
.r

How

How

m
t
ah
'

^^i^ f ^f

^
^ No
*
No

:tV-

i
I

*
peace
tfc

r r

J^

^'ir
all

^
fled

peace

^^ ^ ^
ful

lies

the vale since

the clouds are

^^
5

g32
fled!

fu!

lies the vale since

all

the clouds are

*
t
"X-^

^# mm

* *f

t*f 5#?
^

^\ g^

^rt
i
the

^^==^

K-

m
P
et, et,

sound dis-turbs

^
^'

rr

si -

r-

p
the

sound dis-turbs

si -

M M M i^
;2:

lence

of

the

wood
-^^

or

thick

lence

of

the

wood

or

thick

22724

177

1=3=

^^^
No
i

i
nest
-

m
ling_

from

^
its
its

bed need

i-

m
=5^1 =

^
No

^
nest
ling_

fe^^l
from.

bed need

i * i * i

a:

^
head,

I
I

raise

its

^^
star -tied

And

*:

hui)
raise
its

J^
-

star

tied

head,

And

m ^^
in

grass.

the

a
WZiV-

lone

m
is

J
grass.

in the

*
i*

*l

* i
^

i^ nr* i^=^=*<^ r-*


w !/

^
r\

^^
a
-

lone

is

!
crick
-

>

^ >

I''

J^ ^ il

m 3^ T^
iEEi.

heard

the chirp of

%
heard

^^
of

zs.

et.

the chirp

crick

1^ ^
^

fc

23724

178

Evening
Le Soir
English version by Kurt Schindler
(L.

French words by Paul Collin

Mey, after the Little-Russian of Shevtchenko)


P.

Tschaikowbky. Op. 27,


(1875)

N'.>

Voice

fe

Moderate

assai
^'

^''

p
light

IP
day
-

p
is

The Du

of

^
slow
la
-

ly
-

fad

ing-,

jour

de

cli

ne

lu

mie

re,

Piano

The Le

^
la

J''
I

j^

j^

^^
les

peas
-

ant

leaves the stub- born plough,


-

bou

reur quit

te

champs

poco
^

pit)

J
Et

'

J^
chez

-i^^'
turns
re
-

J^
with
vient

And home-ward
lui

J^ wear-y
J^
a

3s=i^ k
J-

fA

S
in
I'at -

brow,
lents.

While

the
ten

pas

En

i ^
?P

^^
r^
S.

f*

^^f^^^^
22724

w,

irTr

:22

Copyrigtit. 1911, by G. Schirmer, Inc.


PrlntedintheU.
A.

179

-.ti

p
ly

p
la

r
-

r
ing-,

j
His

J
wife
fern
-

J
pre

J'

low-

cot-tag-e wait

pares the sup -per


ne perdpas

^^

now.

dant, a

chau-mie

re,

La

me

son temps.

^
^m

A.
9-

e-

*
mi V

^
7
p^

# r^f^r^n
f

ti-

W~W

.^J
h
Pour

p klflJr
J
i.-r

>

i>P\
^t:

^
^
-^
[?

^^
J
per

Jf
^r

'?

-^ J)
le

i'

A -round

the

board
-

deck'd out

sou

??=

pp
'>ij'

^P ^^
so
fa

de

la

^TOi^n
r

r
7
te;

m #
^FF^
22724

P
neat
mil

ip

ly
le,

The house De - ja,

hold
la

ga.

ther

in

the

hall;

tab le

est

tou-te

pre

:5

S6

fti

:>

^^^

i f

180

P m m Ml
^

J' p The come-ly daugh


ra^^TLa jeu
-

J'
ter
le

>

J'

J'

a
all,

waits on

ne

I'll

va

ser

vir.

.?

t=m-

f^
,

^-

n
PP
J,
;. j,
call.

m
^^==T^ ji
i'

H'g'

^
JW
-

2k.E

fc*

^^^
;,
\

i' J'

>
-

J^
toi

p
bril
-

JW
lej

^ j^ ;,

\J'

And while
Et
la

the stars are peer-ing" sweet-ly,

pre-miere e

ie

The night-in Le los-si

gale poursforth his


gnol chante a

^
L

ra-vlr!.

^^

rof

i
^P

i
^
^

g
f

i ^

^ f
J
Puis,

i
Zfz:

^
p

n
dans

^M
la

Then,

o'er the

p. 9-

mead-ows per-fumo-la cam-pa- gne mu - et

^
^

den,
te,

* y=F3
^^'
\'

pp

3^
No
On

^
is

=8=

U-

S='
^
E

-o-

^
3
i

sound
n'en
-

heard,
plus

how- e'er
le

^f
so
slight,

tend

moin

dre

bruit;

M as ^
J
22724

=^2:

J~3

I.

>i~13

181

#
i
1

s
J^

J)
all

J^
is

And
Tout

all

is

si

lent, et

w
qui-et..

^^
Save
Sauls
the night-in
le

fait

si

lence

tout

s'en

dort...

ros

si

^
si

R=3i

i=z

fl!

^
:j

F|;=^ ^=fi

^E^ E

W~

r^
he
et

p
#
m

^
gale,

and
la

the
fil

maid
let

en,
te

gnol

iz=i:

T
J.

k "*
!Si-

^^-^

a
A.

m>

t
E^te
T

They

^^
still

h -^ i> li
sing-ing in
-

J^
the night!

are

Chan-tent en

co

re dans

la

nuit!

> > > >

1r^

P
t

22724

iS2

The Canary
Le Canari
English version
by-

(L.Mey)

Henry

G.

Chapman

French words by Paul Collin


P.

Tschaikowsky. Op. 25, N9 4

Moderate

k'A, dnnii':
Piano

r
>

P
r

//* spress.

u^u
W=0^
3

^^
^

J nj>'-'ii
dim.

/^

j^

7CT^n ^-^
l

^
fL

^
t:?:

seinplice SCIIIJ/lll-C
I

/?N

Thus Zu Zu - If^i

lei

ka
di
-

spoke to
sail

her

ca
-

na
-

ry:

ka

au

ca

na

ri:

^^

^
z:

rite?}.

i
Copyright, 1911, by O. Schirmcr, Inc. Printed intheU S A.

(--

22724

183

i^
"Pret
-

g mn
ty
oi
-

p
n'a

P
I

;"'p
do
-

bird,

your wings why


-

you flut-ter?
tes
ai
-

M
Soft
L'air

iizMJ-

y
the
est
air,

and
sur

"Bel

seau,

gi

te

pas

les;

pur

jM

WWP
ces

f
all

^
a
ri
-

^
Where

p
-

"p
fer
loir

^j^^ p
the

peace lies_
cal
-

bout you,

mes

va

g-es;

fore then quoi bon

pre

^m^
^p
y
air-

spac- es?
ce?

vou

fran-cMr I'es-pa

* is

^ Keep
Res

with
te

MM
-

in your cage, and dans ta ca - ge

i y*
=5^

J^:aa;

^
T

grazioso

r^TTTr^r
3

^
,

^P-^
p
wiU I par mes
care

f=^
p
for

^A j'^

^T^
F
P

fc
f Vi

n
you;
ne'
-

^
Stay,

P
-

P
the
tes

and war

ble
-

me
moi

soinsor

Et

ga-zouil-le

-^^-^^^^

^
ge
22724

=^

Ji-

^P
^

lip

f=

184

ii%,

N
-

i
ly.

ib
will skies

t^'''r

songs you sang" so sweet chan-sons les plus dou

\Miere

ces:

Sous

quels cieux

be found that _ are more sun-ny? est - il plus_ de lu - mie-re?

^iiiHc^Pfrrfff[^.

^
^

="11
f
2S 1

f
-

rn ^ jM

^^
fflZ

r= ?
[.';

P
'j>i^

^
a
wilt
find

in

Gar
Quels

dens where jar- dins

are ont

fresh-er shad-ows? cool-er, de plus_ frais om-bra - g-es?

piiif
:;i=^

"7"

^^^
Ou
trou -ver
-

Where

more
des

'/ m

\
i

M,

I.

P
mis
tres
-

.f^ \^jLi
tress

p
half

T
so
ai
-

^
lov

f
now
-

J'.

se

plus

man

ing? te?

Sing

me
te

the
tes

Chan

moi

i^'h r

wm ^

fe^S

22724

185

X'p

^^
And
Et
the
bird

h
re

}\
plied

J''

j^
his

^
sul
-

songs you sang- so sweet - ly." chan-sons les plus dou - ces.

to

ta

na:
ne:

I'oi-seau

re

pond

la

sul

ta

im

"f^

g
"Ah!
I

prpu,
not_ mock my sad

pray
-

you,
-

Ah!

n'in

sul

te

do pas

^
-

ness,
se,

a_

ma

tris-tes

w^
For
Je

\hm
t
I

^
no
le

cresc.

it
-3~

p
more
plus

p
I

y
How, Ton

'ip

fly

ne

vo

more, no plus ni

sing now;

p p '^P p a-mong the har- em's


a
des
e'

nechan-te;

ha-rem

^5

l^^
mourn
chos
ful

P
-

ech

oes,

How
Pour

p
can
re
-

P
I

^
re
-

peat

my

trop

som-bres

di

re

mes

chan

22724

186

a
joy sons
-

f^-

ijv
joy
-

^^-

.
%
in

f y F
in
-

r''

ouscar-ols?
eu- ses.

O
L'o

da-lisks

da-lisque
-i

do-lence may dwell here, vit dans lin - do - Ion - ce,

Bi^=^
^i

^
,/
the

*
^

J^

iss :

^S m
g
Nor Sans
re
-

f
gret pleu-rer
\io

^^ H^ i
ber-te
per- du

aL
i'
tpt:

free-dom that they for


li
-

v ,\
\

ti t^^
y..

"f^

ii

^ I
fri

sa

A'

^
I
^f=t

^
-

feit,

e,

Mais

^^ ^ ^ P ^
But
a
bird,

^
more
plus

I'oi-seau,

^^^1 ^
*^
V
fier

^r
v

^^
not sing

7 e

^T f Y 7f~
k

Y=s ;=

y
et

proud, less vain, less thought-less.

Can
Pour

when he
ne

moins

vo

le,

chan-ter

a slave!' veut pas_ etre es - cla

is_made

r=t
-

ve!

22724

187

Little

Snowf lake's Arietta*


I)
(after A.

From
English version by

the fairy opera "Snegourotchka" (Act


Ostrovsky)

Henry

G. Chapman

Nicolas Rimsky-Korsakow

Voice

^drfe

M
1

Adagio

(-b-.

92)

Ah!

^^
k

[] ill
how
it

ihurts!

;/ii

L_J^[J C?E^
how
sad

and oh,.

my

*
Piano

BE ^
jyp

^m
^^
^
as
ft

Jlj"}'cresc.

J^
..

/ ^'&

'^^
g

heav
-

^=^

l.i'

i)

*
heart

t
for

t
y

P
a

P
lies

P
up
-

^f
on
it

is,

moun-tain

this

^
^>^i>i>

7^^-y-

m
V
V
i

m
3
V
^

_:

b:
i|

m
5EE^
.

ly dim.

H
poor
dear

^S

^
Lehl

i'
so

J^ i) =.^
light- ly

^
-

flow- er

threw a

way!

^
22724

v=>-

^
i
'

^^
V J^
V

H^

JJ 1y\ ^^*?

3a
* The
original
is

^^
G. Schirmer, Inc. Printed In the U. S. A.

one tone higher, in

minor.

Copyright. 1910, by

188
A

dolce
^

^'^

Now

off to

oth-er maidens has he

run,

Whose laughter and whose lips are warmer than

^
\'>--

a tempo, espressivo

jr.
Ah,

^^u^iir^ji ^
here

fj
oh,
,

^ fi
i

p p
-

rr
Lehl

p
he has

mine!
a te?npo

am

in

tears,

and

so

lone

ly'.for

^ & mirsi^G ^^ ^^
^"l>
->

^M
^..
cresc.

i
7,f
\t I

^^

J^

5E3E

dim

Kl

p'^> fs
scorned

p me

p
and

o
left

JWM
me
a
-

i'
lone!

i)

ii

''

p
let

p
you

p"^:^ -^ 1
go
where love

Ah, dear-est Lehl, I

mEs
fefe

^ ^
f
''>

^^
^

N7

J^T

TT-

'

^>

^
i^J^
is;

Ji>li'
go
to

P-P-^P
know how

P^i^
to love

J
you!

W'p

^p

P-

p^;i

yes,

those who will

Butwh3-mustl

be al-wa}-ssad_

22724

1S9

ite
.

at

heart_and al-wayscold
'.-1

m fm
.

U T.

J^

^1==^^^

m^ ^m m
gp^ m
f
a tempo ^
nj

and i-cyinmy i-cyinmv pas

sion?0 Father Win-ter, thou hastdone me

^
i

fcEfe

f
rtV

wrong!
\f

Deeir Mother Spring,be kind

and send to
_____
lib k

a tem,po

-^

me

one

ti

ny

spark of

i).

J^ i.
-

i^
flame

burn

ingheat and

^^'P.^p at which to

r
melt

this fro

zen heart of

s
/CN

^ ^^^ ^
^U?^
mine

I
P

^^
*

^
*-

^ ^
r\

=^

^
dim.
22724
J3??

^1 ^
-f
o.

^
h
f
i

190

Dedicated

to

Modest

P.

Moussorgsky

Hebrew Love-Song
Chanson hebraique
Eng-lish version

by
(L.

Henry

G.

Chapman

Mey)

French words by J. Sergennois

N.

Rimsky -Korsakow.
(1867)

Op. 7

Adagio
Voice

(J=

60)

Piano

P
*
(

Pa piacere pi

S^
my
mon

^
s^
old
te

x:

P
day
jour,

CJj-p
can
ja

ff^
sleep:
dort..

sleep; dors;

break of coeur, au point du


heart at

nev

ma is

er_ ne.

to
At

p my

p
-

r
waits

g ?

Ml

^
and
calls
-

ma

thresh por -

my
ai

love,

to

me:
dit:

mon_

me m'ap-pp]

leet

i.

m
22724

Copyright.

1911. by G. Srhirmer, Inc. Printed IntheU. S.A.

pp

a tempo

"^
O
-

r
pen, vre,

j s
dear_
g-non

^
one,
ne,

191

I
rise_
le
-

?
lev
-

my
mi
-

for

him
-

who
pour

eth thee!

^
p

Oil

ve

toi

ton_

mi!

^
r
p
ingI

^^^
r

^
f
SE
the
te
z^

^
r
P"

:i

^ jr
Morn
L'au
-

j
-

P
all

LEJP
a de
g-loW;

be

crois

breaks ;_ san

moun sur_

tain-peaks are
les

monts rou

git

* feEi

U-

s^
t
Mf

#f

i
r^

eS
From.

?<

^^
s
the_
grass
-

r-

^^^^
es,. be,.

ss
moss
-

Aux_

brins

^
f.

d'her

from sur_

the les

Jtt

M
i?p^

^^^^

fS

t 1
jtjofo rit.

f^

s F

^ ^
y

trees,

troncsmous-sus,

3^3::

a tempo

192

m:
of
fire,

^^i
'n*
J'
ji

gems-

^
P

^!

pr
the

PCZil

of

dawn,,
jour,

bril-lants,

aux

du

Have be Ont mouil-

#
*
It

m^
P' PPK
i

rr

S*

#i;
l

^ H*
j-^
/;rtco sfrni,^.

'F=SI ^^

^^^^
'&; r

SS:

IZZ

^~r
p
I

ii'-

^ J?Tj >
ven che
locks,
-

Ef

^^

dewed m}- ra le mes noirs

Shad-ows

veux.

Uom-bre

has-ten rou-le

to

west^^ard a-waj;
le

O
On
riten.

vers

oouchant...

pen vre

thy ta

^^

:.^=^^:^

t4^

?*?
"fi

tt'

T^m
*

**

^M
^
r\

Se^
r
f
fair
-

^i^j^ j\
door por

J
O
6

and come,
-

te,

viens,

ma _

est love! heau-te!

'^''ii'tF C P

=^ ^f
y

* ?
?^

PPP

r2

^ J

j
r

2a-J24

r-

193

On
English version by

the Georgian Hills


les Collines
(a. S.

Sur
Henry G. Chapman
French words by
J.

de Georgie
N.

Pushkin)

Serg^eiinois

Rimsky-Korsakow. Op.
(1866)

3,

No

Moderate

(J

so)

Voice

ifc

P
The mists are La bru - me

.Ilk
hang--ing-

Piano

^
^fe^
hills,

low

pla
21

ne

a - bove the Geor-g-ian sur les monts de I'E - ri -

y
%&

^
f
p
J)

^f^^^
p
The

^1 1

AP
van;

p
yel
-

p
low

t
Ar
g-it

^
is

J
in

^
the
fe

roar

imA

L'A-ras

mu

sous

ma

^
Ptf
22724

f ^
dis

P
E
tance;
tre...

k
light

My
Coeur

r.

heart
tris

r
te,

^ or or
le'

P
sad
ger,

^^

P
or

ne

cceur

coeur

m
PP^
Copyright, 1911, by G. Scfiirmcr, Inc.
Printed In the U.S. A.

tf

194

* 4

r
dulld,.

Since
ne et

PT^
hope
is
-

Jh
Still

J\
finds

ii
in

J.
thee
toi,

J^
its

j,
whole

1>
ex
-

gone_
ment,

mor

sans tour

Je

vis

en

c'est t(Hit

mon

f & ?N^

ft

^ S

f r

H
I

^
IS

w; 2/^

r
I

P
tence,
tre...

r
thee,
toi...

In

and thee
toi,

P
a
-

r
lone.
toi...

Qui,

m
U s

rien

que

^
*
3:
311

I
^

^: Wi

^
?^

'^
3i:
"TJ"

I
I

8^ ^^B

Poco meno mosso

^
In m}--

do
rt

spon
bat

den
te
-

cy

En

mon.

ment

OO
.^ ^'

^S
22724

_^

195

1 iA
I

5EE=5
feel
-

[)

J''

f
ft

J)

J^
re

^
-

^ poco
^
thee;

string.

Ji
If

J''

p
a
-

no
-

pain,

nor would

prove
tre
-

e'er

Au

cune, au

cune

an

gois

se ex

me.

Si

de

nou

"A S

r W=t^=%

I
poco
string.

^ft

m^
gain

riten.

^^^fe^

^m
life

p
'Tis

Tempo
[7

pip
me,_
e' -

r"
live
-

-^^
it

my heart should wake to veau mon coeur e' - prou-ve

in

that

to

needs must
11

quel-que

moi,-

C'est

que pour vi

vre

faut qu'il

W&
love

r\

thee,

m
23724

ai

me.

^rm
t
nwrendo

r\

n:

-'^>%%

196

Song- of the Shepherd Lehl*

From
English version by

the fairy opera "Sne'gourotchka"


(after A. Ostrovsky)

Henry

G.

Chapman

Piano

^
.

Alleg-retto gfiocoso "

,,

J.

f*-- lOK)

Lehl plav-.ne thf

i ? r'^f^r
P

Nicolas Rimskv-Korsakow shawm vrozhdk ,s


,
.

>

^^^^.'^r

m
rrff

^ i y^
.
\

^m
lento,

^
i.''i

^^
ffi

tr

p
P cresc.

fct

i.fhi

jS
>

Piu
L

maestoso

J>

>
the

j^

To

thun-der callh the

J
-

^'

Jm

j^

j-)

J'
I

fly

ing-^

cloud, Rum-ble, grum-ble,while

m ^

^
r^
lidig'a

M^rp^rnf^PP

z^^
^ofo riten.

^ fe i
.
scat
-

Ji
tor

fi

m
rain,

ms

my

Spring-time

^
showVs
cnlla

7^

shall re

fe

fresh

^
tho

^^^ m
plain,

rs

Tempo

Hap-py

?
zc:
zs:

parte

^-#-^tT- s
5^:

'^^*^

III

?^ ^
^
/y/^

* This

is

the third song of Lehl, from Act

Copun/rht,

I.9fO.

of the opera by G. Schirmer, Inc.

197

i i^

p
more

nr^ppjJ
to

;J'ii'-

ppMr^pp
go a
-

^p
-

m
^''
i

flow'rs once

life_ shall spring, All the girls will

ber

ry

ing,

All the

^t
/

p
J J

i
w
5^

f^
P

ni4^ H
> P

f
P p

^^ f^
i

f=T
r
t

^=^
a tempo

^Ed

jooro riten.

iJ-_jJ^
in

lads will fol-low

their

train: Lehl,

VY
s

\
T?

f-

f joco

M
^

my

^
Lehl,

my

f
love,

^
f?
P

mjMove.my LehlKhe plays)

=*r^= I I

^
a tempo

riten.

^^^
-

^ m
^s f
i)

fe

j#=^

^
i
te

i ^

^^ ^
1>

^ 111 ^

>

^^

h i V

4fc* i-

^i^

^ Piu lento
ThroHhe

^
22724

S^ T
7
y

S:
==f=

^^ ^
h
J^i
.")

i3
f

^=r

^ m t ^ ^
?

^
1

198

M ^
W

woods the girls

mong

m
^

tho.

trees

Far and

wide

are pick-ing

:"f

i^
pocorit.

fe
fe
glades with songs and

m
straw
-

3
ber
ries,

Dells and

^^

S
laugh
-

ter

^
re

^sfeS

^^
jooco rjY.

S
[^i'i>

I
^
J

Tempo
I

j; jv
at

ii
I

sound. All

once

i ffi

i
^^

5 f f
woep-ing

m
siE

^m
one maid-en
;zi

can't

^
found;
All the

^S

^
oth
-

f
sad

^ r=T

^^
^
cry,

be

^i^^^

f=T

J^

^^
ers,

^
ly,

"She's been

M M
I

p
b}-

I
some

eat

t'n

22724

199

^
wolf_
near

^^
by!"

poco riten.

my
Lehl,_

^
my

a tempo

love,

^
v- uib M

i^m w~
f
Lehl!
(he plays)

^^
poco
riten.

atzz:

^P
*

a tempo

W^
love,

f m}-

^
'

my

?=

^^
n
7

^
i?

P-rrrr[
h
-

.
j:

-^^

h 1
^

*^ M r^
^'^'

^^^
V

^ji^^

^^
ifcb:

r
V

rnri s
t
f ^
J^

fK_^
7

^
i

i
f

rt=*

te

u
y

J^ *
^

^
.

^
f
7

^^
22724

^
ii.

/Cn

^^

"t

1^

^^^

^=^^^

I
7"

200

te
'*M
fciz

r\

To

^
the

Piu lento

S
i^

*f

^^

gq

^
g
kfe

^ ^^
still

J'

J'

i'J

M/ ^
\vi]d,_

^
stran-ger ap

maid -ens,

in

an-guish and

tears, Lo, a
fc.^^V^'V^'V'^^V^

a-ged

W^^V^^V'^-^.^.^-^V^,^-.^>^'^-V^^^V^'^'^-^^^'%

mrj
pp

P
tEEEj

^S
fcti

i^
/oro r?Y.

*
/Tn

2di

te

maid

^
-

?
ye
lost

ens, have

your wits? quoth

he,

Why

^
Tempo

stand

fe
weep
-

ing here so

:*
t
fool

^
ish

i
-

ly?

VVeep-ing,

^^
call
-

ing her, will

#
:^
fctc

^
f

tr

^%%'^V%'^-%.^-V%.%.^

zz:

U*

u*

22724

201

h\,

."
do

^
no
riten. assai

i
good,

P
Bet-ter
look

:zt

bit

^
a

fcti

te

e^
P

^^
t

bout_

a
the.

^=?^

f=^
?
wood!
Lehl,

f
a tempo

^ffl ^
love,

te fea

my

Lehl,_

^^
my

i f ^5 my my
love,

Lehl!

k^=h
ritpn. assai

?
a tempo

j^

'

^ r=^
fcl2[

^^
J

m
mil ^
r>

i.

1^

^
V
V

i_j

kfe
(he plays)

te %n

c-;rr
4--M
h
h

^
h
V

^^ f
s
J)

fe=Sg=^

jS

1[ul

f
^

kfe

^n. EM ^^

**

^^^
7

53^

/^

^
t>

7*7
n

L^ ^Lj^
7

7*7* 7^7

ia m

32724

202

Dedicated

to

Mili A. BaUikireff

A Southern
Enfflish version by

Night

Nuit m^ridionale
(N.

Henry G.Chapman
Stcherbine)
N. Rimsky- Korsakow Op.
.

French words by J.Sergennois

3,

No. 2

(1866)

Allegro

(J

Voice

Piano

m
P
^
I ^S
*
ol
-

^
Rides
Bril
-

rs:

JEEEE
Queen
of

the
le

the Night,

And
L'o
-

the
li
-

Tas-tre

chan-geantj

fe^

ive
-

in

sil
-

^
-

iEEE
is

I
And
the

g
it
-

-ver ne

drest;
-

sea as
flux obs

heaves To the
-

vier sen

lu

mi

d'ar

g:ent;

Dansleur

ti

ne,

Cou-rent,

^ f
##

^F

f:f

^^
22724

Copyright, i91i, by G. Schirmrr, Inc.


Printed intheU.S. A.

203

Ii
swell of
the

T
waves
les f lots

^
Is

^^
a
-

3:
its

flame with the gems on


tes

breast,
-

mon-tent

Pail

le

de

leurs ri

ches

gre

lots.

^
Ah,
Ces

^
ra
di
-

s
-

^
Ce

zs;

mi
pro

cu
g-es

lousnights! Ah,

des nuits,

mys mys

:&

i
te
-

ri
-

m
'

^
my
en
-

^
my
heart
is

22
a
-

^^
tn.

ous lights! All

blood, all

fire;

have

te-reet ces feux, Tout

flam-me

mon sang

et

mon

coeur;

Les flam-

:P

S
32724

204

/
di

i
g-a
-

thered
sont

thee flow'rs
bril
-

For
J'ai

our
cueil

flame
li

lig^ht

ed

bowVs; Tar
fleurs,

P.^

r
-

r
r}'
-

beaux

hints,

quel

ques

Ha

te

^
:*

ritard.

not,
toi

O
vers

my
mes

Love, bras

my
a

De mou

f
-

^=^
Tar
-

sire!

reux!

Ha

te

not,
toi

my

^^
Love,m3'
-

^
fsire!

vers

mes bras a

De mou

reux!

3^E

^ Soon
Get
-

^
night will
nuit

be
o'er,
-

the
te

va

pas

ser,

22724

^^
P
And
Et
the

205

^ waves
va
-

MM
call

^
les

^
the

no

more
tail

'Neath the

la

gue se

Sous

pas- sion-less eye of yeux im - pas - si - bles

du

S
XT'
1^'.

i^i
"xr:

55P;l

P
-^ -G-

^E^

ffi -^
%).

sun;

^ And
Et

feel

^ how
a
-

g
chill

^
All

my

bo
sein

som doth
in
-

jour,

1
|

^
m, if'-i

le froid vient d'en

trer

En men

qui

If
^^
11

m
"cr;
I

i
w-

ipp sub it

.W
-&

>>t

Hlj

^
fill:

P
=55P;^

mf

feSE
r
et..

r
-

r
guess how
I
-

Wilt thou

love thee
-

n #S
^

Sau

ras

tu

de

vi

ner

men

3e^
mf
^^1^

m.
!&1

^9-

23724

306

Air
"Sylvan Roundelay"
From
.

Enffiish^version

by " ^ '"^ G. Chapman Henry -

the fairy opera "Snegourotchka" (Prologue)


(after A.

Ostrovsky)

,, ^^ Allegretto capriccioso

Nicolas Rimsky-Korsako-w
dsso)

rit.

poco a poco

ph
Piano

.V

^PfP ^M^M ? F
m, y

r^.
1

^A f
V'
1

fe^

tg'^tPTa

^=g^'g^^{^''0=
Snowflake

Little

IS
feS

rpPppi^i'
string,

poco a poco

J^M
ber-ries
in

For

to

go and ga-ther

the woods,

^a^
poco rit en
a tempo
a piacere scherzando

W^
Hal

For to an-sweroth-er

maids with joy-ful hal-lo,

^m ^^r ^^ h^ ^
')%
i

"P

1^

-V

t^

^
i*.

22724

Copyright,

tfill, by 0. Srhirmer. Inc. Printed In the US. A.

207

U &
li

For

O
to

poco riten

>Jm >

>

i'7
of

'^

^n

dance the mer-ry

round, and one

them,

With the cho-rus

^
fl

> h
led

by

n~J\^y

"^
p

^
h
^
^

fe^^ ^j. ^'T^


p

^* rtfp s=^ >


^

P^
^

o pi a cere allargando
a tempo

tempn_
''
i

^^
^>tf P
.y

'^

j'

i'

^^

-'

>

Wftf r p|^
La-do

r P P

shep-herd Lehl to fol-low:

b:

j'^

J.v'

^
r

p-[iiri^[:a-P^
Hi,.
N5-

Lehl!

^
PP

iS5

.yy

^
P

i92Z

i
^
daugh-

Poco animato

n^.'^\
'Tis this

your

m
ter
1'

would pre

7^

^ ^->

j^
J
'

'

?^

P ^

^
fe^

rf

^
ft

J''

^J i^

2^

fer,

Or_ life_ is_

lit

^
y

fc^

tle_worth to_

her.

m ^m
I
'/
fc
.

e:
^'

k:

^^=i

:&

^
f

ij

"tf

Pa*. ^ ^
:?'

P ^
1

^'

II

k ^^i/y

^^ f
^
i

te^

fe

22724

208
Recit.

#y
^
:?z=

Ah,

m
ff

tfl

*h
go\

P-

P
with

lot

me

When

ynu

r'-turn

win

ter

m
^
ft

^^
Rt

i
^

t^f
to

'*?'!)[)
-

>

'

'P
at

''i'

ro

side,

With

in

these g-loom-}'

woods,

^W

v^

S^s^^
b:

fct?^

E^

S
&^
you,
to

#
i
(i
(
is

Adag^io

(Jr 50)

fe

^
ven
-

ig
tide,_
I 11

^^
sing_

kfe

^^
ed^

r^^

i
22

^p^

}'p

^
r
p p

32

P
Sing-

^
a

you

song the

while the

storm -winds pipe and

^
i 3^

pin}',

^
r

i-$
!S

I
"*

22724

209
yoco riten.

Poco piu animato


a te?npo

fe^
P
Sing-

ply^y

^m
song
that's

^^f

5
and
pray,

fc^

biythe.

jyp

poco

riteti.

-&-

fV

a ptacere

*
;*

fe

p-t'p
To
learn

tip
it

p
will

p
not

^jtjw
take

i^V^i

^
~i/J

^
jt?

me

long.

rfnn.

fe^
=fe

i ^
Oh,.


f-

WTi ^
fe^
my_
fa
-

^Tiy g ^^

22

-f^

P
^

,i_J

?^^^=^ iE^
ther!

22724

210

M Y^
For

Allegretto capriccioso

ritenuto assai

p
g-o

^^^H^

^'

jS

p
in

J^

'

J^p
For
to

to

and g-a-ther

ber-ries

tho woods,

=F*
r
^

^
^^

an-s\v<'r

oth-cr

ii
parte

capriccioso
/T\

colla

')%

:#

a pincere scherzando

ll^/^

i^

maids with

P
k

Tempo

LfSrH^!^
Hal
lo,

joy-ful hal-lo!

hal

W^

4 ^
Y^

^^
* s ^f^
fee
a tempo

^^
*
^-

?<

fe

P
::z:

F
r

p
to

p'^i^ ^=^^ .^ i^ !^
i

^
"f

^
r\

lo!_

i SFg

lA

^ M m i H^ ^
f\

m T^ ^
r
i
.

For

dance the mer-rj' round,and one of them,

wr~t
i

^ ^S ^
V ^

r\

"]r^

a ^

ritenuto assat rirenMfo assai

jrp

^p

Hi
b^'

With the

cho-rus

led

shop -herd Lfhl to

^^

ritenuto assai

V ^m
.

Tempo

i^/3-

T=p
fnl
-

low:

''-:

22724

Sll
a piacere allargando
a tempo

1""^^

''

f[
parte

tt

f p

11

Hi.

P La

eJ
-

do_

Lehll_

a tempo

>i

tt

colla

^^
Poco animato

^
4
I

f=*f

m.

5^

^fe%
A
'Tis
f)i

p
this

i
^'

krp

your

daug-h-ter would pre

'^

^%'h^ a Iff P ^ i
r

^ ^^
-

fer,

Or_

s^
is_
h=

^ ^
p
worth
to

life_

lit - tie

b:

-^^

b *=

4i

^-^
Vivo
fciT
or_
I

^ m^^^

/;oco string.

P
life

Ej"!?
is_
lit -

Eb
tle_

her,

ii
poco cresc.

s
^

i^^

^
P

H ifiA=i
]

^^
;^
h.

*4

worth to_

^^
her,

4
fa

P
ther!

oh

*^ A
Z27Zi

^^

^ jr-

-.^-

^m

212

The
Eng'lish version by

Little Fish's
Fischleins Lied

Song

Henry

G.

Chapman
L.

(From Le'rmontoff's poem "Mtziri")

German words by

Esbeer

A.Arensky Op.
1901'

27,

N9

Allegretto

Voice

Piano

22724

Copyright,

i.9tf,

by

O.

Sckinnci; Inc-

Printed IntheU.S. A.

213

^
life

5
is

"^i^

^
and
-

5^
'Tis

fresh

free;,

frei

im Was

ser

hier;

so

*
I

fe

'^
i n]

m f
E*1:

^g

^
^
J^
I

g^

^il
*-

it

i
^
t

i s
cool
kiihl

^^^play.
Ruh'.

here,
ist's,

stay

and

so

voU

*
fc=^5 i
^i^r;;:

hr

ite
, s^

ikte

s?

^
::3K:

W^
22124

214

m
,

w/*

^
call

I'll

my
-

sis

ters here
fe

^^
ich

?z^

Die

Schwe

stern

ru

and her

wo
-

Will

bei,.

wir

^
fi

^
'-^

rit.

a tempo

^
'J .

~^-^

^^^

2272*

815

22724

216

J^
here,

J^
be

i)
thy

U^
bed,.

so
dein

soft

shall
ist

So
die

aus,

Pfiihl

ja

so

weich,.

22724

217

^^rt
Dear
0, lad,
I.
-

will

trau

ter

Schatz,

is

r f sA

218

22724

ai.9

^^m
stay,

r\^^2>-

ah,

1S^
with

(9-=-

stay

me!.
mir!.

blei

be

Mer

bei_

zzo

The Nereid
(A.Pushkin)
English version by

Henry

G.

Chapman
Alex. Glazunoff. Op. 60,

W3

Andante

(Jr 72.80)

Voice

m
if

^m
Piano

* -

^m
* ^

^
i
^

^
^If
On
lone
-

M
ly

^''

Tau

ris'

J
I

m
#i

15>-h

'MSC

22

^
i

42

i-^ *-&

shore

PI r-^'pir dawn
at

f
In

ros

stray

inR,

xm\

Copyright,

tffff.
In

by

O.

Schirmcr, Inc.
A

Printed

iheU. 8

2Z1

fe^
o
-

cean's

wa

^
-

A
green
I

ters

saw

Ne

reid

^&

:i
:=

i
If
fi^

Jm
In

.^'

-^

^ ^ i
8-

play

ing.

shel-t'ring reeds un-seen

8-

m: 2/^

g
725

2
P
sion
I

J^
dolce

^
i li
i^
:-3
(^

p
I

^'
let

fe

p my

pvi
-

r
roam.

i ^^^
From

em

'raid

i
m "f

Ie

SS

r^=^

22734

ZZ2

M
i ^
fc
itTz:

F=s

p
she

p
wrung
the

pearl

^
-

^
foam.

fe

::8:

^
^^
^
.*

^
:= ::t

^
^^^

m
2272-V

"f
Jz-

^m ^

223

Before
English version by

My Window
(G.Galina)

Henry G. Chapman

Sergei

Rachmaninoff. Op. 26, N9 10

Lento

(J

50)

Voice

*:

M
*'

cantabile
.I'

h
Be
-

h
fore

\\

J^

my win - dow

blows

f a

J'

J)
al
-

J'
der

scent -ed

* Is
Piano

"TJ-

i'

? se
-

33

s^

-w

^g^

a
3

I
J^ 5--

^^
tree.

or esc.

5=5=

Mi i
wears with

p p P

J^

r
flow

Who

rious grace his fes-tal robe of

ers;

la
zn:

melodia ben

-^-

~^

in:

7J

<

Pm
?

^
J"d-

^
J

-#-

JfilrpJT^
^

i r

/;

'

Some

% perfumed branch
P \

-es

now

P m% t
he
low- ers,

p
-^

#
-

J
call
-

.1

He's

greet

ing,

ing

22724

Copyright, 1910, by O. Schirmer^ Inc.


Printed In theU.S. A.

224

m
i

dim

m
And

me.

^
as

3
/

K
frail

P
and

the

scent

from

trem-bling blos-soms

=^
flies,
I

catch
the

in

^
-

^
glad
-

}^
heav'n
-

jj
ward

cense

sweet

so

ly

if"7

'

n"^ v4

F
^ i
i

r#

i
g

^
E
rfim

>j:ii

^
^
f
sens
-

,.

cresc.

soar

ing-,

feol

^
a
fra
.7

X.
2^

grant

breath

t\

?f=p
r
r
3

rrr^ f
r

")

r
3

^
9

niv

es

ver

LA w
^

f
J

3 '

* The higher notes are optional.


28724

225

fe>^5^
f

P ten

that needs no words.

^
a
-

E^

rise.

'^#
F
\')--

J^

i'J

^TT J P
dim.

> 4 *
eresc.

cresc.

m: if

Trj~^i^

vfJ

i
:*

I:

fc=g

::^z

^^

o
:=

rs:

-O-

^^
2724

P
-^*

r p

i
T-

^
*

^)^>j-

1"^'

%^

226

Lilacs
Ovath.Beketoff)

English Version by

Henry

G.

Chapman

Sergei

Rachmaninoff.

Op.:;;!,

N9

Voice

^^
te

Allegretto

sempre tranquillo

i
-

Piano

^
While und

I^ ^t^
i
P

Morning Mor-gen

skies rot

are a - glow schon er-gliiht,

i3Sf^ ^^I?

fig^

w^^^

^
^^S
?

/>oco

S ^
the
li

S
lac -trees blow,

S ^
And
I

breathe of
at
-

the fresh

morning

^
/<?;;.

der

Flie-der-buschbluht,

und ich

me

so frisch Mor-gen

mj
_

eantabile
-O-!

m
I'l

l*

r/-

^^^
P

p-

wind;_ wind;.

i ^ Py
^-

the

shad-ow

^^
-

pool,

nach dem schatt-gen Ge-biisch,

^ i
22724

^w ^p.prfpppfp;^
iJ'i>

--;

F F ^

(^ IZ:

f--

rWCopyright. 1910. by O. Schirmer, Inc.


Printed In the U.S. A.

rs

-^

827

^^

r
das

r
it's

r
dew
-

Where

and cool, y von Tau-trop-fen frisch,

m if
^

P
r r
ob

r
I

r
if

must see

my

for -tune Fll

schau'' ich,

dort mein Gluck ich nicht

find
find'.

w
#

^S

ijg

i
pp

f^
-^
Ah,
Ja,

-<s^

^;

te^

lS^

i
of
luck there's scant
g-ibt's

dole,_
viel,.

Yet

it's

ev

'ry - one's

des Glucks

nicht

und doch

ist's

al

ler

JJTTJJ

I
ni.

l?J

[><

t^^^
ig

-f^

^^
<^'
28724

S^

g^

228

rail.

f f^
gd
goa-1.

* And my own
J

^
lies
-

^^w:1^

(i

tempo

^
in

zpzi

^
Hid -den there wo im duf all
ti -

^
a

out there
ist

the

dell;

Ziel,

doch das mei

ne

dort

auf
a

dem
tempo

Strauch,

gen

ife

^^
round
GriiH

S^
li -

a
la

f^
/y^

i
And
und

^^
my
mein

dim.

^
for
-

Cluster'd li-lacs are

found.
-

own

lit-tle

tune, as
-

Trauben er

bliihn,

ar-mesGliickblii

het

da

-rrr7SJ4

29

Morning
(M.L.Janoff)

English version by

Henry

G.

Chapman
Sergei Rachmaninoff. Op.
4,

No. 2

Moderate
Voice

i ^^
*:

^ ^
^I

(iS9e)

if

^s
love
thee,

i
dear!"

i
said

i
Piano
'/P
{',

77'

Wf

^^

^
i*

55?:^

i
to

^=y F
^

ppp

^
tt
f)
I

J)
with

j^
him
in

E
her

5^
arms

Morn - ing

the Day,

And

grew
3

^
w/* espress.

i
*>

f=f

ll

t=t:

^J
dim.
i^

?^
ros

')

i
in
J.

f
con
3
-

^
fu

SEt^
sion;

^
The

^ ^ i^
;^^

n. h
I

I =f=l

f
w; -/
.?

i?

<^

^r-

i
T-

^M
82724

i3X1

^
^
A

t=t t
jf

t=t

Copyright, 1910, by G. Schirmer, Inc.


Printed IntheU.S.

230

^^
sun
lit

up

the world with

am

^
-

te
ray,

s
And

'rous

iitttiii s
f rtfsc

jl-jTi

gp fc

t i t i t t t 1

ji

^
?>

-o-o-

^^ Mi u^ m
"P
y^'

5
.y

with her
.y

burn

ing kiss

f^
es
^.y

^
==

smiled and

^^
took

^
-

pos-ses

sion.

^ I

<

s
i
it
k ^m^w^-"V
f^

PP

^
.y

The Day,
.y

wy,

gg^ r
i^
^
j^
as

r,^^rf

^r
Z3Z

^rt

F
J^
tho'

^
^'

trtr^
it**^
tf

sg^

k/* =
(!

i ^
"y

J^
he

^^
still

PP
'y

>r)

^2^=^ *
truth of
I

at

heart

mis

trust

ed

The

^^
*:

III

II

F"

i*

2 2724

231
,y

i*

ritard.

J'

Ji

ji

J)

J)

P=y E
or
say,

aught
3

thedream-y
,y

Morn might do
,y

Dropped swift - ly
ritard.

:i *
ss
^if^

5
jgp

^
^

riJ
smile

gy'

^
i

i, ii

i;
a tempo

^^
down

^
i

i^EEEf E
to

}>
I

J)
a

h^'Y
he dust
-

Ji^
ed

2)

earth,

and

with

Au

a tempo

w
ni,

m
i
i
ro
-

I
3 3

PP

* -o-

*
m.

rit.

^p
of

If
dia
-

ras my-riad wealth

mond

tears

way.

3
--

^K^

cif

r^
'zf.y

^
-/
.

<l

t t tV
.y

i
w/.

'TTT

s'^^^

^^f^f= ?=5^

Jiis

P-

tt

^.

^^
:;

22724

232

"How sweet
(g.

the place!"

Galina)

English version by

Henry

G.

Chapman

Sergei Rachmaninoff
2?
dolce ed espressivo

Voice

Moderato ^{'i

^
How

sweet

^
/

Op.

21,

No. 7

^
Far

^
dis

the

place!

^^fPiano
'>

JT3JT3Jp
pp
-

i
:3

^^
3

5"*^

H"

^
J M
riv
-

t>

^^
ff

'

(^

J
er

tant

gleams The

in

^=^5
sun;

^^
i

the

The grass -y

^1^

^
^
22724

ijii jv

j^^l
i"

i wm t^t f*

fe ^^^^^
mead
-

b
feet

j^
flow'rs

i)
are

J'^^
o
-

ows

at

my

With

ver

m ^^^^
E
2
Copyright, 19H, by G. Schirmfr, Inc.
Printed In theU.S. A.

S33

un poco

ten

22724

234

ten.

^f_
Ji
-

J^
pine,

i^
the

p
host
of
flowrs,

^
And

lone

ly

{.A.*

:i ^

=^

fU /] ^T^
'

ICi

j'

^-^l:/

^^

P
f^

^^

j:r^gr-7

22724

235

"O thou billowy harvest-field!"


(A. Tolstoi)

Eng-lish version' by

Henry G. Chapman
Serg-ei

Rachmaninoff. Op. 4, N9 5
(1893)

Lento
Voice

Piano

4g

mf

^
O
"'C

J>

h
y

thou bil-low-

P^
5r:T;=ii J*,.
^'

mf

O-

3ir

w
jj
i

^^

wm
i i

"^^

-&

frT
5

^ ;ri
sx:

f^
r-^J
^
r

^^
i^

p-p
I"!!

p-TJy
grainL

11

i^JllJ.
at

^
=^
-J-

har-vest-field of

Nev-er may st thou be mown

sin -gle swath,

i i

-&^

^
o

^
^^
7 p

3
=g
21

^
32724

^^ ^

Copyright, 1911, by G. Schirmer, Inc.


Printed in theU.S. A.

296

4g
Nev
-

m mg
pm
er

Mk
in

i'
a

lJ.
sin
-

^'
gle sheaf

mayst

thoji_

be bound

W.

:^

M
r-r

3tz:

"/
-ojCH
"XT"

^%FP
*
Ah,
3-0

2:

wn poco

cresc.

fe ?=

M^r
dreams

Lr
so

r
fraught

cj
with
care!.

thoughts and ye

ftp

^
/
Who
can

P
gar
ner

you

^^
>
in

^
mind!

h^art

or

i'ry
'/ w.

3*^
^=

3V

y 3V

i p5^

3 3^

teg ^
^
22724

837

^:.=&
Who

ritard.

g
can
grasp

P
3'ou

P
or

P
bind

P
you

S
'

words!

up

in

m 3^
-<^^
^1'

ritard.

3*/

^*/

33/

'^

tt*-^

^^--^

r-

m "/

i
r

22

^
r
-

Jl/lf

^-tff
r-^

k i ^
o

^
ver
thee,

^
O.
field,.

^
hur
ried

^S S
PP
^^

Hm
^ ^
*

^
mf

=a

^~^

^
ppp

i g^^'
4
driv
-^
^1-

ff
'
ing-

f^

storm.

Down

^
it

^
all

:^=3it
thy
har-vest of

bent

2S724

238

if

^n

J.

JM
to earth,

r"

grain

^
th}-

s
ri -

y r

-'

^-t1-^-^

Z2:

All

pen'd seed

it

2272i

S39

mf

There have

^
P

tz

!'

p
-

r
y,

M
w
it*

rrp
f lour-ished

sprung- from the soil

weeds of mis- er

There has

the

;^
rzL

TT.

m
zn:
>

ft

-G-

W
p r

-G-

p
bit -

^
Ah!.
/T\

^rfrrrHfTfT

^^

ter- est heart's dis-tress!

tS

S
TV
rs

:;#^

-^
Con moto

Ah!.

r\

22
22:

r^
^
r=3t
CO/i

^
=#^

wofo

^
o

p
/Cn

^1

^
ff=^ -o22724

i
rit.

/CS

^rTTW
3'

\j

r:.

'^'^

^^^fOBAf^^j.

let

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